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#ska core
mentedrip · 5 months
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Couple of shots I snapped at this year’s Skalloween show
Check me out on IG for more dope shit: @el.hex
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No No Bronto - Hans Gruber and the Die Hards
BRONTOSAURUSES DO NOT INTERACT!!!!
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xxradzxx · 2 days
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princessslilith · 1 year
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lilgynt · 7 months
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i don’t get the whole hannibal and will aren’t toxic they’re just in love like. no they are actively horrible for each other and in love that’s the appeal
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mcalvet · 2 years
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Skatalites - Circo Voador 05-06-2009 #Foto #fotografia #photo #Photography #Show #Concerts #RJ #RiodeJaneiro #Colors #Cores #ig_color #CircoVoadorskata #MCalvetPhotos #mcalvet_photos #MCalvetPhotography #Ska #mcalvet_photography #mcalvet #MCalvet #superb_photos #igersbrasil #photographersontumblr #photooftheday #porainorio #Nikon #viewbug #AllTimeVisuals #Skatalites #photographersoninstagram (at Rio de Janeiro, Rio de Janeiro) https://www.instagram.com/p/CeE_urbpxE6/?igshid=NGJjMDIxMWI=
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promiseofdawn · 2 years
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If I had a nickel for every time an oc got me into a band/genre of music, I’d have about 3 nickels
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rawvnoisevcruster · 5 months
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hey punk
I've been interested in the topic of what punks listen to other then punk rock(tm) (punk genres that are punk entirely/punk first ie street, oi, crust, uk82, anarcho, etc) so if you could read this and rebolg with your answer that would be cool
im not doing a poll because (i figured out real quick) theirs a lot of genres and sub genres that are not punk rock (shocking) and i didn't want to shove super different sound into one space (such as the "tough guy" hardcore of a hatebreed with the straight edge youth crew hardcore of a youth of today into one box but i didn't want to make a 10 million checkbox long poll, and i didn't want to leave stuff like hip hop,electronic,folk,metal, etc off the list and have it just be the stereotypical non punk music punks listen too
so ill just explain what i mean when i say a "non punk" genres. this could go from the aforementioned hardcore ranging from pg 99 emotional hardcore to the beating vegan edge of earth crisis. gabber, brakecore, house. hiphop... 2000s mall emo... 3rd wave ska... what ever type of pop you want to call girl in red. basically as stated any thing that is not a core capital P Punk rock (tm) genre. i would also love some of the band you like in particular ( and as examples). and if you can't exactly put a real name on it you can just put a fake name on it ( agin with band as examples) such as like 90s mall goth (marilyn manson), anime fan brakecore(goreshit), 2000s pop emo (paramore)
more rambles in my note as this is already too long
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punkrockmixtapes · 1 year
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Angry Agency - A Pyramid Scam Called Democracy
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sage-nebula · 1 year
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Sonic Music HCs
Sonic: Punk rock. Punk music tends to be anti-establishment, anti-authoritarian, and often pro-environmentalism. These are all core beliefs of Sonic's, and so the lyrics would resonate with him deeply. Sound-wise, fast guitars and loud drums are his bread and butter. If music doesn't make your blood race and bones rattle, what's the point? He hates ballads; anything too slow or sappy puts him off. (Though, he has sang slower punk songs, such as "Roadside" by Rise Against, to Tails as lullabies when they were younger.)
Tails: Also punk rock, because it's what he grew up listening to thanks to Sonic. Plus, punk rock songs tend to be loud and busy enough to provide his brain with the stimulation necessary to allow him to focus on one project at a time. That said, Tails is fine with most music and thinks there's something to like in just about any genre.
Knuckles: Honestly could not remember ever hearing a song even once in his life before traveling down to the surface for the first time. Sure, birds would sing and chao would bang on drums, but a full on song? No. That said, when he IS introduced to music he likes instrumental hip-hop. Songs with lyrics frustrate him if he can't tell what the lyrics are, so he likes instrumentals with nice beats.
Amy: Amy loves anything you can dance to. Pop and hip-hop are the big ones, but she also thinks swing music and jazz can be really fun to listen and dance to, too. She's pretty amiable about music too, but she doesn't like anything that sounds depressing or moody. Bright, fun, happy songs are her style.
Cream: On the record, Cream only listens to classical music that Vanilla introduced to her basically as soon as she was born. Off the record she also listens to everything Amy listens to, and is very invested in learning all the dance routines.
