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#slow damage layout
hagukoko · 6 months
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✧₊⁎ 🎀🖤
⇒ towa themed rentry graphics ♡
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utowarazed · 3 months
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reitowa rentry things. hello. ----- hello also icons when you fight your transgender buddy
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faerhoney · 8 months
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towa icons !!
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proxima-writes · 7 months
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𝐠𝐫𝐚𝐛 𝐭𝐡𝐞 𝐛𝐮𝐥𝐥 𝐛𝐲 𝐭𝐡𝐞 𝐡𝐨𝐫𝐧𝐬
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pairing: pre-outbreak!joel miller x female reader
rating: explicit
word count: 4.1k
summary: joel agrees to go out to tommy’s favorite bar, where he watches you ride a mechanical bull and wishes you would ride him.
warnings: explicit sexual content (18+ minors do not interact), no use of y/n, dual POV, no defined reader age or physical appearance besides outfits, alcohol use, joel getting slapped, tommy is a little shit, first date anxiety, oral (m receiving), dirty talk, praise, pet names, girl on top, couch sex, unprotected p in v, teasing, deep throating, more men whimpering and begging 2k23. let me know if any warnings are missing!
author’s note: look, i know i’m in the middle of my spooky specials but i saw two very specific tik toks that left me with the need to write this 😵‍💫 also this post layout is inspired by @bits-and-babs, whose works and aesthetic are chef’s kiss.
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“Why did you pick this place?” Joel grumbles, hand wrapped around a sweating bottle of beer. People keep jostling him as they squeeze past, forcing him to keep his elbow tight to his side to avoid having his beer be collateral damage.
“You’ll see,” Tommy says with a cryptic wink. Joel rolls his eyes.
Tommy has dragged him out to a saloon style bar, complete with swinging wooden doors and longhorn skulls decorating the walls. Everything is shiny dark wood and western motif, down to the saddle style barstools. Most of the patrons have leaned into the theme, too — tassels, leather, cowboys hats, and ostentatious belt buckles.
“Alright, ladies and gentlemen!” A man’s voice calls out over the speakers. “The show is about to begin!”
“Show?” Joel asks dubiously. Tommy only grins at him, dragging him by the arm towards the back of the bar.
He weaves through the crowd until they’re only behind a few rows of people that have gathered around a mechanical bull riding ring, of all things. The floor of the ring is inflatable and in the middle sits the brown bull figure. Joel catches his first glimpse of you, a gorgeous woman in denim cut offs standing beside the bull. Your black leather halter top plunges low to expose your cleavage and stops short of the waist of your shorts, a tantalizing strip of your stomach on display. The black leather of the top matches your black leather boots and the cuffs snapped around your wrists.
“One of Salty Saloon’s very own has stepped up to take the bull by the horns tonight!”
You lift a hand to wave, bright smile on your face as you take in the crowd. Your eyes land on Joel and for a brief moment he swears he stops breathing. He can’t hear anything the emcee is saying, all the noise around him just a dull buzz as he watches you swing yourself up onto the back of the bull.
“Alright, alright, alright! Our rider’s goal is to stay on for one minute using only one hand! If she falls before the buzzer, y’all get nothin’. But if she makes it, shots are half off for the rest of the night!”
A cacophony of cheers erupts around Joel and you straighten your spine, holding your hand out with a thumbs up. The music starts, some pop song he’s heard on the radio in the morning when he’s taking Sarah to school, and the mechanical bull turns in a slow circle. You have one hand twisted in a leather strap, the other raised above your head as the bull bucks and swings, your hips moving smoothly with the machine.
“Goddamn,” someone says from behind Joel. “I ain’t ever wanted to be a bull so bad in my life.”
Me, too, he thinks.
Your thighs press tight against the sides of the bull as it swings around, turning you to face the section of crowd Joel stands in. You release the hand grip, both hands in the air now as you rely solely on your legs and core to keep you up on the machine. When the machine turns again, you manage to lift your body and swing your legs around to reverse your position, now seated facing the back of the bull.
“Alright, ten more seconds!” The emcee calls out. The crowd starts to cheer your name and Joel can’t help but join in, eyes glued to you as you continue to swing and sway like all the movements are nothing but second nature to you.
“Three! Two! One!”
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A cowbell goes off, signaling the end of your ride. The bull slows to a stop and you sit there for a moment to catch your breath, waving at the crowd. The bar owner, Johnny, comes out onto the crash pad with a huge grin on his face.
“Great job up there, kid. Now go sell some half priced shots,” he says with a good natured pat on your shoulder.
You return to the bar, where the other two bartenders scheduled tonight field the after-show rush, lining up shot glasses and filling them in quick succession with the requested liquor. When you get behind the bar, a familiar head of curly hair catches your eye.
“Tommy!” You call, excited to see one of you favorite regulars. He shouts your name as you stop in front of him.
“This is my brother, Joel!” He says, slapping the back of the man beside him. You’d seen him in the crowd, a handsome guy with broad shoulders stretching a dark blue t-shirt, warm tan skin, and messy curls that speak to the family resemblance between him and Tommy. You reach a hand across the bar, Joel’s calloused fingers dragging against your palm as you greet the man.
“It’s nice to meet you, Joel. Can I get y’all anything?” You ask. Tommy grins.
“Let me get this man a slap shot!” He yells.
You glance at Joel. “That okay with you?” You ask.
His eyes are comically wide as he nods. You step back to ring the bell behind the bar, your fellow bartenders whooping and cheering, a chant of “SLAP SHOT! SLAP SHOT!” echoing around you.
Haley sets a glass of water on the bar for you and you grab a pint glass, filling it with ice and two ounces of Jim Beam and amaretto. You smack the steel shaker on top, grabbing both glasses and shaking them vigorously over your shoulder.
You strain the contents of the shaker into a shot glass, amber liquid flowing to the brim. When you’ve got everything ready, you leave the back of the bar and squeeze your way through the crowd until you’re in front of the two brothers and can hoist yourself up onto the bar.
“Alright, Joel, are you ready?” You shout. He looks a little confused, brows pinched tight over kind brown eyes, but he nods anyway, holding his hand out for the shot glass. Tommy watches with a shit eating grin. “Three! Two! One!”
Joel takes the shot and you follow it with a glass of water to his face and a slap across his jaw in quick succession. Tommy is howling with laughter and Joel’s face is one of pure shock, red blooming across the skin of his cheek. He turns to his brother.
“Tommy, what the fuck!” Joel shouts. His hand wraps into the neck of Tommy’s shirt. “You little fuckin’ shit!”
You have the sinking realization that Joel wasn’t prepared for what a slap shot entails. You had just assumed this was something Tommy had told him about, having been to the bar so much the last few months.
Joel looks mad as hell, his shoulders tense and you worry he may actually throw a punch at Tommy. You hop from the bar and get between the two men, pressing a hand to their chests and pushing them apart.
"You, come with me," you say, pointing to Joel. "And you," -- you jab a finger into Tommy's chest -- "are on my shit list."
You take Joel by the hand and guide him to the back office, shutting the door and muffling the noises of the bar beyond it. His face is still dripping wet and the water dripping from his chin has gathered into a sizeable spot on the collar of his shirt.
"I am so, so sorry," you start, rifling through the storage cabinet for a bar towel. You hold it out to him, avoiding his gaze. "Tommy comes here so much that I just thought he'd told you about what a slap shot was. I should have told you, oh my god."
"Hey, it's okay. I ain't mad at you," Joel says, running the towel over his damp face. "Tommy, though. I'm gonna kick his fuckin' ass later."
"Still," you mumble, twisting your hands together nervously. "I'm sorry. Is your cheek okay?"
He rubs the towel over his head to dry his hair a bit, the action leaving him adorable mussed, curly strands sticking up in every direction. You're staring at him, maybe a little too much, but who can blame you? The man is hot.
"Yeah, trust me. I've had worse," Joel replies with a laugh.
"You get slapped by women often?" You tease.
"The number of times ain't just one."
"Oh, a bad boy. Mama warned me about guys like you."
He laughs again, long and low, running a hand through his hair. "Well, thank you for the towel."
"Right. And your next drink is on me. As an apology," you tell him.
"I'd rather get your number," he says. "You know, as an apology."
You raise your eyebrows at him before turning to the manager's desk, grabbing a marker and tugging the cap off with your teeth. You slide a hand down his arm, lifting his forearm up so that you can write down your number across the smooth, tan skin.
"I'm off next weekend," you comment when you've recapped the marker.
