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#remade 31st may
lilacevans · 2 years
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no thoughts- head empty- man too fine.
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moonslittlestar · 4 months
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I have to ask how you do gifs for bg3!! Do you record your whole gameplay then splice the moments, or do you just have a hotkey to screen record and how do you edit and augh i have so many questions, i'd love a quick lil tutorial (if you want!!). I wanna do my tav justice :')
Hi hi! Sorry this has taken me a while to get back to! I'm very very new to gif making, like, literally started making them on Dec 31st to count in the New Year hahaha, however, I've am blessed with many, many GIF maker friends that have been helping me and some of them have made really good tutorials and others have shared some really good tutorials, which I shall link here because I am in no place to make one myself, not yet anyways! [I have not used all of these, however these have been shared among friends and if anyone is getting into giffing you may find them helpful!] Tutorials: @snug-gyu - Colouring Tutorial @quokki - Full giffing process - tutorial @seonghwasblr - Tutorial @hanjesungs - Colour Table Tutorial @scoupsy-remade - Tutorial @renjunniez - Gif tutorial & extra tips @ashleysolsen - Giffing Masterpost @woozis - Tutorial @kangyeosaang - How to pan gifs & how to fix grainy gifs @theedorksinlove - Tutorial @saw-x - Guide for beginners @brainwasheds - Sharpening Gifs @jjnxs - Gifs on Gifs
Also this video helped a lot, which I helped me understand it better more easily. Though I make all my gifs in photoshop. For capturing I record my footage through OBS and import it into DaVince Resolve where I cut up the sections I want to use, because I record a lot at once so it's easier for me that way since I know my way around editing videos and then bring my photo editing skills in after in Photoshop to enhance them. But you can also do this in Photopea which is basically a free photoshop and the video I linked also covers how to use this website! I also film all of my stuff using Otis' freecam mod! I hope this helps! ❤ [I will keep adding to this list as my friends recommend me more, I find the more resources and different ways things are explained sometimes the better!]
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everythingbap · 1 month
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Bang Yongguk Reddit AMA Part 1
A/N: translations may have inaccuracies. Part 2 here!
Hey guys! This is BANG YONGGUK, back again for another round of AMA with you 💪
I’m off to my world tour, BANG YONGGUK ‘III’ THE US TOUR 2024 very soon.
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Ask me anything, and I’ll try my best to answer all of your questions!
Don’t forget to grab your tickets for our tour if you're in the US!
04/05 BROOKLYN🎟️ https://livemu.sc/4a0bdrG
04/07 LOUISVILLE🎟️ https://bit.ly/49TB9VU
04/09 CHICAGO🎟️ https://bit.ly/432IrV6
04/12 ORLANDO🎟️ https://bit.ly/48Di5Kx
04/14 DALLAS🎟️ https://livemu.sc/3wxC5AT
04/17 HOUSTON🎟️ https://bit.ly/3T6x2yS
04/19 PHOENIX🎟️ https://bit.ly/3TlTNQL
04/21 LAS VEGAS🎟️ https://bit.ly/4c2SmhG
04/23 SACRAMENTO🎟️ https://bit.ly/3TmZYnM
04/26 SAN DIEGO🎟️ https://bit.ly/431DPyE
04/28 LOS ANGELES🎟️ https://bit.ly/3V9LCZr
Meet & Greet🎟️ https://mmt.fans/bwkW
Also, stay tuned for my latest album, [3], releasing March 31st!
I’m always active on socials. Follow me to stay tuned for cool performances and more music!
Instagram: [https://www.instagram.com/bangstergram/]
Twitter: [https://twitter.com/BAP_Bangyongguk]
Youtube: [https://www.youtube.com/@bangyg]
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BABY: Hi Yongguk! I've been a fan of you since you've been in B.A.P, and I have been supporting you ever since! Congratulations on having another world tour, I wish I could see you perform live one day though. I have a few questions though.
1- How fun was it to produce and create your upcoming album? 2- Do you have any advice for getting through the day when things are stressful? 3- Are there any songs from your career that you wish you could've went back and remade?
Thank you so much for being a part of my life and thank you for your hard work. I hope your upcoming world tour goes well!
BYG: 크레에이티브 디렉터로 다시 복귀할 수 있어서 이번 앨범은 과정은 힘들었지만 즐거웠던 것 같아요. 스트레스는 내가 무시하는 것 중 하나야. 가만히 명상해보자. 리메이크 가능하다면 내 첫 정규앨범 BANGYONGGUK을 리믹스해서 LP로 만들고 싶네. I think it was hard but fun to be back as creative director for this album. Stress is among the things I ignore. Let's try and meditate. If a remake were possible, I'd like to remix my first album BANGYONGGUK and make it into an LP.
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BABY: Hiiiii! Could you please sing Going Crazy or 4:AM at your tour? I know it’s difficult the second one, but how do you feel about it now?
BYG: 아마 감정적으로는 힘들겠지만 4:44를 부를수 있을 것 같아요. It's probably hard emotionally, but I think I could sing AM 4:44.
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BABY: 오빠 행복하세요? ❤️ Oppa, are you happy? ❤️
BYG:
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BABY: Hello Yongguk!! Who are your favorite artists at the moment? Do you have any recommendations?
And do you plan on doing a Latam tour?
BYG: 몇 년째 계획만 되고 있네. 나 언제 시작할 수 있을까? I've only been planning for years. When can I start?
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BABY: 꼭 해보고 싶었고 지금까지 해볼 수 없었던 일이 있을까용? Is there something you really wanted to do until now but couldn't?
BYG: 언제까지 가능할지 모르지만 아직까진 나는 항상 100% 노력했어요. I don't know how long something is possible, but so far I've always tried 100%.
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BABY: And you have great fingernails, how do you take care of them??? My nails are terrible 😭
BYG: 손톱을 사랑해주세요. Please love your fingernails.
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BABY: Hi! I've been a BABY since 2012 and I've loved listening to your solo music, I'm so excited for the new album!
What's your favorite part of touring? Is there anything that's hard about it?
BYG: 도시마다 색 다른 분위기를 느끼는 걸 좋아해요. 몸은 힘들지만 무대 위에서 여러분을 만날때 그걸 잊어버리는 것 같네요. I like feeling the different atmospheres of each city. It's tiring, but when I meet you all on stage, it seems I forget about that.
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BABY: hi yongguk!! i've been a fan of B.A.P since debut and i honestly think B.A.P in Melbourne (2016) was the best concert i've ever been to!! it was my first as well :)
i'd like to ask, are there any scents that u're attached to? i.e. hold sentimental value or something that just improves your mood 😊
good luck w ur tour !!
BYG: 응 나는 바디로션과 향수 냄새를 오랫동안 바꾸지 않았는데 이건 집착에 일부인가 봐. Yeah, I haven't changed the scent of my body lotion and perfume in a long time, but it must be part of an obsession.
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BABY: Hello Yongguk!
What song of yours do you find most difficult to perform? (Physically and/or emotionally).
I hope you have a great tour ♥️
BYG: AM 4:44
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BABY: Hi Yongguk, your music has helped me a lot through tough times. Thank you for being you and for sharing your lovely self with the world through your music! 💫❤️‍🔥
I just want to ask, what advice would you give to other aspiring artists and musicians?
BYG: 스스로에게 계속 도전하세요. 누군가의 조언 보다 스스로의 목소리에 귀 기울이세요. 예술은 A.I가 대체할 수 없을 거라고 생각해. 널 알아봐 줄 1명의 팬만 있다면 성공한 거야. 힘내고 사랑하자. Keep challening yourself. Listen to your own voice instead of someone else's advice. I don't think AI can replace art. If you have even just one fan who recognizes you, you're a success. Let's cheer up and love each other.
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BABY: What is your favourite Emoji you like best?
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BYG:
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BABY: 미국에 가기전에 한국에서 마지막 식사로 뭐 먹을까여?ㅋㅋㅋ What should I eat for my last meal in Korea before I go to the U.S.? Hehe
BYG: 라면? Ramyeon?
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BABY: If you could be any animal for a day, what animal would you choose?
BYG:
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BABY: Yongguk! What’s your comfort tv show? <3
BYG: 날 위한 쇼는 내가 직접 만들어야할것 같아. 나 잘 알잖아요? I think I have to make a show for myself. You know me well, right?
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BABY: hello Yongguk!! i wish you the best for your tour! i was wondering if you had any future collabs planned 👀 ty!
BYG: 여름에 새로운 프로젝트를 기획하고 있네? I have plans for a new project in summer?
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BABY: Hi! Thank you for doing an AMA! Do you do anything special to take care of your voice while you tour?
BYG: 아마 투어가 시작되면 열심히 뜨거운 차를 마셔야 할꺼야. I should probably drink a lot of hot tea when my tour starts.
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BABY: What is something on your bucket list?
BYG: 여름에 알게 될 거예요. You'll find out in summer.
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BABY: What superpower would you love to have?
BYG: 시공간을 조종하고 싶네요. I want to manipulate time and space.
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BABY: yongguk, you’ve been my biggest inspiration for the longest time who is your inspiration in music or do you just go with your own vibe these days?
BYG: 최근에는 월드투어가 큰 영감을 줬던 것 같네요? I think the world tour has been a big inspiration lately?
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BABY: 안녕 방용국 오빠 ! Hello Bang Yongguk-oppa !
Do you have any plans in the future to film another documentary like "Something to Talk About?"
It would be interesting to see your progression as a person and as an artist since 2019!
감사합니다! 💚 Thank you! 💚
BYG: 새로운 다큐멘터리를 보게 된다면 아마 3-4년은 걸릴 거예요. I think it will probably take around 3-4 years to see a new documentary.
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BABY: Hello Yongguk! Excited for your tour. What's one song you always look forward to performing on stage?
BYG: 5번트랙 Track number 5
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BABY: Hello Yongguk! Are there any new genres of music you would like to try or have tried and really liked?
BYG: 이번 앨범 재미있었어. 나오면 꼭 들어봐요. This album was fun. Take listen right when it comes out.
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BABY: Hi, I hope you're doing well. I'm excited for your new album. You're an amazing artist who deserves the world. Also, I can't wait to see you in Sacramento <3. Thank you for touring.
Question: Which song is your favorite out of all the songs you've released?
I miss you 💚
BYG: 2 이후라면 이번 앨범이 될 것 같아요. If it's after 2, I think it'll be this album.
