Tumgik
#putting under read more because
khytal · 10 months
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and there was only one bed (oh my god there was only one bed)
extra:
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sadisthetic · 5 months
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limewire virus
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pixxyofice · 10 days
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🏰 cursinguponcastles
of course i manage to grab everything EXCEPT for my anxiety medications. they're still stuck there!! in the House!!! every night I worry my friends are going to leave me for asking them to come along and some part of my brain is like "you wouldn't be worrying if you had taken your meds" and I have to then tell my brain the meds. ARE NOT WITH ME!!!
(this post is unrebloggable.)
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(anon) asked:
plum? how have you been running this blog without anxiety meds?
🏰 cursinguponcastles replied:
Um! How did you know I didn't have my anxiety meds??
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(anon) asked:
Don't the Houses keep stuff, like, forever? I'm sure if you go back to that House you'll be able to get your meds back. Unless it's like, frozen or something?
🏰 cursinguponcastles replied:
Oh. Ohhhh. Well, um! I am going back to get them! They're back in Dormont! I just won't be focused on getting my meds when I'm there, you know??
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🎗 ribbpeat reblogged from 🍑 yetanotherfinepeach
🍑 yetanotherfinepeach
so was anyone going to tell me the savior of vaugarde runs a horror blog account or was I supposed to just find that out from her APPARENTLY LEAVING HER MEDS IN THE CENTER FREEZING POINT
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🍙 chateau-riceballs reblogged from 🧦 socks-to-be
🍯 lovelyhoney-truths
and just when you thought it couldn't get any worse, the savior of vaugarde turns out to be a tumblr user
🛴 offowchmy-nkee
and this is bad... how?
🍯 lovelyhoney-truths
How is this not obvious to you people? She's on tumblr. She's been ACTIVE. Instead of doing her job of saving us she's been giggling about her little vaugarde boys getting eaten. I'm sitting here typing with one arm waiting for vaugarde to be saved, and she's wasting time reading. Boo-hoo she left her anxiety meds in the House where the King is freezing all of us from. Actually, wait! Why didn't she just turn around and take him out? If she's supposed to save vaugarde, assigned to, and she was close to its starting point, why the hell did she walk the other direction and faff about?! Some Savior she is! Most of the country is frozen because of her! And instead of just shutting up and doing her job she went on a funny little pilgrimage. I'm not calling her a Savior anymore. 
🐱 ChangeGirlClaws
do you know about the existence of paragraph breaks. Like at all.
🎀 darts-chatting-blogg
Instead of looking at... all of that, apparently not everybody knows this so look at this.
THE DOORS OF DORMONT GOT LOCKED BY THE KING AND THE SAVIORS HAVE TO FIND FIVE ORBS TO BE ABLE TO EVEN TRY TO SAVE US. And in case you don't know, Vaugarde is huge! The saviors passed by my place a week ago and they only had four Orbs then.
I think Plum and her friends are making good progress, actually! I think she's allowed to relieve stress by reading about guts and gore, actually.
🍙 chateau-riceballs
she's what
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🐝 finalgirl-standing reblogged from 🐮 The-Cointry-of-Voigarde
🍯 lovelyhoney-truths
Not only does that orb bullshit sound made up and stupid, but apparently Plum also runs a guts and gore blog??? what the fuck is wrong with her. Has she Changed to be so disgusting when she should be Changing herself to be able to save the country?? Do you guys really believe that shit? I haven't heard of a House where Orbs lock the gates, that's clearly her making up excuses for why she can't just go there and beat him. How can her friends stand to be with her when she's this irresponsible?
🎀 darts-chatting-blogg
One. The King warped the place (see image here!) and Dormont was known for experimenting with locks. People just be saying crab, I guess.
Two. Defenders. Get their asses. I'll start.
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🎗 ribbpeat
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🍑 yetanotherfinepeach
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🛴 offowchmy-nkee
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🐱 ChangeGirlClaws
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🍙 chateau-riceballs
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🦴 justanotherchange-blog
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⚓️ insertcreativebloghere
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🧦 socks-to-be
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🐮 The-Cointry-of-Voigarde
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🐝 finalgirl-standing
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(this post is unrebloggable.)
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⚓️ insertcreativebloghere reblogged from 🦴 justanotherchange-blog
🦴 justanotherchange-blog
if I was on a journey to save the country and I forgot my focusing meds at home I would just forget everything. Honestly, Plum's doing much better than I am???
⚓️ insertcreativebloghere
If i had to save the country without my meds i would've thrown myself into the sea
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🐮 The-Cointry-of-Voigarde
(a picture of the countryside. Half of it is frozen, and the other half isn't)
Well. It was an honor, everyone. I'm glad to have contributed to the crab pow.