"I'll keep that in mind," Joel replies with a grin.
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Joel's nervous as he waits outside of your apartment building in his truck, fingers tapping a nameless tune against the steering wheel. It's Saturday night and he's here to pick you up for dinner at a restaurant in downtown Austin, one that required he dig out the old black button down he keeps shoved in the back of his closet for parent-teacher conferences and funerals.
The front door to your building opens and you emerge, dressed in a pretty red wrap dress and black heels. Joel gets out of the truck and jogs around to the passenger side to open the door for you and he's surprised when you lean up and kiss him on the cheek.
"Hey," you say in greeting, climbing into the truck and settling into the passenger seat, your purse on your lap. Joel can't help the dopey grin that's surely stretched across his face.
“Hey, yourself. You look nice,” he replies. He shuts the door and jogs around the the driver’s side.
“You don’t look so bad either,” you tell him as he starts the truck up. He can feel his cheeks get warm and he hopes that you can’t see him the proof of his nerves in the dark cab.
At the restaurant, the host leads you both to a small table towards the back of the restaurant, pristine white tablecloth topped with a small vase of flowers and a flickering votive candle. A waiter in a white button down comes by to take your drink orders before disappearing the the kitchen, leaving the two of you regarding each other in silence.
“Look, I gotta be honest about somethin’,” Joel says, leg bouncing beneath the table. “I’ve got a kid. Sarah, she’s thirteen. Light of my life, you know?” He takes a deep breath before finishing with, “And I don’t think I’ve even been on a date since she’s been born, so this is just…a little new to me.”
“You have a kid?” You ask. For a moment Joel worries that he may have ended this before it could even get a chance to begin, but then your face lights up with a sweet smile and you ask, “Will you tell me about her?”
Joel does. In between ordering and eating your delicious meals, you and Joel discuss anything and everything. He tells you about Sarah and his contracting work, while you tell him about your full time job as a pharmacy technician, the gig at the bar a part time thing on some weekends. He nearly makes you snort your water out of your nose with a story about rescuing Tommy from the bathroom of the girl he’d been seeing when her long distance boyfriend, who Tommy didn’t know existed, showed up at her apartment.
“Oh my god,” you exclaim breathlessly. “And he just jumped out of the bathroom window?”
“To be fair, she had a first floor unit,” Joel confirms. “His royal pain in the ass still made me take him to urgent care because he thought he broke his ankle.”
“You’re a good brother,” you say with a smile. Joel feels the warmth of it in his veins.
After dinner, the ride back to your place is quiet, the comfortable silence filled with the low music from the radio. In a moment of bravery, Joel reaches over and lays a hand on your low thigh, just above your knee as he drives. He refuses to look over at you, but from the corner of his eye he sees you look down at his hand before looking back out the window.
He counts that as a win.
He pulls up the curb outside your apartment and kills the engine. You speak before he has a chance to agonize over what to say.
“Will you walk me to my door?” You ask.
He feels relief and anxiety in one fell swoop. He agonizes internally over whether to kiss you goodnight as he follows you up the stairs to your apartment, the buzzing in his brain momentarily silenced while he watches your hips sway as you climb the steps.
You stop on the second floor, guiding him down a long hallway to a door marked with a black metal number three. You turn to face him, looking up at him through your lashes.
“This is me,” you murmur. Joel swallows nervously.
“Right. I, uh…I had a really great time tonight,” he says.
“Would you…want to come inside?”
Joel’s brain short circuits. “Would I—? Yeah.”
You turn to unlock the door, pushing into your apartment and Joel follows you inside. The apartment is dark but you quickly turn on the lights as you move further inside, illuminating an open living room with a dining nook. There’s a door off to the right that he assumes is your bedroom and an open kitchen to the left. It’s small, but it’s cozy, bursting with colors and fabrics and mismatched furniture.
“Well, this is home,” you say with a shrug. You set your purse down on the small circular dining table. “Can I get you anything to drink? I’ve got beer, some liquor on the bar cart over there if you want to have a look.”
“Beer is fine,” Joel says, taking a seat on the comfy looking couch. You return with a bottle of beer, passing it to him before settling in beside him, kicking off your heels and drawing your legs up beneath you.
He takes a sip, fortifying his nerves. He wasn’t lying when he said it’s been a long time since he’s been on a date, but even sex has been a distant thought for the last year or so. He doesn’t want to mess this up.
“So,” you start, your elbow pressed into the back couch cushion while you lean your face into the palm of your hand. “You wanna know what I think?”
“‘Bout what?” Joel asks.
“You.”
“You got a report card ready for me already?”
“I think” — you take the beer bottle from his hand, setting it on the coffee table — “you’ve spent a long time being a caretaker. Right? You’ve got Tommy, who was already a handful. Your daughter, who’s obviously priority number one. You’ve got a business to worry about, workers to care for.” You shuffle closer on your knees, swinging a leg over his and settling yourself onto his lap. “This okay?” You ask.
“Yeah,” he replies, probably a bit too enthusiastically. His fingers curl into the couch cushions and he wants to reach up to wrap his hands around your waist but he’s not sure if he should.
You play with the collar of his shirt. “What do you think about having someone take care of you for a change?”
Joel’s stomach flips, cock jumping in interest as the blood in his brain rushes south and leaves him only capable of responding with a mumbled, “Oh?”
“I just think you deserve someone treating you real nice,” you say with a shrug. Deft fingers work at undoing the buttons of his shirt. “Especially when I was so mean when we met, slapping you across the face like I did.”
“Told you not to worry ‘bout that,” he replies, head dropping against the back cushions. “S’not like I didn’t like it.”
“You like to be roughed up a little, Mr. Miller?”
“Maybe.”
Your grin is wicked as you drag your nails down the now exposed skin of his chest. He hisses at the sting of it.
“Interesting,” you murmur. You lean close, chest pressed against his, hands coming up to frame his face. Your nails scratch through his beard now and he groans his appreciation.
“Can I kiss you?” He asks. “Please?”
You respond by pressing your lips to his, chaste as first. Your mouths move together slowly, feeling each other out. It’s you that takes it deeper, tracing your tongue over his bottom lip and dipping it inside to tangle with his. He wraps his arms around your low back, holding you tightly in his lap as he consumes you, drunk on the feeling of your breath in his lungs.
You drags yours lips away from his with a slick sound, trailing them along his jaw and towards his ear. You nip at his earlobe, teeth gentle and breath hot before whispering, “Can I suck your cock, Joel?”
A whimper claws it’s way up Joel’s throat as he nods, already unable to form words. He’s no stranger to turning into a puddle for a pretty woman but he’s certain this must be a new record.
You slip from his lap and kneel on the floor, pushing his legs apart so that you can settle in between them. Your hands reach for his belt, tugging on the buckle and pulling it loose so that you can pop the button of his jeans and tug the zipper down, the metallic sound loud in the quiet room.
Your fingers curl into the waist of his jeans and Joel lifts his hips a bit to aid you in tugging them halfway down his thighs. His cock tents his boxers in an obscene way, a wet spot already staining the fabric. You run your palms up his thighs before bracketing his member between your hands, lightly running your thumbs up his length.
“Christ,” Joel says, teeth digging into his lip.
“That feel good?” You ask.
“Uh huh.”
You smile beatifically before leaning forward, warm breath on his covered cock as you press gentle kisses through the fabric. Joel’s hips twitch and he lets out a deep groan.
You tug the elastic of his boxers over his length, tucking it beneath his balls. He’s practically vibrating with need but you continue to take your sweet time, pressing more kisses along his shaft, tracing the tip of your tongue over the prominent vein.
“You have a pretty cock, Joel,” you say, wrapping your hand around the base of him to hold him steady. It’s a struggle to keep his eyes open but he doesn’t want to miss the sight of your tongue lapping at the bead of precum gathered on his flushed tip, or the way your own eyes flutter shut as you let out a little moan of appreciation.
You wrap your lips around his cock, taking him inch by agonizing inch into your warm mouth and Joel feels any semblance of sanity disappear from his lust clouded brain. Your eyes stay fixed on him as take him in as far as you can, throat fluttering around the sensitive head when you swallow before pulling up, twirling your tongue around the tip, and plunging back down.
“Christ,” Joel groans, reaching out to cup your cheek. “You look so goddamn good like that.”
You lift off his cock and take it in your hand, moving it across your lips as you ask, “Like what?”
“Chokin’ on my cock, sweetheart,” he growls.
“That was nothing.”