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BABY: Hi!!! What song are you excited to perform on your tour?
BYG: 새 앨범 모든 노래를 부를 예정이야. I'm going to sing all the songs from my new album.
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BABY: Hello greetings from Mexico. There is a small possibility of having a concert of yours this year in Latin America.
BYG: Movimiento는 라틴 아메리카 투어를 위해 작업한 곡 입니다. Movimiento is a song I worked on for Latin America.
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BABY: hiii, i'm really curious about what's your favorite moment while you're producing a new song or overall a new ep/album? i love you and i'm really excited bc '3' :)
BYG: 발매 직전! Right before the release!
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BABY: OHMYGOOOOOD?????? HELLO????
BYG:
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BABY: Hi Yongguk! Love you loads! How has making music and composing melodies changed since writing and composing for a group to being solo? Would you say it's harder?
BYG: 그룹보다 혼자 부르는 곡을 만드는 게 더 쉽네요. 생각보다 그룹 음악은 오랜 시간 그 노래를 부를 친구들을 위해 고민해야 할 시간이 필요하니까. It's easier to make songs I sing alone than with a group. I need to worry about the songs that my friends will sing for a long time.
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BABY: Can you recommend a “new ramen“ to try? (Not shin) 😄
BYG: 진 Jin
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BABY: There is EP 2, and now EP 3. Where is EP 1?
Is there anything to keep you motivated to work & be productive? 
BYG: 1은 제 자신을 의미합니다 1 means myself
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BABY: Hello Yongguk! I hope you are having a good day! Since you are Starting a new tour soon! I had some questions that i would love to ask you from last tour if its possible!
1- When you were in Lisbon, what did you liked the most? Would you go back if it was possible? 2- What is the most memorable memory of the "Colors of Bang" Tour?
BYG: 포르투갈 와인은 특별하다. 그리고 너희들 정말 열정적이었어. 다시 만나고 싶네요. Portuguese wine is special. And you all were very passionate. I want to meet you again.
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BABY: Hi Yongguk! Thank you for doing this AMA! My question for you is:
Do you have any regrets in your career? What would you change if you could start all over again?
I've been a fan of you and B.A.P since debut! Stay healthy and happy! Love you lots! 💚
BYG: 지금까지 해온 모든일들은 내 자신을 위한 특별한 순간들이였어요. 절대 후회하지 않아요. Everything I've done has been a special moment for myself. I never regret it.
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BABY: Will come to Canada? Please, please come to Toronto!!!!!
BYG: 내 계획 중에 캐나다도 다시 방문해야 할 곳이에요. Canada is one of the places I need to plan to visit again.
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BABY: i have such a strong memory of the day “no mercy” came out & watching the MV at university. i also went straight from my college graduation to go see B.A.P in concert😂 thank you for bringing me so many great memories over the years! i hope you’re doing well🙂
is there any song that when you listen, reminds you of a specific time in your life - good or bad?
BYG: 요즘 봄이 오니까 Carnival 앨범 생각 많이 나네요 These days with spring coming, I think about our album Carnival a lot
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BABY: 이번 앨범이 내 최애앨범 될 것 같음…😍 I think this album will be my favorite...😍
BYG: 음악적으로 나도 그런 것 같아. Musically speaking, I would agree.
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BABY: Hi king💚👑~~ As a Tunisian🇹🇳 Baby, I want to ask if you consider adding "North Africa" to your world tour list in the future! And yes love you and good luck for "3" I can't wait for it 🥹💚🔥
BYG: 모로코는 내 촬영지 후보 중 하나였어. 공연으로 북아프리카는 꼭 방문해보고 싶네요. Morocco was one of the candidates for a shooting site. I really want to visit North Africa for a performance.
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BABY: I remember you once asked us if we prefer "The old BANG YONGGUK" or "Today's BANG YONGGUK". Does this have something to do with your comeback? Maybe a change of your music style ? What was your inspiration this time?
BYG: 내가 싫어하던 것들을 이번 앨범에 다 해본 것 같아. I think for this album I tried out everything I used to dislike.
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BABY: Hi Yongguk! I’ve been a fan for quite a few years now, I hope everything is well with you and I wish you luck on your tour 🫶🏻
My question is, what is one song that is on repeat for you right now?
BYG: 새 앨범 노래들인데 가사가 잘 안 외워지네. 가사를 내가 쓰더라도 그건 다른 문제네요. When it's songs from a new album, the lyrics won't get in [my head] well. If I write the lyrics myself, it's a different matter.
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BABY: How do you decide who to feature in your songs?
BYG: 그들의 음악을 오랫동안 듣고 어울리는 새 곡을 만들기 위해 노력하는 것 같아요. I think I listen to their music for a long time and try to make a song that fits them.
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BABY: How did you feel when you were filming for NUMB? I'm afraid of heights. Seeing you near the edge of the cliff scared me 😅 I think NUMB will be my favorite ❤️
BYG: 그곳은 numb라는 노래를 위한 최적의 장소였어. That place was the best location for the song numb.
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BABY: How many songs from BYG III album will you be singing for the tour?
BYG: 모두 All of them
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earth-93 · 3 months
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BRIGADE FILES: QUICKSILVER
Stars & Stripes Hotline [Version 1.15]
C:\login\Buddy_Holly
C:\Users\mini\BrigadeFiles\Avengers
Directory of C: \BrigadeFiles\Avengers
04/27/2006 12: 37 PM Total Files Listed: 16 File(s) 538, 687 bytes
Directory of C:\BrigadeFiles\Avengers\MAXIMOFF_PIETRO.txt
[file data =
Main Alias/Moniker: Quicksilver
Legal Name: Pietro Matheo Maximoff
Other Aliases: Pretty Boy, Silver Head, Speedfoot
Date of Birth: May 31st, 1985 (Age: 19)
Status: Alive
Species: Mutant
Sex: Male
Gender: Cisgender
Height/Weight: 6' (1.83m) / 175 lbs (79.38kg)
Hair/Eye Color: Silver / Blue
Timeline (1985 - 1990): Pietro and Wanda grew up in a Romani ghetto in Transia, raised by their maternal aunt and uncle. They never met or knew of their father until they were adults, and their mother Magda only visited them once when the twins were five. Magda spent most of her time with Wanda, and though Pietro was the last person she met with before departing, she was reportedly cold and sparse on words with him. Wanda has suspected it was because Pietro reminded Magda of their father.
In spite of this, Pietro was not bereft of affection in his formative years. Well before gaining his powers, he was an energetic child. One of the few things that could reliably relax him was his uncle Django's puppeteering. There would be less time for these puppet shows following the collapse of the Eastern Bloc, radically altering Transia's economy and forcing Django and their aunt Marya to work long hours to keep the family afloat. Pietro's rambunctiousness would shift to bitterness and rebellion as he got older.
Timeline (1990 - 2000): As true as it is today, Pietro had a short tolerance for insults, especially ones lobbied at Wanda, and was unafraid to pick fights with anyone should he feel slighted. Depending on the person, this attitude made Pietro a hero, a laughing stock and a bad egg all at once. In the case of his aunt and uncle, they were distraught over who Pietro could provoke, should he pick a fight with a non-Roma outside the ghetto. They kept Pietro out of trouble for a time by arranging him to help with the cooperative farm out in the countryside. He complained at first, but quickly found the fresh air and open spaces extremely uplifting.
Such a luxury was once more revoked due to radical changes in Transia. Following General Novoty's rise to power, Transia's economy was remade to serve a small aggregate of oligarchs, one of whom bought the cooperative farm out from the Romani. The rampant injustice of the world became cruelly apparent to Pietro and he soon fell into petty crimes with other young hoodlums, participating in the sweep of criminality in Transia following the fall of Communism.
Timeline (2000 - 2003): To quell Pietro yet again as well as bolster the family under desperate times, Marya took Pietro and Wanda with her to England to do seasonal work. Pietro continued his thievery, where he first earned the name "Quicksilver" for his uncanny evasion of the law. Pietro had reportedly been quick since he could walk, but his knack for speed became more and more uncanny until one day, where he and his group's getaway car was sputtering out and the authorities were on their tail. In his fluster, Pietro ran down the street faster than the car could have--entirely on foot.
Having resented the lowly status he had been forced to live all his life, Pietro reveled in his newfound powers. Such elation gave him little patience for the opposition he encountered among his gang almost immediately, be it anti-mutant bigotry or Pietro's own ego as he sought to take more active leadership. One supporter of Pietro was Toad, a fellow hoodlum that Pietro thought little of before.
Mortimer divulged to Pietro of his own mutant status and introduced him to the London chapter of the Brotherhood. The organization's rhetoric of mutant superiority was tantalizing to Pietro, but much to his chagrin he was barred from membership until he could convince his sister to join alongside him, explained away as the likelihood that she was a powerful mutant as well. Pietro had been aware of his sister's "hexes," as she called them, but was adamant that they were not a mutant ability, but some sort of witchcraft first taught to her by their estranged mother. Regardless of this, he begrudgingly carried out the request of the Brotherhood representative, who was none other than Wyndgarde.
Wanda was defiant of Pietro's cajoling for a few days until they returned home one night to see it in flames. Pietro witnessed Wanda break down in anguish, and in a state of distress himself could think of nowhere else for them to go but a Brotherhood safehouse. Neither sibling was aware that the flames were but a convincing illusion conjured by Wyndgarde, and that their Aunt Marya was sleeping soundly in the home the twins abandoned. The deception nonetheless succeeded, as by the time Wanda awoke from her grief had turned to wrath. For the first time in their lives, the roles were reversed, and Pietro found himself having to keep Wanda in check.
Timeline (2003): In spite of their youth and relative inexperience, the Maximoff twins were brought onto the Santo Marco mission. Pietro and Wanda were among those tasked with sniffing out intruders, aka the X-Men. Pietro personally confronted me, blocking me away from the rest of the team and wearing me down with rapid blows from all directions. The stride in his step was swerved courtesy of Bobby, while Wren took his feet off the ground altogether.
Pietro attempted a rematch with us in the city square during Magneto's confrontation with the Stranger, but that left him vulnerable to capture once the military swept through the country. He and Wanda were arrested and remained in captivity in the Neverland Containment Center for the next few months. They were among the many inmates who fled during our jailbreak, but in the chaos of it all a falling out apparently occurred between the siblings, and Pietro and Wanda went their separate ways.
