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factual-fantasy · 1 year

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Ah yes, the old King Kong himself! I didn’t actually think I was going to add him and Diddy to my AU because I wasn’t sure how they’d fit.. But after brainstorming with a friend, we found a way! XD

I tried to put a lot of thought into DK and Diddy’s designs. Everything was intentional. Diddy and DK’s ENORMOUS size, DKs long fur, the red and blue tones in their fur, DK having long claws while Diddy does not, Diddy’s clothing choice, EVERYTHING! I tried my best to think it all through.

If ya wanna read about their lore and why they look the way the do, I have a ramble below the keep reading just for you! :D

Ahem,

Off the coast of Daisy’s kingdom is this big island that can be seen from the shore. Daisy sent some of her Delfino people to go explore it but they never returned.. so she sent a rescue team after them, but they disappeared too.

Desperate, she turned to Mario and Luigi for help. Now, Mario and Luigi have just proved their strength and heroism by defeating Bowser. And they ALSO have a pet Yoshi. If anyone can go to that seemingly dangerous island and return? Its them.

Daisy approached them with an offer. You go use your magical powers and find out what happened to my missing people, and I’ll give you whatever you want. They agreed and made their way over...

Only to find destroyed campsites, boats torn apart... and bodies. Bodies everywhere.

Turns out this island is home to these enormous ape like animals. And they attacked the Delfino’s because they were loud, setting fires, chopping down trees, taking their food, etc. When they encountered the King himself, Yoshi was utterly terrified. He knew he was outmatched. There was absolutely no way he could protect the Mario brothers from this thing. So he just slowly pulled Mario and Luigi to the ground and cowered in fear. Trying to make them all look as non confrontational as possible.

Thankfully their petrified faces and absolute silence labeled them as a non-threat. And the situation was defused. Loads of shenanigan's later and they waved goodbye to Donkey, Diddy and all the other monkey creatures and returned to Daisy with the gruesome news..

Their reward? They just wanted enough food to fill Yoshi’s belly. Poor guy probably burnt all the calories he had trying not pass out back there.

Now the design lore! :D

On this island, there are these really powerful fruits and veggies that have super star power in them, just like Yoshi’s island. Only these ones work a little differently..

There are two main super foods on this island. The giant red beet type veggies that grow deep in the ground. And the big blue fruits that grow in the trees.

The big red beets are really bitter and tough like rocks. But anyone who eats them will begin to grow in size. The gorilla like animals on this island will use their claws to dig them up and use their iron jaws to crack them open and eat them. That’s why Donkey Kong is red. 75% of his diet consists of these bitter, giant red super beets that make him grow to be giant.

Meanwhile Diddy, and all the other Monkey like animals.. they cant dig for these beets. And their jaws are not strong enough to crack them open. Plus the beets are really bitter.. SO, they prefer to climb into the trees and eat the sweet blue fruits that grow at the very top.

These sweet fruits are also powerful in nature, but instead of making you stronger, they encourage brain growth. So all the monkeys that eat this super sweet brain fruit, will just get really smart and their fur will turn more blue.

The two species almost had a war between them. But they quickly discovered they’re better off together. The gorillas can protect the monkeys from threats, while the Monkeys use their intelligence to make tools and shelter.

This peace is further solidified by Donkey Kong and Diddy Kong's friendship. Diddy being the smartest monkey and DK being the strongest Gorilla.

All in all this island is rather peaceful at its core. But in the end its still full of wild animals. And is considered more dangerous than Yoshi’s island. To this day no one has ever returned to DK’s island. Although DK and Diddy would happily welcome the Mario Brothers back with open arms if they ever decided to visit.

#super mario bros #mario and luigi #donkey kong #diddy kong #donkey kong and diddy kong #yoshi

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thekeeperof-thefandoms · 22 days

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Hello, oh my, damn... so english isn't my first language and i wasn't sure how to phrase it better so don't worry, i totally understand being uncomfortable and I'm sorry 😅

I did enjoy your version very much and i also think that you should definitely go for a crow reader cause that is such a cute idea!

- accidentally proposing anon

No problem! And since you're interested here's some very quick ideas I had about crow reader before I go to work today!

Alastor

Nothing phases this man anymore. Niffty literally gifted him a crown of dead roaches. So when you flutter excitedly and present him with a string of shiny can tabs, you've been collecting he accepts it graciously.

"You're quite right dear, these are incredibly colorful. Yes, very shiny are you sure you don't want to keep this? Oh! You made it for me? Well, aren't you just precious."

He makes it into a necklace or even something to decorate his horns.

Vox

Valentino likes light, you like shiny things, both of you tend to like being around screens and bright colors.

Except you don't just like screens, it's anything colorful or shiny. Actually sometimes it's not even that, its just random odds and ends that caught your attention for some reason. He gets it sometimes, textures, patterns, things like that.

But you have everything from soda can tabs to random buttons to rocks of various shapes, sizes, and colors. You have different sticks and pieces of wood you found that for some reason you then had to have. Pieces of mismatched jewelry. It's cute but it also clutters up space and he eventually designates one room for your stuff and tells you to keep it condensed. You do, and swear it's organized, but it's all just a jumbled mess to him.

He's in his lair, observing all the many different cameras, looking for some wannabe actress who owed him money, when you bounce in, barely stifling excited squaking. He sighs fondly and turns to you, knowing he's not going to be able to concentrate until he sees what you want to show him.

It's a collection of your molted feathers, the best ones, sleek and iridescent, bound together with some colorful twine you found and attached to it is a miniature glass jar filled with colorful, shiny bits of plastic, metal, and rock, and corked shut and sealed with hot glue.

It makes a nice rattle sound when he shakes it and the feathers are nice to pet and run his fingers over and..."Did you make me a fidget toy? From....random stuff you found? That's, that's actually really cute, thanks Doll."

He downplays how much he uses it, but it's literally on his key ring, so you know it goes everywhere with him and if during long meetings his staff are subjected to the consistent background noise of little shiny bits rattling around in a jar, then that's their problem.

Lucifer

As you may have noticed Lucifer also tends to collect things he has no need for. But he might need it one day! Between the two of you it does get to be a bit of a problem, so you both agree to sort through and condense your piles.

It takes days cuz you guys keep stopping to show each other cool stuff you guys have. Then, several more days just to get through his numerous rubber ducks. Eventually it's down to a single room where your collections have merged. Each item carefully chosen and presented to one another like expensive jewelry or other such luxurious things. But it's a cool rock you found, a giant bronze spring, a box full of candy wrappers with clever sayings, and a scrapbook with various brightly colored pieces of cardboard from snacks, toys, shoes, literally anything, that caught your eye.

It's anyone's guess on who adds what, but you do both have to agree on it before it's added so you don't hoard things again.

That's the end, but maybe I'll go back and add Adam and some of the other characters later. I just wanted to get my initial ideas down before work.

#hazbin hotel x reader #hazbin hotel alastor #hazbin hotel vox #hazbin hotel lucifer #vox x reader #lucifer x reader #alastor x reader

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cassiopeiaemiliagaunt · 2 years

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Eyeliner | E.M.

Pairing: Eddie Munson x Reader

Summary: You do Eddie’s eyeliner, straddling him, and your feelings for your best friends start bubbling to the surface.

Word count: 1.4k

Warnings: None that I can think of, let me know if there are!

Author’s note: There aren’t any descriptions of reader, so it can be read as gender neutral reader! Hope you guys enjoy :))

Disclaimer: GIF isn’t mine :))

“So, how does it look?” you ask Eddie, turning around from where you’re sitting on the floor in front of your full length mirror. Eddie is lounging on the bed, humming along to Blondie playing softly from your record player (although he’d never admit to liking Blondie).

You are doing your eyeliner. You have watched a movie with Eddie earlier and someone was wearing black eyeliner and you felt like trying it out.

Eddie stares at your face with an intense gaze. You start to blush. Your face reddens the longer he stares at you and you wonder what he’s thinking about that makes him stare that long.

It’s a dangerous game, being best friends with the guy you’re hopelessly in love with. The two of you have been best friends for five years, ever since you both started high school. These five years consisted of you joining - but not actually ever playing - hellfire meetings, you had designed the logo of both hellfire and corroded coffin, you also were there for every concert. But the two of you hung out much more than that. There were the countless movie nights, where you alternated between who could pick the movies. The record shop outings where you bought each other records. The milkshakes in the diner closest to Eddie’s trailer.

You had figured out you love Eddie two years ago. You were watching him perform during a corroded coffin concert and it all came crashing down on you how much you love him. You’ve never told him though, out of fear of rejection and of ruining your friendship.

“Looks fucking metal!” he exclaims suddenly, realizing that he was staring a tad too long.

You smile bashfully at the compliment.

“I could do yours, too, if you want,” you offer him. You clearly didn’t think it through, though. Because doing Eddie’s eyeliner would mean being really close to him for an extended period of time. Some part of you wishes he would say no, but another, even bigger, part wishes he would say yes.

“Fuck, yeah, please do,” Eddie accepts.

You grab your eyeliner pencil and make your way over to him onto your bed. It’s a queen size bed, so there’s enough space for the both of you to be on it together. You sit cross-legged in front of him.

“Okay, close your eyes and stay very stil,” you command him.

“Sir, yes, sir,” he promises, jokingly saluting.

You delicately place a hand on the top of his head to make sure he keeps his head still and for something for you to lean on. With your other hand, you uncap the eyeliner pencil and very lightly try to line his eyes.

You know your breath is fanning his face and you can feel his on yours. You’re secretly glad that you brushed your teeth earlier, having had a piece of popcorn from watching the movie got stuck in your teeth.

You reposition your eye lining hand multiple times but can’t seem to find a comfortable position. Another position in which you can do his eyeliner comes to mind and a flare of braveness rises in you. You cap the eyeliner.

