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comradekatara · 17 days

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Can you go a bit more in depth about your post about Sokka in the Burning Rock episode? You said that it was basically his suicide mission, which I agree with. I'd really like to hear more of your thoughts on it.

okay yeah i mean i'm sure i've covered all these points before extensively because i love weaving a tapestry of sokka's fucked up psychological landscape more than anything in the world, but every so often someone will comment on one of my posts and be like "i think you're reaching i think sokka is the paragon of mental health actually" and i'm just like um. did we not all watch the boiling rock. did we just ignore the apotheosis of sokka's entire character arc. like katara's apotheosis in "the southern raiders" is both very overt and impactful and also, arguably, subtler than sokka's, because they don't explicitly spell out the themes every five seconds, but like. if you didn't watch the boiling rock then you cannot understand sokka. and weirdly enough i also believe that zuka shippers are the biggest culprit of this despite this episode being thee zucchini episode because they somehow still have the audacity to characterize sokka as "goofy sunshine who exists to comfort zuko" when like. the entire point is that sokka is legitimately suicidal here and zuko is doing everything in his power to support him thru what is quite literally a mental breakdown. like their relationship is legitimately interesting i don't understand how people have taken that and made it deeply boring.....but i digress.

the boiling rock is quite obviously sokka at his lowest. the worst thing that could ever happen to him – fumbling a mission that was squarely his responsibility, from its conception to its execution, due to not being able to sufficiently compartmentalize his emotions, leading to the mass imprisonment of most of his comrades, including the men of his tribe whom he idolized his entire life and felt immense pressure to live up to, including his father who he is deathly afraid of disappointing (for reasons that have nothing to hakoda being malicious or neglectful in any way, fwiw), and thus being directly implicated in the failure and the harm caused by said failure – happened. sokka is someone who is especially bad at dealing with failure, because a) he is exceptionally talented, and thus has less experience dealing with failure in both minor and major ways, and thus lacks the emotional resilience developed through the process of struggle and growth that normal people (such as, incidentally, zuko) go through and b) to sokka, whose primary desire at all times is to protect and provide for others in any way he possibly can, for someone else to sacrifice themselves for him constitutes a fundamental disruption to the order. there is a perverse wrongness to kya or yue or hakoda or suki making sacrifices on their own volition, because it means that sokka has existentially failed to protect them by martyring himself. like, he somehow feels so guilty about suki being imprisoned that when azula reveals this piece of information to him, it literally distracts him from his own mission. and mind you, there's absolutely no way sokka could have known or been responsible for suki's imprisonment. but he still feels guilty nonetheless. and azula knows that, knows exactly how to twist the knife to make him break, because, well, it's honestly pretty obvious.

sokka obviously cannot retroactively save his mother or his first girlfriend, but he can save his father and his current girlfriend. in "the awakening" aang says he has to restore his honor after the guilt and shame of his failure in ba sing se (aang is also an incurable gifted kid perfectionist, btw, as is azula. posts for another time...) and sokka repeats zuko's line again in this episode, after experiencing the guilt and shame of his failure during the eclipse. the driving motivation of zuko's entire character, feeling like he has failed in some ontological way and must therefore redeem himself or die trying, is reinforced through aang and sokka's respective experiences mirroring that drive. aang goes out in a storm and nearly drowns to redeem himself in some vague, nebulous way, because he isn't thinking rationally. and likewise sokka, who usually always has a plan and always thinks things through, feels that caution and foresight is pointless, because he came up with a genuinely brilliant invasion plan and it didn't work, so clearly there's something wrong with him (just as he always suspected) and no amount of planning even matters, because he's a capital F Failure and always will be. and so he vows to save his father, as he promised him he would when they parted on the day of black sun, or die trying, because if he can't even do that then what is he good for; at least he'll die a martyr, which to him, is basically his ideal situation. because to sokka, dying as a martyr is basically the highest form of fulfilling his purpose (being needed, protecting people) and so if he dies a martyr, then maybe his catastrophic failure (that is entirely his fault and rests squarely on his shoulders btw) can be forgiven. so his plan is basically just to sacrifice himself for his father so that he can die "redeemed." very normal, rational, healthy behavior, i would say.