Pietro's tenure going solo did not last long. Shortly after we had regrouped back at the Mansion, he had appeared to begrudgingly ask our help in finding Wanda. We were still quite shaken ourselves, with the Professor still in a coma and Wren being MIA since Neverland. We eventually agreed to help, with Jean and Hank staying behind to tend to the Professor while Bobby and I accompanied Pietro. Hy happenstance, our respective missing persons problem was mutual, as Wren had given Wanda sanctuary in her family cabin in Colorado.
Pietro was understandably hesitant to go back to prison, though we swore we would vouch for both of them (At the time, he bluntly told us that didn't make it much better). With his relationship with Wanda relatively mended, however, he ultimately agreed to finally step away from the Brotherhood. The twins were given sanctuary on Muir Island for a time, and when Steve Rogers headed a reserve team of Avengers that would grant a pardon to convicted super-villains in exchange for service, the Maximoffs were quickly put through. That project is still underway, but if there's anyone on the planet who can take Pietro's bad attitude and whip him into shape, it's Captain America.
end of data]
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ibrithir-was-here · 3 years
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@tolkienocweek Day 6–July 31st—Forgotten Characters
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Ok, I couldn’t pick just one so I did three x)
On the left we have Amillo, also called Omar. He was originally the Vala of Song (and brother of Salmar) but was cut by Tolkien because having a Vala of Song, as it’s so linked into the power of creation, would probably be far too OP. But as I’ve rewritten him he’s now the younger brother of Melkor and Manwe. He stays behind with Eru in the Timeless Halls once the rest of the main Valar descend into Arda, but eventually is sent himself as Dagor Dagorath nears in order to help counter his fallen brother’s coming return, and fill the gap in the pantheon that Melkor left. In my version of Dagorath he would eventually become the new head Vala over Arda Remade, as the rest return to the Timeless Halls in order to rest and regain their vitality (as it says even the Valar would have grown worn and weary by the time Morgoth returns).
In the middle is Herendil, an early son of Elendil, who I’ve written back in as his third, youngest son. He’s ultimately sacrificed to Melkor, having been captured just before his family is about to flee, a tragedy that affects Elendil and his remaining son so much that it becomes too painful to speak of him (my watsonisn explanation of why he’s not mentioned in the Silmarillion 😅). But he’s eventually reincarnated as Alvin Lowdham, a young Englishman who begins to have dreams of his past in Numenor and the coming Dagor Dagorath and decides to try and help prepare the world against it by finding the lost Silmarils
But little does he know that the reason he’s having visions of Morgoth’s return is because all of Sauron’s sacrifices were intended to tear a hole in the fabric of reality—thru so many souls meeting the end before their time —so that a small part of Morgoth’s essence could escape the Void into a waiting Vessel, which would be able to open the Door of Night from the outside, and the only reason this didn’t happen in the Second Age is that Numenor got hit by that big old wave before the final ritual could be done—but enough got done that Herendil’s soul is still bonded to that bit of Morgoth all these Ages later and so his interest in the Silmarils might not be as benevolent as Alvin thinks it is…bum bum buuum
(Ok done with my Herendil/Alvin rant now x)
And lastly we have Herumor, the leader of the Cult of the Dark Tree in the 4th Age. Raised by the last few acolytes of the fallen Temple of the Eye who managed to escape its destruction under the order of Queen Lomiziran, Herumor is a zealot who believes it is his holy duty to to return the kingdom of Gondor-Arnor and the rest of the world to worship of Sauron, even as Sauron turned the Umbarans, Haradrim and Numenorans and to worship Morgoth. He attempts to overthrow the aging Eldarion by corrupting his son, the Regent-Prince Erthoril into joining his cult, an attempt to replay history with Sauron’s rise to power with Ar-Pharazon, but Erthoril may be better versed in history then Herumor expects…
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meganspoetry · 3 years
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hi! may i ask for a ☀️? no pressure :)
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“Once you've met someone, you never really forget them. It just takes a while for your memories to return.”
Chihiro Ogino, protagonist of Studio Ghibli film 'Spirited Away'
Dead rivers still flow. Stand still and silent, and you can feel the cool touch of the water, hear the kind voice of the stream.
The world is broken on gold and oil, but it can always be remade again; the trick is to savour every second that tastes sweet. In times of terror and anxiety, there will always be moments with loved ones, and bites of warm food, and prettily painted flowers, and kindly dragons to meet. Hold onto the goodness in a dear friend's name, and a beautiful sky, and the potential for friendship in all whom you meet.
We want the wholesomeness and the warmth; rarely do we ask for the hardship that follows. But we do wish for that which is higher - call it meaning, or purpose - that which flies high, with the water-snakes and the swallows. The angels are to be found not in the blossom of the flower, but where the elegant form of the stem meets the necessary ugliness of the root.
of course you can! I hope you like it!
send me a ☀️ if you want a poem about a protagonist or an antagonist that your blog reminds me of! please note that this ask game closes on the 31st January.
images are from pinterest 🌸
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Bibliography
Amino, (2018) Heather Chandler; Character Analysis. [Online] Available from: https://aminoapps.com/c/heathers/page/blog/heather-chandler-character-analysis/3Wjw_d5dHBu0oWEp1N2Y6WZ6Rl6L8r5QR6a [Accessed: 2nd April 2020] 
AppointmentPlus. (2015) Why Time Management Is Important. [Online] Available from: https://www.appointmentplus.com/blog/why-time-management-is-important/ [Accessed: 3rd April 2020]
Arts on the Move. (N.D). Health and Safety in a Drama Setting. [Online] Available from: https://www.artsonthemove.co.uk/education/health-and-safety.php [Accessed: 17th April 2020]
BBC, (2014). Science: Human Body & Mind. [Online] Available from: http://www.bbc.co.uk/science/humanbody/mind/articles/emotions/teenagers/rebellion.shtml [Accessed: 10th April 2020]
Buchanan, D. (2018) ‘Heathers’ might be 30 years old, but it’s the musical we need right now. The Independent. [Online] 30th May. Available from: https://www.independent.co.uk/arts-entertainment/theatre-dance/features/heathers-musical-film-30-winona-ryder-carrie-hope-fletcher-the-other-palace-a8376286.html [Accessed: 1st April 2020]
Concord Theatricals, (N.D.). Heathers the Musical. [Online] Available from: https://www.concordtheatricals.com/p/56725/heathers-the-musical [Accessed 31st March 2020]
Gardner, L. Cannon, D. (2009) Character Building and What Makes a Truly Great Actor. The Guardian. [Online] 9th May. Available from:  https://www.theguardian.com/stage/2009/may/09/character-building-great-actor [Accessed: 18th April 2020]
Gioia, M. (2016). How and Why Heathers Got Remade for High School. Playbill. [Online] 13th September. Available from: https://www.playbill.com/article/how-and-why-heathers-got-remade-for-high-school [Accessed: 15th April 2020] 
Kenrick, J. 2003. How To Put On a Musical: The Production Team. Musical Theatre 101. [Online] Available from: https://www.musicals101.com/puton8.htm  [Accessed: 15th April 2020]
Myers, S. (2014) Great Character: Veronica Sawyer (”Heathers”). Go Into The Story. [Online] 12th September. Available from: https://gointothestory.blcklst.com/great-character-veronica-sawyer-heathers-1fb5a4357a61 [Accessed: 2nd April 2020]
New York Film Academy, (2015). Stanislavski In 7 Steps: Better Understanding Stanisklavski’s 7 Questions. [Online] Available from: https://www.nyfa.edu/student-resources/stanislavski-in-7-steps-better-understanding-stanisklavskis-7-questions/ [Accessed: 16th April 2020]
O’Keefe, L. Murphy, K. (2018). Heathers Writers Laurence O’Keefe and Kevin Murphy Break Down the Musical’s Full Album Track by Track. Playbill. [Online] 22nd March. Available from: https://www.playbill.com/article/heathers-writers-laurence-okeefe-and-kevin-murphy-break-down-the-musicals-full-album-track-by-track [Accessed: 16th April 2020]
Origin Theatrical, (N.D). Heathers the Musical. [Online] Available from: https://www.origintheatrical.com.au/work/8551 [Accessed 30th March 2020]
Rodriguez, B. (2019) How To Audition. [Online] 18th February. Available from: https://www.backstage.com/magazine/article/audition-5110/ [Accessed: 15th April 2020]
Rubino-Finn, O. (2016). Broadway Budgets 101: Breaking Down the Production Budget. New Musical Theatre. [Online] 22nd January. Available from: https://newmusicaltheatre.com/blogs/green-room/broadway-budgets-101-breaking-down-the-production-budget-1 [Accessed: 20th April 2020]
SELF AWARENESS, (2013) Understanding the Johari Window Model. [Online] Available from: https://www.selfawareness.org.uk/news/understanding-the-johari-window-model [Accessed: 17th February 2020]   
StageMilk Team. (2017). How To Put on a Theatre Show. StageMilk. [Online] 29th March. Available from: https://www.stagemilk.com/how-to-put-on-a-theatre-show/ [Accessed: 18th April 2020]
Theatre Trust, (N.D). Who Works in a Theatre? [Online] Available from: http://www.theatrestrust.org.uk/discover-theatres/theatre-faqs/253-who-works-in-a-theatre [Accessed: 14th April 2020]   
Figure List
Figure 1: Johari’s Window Diagram 
Figure 2: Planning and Organisation, timetable photograph
Figure 3: Video including work from ‘Beautiful’
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thewebcomicsreview · 7 years
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A quick timeline on Hiveswap
October 4th, 2012 - Game funded on Kickstarter, with an announcement release date of June 2014. 
September 2013 - Mighty Number 9 funded on Kickstarter, with a planned release date of April 2015
December 31st, 2013 - First update on the game includes a reveal of a 3D model of an unnamed girl (Later revealed to be protagonist Joey Claire). Hussie teases a reveal of the developers making the game, but says “My reasons for keeping them a secret are also a secret!” (They’re later revealed to be The Odd Gentlemen). It is announced that the Homestuck Adventure Game will not have the same concept or characters as the Homestuck comic. 