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🏰 cursinguponcastles reblogged 🐧 penguin-do-be-writing
🐧 penguin-do-be-writing
hi everyone, sorry for the silence! My family has been loudly debating what to do about the freezing country, I think i touched something weird and my feet have stopped working for me, so it's hard to get to my writing desk. whoops! it's been a struggle to get words written down. Don't worry, though! I've got a chapter for everyone! This time, things get INTENSE. That internal organs being not internal warning was for a reason!
🏰 cursinguponcastles
CHANGE, THIS WAS SO GOOD!! I'm really sorry you're close to being frozen, but I could see how it affected how you wrote Dembélé struggling to get away! It felt too real, haha!!
I'll miss your fics! I, well, hopefully, will see you in a few months!!
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turrondeluxe · 1 year
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dailytomlinson · 1 month
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369 HOTSPOTS:
Africa: Asia: — Saranrom Park, Bangkok (3PM—5PM) — New Delhi, Lodhi Garden (1:30PM—3:30PM) — Tennis Indoor Senayan, Jakarta (3PM—5PM) — Bengkel SCBD, Jakarta (3PM—5PM) — Cross Maidan Garden, Mumbai (1:30PM—3:30PM) Europe: — Wizink, Madrid — La Riviera, Madrid — Razzmatazz, Barcelona — Palau, Barcelona — Miribilla, Bilbao — Scala, London — Shepherds Bush Empire, London — O2 Manchester Apollo, Manchester — O2 Arena, London —Atlas Arena, Łódź (12PM—2PM) — The Dome, Doncaster — Utilita Arena, Sheffield — Tauron Arena, Kraków (12PM—2PM) — Międzynarodowe Targi Poznańskie, Poznań (12PM—2PM) — Meo Arena, Lisbon (3PM—5PM) Latin America: — Rioarena, Rio de Janeiro (12PM—2PM) — Allianz Parque, São Paulo (12PM—2PM) — Espaço Unimed, São Paulo (12PM—2PM) — Liggo Arena, Curitiba (12PM—2PM) — Movistar Arena, Santiago (12PM—2PM) — Estadio Bicentenario, Santiago (12PM—2PM) —Pepsi Center WTC, CDMX (2PM—4PM) — Autódromo Hermanos Rodríguez, CDMX (2PM—4PM) — Auditorio Josefa Ortiz de Domínguez, Queretaro (2PM—4PM) — Auditorio Telmex, Gudalajara (2PM—4PM) — Arena V.F.G., Guadalajara (2PM—4PM) — Parque Fundidora, Monterrey (2PM—4PM) — Auditorio Citibanamex, Monterrey (2PM—4PM) — Parque Centenario, Guayaquil (2PM—4PM) — Coliseo Live, Bogotá (1PM—3PM) — Movistar Arena, Bogotá (1PM—3PM) — Movistar Arena, Buenos Aires — Velez Sarsfield Stadium, Buenos Aires
North America: — Skyla Credit Union Amphitheater, Charlotte (12PM—2PM) —MGM Music Hall, Boston (12PM—2PM) — House of Blues, Boston (12PM—2PM) — AZ Financial Theater, Phoenix (2PM—4PM) — Merriweather Post Pavillion, Columbia, MD (12PM—2PM) — Kemba Live, Columbus (12PM—2PM) — Oprheum Theathe, Vancouver (2PM—4PM) —Doug Mitchell Thunderbird Sports Centre, Vancouver (2PM—4PM) — Red Hat Amphitheater, Raleigh (1PM—3PM) — Budweiser Stage, Toronto (12PM—2PM) — Greek Theater, Berkeley (2PM—4PM) — Fox Theater, Oakland (2PM—4PM) —The Anthem, DC (1PM—3PM) — Michigan Lottery Amphitheater, Sterling Heights — Fillmore Auditorium, Denver Oceania:
— Spark Arena, Auckland (7PM—9PM)
All times are LOCAL
*If you have information on more hotspots, feel free to send an inbox or add a comment with the exact place and time window
*Most hotspots are at venues Louis has played before, on tour or other separate gigs so if you're at a city Louis has been before, those places are most likely the ones you'll find. If not, there's still some hotspots in countries he's never visited so keep an eye out.
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g0nta-g0kuhara · 6 months
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The Chapter 4 Essay Part 1: Kokichi Ouma
A metapost on my thoughts on Kokichi’s overall motivations and Gonta’s actions during ch4. Split into two parts. You can find the Gonta half here: (LINK)
I think the way Kokichi acts when he’s telling the truth says something crucial about his personality. When he’s telling the genuine truth, his expression becomes carefully neutral.
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(post trial, chapter 1)
To me, it feels like he’s trying very hard to keep this face of neutrality. Normally, he’s able to expertly express any emotion that he wants to. In these moments, its almost like the emotion he’s feeling is so overpowering that he’s trying to repress it in order to maintain control over the face he presents to everyone else, but isn’t quite able to do so.
