Can you imagine the sheer amount of horror and panic for the rebels if Padmé decided to be evil and "yeah, okay, you know what, let's cut Palpatine's head and let me see what I can do to fix this galaxy my way"?
No no like they're like "The Chancellor tricked us, almost all the jedi are dead, there's no republic anymore, but there's still hope! There's still a fight in us, there's still---!" and they see Padmé, with Anakin/Vader following her close with raging, horrible, yellow eyes, but what's more scary is that Padmé is just smilling? With a sith so close to her? Padmé, he's- he's a murderer, Padmé? Why are you giving him pats- Oh damn, he's the father, oh damn-.
"We're doomed" the rebels mutter when they realize Senator Amidala- wait, what? Is Empress Amidala now? Okay-.
Yeah, okay, theorically she would be a better choice than the bastard of Palpatine. But at the same time she's so loved, so clever as a politician and Anakin is so devoted to her that forming a rebellion against her would be twice as hard. Even more when she actually originally was one of the founders of that very same rebellion? And General Skywalker is insane now, and he's very insane about her too, and he's very murderous and did I say insane? and...
What, all the highly trained look-alikes handmaidens are now secret service? Well that's...complicated, but...What, Naboo supports her? The whole planet? That's not so much of a shock, but...Bail, wait, listen to yourself, Bail what are you saying, she's evil now, stay with us, Bail. Okay, well, you might have a point-
"We're doomed." The rebels mutter again as they facepalm at the most cheesy and dumb royal wedding between the worst power couple in existence and the Organas are guests of honor and the groomsmen/honor guard are a chained General Kenobi, an astromech and a protocol droid.
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Day Four: Jewel
I’ve been meaning to do a Sealskin Katara for a while and the idea behind this is Katara as “jewel of the Fire Nation” a la something something possession-not-person anyway I hurt my hand drawing peach blossoms, please clap.
(Also if you ever read and liked Moonlight and Sunshadow, please check out Sealskin, it’s the spiritual successor even if it’s darker and I’ve very proud of how it’s coming out even if it’s taking forever to write, I WILL plug my own fics on Zutara week because I have no shame)
@zutaraweek
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Heres a poorly drawn comic about Hat Kid questioning The Prince's personality compared to Snatchers and how they aren't technically that different from eachother when it comes to "evilness"
(Also featuring a human MJ cameo for no particular reason)
In other words:
Peckneck literally becomes innocent in front of kids and his gf only to turn around and sue someone for looking at him funny
You can be a menace to society and still be oblivious and slightly naive when it comes to toxic relationships
Rose tinted glasses and all that
You can also be a menace to society and still be polite when the situation calls for it
Being nice to kids and stuff isn't that hard
Basically I'm trying to make him a mixture of most Prince portrayals in the fandom and a slight menace to society that carries Snatchers snark and chaotic behavior-
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alarkling + heresy
A one shot where post R&R Alina, somewhat spiraling, uses merzost to bring the Darkling back from the dead (we don’t need a bee goddess lol) and stows him away in the basement at Keramzin. Naturally she tells no one about this.
I’d probably actually, for once, go along with the canon Malina endgame just to have Mal be like you seem weird… what’s going on? And Alina brushes him off and assures him that it’s nothing!
How did she bring him back? Uh something something the journals, the bit of shadow magic she has, and probably some of Mal’s blood. That’s all I got.
The Darkling’s like… so are you ever going to let me out. And she’s like no, you’d cause too much trouble :)))
Things would definitely come to a head somehow but I don’t know the details. Maybe she goes progressively crazy and ends up killing Mal when he finds out. (For Marya Morevna fairytale elements maybe Mal is dumb enough to, upon discovering him, try to let him go?) Maybe she turns out to be immortal anyway, despite the loss of her power, and she can be the creepy lady who runs an orphanage who keeps disappearing into the basement for long stretches of time in the middle of the night.