Big: Has no preferences really, basically anything is fine with him, but he does have an impressive collection of bluegrass albums.
Shadow: His music taste was cultivated fifty years ago on the Space Colony ARK when Maria would play her favorite records and he would listen to them with her. However, listening to those songs now hurts him in a way he doesn't want to deal with, so he doesn't. He also thinks most modern music sounds like garbage, so honestly, he just doesn't listen to music period. That said, he does enjoy a wide variety of podcasts, from trivia and history ones to true crime ones. He doesn't like talking to people, but he does like to listen to people talking to other people who aren't him.
Rouge: She likes whatever is most advantageous to like in the given moment. She has a vast array of music knowledge so she can con her way into any fan space or event. That said, the music playing most often in her bar is R&B or oldies.
Omega: He likes listening to things like recordings of car crashes, building and tank explosions, malfunctioning machinery, air raid sirens, etc. He insists this counts as music. Rouge advises against arguing with him, and Shadow hopes you try.
Vector: He's a ska man through and through, but he does dabble in a wide array of other genres too, to expand his music education. The only thing he won't touch is EDM. He thinks Omega's car crash recordings have more musical merit than EDM.
Espio: Espio claims to only listen to indie artists that most people have never heard of and Charmy says he made up on the spot. When asked to describe the genre, he never can. He actually listens to a mixture of emo rock and rap.
Charmy: Pop, but specifically the Kidz Bop versions because Vector doesn't want to have to explain cuss words, and also because Espio hates Kidz Bop with a passion. He also likes EDM when he's mad at Vector for something.
Whisper: Lo-fi is her absolute favorite; it calms her down even in her worst mental health moments. But she also used to be a big fan of alt rock, and the wisps remember how she has a beautiful deep register for R&B.
Tangle: Just about everything and anything, but power metal is a particular fave and it's her dream to be able to play "Through the Fire and Flames" on a real guitar. (Note: she does not know how to play guitar.) She will lose her voice screaming metal at karaoke and will go right back to do it again the next night.
Jewel: Also a fan of power metal; similar music taste is one of the first things she and Tangle bonded over. She's fine with other music, but when she's listening to music while serenely completing paperwork, there's power metal shredding in her earbuds.
Lanolin: She likes a smattering of different things, but her go-tos tend to be more indie / alternative fares. Think things like Sleeping at Last for instance. Heavy guitars and drums aren't her style: she prefers more melodic pieces.
Eggman: EDM. If it isn't made by machines, he doesn't think it's worth listening to.
Starline: Only the most distinguished classicals; nothing low-brow peasants would listen to. Eggman's taste in "music" was the only turn-off Starline had.
Surge: Thrash metal, speed metal—if it is loud, aggressive, and full of screaming, she is all over it. She hates anything sentimental, slow, or sweet.
Kit: Thrash metal and speed metal, because that's all Surge will listen to, and the idea of listening to something else on his own has never occurred to him.
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punkunited · 4 months
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Choking Victim was an American punk band formed in New York City, which lasted from 1992 to 1998. They played a mix of hardcore punk and ska (sometimes known as ska-core).
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safety-pin-punk · 7 months
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Hello!
I wanted to start off by saying that I'm new to punk, and you have helped me continue to learn about the culture and truly appreciate and love it with all of my being. So thank you, I really appreciate the work you've done to teach and welcome others into punk culture!
This may come off as a stupid question, but I was wondering, how do you know what music is punk and what isn't? I've seen a lot of arguments over certain bands, with some people saying they aren't punk enough and others saying they are. Is there a way to tell?
Love,
-A confused baby punk :)
Sorry answering a bunch of asks at once with this one
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Well I know what my next big project is gonna be (I gotta finish my ren faire outfit and I have a dj gig first though)
Long story short, at the moment, I do not have a guide or know of one for different types of punk subgenres. BUT! I can tell you there are. A LOT. Personally, Im not much of a hardcore person, though I do like the occasional song. Other subgenres include ska, post punk, folk punk, pop punk, riot grrrl, anarcho punk, queer core, crust punk, horror punk, the list GOES ON. So if you dont like one, you are bound to like another
But as far as ‘how do you know what is or isnt punk’? That is a harder question. Really. Music genres are so arbitrary and subjective, its why I hate the whole ‘you have to listen to punk music to be a punk’ think. Because what even is punk music? I’ve made a post about this before (probably under #mail tag or #add to masterlist), but really the arguments like ‘is Rage Against The Machine too metal to be considered punk?’ Idk man. Does it even matter? They dont like the system, I dont like the system, good enough for me. Its the same deal with emo, pop punk, and punk. It just. Makes me mad
So as a DJ, my answer to you is simply the lines between music genres are fake and as long as their songs have some punk ideals sprinkled in, its a punk band. Cool? Cool. (Also I am so glad my blog has been helpful to you!!)