Kokichi is very careful about keeping people from seeing the parts of himself that he doesn’t choose to show. His villain persona and constant lying is part of this- He wants to keep people away from him. During the events of the killing game, he uses the distance that he creates in many ways. Part of it was that not having many close alliances allowed him to go off and do whatever he wanted during daily life. This let him explore the school and investigate the truth of the killing game without interruption or much attention. Lying also gave him distance between the game and himself. Pretending that the killing game was fun might’ve been his way to cope with everything that was happening. I think Kokichi is really damn good at separating himself from his emotions, lying to himself to do what he thinks needs to be done. This line from Chapter 1 is pretty telling…
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(post trial, chapter 1)
This was also something he says himself to Kaito in the exisal hanger during chapter 5.
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(post trial, chapter 5)
I’m inclined to believe everything that Kokichi says to Kaito in the exisal hanger. As Kiibo says when Kaito questions it, “I think his dying words may have been the honest truth.” Knowing he was about the die, and that he absolutely needed Kaito’s help to get his plan to break the killing game to work- to achieve his genuine, true goal- I don’t see any reason for him to lie.
This emotional distance extends past just the killing game. I think it's a key part of how he interacts with others around him.
Kokichi is an ultimate leader. I think he uses his talent throughout the game in an attempt to “lead” everyone from the shadows. He wanted to stop the killing game and escape with as many people as possible. However, his methods are very ends-justify-the-means. I believe that he did genuinely care about everyone at the ultimate academy, but in the detached way a distant king might care about his subjects. On the other hand, if he had to use or sacrifice a few as pawns for the greater good, that is what had to be done. It’s not like it didn’t emotionally affect him, but I think he was deliberately trying to keep his distance so that it would not impact him as much, and so that he could continue trying to tear the killing game apart with as many tools in his arsenal as possible.
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(post trial, chapter 5)
With this core motivation in mind, this brings us to Chapter 4.
In my opinion, the Killing Game Busters was never a plan that was meant to succeed. From an in-game perspective, the idea that he was originally going to follow this mercy kill plan doesn’t make sense to me. Firstly, Kokichi already had suspicions that they were being watched as early as chapter 3.
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(post trial, chapter 3)
…and he later confirms that he was fully convinced of this fact when Monokuma agreed to reuse the chapter 4 motive in the virtual world.
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(post trial, chapter 5)
He knew that this killing game was for somebody else’s entertainment. I’ll go a bit into the secret of the outside world in a moment, but considering this, I don’t think he ever fully believed in it. Choosing to mercy kill everyone, in the name of a “truth” that was incompatible with what he had discovered… just doesn’t make sense to me.
Not to mention, from a narrative standpoint, I think the idea that he was completely for this mercy kill plan, decided to throw out the plan mid-trial, and then start an entirely different plan to end the killing game in chapter 5, isn’t very compelling. It weakens Kokichi’s overall character by making his motivation less cohesive and making him seem less organized over all, which I think is one of his strengths as a character. A Kokichi that is this fickle with what he’s trying to do would not have been able to write the script for chapter 5.
I think he always had different goals in mind with the Killing Game Busters. The first was something that is made very clear in chapter 5, but started here in chapter 4: He wanted to stop the killing to give himself room to break the game while minimizing deaths. The second was to further villainize himself, for all the reasons I talked about above, and some more I will get into in a little bit.
Seeing the secret of the outside world was undoubtably disturbing, regardless of whether he believed it or not; there is a noticeable shift in how Kokichi acts before and after he swipes that card key. Combined with discovering that Miu, someone he’d been working with closely, was planning on murdering him, I believe that seeing the destruction of the outside world pushed him towards more drastic measures than what he had been doing in previous chapters. He decided that in order for his plan in chapter 5 to work (which he had almost certainly already been planning at this point, considering how elaborate it was), he needed to make everyone question if pursuing the truth was the right thing to do at all.
After Miu’s body discovery, nobody was really worried about losing this class trial. Everyone had seen how Shuichi had guided them all to the truth and caught the blackened three times in a row, despite the unique difficulties in each case. They had full confidence in his abilities.
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(investigation, chapter 4)
Shuichi is also not really doubting his abilities as a detective anymore. One of Shuichi’s core internal conflicts is his fear of the consequences of revealing the truth. Up to this point, it seems like he’s been moving past it. Especially after catching Korekiyo “Actual Serial Killer” Shinguji, who had no regrets or grey motivation for his killings. Shuichi’s morale, and subsequently everyone else’s, was at an all time high. (Of course, he was starting to feel a lot of pressure to solve these cases and save everyone on his own… but that’s another issue. ily Shuichi)
If Kokichi could take the wind out of Shuichi’s sails, really destroy the confidence he had built up so far, he could set up his impossible trial in chapter 5 to be more likely to work as intended. Everyone will be less motivated to try and figure out what happened if they are uncertain that finding the truth would actually result in anything good.