sidenote, i also see people claim that "the boiling rock" makes sokka look stupid because why wouldn't he take any of the insanely talented benders to a prison in a giant volcano surrounded by a boiling lake, and it's like. sokka literally admits that he's not being rational, that he doesn't think he's going to survive this, that this is not a good idea. it would go against sokka's entire modus operandi if he brought the children who he feels a deep, presiding responsibility to protect on a suicide mission that he's lowkey hoping will fail (because he not so secretly loves courting death. it's like she's the moon or something). he only lets zuko come with him because he doesn't actually care whether zuko lives or dies at this point. sokka has absolutely no faith in zuko whatsoever (and frankly, why would he, zuko has yet to actually prove himself to him. he didn't even kill combustion man; sokka did) so he has no idea that zuko is actually going to be helpful and supportive in a meaningful way. and frankly, if he had known that at the beginning, or even remotely liked zuko as a person, he probably wouldn't have caved so easily when zuko invited himself to join. if he didn't think that zuko was objectively worse than him and basically worthless as a human being, i doubt he would have let himself be so vulnerable with zuko in the first place. meanwhile zuko is eating it up bc he's like "omg he's confiding in me he's letting me help him we're basically besties" because he doesn't actually know sokka well enough to realize that sokka doesn't actually do that shit with people he remotely respects. shit like "my first girlfriend turned into the moon" and "i had a feeling this was going to be a one way trip" are simply not things that sokka would say out loud 98% of the time. the fact that he is admitting something real is not a testament to the trust he places in zuko, but rather the opposite. sokka spilling his guts (you know, for him) to his resident collateral damage, sokka bringing his lovingly crafted space sword on this mission, sokka not even confirming whether or not his father is actually there beforehand – he's simply stopped giving a fuck, he doesn't care whether or not he lives to see another day, because to him, he has nothing left to lose.

but of course, that also isn't true at all. i mean, for one thing, zuko still needs to teach aang firebending, so he does serve a pretty important function to the group, and zuko simply telling him to do hot squats in his absence does not qualify as significant tutelage. but also, even more importantly, sokka is integral to the fabric of the group. when he's gone for a day in "sokka's master" they literally all just shut down and start complaining about how much they miss him (we don't actually see any b-roll of the gaang hanging around the western air temple because the episode is simply too busy for that, so who can say whether the same thing occurs twice). sokka cannot afford to simply die just because his first plan failed, he still has a major responsibility to his friends. fucking idiot. i've said before that sokka has the emotional resilience of like. a pathetic wet newborn kitten caught in the rain. but like, come on man. i mean, as someone who has also suffered from debilitating perfectionist issues and never had to be responsible for a failed military invasion that cost my people their freedom, i do get it, but still. not his best moment. although there is something genuinely admirable about the fact that after he finds suki, he decides that saving suki is enough, and genuinely does want to succeed in his mission going forward. like his love for suki is one of the only things that consistently makes him happy and makes him forget that his greatest dream in life is to be murdered, and that's so beautiful to me.