June 20th, 2014 - Second update on the game. Hussie reveals The Odd Gentlemen are the devs, and that Ryan North is involved. Hussie says they’re still shooting for a 2014 release date, but no promises. He tells us to “ Note there was no target month given, because I really didn't know what the timeframe was down to that level of specificity“ , which is actually a lie, because the Kickstarter said June
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October 30th, 2014 - Hussie announces some more info about the game, including the name, but more importantly announces that the Odd Gentlemen are no more, and that the newly created What Pumpkin Games will make Hiveswap instead. 
February 15th, 2015 - More updates. Website. Release date announced for Spring 2015
February 2015 - Hiveswap makes a twitter account. To this day, there’s no description. 
March 2015 - Big burst of small updates throughout the month, to build hype for the game. This ends when the game is delayed to mid-2015. 
April 13th, 2015 - First Hiveswap trailer released, in 3D. This comes as a surprise to the artists, as the released trailer was unfinished and didn’t have all the textures, etc. 
June 2015 - IPGD, a friend of Hussie, writes a tumblr post accusing the Odd Gentlemen of stealing all the Hiveswap money and blowing it on a King’s Quest game. This post is later deleted at WP’s request. 
July 2015 - The Odd Gentlemen release their King’s Quest game. It gets decent reviews 
October 2015 - New York Office closed, everyone fired without warning, various former employees post things on social media, implying that the firings were supposed to be a secret. 
Christmas 2015 - A backer update announces that the game will actually be made in 2D, admits that they closed their physical office in New York and “restructured to be more of a geographically distributed operation, to help save costs”. The 3D version of Hiveswap has apparently been scrapped due to them not having enough money. Hiveswap begins getting remade again.
January 4th, 2016 - John Warren, one of the Hiveswap business people, emails me and all the “high tier” kickstarter backers to discuss [I literally signed an NDA so I can’t discuss this in any more detail]. At the time, I moronically think this is a closed beta even though they literally just announced they’re remaking the whole game to save money. Once I find out they actually want [REDACTED], I stop emailing them back. If you want to know what it was, ask me on January 5th 2019, when the NDA expires, or speculate wildly. 
March 31, 2016 - One of the fired Hiveswap artists blogs about her experience. She mentions that she was starting work on episode 2, since “there was nothing to do on the first one”, which was a month away from beta back in October 2015. 
May 2016 - In a since-deleted YouTube video, Dante Basco and John Warren announce “Homestuck 2.0″. It’s not really clear what that means, and both Basco and Warren leave the team shortly thereafter, so ¯\_(ツ)_/¯
June 21, 2016 - Mighty Number 9 releases, to mediocre reviews. 
August 15, 2016 - John Warren tweets that " We've been loading up on Homestuck YouTube content the past few weeks -- looking forward to posting that stuff soon”
September 10th, 2016 - John Warren leaves What Pumpkin, his YouTube content lost forever. 
October 6th, 2015 - Hiveswap trailer comes out, release date of January 2017 announced (and remains on the trailer to this day). 
November 3rd, 2016 - Dante Basco and John Warren leave Hiveswap to hang out with Zoe Quinn making adventure games based on the erotic novels of Chuck Tingle. They raise $85k on Kickstarter.
December 15th, 2016: Hiveswap goes up on Steam Greenlight, with an announced release date of “January 2017- next month!”. This is the latest news on the Hiveswap website, which has not been updated since. “January 2017″ is still the official release date on Steam. What Pumpkin promises another trailer before launch, which backers get to see first, as an apology for them not giving us the greenlight trailer first.
December 28th, 2016 - Game greenlit on Steam. What Pumpkin reaffirms the January 2017 launch window on Kickstarter
January 26th, 2016 - Andrew Hussie posts to the Homestuck website that the game is “several weeks” away from completion, and the game is delayed with no release date announced, but you can buy merch! 
February 6th, 2017 - Polygon reports that people aren’t giving as much money to video game kickstarters as they used to. 
February 7th, 2017 - A week after the launch window closes, it occurs to someone at What Pumpkin to inform the Kickstarter backers that the game was delayed. Thanks, What Pumpkin! 
March 19th, 2017 - Several weeks has become seven weeks, and counting. There are no updates, and kickstarter backers never got that trailer. The January 2017 release date is still the latest update on Steam, the Youtube trailer, the Hiveswap twitter account, and the Hiveswap website. 
Am I missing anything?
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bountyofbeads · 4 years
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FALSE PROPHET
Media-bashing robocalls, chloroquine Twitter trolls, briefing-room propaganda—how the president and his allies are trying to convince America he was right all along.
By MCKAY COPPINS | Published APRIL 15, 2020 | The Atlantic Magazine | Posted April 16, 2020 |
On February 28, Donald Trump stood before a crowd of supporters in South Carolina and told them to pay no attention to the growing warnings of a coronavirus outbreak in America. The press was “in hysteria mode,” the president said. The Democrats were playing politics. This new virus was nothing compared with the seasonal flu—and anyone who said otherwise was just trying to hurt him. “This is their new hoax,” Trump proclaimed, squinting out from behind a podium adorned with the presidential seal.
Six weeks later, the coronavirus has killed more than 25,000 Americans, the U.S. economy has been crippled—and Trump is recasting himself as a pandemic prophet. At Monday’s White House briefing, the president responded to questions about his handling of the crisis by dimming the lights and playing an Orwellian campaign-style video: “the media minimized the risk from the start,” the onscreen text read, “while the president took decisive action.”
This flagrant recasting of recent events wasn’t a fluke. For the past several months, I’ve been reporting on the “disinformation architecture” that Trump’s coalition of partisan media, propagandists, operatives, and trolls are relying on to reelect him. Their strategy has always been to drown out inconvenient facts with a noisy barrage of distortions—to “flood the zone with shit,” as Steve Bannon once put it. But in recent weeks, the president and his allies have been waging a dystopian campaign of revisionist history more brazen than anything they’ve attempted before.
If you’ve tuned in to one of the daily coronavirus-task-force briefings, you’ve likely seen Trump himself make the case. “I knew it was a pandemic long before it was called a pandemic,” the president boasted last month. “I knew everything,” he reiterated a couple of weeks later. Asked to assess his response to the virus, he responded emphatically, “I’d rate it at 10.”
[ Read: The real point of Trump’s coronavirus press conferences READ BELOW]
Cable-news outlets have struggled with how to responsibly handle these briefings, which intersperse valuable updates from public-health officials with the president’s free-wheeling insult-comedy and medical misinformation. But the briefings command huge ratings—viewership at times rivals that of The Bachelor, as Trump has gleefully noted—and coverage of them trickles down into local newscasts and social media.
This dynamic has effectively enabled the president to narrate America’s national trauma, while editing his own role in it. There are signs that his efforts are working: One Democratic strategist, who requested anonymity to describe private research, told me that when voters were shown 90 seconds of a recent Trump briefing, his performance in a general-election matchup against Joe Biden improved by more than two percentage points.
Meanwhile, Trump and the party he’s remade in his image are working overtime to undermine the journalists who are uncovering damaging details of his pandemic response. Late last month, as shelter-in-place orders went into effect across the country, people began to receive robocalls purporting to administer a “poll” focused on press coverage of the president. After giving their answers, respondents heard a sympathetic female voice express frustration with the media’s unfair treatment of Trump. The call was described to me by a 64-year-old woman in rural Texas who believed at first that she was talking to a real person.
When I asked Transaction Network Services, which tracks robocalls, to look into it, the company traced the call back to the National Republican Congressional Committee, and said it had been sent to 120,000 numbers over a three-day period. (Reached for comment, a spokesman for the NRCC confirmed it was responsible for the call but declined to play the audio for me. He said it was intended to identify prospective donors.)
Media-bashing is nothing new for the president, but in recent weeks it’s taken on a more frenzied quality. Trump now routinely derails his daily briefings by barking at White House reporters to rephrase their questions in more flattering ways. On Twitter, he has giddily celebrated recent declines in advertising revenue at disfavored outlets. And his campaign—apparently eager to memory-hole his now-infamous “hoax” sound bite—has started to send menacing cease-and-desist letters to local TV stations that air an attack ad highlighting the comment. (The campaign contends that the ad, created by a liberal super PAC, takes the clip so far out of context as to make it defamatory; fact-checkers aren’t so sure.)
In the conservative media, talking heads and talk-radio hosts have labored to convince their audiences that—despite what they may have heard—the president never doubted the gravity of the coronavirus. Central to this case is Trump’s decision in late January to restrict travel from China, when the severity of the outbreak in Wuhan was becoming clear.
Skeptics on both the right and the left have dismissed the move as a token measure that did little to prepare the U.S. for an imminent outbreak. A more generous assessment may be that while restricting travel from China slowed the spread of the virus on the West Coast, Trump’s delay in restricting travel from Europe helped turn New York into the pandemic’s global epicenter. In any case, the policy is cited incessantly on Fox News as proof of Trump’s prescience. Sean Hannity has predicted that it will “go down as the single most consequential decision in history,” and mused, “How [much] worse could this have been if the president didn’t act that quickly?”
To sharpen their narrative, Trump’s allies have taken to juxtaposing his travel restriction with cherry-picked clips of journalists downplaying the threat of the virus earlier this year. Donald Trump Jr. recently shared such a supercut with his 2.6 million Instagram followers alongside an all-caps message: “THE MEDIA WANTS YOU TO THINK MY DAD DIDN'T TAKE CHINA VIRUS SERIOUSLY. WELL LISTEN TO THIS.”
Perhaps the strangest subplot in the crusade to vindicate the president has revolved around a once-obscure anti-malaria drug. Last month, Trump latched onto the idea that chloroquine, and the related hydroxychloroquine, held the key to combatting the coronavirus. This theory had little evidence to support it beyond a handful of anecdotes and flawed studies. But the drug was being touted by Dr. Mehmet Oz, a TV star and Fox News regular, as well as Rudy Giuliani—and the allure of a miracle cure was apparently too tempting to resist. The president hyped the drug in one briefing after another, dubbing it a potential “game-changer,” and urging sick patients to take it. “What do you have to lose?” he mused.
When these presidential prescriptions drew criticism from some in the medical community—who noted, among other things, the drug’s potentially fatal side effects—Trump was defiant. Overnight, hydroxychloroquine was transformed into a right-wing weapon of culture war. The drug became a prime-time staple on Fox News, and a fixation of MAGA memes. A conservative group called the Job Creators Network launched a digital campaign to promote the drug using targeted texts and Facebook ads.