And I do believe he was trying to knock Shuichi off balance specifically. Damaging his confidence is one thing, but he was also deliberately trying to drive a wedge between him and Kaito. He antagonizes Kaito all chapter 4 investigation, including making up a nickname for Shuichi (“Shumai”) that directly riffs off Kaito’s closeness with Maki. He insists into the trial that he and Shuichi are partners now.
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(class trial, chapter 4)
(Sidenote: Kokichi’s behaviour during trial 4 is genuinely really interesting to me. On top of the direct digs like this, he says a lot more subtle things to get under Kaito’s skin during trial 4 that I think are super neat to pay attention to.)
Theoretically, pushing Kaito away from Shuichi, combined with the powerlessness he’ll feel in the wake of the truth of both trial 4 and the outside world, could make him easier to convince to join Kokichi’s “side”. He even directly asks Shuichi to team up with him before leaving the virtual world:
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(daily life, Chapter 4)
This leads me to believe that Shuichi was originally the one that Kokichi intended to use to build his impossible trial. I mean, if Shuichi was the one in the exisal hanger and presumed dead instead of Kaito, the chances of everyone else solving that mystery drops Significantly. Everyone else, aside from maybe Kiibo, was 100% convinced that Kokichi was the mastermind at that point. No one except Shuichi would’ve tried to dig as deep as he did, for better or for worse. I think this idea is supported by the note that Kokichi wrote next to Shuichi’s face on the whiteboard in his room (“trustworthy?”). He was clearly considering Shuichi as a person for one reason or another, and I believe this is it.
By condemning Gonta, who everyone else perceived as a kind soul who would never hurt anybody, someone who was struggling to understand what the virtual world even was with his amnesia, would be perceived by the others as kicking someone when they were down. Gonta has an absolutely miserable time through the accusations and wholly blames himself for how things turned out in the end. That, and Gonta’s actions were even well-intentioned. The secret of the outside world was apparently so horrible, Gonta thought it would be kinder to mercy kill everyone rather than force them to face it. This result would make everyone question if the truth was really as undoubtably good as they had come to think so far; Not only did Gonta suffer because they had to find the truth, but seeking the secret of the outside world would apparently also only lead to suffering. This would make them hesitate during Kokichi’s impossible trial.
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(class trial, chapter 4)
As I said before, Kokichi’s second goal for trial 4 was villainizing himself even further. He says that this was a goal himself to Kaito in chapter 5.
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(post trial, chapter 5)
Part of this villainization was just adding to the persona he had already created for himself and that I already talked about his motivations for before. The other part was what he says here. He specifically wanted everyone to think that he was the mastermind. This gave him leverage in two main ways. First, making himself appear to be the mastermind with an actual mastermind as hands off as Tsumugi genuinely gave him power over everyone else. He used this in chapter 5 to put a pause to the killings and give himself more room to enact his plan to break the killing game from the inside.
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(daily life, chapter 5)
Although he then says “You guys can commit suicide together or kill each other… / Or, you can change your mind and stay here! You’re welcome to do that too!”, having experienced the secret of the outside world already, I think he’s pretty confident in what they will be feeling in this moment. No one is going to kill each other, and he knows that. He wants them to take that second option for the time being while he sets up his plot.
Making himself appear like the mastermind also benefited his impossible trial plan directly. Everyone would be much more likely to vote for someone they were convinced was the mastermind rather than one of their friends. No one would suspect that it was really him that was the victim.
“Using Gonta and making him into a murderer” was a significant part of how he villainized himself, but the way he treated Gonta during this whole experience was also a major factor. Starting as early as just after Miu was killed, he begins to be really aggressively mean to Gonta. He just straight up bullies him throughout the second half of the trial.
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(daily life, chapter 4)
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(class trial, chapter 4)
And then, after all this, he acts remorseful and sides himself with Gonta at the very end. It isn't genuine emotion like he felt before Kaede's execution, shown by his neutral expression. To me, this uncharacteristically open expression of grief feels like it was just set up to exacerbate the impact of his cruelty after Gonta’s execution. At this point, everybody’s little faith in Kokichi has been shaken significantly. With the shock of the trial, maybe you Could start to believe they were on the same side, as a team. Then, at the reveal of the extent of Kokichi’s manipulation, that is all ripped painfully away again.
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(post trial, chapter 4)
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(post trial, chapter 4)
Even if these parts of trial 4 make my stomach turn, I don’t want to imply that Kokichi is completely cold-hearted and unfeeling. Actually, I think there were multiple moments in chapter 4 that show him struggling to regulate his emotions and keep face around everyone else while he enacted this plan.