the entire point of this episode, by the way, is that sokka is wrong. if that isn't obvious. sokka's entire worldview, that he only has value insofar as he exists to provide for others, and if he fails to protect people in any capacity, he has fundamentally failed to uphold the one reason he even exists on this earth, and thus he does not deserve to exist unless he is bearing the weight of everyone's suffering or otherwise proving his worth through sacrificing himself for others, is um. fucking stupid???? and incorrect. and stupid. the thing is, unlike zuko, sokka can't really point to any one person who taught him to see himself this way. he can't just face his father and tell him that his abuse was cruel and wrong, because hakoda is a good father who has never not supported and believed in and encouraged him, done everything in his power to protect him, loved him unconditionally. hakoda has inadvertently damaged sokka's psyche in various ways, of course, but never with any intention to hurt him. like, ozai tried to kill zuko, on multiple occasions. it's a pretty obvious indicator of the primary source of harm in his life. but sokka is equally if not more Unwell, and there's no one single figure he can blame, because his complex lies within a tangled web of what my best friend fanon calls the "massive psychoexistential complex" of the colonized subject. he is being dehumanized not through interpersonal abuse, but through the violent logic of imperialism. sokka's formative traumas inform his psychology as he understands that he only has value insofar as he is protecting the people he loves (namely his sister) from being murdered by imperialists, much like his mother did. and that logic is continually reified through the violence he is being subjected to, until he truly absorbs the belief that his life has no value on its own, that he is genuinely Less than [human] in some fundamental way. which is obviously deeply tragic, but also lowkey kind of comical because he also happens to be the specialest boy in the world, who literally did come up with multiple working escape plans at the world's most secure supermax on the fly, mind you! but whenever anyone tries to point that out, including piandao literally saying "you're the most exceptional and worthy person i've ever met in my life" sokka is just like "um. that is incorrect actually." like NO ONE should depersonalize themselves and feel that their only value lies in their ability to serve and sacrifice themselves for others, but it's especially ironic that sokka literally does not think he has any value as a human being, and yet he is also objectively exceptional. like, do you understand why i adore this character so much. do you.

anyway. the point of this episode isn't that sokka has worth because he's exceptional, either. that's lowkey the point of "sokka's master," but also a) sokka doesn't really internalize it and b) the more important part of the episode lies in how much the gaang just misses his company because they miss their neurotic control freak big brother who makes bad jokes. but even if he couldn't come up with multiple working escape plans on the fly, suki and zuko still stay by his side anyway because they care about him. they are demonstrating that they would risk their safety and possibly even their lives, in the exact way that sokka is always trying to for everyone else, for him. that sokka doesn't need to be the one who always protects everyone else, and that he isn't a failure for letting people who care about him help him and protect him. and sokka has to accept their help, because suki and zuko are simply too stubborn not to force him into letting them support him. they are standing in a literal maximum security prison in the middle of a volcano and they are still choosing to prioritize sokka's mental health and wellbeing, which is honestly crazy, but also exactly what he needs in this moment. suki has known sokka for what, 3 days maximum? yes they're soulmates but like, girl get up. and in zuko's case, "girl get up" is magnified tenfold, because he literally risked his life to go with him to the boiling rock (also largely motivated by the guilt of not being able to stage his own prison break with iroh, but still!) and let himself get imprisoned despite being the fire nation's most wanted criminal, stayed by sokka's side no matter what including getting thrown into a literal torture chamber for him, jumped across a gaping boiling chasm with no guarantee that he'd survive except for the implicit expectation that sokka would catch him on the other side. like zuko is so fucking pussywhipped and sokka didn't even value him as a human being until like halfway through their entire mission. insane.