“Okay, it’s difficult doing your eyeliner like this, could you maybe lay down?” you ask him, slightly timidly. He opens his eyes, shrugs and just lays down on your bed, not knowing what’s to come. He looks at you expectantly, folding his hands behind his head.

You move over to him and throw a leg over his lower stomach, effectively straddling him. His eyes widen in surprise and his lips easily fall into a smirk afterwards. “If you wanted to sit on my lap, you could’ve just asked, you know,” he winks at you.

“Shut up and close your eyes, Munson,” you retort smartly, a beginning blush painting your cheeks. He makes a face at you, but closes his eyes. “Is this okay?” you ask him a few seconds later, to make sure you’re not making him uncomfortable or anything.

“Everything you do is fine, sweetheart,” he answers sweetly, darkening your blush. Luckily his eyes stay closed.

You lean forward so his face is in front of yours. You feel him freeze for a second and then fully relax. You’re a bit overwhelmed with how intimate this feels, but you force yourself to get over it. Then you place one hand on your bed next to his face for you to lean on. Your other hand once again uncaps the eyeliner pencil and you get to work to the eye closest to your hand. You can really trace the line of his lashes very precisely in this position. You cap the eyeliner, switch the hand you lean on and uncap the eyeliner again to work on lining the line of his lashes on his other eye.

When that is finished, you lean back and ask him to open his eyes. He looks up at you with his beautiful bambi-eyes, accentuated prettily by a line on his top lid. Next, you plan on doing his waterline.

“Okay, so now you have to keep your eyes open and look up. I’m going to line your waterline so you really can’t move. Also it can be quite uncomfortable so if it hurts or if you don’t like it, just tell me and we’ll stop.”

“Got it,” is his awfully short and clipped response. For a second you think you’ve made him uncomfortable, but you know that he would tell you if that is the case.

You lean forward again, ask him again to look up and start on the waterline of his left eye. You lean on your left hand that you’ve placed on the bed for support. This feels even more intimate, now that his eyes are open. He looks up, like you’ve instructed, but because your face is so close to his, he can still see you.

When you’re done with his left eye, you switch your hands again and start working on his right eye. When you’re done you cap the eyeliner and throw it next to you.

“Look at me?” you ask / demand.

His eyes snap to yours and your breath hitches in your throat. He looks absolutely gorgeous with eyeliner. You both just stare at each other for a few seconds, him being uncharacteristically quiet.

“You’re beautiful,” you finally whisper and his eyes are gazing deeply into yours, before trailing down to your lips and staying there.

You stay really still, as if he’s a wild animal and you’re afraid to scare him with one wrong move. And then he moves his head to yours, his hands that were still folded under his head finding your waist.

You freeze in anticipation, before you feel his chapped lips on yours and then your whole body is on fire. It only takes you a few moments to reciprocate the kiss, matching his energy enthusiastically. His arms circle around your back, hugging you into the kiss and you gasp in surprise and delight. He uses the opportunity to lick into your mouth, exploring it with his tongue.

The kiss turned full blown make-out comes to a stop when you’re both panting for breath. His mouth moves to your jaw, peppering kisses to it, whispering “you’re beautiful, too” inbetween.

“I love you,” you gasp. The words are out of your mouth before they even registered in your brain. It’s true of course, how could you not love him. He’s been your best friend for five years and you’ve been in love with him for the last two. You just didn’t expect yourself to say it quite yet, it’s not in your nature to put yourself out there like that and make you vulnerable for rejection.

Your heart constricts for a split second when he stops his kiss attack on your jaw and looks up at you, but the look of awe in his eyes is enough to reassure you.

“I love you, too, sweetheart,” he whispers sincerely.

This time it’s you who crashes your lips together. It takes everything in you to not sigh in pure bliss into the kiss.

---

A/N: Fun fact, my best friend did my makeup once like this and ever since it has been a part of my bisexual awakening lol. Also, I was thinking of writing something like this for Robin as well, thoughts?

#eddie munson #Eddie munson fic #eddie munson x reader #eddie munson fluff #eddie x reader #eddie munson x you #stranger things fanfiction #stranger things #stranger things fanfic #stranger things fluff #eddie munson x female reader #eddie munson x male reader #eddie munson x gn!reader #eddie munson x gender neutral reader #eddie munson oneshot #eddie munson fanfic #eddie munson fanfiction

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ikroah · 6 days

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I pushed my soul in a deep dark hole, and then I followed it in, I watched myself crawling out as I was a-crawling in. I got up so tight, I couldn't unwind, I saw so much, I broke my mind… —“Just Dropped In (to See What Condition My Condition Was In),” The First Edition (1968)

It Keeps Right On A-Hurtin’ #28 - Ring-a-Ding-Ding VII

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Do you have any idea how long I've wanted to type those words? "End of Volume 2?" We have been on Volume 2 for just over three years. Obviously it's unfair to compare it to the breakneck pace of Volume 1, because... I got burned out (I got better), I got divorced (I got better), and most importantly, I've spent all three of these years overhauling my approach to art, which is to say, I got better. My canvas size doubled because my initial naive approach of "smaller pages means less art, which means faster art" was holding me back: I wanted more art, and the subjects of too many panels had gotten flubbed due to what was basically a pathetically low rendering distance. I revamped my approach to coloring entirely, leaning into a vibrant, saturated, and faux-comic halftone style that I vastly prefer to my more grounded, gradient-driven work beforehand. I changed IKROAH's font (Unmasked!), I changed Agnes's appearance slightly (she's far less gaunt, which was an early design choice I've thrown away, plus I think I'm much better at drawing her consistently now), and so much more. Comics are a time-consuming artform and while a lot of what made this volume take so long was out of my control, and well worth not pushing myself through, the total reinvention of how I actually make comics was the single best thing to come out of Volume 2.

It's a lot of lessons and groundwork that I'm very eager to take into Volume 3, which I have spent every single one of these years viciously impatient for. Now, it's finally here. See you at the cover reveal.

Original Pencils

Something that I have been working a lot harder on with my art lately is inking: actual inking, not merely "outlining" and figuring out the rest by the seat of my pants digitally. I've come to realize that the fewer steps of my production process that I try to do digitally, the more fun it is to make art as a whole, and inking was something that I was very intimidated by for the longest time. What happens if I mess up! It's permanent marker, after all! But after all the practice that I've done, I'm really happy with how bold and confident the shadows are on this issue, and they're perfect for how moody and dramatically lit the whole thing is. You can compare the pencils to the inks to the final products and really see how I planned out the overall composition.

Transcript

INT. LUCKY 38 PRESIDENTIAL SUITE, VERY LATE AT NIGHT. The lights are all off in this luxurious, distinctly pre-war abode. It is almost empty.

RADIO: Welcome back to the program, folks. This is Mr. New Vegas—and I hope I'm not coming on too strong. We've got some news for you, coming right up.

The only real light in the suite comes from the glowing screen of the Securitron VICTOR, standing in front of the private elevator.

RADIO: Tops Hotel owner Benny has been killed by an unidentified assailant. According to his fellow Chairmen, shots were heard in his private suite, and his body was found inside. They are urging all visitors to please keep an eye out for suspicious individuals and behavior on the New Vegas Strip. The new head of the Chairmen, Benny's former right-hand man Swank, consoled mourners: "If I know my pal Benny, he's swinging with the Big Cat Upstairs as we speak. Or he's chasing some angel broad with cans as big as her halo!"

RADIO: In other news—

In a guest bedroom off to the side, ROSE OF SHARON CASSIDY is sound asleep. Her belongings are neatly folded on the dresser, except for the cocktail dress that she was wearing, which has been thrown onto the ground.

RADIO: —refugees at Bitter Springs are giving startling accounts of the legate known as Lanius, who is said to be Caesar's top field commander. One refugee told us the legate took over an underperforming squad of troops by beating its commander to death in full viw of everyone. The legate then ordered a tenth of his own force be killed by the other nine tenths. And you thought your boss was a pain!

RADIO: You know, I think all news, whether it's good or bad, brings us closer together. Don't you?

Directly across from the elevator, across from VICTOR, are the shut doors to the master bedroom.

RADIO: These headlines, brought to you by Vault 21...Vault 21! Everything is better when you experience it...in a vault.

Inside the master bedroom, AGNES SANDS sits on the edge of the bed, wide awake. The RADIO plays from her PIP-BOY, which provides a slight amount of light in the dark room.

RADIO: Gonna play a song for you right now—it's about that special someone, that you can only find once...in a "Blue Moon."

"Blue Moon" begins to play from the radio. AGNES's head remains lowered in rumination.

Suddenly, the radio broadcast cuts out.

SFX: KZZRRRSSHHTTZ

RADIO: Has your life taken a turn?

A NEW VOICE speaks on the radio. It's dreamy, seductive.

RADIO: Do troubles beset you? Has fortune left you behind?

AGNES remains in thought.

But then: she lifts her head.

And she looks over at the radio.

RADIO: If so, then the Sierra Madre Casino,

The PIP-BOY displays: 11.09.81, 4:13. <<Signal Unknown>>

RADIO: in all its glory, invites you

AGNES listens.

RADIO: to begin again.

AGNES is now somewhere else.

EXT. MOJAVE DESERT. At sunrise, AGNES SANDS is perched atop a ridge somewhere in the desert. Her overcoat billows behind her, and her shoulder-mounted flashlight beams straight ahead. She looks manic. In one hand, she clutches her duffel bag, full of every belonging she has. Her other hand is wearing her PIP-BOY, and the radio broadcast continues:

RADIO: Come to a place where wealth, excitement, and intrigue await around every corner. Stroll along the winding streets of our beautiful resort. Make new friends...or rekindle old flames. Let your eyes take in the luxurious expanse of the open desert, under clear starlit skies. Gaze straight on into the sunset from our scenic Villa rooftops. Countless diversions await. Gamble in our casino, take in the theater, or stay in one of our exclusive executive suites that will shelter you...and cater to your every whim.

