A thing on Uran and Helena in Pluto
Okay a short little thing on Pluto. Uran and Helena are my absolute favourite characters in Pluto. Urasawa has always had amazing side characters, from Mr. Rosso in Monster to Lee Harvey Oswald and Jackie in Billy Bat to God in 20th Century Boys, but very few have tied off the emotional ends of the story like Uran and Helena.
Maybe I'm projecting here but much like myself I feel like Urasawa is absolutely obsessed with Frankenstein. And he recognizes the influence Frankenstein has on Dr. Umataro Tenma. Or at the very least, the similarities between the two. And so when he made the protagonist of one of his most popular works Monster, Dr Kenzo Tenma, he solidified that connection. Kenzo Tenma calls back to Victor Frankenstein needing to end his creation while also calling back to Japan's other famous Tenma, thus making the connection explicit. Another throughline between the three of them is that all three are father figures to their creations and have obligations to their children, though all three have varying levels of success with them.
I've only read what I like to call Urasawa's "Core Four", conspiracy minded thrillers that are essentially road trips featuring usually two main protagonists that we see the world through, Monster, 20th Century Boys, Pluto and Billy Bat. Though I still haven't caught up to Asadora and that could still possibly fit this mold, Urasawa's Core Four share a lot of themes and ideas. One of the most important being the responsibility for one's creations, whether it was Kenji Endo and the Book of Prophecy or Kevin Yamagata and Billy Bat or Dr. Kenzo Tenma and Johan, all of his protagonists could arguably be seen as someone with the need to take up the responsibility of their creations. So where do the protagonists of Pluto fit in there? That's where Uran and Helena come in.
But first, we should take a look at Pluto's themes. While I could be wrong, at a cursory glance, I feel like the general consensus towards it's themes is that it's about hatred. I don't really think that's what it is as I feel like Urasawa is more trying to show us what it is to be human and what it is to be alive. And in that, he has a hidden protagonist in Pluto. Someone who's influence snakes through the plot and isn't seen much, but without who the story's themes would remain incomplete. Pluto tackles what it is to be alive through many things, such as memory, sadness, grief, hatred, love and parenthood. But none of that works without the realization by Tenma of his own mistakes. And Uran and Helena bookend these revelations and are absolutley key to understanding that.
In my favourite chapter of the series, Chapter 37, Uran goes from person to person as she finds a way to deal with her grief and eventually comes across Tobio's grave, Tenma having left recently. It's an absolutely beautiful chapter that shows Uran's humanity and Urasawa's love for sharing these kind and soft moments. But it also sheds a light on Tenma as Uran realizes someone who was grieving has just left. Without saying much at all we realize that Tenma has finally realized his mistakes. In the process of grieving one son, he lost the other. While remembering Tobio, he let Atom go. His grief towards Tobio is clear in the following chapter, Chapter 38. All of the things he wanted Atom to be; Tobio come back to life, Tobio's ghost punishing him, Atom rejected. And Tenma could only see that rejection, and not what he had, another son.
Uran shows us very clearly what Pluto, the story, is. It's a chapter in their lives. And we've come into a story nearing the end for Tenma. And it's through the humanity of two absolutely amazing characters in their own right, Uran and Helena, that we are able to so fully understand Tenma. Despite being robots, these two characters are the most alive of everyone. They love fully and freely and are catalysts of change. Uran's vibrant and full of life in a way that really sticks out. And Helena has such depth that it's evident in every scene she's in. She's not pointed out to be made by any famous scientist so all the life she has is her own. These two represent the life of robot's more than any other characters in the series.
So it's that much more poignant when Helena finally breaks down after putting on such a strong front of everybody. Grief intersects and she brings out Tenma's sadness as well. They've both been putting up such strong fronts that it's heartbreaking to see them collapse. It completes Tenma's growth and strikes a heartbreaking contrast between the two. Tenma became the way he is through the loss of his son whereas Helena doesn't even get to remember her own loss. It makes you wonder if the grief for her and Geischt's child compounds her sorrow too.
Without these two and their grief, a large part of Pluto becomes inaccessible. Pluto is largely about death so when two characters come in who've never had a hand in the grim work of taking life, you see the world through a lens that's absolutely crucial in order to fully connect with all of the character's and their situations. Death and Grief has scarred the characters in Pluto. Time and time again they've chosen the worst path. They've chosen revenge and hatred. But Uran and Helena are different. Without them, the story is incomplete. They provide an alternative. They provide the path towards healing.
im sorry for this one:
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in regards to the constant dismissal of his aroace identity, i hate it when alastor 'fans' say and use the excuse: "he's fictional, he won't get offended."
like, you're right, but it can and will offend us.