in conclusion: "the boiling rock" is a beautiful story of the most mentally ill boy on the planet (he took first place ever since jet died rip jet forever in our hearts), and his two ride or die bitches who he met like yesterday, and also his dad, and a casual homophobe named chit sang, all working together to demonstrate to him why killing yourself is a bad idea in most cases, probably. it's also the story of the most insane dyke drama of all time, but that's for another post (of which i have of course made multiple, most recently, here). i said it's the apotheosis of sokka's arc, and by that i mean it's the most overt acknowledgement of what his fundamental issue is, and the first steps one must take in actually resolving it (namely, accepting help and support from your peers and loved ones). do i think that sokka is magically cured after returning from the boiling rock? no, probably not (in fact, because i'm somewhat sick & twisted myself, i like to imagine that once the war ends, he actually gets worse). but he does seem genuinely happier after they return. and maybe that's just bc kyoshi warrior pussy hits different, but like. he was able to rely on others for help (including mai my best friend mai) who supported him unconditionally and prevented him from simply giving up, and that's so incredibly important. that kind of support is always important, to everyone, of course, but as we've established, it's especially important to sokka specifically, at his lowest (quite possibly ever), in this situation. no one has an obligation to risk their life for someone else, but sokka is something who thinks that his purpose is to risk his life for other people (namely katara), and so for people who really have nothing to gain and everything to lose in standing by and promising not to leave without him, to actually show that they support him unconditionally is huge. if sokka has no fans then i am dead and so is suki zuko hakoda toph aang piandao iroh the mechanist etc etc etc. perfect episode <3

#suicide /#writergracethepanda #asks #analysis #sokka #sokkaxsuki #cinematic masterpiece the boiling rock part 2 #(technically i use that tag to talk about maizulee but swagever)#this post is basically just stream of consciousness unstructured rambling so i hope you find it valuable in some way...#at this point i've given up on trying to do Readings of and make Arguments about sokka #and i'm just rambling. i posted a whole fucking. ACTUAL essay about him yesterday and no one read it #but this is not that. this is. who even knows. it's certainly not an ''essay''#my thesis statement: i love sokka so much #my body paragraphs: hes a weak willed mentally ill fucking IDIOT #just trust me ok. trust the process

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oneatlatime · 4 months

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The Crossroads of Destiny

Strap in folks it's finally finale time!

I'm getting a bad feeling from the 'previously on' segment.

*gasp* Song's bird horse!?!?!

Toph gets some serious speed with that earth tongue walking.

Ty Lee's flattery gets less and less subtle. I get the feeling that a lot of Azula's more worrying tendencies could have been curtailed if someone had stuck her on stage as a child.

Is Zuko taller?

The cuts between these scenes are getting ridiculous. Some of these scenes are maybe 15 seconds long.

Zuko knows what's up. He and Iroh have teamed up on that particular fire breathing party trick before.

"It's time I face Azula." Buddy. No.

"You're so dramatic." POT. KETTLE. BLACK.

The last time Iroh and the Aang Gang teamed up, it was also against Azula. She has a way of uniting enemies.

The longer I stare at this the more I giggle.

"Good inside him isn't enough. Why don't you come back when it's outside him too, ok?" Congratulations to Sokka for articulating one of the fundamental human truths. Intentions can go take a hike when all that's visible are actions.

I love that! Iroh says he brought someone along in a tone that very much implies that he asked for help from a friend! Then you go outside and see he kidnapped a dude! And then they just leave him there!

I see your fake meditation. No one as rotten inside as this guy actually meditates properly.

The Dai Li be like

Katara? Why are you ripping into Zuko? Why is Season one bitchy Katara back? I don't want season 1 bitchy Katara to come back.

"No offence." "None taken." Iroh loves his nephew, but Iroh knows his nephew.

The one time Iroh's advice is explicitly solicited is the one time his advice is corny crap. That sucks.

Ba Sing Se is a tel? That's neat.

Hey Toph? Now would be a great time for that new metal bending trick of yours.

Avatar inadvertently validating my fear of subway grates.

I know this is life or death serious and all, but isn't the Sokka and Ty Lee dynamic cute?

MOMO!

This episode's thesis statement boils down to "what happens when you cancel arts programs and theatre kids don't get a chance to monologue in controlled conditions."

Honest question: Is Azula actually so deluded to believe that Divine Right of Kings crap she just spouted, or is she saying what the Dai Li needs to hear to side with her? Usually I think everything out of Azula's mouth is a calculated statement for manipulating others, but the way the show framed that monologue makes me think she actually believes what she's saying.

