How is it possible that the most romantic thing I’ve seen in a while ends up being L&O:SVU? Bradley Whitfield is my favorite everything acting out the beginning of Up and making me tear up juuuust a little. The first time SVU has ever caused happy tears.

Aww is Trolls 3 trending on tumblr instead Wish? Let me bring out my tiniest violin for Disney's worst attempt at making a movie.

Chapter 110 is 13 pages long welcome to hell!!! so in a lot of ways this is just more fuel for a theory that I've had for a few weeks now, that's only gotten stronger with each recent season 5 episode, which is that the last episode of the season is gonna end on 110, and that Asagiri/Harukawa and Bones have been collaborating to make this happen, specifically because it's a major turning point that would be the only good place to end the season on.

When we started getting especially long chapters again (like from 25-35ish pages, with the exception of 107.5, the last two being some of the longest we've ever had), at first I just assumed that Asagiri/Harukawa got freed up from some other obligations they'd been having to cause the extremely short/half chapters, like promotional stuff for the anime/Beast movie, or working on light novels. But then 109 happened, with the "supposed" death of Dazai, and heavy emphasis at the end on how literally everyone is at their lowest point right now, and I got to thinking. 11 episodes is a strangely specific number for an anime season -- why not 12, or 13, or even 10, like you'd usually see? Why have we gotten suddenly gotten two 35 page chapters out of nowhere, that's almost unheard of at this point? They're both beautiful chapters, don't get me wrong (as always), and maybe A/H simply just didn't want to cut them in halves because they felt like the full emotional impact wouldn't hit/that there were no good cutoff points in them, but you can't deny that it's surprising, after all the shorter chapters we've been getting. Why has the anime been going at such insanely breakneck pacing for the most part ever since around the Sunday Tragedy chapters, even more so than it has in the past? So much so that it feels dangerously close to overtaking the manga?

Well, maybe, just maybe, it's because..... Asagiri decided a long time ago that whatever happens in 110 is the only point that feels "season finale"-worthy enough, in an arc that still isn't anywhere close to being completely wrapped up, and so both the manga and the anime have been specifically coordinated to reach that part within 2 and a half weeks of each other?

I've seen a lot of people now think season 5 will end with 109, and as much as my sadistic side would find that hilarious, I honestly don't think they'd do that and realistically don't want it to happen; it'd be so cruel to cliffhanger the anime for years like that, and just doesn't feel like a season cliffhanger BSD would do, a series that is ultimately hopeful and uplifting. Seasons 2 and 3 had a positive, conclusive ending; the only reasons seasons 1 and 4 didn't was because they're technically not really full seasons of their own, and are more like the first cour of another "season" that also came out that same year (seasons 1 and 2 both aired in 2016, so they're more like one big season, and seasons 4 and 5 have both aired this year, so they're also more like one big season, again taking into account how episodes 12 and 50 are not satisfying finales like episodes 24, 37, and hypothetically, 61, are). I really can't see season 5 ending with Dazai and Fukuzawa's supposed deaths, Sigma being unconscious and maybe close to death, Atsushi being vulnerable and limbless again, everyone we love still vampires, and the entire world being basically doomed; that's just too depressing and not like BSD at all. However, having said that, if it doesn't end there, there really isn't any good place to end the season before that, either, that feels in any way satisfying or like a finale at all. And so, to me, that only leaves after 109: chapter 110.

I think things are really gonna turn around next chapter. Like I said, everyone is at their lowest point right now, it cannot possibly get any worse, the framing of Dazai, Fukuzawa, and sskk at the end of 109 is telling us that; this is the time for the heroes to finally start winning again, with Aya being so close to pulling out the sword, and for all the thematic reasons other people have talked about to death that I don't need to go into here again. This upcoming chapter being so short again makes a part of me wary of 110 being "the one", so to speak, I won't lie, but at the same time, it's very possible that it needs to be that short because that's all the final episode of the season will be able to reasonably fit in, since it's already gonna be VERY close if they do make it all the way to 109. And at the end of the day, I don't doubt at all that Asagiri and Harukawa can make these the most monumental and game-changing mere 13 pages ever if they wanted to; a chapter does not at all need to be extremely long in order to be an important and impactful one, even if short ones we've gotten in the past haven't felt the most important.