As the drug grew more controversial, false claims about its effectiveness circulated widely on social media. To see where the chatter was coming from, Graphika—a data firm that tracks online disinformation—used suspicious Twitter accounts identified by an independent security researcher named Eric Ellason to map the conversation. The firm told me that the drug appears to be especially interesting to conspiracy theorists: Among those discussing hydroxychloroquine in the U.S., the most common hashtags included #Gates, #Soros, and #darktolight, a QAnon rallying cry. But the “vast majority” of the conversation, Graphika found, was taking place among right-wing users, many of whom are invested in making the president look like a visionary.
[Read: Trump’s dangerously effective coronavirus Propaganda]
For now, the facts on the ground remain the greatest obstacle to Trump’s revisionists. In Detroit, people are dying in emergency-room hallways. In New York City, bodies are loaded into refrigerated trucks and buried in mass graves. Field hospitals have sprouted up in parks and convention centers. Meanwhile, damning reports in the press detail how Trump’s stubbornly cavalier attitude toward the pandemic hobbled his administration’s response.
As reality continues to assert itself in the coming months—whether in the form of rising death tolls, or clinical drug trials, or shifting White House policy—Trump’s information warriors will likely retreat from some of their current positions. (They may also notch a few “wins” as the facts catch up to their narratives.) In the meantime, they are staying cautiously on message.
In a recent episode of his Fox News show, Tucker Carlson—who was ahead of the curve on this story—ridiculed The New York Times’ coverage of the virus, while ignoring his own network’s failures and giving the president a pass. “As you know, the establishment media has been screwing up coronavirus stories from day one,” he told his viewers.
Hannity concluded his own takedown of the “media mob” with a carefully caveated declaration of victory: “They were wrong. The president—on January 31st—was right.”
While these shows generally don’t mention that Trump and Fox News were playing down the pandemic long after the mainstream media realized its danger, that fact hasn’t been entirely forgotten.“I want to defend every single person who was wrong on this,” Greg Gutfeld, a co-host of The Five, said last week. “Because I think the best analogy for dealing with this pandemic is a sports car. You have to shift gears depending on the terrain.”
RELATED PODCAST
Listen to McKay Coppins discuss this story on an episode of Social Distance, The Atlantic’s podcast about living through a pandemic:
_____
MCKAY COPPINS is a staff writer at The Atlantic and the author of The Wilderness, a book about the battle over the future of the Republican Party.
*********
The Real Point of Trump’s Coronavirus Press Conferences
The president is inescapable right now. That’s by design.
By Peter Nicholas | Published April 7, 2020 | The Atlantic Magazine | Posted April 17, 2020 |
When she finishes her 12-hour shift in the intensive-care unit at Riverside Community Hospital, Katherine Montanino stuffs her clothes into a dirty-linen bag and swaps out her soiled shoes for a fresh pair. Arriving home, she takes a shower before she hugs her family. Then she might flip on the television to see what President Donald Trump is saying about the virus she’s straining to avoid.
The 44-year-old nurse from Riverside, California, voted for Trump and might do it again. Yet with her colleagues rationing masks and the number of COVID-19 cases growing, Trump’s digressions into partisan politics leave her cold. “It’s one of the things I wish he would just stop,” she told me. “I understand he’s trying to build for the presidential campaign coming up. But it’s not the time right now. It’s not about him. Honestly, it’s about life and death.”
A president commands a formidable platform when the nation is under threat. As the pandemic worsens, Trump has been inescapable. His daily press briefings draw millions of viewers. He’s cultivated public fights with Democratic governors over scarce supplies. And he’s ignited cultural clashes by calling the novel coronavirus the “Chinese virus.” As the briefings stretch into their second hour, the wartime president morphs into the aggrieved candidate, who has created a spectacle that a captive audience can’t ignore.
One timeline in play is how long it will take before infections subside. Another is the political calendar. The two are entwined. In this new era of social distancing, Trump can’t hold rallies as a way to mobilize his base and diminish his rivals. But he’s embraced the bully pulpit, and in his hands—and at this jarring moment in the nation’s history—it’s potentially more valuable than routine campaigning. As the election approaches, he may be more and more tempted to use it for his own purposes. His prospects now hinge, after all, on his handling of the outbreak. His focus in the coming months will be to convince voters that he led a dauntless effort to keep Americans alive.
“Trump’s opponent really is the coronavirus,” Senator Lindsey Graham, a Republican from South Carolina and a friend of the president’s, told me. “If he’s seen to have handled this well and done a good job in the eyes of the public, he’d be almost impossible to beat. If he’s viewed as having fallen short, he’d be in trouble.”
Trump quickly found a substitute for the raucous rallies he’s had to forgo amid the crisis, which his pollster John McLaughlin described as “like the September 11 attack and the 2008 financial crisis combined.” Two days after he canceled his last rally, on March 11, Trump showed up in the Rose Garden for the first of 24 straight news conferences and press gaggles. He’s revived a tradition that he’d previously done away with: the daily White House press briefings, only with himself as emcee. He doesn’t skip a day, whether he has anything new to say or not.
“From a purely political standpoint, he can be seen as the commander in chief for up to two hours a day, leading the country through this crisis,” Sean Spicer, the president’s former press secretary, told me. “In this case,” Joe Biden, Trump’s presumptive general-election opponent, “is left on the sidelines.”
No president has used the bully pulpit quite like Trump in this moment. Before the Great Pandemic came the Great Depression. At the time, Franklin D. Roosevelt used his fireside chats to reassure the country, preparing carefully with his speechwriters, Doris Kearns Goodwin, the presidential biographer, told me. “He wanted to make sure he had the right language, the right message, and the right data coming forward.” Trump’s news conferences, by contrast, spin off in all directions: ungrateful governors and Facebook followers, impeachment and Biden—lots of Biden.
But imagery could work in his favor. Trump stands behind a lectern adorned with the presidential seal. He holds news conferences in the iconic Rose Garden. Flanking him most days is Anthony Fauci, a public-health expert so admired that his face is now imprinted on bobblehead dolls, and whose mere presence lends authority to a president whom many Americans  don’t trust to speak truthfully about the threat. (Twitter lights up in alarm whenever Fauci doesn’t appear alongside Trump, though a White House aide told me the absences are only because the doctor needs time to rest or work.)
Biden, meantime, is hunkered down in the basement of his Delaware home, sending podcasts into the ether. “Voters in times of crisis want to rally around their leader,” Brian Fallon, a Hillary Clinton spokesperson in the 2016 campaign, told me. “To the extent that Trump is out there and on TV every day with all the trappings of the office, he’s playing the part. It gets him some of the benefit of the doubt that voters want to confer on their leaders.” Even Biden has acknowledged the tough position he’s in. “You can’t compete with a president,” he said at a virtual fundraising event last week. “That’s the ultimate bully pulpit.”
A disciplined use of that perch would look very different from what the president is doing. Trump could make a brief appearance to rally the country and then exit, leaving the rest to the public-health experts. He could set a time limit. He could decline to take questions unless they deal with life and safety, citing the gravity of the threat.
As chairman of the Joint Chiefs of Staff during the Gulf War, Colin Powell also gave press briefings under difficult circumstances. One of his rules was to keep them short, Powell told me, declining to discuss Trump specifically. “My experience was, you don’t need more than 30 minutes to make your point,” he said. “If you go more than 30 minutes, you start to talk over yourself; you start to open up your flanks. You get attacked.”
Brevity may not serve Trump’s purposes. The longer he talks, the more openings he gets to distract from the messy government response or to skewer his foes.
He has repeatedly brought up Biden without ever being asked. On Saturday, after one health expert gave a technical answer about tracking the virus’s spread, Trump followed up with a non sequitur: Biden, he told viewers, had praised his January 31 decision to ban travel from China. Something similar happened on March 26. When a reporter asked Trump about his message that Asian Americans shouldn’t be blamed for the virus, he veered into a complaint about “Sleepy Joe Biden” and Chinese trade deals. Asked about his credibility during another briefing the week before, Trump again didn’t answer. Instead, he said he was beating “Sleepy Joe Biden by a lot in Florida.” (In his opening remarks at yesterday’s briefing, Trump mentioned that he and Biden had talked amicably about the crisis in a 15-minute phone call earlier in the day.)
[ Read: Trump is on a collision Course]
Incentives to further politicize the stage will only grow. As the general-election race begins in earnest, Trump may be more brash about slipping in the talking points he can no longer deliver to thousands of cheering MAGA supporters. “The purpose of these should be to provide factual, important information to people in a crisis—information they can trust,” says David Lapan, a former Trump-administration spokesperson at the Department of Homeland Security. “That gets diluted when they turn these into mini rallies.”
Stephanie Grisham, the White House press secretary, told me that Trump “thinks it’s very important to be the face of this in terms of comforting the country, telling the country what we’re doing, and trying to be as transparent as possible.”
People’s patience may be waning. After early poll numbers showed that a majority of Americans approved of Trump’s response to the outbreak, his ratings have started to slip. An ABC News/Ipsos poll showed only 47 percent approved of his efforts, with 52 percent disapproving.
By contrast, New York Governor Andrew Cuomo, who also has been holding televised daily news conferences during the crisis, enjoys 87 percent approval. That’s the sort of rating leaders normally get at the early points of a national crisis—a level Trump has not been able to match.
Trump isn’t about to stop talking; the cable networks won’t stop filming. One person who will be watching is Montanino. She told me that a friend’s husband recently died from the disease and that she’s seen more people getting sick. There’s something she’d like to hear Trump say, an unadorned message free of any politics: “I don’t have this under control, but we as a nation will get through this,” and then, perhaps, step aside for the experts to give life-and-death answers.
**********
An Unprecedented Divide Between Red and Blue America
The pandemic could exacerbate a major Trump-reelection vulnerability: his weakness with urban and suburban voters.
By RONALD BROWNSTEIN | Published April 16, 2020 5:00 AM ET | The Atlantic Magazine | Posted April 17, 2020 |
Updated on April 16, 2020 at 3:59 p.m. ET
The coronavirus pandemic appears destined to widen the political divide between the nation’s big cities and the smaller places beyond them. And that could narrow Donald Trump’s possible pathways to reelection.
In almost every state, the outbreak is spreading much more heavily in the largest metropolitan centers than in less densely populated areas, even when the figures are adjusted on a per capita basis, according to a new analysis by the economist Jed Kolko provided exclusively to The Atlantic.