when you see yourself being represented on screen, of course you'd feel enthusiastic about it — representation allows individuals to see themselves reflected in the media they consume, validating their identities and experiences. but when so many people take that representation and decide to disregard and discard it, it is so fucking frustrating. we finally have another character to be part of the tiny amount of representation we have, but then people don't even care about how much it means to us? like yeah, alastor won't get offended because he's not real, but it frustrates and annoys us. do you realize that it's also technically invalidating the aroace community? that you're invalidating our feelings? imagine feeling like you're finally being seen because your orientation is finally being represented in media, and people just decide to blatantly ignore, discard, and invalidate it.
media has such a powerful influence on real life, representation being a prevalent factor of it. there are numerous posts that dictate how people went to watch a movie/show or read a book just because a character depicts their identity in it — obviously, being represented is an incredibly uplifting and validating experience.
which is why seeing an aroace character in a popular show is so meaningful to us because we live in a world where romance and sex are literally everywhere and prioritized above all else. (and it's pretty obvious that alastor's on the repulsed end of the spectrum, but even if he wasn't, at least make an effort to acknowledge his sexuality instead of continuing to portray him as allo; aroace folks can be in relationships but it's not going to be the same thing with allos' experiences.)
any and every representation matters, but why does that seem to stop at people under the aroace spectrum? like y'all can't even let us appreciate the scraps of representation we have. we barely have any, so are we really that dramatic for being upset at how people easily disregard and dismiss our identities that are being depicted on screen just like that? is it truly wrong of us to want to defend and maintain the little representation we have?
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*screams about mobei's mom* *calms down*
Omg, when sqh and mbj marry... Who's going to pay for that wedding?
Probably Mobei, tbh. Even if they stop hiding that they are courting much earlier, I don't think they would commit to the wedding until Mobei-jun is the king. And him taking his first (and most likely only) spouse is going to be a huge event for the entire demon realm, them tagging a human-compatible second party onto the proceedings (that nonetheless will make everyone, even Huan Hua Palace green with envy) won't even show up as a meaningful expense on the event budget, because Mobei is just That Important to the north
The way I came up with Mobei's mom for this story started with trying to figure out how Mobei can be number 2 epic OP mofo (author's favorite blorbo edition) while not directly threatening Binghe (Bingge) in their usual setting. Other than, you know, being the loyal sort who wouldn't attack Binghe unless Binghe attacked him first, thus betraying the agreement between them. In some of my original stories, I have something I call 'conditional divinity', where something can have god-like powers, but only under certain circumstances. In this case, Mobei's mom is a primordial god, but only when she's in her natural environment in the Endless Abyss. Her leaving the depth of the Abyss and living on a decidedly more material and stable plane puts her roughly in the same category of being as a heavenly demon, because she had to be significantly diminished to make it work.
So Mobei can be considered a very similar kind of being to Binghe, with the caveat that his power is a lot more tied up in the Abyss. If they fight in the demon or human realm, Binghe wins because he doesn't have a condition on his power. If they fought in the Abyss or near a suitably large abyssal vent, then Mobei would win - but Binghe will never go back to the Abyss of his own volition and with Xin Mo in hand he can't be kept in there even if someone were to throw him in, so...
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Okay so when I was at bttmw2 I gave Madison a bracelet I made for her and today she uploaded a video of getting a tattoo in Brazil and in it I saw that She's Still Wearing That Bracelet!!!!!
I tried showing which one it is in this picture, but if the arrow isn't clear enough is the purple one that's very far to the right
Also here's picture of the whole bracelet!!! <3
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Always reassuring seeing people like my original posts because sometimes I worry about being too weird and awkward or that. My vibes are off-putting or something. Even though this is the weird awkward people with off-putting vibes website
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"Oh, my poor darling!" As she spoke, she took her husband's grey head in her hands and kissed it. "Lay your poor head here and rest it. All will yet be well, dear! God will protect us if He so will it in His good intent." The poor fellow groaned.
Jonathan's like, I love you but how do I tell you as gently as possible not to talk about God's will when I'm this close to going full Faustus. Also, your wording isn't helping things.
On the one hand, I get that Mina was just being herself, trying to keep Jonathan and everyone's spirits up. But at the same time, I know in my heart that the only thing Jonathan heard was--
Mina: Don't worry, Jonathan! Just because God didn't step in for Lucy, or for Mr. Swales, or for the sailors of the Demeter, or for that mother who got torn apart by wolves, or those children Dracula fed to his Brides, or presumably any of the other uncountable legions of innocent victims Dracula's preyed on for centuries, doesn't mean He won't take care of our predicament! But hey, on the off-chance it's God's will that He fumbles my soul and humanity too, could you and our new friends maybe swear to double-kill me to prevent my chances of coming back as a vampire? It's cool, just think of it like it's olden times, when husbands and fathers would murder their families to prevent their enemies from getting to them. Also can you give me an early funeral rite? It'd make me feel better. :)
Jonathan: ...
Mephistopheles, sliding into his spiritual DMs: lol, that's crazy. Want to look at our Unholy Vengeance package?
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