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“but my Hot Take is it totally was worthy of Album of the Year BEFORE John got killed.” Yes! As far as the songs are concerned it does kind of feel like an incomplete play because how do you go from I’m Moving On to Yes I’m Your Angel?? (I started out ironically liking this one now tralalala is the default ringtone in my brain). How would you rate the songs? :)
Just listened to the whole thing again to give a better answer. Fun birthday morning activity before I go brunching B)))))
(Just Like) Starting Over: Gorgeous. Fun. Beautiful. Immediately became one of my top John songs. The chords on this are gorgeous; masterful use of an augmented. Also the "but when I see you, darling" melody is perfect. This song just makes me incredibly happy. Also the bass is good :) 10/10
Kiss Kiss Kiss: I LOOOOOVE how much this messes with the previous vibe. It works so well. The opening guitars are v cool. Yoko's side 1 sound is so varied and does such cool blending of genres. Like there's a ska thing going on here? I am also lowkey um. kind of into her noises. 9/10
Cleanup-Time: this is definitely a silly-goofy song but it is suuuuuuuch a banger. I love the moments of high tension. "Now it begins" and the "well, well, well." bits. It adds a darkness to the song. The horn section went offffff. 9/10
Give Me Something: Absolutely Insane. the best use of Yoko's vocals and style imaginable. The production is immaculate. 10/10
I'm Losing You: Absolutely Insane Pt. II. The bridge bit "Now in the valley of indecision" is sooooo devastating (+ it's an obscure biblical reference! literary beatle At It Again). This song builds so well, I love how genuinely upset he sounds towards the end, breaking down on "Don't wanna hear about it!!!!" and generally how his voice gets nasty at certain moments. The song feels like slowly and extremely painfully discovering irreconcilable differences. The guitars in each verses breakdown moment sound like alarm bells. It's an immaculate breakup-or-almost song. The sound is so good, the harmonies are great. The guitar solo is crazy!!!!!! (it actually reminds me of George's work on How Do You Sleep? but without the cringe!!) THE PRODUCTION IS CRAZY OKAY?????? 10/10
I'm Moving On: the most insane follow-up to the previous song. He laid his deepest fears bear and she said "And What Of It???" The lyric "When you were angry you had love in your voice" keeps me up at night. But BANGER of a bassline and funky fresh nonetheless. Most effective song transition on the album and most of them are good to great! 9.5/10
Beautiful Boy: Absolute devastation aside, I must confess I find this song a little more boring musically. Though I do appreciate the adventurousness of the vocoder and the bridge is gorgeous. The outro is nice and really relaxing. 7/10
Watching The Wheels: I love John Lennon and I want him to be okay :( also the way the song slows down at the end of the chorus is soooooooo much to me. Like it hurts my heart. I like his talk-singing here, it really works for the vibe. The lyrics are kind of depressing despite the fact they're on the surface positive. But I think the question of what constitutes a happy life is interesting and deep at its core. 8/10
Yes, I'm Your Angel: I love that John is sharing an album with a granny song again. Nature is healing. I vibe with this and it suits Yoko surprisingly well. Tralala, as you say. But it's insane of Yoko to call John her fairy. Girl. STOP. 7/10
Woman: It's distinctly more boring than anything else John wrote for this album but I do enjoy it and find it sweet for the most part (aside from the horrors). The production reminds me a lot of Here, There and Everywhere. 6/10
Beautiful Boys: this is the least good one. It is just musically pretty uninteresting and the lyrics are kind of clunky. But the intro and instrumental bits sound cool tbh and I like how the production builds. "You've got all you can carry / And still feel somehow empty." OKAY???? 5/10
Dear Yoko: cute!! The sounds are very fun. "Even when I watch TV / There's a hole where you're supposed to be / There's no body lying next to me" is soooooooo much. I like the silly voice he puts on and I LOOOOVE the spoken bit at the end :((( 7/10
Every Man Has A Woman Who Loves Her: The production is good I just wish the song itself was better and it's too long. I like John providing backing vocals because it makes sense given the content. I feel like if this was just FASTER it would be great. The solo reminds me of ABBA. 6/10
Hard Times Are Over: I like this song!! It's sweet. The melodies are good, very cool playing between minor and major. I also like how the "over" ties back in with Starting Over. It works well as an album closer. Though Of Course, one begins to wonder what these hard times were exactly when the album cut off mid-conflict. Makes You Think. (This album gives me brainrot!!!!) Anyway I like Yoko's vocal here a lot and I like John joining on the refrains in the background :) 7.5/10
In conclusion: Double Fantasy good
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bigforeheadbaddie · 2 months
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The Black History of No Doubt 🖤🤍
In 1986, Eric Stefani and John Spence met and bonded over their love of the anti-racist UK ska movement while working at their local Dairy Queen.