That pattern threatens to exacerbate one of Trump’s most conspicuous political vulnerabilities: his historical weakness in big metropolitan areas that are full of the minority and white-collar white voters most skeptical of him. From the Virginia governor’s race in 2017, to a sweep of suburban House districts in 2018, to the upset victory in Kentucky’s gubernatorial race last year, Democrats have consistently posted significant gains in these areas under Trump. The pattern continued in the unexpected Democratic victory this week in a highly contested state-supreme-court election in Wisconsin, a state that could be the tipping point in the 2020 presidential race.
The question for Trump this fall will be whether he can offset that weakness by matching or building on his dominant advantage in exurban, small-town, and rural communities. In Wisconsin this week, the GOP lost ground with those voters too, but by and large, polling still shows Trump holding a strong position among them. And because most rural communities are facing fewer cases of the disease so far, they may be much more receptive than big-city leaders and voters to Trump’s calls to reopen the economy as quickly as possible.
These political, public-health, and economic trends all point toward the same possibility: Just as the disease is unfolding very differently in larger and smaller places, the gap between voter preferences there in the presidential race could reach astronomical, and possibly unprecedented, heights.
Epidemiologists and other medical experts disagree on whether the disease will ultimately besiege smaller places to a greater extent than it has so far. But there’s no question that it’s exacted its heaviest costs on major cities and their inner suburbs, including New York City, Detroit, Chicago, Boston, New Orleans, Los Angeles, and Seattle. “Densely populated urban areas are uniquely vulnerable to rapid spread of the virus,” said Larry Levitt, the executive vice president for health policy at the nonpartisan Kaiser Family Foundation.
The research conducted at The Atlantic’s request by Kolko, the chief economist at the employment website Indeed, quantifies that dynamic. Using a comprehensive county database  maintained by The New York Times, Kolko calculated the number of coronavirus cases per million people within four different regional categories: those in large metropolitan areas of at least 1 million people; those in metros of 250,000 to 1 million; those in small metros with less than 250,000; and those in counties outside of metro areas. The consistent result was that, in most states, heavily populated areas are suffering many more cases per person.
Perhaps the most extreme example: The counties in New York State that fall under the largest metro category—New York City and its environs—have 12,454 cases per million residents. That’s compared with 3,304 in New York’s midsize metros, 1,556 in the smaller metros, and 915 in the nonmetro counties. In Michigan, where the Detroit area has been ravaged by the disease, the caseload drops from 4,787 per million residents in the largest counties to 1,000 per million in the midsize metros, 874 in the smaller metros, and just 346 in the nonmetro counties.
[ Read: The two states where Trump’s COVID-19 response could backfire in 2020]
Similar patterns apply across a wide range of states. In Illinois, where the coronavirus has battered Chicago and its closest suburbs, the largest metro counties are experiencing seven times as many cases per person as the midsize metros, and more than eight times as many as the nonmetro counties. In California, where both the San Francisco and Los Angeles areas have been hit hard, the largest metropolitan counties have more than three times as many cases per capita as the small metro and nonmetro communities. A similar pattern is also evident in Ohio, Wisconsin, and Pennsylvania across the Rust Belt and North Carolina, Florida, and Texas across the Sun Belt, Kolko’s data show.
The few exceptions were states that have suffered large outbreaks in rural areas, such as Georgia (where the caseload in small places is as heavy as in the big cities) and Arizona (where the caseload in nonmetro counties has exceeded that of the biggest places).
The strains on public-health systems have followed these same tracks. Although the big metro areas typically have much greater hospital capacity than smaller places, they are also facing much greater pressure. Hospital systems in cities such as New York City and Detroit have faced widespread infection among health workers, as well as severe equipment shortages.
Large hospitals have reported a far greater surge in demand for medical equipment than smaller hospitals, according to new research from Premier Inc., a company that manages bulk purchasing for hospitals. In the survey, conducted in mid-March before the worst of the outbreak hit, large hospitals reported that they were using 17 times as many N95 masks as usual, Soumi Saha, the company’s senior director of advocacy, told me. Smaller hospitals were using about seven times as many. “The surge in demand that we are seeing currently is truly unprecedented,” Saha said.
These contrasting experiences help explain the divergence in attitudes toward Trump’s handling of the crisis. In a national Quinnipiac University survey released last week, just 37 percent of adults living in cities and 44 percent of those in suburbs said they approved of Trump’s management of the outbreak. By stark contrast, 63 percent of those in rural areas said they approved. In the latest tracking polling conducted by the Democratic firms GBAO and the Global Strategy Group, a majority of Americans in all three regions said Trump failed to take the threat seriously enough at the outset of the pandemic. But the numbers were significantly higher in urban and suburban areas, where almost two-thirds of respondents said he acted too slowly.
Other danger signs are sprouting for Trump in big urban centers. Maricopa County, which includes Phoenix, was the largest county in America that Trump won in 2016. But a new poll, released this week by the Republican firm OH Predictive Insights, found Trump trailing former Vice President Joe Biden there by 13 percentage points. The survey also found Biden leading by nine points statewide, even though Democrats haven’t won Arizona in a presidential race since 1996. These results track with Maricopa’s movement away from the GOP in 2018, when Democratic Senator Kyrsten Sinema won the ordinarily Republican-leaning county by about four points.
The results in wisconsin this week offered an even more visceral measure of Trump’s continuing risk in major population centers. In the state’s supreme-court election—whose timing was extremely controversial, given the pandemic—the liberal Jill Karofsky decisively ousted the conservative incumbent Daniel Kelly.
Karofsky showed formidable strength across the state’s population centers, even though they are confronting the most serious outbreaks of the disease. Although the number of polling places in Milwaukee was limited to just five, Karofsky amassed a 70,000-vote advantage in that county. She also carried Dane County, which includes the state capital of Madison, by a crushing 62-percentage-point margin. That’s far larger than Hillary Clinton’s advantage there in 2016 (48 points) or the Democrat Tony Evers’s lead in the 2018 governor’s race (51 points).
“Dane County is the fastest-growing county in the state: massive electronic-medical-records [industry], plus biotech—and that’s not even counting the big insurance-industry component, the University of Wisconsin, and state government,” said Charles Franklin, a law and public-policy professor at Marquette University’s law school and the director of its respected public poll. “Not only does [the county] grow, but its turnout rate goes up year after year, and it’s even more Democratic from race to race to race.”
Karofsky also posted notable gains in two sets of suburban counties that are closely watched during election season. The so-called WOW counties outside of Milwaukee—Waukesha, Ozaukee, and Washington—are perhaps the most Republican-leaning major suburban counties north of the Mason-Dixon line. But, as Franklin noted, Trump won them in 2016 by less than Mitt Romney did in 2012. More recently, former Republican Governor Scott Walker carried them by a smaller margin in his losing 2018 campaign than he did in his winning 2014 race.
This week, Karofsky significantly reduced the GOP’s margin in all three counties—not only compared with Trump’s wins, but also compared with another state-supreme-court election last year. “In the WOW counties, I believe there is something systematically happening,” Franklin said. “Though it has not converted them from red to blue, it has converted them from deep red to less red.”
Just as strikingly, Karofsky won all three of the so-called BOW counties around Green Bay—Brown, Outagamie, and Winnebago—which Trump had carried comfortably in 2016, and Walker more narrowly in 2018.
Republicans, with justification, argue that the results may be skewed because the election took place on the same day as the Democratic presidential primary, which may have tilted the turnout more toward Democratic voters.
But these results are consistent with one of the most powerful political through lines of the Trump era: a recoil from his vision of the Republican Party among urban and suburban voters. In 2016, Trump lost 87 of the 100 largest U.S. counties, by a combined nearly 15 million votes. That was significantly larger than Romney’s 11.6-million-vote deficit in the 100 largest counties. In 2018, Republicans were routed in suburban House districts not only in metropolitan areas that were already trending toward the Democrats—including New Jersey and Northern Virginia and Chicago, Detroit, and Denver—but also in places where the GOP had previously remained strong, such as Richmond, Atlanta, Houston, Dallas, and Orange County, California.
[Read: Big cities won’t snap back to normal]
Geoff Garin, the veteran Democratic pollster, said that since 2018, Trump has not offered any concessions in policy or style to the moderate, white-collar suburban voters who stampeded away from the party.
“I haven’t seen anything to suggest that what happened to Trump and Republicans in the suburbs in 2018 has abated, and it’s hard to think of anything they’ve done or even tried to do that would make their situation any better in the suburbs than it was,” Garin said. If anything, Trump’s volatile behavior during the coronavirus outbreak has highlighted the concerns that many white-collar voters express about his temperament, Garin said: “that he doesn’t tell the truth, [that] he refuses to listen to experts, that his whole leadership style is erratic and chaotic when the country needs stable and steady leadership.”
In a measure of that vulnerability, national polls released last week by Monmouth University and CNN both found that fewer than 40 percent of college-educated white voters said they approved of Trump’s response to the outbreak; the OH poll found Biden leading Trump by 14 percentage points among the same voters in Arizona, another stunning margin.
To varying degrees, Republicans in the Trump era have been able to make up for their suburban decline with commanding margins among exurban, rural, and small-town voters, who are more likely to be blue-collar, white, and Christian. Despite his deficit in the 100 largest counties, Trump won more than 2,600 counties overall in 2016, more than any nominee of either party since Ronald Reagan in 1984.
But since then, there have been hints that Trump might struggle to replicate these results. In the 2018 House races, the share of the total vote won by Democrats increased by roughly the same amount in rural and more urban places compared with 2016, according to calculations by Bill Bishop, a reporter for The Daily Yonder website, which tracks rural issues. Andy Beshear, the Kentucky Democrat, notched some rural gains in his winning governor’s race last year, and Karofsky this week notably improved on recent Democratic showings in the rural northwest corner of Wisconsin.
Still, even with those gains, it’s not all good news for Democrats. The party won less than 40 percent of the total 2018 House vote in the most rural counties, according to The Daily Yonder’s classification system. Big rural margins also helped Republicans oust Democratic senators in Missouri, North Dakota, and Indiana that year. Karofsky still lost most of the counties in Wisconsin’s northwest. And the debate over how quickly to reopen the economy could align Trump with many rural communities against most Democrats and public-health experts.