Below the ridge is a pile-up of wrecked shipping containers. One of them opens up toward the surface like a gaping throat of metal. It leads somewhere, deeper into the earth.

RADIO: So if life's worries have weighed you down—if you need an escape from your troubles—or if you just need an opportunity to begin again—

The source of the broadcast signal is coming from INSIDE.

RADIO: —then join us.

AGNES descends into the container, revealing a makeshift staircase of sheet metal that leads into darkness.

RADIO: Join us, let go, and leave the world behind...

The signal from inside the tunnel is now audible. It overlaps with AGNES's PIP-BOY...

RADIO: Join us, let go, and leave the world behind...

Until she sees it.

RADIO: ...at the Sierra Madre Grand Opening.

A pre-war, art deco type radio, sitting on a metal pedestal. It speaks to her.

RADIO: ...at the Sierra Madre Grand Opening.

AGNES stares at the radio, bewildered.

She barely notices the HULKING FIGURE about to grab her from behind.

RADIO: We'll be waiting.

END OF VOLUME 2

#fallout #fallout new vegas #fnv #dead money #agnes sands #it keeps right on a hurtin #ikroah archive #volume 02 #28

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escapismmaxing · 1 month

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mudwing headcanons

(PLEASE click on her she is so beautiful to me and tumblr kills her with hammers)

physical traits

another huge tribe; longer than ice wings, shorter, but very bulky and muscle-y (think alligator)

alligator is pretty much the keystone of my design for them, and also their design is probably the most canon compliant one i have (said moments before i go against this)

i do like the idea of giving them thicker tails, more adjacent to seawings than any other land dwelling tribe, and also just leaning into the swampy aspect of them more

depending on how aquatic of an environment they’re incubated in (and also depending on parent’s genetics) a mudwing can hatch with fins! it’s not entirely uncommon (fins smaller than seawing fins)

mudwings can have tail fins, fins running down their stomach, and their neck. this is distinct from seawings as mudwings never have fins running down their spine or fins on their limbs

mudwings have HUGE horns and ears to siphon heat away from their face

they also have a throat sac like icewings! they produce a variety of throat song, mostly akin to various frog sounds

also,,, tusks protruding from their lower jaw! (that i just realized i forgor to draw,,,,) this is used for foraging, and also agriculture (tilling soil, etc) which mudwings are particularly proficient in

mudwings also tend to have ecosystems growing from them,, algae and duckweed etc on their backs, necks, and tops of heads which helps camouflage them

speaking of camouflage,, colors,,,, well you know

mudwings only being brown is actually the most boring concept i've ever heard 😭so they’re not! brown is still the most common, green is also very common, muted reds, oranges, and yellows as accents float around as well

culture <3 (social structure)

okay i actually love the SCRAPS of culture content we have of the mudwings

so i guess i want to start out with family structure and community,,,

the whole “breeding night” is so fucking funny to me,,, and it’s staying. i will keep it. i think this can also coexist with courting and mating and committing to another dragon singularly, and maybe all mudwing communities just consist of really complicated polycules

although parents aren’t always directly and singularly involved in the raising of their clutches, the adults still communally raise/look after the hatchlings, even if it’s somewhat from a distance

also, i think clutches know their parents and vice versa, even if there’s no special connection, you have to avoid incest somehow,,,,

so sib groups grow up together and rely on one another, like how it is in canon

if a bigwings egg is a “dud” and doesn’t hatch or is,,, abducted from the nest for the purpose of a false prophecy,,,, it’s actually really detrimental to the other eggs and can put them at risk to not hatch

clay’s sibs successfully hatching and growing up is,, a miracle im saying. the bigwings is the CRUX of everything. first to hatch, fastest to develop, grows the biggest, etc etc

i also think bigwings can produce fire at a slightly wider range of temperatures in order to keep their sibs warm if they’re ever under duress

on the topic of clutches and bigwings and,, everything

one egg clutches are considered crazy bad luck, and they need a lot of maintenance from an older dragon in order to actually hatch

if it’s feasible (like a clutch of a bigger size was laid on the same day) the single egg will be transplanted into that bigger clutch asap

also a similar feeling about 2 egg clutches, but it's not as bad

single and 2 egg clutches happen VERY frequently with hybrids, so often a hybrid will be in another sib group and all of their sibs go “yes they are us. oh they’re purple? they’re literally us what do you mean”

on the topic of hybrids, seawing and mudwing hybrids are insanely common, to the point where the majority of mudwings on that border are at least a liiiiitle bit seawing

there’s a lot of communal learning and passing down traditions in agriculture, farming, and animal rearing, and oftentimes a family farm is passed down from one sib group to another

(i don’t only make humble farmer mudwings though, there’s also a lot of artisans, scholars, the equivalent of dragon environmentalists, etc)

so moving away from family groups and stuff,,,,, onto wider society, let’s start with the royal family

mudwings pass the crown down from eldest daughter to eldest daughter, through a “royal” line

basically, one group of sibs has the crown, then the oldest/first clutch will be promised the crown, but it can very easily be abdicated and passed to a different clutch if the oldest clutch doesn’t want it or seems not fit to rule

there’s not a lot of competition for the crown because sib groups rule together, and the queen position really doesn’t mean anything, at most acting as a tiebreaker

obviously, sibs never fight sibs for the crown. that’s like speed running a revolution from the mudwing commoner population. but also, cousins don’t tend to fight either because of this strong wider communal feeling

fashion, jewelry,,

i think mudwings don’t have a lot of fashion/accessories because of how swampy and wet their environment is. royals will have jewels embedded into their scales (like moorhen) but even this requires somewhat regular cleaning to actually look,, pretty and shiny? so it’s not common

other jewelry consists of tight bands of wood and clay around horns, clay earrings, rings and armbands

clay jewelry is especially common! including clay beads that represents their sibs

clay fired earrings, strings of clay beads draped across the body, etc is commonly found

jobs! (and also a rant on cuisine apparently)

briefly touched on earlier, idk how much expanding i’ll do here tbh

farming is pretty common, crops including rice, cranberries, watercress, taro, water spinach, water chestnuts,,,, you get the point. there’s a lot of crops to be grown and mudwings grow them!

not in monocultures though, there’s a lot of mixing of crops on the same farmland

also with farmers, animals are raised! but closer to the less swampy edges of the kingdom

they’re still partially wild honestly, but mudwings rear cows and boars very commonly

so much of mudwing economy revolves around food, so they have a very robust cuisine, and they grow/trade for a lot of spices and herbs (with the skywings) and they have a lot of practices surrounding food/sharing of food being sacred

oh god.,,,, the tangent is taking over,, im so sorry

marriage!! i think when mudwings want to get married there’s a long string of cooking for one another!! back and forth making beautiful dishes for one another until they make a beautiful dish TOGETHER. god i love them

aside from farmers, a lot of mudwings are artists! they carve wood and make clay sculptures and jewelry as well as weave baskets and jewelry and thatched roofs from fronds and other wide-leafed plants

pottery is also common

tanners make leather from cow and boar hide, and bookbinders make books (after contact with pantala) and trade with sandwings for dried parchment

also butchers, cheesemakers (cows milk)

as well, the typical circle of scholars and nobles that keep rigorous records on the queendom’s history

and of course, royal diplomats

religions/superstitions

less superstitious than icewings perhaps,, but i do think they have some shared beliefs

perhaps just in a “mother earth” “all mother” type of concept? a dragon that gave them swamps, and then all other life came from swamps, etc

of course, the egg superstitions from earlier

there’s a lot of superstitions/outright magic about sharing food and the etiquette around sharing food

oh, one of you dropped your utensil while eating? in the future you’re going to save each other from mortal danger

someone gifting dishware is considered a proposal,, but it can be platonic or romantic

the monarch spilled their drink? the rainy season will be rainier this year

just a lot of really niche things

yoppee, i love mudwings so much. i think there is so much untapped potential and what we have now is beautiful. love drawing them, love their color palettes, love their sib groups. yeah not much else to say here. as always, send a dm or an ask if you want to know about something further!

#wof #wof mudwing #wof art #wof worldbuilding #wof redesign #wof rewrite #wings of fire #wingsoffire #wings of fire fanart #wof fanart

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ancientbygone · 1 month

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simulacra 3 [take me back to eden]

[sundowning]

Sleep's mimic forms of the vessels during the time period of TMBTE, because i can't be normal and start a series from the beginning and not the end.

more info + design breakdowns under the cut:

[obligatory "when talking about the vessels, i'm talking about characters" disclaimer]

background info on the whole idea:

Sleep as a being is shapeless in my mind; more of a concept than a creature. it can manifest as sort of an absence of light in any shape to others, usually to appeal to feeling/emotion. the only "rule" for that is that whatever Sleep tries to appear as cannot look more or less innocent/powerful than Sleep actually is, which usually manifests in two things: the size being different from the thing/person it's imitating, scaled according to power, and/or added features, usually in some way threatening or regal.

one of Sleep's more consistent forms it takes throughout interacting with Vessel is mimicking him, partially to create an illusion of the two being more similar than they actually are and partially because Sleep used to exist as Vessel's shadow when they'd just met. the visual itself has changed through time (you can see what it was like during Sundowning in my Higher artwork), and during TMBTE that visual is pretty much the titular song's character with the most minor tweaks (which is why i didn't draw it separately).

all that made me think about the idea of Sleep mimicking the other vessels just to fuck with Vessel further (to be clear, i am a strong believer that Sleep only interacts with Vessel in any way). so now here are the designs of those mimics during the events of TMBTE, utilizing the album's song characters much like the Vessel mimic. because again, i have to start a series from the end, i guess.