This conversation between Katara and Zuko, aside from showing that Katara is as capable as Sokka at sticking her foot in her mouth, is actually showing Zuko's growth well. So many of the things that he waves away with an "it's ok" are things that would have made him explode back in season one. It's about time he redefined that scar of his too.

"Aang! I knew you'd come!" "Uncle! The fuck?" Zuko truly has a way with words.

Hey Iroh maybe save your heart to heart until after you've exited the prison?

Wait so this episode is named after Zuko's arc? It's Zuko's destiny this finale is dealing with? Poor Aang's not even the main character in his eponymous show's season finale? Dang.

What was I saying about waiting to chat until you're outside the prison?

So every word out of Azula's mouth here is definitely a lie. She doesn't need Zuko at all. She's got a whole army and already has possession of the throne. What does she need with someone she considers to be an inferior firebender?

Father's love? That guy who burns off faces? The audacity.

"You are free to choose." Is it really freedom of choice if choosing the answer Azula doesn't want to hear ends with Zuko in a crystal cage?

Gotta say I'm intrigued by how quiet Zuko's being for this whole episode. Compare it to the volume of his confrontation with Azula at the Spa place at the beginning of the season.

This is so awful. This is so skin crawly. This is so going to end badly.

Toph can turn doors into ping pong balls. I like that. And what does she need Sokka scouting for Dai Li agents for? She can sense people for miles.

I love the line read on the "I'm not leaving without Bosco!" But does this guy really think he's in a position to make demands, after all the stuff he's ruined in the last, what, two days?

This is a cool move. Full body air bitchslap.

Katara cut her hair! That's kind of like what she did to Pakku with the ice disks.

How has no one been knocked out yet? Everyone in this fight should have at least 5 concussions by now.

I don't know what to make of it, but when Zuko says "I have changed" he sounds more calm and confident than he has all season.

I love the dynamic between Sokka & Toph and Mai & Ty Lee. Everyone involved knows they're second string and no one's really that invested. So they're all kind of chill.

I don't know what's going on in this fight, but Zuko is far too talented and Katara and Aang are both going down too easily.

And this right here is why this fight is only going to end badly for Aang. As soon as Azula's tired of playing, she'll call in reinforcements. Aang doesn't have those.

I hate Azula so much, which means I'm very annoyed to say that she and Zuko actually make a good fighting team. Did they practice drills together or something back in the day? They way they tag out and back in, and exchange fights, flows so well.

Jesus

Crap ok

She nerfed him in the power up sequence! That's not allowed!

So help me god if the writers hook these two up after pulling this crap I will riot.

Iroh could have been helpful if he'd been there earlier. Guess it takes a while to break out of crystals. Although I do like the detail that he stops fighting as soon as Aang and Katara are out & safe.

I was wondering why the magic water was randomly brought up earlier after disappearing for the entire season. I figured it had been lost in the desert with the rest of the stuff on Appa's saddle.

I'm so sorry, but the way Aang's arrow flashes once to confirm that Katara's saved him makes him look like an external USB device confirming successful connection.

I'm loving how immediate the regret from Zuko is. Proof that he has learned over the last two seasons.

"The Earth Kingdom... has fallen." AND WHOSE FAULT IS THAT? This King rubs me the wrong way. Consistently.

I'm fascinated by the fact that they managed to securely transport a bear on Appa's back.

Final Thoughts

Poor Aang has been demoted to secondary character in his own show. This finale was all Fire Nation.

Well done Azula. No matter which way you look at it, she won. If Azula was the main character, this episode would be the crowning glory series finale.

Sokka and Toph spent the whole episode running around putting out fires, only for five more to spring up in their place. I honestly don't know how they and Appa reconnected with the rest of the Gaang to fly out at the end. There's this feeling the whole episode of being consistently one too many steps behind, and I think it's most obvious in their incessant side quests.

Poor Katara went through about seventy billion emotions this episode. I take back my anger at her bitchiness. She deserved a vent session, although I don't think Zuko quite deserved to be the recipient of it. But he took it well.