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I wrote about this on discord a bit back but I think a big part of the whole doctor-master complication is that it's the type of argument and the master is the kind of person where they'd rather die than do something that might make it seem like conceding they're wrong, regardless what they actually think, and that's why "where I stand is where I fall. Stand with me" that almost works on Missy: She has made her move here, she killed him- made so he's dead when the other shoe drops- and he knows and acknowledges that and can offer her a way of coming near him and being on the same side without it being her side losing, saving face that she can join him in this. And the speech very much highlights how to the doctor it's never been about winning, always about harm to people and help to people, but I don't think the master is as affected by that as by the 'if you want to hold my hand now I can make it so it doesn't make you seem the fool for your past actions'.
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👀 your pfp is from your fae amphibia au right? i would love to know more about it <3333
Actually, my pfp is from a different Amphibia au that I haven't talked about at all on here! I've tentatively called it "the raven and the dove" and it's roughly based on the movie (the MOVIE, not the books) The School for Good and Evil and my friend @toonteller came up with a lot of it (hi, toon, hope you don't mind the tag!). If you're at all familiar with the characters from that, Anne takes Agatha's role while Marcy takes Sophie's and Sasha takes Tedros'. You don't have to be familiar with the characters at all for the au to make sense, though!
Basically, Anne and Marcy are two girls growing up in a rural village. They've been friends since they were very small, sticking close together and facing the mean-spirited remarks of their peers together. Marcy happens to stumble across a book one day that tells her of a magical place that trains the heroes and villains of fairytale stories and becomes very determined to find it, while Anne rushes along after her because she doesn't want to lose her only friend and sincerely doubts that any good could come of this. The two of them end up getting whisked away to The School For Good and Evil, where they are promptly deposited into their respective schools - Anne into the School For Good, which trains heroes, and Marcy into the School For Evil, which trains villains. And obviously this is a huge mistake, because not only does Anne want to get back to her parents, but also Marcy cannot possibly be evil! There isn't a vindictive bone in her body! The headmaster, Andrias, tells the girls that the only way to prove Marcy's innate Goodness is a true love's kiss (because villains don't get one of those in the stories, right?). They end up causing quite a stir among the students, as they are both generally disruptive and the first to enroll from outside the fairytale realm in a long time, and the shenanigans draws the attention and disapproval of one Sasha of Camelot, heir to the throne of the Storied and the School For Good's golden child. And. Well.
Quite a lot of chaos ensues in an attempt to get Marcy into the "proper" school and get Anne home, including but not limited to a Marcy corruption arc (and one for Anne, to a different extent), some identity/morality/sexuality crises on the part of Sasha, magic and shapeshifting, a slow dance (with evil overtones), gay archery lessons, ruminations on the societal expectations of beauty, attraction, gender roles, and morality, women covered in blood, true love's kiss(es), and LOTS of impractical fantasy costume changes. It's quite a bit of fun (and Sashannarcy endgame, obviously), even if I haven't thought about it in awhile! :DDD
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Me when Ethan says "I love you, but I have to protect Rose." and I can feel it in my balls that they're gonna antagonize or otherwise throw aside Mia yet again without doing her the justice as a character beyond "She did bad things, guys >:(" and probably establish her as a distant mother rather than a loving one even though that's bullshit:
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Listen, I love Hob and his incurable hope, but I’d be lying if I said that the concept of Dark!Hob, a Hob Gadling that realized that his immortality isn’t tied to his morality, a Hob Gadling that figures out that it’s his desire to keep living that keeps him alive and nothing more, a Hob Gadling that decides that a life of soldiering and banditry and (later in life) white collar crime is far more enjoyable than trying to walk the fine line between goodness and safety, wasn’t extremely interesting to me. I need more explorations of mob boss Hob, of hitman Hob, of professional criminal Hob, because he can keep his faith in humanity while simultaneously using his inability to die for personal gain and the gain of others
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