"ii"/ii mimic (song character used: AYROK)

the main idea driving the design of "ii" is the real ii's goal to keep Vessel more or less safe by being by his side in worshipping Sleep, which is the reason he'd decided to become the second vessel in the first place. the choice of AYROK as the character to use in this design is obvious. one of the ideas that stem from that is ii's duty/desire to keep his face hidden for Vessel's sake; only his hands are visible & detailed because that's the only part of him Vessel remembers before either of them became vessels of Sleep and the only part ii has really shown after that. another is ii's timidity in telling Vessel to go against Sleep's will because he fears that no matter how bad it may be, it'll be much worse if Vessel doesn't follow it. that part comes through in the pose - shyly holding his hands together as if they're tied.

"iii"/iii mimic (song character used: Aqua Regia)

the song character inspo being Aqua Regia is mostly because of the calmer nature of the song and the dynamic duo it makes with Vore, less so the themes of the lyrics. also its visual design. iii mimic's design themes are iii's adoration/borderline obsession with Vessel (wearing Vessel's jewelry and having elements of his robe in his shirt + his own face/mask slowly melting off) and his enagement with worship as an act/aesthetic rather than something more serious (the overabundance of jewelry and accessories; the extra arms; the body language; the cuffs around his arms and legs being decorative and not actually restricting). also the rings on his fingers make a checkered pattern.

"iv"/iv mimic (song character used: Vore)

the use of Vore for "iv" is obvious too. song wouldn't be the same without his real life self. the design really just aims to combine iv with the Vore character, but there are two big things here. the simplest one is anger issues, which is why he's So Goddamn Spiky and why his jacket looks like scarred skin rather than painted & customized. the anger mostly shows up in the body language: most of the time "iv" just stares unblinkingly with pure palpable ire in the two glowing dots for eyes, and when he does move it's very stiff and snappy and barely controlled. the other thing is that, simply speaking, the real iv got into this whole mess without knowing the full extent of it and now he's in too deep and kinda losing himself. in the design it's expressed through the human features gradually turning into bug-like, such as the hoodie fading into a segmented millipede-like body and the fucked up mantis hands, and the gold of the original iv's mask melting over the face with the horns being part of it. the spikes protrude from him in a way that makes it difficult to distinguish between jacket decorations and actual parts of his body, but the spines are definitely from his body & allow me to live the dream of iv with a mohawk LMAO

anyway have fun with these go nuts i'll make similar sheets & posts for Sundowning and TPWBYT eventually

#sleep token #sleep token art #sleep token ii #sleep token iii #sleep token iv #sleep token sleep #<- i cannot emphasize enough that ALL OF THESE ARE SLEEP IN DIFFERENT FORMS!!!!!!#IT'S ALL THE SAME BASTARD EXPLOITING VESSEL'S EMOTIONS IN DIFFERENT WAYS #take me back to eden #sleep token tmbte #bygone art #bygone talks #bygone writes #<- that's serious lore screw you /lhj #i was tired when i started writing it and i'm sleep deprived finishing it up #once again have fun if you draw any of these i would be more than thrilled please tag me in that

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genericpuff · 5 months

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Absolutely love the rendition to the panel of Hades holding Persephone. Lovely to see it rendered as a more mutual act with Perse holding onto Hades instead of just letting Hades hold her, and ofc seeing Persephone actually look like an adult woman. (Not to even mention the colors and rendering because whoaa those were lovely)

And I have a question about this new rendition if I’m allowed to make it! The original had very dramatic and sharp composition with the angles and being off centered which conveyed much of the emotions and style that made early LO very striking. In adapting it, was it a conscious choice to change the composition or what were the deciding factors that made you and banshriek decide centering Perse and Hades worked better in this situation? :0

Ahhh thank you ;w; It took a few rounds of sketching to get the pose just right, the flats thankfully weren't as difficult as I was worried they'd be, but the challenge was definitely in trying to get the pose right while maintaining the height difference that's there.

As for your question, a lot of the posing and sketch composition is something I do, and then Banshriek typically goes wild with the backgrounds while making adjustments to those compositions if necessary, often times I leave the backgrounds up to their discretion as they're 10x more skilled at that sort of thing than I am and they often bring new perspectives to the table. This means that it often ends up being a game of give and take between what we contribute, sometimes I'll have sketches that they feel need to be adjusted, other times I'll have to add little tweaks to their backgrounds if it's missing something. We're both working off a base rough sketch, but we both get to contribute to the final scene in our own ways; splitting it between background and character flats has been a happy middle that's worked well for us :)

Depending on the scene, sketches can range from minimal to more detailed. Here's the original base sketch for that scene:

So originally there was a larger tree working over the side but I didn't really know how detailed we wanted to be in the actual full background, much of it depended on how complex Banshriek wanted to get. You can also tell that Persephone's face was originally buried into Hades' chest in the original panel, which I originally flatted in, but then wound up changing because I wanted her eyes to be visible to reflect both of their expressions of relief at the same time.

That said, with the pose changing from what it was in the original (from Persephone almost laying on Hades vs. him holding her and lifting her up) the composition had to change with it so I decided to just make them a bit more centered, that way the focus would be fully on them and the balance of the scene wouldn't feel "off" due to the pose change. I tend to follow the Rule of 3 here !

So yeah! That's pretty much why centering it felt a little better in this case. Though part me of does wish I was able to keep the original pose, when breaking that scene down into its bones I found it had to take a lot of liberties with its anatomy and proportions, as many LO scenes do. You can't really tell just on a surface level but Persephone's head is huge and the rest of her body is tiny (her hips literally come up to Hades' sternum and her feet meet at his knees). With the character design changes made in Rekindled to make Persephone a little less tiny and more consistent in her body type (while still maintaining the size difference between them) and to reflect their character arcs at this point (as I'm not rushing them into intimacy quite like the original comic did) certain things have to change to balance it out and accommodate. If you're a math person, think of it like solving algebra equations - what you do to one side of the equation needs to be reflected and adjusted on the other side.

And of course Banshriek did a lot more to really exemplify the mood shift in the almost labrynth-like forest Persephone grew within Tower 4. There are still trees and plant life everywhere, but instead of feeling like an endless maze with its tones of deep red that we saw Hades navigate, it now feels like a soft and gentle meeting point for the two. Like the original scene, the color change is used to change the mood of the scene and reflect the calmness of Hades and Persephone as they've found one another.

At the end of the day we did what we ultimately thought would work best for the way Rekindled is drawn, giving both Banshriek and I the freedom to fully utilize our respective skillsets. That way we were able to pay tribute to that original scene while also creating something new out of it <3

That said, I'm sure @banshriek can also chime in with their own design notes on this episode, if they have a minute to spare! I'm sure they'll have lots to say about the fun they had working with those new brushesヽ(・∀・)ﾉ

#ask me anything #anon ama #ama #anon ask me anything #lore rekindled #lore rekindled ama

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youkaiyume · 1 year

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So, Rise of the Beasts!!

I saw it twice of the weekend, and I want to put down my honest thoughts.

Overall, I had a great time and I definitely think it's worth watching. Ignore the critic reviews for some reason they are offended that a Transformers movie exists to sell toys. You know, their sole purpose since the very beginning of inception. But OF COURSE I have THOUGHTS so...

Spoilers under the cut!

I liked the human characters for the most part. Noah's sudden onboard motives for going with the autobots to Peru was not as convincing but adventure needs to happen so I gave it a pass.

Mirage is like, DTF with Noah. Like he is SO ready for that tiny bf bff. It's obvious that Bee spoke so much about Charlie (cuz it seemed he was the only one who did talk positively about humans in their group) that Mirage was just. HIS BODY WAS READY.

CHARLIE WAS MENTIONED!!! AHHHHH!!! That was the one tiny smidgeon of a crumb that I wanted and they gave it to me. Granted it was implied when Optimus says "I know one was good to you, Bee" But I was told that the Latin America dub had him say Charlie's actual name. There was a SCENE that was cut out according to the Hollywood Reporter--that Bumblebee had also pulled out a polaroid pic that Charlie took of them together from the first movie here to show OP. HE'S BEEN CARRYING AROUND HER PICTURE ALL THESE YEARS I DIE WHY DID YOU CUT THIS OUT!!!

Mirage's abilities seem very arbitrary. And I do not like this. He can turn into several alt modes which seems to be only a thing that he can do... he can mass shift--which I know mass shifting is a thing but when he turns into a truck to sneak past the museum security I was like??? I was always under the impression that the bots could turn into a vehicle relative to their own actual size so this just confuses me. There is supposedly an earlier cut of the film where it was more clear that the trailer was another illusion. which I wish they kept in. Also when he becomes Noah's symbiote suit at the end?? Like, as a shipper and rule of cool I am into it, but as a person who wants rules to ground my science fiction I don't like how Mirage is just a swiss army knife for the writer's convenience. It feels lazy instead of taking the time to actually worldbuild. Nobody else can do these things.

The arbitrary mass shifting of him being as big or as small as he wants (like when he becomes Noah's exosuit) really falls apart when they keep insisting that they need the humans because only they can fit into small spaces. Well, clearly not cuz you can just do it yourself. AGAIN, PLEASE BE CONSISTENT WITH YOUR RULES.

Airazor x Elena. Anyone else????

speaking of which, I am very upset about what happens to Airazor. And we never even got to see her transform. tragic.

Optimus sure was a negative nancy which--I understand why but I hope they ease up on edgy "i will rip everyone's faces off" Optimus because it feels disingenuous to his character to keep it going for too long. Like I get it, they killed your fave child so I will forgive you but also I want more of "Be strong enough to be gentle" Optimus. Not the edgelord Bayverse Optimus that they are clearly going for cuz the know certain :ahem: fans like that.