With John on lead vocals and Eric on keyboard, they formed Apple Core. Which was later changed to No Doubt after Spence’s frequent use of the term became an inside joke for the group.
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John Spence (Traci Vicars Brown)
This catchphrase also spawned an early track of the same name with Eric’s little sister Gwen Stefani and John Spence on vocals.
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Gwen Stefani and John Spence (Traci Vicars Brown)
Spence was most notably known amongst early No Doubt fans for his infectious energy and on-stage back flips. Wherever Spence went, the rowdy youth of Orange County followed.
In the lead up to one of their biggest shows yet, the members of No Doubt were blindsided at the news of Spence’s untimely death.
On December 21st, 1987, John Spence had passed from a self inflicted gun wound at just 18 years old.
The band was devastated and played their show at the Roxy as a final goodbye, not only to John, but to the band he had co-created.
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Early No Doubt Lineup Featuring John Spence
However, after deep thought and a break from the music, they ultimately decided that in the spirit of John and his love for music, that they’d continue on. Their first song without Spence being a tribute titled “Dear John”
“You're singin' in a band with a mic on in your hand
The way that you would sing really made me feel all grand
You left your friends alone, right upon this earth
I wish you would've seen how much life was worth…”
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John Spence (Eric Keyes)
With Gwen Stefani still too timid to take over full time, trumpet player Alan Meade stepped up to take the space John Spence had once occupied.
Like Spence, Meade became quickly know for his amazing stage presence and spirit. With Meade and time, Gwen Stefani began to break out of her shell.
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Alan Meade and Gwen Stefani
Although often mistaken for Spence in images and videos of live performances, Meade was so much more than simply a “replacement” for Spence.
Much of Gwen’s later vocalizations are adaptions of Meade’s choices in demo tapes of songs such as “Boucing Shoes”, “Get A Life”, and “Doormat” to name a few.
Another black performer that deeply influenced Gwen’s vocal style was ska icon and lead singer of The Selecter, Pauline Black
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Pauline Black of The Selecter
Alan Meade’s time as the lead singer of No Doubt was short lived as the news of his then girlfriend’s teen pregnancy in 1988 led to his departure. He left the group to focus on his family, yet would regularly make surprise appearances at their shows and perform with them for a song or two.
The members of No Doubt and Alan Meade have stayed connected throughout the years and he eventually went on to join members of Save Ferris in the creation of a new ska group known as Starpool.
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Gwen Stefani and Alan Meade during the Tragic Kingdom Era
In the early 90’s, Gabrial McNair and Stephen Bradley would join No Doubt as backing vocals and the “horn section” of the final lineup.
McNair and Bradley, often seen as a team, have maintained their musical relationship with Stefani the longest out of all the other members of No Doubt.
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1998 MTV Music Video Awards
Being a part of her backing artists since the early 90’s with No Doubt and through all of her solo efforts as well.
The pair still performs with her to this day and are often not included in descriptions of No Doubt’s lineup, but all fans know that they are just as vital as the rest of them to the band’s massive success.
Gabrial McNair has also toured with Green Day, co-founded Olso in 2005, composed music for film & TV, and worked with multiple artists in-studio.
Stephen Bradley too has toured with Green Day, Smashing Pumpkins, and Steel Pulse. He has also released solo work and is a talented photographer/videographer as well.
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‘Rock Steady’ Jamaica Recording Sessions Crew
For their fifth album, Rock Steady, the band desired a Jamaican dance hall inspired sound, collaborating with numerous local artists/legends.
Including Bounty Killer, Lady Saw, Sly Dunbar, and Robbie Shakespeare (Sly & Robbie), to name a few.