Joel’s about to ask what you mean when you lower your mouth over his length once more. He can feel you flatten your tongue, your throat and jaw relaxing enough to take him to the very base, your nose tickling the wiry curls on his pelvis. He moans as you swallow around him, breathing through your nose and holding yourself there for a moment before coming up with a gasp, tears gathered in the corners of your eyes and spit making your chin shiny in the low light.
“So…I could keep doing this,” you tell him, “or…”
“Or?” He asks.
“Or…you could let me make us both feel good.”
You stand up, your hands untying the knot that holds your dress together so you can push it off your shoulders, letting it fall to the floor in a heap. You push your panties down your legs and unhook your bra, leaving you gloriously naked in front him, every inch of you like a piece of art meant to be admired. Joel’s hands, greedy and unfulfilled up until now, reach up to grip your hips and pull you onto his lap, your pussy hot and wet against his cock. He lets his hands wander over every inch of exposed skin, relishing the way your ass fits in his palms and the way you hiss when his thumb caresses a tight nipple.
“You’re so fuckin’ pretty,” he moans, his lips against your rapid pulse, teeth ghosting the thin skin of your neck. “Need you so bad, baby.”
“Don’t worry, I’ll take care of you,” you whisper, reaching between your bodies to hold his throbbing cock steady, notching it at your soaked entrance and beginning a slow slide down.
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Joel is panting against your sweat slick chest, mumbling desperate words into your skin as you take him inside of you as slowly as you can, thighs burning with the effort. When you’ve finally seated yourself on his lap, his head drops back to the cushion, eyes squeezed shut tightly and fingers nearly bruising on your thighs.
“Don’t move, don’t move, don’t move,” he begs. “Oh, fuck, feels so good.”
Where he’s desperate for you to stay still, you’re already desperate to move. His cock is perfect, thick and long with a slight upward curve, pressing up against your g-spot with stunning accuracy. You’re certain this won’t last long for either of you.
You rock slowly, forward and back, little movements of your hips. Joel lifts his head, looking down at where your bodies are connected with dark eyes. You wrap your arms around his shoulders, tangling your fingers in his hair and giving it a sharp tug that has him hissing your name.
You start to move more quickly, rolling your body in smooth waves over his. He’s panting as he looks up at you, sweat gathering at his temple, and his hands grip your ass and follow your movement reverently.
“So fuckin’ good,” he moans, “you’re gonna make me come, baby, goddamn.”
You speed up, bouncing on his lap now. Your couch creaks the slightest bit, protesting your movements, but you don’t care — all you care about is the man beneath you and the desperate little noises spilling from his lips as you make good on your promise to take care of him.
“Touch me,” you command. “I’m so close, Joel, please.”
He’s a good listener, your Joel, his thumb immediately finding your clit and circling it with messy movements that drive you wild, that tension in your muscles coiling tighter. Joel’s hips flex into yours with each drop down his length, the room echoing with the lewd sounds of skin against skin and the chorus of whimpers that spill from both of you.
“Joel, Joel, Joel,” you chant. He wraps his arms around you, really thrusting into you now as your own movements falter and you collapse forward, head buried against his neck as you come, trembling with the strength of it.
It’s not long after that he goes still, cock pulsing inside of you as the aftershocks of your orgasm wash over you. You stay slumped against each other, catching your breaths and waiting for your racing hearts to come back down to earth.
“That was…,” Joel says with a breathless laugh that shakes his chest. His fingers play up and down your back, soothing and gentle. “Goddamn, that was amazin’.”
“Yeah?” You ask, lifting your head. You smooth his messy hair back from his forehead. “You weren’t so bad either.”
He nips at your neck in retaliation, making you laugh and squirm away from him.
“Do you have to get going?” You ask.
“No,” he replies. “Tommy’s watchin’ Sarah for me tonight. He owes me one. Besides, I’m ain’t done with you yet.”
“No?”
“Not even close, darlin’.”
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flyingcakeee · 20 days
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Friendly little post of what to expect from the Chinese GP next week!
Our 1st of 6 sprint races this season:
Drivers will have 1 practice session to get acquainted to the track before the sprint shootout(quali). Next day, we start with the sprint race and then move onto the actual qualifying. Finally, race on Sunday as usual.
What does this mean?
If an accident or issue happens on track during the FP session, drivers will lose out on the only practice time they have. Drivers also must be careful not to damage their cars in practice or the sprint race lest they run the risk of not making either qualifyings. This will be extremely important for the three teams who don't possess a spare chassis.
Surface repavement!
The track surface has been repaved in order to prevent any unwanted bumps in the track from hurting these cars and provide a smoother ride.
What does this mean?
Any possibility of rain can make the track super dangerous, paired with the absolute lack of rubber on the track these cars provide. A repaved track can be your gateway into red flagged sessions over track issues or accidents if a driver pushes a bit too hard on a low rubbered area of track.
Note: the rubber that comes off the tyres are essential for grip, hence why you see faster times being posted later in sessions as more rubber is laid down and grip rises.
An interesting and for a few, new, layout!
China is a very interesting circuit with 2 long straights, two slow speed and tight first turns, and very few true high speed turns. On top, there is only 2 DRS zones placed back to back with the straights really close to each other. On top of this, 4 current drivers have not ever driven this track before (minus sim). Those drivers are Oscar Piastri, Logan Sargeant, Yuki Tsunoda, and Zhou Guanyu (not only his home race, but his home city race as he is from Shanghai!). No reserve driver besides Antonio Giovinazzi of Ferrari has driven this circuit either as Mick Schumacher just missed out due to covid.
What does this mean?
The teams that lack straight line speed may struggle significantly within the first few laps before the back essentially falls apart if they are not able to utilize the 16 turns as their aid. On the contrary, teams who may be stronger at straight line speed could see the turns really hurt them and they'd need to utilize these two straights to the best of their abilities.
However, the most important part about this track is the first and last turns. Usually you'll always see action within the first few turns of a track. At the Shanghai circuit, turns 1-3 is a very tight hairpin-esque turn which not only curls in on itself before turning to a tight turn the opposite direction, it will maybe be the first place we see any action or even none at all. However, our last 3 turns may also be of interest as well. Turn 14-15 is a combined turn like the first 3, however not as tight. This means that this is essentially the hairpin on the track and if a driver makes a move further down the long straight, their approach and exit out of this turn will cement their position, at least for the time being. Turn 16 is a somewhat sharp turn that will see any finishing or comeback moves for the hairpin, especially since the DRS detection point is right before the turn. At the end of this tiny straight, as well, is the pit entry where we could see drama arise with any miscommunication if there is any (it is the more extended out version of the Belgian/Spa pit entry).
Weather forecast?
Currently, it's too early to tell with conflicting reports of either up to 70% rain for the whole weekend, 55% for Friday and Saturday, and a dry weekend.
What does this mean?
Well, we have yet to see how any car performs in wet weather with comparisons to each other, especially because if a practice session is wet but a race isn't, you're less likely to see cars leave the garage. Unfortunately for the teams, this won't be possible in China due to the fact the surface is new and for 4 teams, the track is new to the driver as well.
Speaking of new surface, any rain could make the surface extra slippery than anticipated due to the fact standing water and a track not worn in yet would make it's appearance.
Keep an eye out on the weather as we get closer!
Extra info!
There haven't been any ground effect era cars to ever race this circuit meaning no driver knows exactly what to expect from their car's performance on this track.
Alexander Albon, Lando Norris, and George Russell have only driven on this track once meaning that McLaren and Williams are the least prepared driver wise as both Albon and Norris have teammates who've never driven the circuit before.
China has a lot of grandstands which they don't use for people and instead advertisement because they didn't have enough people attending. Look out for some interesting advertisement placement!
Zhou Guanyu will be the first Chinese driver to take on a Chinese circuit in F1! And not only was Zhou Guanyu born in China, he was born in Shanghai which is the very city this track is held in. This means him and Charles Leclerc are the only drivers to be able to race in the city they were born in. (Edit: Completely forgot that, yes, Oscar Piastri and Lance Stroll both have a home city race)
There is a lot of talk buzzing around in the paddocks surrounding seat changes and whatnot. There may be more news after the 2 Chinese races.