Beeeee. They put him out of commission which again, according to interviews they did just so they could make sure he doesn't steal the spotlight and give a chance for the other characters to shine lmao. He is too powerful. But also because we shots of him in the trailers, I was not too worried about Bee staying out of commission. But goddamn when if I still wasn't hyped as hell when he made his comeback. 10/10 he proves he's still the GOAT.

I hate Pablo/Wheeljack. No, after seeing the movie my opinion of him did not improve in fact it got so much worse. His design was the LEAST of his problems. Every moment he was on screen was deeply cringe. And he barely did anything!! He could have not been in the movie at all and it wouldn't have made a difference and I genuinely believe it would have been a better film. All this hullaballoo over Pablo and this is what we got. Wheeljack fans lost hard after all that defense I'm sorry this ain't it.

Hey speaking of bots that barely got any lines or screentime, wtf was up with Rhinox and Cheetor? My boys got shafted :(

There was a moment where OP is asking the bots if they detected the terrorcons and Arcee WHO IS SITTING in the pablo van was like "lol nope" and I was like GURL how could you, you're in a van. And it made no sense because don't you also have an altmode??? Shouldn't you be scouting outside to cover more ground???

I firmly believe the only had Arcee sitting in there like a dumb duck because they wanted Wheeljack to make a dumb joke in the original cut about how it was a long time since she was inside him. UGHUGHUGH.

Did I mention how glad I am that they cut the majority of Wheeljack's screentime since it was so awful especially his and Arcee's implied romance? Especially since they killed off the other femmes so the only one we got now has to have a mandatory romance. No thanks. Glad that nonsense is gone.

The Maximals' robot modes were very minimal. and they went by so fast I never got a good look at their designs.

I loved how the Maximals were harmoniously living with the native tribe--and speaking their language!

Scourge's face reveal seemed to be treated like it was a big deal but when we saw him it was just... guy without his wig on. Literally the surprise is that he is bald.

Noah x Mirage is very strong good. I have no doubt the fandom will be all over it since they seem to eat up BL romance much more readily and I am all for it. They also have all the great ingredients for it--flirting, drift compatibility, self sacrifice for the other. Another human x transformer ship for the books.

I'm sure there are some ppl who like the ending. but I.... did not. I do not want to see G.I.Joes in my transformers I'm sorry. I don't want the return of military propaganda or more introductions to several human characters that take away from the transformers. I don't want to see them exploited or used for our own human affairs--even if it's a fictional cult-- when they could be literally fighting Decepticons or Unicron or whatever. People might have wanted them in Bayverse cuz it was heavily skewed Military in those films but I don't want to see it again. It was a terrible, dark time. the Joes might be presented as good guys but I don't trust the military in general and I don't see their motives as altruistic--especially if their goal is to use them for their own purposes. Why would they help them get home? They wouldn't, if just to keep their best weapons--and Noah is bait. He is bait and he will fall for it hook line and sinker because they are bribing him with his brother's healthcare and the fact that he is struggling to find work elsewhere.I hope if they are to be involved at all it will be relegated to characters here and there but they stay in their own movies if they have to ride on Transformers coattails to revive an irrelevant struggling franchise.

There was minimal human injuries/death and I appreciate that. They did the DBZ thing where they took their fight to remote locations. This probably won't keep up if they introduce the Joes :/

Overall, 8/10. I had a fun time. I didn't love it as much as Bumblebee but it was definitely miles better than Bayverse (a low bar I know). The action was clear, the characters likable, the CGI mostly stellar. I have hope that they will bring back Charlie maybe. But hey, I took my parents to it the second time around and my Mom liked Mirage and my Dad did not fall asleep so I will consider that a stamp of approval.

#transformers #rise of the beasts #ROTB #text post #long post #read more under the cut #not so much a review as all of the thoughts i had while watching it

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thatscarletflycatcher · 3 months

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Sense and Sensibility (2024, Hallmark) a review

I had expectations for this movie. They were not surpassed. It didn't perform below them either.

Spoilers under the cut.

So, this is a short movie (1.24hr long) a tv movie, a hallmark movie. You must keep that in mind as a frame of reference for what I'm about to say. You cannot really compare this with theatrical movies on equal footing.

Where to start. Costumes and sets. It is Bridgerton's world and we live in it. Everything is VERY colorful and shiny and not very real looking; that was to be expected. I think that sort of semi-fantasy aspect didn't hurt at all, and it was consistent. If you are not going to stick to the time period, at least go ham and show me something really interesting. I'm looking at you, Netflix Persuasion. There are some dresses that are pretty, and some others that... aren't. Considering that apparently the costume designer had to make something like 60 pieces in a month, it's kind of impressive that it came out as it did.

One funny bit, though, in this respect, is that they complain about how small the cottage is like some actual estate houses aren't the same size IRL XD Allenham we only get to see from afar, and it is rather disappointing.

Music: nothing to write home about, to be expected. Yes, we got one of those Vitamin String Quartet modern-song-played-by-strings. IDK. They were a bit dorky in their heyday, I don't know why they are so sought after in these pieces lately. I digress.

The acting. Deborah Ayorinde was a really good Elinor. She definitely deserved better writing and direction. The rest of the cast was good enough; I feel some roles really benefited from their characters being a bit hammy already in the source material (Lucy, Mrs Jennings, Anne, Fanny, Robert), others were really struggling because of being given very poor dialogue (Mrs Dashwood), and others were just... not good (Willoughby and Brandon, sadly). Edward was... a very special case. I can only describe it as the actor having two expressions: one, an attempt at reaching Hugh Grant's adorkableness AND Dan Stevens' ease at the same time, and two [SCREAMING INTERNALLY], but I guess those two were indeed enough to make it work just fine!

Which leads me to the writing. We all knew this adaptation was going to live or die in the writing, and most likely die.

The thing is that most of it is written around repeating 95' and 08's greatest hits, while attempting to compress the narrative into an hour and a half. And that goes as well as you can expect it to. Some scenes are painfully rushed -Brandon's backstory was extremely awkward to get through- some things are over before you have any time to assess their real weight -Marianne's illness, and many others end up being... incongruous.

Let me stop a little on those. The movie keeps Margaret, and gives her the whole play acting as a pirate with Edward from 95', but then removes the only real plot relevant thing she does in the book. So why keep the character at all? (Willoughby asks for Marianne's handkerchief in exchange for Queen Maab, instead of cutting a lock of her hair).

Because 2008 makes Brandon suspicious of Willoughby from the get go, this one makes it so that they know each other and implies that Brandon knows dirt on Willoughby, but then plays the rest of the story straight, which makes it... pretty inconsistent.

Speaking of Brandon, we have reached adaptation #5 that cuts out the fact that he tried to elope with Eliza sr. This time the backstory is that his father promised to let him marry Eliza if he proved himself as a soldier, but when he came back, he found his father has kicked her out of the house. Yeah, that was utter nonsense.

The adaptation makes a clumsy attempt at including the dinner at Mrs Ferrars... but Brandon isn't there to see Marianne defend Elinor.

We needed to have a "Brandon rescues Marianne in the rain" scene, but in this case, she's not faint or anything, he just grabs her because she's sad XD

And the list goes on and on and on. It was to be expected that the shadow of both 95 and 08 would be large over this one, but it truly is to the point that the references and contrivances are almost constant. Which is a pity because I think most of the original choices were interesting.

For example, Marianne twists her ankle running after Margaret, to try and stop her from asking something embarrassing, which is a good choice in terms of showing that Marianne is passionate, but she has more sense than Margaret.

On his deathbed, Mr Dashwood makes Elinor promise that she will take care of her mom and sisters and keep the family together. That added pressure on Elinor works really well in the context of the adaptation, and ads a new layer of interest.

John Dashwood is written mostly as a hapless but not malicious idiot. This is similar to what From Prada to Nada did (though there it made more sense because of the father having two families simultaneously), but I'm not sure where was that going. They did cut the Palmers, so I suppose the choice was so that they could go to Norland instead on their way to Barton (it is never established that Norland is so far away as it is in the book, so I guess one could give it a pass), but in that case, I feel the most cost effective shortcut is... have them go to Barton? Because we do get to see Barton (Marianne goes alone with Brandon to see it close to the end, and they get engaged before Edward returns, don't think much about it, manners and such are... for this movie... loose guidelines. But it isn't super offensive most of the time).

Anne Steele is decent fun as she's supposed to be, but Lucy really suffers the flattening. The mastermind has been flanderized into just a mean girl, and that's a pity.

Oh, Edward is sassy at times! And the sassy jokes land! I have to say it is not my preferred way of doing the character, but he does show some sass at the end of the novel, so, you know, I'll allow it I suppose XD

Edward's return and proposal started pretty good, but it overstayed its welcome. I cannot emphasize enough that, when writing this kind of proposal, you must avoid the word love if you can, and if you must use it, use it once, and with great reluctance.

The movie chooses to dedicate quite a time to the reveal of Edward and Lucy's relationship, and it's honestly... decent? For a scene made out of whole cloth it stands on its own feet reasonably well. But there's no Fanny freakout. This is probably the most shocking plot twist in the adaptation. This very on-the-nose Hallmark adaptation decided to cut the Fanny freakout of all things. Impressive restraint.

One thing, however, that was sadly cut out was Elinor and Marianne's conversation about Willoughby at Barton. It is instead replaced by an unsubtle comparison between Willoughby and Edward, and an exchange between Brandon and Marianne. It is one of the several points where the storytelling relies on previous knowledge of the work.

These are my main, disordered thoughts. I leave you with this choice from the ending, that I cannot form a thought about:

At Elinor and Edward's wedding, on the first pew are in attendance, from center to side: Mrs Dashwood, Margaret, Marianne, colonel Brandon... and Eliza Williams with her baby in her arms.

As a summary, I'd say Elinor and Edward's story was good enough, the relationship between the sisters was sweet, there were some odd choices, some interesting choices, and overall the writing was severely downgraded by attempting so much to stick to the choices of previous famous adaptations.