1: I don’t think Kokichi initially planned to make the reveal that Gonta was the killer as dramatic (or frankly, a bit traumatic) as it ended up being. He had been carrying himself a certain way during the first half of the trial, and I think Shuichi lying to his face in front of everyone about Kokichi’s own alibi dramatically changed his attitude. I mean, Shuichi lied (as he had done almost every trial and gotten 0 flack for) and Tsumugi even called him out on it, but everyone believed him over Kokichi anyways. So when Kokichi lies, it’s completely inexcusable, even though he’s been working tirelessly on his own trying to save everyone?* But when SHUICHI lies, and gets caught in it, people go along with him? They don’t doubt their trust in him for even a second? This double standard infuriated him. It’s at this point that he completely shifts in energy. If Shuichi, no, everyone, is going to disrespect him like this, he was going to make them suffer for it.
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(class trial, chapter 4)
2: Kokichi only goes full villain after Kaito says “Kokichi, If you really cared for Gonta, explain yourself to everyone” in the post trial. I think that even though he was always going to paint himself as the villain, he was legitimately affected by the things that had just happened (Gonta’s death, Miu’s attempted murder, the secret of the outside world, even if he knew it wasn’t real) and what he’d just done. Even if he was trying hard not to be. The sudden shift he has from not saying anything to cackling about how little he cared about Gonta feels to me like he was kicking himself back into gear after trying to process some genuinely difficult emotions. 3: After Kokichi punches Kaito down, and everyone completely ignores him in favour of helping Kaito up, Shuichi says these iconic words to Kokichi: “Kaito always has us by his side, see? But no one wants to be around you. / You’re alone, Kokichi. And you always will be.” Kokichi responds like this:
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(Post-trial, chapter 4)
There’s something about the way he cuts himself off, pauses, and then his mask falls. I think Shuichi’s words got to him more than he wanted them to. Honestly, Kokichi’s attitude towards cooperation, keeping everyone at arm’s length, and insisting (to himself) that he (as a leader) must fix the killing game completely on his own just seems so lonely to me. Even if he is intentionally trying to alienate himself and get everyone to hate him, being so viscerally cut into like this must have hurt. Especially from someone he was trying to work to get onto his side. It’s no wonder he quickly left after this moment.
This is what I think drove Kokichi in chapter 4. He’s a leader who wants to “lead” his classmates into safety, but he isn’t afraid to use underhanded, cruel tactics if he thinks it will get him ahead in the game for the greater good. He viscerally represses his emotions in order to keep himself going and keep everyone else away from him. He tried to destroy Shuichi’s confidence and drive a wedge between him and Kaito to get him on his side for his plan. He used and made Gonta into a murderer to villainize himself and discourage everyone else from seeking the truth.
Whenever I imagine Kokichi on his own, out of the spotlight of the Audience or the eyes of his castmates, he’s never as expressive as he is in the open. I think in reality, Kokichi is a pretty depressed and lonely person. His clownish personality isn’t entirely a facade, and outside of a killing game scenario, I think he would act pretty similarly to how he does in game. But I do think that he uses it as a mask for his true emotions. While I feel like the “evil villain” persona is a genuine part of Kokichi’s personality, outside of the killing game he probably doesn’t act on it as deeply as he does in-game. I also think Kokichi struggles with letting people become close to him, even without anything on the line. The killing game just caused him to lean into these aspects of his personality hard, and in potentially the worst ways.
*I feel like here it’s important to mention that personally, I still think the collateral damage he caused in his attempts to stop the killing game matters. A lot. I don’t think he should be excused for the things he did, even if he had good intentions. This makes him a really interesting, morally grey character, and I like that about him.
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parasolemn · 9 months
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[id in alt]
oh I drew these a little bit ago but never posted them... had a rather lengthy convo in the DE discord about which mercs would get along w who and there was some Interesting Discussion but I only did these. u can tell here I never draw tf2 guys lol
i think I'll have to get back to it once assessment time is over. kim kitsuragi going to a shooting range with miss pauling and having pleasant conversation as queer glasses-wearing sharpshooters until he finds out her "administrator's assistant" job involves burying bodies. titus hardie and heavy big-guy-to-big-guy telepathic communication. harry du bois and soldier in-depth bear-wrestling convo turned violent brawl over communism. zhanna and kim mildly heated argument afterwards with both sides arguing THEIR man would win in a bear-wrestling contest. lilienne giving harry the eyelander after the Date. the possibilities are endless...
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moongothic · 3 months
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This is gonna turn into some Crocodad Propaganda eventually but putting the man aside for a little bit
Let's be real for a moment. Regardless of who Luffy's other biological parent is, regardless of if they're relevant to the story or not, no matter what has become of that person, if they're dead or somewhere out there alive, etc-- I believe Oda "knows the truth".