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ferraris-gf · 8 days
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explaining f1: tyres 🛞
first post in this series (will it be a series? we’ll see)
recently i think we’ve had some particularly interesting races in terms of tyre strategy and i readied in suzuka that i don’t totally understand it all, so this has been my little research project on tyres!
pirelli
pirelli are an italian tyre manufacturer who have been supplying f1 tyres since 2011. unlike some eras of f1, pirelli is currently the exclusive supplier in the sport.
in 2022, pirelli introduced a new 18-inch (the previous being 13-inch) tyre as part of sweeping changes to the technical regulations of the sport.
compounds
pirelli’s range is currently comprised of six ‘slick’ compounds (referred to as slick because they lack the grooves of normal road tyres - this is because these grooves exist to dispel water, something necessary for road tyres but that slows down an f1 car when not necessary) tyres, along with ‘intermediates’ and full ‘wets’ to account for weather conditions.
the six slick compounds (from hardest to softest) are referred to as follows: c0, c1, c2, c3, c4 and c5. from this range, pirelli pick three to be used at each grand prix, based on the track characteristics and climate.
the highest of the set is marked red and is known as the soft, the middle marked yellow and know as the medium, with the lowest marked white and known as the hard (intermediates are green and wets are blue).
theoretically, the softs have more grip over short periods of time, making them faster and better for qualifying runs. generally, the hard and medium compounds are more favourable on race day because they last longer.
rules
on most weekends, drivers are given 13 sets of slicks, 4 intermediates and 3 wets, with a set of softs reserved for drivers who reach q3 (the final round of qualifying). all drivers must return 2 sets after each of the 3 practise sessions, meaning only 7 sets are left for qualifying and the race. drivers must also use at least two different slick compounds during the race (provided the weather is dry).
on sprint weekends, the number of dry sets are reduced to 12. after the sprint, drivers must return the set they completed the most laps on.
tyre allocation is on a per-driver basis, teammates cannot share or swap tyres. in bahrain in 2020, mercedes mistakenly put bottas’ tyres on russell’s car when attempting a double stack. the team was fined €20,000 for this.
drivers must run the same compound on all four wheels at all times.
strategy
tyre plan for the weekend is the decision of the team, generally based on information from pirelli, observed degradation over practise, the circuit and the weather forecast.
if rain is expected, teams can draw from their wet weather allocation, and so they don’t need to be as cautious with their dry weather tyres. if it’s hot, teams have to make sure they can cover plenty of tyre changes.
if track layout means overtaking is tough, teams may want a higher number of pitstops to stop drivers getting stuck behind rivals. also, if the track is walled (and so safety cars are more likely) teams may plan for more stops.
terminology
scrubbed: teams often ‘scrub in’ a set of tyres by running them briefly during practise, this means that when they are later used in the race, they warm up much faster than brand new tyres.
blistering: when the inner part of tyre heats more than the outer, creating minor explosions which damage the surface of the tyre.
graining: when the outer surface is hotter than the inside of the tyre, leading to the outside rubber flexing, breaking and sticking to the tyre.
flat spot: a patch where the surface of the tyre looses its curve. this is usually caused by a driving locking up by breaking too late, meaning the tyre scrapes along the ground.
deg or degradation: refers to a steady loss of tyre performance due to general wear.
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aostahni · 1 year
Text
aftermath
rating: M— Mature
setting: jungle, omatikaya clan— post reef village
love interest/character(s): fem!omatikaya reader, (20) neteyam, & sully family
warnings: post atwow, little bit of angst, blood, violence, knives, guns, bombs, worrying/protective neteyam?, mentions of death, arguing, sadness, crying, & fluff.
synopsis: neteyam and other omaticaya warriors were out scouting the perimeters of the forest, until they were met with dozers and heavily armed machines tearing down lush forest and vegetation to expand their land, neteyam and jakes plan to end their operation and set out an mission to destroy the humans upcoming operation. You neteyam’s lover and a fellow warrior participating in the mission steers away from the plan to finally end the sky people’s plan unveiling a reaction from neteyam you’ve yet to see.
author’s note: ngl this was a little different for me, writing romance and angst has always been slightly difficult for me & i took some research 😭. also, I’m always open to criticism and advice long as it’s respectful. hope you enjoy!
- p.s. i thought about adding smut once the argument was settled, but i may just make into a separate part for the ones who just want a wholesome oneshot. just lmk what you guys prefer! enjoy!
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❝we are warriors neteyam! warriors! ❞
the sky around you had darkened from the smoking machines, and the vibrant forest burned from their torches. There was an ear splitting commotion surrounding you as dozers exploded, guns ringing as they’re bullets ricocheted, and fellow warriors released battle cries throughout the thick suffocating atmosphere.
it was one of the most brutal operations you’ve participated in, but you’d never back down. You scanned your surroundings as you glided through the smokey air on your ikran— mìäylli. you spotted two dozers continuing their destructive path with a couple recoms surrounding them, torching the vegetation alongside them. quickly you called it in, pressing your throat comms.
“ma teyam! there’s two dozers that changed course.”
“copy y/n. what’s their position?”
“about four clicks from you and the other warriors.”
“we’re getting hammered here my yawne.” he hissed, sounds of bullets and screams echoing in the background. “we’ll have to wait.”
“neteyam i can take them mys—.” you retorted but neteyam quickly cut your rebuttal short. “no!”
“you should get out of there, don’t engage without backup!”
only his words went in one ear and out the other, you wouldn’t leave these sky people to cause more damage when you could handle them yourself. You pulled out your bow, readying yourself for landing as neteyam continued to rant in your ear. he voiced worrying concerns as your chest heaved, moving up and down as you took slow deep as your ikran guided you closer toward the dozers.
“do you read me y/n?” neteyam yelled, “do not attack!”
ignoring his order, you and your ikran dove toward the scene, drawing your bow and impaling two soldiers within seconds. your ikran swayed around the other side of the dozers as you picked up the last soldier and slung him off into the distance. Once the surrounding sky people who were protecting the dozers from the ground were no longer a worry, you leap down gracefully from your ikran against the metal surface releasing a quick arrow in the process shooting one of the demons off its side.
You hurriedly ran toward a metal pole for cover, bullets ricocheting off its side as the soldiers sought to kill you. crouching down you took a look at the area around you, noting every soldier and weakening areas of the dozer. The other one beside it has the same exact layout, you took a deep breath nodding to yourself as the three soldiers drew closer. Once they were close enough you swatted your bow, one of the soldiers' bones cracking at the impact while the others were swept off their feet dropping their weapons.
you encased one's head in the bow, snapping their neck as you threw their limp body across the dozer while kicking their guns off its side. the second soldier drew a knife from behind, running towards you. your ear flicked up with alert at the never ending footsteps thumping against the metal surface. you turned swiftly earning a piercing nick across your chest, you hiss wildly before stabbing variously into the soldier's fleshly stomach, their blood squelching as you shoved the knife deeper with a twist. the soldier gasped, gripping fondling with your hands before gripping tightly as you watched life leave their eyes with a sharp gaze as your head tilts.
you released your hold, dropping the recoms limp body with a loud thud. A groan sounded in the distance and you hurriedly crouched into your defensive stance only to realize it was a soldier you immobilized, reaching toward a knife. you walked over kicking away the knife, landing a hard punch knocking him out. You pulled two grenades over his vest, quickly running toward the running jets atop the dozer. you released the pins hauling the grenades in between the vents as you called out for your ikran. A screech in the distance let you know she was close as you sprinted toward the edge of the dozer leaping out onto the back of the ikran.
you ascended to great heights watching as the two dozers went up in flames from the explosion as you whooped pumped your bow in the air with celebration. distant war cries let you know the battle was over, and in the na’vis favors as you made your way to high camp. As you came down from your high and the adrenaline and coursing blood settled you felt a sharp pain in your chest. you winced as you adjusted yourself on your ikran, looking down your chest reveals a gash. long, deep, sensitive, and throbbing around its jagged edges as blood pooled out staining your intricately woven top by neteyam.
“shit…” you hissed softly, knowing it’d be a long night.
·˚ ◌༘₊· ͟͞꒰➳
once your wound was treated by mo’at, you quickly made your way to your hut, drowning the dried herbs the tsahìk provided you in some water for a tea to help ease the throbbing pain. soon you heard a screech from your mates ikran and a thud as the blue soles of his feet collided with the ground. erratic breathing and footsteps were heard outside the hut as he searched for you within the crowd of celebrating na’vi.
“where is she?” he question, voice full of irritation with the unknowing responses. “is y/n here? have you seen her?!”
as few whispers floated within the air before he abruptly stood in the entrance of your shared hut, you stood quickly startled as you took in your mates appearance. he was covered in blood and dirt, his hair wild, and fist unclenching as he looked over you the same.