#Jane Austen #Sense and Sensibility #Sense and Sensibility Hallmark #Sense and Sensibility 2024

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dr3amofagame · 7 months

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I think Dream in prison was always going to go poorly because it would require Sam to be as infallible as Pandora's Vault itself, and he's not. He has way too much personal stake in what Dream is doing, and in trying to force himself to be an emotionless machine that abides only the protocol he became a hypocritical wreck that only indulged his vindictive emotions and spiraled out of control trying to keep the situation steady. That's not even addressing how keeping someone in the prison would never be ethical because it's a psychological torture box designed by the psychological torture guy

I mean, I can see the argument that it would've been hard to like. Not make Pandora's Vault unethical, considering the size of the server and the fact that he was the only prisoner etc leading to a situation where yeah, he would've been left alone for long stretches of time no matter what, solitary was kinda inevitable, etc. Like I can see an argument for that. But on principle I feel like the influence that protocol had on the prison arc and on c!Sam specifically tends to be heavily overstated...because a significant portion of the prison arc, honestly, is making the point that the protocol was entirely based on what c!Sam determined.

Like, sure, the prison was always going to suck. c!Dream was never going to come out from it entirely unscathed. But there's a huge fucking difference between what he was prepared for (isolation + shitty food for an unspecified amount of time) and what situation he ended up in (his life at the mercy of two people that showed absolutely no damn qualms about literally torturing him). I think it's very fair to say that yeah, c!Sam was far from an unbiased party, and he was very much emotionally affected to his detriment during the prison arc. But...ultimately? I feel like we really don't see c!Sam struggling to maintain protocol over the course of months only to slowly break down. I don't think we see him "snap" and "lose control." necessarily, in the way that people often act is the case. (The strongest argument, in my opinion, in favor of c!Sam being greatly affected by some stressor that then has him turn to extreme cruelty has little to nothing to do with the prison itself and more to do with his brief stint with the Egg, but with so little attention drawn to that as a cause in the story of the prison itself, I feel like this mostly remains in the realm of speculation.)

Like, if we look at the facts, c!Sam's behavior day one was already weirding people out. Day one and c!Dream is already throwing himself in lava and c!Sam does not seem to give a damn. Of course, both of their behaviors had a myriad of reasons behind them, but it's important to note that there's like literally never been a single moment in the prison arc where c!Sam hasn't been, like, off.

We never see any of c!Ranboo's actual prison visits, but we know these happened very very early in c!Dream's imprisonment and that they were terminated quite early as well, once c!Sam discovered c!Ranboo writing in ender in the prison contracts. However, considering how the inside of the prison was the same between his dream and the real world, it is reasonable to say that c!Sam's behavior in the dream could've also been taken from reality, and "he knows what happens [when he disobeys]" is a hell of a statement to make.

c!Bad's prison visit is when things seem to be seriously off. Even if you consider c!Dream's behavior in this stream as entirely an act, c!Sam is noticeably tense after the prison visit and very demanding about what c!Dream said once c!Bad leaves the cell. c!Dream commenting on food being withheld is consistent with what we know happened in the prison arc later on. c!Sam says that c!Dream has been tossing himself in lava for attention. Several comments are made about "behaving" and "behavior," c!Sam is looking into the installation of an automatic feeder, and visitation is facing restrictions.

Pretty crucially, we see that c!Sam is very comfortable with making changes to the prison. Major changes to the prison, even. Installing an automatic feeder isn't exactly an easy process? And it obviously wasn't outlined in any kind of preexisting protocol. But c!Sam is perfectly willing to change this, just as he's perfectly willing to make all kinds of rules on visitation and limiting visitation because of c!Dream's behavior, etc, (which can reasonably be inferred as not being preexisting rules because that would mean that c!Dream, who allegedly helped with the creation of all of these rules, would be intentionally sabotaging his chances of visitation...when he very evidently wanted people to visit? like sorry but that doesn't make any sense) because he's the Warden and therefore the sole authority of Pandora's Vault and allowed to do literally anything he damn well pleases.

Further, sure, c!Dream might be acting in all the prison visits. Sure, he might be acting In General during this time, etc. But despite disobedience (disobedience with the explicit expressed purpose of trying to get c!Sam to spend more time with him...?) I would hardly characterize almost anything he does during these early days as being anything for c!Sam to be reasonably vindictive over. Even if you consider hopping into the lava (something c!Sam could've solved literally as easily as just raising the netherite barrier), tossing the clock into the lava (also preventable if c!Dream can't access the fucking lava????), and a couple alleged escape attempts (the only one that we know of being him trying to use the lectern to create a nether portal, something hardly easy to do and an attempt that c!Sam very evidently put down quite easily)--like. I can understand him being angry because of what c!Dream had done in the past, and obviously being angry because of c!Dream telling him about exile, but c!Dream early on in the prison arc hardly behaves badly. (Not that bad behavior would justify abuse, but you know.)

By the time of c!Sapnap's prison visit, c!Dream isn't the only one acting weird. c!Sam is strange in ways that are never fully explained and uh heavily imply shady shit??? He's not abiding by protocol when he suddenly interrupts the process of helping a visitor out of the prison by forcing c!Sapnap to respawn in order to check on c!Dream for Some Reason. He's once again very persistent about the question of whether or not c!Dream "said anything" and then reacts strangely when c!Sapnap was able to get him to say a word. He's replaced like a quarter of the obsidian in the cell with crying obsidian, which again, is an instance of c!Sam making BIG changes to the prison without protocol or anything dictating his actions. At most you can maybe make the argument that he's being moved by the spirit of the protocol, that being security should be prioritized over everything (hence potatoes instead of steak, hence no courtyard, hence--in this case--crying obsidian to make the escape attempt ineffective) but it's clearly nothing that they explicitly wrote down.

Also, around this time (I forget the exact date) he explicitly bans c!Ranboo from visiting. Also something we can reasonably assume isn't something that was included in any protocol that c!Dream wrote considering his uh, vested interests in continuing to have an informant.

c!Tommy's visit and that ensuing debacle, of course, is one of the first times we see c!Sam clearly, explicitly acting AGAINST the protocol that was established. The protocol outlines that c!Tommy should have stayed in there for at most a week, and c!Sam explicitly denies him from leaving when the time comes??? Even if you argue that he's doing it "for security", he's doing it in a manner that is going directly against the letter of the law of the protocol that he created with c!Dream. This is a clear demonstration that c!Sam sees himself, and acts as if he is above the law of Pandora's Vault, because, of course, he is the law. He is the Sole Authority. He is the Warden, and he answers to no one but himself. c!Tommy's death obviously ensues in quite the emotional fallout for him, and wanting revenge on c!Dream for this matter motivates his actions later on in the arc...but it's important to consider that mistreatment beyond the scope of what c!Dream expected long preceded this point. c!Sam, immediately after c!Tommy dies, describes himself as thinking that c!Dream's will was too broken to do anything like that. Describes himself as having punished c!Dream in every manner that he could think of. He doesn't go in to feed c!Dream for WEEKS after c!Tommy's death, directly leading to c!Tommy himself being isolated and starved post-revival. He bans visitation. All of these matters hardly seem like matters that c!Dream would have included in the prison protocol that he created when he was planning to be put in that prison, where he specifically had a vested interest in keeping himself (and the book) safe + having, like, FOOD + being able to have visitors in a safe manner + NOT being abused?

And even if we dismiss all of this as c!Sam acting in the best interests of security because c!Dream told him that the security of the prison is more important than anything else (which, even though we know that c!Dream did have this perspective to some degree, still doesn't eliminate c!Sam's responsibility as the one carrying out the existing protocol and making all of these Big Decisions and Big Changes etc to the prison) -- the decision to let c!Quackity into the prison stomps on all of that. That decision completely goes against not only the letter of the damn law that they established together, but the spirit of what the prison was ever meant to be in the first place. He compromises the security of the prisoner and the prison on the DAILY by letting in someone in full gear! With items! And plays a game with chance with c!Dream's life (and the revive book) every damn day. He hardly had enough of a system in place to keep c!Quackity from taking c!Dream's life, and he was certainly unable to stop c!Quackity from landing what would've been a killing blow on c!Techno before he got tp-ed out, like. He completely fucks over EVERYTHING that Pandora's Vault was meant to be, and that was...entirely his decision. Sure, c!Quackity manipulated him, true, but he was not beholden by any protocol or any element of his duty when he made this choice.

This isn't to say that c!Sam wasn't very much emotionally affected and making clouded judgements--he was! Especially if you factor in the stress of other events such as the Egg, etc. But I hesitate to ascribe any element of c!Sam's...c!Samness in the prison arc as him "cracking under the pressure," so to speak. The implications of mistreatment just start too early and are too calculated for me to say that he was simply reacting badly to stressors. I think he was absolutely trying his best to keep the situation "steady," in a sense, but keeping it steady never meant simply being an emotionless guardian to an impenetrable prison who couldn't cope as everything began piling up--keeping things steady, as early as that first month, meant breaking c!Dream into something docile. That was intentional. That was something he was making an active effort to do. Nor do I think that the claim that c!Sam was simply abiding by protocol holds any water, as I outline above: c!Sam has always acted above the protocol established in the prison to the point where even from the first time we see him acting as Warden during that first damn questionaire a specific point is made that he is the ultimate authority on the grounds of the Vault and his word is law. He acted within protocol when convenient to him and trampled over it when convenient to him, and I feel that people can overemphasize the role that protocol played in the decisions he made the same way that he himself did when he was shifting the blame of his own abusive actions onto c!Dream when he had the power, and always had the power, to amend the protocol established in any way he damn well pleased.