Although it took One Piece until post-Enies Lobby to reveal some of Luffy's blood relatives to us, Oda had technically introduced both Garp and Dragon to us all the way back in the East Blue saga. And Ace was introduced not too long after in the Baroque Works saga, along with his tattoo which held that secret tribute to Sabo all along. (Also he was introduced as "Portgaz D. Ace" meaning Oda must've intended to make the two non-blood brothers from the get-go.) All this means that Luffy's family, both adopted and blood relatives, have been in Oda's mind from the very begining of the story. And so if Oda had figured out Luffy's grandfather, father and at least one brother (if not both) from the begining, then why would he not have decided what became of the person who gave birth to the idiot as well? Like considdering how detail-oriented and meticulous Oda can be, would it not be unusual for him to essentially forget about a character that important (in the sense that Luffy literally would not exist without them) and just handwave them away without much thought? Would that not be out of character for Oda? As such, I don't think it is not unreasonable for us to believe that Oda would know what happened to Luffy's other bio-parent. Mind you, it really could be just something like "Luffy's mother died of The Disease when Luffy was a baby", or "the mom fell down the stairs" or "was eaten by a bear in the woods" or something, anything, whatever. Even if it truly does not matter to the story one bit, I'm sure Oda knows the truth of what happened and why that character wasn't a part of Luffy's life.
But at the same time, if the identity and the fate of Luffy's birthing parent truly did not matter to the story at all, then why wouldn't Oda just tell us who that was and what happened to them? In an SBS or an interview? It's not like people haven't been asking about it, because fans and staff alike have been asking about it for years. If the information really would not change anything, be it the direction the story will take or how we view the characters, if it really is just worthless trivia, then why keep it away from us?
Now of course, I'm sure you'd want to point out that one time Oda told Mayumi Tanaka that "A young boy's adventure begins after he leaves his mother's arms. I want to tell this young boy's adventure story, so his mom is not part of it." And Oda isn't known for lying, we do kind of want to take what he told Mayumi Tanaka at face value. At the same time though. If Luffy's other parent did become a plot relevant character in like the final 200 chapters of the story, after a 1100 chapters, they and their potential connection to Luffy would not have mattered to the story for 90% of its run. For an overwhealming majority of Luffy's adventure, that person would not have been a part of it. So if that character did become relevant, and Oda was lying, then it'd be a white lie at worst. But also, if Oda did intend to reveal that other parent eventually, when the time was right, then surely he wouldn't want to get people hyped up about it way ahead of time. If it did turn out to be a big plot twist or an otherwise important plot point, Oda would want to keep it under the wraps and a secret until the right time, you don't want to spoil something like that. Not to mention it could end up working like a distraction and make people not focus on the more important things happening in the story currently. So really, I think we'd all forgive him for a white lie there. Not to mention, technically speaking, if Luffy doesn't even have a mom but two dads, then Oda wouldn't really be lying either.
But that does bring up an important thing to considder.
If Crocodile does turn out to be Luffy's other dad, when did Oda get that idea, and when would he have committed to it?
Because, keep in mind, One Piece began back in 1997. Twenty seven whole years ago. Which means there's two things to considder; the evolution of queer rights over the past near three decades, as well as the fact that One Piece has more than surpassed Oda's original plans for the series. We must not forget how for a manga to remain serialized in Weekly Shounen JUMP, you need to perform well in the popularity polls consistently; if your manga starts dropping in popularity, JUMP can cancel it and force you end it prematurely. Of course, Oda arguably does not have to worry about those polls anymore after all these decades, there's no way in hell JUMP would ever cancel fucking One Piece in this day and age. But that might not have been the case 15 years ago, that was not the case 20 years ago, and that was absolutely not the fucking case 25 years ago. Like we all famously know that Oda originally planned One Piece to maybe run for like a year, then five years, then ten etc etc. That really is because at the begining of his career he had no quarantee he'd be able to tell the full story he was slow cooking at the back of his mind. Back in the early days, One Piece could've been canceled and ended prematurely, so Oda smartly chose to write it focusing very specifically on what mattered to the story at that moment, in the short term. Yes, he did start laying out the groundwork for things to come, but he did it so subtly that had OP been forced to end early, the series wouldn't have been left with too many massive, gaping plotholes or unresolved sidestories. Another thing to keep in mind is how comic artists for JUMP do have editors etc who can have a say in what goes into the manga (famously, Sasuke only existed because Matashi Kishimoto's editor suggested it). So again, while Oda might be able to do whatever the hell he pleases in One Piece at this point, that wouldn't have been the case 20+ years ago. He would have been more or less at the whims of his editors back in the day.
So would Oda have thought about giving Luffy, the main character of the series, a transgender father back in the year 2000? Could that really have been the secret plan from the start? And would Oda's editor(s) at JUMP have allowed that? Or, did Oda maybe come up with the idea later?
Now just so we're clear, I am NOT suggesting Crocodad was Oda's original intent and that his editors didn't let him do it or anything like that, my tinfoil hat isn't on that fucking tight. What I do want to suggest, is that it is plausible Crocodile being Luffy's other dad was an idea Oda was playing around with at the back of his mind from the begining, but wasn't sure he'd ever get to, mainly due to the uncertainty of series' future and partially because he could've been unsure if his editors would even allow him to write that story. And IF this was the case, Oda may not have even started committing to to the idea until around the CP9 saga. Or, it's possible Oda only got the idea sometime after the completion of the Alabasta arc/during Skypiea saga, and started laying down the groundwork for during Summit War so that, if he ever got around to it, he'd be able to commit and tell that story.