Many big-city mayors are dubious that it will be safe anytime soon to reopen their economies on a mass scale, and they’ve warned that economic recovery could come slowly. “There may also be bigger challenges getting people back to work in urban areas,” Levitt, of the Kaiser Family Foundation, said. “People in cities rely much more heavily on public transportation, and they work and shop in much closer quarters.”
“The piecemeal fashion that we entered into these ‘stay at home’ orders could prove disastrous if we take a similar approach to exiting these orders,” Dallas Mayor Eric Johnson texted me on Thursday. “A more coordinated approach to relaxing and ultimately ending these harsh restrictions—whether it is national, statewide or regional—is our best insurance against the virus raging back and making all of our sacrifices for naught.”
A divergence in the economic recovery of urban and nonurban areas—coming after a comparable split in their experience with the disease itself—could put Trump in a difficult position. It could force him to generate even bigger margins in small communities to offset a potentially weaker performance than last time in the largest ones. In all these ways, the virus’s effect on America is coursing through the channels already cut by its existing geographic and political differences. It should surprise no one if a current this powerful and destabilizing only deepens that divide.
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America’s COVID-19 Disaster Is a Setback for Democracy
If the country’s institutions cannot function effectively during a crisis, and especially if a view takes hold that authoritarian regimes are managing the crisis more decisively, a grim future lies ahead.
By Larry Diamond | Published April 16, 2020 2:32 PM ET | The Atlantic Magazine | Posted April 17, 2020 |
In December 1940—a year before the attack on Pearl Harbor, but well into Britain’s struggle for survival against the Nazis—President Franklin D. Roosevelt called for the United States to abandon isolationism and become “the arsenal of democracy.” To make that happen, he mobilized American industry and produced the planes, ships, guns, and ammunition needed to defeat fascism.
With COVID-19, America faces a new existential enemy, and the country must again summon its industrial might and its scientific and engineering prowess to fight it. This is not an imperative only for the American people. Once the country has met its own overwhelming needs, the world is going to require America’s medicines, science, and supplies on a massive scale. If, when this pandemic finally abates, the dominant global narrative becomes “It was China’s authoritarian system that helped us, while the democracies of the West floundered and selfishly turned in on themselves,” humanity will emerge from this devastating crisis into a radically different and more dangerous world, one deeply hostile to freedom and self-government.
[ Tim Horley, Anne Meng, and Mila Versteeg: The world is experiencing a new form of autocracy]
Pandemics fan the instinct for closure and walling off. The U.S. can shut its borders temporarily, but there is no returning to “fortress America.” The country’s interests—and its values—are all too global.
Donald Trump’s cavalier downplaying of intelligence reports warning of a worldwide outbreak in early January—and the subsequent 70 days of what The Washington Post termed  “denial and dysfunction” across his administration—squandered precious weeks when the U.S. could have taken concerted steps to prepare for and contain the coming crisis. His continued pattern of deceit and deception about the nature and scope of the public-health disaster further cost the country a “golden hour” that could have been used to begin mass production and distribution of tests and equipment, and to educate the public about the gravity of the coming pandemic and the urgent need for social distancing. A different presidential posture early on could have saved many American lives.
It didn’t have to be this way. The narrative that China is trying to promote after its rapid recovery from the virus—that its semi-totalitarian control of people and information is the only way to manage a pandemic like this—is wrong on two counts. First, China’s authoritarian instinct to suppress bad news enabled the virus to explode in Wuhan in December, when it might have been contained by the free flow of information and a rapid emergency response. Second, democratic societies in Asia—South Korea and especially Taiwan (along with a more transparent non-democracy, Singapore)—have been able to contain the virus without China’s draconian, communist-style measures. As Rachel Kleinfeld of the Carnegie Endowment for International Peace has argued, they’ve done so by learning the lessons of the SARS epidemic and using strong health systems and reservoirs of public legitimacy and trust to test quickly and widely and track infected individuals.
Crises always test self-government. Unlike authoritarian regimes—which can use force, fear, and fraud to control their populations—democracies rely on open information and the consent of the governed. Unlike China, democracies cannot cover up their failures for very long. If citizens lose faith in the legitimacy of democracy as the best form of government—if their institutions cannot function effectively during a crisis, and especially if a view takes hold that authoritarian regimes are managing the crisis more “decisively”—many democracies will be at grave risk of failure.
[ Anne Applebaum: Epidemics reveal the truth about the societies that they hit]
Unfortunately, the COVID-19 pandemic is unfolding at a time when democracy—at home and abroad—is already in distress. For more than a decade,  freedom and democracy have been in recession, and more countries have lost than gained political rights and civil liberties in each of the past 14 years. In the past decade, the rate of democratic breakdown has been accelerating, and nearly a fifth of all democracies are failing (nearly double the proportion of democracies that died in each of the preceding two decades). As the advanced, postindustrial democracies have become preoccupied with their own problems and divisions; as their prestige has waned (particularly that of the U.S.) following the 2003 invasion of Iraq and then the 2008 financial crisis; and as Russia and especially China have expanded their global propaganda operations, power projection, and self-confidence, democracy has been placed on the defensive.
The world is still in the early days of the pandemic, and by the end, some countries may be making foundational changes to their systems of government. Even wealthy states with relatively strong administrative and public-health capacities, such as Italy and the U.S., find their medical systems under strain. Imagine what will happen when the coronavirus spreads mostly unchecked in countries that lack the public-health and economic resources of wealthier countries. Health systems are likely to become overwhelmed much more quickly. Poor urban neighborhoods—where people live crowded together, with little access to sanitation, health care, or public safety, and many with weakened immune systems—could become intensive breeding grounds for the virus. Without smart and generous policy responses by donor countries “that can successfully navigate the complex health and security realities,” the death tolls in the world’s poorer nations could run into the millions. To preempt that, Indian Prime Minister Narendra Modi in late March took the most dramatic step of any nation to try to stop the spread of the virus: a three-week stay-at-home order for all 1.3 billion citizens.
The political effects of this crisis are likely to be profound. In the medium to long run, the economic distress, piled atop the death toll, could destabilize and even topple many governments. That could wreak havoc on fragile democracies—or renew the case for transparency and good governance, which are hallmarks of liberal democracy. In the near term, the pandemic, with its need for rapid and strong government action, “provides a particularly convincing cover under which autocrats can pursue their agendas.” This cover is rapidly being exploited by autocrats around the world, from Russia to Turkey to Venezuela to Egypt; by pseudo-democrats eager to establish full dictatorship, such as Viktor Orbán of Hungary; and by democratically elected rulers—from the Philippines to India to Poland—intent on silencing free expression. Governments are ramping up information control and digital surveillance of citizens while, in the words of the Human Rights Watch president, Kenneth Roth, “detaining journalists, opposition activists, healthcare workers, and anyone else who dares to criticize the official response to the coronavirus.”
The siren song of strongman rule will be harder to resist if authoritarian regimes appear to be managing the virus more successfully. Democracies must show that they can govern effectively to meet the pressing public-health and economic dimensions of the crisis. Above all, this requires urgent steps to stop the spread of the virus through rigorous social distancing and widespread testing; to shore up the capacity of health systems to treat the sick (through the requisition and manufacturing of personal protective equipment, ventilators, and other crucial medical supplies); to construct new temporary hospital facilities when necessary; and to expedite the testing and development of potential treatments and, ultimately, a vaccine. The U.S. and its democratic partners must also act expeditiously to distribute financial relief to businesses and workers to prevent the deep and unavoidable economic recession from becoming a depression.
Annie Lowrey: This is not a recession. It’s an ice age.
This leads to a political imperative, which, if not met, could strain and even rupture American democracy. If the COVID-19 contagion persists through or resurges in the fall, the possibilities for a free and fair election on November 3 could be jeopardized. This does not need to happen. The U.S. has half a year to avoid a repeat of the horrible spectacle of the Wisconsin primary last week, when voters, unable to vote by mail, were forced to risk infection by waiting in lines, without proper distancing, to vote at crowded polling stations that had been reduced in number by more than 90 percent. People should be excused from the obligation of going out on Election Day to a polling place where they may face long lines, shared surfaces on which the virus may diffuse, and inadequate numbers of poll workers. Every American who wants to do so should be able to freely vote by mail, or to receive in the mail a ballot that they can drop off at a polling or counting center. If social distancing is the immediate public-health directive for limiting the spread of the virus, distant voting is the clear electoral parallel. Many states require financial and technical assistance (totaling up to $3 billion nationally) to make this option available to all voters, and Congress must appropriate the funds soon.
This shouldn’t be a partisan issue. Older voters, non-urban voters, and red-state voters are no less anxious to be able to cast a vote that does not put their health at risk. In fact, because of the nature of the virus, older voters are more at risk if they go to the polls. Moreover, a solidly Republican state, Utah, will join Hawaii this year to become the fifth state in the country to vote entirely by mail. The switch caps a years-long process in which voter turnout dramatically increased along with voter satisfaction as Utah counties, one by one, adopted voting by mail.
Nothing the U.S. could do to shore up the global fate of democracy would have a greater impact than the effective management of its own epidemic, economic crisis, and election. But the country must not allow its domestic trials to blind it to the need for international action and vigilance in the face of authoritarian ambition and disinformation.
The best hope for controlling and reversing the pandemic lies in deep, multifaceted cooperation among countries, sharing information, supplies, and research that can lead to medical treatments and a vaccine for the virus. That is why, even with all its flaws, America—as much as the rest of the world—needs an effective World Health Organization. President Trump’s efforts to suspend U.S. payments to the organization is shortsighted and self-defeating. Additionally, independent media and civil-society organizations around the globe need the financial support of Western democracies to ensure the free flow of information and the self-organization of society, to counter both the pandemic and the tendency of rulers to use the pandemic to aggrandize their power and eclipse civil liberties.
American diplomacy, solidarity, and assistance can make a difference in saving many lives while preventing the full-scale retreat of freedom. But if that’s not what happens, if America stands back and watches from the sidelines while governments and societies unravel, the coronavirus and its likely mutations will kill many more. And eventually, when the pandemic does subside, the world will be much more unstable, unsafe, and badly governed, a breeding ground for Islamist and other radical movements, for resentment of the West, and for a new world order with China at its center.
_____
This story is part of the project “The Battle for the Constitution,” in partnership with the National Constitution Center.