An additional thought I've had, though this is much more crack territory than all this already is, is that since we know from Anime Expo that a Stormbringer movie at some point is highly likely (judging from Asagiri's reaction when someone brought it up), it's possible that chapter 110 and thus the final episode will involve the long-anticipated return of Verlaine and/or Adam, or at least some other major reference to Stormbringer, that would naturally and smoothly lead into a Stormbringer movie to explain things to people who haven't read the novel. It would make a lot of sense, especially since the s4 OP has the Old World sign behind Chuuya, which might be a hint that this has been in the works ever since seasons 4/5 were first in planning with Asagiri. We also know that Dazai and Chuuya's voice actors apparently struggled to record their lines together this season, which probably relates to 101 and possibly 109, but it could be 110 too.... I could be very wrong, as I'm no expert on this kind of thing, but I kinda doubt they would bring Chuuya's actor in for just the vampire growls, and Asagiri placing heavy emphasis on Chuuya's importance this season in that one interview gives me the impression that he's talking about much more than just 101/109. But that's the least solid evidence I have, that's just mostly based on vibes I get.

So basically, I think a lot of factors -- the unusual episode count, how close the anime is to catching up to the manga with three whole episodes left, the seemingly arbitrary recent chapter lengths, and the climactic events of 109 -- can tell us that 110 might be a very, VERY big deal. Again, there's of course no way this arc is anywhere near close to being finished, with so much left to address and resolve, but since it is currently incomplete in the manga, unlike the previously adapted arcs, if the anime was going to adapt it at all, they'd have to find a place that feels satisfying enough to end this season, knowing there won't be more anime for a long time after this, and so I think they specifically planned for that, from both Bones' and A/H's sides. 10 episodes might not have been enough to reach that point, but 12 or 13 might have been too many it wouldn't have been if Bones actually decided to slow down and let the story breathe the way it needs to, but this post isn't meant to criticize the anime, so maybe 11 was just right. And maybe Asagiri and Harukawa specifically pushed to make recent chapters longer than usual, in order to make sure that the manga reached the story content in 110 the monthly release right before season 5 was to end.

Is this just copium? Absolutely. Am I going to look like an absolute clown in two days when this post ages like milk? Probably. But the evidence is There, so let me just enjoy my delusions until Sunday, okay 🥂🫡

In the UK you can basically join the military at the age of sixteen but if you want to get gender affirming care and begin to socially transition, your told your suddenly too young and have to wait until twenty five.

Soap : I can't believe they did something like that in front of innocent eyes !

Ghost : I'm sure you're both GREATLY exaggerating what happened

Soap : You don't understand, he had the lighter in his hand! He didn't have to be a slut!

I aspire to have the level of bit commitment that the prefrontal pi’s have to the alias Stacey Fakename

I find it really funny that Dazai has, if my memory serves me right, has swore only two times in the whole manga (he seldom swears even at his enemies, he an annoyingly polite boy) and both times coz of Fyodor... like this man made Dazai-annoy-everyone-around-me-to-death-Osamu go WTF at his antics

I bet if Fyodor drops his mask of the perfectly-in-control mastermind and let loose, he's gonna be weirder than Dazai + Gogol combined. Sigma hasn't seen the worst of this gang yet...

lxl are the only ones who can get married twice and go on two honeymoons without being a canon couple (yet…?)

thinking about how the movie theater scene in season 3 is one of the few pivotal byler moments where there’s actually a large group of people around them (they’re almost always alone or the people with them aren’t included in the shot...the only other crowded scene i can recall is the rink o mania fight tbh) but they still managed to frame it with so much intimacy and tension, mike and will’s faces being close to each other, everything around them blurring and mike’s voice being so gentle and soft and caring as he asks will if he’s okay...

so there really is no excuse for why there’s such a lack of intimacy in nearly every mleven scene and why they choose to make them have moments with either the ugliest backgrounds, with way too much clutter or people around them that makes it painful to watch, or with the scene ending up being played as comedy 😭 (maybe not all of their scenes but its like 80% of their important scenes that its kind of hard to ignore especially throughout s4...like what the hell is this)

its such a stark contrast to the way byler scenes are shot...mind you they were in a literal junkyard in the scene below and jonathan and argyle were right in their vicinity but they still managed to frame it as if they were the only two people in the world and the cinematography is visually pleasing

like this is barely a competition at all...how are we still debating which relationship is meant to be endgame 🤦‍♀️

I think people who characterize adult Sparrow as totally wishy washy and timid should remember the time he snapped an adult man’s neck in front of all the teens, threw the body out of the bus, and carried on as if nothing interesting had happened

Sunshine in the Rain by Carnati0n_bl00m

“Wait, you don’t have a name? What about your parents, didn’t they give you one?”

The man simply raised his eyebrow, a small grin revealing pointed teeth.

“I do not truly have parents.”

“ What!? That’s insane!” Mickey had never been so - so -

Scandalized!

WOW OKAY!! This kinda gotta away from me cuz I wanted to TRY doing two (technically 3) scenes. THIS FIC, MAN!! It's got Mikey angst and hurt/comfort! It's got Bishop being an absolute bastard, and I wanna punt him to the moon and back!! It's got Mikey & Leatherhead becoming Besties!!! I read it right after watching the Rise Movie and OHHHH boy, it is GOOD!!!!