Regardless, let's be real.
It is interesting and kind of suspicious how Crocodile does just happen to be introduced around the same time the rest of Luffy's family was first shown to us, even if we didn't know Garp and Dragon were Luffy's family yet (this was also the same time the first canon queer character was introduced; Oda was playing around with queer characters during Crocodile's introduction, possibly testing the waters to see what he could get away with?) During the CP9 Saga we got the Miss Goldenweek cover story, where we see what's become of Crocodile after the fall of Baroque Works. This is of course adding to the world building of the CP9 Saga (where we're told the criminals who go through Enies Lobby are either sent to Impel Down or to Marineford; so us finding out Crocodile's gone to ID is playing off of what we knew would become of Robin and Franky and the Strawhats not come to rescue them. AND it's foreshadowing for the Summit War Saga), but also, soon after we were reminded of Crocodile and told where he's been sent off to, we were finally formally introduced to Garp and Dragon (Garp having already been mentioned by Aokiji at the begining of the Saga). And we close off the Saga watching Ace and Blackbeard have their fateful match. So again, Crocodile was on Oda's mind around the same time the rest of Luffy's family was. And indeed, after Thriller Bark we then move onto Summit War proper, where Oda does all The Things we would considder The Groundwork for Crocodad, most important being the introduction of Ivankov and their Devil Fruit. But again, just like before, Crocodile just happens to be there at the same time as this saga, which really heavily focuses on Luffy's family, plays out. While we learn about Dragon's secretive nature and connection to Iva-chan, Garp's feelings for the boys, Ace's struggle with his heritage and Luffy's love for him, Sabo and Garp... Yeah, Crocodile's just... Also there.
Whenever Oda starts dwelling into Luffy's family, Crocodile is always there. It's a bizarre coincidence if nothing else.
(And oh won't you look at that, Crocodile has once again become a plot relevant character, just in time for The Final Saga where Dragon has also started becoming actually plot relevant as well)
All of this to say, again.
The fact that Oda has refused to tell us anything about Luffy's other parent is sus, and to me indicates that either although unusual for him Oda genuinely just doesn't give a damn about Luffy's other parent, or he's been trying to play it safe for years so that if he ever got the opportunity, he could give Luffy two dads. (Or maybe there's some other twist that has nothing to do with Crocodile, that is possible too, I just feel like if that was the case then why hide it for 27 years?)
Whatever the case, I'm sure Oda knows the truth.
And I'm sure we will find out the truth eventually, be it on the pages of the comic or in the SBS.
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itsvinzenzdarling · 4 months
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[x] @xceruleanrosesx
And there it was, the look he hated so much. Scornful, disgust, disdain, rejection, and hatred. He had seen this face before. A cruel night in Germany, lit by the anger of hundreds of torches, the night sky pierced with raised pitchforks and shovels. The accusations flew out of their mouths with such confidence and disapproval that his father was fighting back against the entire population of the townsfolk at their doorstep. No matter what he said, they wouldn't listen. And neither would Le Blanc.
Warring through his own emotions and struggling to pick which would be the most appropriate, the most prominent was hurt and sorrowful. He should've never come here. His parents warned him about working among humans, and the risk he took was well-known in his mind. And yet, he still took that leap of faith. For a while, it was fine. Nobody suspected anything. Every time someone asked about his ears or his teeth, he recommended the "surgeon" he went to. He blamed his strange clothes on his taste in vintage, but they were his from 100 years ago. Everything was genuine and real, including his sentiments. How could he get him to see that?
"Please," he attempted again, taking the tiniest step forward. "I-I know you're confused, and you have many questions, but I can answer them for you. You've got to trust me on this. I can't explain myself if you won't listen. So please, put the gun down."
Fighting back in the diplomatic sense might've been in the safest route but also the most difficult. Breaking through to a closed mind was nigh impossible. Le Blanc didn't seem like he was willing to hear him out, even if he poured every ounce of truth from his red-painted lips.
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mymarifae · 12 days
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HOW DO I MAKE IT END
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blackbackedjackal · 25 days
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Hey Jackal, you guys have my full support in this situation, and feel free to not answer if you don't have the time and mental bandwidth for it. I remember you mentioned that Dog got weird after realizing June was trans (WEAK, trans women are AMAZING). Do you mind talking a little more about that? I always got a weird terfy vibe from her too, but kinda wondered about if she ever went mask off
So it's funny because in her little "manifesto," (<- this word will come up in a later post) she left on her tumblr blog @thatdogmagic, she outed herself as a terf because her transphobic comments were one of the few things I only had on the verbal record.