This also marked the beginning of a lifelong musical partnership and friendship between Pharrell Williams (of The Neptunes at the time) and Gwen Stefani.
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Gwen Stefani & Pharrell Williams for Vibe Magazine 2005 (Albert Watson)
In addition to the impressive list of collaborators on Rock Steady, the band also worked with one of Stefani’s greatest inspirations and favorite artist, Prince.
In the same year, she got to return the favor and provide backing vocals on his 2001 track “So Far, So Pleased”
“He was such a genius that you can’t believe he existed. I was onstage with No Doubt in Minneapolis in the Nineties, and I saw his silhouette in the audience. I was like, ‘How is this happening?’”
Gwen Stefani on Prince, Rolling Stone Magazine 2016
Since the band’s initial breakup, Stefani has collaborated with artists like Eve, Dr. Dre, Saweetie, Fetty Wap, Slim Thug, Andre 3000, Snoop Dogg, Akon, and most recently Shenseea on Sean Paul’s “Light My Fire”
Without the insurmountable talent of all of the artists covered in this post, No Doubt would not be the band it is today. The influence Black musicians have had on members of the band (of all racial backgrounds) is evident in their discography and should be recognized.
I wrote this post in hopes of highlighting the often forgotten side of No Doubt and to celebrate Black History Month, but every month is a good month to recognize Black excellence :) Thanks for reading!
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luckybyler · 2 years
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I made two song charts based on ST characters' music tastes, as per their playlists. How did I do?
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The first one is based on songs from up to 1989, and the second one on songs from 1990 to the present.
The songs in red are the ones that define each character's musical taste. The ones from the first chart are the first songs in each of their playlists, except in Max's case, which is Running Up That Hill for obvious reasons. For the characters that have no playlists, Eddie's and Argyle's are the songs that identified them, and in Robin's, Erica's, and Murray's cases, I had to take a wild guess. I went from that and extrapolated it in order to make both charts.
The songs in black are the intersections between the characters' musical tastes. Basically, if two characters were in a car and this song came up on the radio, both of them would enjoy it. Here's a summary of how I viewed each character:
El: She's pure pop, bubblegum, euphoria, and joy to explore the world. She provides a little magical flair to other people's music. It's Eleven, bitch!
Will: I thought it would be hard because his music taste stems from Jonathan's, but his style actually seems pretty defined. He looks like he will grow into a hipster style. He probably listened to your favorite band before it was cool.
Mike: I had a rule for him: No US artists, only the rest of the world. He watches the FIFA World Cup, has an opinion on the Gallagher feud and uses the metric system. And judging by his playlist, he's also severely depressed (oopsie!). Anyway, here's Wonderwall.
Dustin: He likes to party, and he likes technology. He's not averse to feeling, but prefers it wrapped up in a sick beat. Work hard, play hard.
Lucas: He's funky, but also nerdy. His heart broke when Kanye went off the deep end. He's the fratboy of an academic-minded college, he's the book-smartest of his basketball team.
Max: She's all about ska, skater culture, and California, although she has a more poppy, feminine side as well.
Erica: I can't shake the idea of her as a little girl, even though realistically she'd be in her late 40s right now. So she brings out a fun, childlike vibe to our matrix.
Nancy: She's a powerful woman, and her music reflects that. Her taste is more eclectic, and a little grown-up.
Jonathan: Whereas Will grows into hipster rock, somehow Jonathan was grunge since 1983, and remains so to this day. Rock is not dead.
Steve: He likes to move it, move it. He tried to recreate Tom Cruise's dance scene from Risky Business and openly flirts with his wife, even decades after getting married. He's sexy and he knows it.
Robin: Lilith Fair-core. She's proud and loud (as much as she can be, anyway).
Eddie: Surprisingly (or not?) the hardest to match. Metalheads tend to be purists, and I had to make him influenced by the others, who have way different tastes from him. This is a pretty open-minded version of him (death has a way of doing that to you).
Argyle: I was gonna write a description of him, but then I got high.
Joyce: A total mom, but she tries to keep up with the times. She loves a good ballad, but definitely knows how to have fun as well.
Hopper: He's all country and Grandpa rock. He's weathered and rough, and that's reflected in his music taste.
Murray: Shame is a word that doesn't exist in his vocabulary. He likes what he likes and does what he needs to do, to hell with societal expectations. He's a master at revealing the truth, and that extends to music.
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