Of course, this isn't to say that the protocol was good. It, uh, wasn't--and plenty of people have criticized c!Dream for them even though the prison, as it ended up being used for his plans, was never anything more than a place for him to put himself because of the danger that the rest of the server presented, a base for him to hide in after the prison arc because of its security measures, and a "just-in-case" measure for them to hold their enemies if need be (which he never actually does, even when given golden opportunities to do so: inconsolable differences and the finale come to mind. Even if we're talking about his saw trap in the finale, the plan was to kill one and let the other go free (????????) while also giving them the exact items that could've easily been the keys to their escapes. after c!Tommy and c!Tubbo kill him. but I digress). But c!Sam goes so damn far beyond the protocol established by the "psychological torture guy" that he literally wasn't even beholden to when he was the Warden of the Vault on account of said guy being his prisoner. I don't really see any arguments about c!Sam's behavior having to do with him being too fallible of a man for the job he was given--he does exactly what he wants to do, how he wants to do it, using the job that gives him the power to do so. It's just that "what he wants to do" is not exactly what c!Dream had in mind when he and c!Sam were coming up with the plans for the prison and the protocol that they worked together to create because what he wants to do is, apparently, own a guy and keep him in his hell box. You know?

(i hope this didn't read too aggressively!)

#my asks !!#c!sam critical #long post #apologies on the essay i just have very strong opinions on the use of protocol to justify what c!Sam does #if c!Sam gave a single damn about protocol we would've seen him actually abide by protocol #and meanwhile this guy won't even use the literal built in security measure of the netherite barrier #to solve the problem of c!dream's 'misbehavior' early in the prison arc #when it literally could've solved ALL OF THEM #(jumping into the lava. throwing the clocks into the lava. trying to use the lava to start a fire to start a nether portal)#but then goes BEYOND protocol to install a goddamn glass wall later on just. because #like ??????????#at the end of the day c!sam's actions aren't in line with what pandora's vault was supposed to be mostly just bc he had a different vision #for the prison and the prisoner #and he's c!sam so he's able to justify any amount of human rights abuses in order to do what he thinks is 'right'#including of course killing and murdering his own romantic partner

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funhouse-mirror-barbie · 3 months

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Rating Hazbin + Helluva Boss Characters based on if I could tell what animal/creature they’re supposed to be:

DISCLAIMER: This is not an attack on the creators or artists/designers for either show. I already went over the purpose of this on my first post here—I just like to review stuff.

Part 2!

SIR PENTIOUS—SNAKE—5/5

Yeah that’s a snake, man.

While I find some of Pent’s design elements cluttered, he’s actually one of the stronger designs in my opinion. I think the having his cobra hood act as his hair is fun and cleaver. It’s very easy to tell he’s a snake. Not sure why he has eyes on his tail/body? I think they could have just made them red spots but eh.

QUEEN BEE—FOX (?) WITH HONEY BEE ELEMENTS (?)—3.5/5

Bee’s a weird one for me b/c while her design is super super cluttered I can SEE how it could work, and I really do like fun cute fox and wolf girls. The ONLY reason that docked points is b/c she’s supposed to be a fox/bee hybrid (I believe?) but her “bee” elements are so minute that if I hadn’t seen her in a big beehive, I would have just assumed she was as a fox with fairy/insect elements—I wouldn’t have thought she was connected to a honey bee at all. It’s a weird case where she is VERY obviously a fox but it’s not obvious at all that she’s a bee/honey bee. I did want to give a little extra half-point tho b/c I do like her little antennae ears. They’re pretty much the only thing that screams “insect” to me.

STELLA GOETIA—SWAN (?)—3/5

I think I may be going a little easier on the Helluva cast b/c overall they’re easier to figure out what animals they are. I’ve heard that Stella is supposed to be a Swan but I’m not 100% sure. This one is def more on me, but I initially thought that she was either a secretary bird due to her long lashes and the way her hair is styled, or a peafowl (which would make sense b/c her brother is apparently a peacock?) at least I can tell that she is a bird and her colors are accurate for a swan’s. I think the reason I would never have thought of her as a swan is mostly due to her beak size and color. But yeah b/c I can at least confirm that she is in fact a bird I wanna give her a higher score.

I would rate Pilot Stella too, but I don’t think at that point she was meant to be a swan, just a vague bird demon lady. At least I hope not.

MAMMON—SPIDER (OR CENTIPEDE? MAYBE??) —0.5/5

So. Like Angel Dust. The only reason I know that Mammon is a spider is because he was shown sitting on a giant spider web.

I really didn’t think he was a spider/spider-ish looking at all and I still don’t. Even the extra eyes they add to him sometimes didn’t immediately make me think “Spider!” just that it was a demon thing. He really just looks like a jester with extra arms.

His full demon/mega form also doesn’t look very spider-ish tbh, and was what made me wonder if he was actually supposed to be a centipede? I was really disappointed by his “final form” because it’s pretty much the same as his regular form but with more eyes and what I assume is SUPPOSED to be a spider abdomen ?? But then he does kinda scuttle like a centipede at the end so maybe he is supposed to be???? But then why does he have a big spider web???

Also, and I’ll be honest, this is just me being needlessly nit-picky and it’s a small thing but it just irks me personally b/c I don’t understand the reasoning behind this but like. I HATE that his extra eyes DO NOT stay consistent.

The first time we see his extra eyes it gives him a total of 8 so I was like “oh okay yeah so maybe just his final form will be a spider/spider-like BUT THEN HIS EXTRA EYES KEEP OSCILLATING BETWEEN 3 and 4 EXTRA EYES?

These shots are only a few seconds apart like why did they give him MORE eyes when he got farther away? They’re so small that they barely seem distinct? Like if he IS supposed to be a spider you don’t have to keep giving him eyes!!! Stop, stop, he can already see!!! 😭

Maybe he IS a centipede tho? B/c he DOES seem to have the little centipede butt horns (which apparently are just their very hind legs in real life)

And he def seems to move like one in that form. Man idk. Why even HAVE him in a spider web then???

Being an arthropod lover and not being able to figure out what the fuck kinda guy that’s supposed to be is driving me wild tbh 😅

Honestly if Mammon was just supposed to be a clown/jester I would have given him 5/5 b/c yeah that was immediately obvious. But it’s him being a jester-spider-centipede-thing that muddles things for me.

I would put Loona in here but I ran out of pictures for this post talking about Mammons eyes. She gets 5/5 cause. Yeah that’s a classic wolf girl.

#funhouse convo #media criticism #hazbin hotel critical #hazbin hotel critique #hazbin hotel criticism #helluva boss critical #helluva boss critique #helluva boss beelzebub #helluva boss stella #character design

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firedragon1321 · 2 months

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How to Spot an AI-Generated Tai in the Wild!

Because I am insanely obsessed with the blorbo and AI art is a hot-button topic right now, here's a silly thing. I'm sure most artists can tell the difference between real and AI art. But my autistic brain wants to pick apart Tai's character design a bit so here you go. This applies to all seasons, touching on basic traits Tai has between them. So I won't go too much into clothing here (people like to dress him up in different cool outfits anyway- keep doing that).

Note that this isn't true to all models, but works 90% of the time. AI art is advancing so quickly that this may be obsolete by tomorrow. Also, real art might "fail" these little tests simply due to lack of experience drawing the character. If you suspect someone is posting AI art, just block and move on. Report if you want, but you know how Tumblr feels about AI. Most importantly? Don't use this post to be a dick.

WARNING: This post uses AI-generative images found from around the Internet for demonstrative purposes. No credit is given because if the "creators" wanted credit, they should've learned how to actually draw. :)

SKIN TONE

Tai has this nice, tanned skin tone that the rest of the Adventure DigiDestined do not have. While he keeps it in 02 and tri, he loses his color in Kizuna. A real fanart piece is most likely to reflect this, or even add color to his paler designs.

Most AI models have a generic pasty white skin tone for anime characters. This applies to any anime character, not just Tai. I believe this model might have gobbled up his Kizuna skin tone. But I've seen fake Tais even paler than this.

There are some AI models that combat this. But the standard AI identification tricks apply. Here, the tongue is mushy, and the highlights on his goggles make no sense.

HAIR OF FLOOF FLOOF

Ah yes- my point of expertise. Tai's hair is a difficult thing to draw. I don't blame anyone for dropping the ball here. But AI does have some notable, repetitive failings.

A "legit" Tai tends to have fluff, rather than spikes. The bangs consist of one stripe over the forehead. The few spikes present designate messiness, but the general shape is actually curvy (look at the top right side of the head for the most wavy lines). The size of the floof ranges between adaptions and even storyboard artists.

AI-generators are convinced that all "anime hair" is spiky. Notice this AI Tai has more spikes and less curved lines.

Then, there's this one, which drops the ball on Tai and Matt so bad that both characters resemble Bakugou from My Hero Academia.

WHO'S THAT DIGIDESTINED?

Eye shape and color has some leeway depending on the artist's style. Adventure/02, tri., and Kizuna supply three different eye styles. However, there are still some dead giveaways.

Revisiting this AI-generated image, the eyes look...familiar. No?

How about now? The modern Pokemon anime style has been completely absorbed by AI models. Sometimes, Digimon and Pokemon will be confused for each other, resulting in similar eye shapes and other traits (look at the noses, too).

HUMAN TOUCH

There's some times you can look at an art and know with confidence it was human-made, such as-

MS Paint blobs/sketches on lined paper/anything showing layers/etc. They're too unrefined for an AI image creator to want to profit off of, so why would they make them?

Some fetish art. A lot of kinksters are using AI, which is why deviantArt made good ammunition for this post. But many have distinct art styles that AI has not copied yet.

Western-cartoony art with hard or thick lines. AI is allergic to these traits atm. Notice the softer, thinner outlines on all three fakes.

Clearly attempting to master Tai's unique traits, even if they don't translate well (e.g.- a dome vaguely shaped like his hair is more credible than a "perfect" hairdo with too many spikes).