“are you okay?” the worry along his face fizzled away as he approached you quickly scanning over your body. “why didn’t you respond?”
he turned to you around to examine your back before engulfing you into a hug pressing your body against him. “don’t scare me like that.”
“i am fine, neteyam.” you winced as your gash came in contact with the dirt and debris along neteyam’s body, his ears flickered up as he quickly reeled back. he held your tensed shoulders against his palm as he pointed toward your top. “your piece is soaked in blood…”
you said nothing, eyes staring at the crackling fire as the burning wood shifted. you wanted to tell him, explain the events of taking down the dozers on your own, but you knew he’d only grow furious that you didn’t respect his wishes to stay safe. he pulled your top to the side lightly, revealing the gash just above your breast stretching to your collarbone, his pupils blown wide in disbelief as he gazed burned in yours. “y-you..”
“you were inured and didn’t tell me..?”
“neteyam.” you gritted out, irritation boiling to the surface. “i didn’t want to worry you, you’ve been so stresse—”
“So instead you fight skypeope alone?” he scoffed, retreating his grazing hands from your wound, and suddenly the loss of his touch made you feel so cold. “and hide injuries from your mate?”
“neteyam what was i to do?” you hissed, voice growing louder by the second. “leave the dozers to cause more damage?!”
“you were to follow my order!” neteyam growled, jaw clenching as burning irritation scratched at his throat. “not take stupid risks that could’ve gotten you killed!”
“we are warriors neteyam! warriors!” you yelled, grabbing ahold of the bow that lay against the wall of your hut. “the ones who take risks to protect eywa, the people..!”
“ugh, Y/N!” he hissed frustratedly pacing before he slammed a hand against the wall, making you jump from the noise. his face was full of rage and his eyes darkened as he whirled toward you with flared nostrils. “we are na’vi! we move as one and don’t stray!”
“neteyam do not speak to me as if i’m just some member of your squad!”
“i am your mate!”
neteyam back away a few paces, with a deep inhale before exhaling through his nostrils. He slowly approached your unmoving body, sighing deeply as he raised his hands to cup your cheeks, his gaze softening as he watched your blown pupils, the distant fire reflecting in them.
“i could have lost you…” he gently whispers, voice slightly hoarse from the yelling.
“i am here ma yawne..” you cooed, pressing your forehead against his, as you closed yours eyes breathing in each other's air.
his stray hand raised between you, touching the wound that lay between his chest. a constant reminder of where taking a risk led him, what it gave him— a bullet with death's name on it. he fumbled over his words as recalled the events three years ago in awa’atlu, a event that seemed to be a part of another life. “r-risks.. risks are dangero—”
“risk are what you take for the ones you love..” you reassured him, your eyes fluttering open as you watch his face twist with sadness. “ma yawne…”
“i’m sorry..” he sniffled, tears clumping in his lashes as his eyes met yours. the wound was a constant reminder to him that he’d protected his brother’s, a wound he flaunt proudly knowing that he’d been a warrior to cheat death but yet the havoc and grief it caused never left his mind. the pained faces and cries he’d heard late at night from his parents and siblings as they feared he wouldn’t make it. it was too much, but he’d never bring himself to voice it, so he curled his tongue into itself. “t-three, three years ago y/n.”
“i saw all the pain I would've left behind..”
“I-I can’t deal with that, not alone.” a stray tear fell down his cheek, barely cooling his heating cheeks. he exhaled shakily as flashes of oil filled waters, raging fires, and metal on his tongue ran through his senses. “i wouldn’t be able to bear the pain of losing you, y/n..”
your breath hitched, tears burning in your eyes at his confession. you slowly pulled him into a hug, his sniffles growing constantly as his emotions boiled to its highest. you ran your fingers through his wild hair as he cried into the crook of your neck, your heart pained that your mate had not yet healed from the trauma. “i could never imagine how you felt, ma neteyam..”
“the fear that surrounded you in that moment..”
“but i want you to know.” you cupped his jaw, pulling up his soaked face to yours, as you met his tear filled eyes. “our love is eternal, a love that will last many lifetimes through the connection of our great mother.”
“even if my body is gone, i’m always with you.” you gaze over his softening features, your thumbs wiping away the tears stained on his face. “i will live with you in spirit within eywa..”
“you will never be alone.” you nod reassuringly and he soons follows, nodding with you. you take in his features, as he closes and exhales shakily, gathering his composure. “i love you, neteyamur..”
“i love you..” he declares, fluttering his wet, clumped lashes open drinking in every detail of your reassuring eyes. he places a soft kiss against your lips, running his knuckles over your soft skin as you lean into the touch. “so much..”
He continues kissing, moving his mouth from your mouth to your nose, eyes, jaw, and finally your neck. his soft lips running over your skin as carries you into your hammock, snuggling into you before he claims your lips in a deep kiss as you two share soft sensual touches into the late night.
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ghostaholics · 11 months
Note
I had a dream about your enemies with benefits ghost x reader where the reader had a cryptic pregnancy. She kinda just doubled over in pain randomly and BOOM. Baby.
HE'S A LETHAL PERFECTIONIST TO THE CORE: rigid expectations impressed upon everyone; it's what makes him a first-rate soldier – grit factor and an appetite for excellence in everything he does.
(The thing is, Ghost doesn't make mistakes.
Of course, there's a first time for everything.)
It's chaos walking in Bangladesh, guerrilla warfare against an AQ cell weaseled away in Dhaka because the shiteheads have business with the organized crime bosses here. It's a city jam-packed with civilians, innocent lives. No open-fire allowed. A place like this means guerrilla warfare. Hit-and-run tactics. God knows he's not trying to start an international incident by blowing up half the bloody capital.
Cloak-and-dagger: they're picked off one-by-one. It takes a full day. A mess to be cleaned up, and he does it exceptionally well.
Ghost doesn't get any reports outside of the mission until he relays his total kill count.
"Good work," Laswell radios in. "We need you on the first flight to Oslo."
He lets out a slow exhale while jumping into the driver's seat of the vehicle he commandeered a couple blocks over. Time to make his way to the airport, then. They need his back-up. He knows what that means. But he's not going to think about the fact that the rest of the One-Four-One are there for a completely different ops and whether things have gone south if they're calling him in. He was supposed to be their fallback plan. "Everything solid?"
"It's Mav."
His grip around the steering wheel tightens. If he starts speeding through the streets, then he doesn't notice, too tuned in to the conversation at hand. "Fill me in."
"Landed herself in the hospital."
Again? Christ. It's the second visit in six months. He was there for the first one. Damn near had to stop the bloody doctors from calling out her time of death. Fuckin' tossers.
"What's the damage?"
"Well—"
"Alive?"
"Yes," she says quickly.
"Then quit beating around the bush. The hell's wrong with her?"
"All in one piece. Just get here when you can."
Right, so no helpful answers from the Station Chief. And Ghost tries to contact the others, but gets the same fucking silence. Not Price, not Gaz, not even Soap who always answers just to take every opportunity over the comms to blather about anything and everything in real time. He's not sure why he's being kept in the dark like this, but it's definitely putting him on edge.
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The only other message he receives from Laswell: Oslo University Hospital. He'd combed the website for information in between stoplights. It'll do, he supposes. Their services don't seem subpar, which at any rate sounds far better than fucking Moscow; he still gets sick thinking about it.
So he checks in, gets his visitor badge. It's a whole ordeal that takes a lot longer than he likes. They tell him what floor, what room. That's the Gyneacology and Obstetrics Wing. He triple-checks, making sure nothing gets lots in translation; doesn't sound right to him, but he'll tear up the place later if they gave him the wrong directions. He memorized the hospital layout already; it'll take him approximately three minutes utilizing the right staircase, or seven minutes if he wants to take his sweet-fucking-time with the elevators.
"Our gift shop is around the corner," they tell him in a thick Norwegian accent before he makes his exit.
Odd.
She doesn't like flowers or cards or sentimental things anyways. Calls them impractical. Would rather hoard his jackets or other belongings of his that she finds useful, so the gift shop would be a waste.
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When Ghost finally gets to where he needs to be, 2 minutes and 45 seconds later (skipped every other step just to shave off time), he finds everyone sans Mav waiting outside the room. It's not a happy reunion, despite Soap's grin. Everyone's intact, nobody's dead or anything that would excuse their silence during his trip from Bangladesh. Ghost is extremely unimpressed with their lack of communication and promises that he'll deal with their sorry arses later before shoving his way through the door.
—only to be met with the sight of her sitting up in bed, a tiny newborn bundled in her arms.
... whose fucking baby is that?