Congratulations to Zuko for falling backwards into the only right choice for all the wrong reasons. This episode was only going to end with Azula victorious. She recruited an army and successfully executed a coup without breaking a sweat - that is not a level of enemy that Aang and friends has ever faced before, and not one they can realistically win against. Like with Long Feng, this is not a threat you can hit. You can't bend at ideologies and loyalties.

Zuko was going to end this episode siding with the Fire Nation as a free man, or in Fire Nation custody. This way, someone with an actual semi-functioning conscience now has access to the upper levels of the Fire Nation. This could be really interesting.

To be clear, I fully believe that Zuko chose to side with Azula because he swallowed her offer hook, line & sinker. For the guy who invented "Azula always lies" he sure does fall for her lies a lot, especially when she's saying exactly what he wants to hear. I believe Zuko believed her about getting his honour back bla bla bla, chose to follow her because of that belief, and has already realised at least some of what she said was lies by the end of the episode. Which is promising! It looks like there's potential for a Zuko mole next season!

I'm worried for Iroh. Firelords who burn their children's faces off with no shame don't strike me as the type to shy away from executing their brothers.

The Aang fakeout death at the end was not remotely believable unfortunately, mostly because kids' cartoons don't ever pull a Psycho and kill the nominal main character half way through. It probably would have freaked me out if I'd seen this episode as a kid though.

Azula hitting Aang during his power up sequence was inspired. A very well done subversion of expectations, which finally validates my frustrations with the concept of power up sequences in general. Few things bug me more than the mooks politely waiting their turn while the good guy does a quick wardrobe change.

So... is the war over? The Earth Kingdom's fallen, the Southern Water Tribe have been functionally out of the game for a while now. There's only the Northern Water Tribe left, which are only still standing because of a Hail Mary that I very much doubt Aang can pull off twice. So is next season's focus going to be defending the Northern Water Tribe from a final Fire Nation push? I think that's the only place that isn't conquered by the Fire Nation in name at least. On the bright side, this means the Gaang won't be returning to Ba Sing Se. Good riddance. I hate that place.

I've never seen a show with a finale that focuses so intensely on the conflict of someone other than the main character. I don't really know what to make of this episode. I think I liked the one before it better. To be clear, everything that happened made sense - characters were in character, events unfolded as expected (if you handwave an elite force of earthbenders preferring a 14 year old over their seasoned leader), but something about this episode is just a bit boring to me. Maybe they telegraphed it too hard in the previous episodes? I don't know. I'll have to chew on this one a bit.

#atla #avatar: the last airbender #avatar the last airbender #the crossroads of destiny #a resounding meh

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juniperhillpatient · 2 years

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I think I'll do little "takeaways" from at least some if not all of the episodes in my ATLA re-watch :) 'The Boy in the Iceberg' is one of the episodes I've seen the most times so no real surprises there but -

-I was already thinking this from reading The Corners of the World Our Mere Prologue on ao3 which has brilliant Katara characterization but WOW I need to lean into explosively angry & sometimes alarmingly impulsive Katara more in my future writing projects. She literally breaks the Avatar out of a block of ice in a fit of rage. Angry Katara my beloved <3

-On that note, Katara & Sokka's struggles over their different complicated reactions to their mother's death & the responsibilities they were left with are also set up super early & super well. A lot of fandom discussion over Sokka's development especially after he meets Suki later on surrounds his "sexism" & SURE that's PART of it. Still, there's also a massive issue in the way he doesn't respect the way Katara cares for him & takes on chores. This isn't just about "sexism" in a broad sense, there's a personal issue with the way he treats Katara. And Katara isn't blameless either. She doesn't respect that Sokka is trying to train the other children in case there's another attack. She sees it as a waste of time. This isn't a critique on either sibling personally, but a note about where their characters are at when the show starts - and their relationship & understanding of one another will grow as the show progresses.