______
LARRY DIAMOND is a senior fellow at the Hoover Institution and at the Freeman Spogli Institute at Stanford University. He is the author of Ill Winds: Saving Democracy from Russian Rage, Chinese Ambition, and American Complacency.
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latoyarubalcava3546 · 6 years
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The Kardashians Are Reportedly Closing Their DASH Boutique FOR GOOD!
The end of an era...
According to an April 16, 2018 email obtained by Radar Online, a top DASH exec says Kim, Khloé, and Kourtney Kardashian have decided to shut down their boutique.
Related: The Kardashians Remade Their Original KUWTK Opening
In the document sent to vendors, the KUWTK stars say they are unable to keep the store running, and will close shop on May 31.
As seen here:
"The girls, Kim, Khloé & Kourtney have decided to close DASH as it is time to renew our leases but we cannot commit to another 5 years. With that being said, operations will end May 31st... You can contact me anytime up to that date with any concerns, question, or inquiries."
DASH has been featured on their hit E! show since the first season.
The K-sisters closed their NYC store in December 2016, but kept their Miami and LA locations... until now, reportedly.
Although the reality TV personalities tried to publicize their business with their 2015 show Dash Dolls, the series was not successful. According to an insider:
"The TV show flopped so the whole store is now done."
As we reported in September 2017, a woman allegedly walked into the Weho location and pointed a gun at the cashier. After leaving, she allegedly returned with a machete.
[Image via Judy Eddy/WENN.]
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human-monokuma · 2 years
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I posted 25,161 times in 2021
2880 posts created (11%)
22281 posts reblogged (89%)
For every post I created, I reblogged 7.7 posts.
I added 137 tags in 2021
#roleplay: end - 89 posts
#may want to trim this - 10 posts
#it's cool. no worries. - 7 posts
#ok. - 7 posts
#it's ok. - 5 posts
#may want to trim - 4 posts
#it's cool. - 4 posts
#it's fine. - 4 posts
#sorry for the wait. - 4 posts
#oh my~ - 3 posts
Longest Tag: 137 characters
#i have. so glad i don't live there. be the people deserve better than what their getting though. like that stupid voter suppression bill.
My Top Posts in 2021
#5
The broadcast. It was another which made her skin pale.
"Seems like you're needed once again Ms.Rin."
"First the Rifters then this." Rin placed her fingers on her forehead in strain.
Even with Sakia awake and still was held up in Hope's Mercy it didn't change anything.
"Get a car ready."
"Yes ma'am."
--------[Some time later]--------
'How could I allow myself to fucking slip!? This'll be a mess for sure.' Rin thought to herself.
Rin runs really late eh? That's a first.
-@ultimate-investagter-graduate
*Eventually, Rin arrived at the crime scene.*
Police: "Ms. Rin. It's good to see. Took you a little longer than expect though. You saw the news report right?" @ultimate-investagter-graduate
546 notes • Posted 2021-05-29 22:53:41 GMT
#4
Event: Ransom
*On a random day, you decided to go greet the Monofamily after seeing them around from time to time. However, you the place ransacked as Monokuma was staring at a video that made his stomach sink. It was a video of Motherkuma and Nanokuma.*
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"MMMMPH! MMMMPH!" *They struggled against their binds, but no signs of breaking free were there. Then, he comes out.*
See the full post
1080 notes • Posted 2021-12-02 17:08:59 GMT
#3
Event: Rampage
A follow up to the coma event.
*You suddenly feel the area around you shaking and rumbling. You turn on the TV to see what is going on and you see and Urgent News Report.*
News Reporter: “Hello-WHOA!-there! I am Lois Lane and-!”
Camera man: “LOOK OUT!” *A car was seen flying over the camera man who ducks along with the reporter. A destroyer Monokuma model appears on screen shooting at something before you see a man with black and white hair wearing a medical patient gown jumping on the monobot and ripping it apart with his bare hands.*
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“RRRRRRRRRRRRAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAGGGGGGGGGGHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHH!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!”
*The man produced a visible and massive despairing aura.*
Lois: “Oh dear god! This is the end!”
Camera man: “We’re gonna die. We’re so fucking dead!” *It seems that the aura around the man is brings whoever is near him into a despair like state.*
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1726 notes • Posted 2021-06-11 09:09:25 GMT
#2
Event: Halloween Festival.
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???: “A-.......Alm-...........Ne.............Ne..............Nearly................” *After a while, someone appears on screen.*
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“Finally. That took forever. Oh well. *Ahem.* Hello everyone. My name is Makoto Naegi, Ultimate Lucky Student and Headmaster of Hope’s Peak Academy. I am happy to inform you of our upcoming Halloween Festival that will begin on October 30th at 8:00 PM to October 31st 12:00 AM. Our festival will include wonderful Halloween Music, Halloween Movies for both adults and children, chances for everyone to dress up as their favorite characters from any media, candy, games, treats, tricks~. *His eyebrows bobs up and down.* And with some expert help, our very school interior has been remade into the scariest of haunted mansions for all you daredevils out there. If you can get through the mansion and reach the end, you may receive a super great prize. I won’t tell you what it is. You’ll have to find it first. Until that very day arrives, I will look forward to seeing all of you attending our Halloween Festival. Thank you for your time and have a good day.” *The video ends there.*
*The day is October 30th and it’s 8:00 PM. You arrive in the costume of your choice at Hope’s Peak Halloween Festival. There was spooky vendors, creepy decorations, and all the students and staff were dressed up in their costumes of choice, and little kids going around having fun. There was so much to do. Where do you wish to start?*
@gundhamsdemons @restoringhopeau @seven-crimes-and-punishments @ask-the-ultimate-cosplayer @ask-ultimate-personas @ask-ultimate-mortician @oddblogfullofoddmuses @notsobloody-wrenchs @red-ryoko-redemption @ask-the-cyan-family @fracturedrobot @thehordeofmuses @thehypnoticsnakedomain @nimbus-the-cat @your-local-nervous-waiter @hope-shimmers @lie-detector-pairs @justa-depressed-mechanic @ultimate-investagter-graduate @ask-neo-sho-minamimoto @minusgangtime @depths-of-hope-and-despair @ask-carrie-white @ask-liam-and-co @asktheroh @ask-timid-makoto-naegi @laylayeh @thepersonaking56 @new-anime-blog @devilish-melody @bloodstains-and-bloodsuckers @creepy-siblings @mayu-reimagined @ask-shsl-scribe @morals-and-florals @ultimate-illusionist-shinobu @mercy-of-the-ashes @bikerandbreeder @ichi-peachy @loudgothbf @ask-kotoko-utsugi @a-depressed-detective @the-real-junko-enoshima @the-real-kokichi-ouma @the-real-natsumi-kuzuryuu @harperthedigimonprincess @dreamyandkikimora​ @ask-sayaka-maizono​
2242 notes • Posted 2021-10-30 10:10:42 GMT
#1
Event: Lost.
*A man can be seen wandering around the streets of the city. He doesn’t look anything interesting, but he doesn’t seem like a bad person.*
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“Now it should be...around here. Maybe?” *Poor guy seems to be confused and lost. He’s just stumbling around like a baby learning how to walk. What’s with this guy? Next to the odd man was a big bush man in a coat.*
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2446 notes • Posted 2021-09-26 09:47:55 GMT
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The Kardashians Are Reportedly Closing Their DASH Boutique FOR GOOD!
I look younger now than when I was in my early 20s
The end of an era...
According to an April 16, 2018 email obtained by Radar Online, a top DASH exec says Kim, Khloé, and Kourtney Kardashian have decided to shut down their boutique.
Related: The Kardashians Remade Their Original KUWTK Opening
In the document sent to vendors, the KUWTK stars say they are unable to keep the store running, and will close shop on May 31.
As seen here:
"The girls, Kim, Khloé & Kourtney have decided to close DASH as it is time to renew our leases but we cannot commit to another 5 years. With that being said, operations will end May 31st... You can contact me anytime up to that date with any concerns, question, or inquiries."
DASH has been featured on their hit E! show since the first season.
The K-sisters closed their NYC store in December 2016, but kept their Miami and LA locations... until now, reportedly.
Although the reality TV personalities tried to publicize their business with their 2015 show Dash Dolls, the series was not successful. According to an insider:
"The TV show flopped so the whole store is now done."
As we reported in September 2017, a woman allegedly walked into the Weho location and pointed a gun at the cashier. After leaving, she allegedly returned with a machete.
[Image via Judy Eddy/WENN.]
all shit of items at home is why real celebrities even some cereal killers
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//some notes on the new/presumably final version of the regenerated!Missy verse, Time to Change (FC: Jameela Jamil) below the cut, more may be added as threads in this verse develop
1. according to Google: Jameela Jamil is 5′9′’ and Michelle Gomez is around 5′2′’/5′3′’. Missy has taken this increase in height as an excuse to pretty much never wear heels higher than 3 inches again, because she still finds them uncomfortable and her previous incarnation really only wore them to:  a) match her general Victorian/Edwardian aesthetic  b) make up for the significant loss of height from almost all her previous incarnations--she hates being short (and she really hates being noticeably shorter than the Doctor)
2. she doesn’t go in for wanton destruction and murder, but she does still like conquering and ruling cities/countries/planets/galaxies, and she’ll still steal anything that catches her eye--she just tries to pursue those things without bloodshed now, if she can (and if she can’t, she usually abandons them)
3. she doesn’t have A Thing about needles or a fear of drowning like her previous incarnation--but silence bothers her deeply, as does being left alone and not being able to leave somewhere when she wants to or otherwise being restrained (basically, anything that reminds her of the bad times in the Vault makes her nervous)
4. she’s got her own sonic sunglasses now! (the parasol got completely destroyed during the explosion that sparked her regeneration) and she’s remade her disintegrator to be less lethal and have more features, so now it can freeze or stun people as needed and it’s still good as a super-fancy smartphone type thing. she’s not sure what to call it now, though, because DiePhone doesn’t work as the name anymore...
5. if/when anyone asks her how she regenerated and/or how she escaped the Mondasian ship, she makes up a different story every time, either sounding totally believable or completely ridiculous depending on her audience. (but she always, always avoids mentioning why she regenerated)
6. this regeneration has a much higher tolerance for caffeine than before. upon discovering this, the first thing Missy did was travel to 31st century Italy and steal a very fancy coffee press. she also likes blueberry-flavoured things a lot more now, but that wasn’t quite as exciting a discovery. 
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