And when his eyes snap up to hers, she's glaring at him with a positively seething look that could kill.
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oltammefru · 2 months
Text
IS4 is coming out soon so I'll post some things about IS4 I've heard from CN players. Some of these are probably outdated and no longer true. Also fair warning that these things are very D15 IS4 skewed because the people who told me these are D15 players.:
Endings are actually consistent (although I've been told double ending is decently hard?).
The primary enemy gimmick of the theme is absurd mobility, so good slows and immobilizing effects are very good.
There's no more +res at higher difficulties and casters are a lot better than they are in IS3. They're still generally one of the weaker classes though, since they are now living in Reed's (flame) shadow instead. Mostima is still goated.
It actually plays like a roguelike in that there's so much more room to pick operators based on what collectibles you get rather than the optimal picks still mostly being the same regardless of relics (in earlier ISes.)
Boss 2 is an anomalously easy boss one and is generally considered to be easier than Boss 1. One person in particular told me that D15 Ending 2 Boss 2 is easier than IS2 normal mode phantom (just comparing boss to boss, the side enemies in the IS4 D15 ending 2 stage are definitely harder.) I'm not sure if I quite agree with that statement but it seems quite reasonable (you can stall this boss with 1 defender 1 medic at D15.)
One of the endings requires picking up a collectible which affects (by which i mean increases) the enemy spawns for every subsequent map. I think is a really neat way of doing an ending collectible but also like holy fuck that's an impressive amount of work done for like just one ending.
With how foldartals work it's much easier to avoid specific hard stages since you can actively change the layout of the map to some degree, although the hardest stages in is4 are somewhat harder than in is3. (this was said before expansion 2 I'm not sure if that's still true.)
Cuora has a fair argument as a top 10 operator at d15 and actual defensive defenders are really strong in the gamemode in general. (I think this one might be outdated.) Horn is not terrible but definitely a lot worse. Jessicalter has a reputation as an incredibly versatile unit that synergies with a ton of otherwise generally not that great collectibles.
Pre-expansion 2 D15 IS4 is generally considered to be a lot easier than D15 IS3. CN players complained hard enough about all of this that they added alternate (which is to say, harder) versions of all the bosses The ending 1 boss also seems to be widely disliked among D15 players (mostly for being boring. I very much see where they're coming from this boss does not seem very good and I'm already expecting to not like it.)
There's a lot more variety in the starts you can play. Someone played Carnelian start in one of the CN IS4 tournaments. I've been told about someone playing Hoederer start and having it be reasonably ok.
Taking advantage of the new investment system is sort of annoying since normal gameplay generally involves taking out way more than you put in and you so should play IS4 with MAA to fill your investment if you care about that.
Between how anti-interference index works and how much much stronger shops are, it's way easier to get to a critical mass of really good collectibles. There's a video on bilibili of someone getting 103 collectibles.
Healers are far far more important in IS4 than IS3 (in which they were barely even necessary). As far as a specific focus on healing goes, Eyjalter is considered the best healing option despite IS4 being very elemental damage light. (which I think says a lot about her, that she's far far better than IS4 than IS3, this is because she isn't actually an elemental healer and her ability to elemental heal is a relatively small part of her kit, despite what her "subclass" might say.)
The IS4 analogue of the rejections system provides team wide debuffs instead of individual ones.
Surtr finally manages to be a good unit. Qiubai is one of the best guards. Popukar is the best 3 star guard. Beagle is generally the best 3 star defender. Dorothy is very good.
The ending badges on each of the squads have multiple variants, the highest one requires at least D10. Post expansion this goes up to D12.
Deep investigation still doesn't have difficulty select. Maybe can we get it by IS6 or IS7.
Reed2 is generally the best starter before expansion, Degenbrecher after. Lava/Spot/Kroos is a pretty good start team that I think does everything f1 leakless except 1 or 2 emergencies.
Early rushes are more prominent, especially in contrast to IS3 where opening never really requires vanguards (with the exception of like 2 stages total.)
Hope is way way way way more plentiful than any of the previous ISes.
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fallingforel · 11 months
Note
“Drop the attitude” prompt with frat harry please? x
a/n: sorry for the M.I.A for the past few days have been going to arctic monkeys getting ready for it and getting over it but it's here and I hope you enjoy! As always my blog masterlist is here and this will give you a prompt list and any existing prompts that have already been made, anywhooo lets get on with the show
warnings: cursing, smoking. If there's any others please let me know.
none of my work is proofread, so please let me know of any errors and I will correct them.
words:1,522
in which you're one directions tour manager and Harry's friend with benefits
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It was a slow day at work, travelling to the next city. not much was to be done other than making correct calls with the next venue to make sure there was enough space for buses to park round the back and to make sure that there was extra security, which there wasn't. So that made you even more stressed, than you already were trying to make the boys concentrate on what the layout for Tommorow was and whether or not they knew exactly what city they were in, which was hard to do when all they wanted to do was play video games and prank wars on eachother, they were still teenagers so there wasn't a lot you could do to keep them concentrated.
And it was safe to say it was pissing you off to no end, it was really hard to keep teenage boys attention for a matter of minutes before they find something else to do. So you had given up and gone to your bunk to finish the calls off to the appropriate people: one to the boys manager back home as a routine to make sure everything was going smoothly, you had been trusted with taking them from place to place setting up the venue, making sure soundcheck was good making sure none of them were injured; on your own as a 19 year old because you had been given such a good placement year for your second year and you weren't going to let it go at least not yet so you lied the best way you knew how since being in customer service roles since you were 15 had taught you, and you weren't going to let 5 short attention spanned boys let this slip through your fingers.
The other calls you had to make was a breeze, just making sure that extra security had been put in place for the next place you were about to pull into, it was needed for the morning not now as no one was around and you had triple checked.
It didn't take you long to pull into the venue, the other 3 tour buses pulled in and you had gone to check if the stage hands knew what they were doing what time soundcheck was and if they were all prepped before you sent them on your merry way to go and get some rest before heading to the last tour bus which was full of equipment to make sure that nothing had been damaged or lost in transportation to the new venue. After you had gone back outside pulling out a cigarette, because the stress had gotten too much for you, the constant shouting and screaming of the fans as well as the boys.
"you shouldn't smoke it's bad for you, how many times have I told you?" Harry said from behind you, not scaring you because you could hear footsteps getting closer to you. "You really think I care? Besides, your bandmates smoke so what's it to you?" "nothing. Don't care about them like I care about you sweetheart" he says before coming up behind you to hug you which you shrug off, beyond pissed at him for not paying attention to you when it was needed the most. "WOW, you don't even care about us?" Louis pipes up from beside him clearly overhearing what had been said between the two of you. "of course I care about you you dick" is all he says before running off to tussle with his bandmate. "don't care about me though, just a pitiless fuck to you." you say in a quiet whisper. Which unfortunately for you Paul overheard "oh Y/n love are you okay?" is all it takes to get you sobbing, which earns you a hug from Paul.
You two stay like that for god knows how long, "you gonna tell me what's going on kid?" Paul is the first to break the silence you two were in while you finished your cigarette. "It's just all so hard you know? I mean how am I supposed to maintain a career and a boyfriend who I manage as part of that career. Not to mention it is so hard to gain his attention, all the time whether it be just us two to get out our needs or to get the whole bands attention for an opinion on what songs they want to sing that night, or what they want to wear or what they-" Paul cuts you off clearly knowing that you were going to break down again
"yes, it is hard I get that, but what you have to remember is that they are teenage boys who got put into a boyband so young, Harry the youngest, who have never known what it's like to endure this. This is their second time doing this so they haven't got the grasp of it fully. But, they will. As for your's and Harry's relationship, I can't speak on, but what I do know is that you can't juggle both, so it's either, you make it a full time thing between you trying not to blur the line, that is so hard to find, between your jobs and your relationship or you cut ties before one of you gets hurt."
"thanks Paul, you always have such a way with words" Is all you say before he is needed elsewhere and he's giving you a wink and standing up from the curb and leaving you.
Lou, then comes over. "Are you okay, darling? I know how challenging these lot can be trust me, try getting their attention to stay in a chair for an hour there's always one that doesn't want to co-operate but trust me you will find a way y/n" and that got you thinking over ways to make them have your undivided attention, before finally heading back to your designated tour bus bunk to get some shut eye.
when you got into your bunk after getting ready for sleep, Harry was waiting opening the covers for you to clamber in which you didn't instead you turned around going into the back of the bus and settling down into the sofa, it was a few moments until the door burst open and Harry came clambering in and sat on the sofa beside you.