-It's a little funny how much I did NOT get that they were setting up Katara/Aang the first time I watched this show because whether I personally like it or not it's pretty in your face that they're setting up the ship from episode 1 I just simply misread all of their interactions as 100% platonic the first time I watched so every romantic moment threw me way off lmao. Fiiineeee I see it now, the framing is totally romantic I don't have to like it but I'll acknowledge it lol

-I LOVE the way that Aang & Zuko's introductions mirror each other. Zuko is introduced directly after Aang & juxtaposing "Do you want to go penguin sledding?" we have "I don't need any calming tea! >:(" It's SUCH fantastic narrative framing & introduces the way that Aang & Zuko's journeys & characters are always interconnected & contrasting. Narrative foils my beloved <3 <3 <3

-Huge huge huge fan of how Aang's introduction leans heavily into how much of a CHILD he is. When he asks Katara a question it's not "where am I?" or "what happened?" or "who are you?" It's "will you go penguin sledding with me?" There's something about that simple request to do something FUN that's so adorable & endearing but also it's a GREAT setup for the major theme of the rest of the show about preserving childhood & fun even in the face of war.

-On the same note as the above takeaway, I really love the moment when Aang & Katara are penguin sledding & Katara yells "I haven't done this since I was a kid!" & Aang responds "you still ARE a kid!" That is another moment where this episode serves as a great thesis statement for the rest of the show.

-The end of the episode shows that Zuko's ship is approaching & the foreboding vibe + the genuine fear we finally get from Aang in the final scene is SO good. This show is fun & lighthearted but with serious undertones & I think the first episode sets that up so well.

-Love love love love this show <3 Avatar the Last Airbender my beloved <3

I probably won't do a whole long list of takeaways for every single episode (well, maybe I'll feel like it, we'll see) but I wanted to for the pilot. I love this show so much. That is all, for now :)

#atla re watch #the boy in the iceberg #atla

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comradekatara · 8 months

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How conscious do you think Katara of Sokka's pile of neurosis surrounding her safety, their father, or the tribe in general?

Basically, how well do you think Katara understands her brother?

[thinks about my own incredibly weird, callous, prodigious, neurotic brother] does anyone truly understand their brother?

just kidding. sort of. i mean, this is a really difficult question to answer, because as i've already stated, sokka doesn't actually understand himself. and katara doesn't really understand other people very well in general. she has a deep, presiding love for humanity that accords her warmth and nobility, but she also has a pretty rigid way of conceptualizing any sort of moral quandary (she is in the eighth grade) and often misinterprets people's motivations and subconscious desires. (very dorothea brooke core)

for example, in "the painted lady," when katara says, "oh, sokka, you really do have a heart!" she's only partially joking, right? like she genuinely doesn't understand how he can be so "cold" and callous." she doesn't understand his point of view at all, she thinks he just doesn't care. and sokka could probably do a better job of explaining his point of view, granted, but i also understand why he's given up trying to reason with her, because she does not listen to him unless they are in grave danger (at which point she forgets that he is her stupid annoying brother and places all her faith in him lol).

so we, as an attentive audience, know that sokka cares about the wellbeing of impoverished villages destroyed by the fire nation, because we remember the first couple episodes wherein he was prepared to die defending his impoverished village that was destroyed by the fire nation, and we also remember his promise to prioritize katara's safety over the war at large, so we are not surprised when he says, "you need me and i'll never turn my back on you" (the sokka thesis statement). but katara doesn't really understand how much she means to sokka, or how sokka thinks, or how sokka sees himself, or how sokka sees their father, or anything beyond what sokka is willing to show her regarding his psyche, which is ultimately very little.