Concepts for Bishop and Leatherhead! Did not draw Bishop much at all, lol. Will probably use the ref for future stuff, though! Also, I took forever finishing these cuz LH's design started becoming Bleh to me, but I had to commit cuz I was most of the way through the naming scene. Will likely tweak the design later!

I still miss the era before prequels when the clans were implied (or at least you could imagine them) to be ancient before later books all but confirmed the clans are only around like...less then a century old??

imagine if the dotc cast was having run-ins with ye olden english peasants or something and dodging around horse drawn carts. a different world could have been a fun change of pace. or at least potentially really funny. but nooo we just HAVE to have cars around, how else will we quickly fridge unneeded love interests

i saw an account post that, unfortunately, if you are a jason todd fan account then you’ve most definitely gotten an ask along the lines of “if you like fanon jason then you’ll definitely like canon helena/steph/mia” and was wondering if you’ve ever gotten an ask like that

I've gotten a few about Helena specifically, never Steph or Mia so I'm going to talk about Helena rather than generalize what I'm about to say to both of them too (because I was actually thinking about this a few weeks ago!)

Those people are right...in a way. If you want christian guilt (that Jason does not in UTRH and should not ever struggle with) and genuine efforts to be accepted by the Bats? You want Helena. A character whose relationship with killing can be benefited by people bringing her into their light without rendering her previous choices pointlessly antagonistic? that's Helena.

Then there's also the factor of Helena often, in canon, being treated as unstable and untrustworthy, no matter what she does to prove otherwise. and that's seen as a continued failing on her part, even if it's others that refuse to believe in her. Jason constantly being pushed into those situations in fanon and canon is very Helena coded. He's got her good and bad.

But if you like the Jason from UTRH era, arguably the best written Jason post-resurrection (which isn't saying much because...we all know how he's written most of the time), then Helena would never work for you because they're so different. Even with fanon, there's only a certain extent it can apply to. Helena's not Bruce daughter, he didn't raise her, she was never family for him outside the costume (or in it. but that hurts me to say), and she certainly wasn't Dick's sister. So those dynamics should be different inherently, even in fanon where they're altered to resemble something like what Helena has. There's still a history that Jason has here that she naturally doesn't.

I think it's too vague and unhelpful of a thing to say if you're trying to make people interested in Helena or change their portrayal of Jason. But I do see the basis of it.

it's so significant to me that do you believe in miracles paralleled all hell breaks loose specifically. because ahbl is the first time dean violates sam's autonomy to bring him back to life. it shows the extreme lengths that dean will go to protect sam, and despite all the other times dean has ignored sam's personhood in his pursuit to keep him alive, this is the moment in the show that fully exemplifies just how codependent these two really are, because there's an entire season dedicated to the consequences of that codependency.

so for dybim to take that imagery and scenario and reverse the roles means that this is supposed to be just as indicative of their codependence. it's a threshold that will have major consequences because sam crossed over the point of no return. there's no going back from choosing unhealthy codependency with your brother, the show is signaling. dean is sam's ultimate decision—he doesn't choose himself, he doesn't choose independence, he chooses dean, and all that that entails. he probably only realizes that all of his posturing about autonomy was a lie at the very moment he says it out loud, but once he's finally honest with himself it's a done deal. just like dean can never go back from his deal for sam's life, sam can never return to any point before this moment. he's in this relationship for good, and he wants to be codependent with dean; that's his decision.

and this is why soul survivor hurts so bad. because dean, like sam in season 9, declares that they're not family, not brothers. the role reversal continues, and sam is now suffering all of the pains he unwittingly put dean through by trying to maintain boundaries between them. now that he's realized he can't handle having those boundaries, any distance between him and dean is too much. here sam is, violating dean's autonomy and saving him against his will, just like dean has done to him so many times before. here he is, listening to dean reject him over and over again, like a parody of all sam's attempts to extricate himself from dean. he's on the other side now, staring down his brother and seeing his past self within him.

9.23 to 10.03 is just a speedrun of the previous 8 seasons but in reverse, with sam enduring the suffering of being in dean's position. and how tragic is it for sam to finally commit to his codependent relationship with dean, only for dean to leave him the moment it happens? how must that feel, for him to finally return his brother's feelings in all their toxic and fucked up glory, only to lose him in the worst way? to have all of his own words shouted back at him with the cruel intent to hurt—jesus christ. how am i supposed to cope with this in any normal way?

So you guys remember how after Hinawa was announced as dead, Flint was immediately tossed into jail after he (very understandably) lashes out in his grief. And then by the time he breaks out of jail (not released by a fellow Tazmillian, breaks out with a nail file), the service is already over and she's buried six feet under the dirt with no proper goodbye from her husband or even a glimpse at her or anything???

That was fucked up