"What the fuck Y/n?"
"get lost Harry, I don't want to speak to you right now. Certainly don't want to be in your proximity, now leave so I can go to bed."
"drop the attitude Y/n, I've been nothing but nice to you these past few days, now tell me what I've done to make you a sour headed bitch today"
"Nothing but nice?" you say with a sarcastic chuckle. "let's see first off you just ignore me when I'm trying to get you to concentrate on your job, figuring out what your wearing if you know where to get on and off the stage, where the stage is. Hell, what fucking city your in. least you could do is answer me when I ask you questions, but instead I'm met with yeahs which doesn't answer my questions it literally doesn't take you that long to answer me. The second thing, what the fuck was that smoking thing, we are not in a relationship so you don't get to talk to me like that. I think we have got the lines blurred between our jobs and our relationship, that we're not even in. so I think it's in our best interest to cut ties while we still can and no one gets hurt, just while I'm here being your tour manager but when I go back to University and you go back on your next tour we can see if something is still there."
"lot to unpack there. Look I promise you, you will have my undivided attention from now on and I will try to get the others to concentrate. as for the smoking thing, I'm sorry. It's just I care about you a fucking whole lot, and yes I shouldn't even have said it especially while we're not even in a relationship, but that's just the thing y/n I wish we were, I hate this friends with benefits it makes me seem just like the womaniser the media portray me and you know how much I hate that image. It fucking kills me that you don't want to continue whatever we have right now, but I understand your doing your job and you don't want to blur anymore lines between us so, I promise you this Y/n, I will wait for you however long it takes for you to come around and back to me, whether that be after you have finished your placement year, while your still our tour manager, when you have graduated from university. However long it may be, I'll be here waiting here for you Baby."
"Thank you Harry. Friends?" you ask with your hand held out as a peace offering for him to shake.
"Friends." he agrees shaking your hand.
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hagukoko · 1 year
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𖥔﹒slow damage icons ! !﹒%﹒﹙🍹﹚﹒
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yoonkinii · 1 month
Text
Yoonkinii's Masterlist
Baldurs Gate:
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Astarion
We Were Human
Synopsis: Astarion died as soon as he became something the world has never seen before. No one noticed the damage before it was too late and the Astarion everyone loved was lost to the new one. No one could notice when the turn was slow and silent. He slowly lost the playful glint in his eyes. Lost the love he gaze upon me with. Lost everything that made him the man I loved. Oh, how I would give anything to get him back. I would gladly give up my damned soul for him.
(Aka you are transported back to the past in order to prevent Astarion from losing himself once more. The only problem? You don't have a lot of time.)
Theme Song: Vore - Sleep Token
"You have become the voice in my head Only recourse we're left after death Your viscera welcome me in, welcome me in My life is torn, my bones, they bleed My metaphors fall short in the end Your flesh and bone welcome me in, welcome me in Are you in pain like I am?"
Pairing(s): Ascended!AstarionxReader
Warning(s): Gore, blood, cruelty, cursing, death/murder, mentions of using oneself unwillingly, abuse. Its ascended astarion, prepare for the worst. (Will be updated as more parts are released)
Part 1 | 2 | 3 | 4 | 5 | ...
Note(s):
For the sake of the plot- Astarion will not automatically be damned from the start. In this world, Astarion becomes lost to the ascension overtime until he becomes the ascended vampire we know him to be in the game. Another note that should be highlighted is that this story will be told from the first person perspective since it benefits the story more than any other perspective.
You will also notice various things being different from the game. For example, Karlach will be able to stay in the ‘human’ world and she fixed her heart. (I love my girl, I’m not sending her back), Szaars palace has a different layout cause the one in the game was stupid. There will be more that you will notice in the future so beware. You notice many things that were not included in the game but it I ensure that it is on purpose and isn't just there randomly. It should also be noted that when I post, I post the raw draft before I go back and edit the story. I do this so I am able to post consistently without having readers wait. I will go back and edit once I am able so if you notice spelling mistakes, I apologize.
Soulless Soul
Spawn!AstarionxAbsolute!VampyreReader
 Synopsis: There he stands, eyes downcast and shoulders caving in on himself. He does not look weary as he was pricked and prodded to fit the standards of his master. He has no idea why he is here- lined up amongst his siblings in the dining hall. His back aches, scars he knows that have not healed properly catching onto the rough fabric of his shirt. He watched the floor, he knew better not to meet the eyes of the predators that lurked before. He doesn’t even look up when the hem of an emerald green dress stands before him.
“This one. I want this one.” 
He does not allow himself the privilege of hope to blossom in his chest at those words. 
Theme Song: Soulless Creatures - Aurora
All the pieces of my body's gone Look at me now and tell me how I feel inside Every pieces that I lost, I have loved
Warning(s):  mentions of sexual trauma, Physical assault, gore, death, panic attacks, cursing, (more will be added as the story progresses if needed)
Note(s): Redacted in case of spoilers. I will upload notes with the first chapter
Part ...coming soon
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hewwo my friends!! i wanted to tell you all about my new 60 card deck i built recently!!
that's right
i said 60 card >;3
im not only a commander player teehee
its also fully modern legal!!
ive actually been grinding a whole lot of 60 card games against my girlfriend/toy/pet/wife @goqmir with a bunch of decks lately and its been a blast :3
so today i want to talk about my deck which i haven't thought of a clever name for yet which is:
EXPEDITED INHERITANCE COMBO
this is a list that i changed up to suit my personal wants and needs and while i couldnt find the original decklist i stole the idea from an mtggoldfish short on youtube and according to seth the first person to build this was a user who goes by SMOMP1 but thats all i know
anyway!! i believe the original decklist was a purely mono red deck but i thought. hey. this is a combo deck, why don't i add tutors? so i went rakdos and am playing 4 tutors and its made the deck feel very consistent :3c
so here's the basic layout of the gameplan: the main combo is playing marauding raptor to cheapen the cost on all our 0 and 1 mana creatures so that they are free, and then playing expedited inheritance which means when you play a 1 drop creature for free marauding raptor deals 2 damage to that creature on etb, which then triggers expedited inheritance to exile 2 cards from the top of your library. the idea of this is to keep hitting more cheap creatures off these exiled cards so that you can play more and more creatures and exile through your whole deck.
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the deck is actually rather simple and is a two card combo (if you arent counting all the small creatures that is lol but theres a million of them) and yeah thats the main idea.
now you may be asking,
how do you win??
well theres a really cool answer to that question
the main way to win the game, or really the only feasible way, is to dome your opponent for 50 with aetherflux reservoir
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the way to win with aetherflux is to go through your whole deck with the combo loop described above. by doing this you cast so many spells that when you get down the reservoir it only takes a few spells cast and you win the game!!
it may sound like this deck is really slow to win because you have to get down the resevoir and 2 other combo pieces to win but we actually have a plan to get this thing down the turn you combo, which can be as soon as turn 3 >:3c
and its this little guy:
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as you go through the whole combo loop you will eventually find and play 4 myr moonvessels which when they all are played and subsequently killed by marauding raptor will net you 4 colorless mana which is just enough to play the reservoir!!
as for the rest of the deck there are some honorable mentions plus the changes i made to the deck
inquisitive puppet is probably the best small creature in the deck that is not combo essential because it scrys on etb which sets you up to either combo more cause it finds you more creatures to play or it can help find combo pieces to set up!! it also can exile itself to make a new creature if you had to play it before the combo which is 2 more free cards!!
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theres also stuff like combat courier which can just be sacced to dig deeper for combo pieces and such but most of the other creatures are just cheap with minimal bonus affects. im also playing myr servitor for funsies mostly. the main thought there was that if my combo fizzles i could theoretically combo the next turn since they return themselves to the battlefield on upkeep but thats oddly niche and i think ill swap them out for something else
as for changes i made to the list, i added black for tutors and also better removal.
i added diabolic intent as my only tutor because it isnt too expensive and also is perfect for the deck. since im playing so many dirt cheap and somewhat useless creatures why not play a card thats essentially demonic tutor with the small price of sacrificing a creature!! this card has played really well in my matches and essentially gives me 4 extra copies of my combo pieces!!