and it's not katara's fault, to be clear. katara is not a bad sister for not attempting to plumb the depths of sokka's twisted mind. even if she wanted to (which, who would tbh. don't look at me) sokka does not let her. being vulnerable with her (truly vulnerable, not just "i can't make things fly around woe is me") would go against sokka's core programming. protecting katara doesn't just mean protecting her physically (dying for her, attacking anyone who hurts her even if it's aang and he really didn't mean to, etc.) but also emotionally – protecting her innocence, her naïveté, her idealism.

like he'll say shit like "optimism and wonder are cringe and you're a loser for having love in your heart," but it's still so flippant, it's clear that he doesn't consider "provoking/annoying her" and "protecting her" to be mutually exclusive (frankly, anyone who doesn't succumb to the urge to provoke their siblings is simply not human and cannot be trusted) and has no problem criticizing her when he thinks that she's wrong for whatever reason, but he also avoids being vulnerable with her and uses flippancy and deflection to mask his more honest feelings most of the time.

notice how he basically completely shuts down in "the southern raiders," how even though he is standing there the entire time katara and aang are arguing, he says exactly one sentence and lets aang say literally everything else. notice how in the pilot he calls her a freak for waterbending instead of communicating either jealousy that she can do something he can't or fear that her ability will get her killed (again, it's probably a combination of both, but does he even understand that? probably not. because he refuses to introspect). which is why "you need me and i'll never turn my back on you" or even his admission in "sokka's master" that he feels insecure about being a nonbender shocks her so much.

katara and sokka's codependency is mutual, and they love each other a lot. while sokka isn't katara's first priority and entire identity the way katara is for sokka, when sokka is spirited away in "the winter solstice," katara basically shuts down, clings to his boomerang with a blanket around her shoulders and refuses to move from the spot he was taken until he gets back, and when sokka is gone for the day in "sokka's master," she spends the whole day waiting for him to return. and like, both of these take place in the span of no longer than a single day. but as much as they love and need each other, they also do not really understand each other, or themselves.

i would say that sokka understands katara better than katara understands sokka, but sokka also just understands people better than katara does, so that's not really surprising. for example, he knows that she would not benefit from killing yon rha before katara realizes it (and unlike aang, he is not a pacifist). but he does have some blindspots, like how he doesn't understand why she wouldn't want to see hakoda in ba sing se (he interprets it as a purely selfless act, which it just isn't), but again, that's more of a daddy issues blindspot than a sister issues blindspot. they also just have very different worldviews. katara primarily cares about individuals whereas sokka primarily sees systems (with the necessary caveat that he still prioritizes his family), katara sees the best in people whereas sokka sees the worst in people, katara misses the forest for the trees whereas sokka misses the trees for the forest yada yada.

but what's important to understand fundamentally is that katara and sokka have both been dehumanized by the fn imperialist project (true of every atla character, btw) and so their lack of self-knowledge stems from the formative trauma of cultural genocide. those gaps in understanding originate from the roles they have been forced to inhabit, and since sokka's entire identity revolves around what he can and must sacrifice for katara, it's understandable that katara would be unable to acknowledge or even recognize that.

and then again, even beyond the inherent tragedy of their situation, no fourteen year old little sister really understands the neuroses and contradictions and lamentations of her older brother. even if he wore his heart on his sleeve she wouldn't understand him, because katara does encounter plenty of people who are far more obvious about their intentions and she doesn't really understand them either. but she means well. and that's what matters <3

#the-wright #asks #katara&sokka #katara #sokka #analysis #i think the person who understands sokka the best is toph actually #at least by the end of the show #god i love katara so much #calling her dorothea brooke core made me rly emotional? lol #like she doesnt really understand but it doesnt matter because she loves she so deeply and cares so much!!!!#her enduring faith and love and sense of justice for her fellow man........ oh boy :'')#also i have a post in my drafts that i never published bc i still havent really figured out how to phrase it #about how when katara is mean to sokka she thinks she is 'punching up' in the same way zuko treats azula #i have a lot of drafts...#anyway. theyre insane or whatever

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