FINAL NOTES

All of this could change tomorrow, at the rate at which AI advances. I'm fairly good at deducing AI art from human-made art. But a recent piece almost tricked me (interestingly, it was Davis- not Tai- who looked off). These things are constantly evolving. But in addition to the usual tricks, knowing your blorbos can help identify AI images so you can freely block (or, when applicable, report) the idiots who made them.

#tai kamiya #digimon #taichi yagami #taiposting #fuck ai art #all of this will change in three days #character design #ai art #ai art identification #might go into tai's hair more one day there's a lot i want to say about drawing it

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sincerely-sofie · 2 months

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It took me a minute to finally get my notes straight so I could answer this— I hope it was worth the wait! I’ll give some bullet points of tips I use to help boost my production speed in addition to the strategies I use to try to keep characters consistent. Let’s get into it!

First up: How I draw faster!

Note that these mostly apply to digital art, as that’s my preferred medium.

If your art program has them, experiment with brush stabilization levels. My hands shake really bad, especially while I’m drawing, so I put a lot of effort into finding a stabilizer level that works with my need to control lines while also smoothing out the tremors in my hands. It’s made it so much easier to draw lines like I want to, and therefore lets me move on instead of redrawing the same line over and over again.

Creating templates for your art helps so much— setting up things like canvas size, color profile, DPI, background colors and images like the paper texture PNGs that I love to use ahead of time helps me get drawing faster, while I’m excited and inspired! Similarly, having a naming system for your art files is useful for speed as well as finding and organizing old pieces easier.

Having premade color palettes of local colors for characters is also super helpful for speed, as well as keeping characters on model :>

Personally, I use a single brush for lineart and rely on the selection tool and bucket fill for coloring when I actually bother to color things in. My lines are pretty loose nowadays, and the same goes for when I color things— I don't abide exactly by the lineart I draw, and get pretty messy with the selection tool and bucket fill!

I simplify character designs as much as possible— the standard design of a sigilyph, for example, is pretty complex. But I made Sen a lot simpler (and also forgot the spikes on her torso in this panel. Oops)

As for keeping characters on-model…

I’m very flattered that you feel otherwise, but I actually don't keep characters very on-model between different drawings— just look at the different ways I've drawn Ark below— however, I'm improving over time as I become more familiar with how I want to draw the characters! A big part of my process of keeping characters on model is drawing characters over and over to familiarize myself with how they should look through trial and error.

Learning common angles and poses I will draw characters in is very helpful for making sure they look consistent. As a bit of a downside, though, it makes wonkier angles stick out like a sore thumb! Drawing Ark with his head slightly angled downward was really hard, and I don't think I communicated it that well here:

I try to have the characters broken down into as many simple shapes that fit into each other as I possibly can, like Twig’s head (circle + rectangle snout + angled rectangle horn) Ark's hair (that weird bangs shape) and Dusknoir's upper body (beanbag shape / slightly elongated circle torso, arms coming out of his frill that comes in a very particular arcing line). This makes it way easier to draw characters quickly and consistently, because I can learn those lines and shapes and get the motion of drawing them into muscle memory.

Also, knowing the ways characters emote is like knowing cheat codes. Giving characters things like a signature comedic expression of shock or grin that they make when they're happy are very helpful!

The biggest tip I can give on the topic of keeping characters on-model (at least without model sheets— model sheets are THE way to go. Don’t be like Sofie and neglect those pieces of gold) is really just to practice. Build up familiarity with the shapes and proportions of characters, get a feel for how your hand and wrist moves to get the lines right.

#creativity tips with sofie #art tips #drawing tips #drawing advice #art advice #stuff by sofie #sofie answers asks #(kinda)

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clambuoyance · 1 year

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Hi! Sorry for all the notification spamming, I just really really adore your art & the way you draw characters. It's so cool how recognizable all the characters you draw are, like their features/proportions/style idk its amazing. Do you have any tips for how to make a character consistently recognizable in drawings? Also, methinks Tim as Stray would be so much fun in a TimKon relationship, would you maybe pretty please consider doodling a bit of what you think that would look like?

Your brain is galaxy sized, your art is fantastic, and I hope you have a wonderful day<3

Ty! I’m just going to answer your first question, even though you asked forever ago 😭 I’ve drawn stray Tim before but we’ll see if I’m up for drawing it again

Anyways, as for making characters consistently recognizable, I think it helps to make character sheets.

Using my ocs for example, when I redesigned Rolin in my new style, I knew I wanted to have a very Shapey look, so I’d write notes on things such as: how the cheek should curve, what the nose shape is like or how many Fronds in his hair he should have lol

As you can see, I even have arrows indicating the motion of the lines. If you’ve seen some of my posts of my redesigns for the dc characters, sometimes you can see notes in them too. Sometimes I write them, and sometimes I just catalogue the set of “rules” I create for a character in my head.

So yeah, for further example, I knew keiko had to have softer shapes to contrast her with rolin’s personality. I can’t find it, but I have a page in my sketchbook just working out the shape of her hair, which was initially supposed to resemble a butterfly 🦋 but then I made it have boxy angles. Whenever I draw them, I guess I go through their Individual checklists in my head.

Like for rolin:

-more sharp eyes, in an almond like shape. Check

-cheek is curved but “steeper” and leads to a somewhat sharper chin. check

- I usually have to redo the nose a lot but once it’s in the right spot for me I check that off ig

Or for keiko:

- rounder, bigger, more oval like eyes. Check

- hair bangs should start a little to the left of the middle of her forehead line, then to the edge of her ear. Check

- her cheeks should be squishy and round, and she should have a smaller face with her features more closer together. Check

And so on and so on, and the character sheets help because then you get into the practice of doing those same lines over and over, and at different angles or expressions. So even though I want to stretch their face as they contort their facial expressions, I still follow the same structure and adjust accordingly to keep their form, if that makes sense, I’m not perfect at it but I like to think my designs are at least distinct from one another and consistently recognizable

And this is a recent example, which I haven’t posted on tumblr yet bc I have yet to color it, but this is me trying to explore barts design and making sure I could still make it look On Model despite the different facial expressions.

So in summary my strategy would be to

1. Sketch and explore the character design, write notes and study what lines or elements work or don’t work

2. Create a list or repository of the essential elements or a set of steps to recreate the same design

3. Practice and make a sheet where all you do is actually recreate that design over and over again, until your hand can just do it without your brain having to recall the steps one by one , if that makes sense

Of course, I like to redesign all the time as well but I try to at least capture the character’s essence 😗

#clam answers #clam draws #art tip #art tips #character sheet

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ilikekidsshows · 9 months

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It just boggles the mind how petty someone can be over a fictional character that they created being popular. Thomas Astruc is ruining his own show and screwing over abuse victims all for a grudge against fans who prefer a character he doesn't. I don't condone hate-mobbing him like some people do on Twitter, but he really can't take any sort of criticism huh. How do you claim to have conferred with a child psychologist (I think) and still produce this literal abuse apologia. I genuinely don't understand.

I'm gonna say that Astruc taking any chance to use the narrative to dunk on Chloé and Adrien being evidence of him holding a grudge against their popularity is my personal interpretation of possible influences for their writing. I have inferred it from Astruc's very curt way of speaking to fans of these characters on twitter and the show's abysmal writing of them in ways that prop Marinette up on their backs. None of it has been proven true, but, when the coincidences keep piling up, at some point you're gonna stop believing it's a coincidence. At this point, he is most likely at least subconsciously bitter over Chloé and Adrien, if not consciously so.

Just like how the show's biases concerning abuse might be subconscious stuff going on in the crew's heads. I remember when @infinitysgrace and I used to have to reiterate again and again that Gabriel does love Adrien even if he abuses him, that's often the tragedy of parental abuse, when the fandom kept insisting that Gabriel abusing Adrien was evidence that he didn't really love him. The crew also seems to have a very limited view of what "counts" as child abuse. Apparently isolation, neglect, abandonment and consistently referring to your child by the wrong name don't count as abuse, because all the kids involved got to eat, didn't get beaten and are loved by the people harming them.

I agree that it's very obvious that Astruc can't handle criticism and that mobbing him or harassing him isn't the solution. Astruc has a right to act like an entitled jackass even publically online, just like any other creator or random person. I instantly side eye anyone trying to turn me against someone based on only the accusations that they're deleting negative comments and blocking people giving negative feedback. The fans might be entitled to their opinion, but they are not entitled to a creator's time and attention.

I'm also going to say that, just like I don't read highly personal vent fics, I'm not going to watch vent shows. I stopped paying any attention to Teen Titans Go after they started dedicating several episodes to mocking fans of the original TT cartoon (after their show piggybacked on the fame of said show by mimicking the character designs and using the same voice cast no less). I'm very much done with paying Thomas Astruc's increasingly inane ramblings any attention. It's pretty obvious that social media is influencing his creative process negatively but it's his right to engage with a space that affects him like that. None of us are his friends, family or doctor. It's none of our business what he does.

I haven't heard of the writers consulting any experts on anything dealing with the show, but I do know for a fact that Astruc tweeted a link to a fan's essay on Adrien that was written by someone claiming to be a child psychologist. Said fan praised Adrien's writing and then went on to praise the Sentipeople concept. Since I make it a habit to never actually be the one that starts shit, I never really engaged with their content and blocked them instead, so I can't remember the details of what they said about the psychological perspective on Sentipeople.

Still, I'm 80% sure this is the supposed expert. Regardless, even if this fan wrote essays with 100% accurate real life psychology, child psychology has no one size fits all approach. I, an ECEC professional, sure as hell didn't agree with anything they had to say about SentiAdrien before I blocked them, and that was before canon confirmed the theory in the worst possible way and screwed over abuse victims.

#ml salt #ml writer salt #ml fandom salt

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