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im also playing a weird creature choice in hope of ghirapur because i thought it would be interesting to try out.
the idea behind the hope is that it serves as a cheap creature for the combo but also presents a form of protection if i get it down before the combo. if i can get in a hit with it before the combo and sac it then it prevents the opponent from casting noncreature spells for that turn which is theoretically enough to sneak the combo in through removal. its not a perfect plan but it had gotten me a couple wins.
as for the sideboard im kind of new to the concept of sideboarding and i built it to be effective against general decks but also im only playing against my wife rn so it isnt perfect.
anyway yeah thats the deck!! it will continually change as i add new cards cause im still testing it but i hope this was either insightful or entertaining and i suggest giving the deck a try and maybe putting your own spin on it!!
thanks for reading!!
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shuttershocky · 9 months
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Are the low waves of 1s3 really that easy or am I just stupid? I still can't get anywhere close to beating Lucian's dramatic self but I've cleared Highmore the Hallucinating with no leaks and no 6 stars at least like 7 times by now.
The lower waves of IS3 are easier than normal mode IS2 yeah, because while some stages are outrageous (like Out of Control or Pompeii's two different maps) and dice rolls can fuck with you hard, you actually have a lot less strict team requirements. You just need to have one source of crowd control to ground UFOs and remove Predator evasion (Kroos the Keen Glint is one of the best IS3 ops and she's a free unit!) and you can pretty much just improvise the rest. If you have actually gigabroken ops like Texas Alter you can play the first 4 floors in your sleep, even.
In IS2 though, there's a bunch more mechanics than can just absolutely fuck you if you reach floor 4 unprepared. Poison maps will destroy you if you have no medics (as the damage is constant, so even offclass healing sources like Abjurers or Bards can get fucked), Sarkaz Lancer pinball is another common run ender that requires you to either have constant and consistent crowd control or incredible tanks or both, if you go into the map with the freeze machine you're screwed without vanguards or very cheap snipers as the stage starts you with 0 DP, just lots of stuff like that.
HOWEVER, there are those who actually feel the opposite and that IS2 is much easier than IS3 on the lower floors, and there's also a reasonable explanation for that. Apart from RNG dice rolls randomly destroying your Texas, I've noticed it's actually much harder to snowball off of relics in IS3 than IS2. Money is harder to amass in IS3 despite the greatly buffed treasure chests, which means that the IS2 classic (ASPD relics that scale off your money) is way more difficult to get going in IS3 without getting lucky. The increase in enemy RES also targets some of the strongest combos from IS2 such as Passenger with Hand of Diffusion (although he's still pretty busted with it in IS3, just not a win button), and in general operators who are already good in the base game are good in IS3, while IS2's less refined balancing led to wackier and hilariously powerful combos with underutilized units like Pallas soloing BSL with spinach relics (if you notice, IS3's bosses try to put a stop to this kind of onepunch operator tomfoolery). While Spinach relics and the sort still exist in IS3, the stages try to counter them now by boss mechanics like Highmore's ASPD slow or stage layouts.
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shiningliive · 16 days
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Live Emotion Tap Spaces
A too long post on the Live Emotion preview clip only having two touch icons:
I've seen mixed reponses. Some people are happy to see a more accesible layout that is less likely to cause hand and wrist damage from long/frequent play sessions, and some are dissapointed and fearful that it might be too slow or too basic.
I'd take an educated guess that what we're seeing in this clip is an 'easy' difficulty, with higher levels hopefully having at least a faster speed. When comparing this clip to the easy difficulty of Shining Romance on SL, both are nearly identical with 11-12 taps within 8-9 seconds.
It's hard to say how I feel about it so far without seeing more footage. Personally, I think at least 4 would be ideal but I can't say until more footage is revealed. It's certainly possible there are more tap spaces in higher difficulties, or the higher speed and potentially more gesture options would make up for it.
Here are some other rhythm games with similar amounts of touch spaces. I've tried to link higher diffulty levels to show the potential:
Love Live All Stars - Very similar layout to Live Emotion with two tap icons, however there are also some notes that have to be swiped in the direction indicated which I think could be implemented in higher difficulties in LE. Also has a mode with less distracting bg visuals (that is customisable with unlockable backgrounds) which I am also currently hoping to be a toggle in LE.
Aikatsu - This I believe is a two player mode that is being played solo, but it does show another example of a 2 touch icon UI. I think it's also played with a controller, but its easy to imagine the arrows as directional sliding gestures as well. Aikatsu has a slightly younger demographic, so it makes sense if the beatmaps skew a bit simpler.
Idolish 7 and I-Chu - Both with four tap icons.
Then of course you have games like Bpro and SIF that have a similar high amount of tap icons to Shining Live. There are also some with similar functionality but different look, like Show By Rock, D4DJ, Project Sekai, and Hypmic.
And for more varied rhythm gameplay styles, but to highlight the potential of different gesture types, you have:
King of Prism - Tapping and making certain swipe gestures as they skate through hoops. This and some others linked also have segments where you trace shapes on the screen at certain parts of a song, or whena gauge fills up.
Te to Te Connect - Arcade game with beatmaps that encourage copying the movements on screen. These sort of swiping and tracing shape movements are especially interesting to me but I dont know if we'd see something like that in LE.
Muse Dash - A different style of rhythm game to what we've seen so far from LE, but there may be something in there to inspire you.
Fit Boxing - Again very different and doesnt really translate to touch screen, but while holding a joycon the player does different types of punches and movements corresponding to the icons.
Osu - A classic, with its icons taking up the screen in various patterns rather than staying in set positions, this is also something I dont expect to see in LE, but is a fun gameplay style. Osu also has a large spinning wheel that shows up occasionally for a short period of time, and has to be spun in circles very quickly.
All that to say, who knows what we're in for. I would prefer a few more touch icons, but even if harder difficulties still only have 2 I think its possible to get a fun and difficult game out of it if theyre fast enough, and have various tap gestures to keep it intersting and engaging (tap, hold, spin, multi-tap, swipe up/down/left/right etc).
Lets wait and see what the next game reveals showcase.
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icespur · 5 months
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P5R Third Semester Spoilers
Please skip if you haven't beaten the Third Semester of Persona 5 Royal or haven't played the game but plan to, you have been warned.
So I looked up videos of the boss fight and aftermath, and noticed like other people that there's no proper scene of Akechi disappearing. The last we see of him he's in the Monacopter with the rest of the group. Akiren gets transported to the Velvet room after a one on one battle with Maruki, then he comes back to reality and Akechi is already gone.
So I'm here to imagine a proper heartbreaking goodbye scene
Upon seeing the final battle sequence play out, my original imagined scenario was ruined so I'll give a couple versions.
First scenario is Akiren and Akechi defeat Maruki together. The other thieves aren't present, this is a personal mission with our boys.
Once the treasure is taken and Joker has a convo with shadow Maruki and he disappears, Akechi IMMEDIATELY starts to die.
And because I'm a sadistic freak,  I don't mean he just slowly vanishes, oh no---
First all his injuries and wounds from his original death start reappearing along with the pain. All the blows, ailments and magic damage from the battle on Shido’s ship, ending with the bullet hole on his forehead from his cognitive self that ended his life in the first place. Once Joker hears the first pained grunt and sees Akechi fall to his knees he's right there, rushes over crouching by his side (or alternatively, catching him in his arms before he can fall face first and cradling Akechi's slowly dying fading body)
Joker frantically goes through his pockets and tries to get Akechi to eat a HP healing item or a Revival item but Akechi refuses to take it and scolds him for worrying about him and tells him to leave him before they both die in the palace collapse.
1: Joker refuses, and stays with Akechi throughout the whole process as more wounds reappear and he slowly fades away from feet to head until Joker is cradling air.
2: Joker ignores Akechi's insistence to leave and runs for the exit, holding Akechi in his arms or carrying him on his back. Akechi weakly complains the whole way, berating Joker for being so sentimental and weak, and says he's too heavy and is slowing Joker down and going to cause both of them to die in the collapse but Joker persists on. All the while feeling Akechi's body getting lighter and lighter.
Once they make it out and back to reality, Akiren says they made it, and is about to put Akechi down when he realizes there's no weight on his body, he's talking to no one.
More canon way to fit with the Palace boss layout and everything, is Akechi starting to fade in the Monacopter or right when Maruki's final phase is defeated and one of the PTs point out Akechi's condition so Joker rushes to get them out, despite everyone trying to reason it's not going to work. (In this scenario though Joker wouldn't leave to punch it out with Maruki because his main worry would be Akechi)
Having the full canon scene play out though, I—can’t think of a way to fit a heartbreaking goodbye in there. Maybe Akechi fades once their back in reality so they have a bit more time to say goodbye.
Point is it's disappointing Atlus didn't give us a proper final goodbye scene between the two.
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