I know the absolute worst thing she said was "the things I like about transmen are things they wouldn't like about themselves" which honestly shocked me so badly when I heard her say that I can hardly remember that convo other than her and Ependa talking about their weird ass relationships with genitalia, WITH PICTURES THAT EPENDA DREW AHAHAHAH I WANTED TO DIE. I'd have to chat with Rex to refresh my memory. She was there for the end of the conversation and saw the photos Ependa posted in the chat but wasn't there for the full thing.
As far as June, we were discussing NSFW content with our OCs, and literally any time I brought up June, Dog was super weird about it after she found out she's trans. I found out why later through her very terfy archive on VLC, but basically DogBlud's scared of dicks for [insert reasons I'm still not fully comfortable discussing]. Either way, it made her and Ependa stealing June FAR more fucked up because Lacey is cis. They made a cis Latina Guard Dog stereotype out of an Afro-Latina transwoman OC, and tried to cover it up and an "aha uh-ho whoopsie" (which was also part of DogBlud's kink and tactic to try and test boundaries with me).
Again, I just need more spoons to gather my thoughts properly on the whole thing, but Rex can likely provide more context when we compare notes. Most of my reaction to this was just:
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[disaccoiates into the fucking ether]
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redysetdare · 7 months
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every time i see a post that is like "ughh why cant we have aspec characters who aren't aroace for once" I have to do a double take like "is the aroace rep in the room with us right now?" because genuinely....where is all this aroace rep y'all are complaining about? Why cant i find it yet it's apparently the only aspec rep we get?? You admit that TV never says the word aromantic so where is the aroace rep. So far I've pretty much only seen canonically asexual characters and not much else buddy.
#text#half the time i think these ppl see other aspec ppl saying that x character feels aroace and then they take it as canon rep#instead of an interpretation of the character which likely was never meant to be written as aspec at all#because majority of people don't even know what that is#this isn't me saying that we shouldn't have aroallo or alloace rep btw#this is me complaining about people throwing aroace ppl under the bus because apparently we are 'hogging' all the representation in media#and it just reads as people being aphobic towards aroace people specifically and it drives me insane#you can ask for more aroallo and alloace characters without complaining and shitting on aroace characters????#like bro we are all on the same fucking team. we are all trying to get seen and understood. we all want to see ourselves in media#stop fighting like one of us is somehow way more privileged than the other because 'you have x rep'#we all have crumbs my guy. just because someone else is getting crumbs doesn't mean that its your crumbs being taken.#idk i see so many posts like this and it makes me feel so unwelcome in the aro and ace communities#im tired of aroace people being used as a scapegoat that you can target to pretend like you're punching up#when in reality you're just committing friendly fire against people who are on your team#i miss when the aro and ace communities used to like... work together as a big aspec community#now ppl r way too focused on separating them and acting like they have nothing in common and don't have the same goals#and both communities now tend to put a lot of blame onto aroace people because of stereotypes we never had control over in the first place#it's exhausting#like the aphobia is coming from inside the house#i didn't go through the ace discourse on tumblr to deal with this shit.
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vaniliens · 1 day
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Hiiiiiiii
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shiikiyun · 3 months
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my honest opinion about the "futa was guilt tripping es and only regrets what he did because hes in pain now" crowd, and by proxy, any criticism on the other prisoners' display of remorse or general attitude around their actions
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Didnt feel like copypasting this as a post the screenshots will have to do
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babygirltangerine · 11 months
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i often think about how the environment plays such a big role in the storytelling of the bullet train movie while also shaping the story itself, and all of the characters have such a unique way of interacting with their surroundings, with their belongings, and with objects in general. i'm also interested in the meanings they ascribe to these objects, so of course i have to make a post about it.
for the wolf, objects remind him of where he's been, what he's been through and what he's accomplished: we see his identity tied to the wolf pendant he'd been given as a boy, and he takes clothing articles from the people he kills (like the sunglasses, shoes, and hat) as he rises through the ranks of el saguaro's organization. it's also very meaningful that he wears his wedding suit to the train (and part of that is a belt that says mexico on it).
objects for tangerine signify who he wants to be - a lot of his identity management is wrapped up in portraying himself as polished, as wealthy, and as in control, and again, clothing and jewelry is a big part of this. also important to mention is his kleptomania and his compulsive need to accumulate as much as possible (which i interpret as a symptom of his growing up in poverty) and this is just one way the story clarifies that his image is an expression of desire and a crafted self rather than an authentic one. tangerine is constantly grappling for control and objects play a large part in establishing this theme, but objects are mostly in control of him, not the other way around.
objects for ladybug are tied to survival, not only for himself but for those around him. they're distractions and decoys, they buy time and disarm his opponents in intentionally non-lethal ways. he doesn't like guns. he doesn't like to kill, and he is incredibly resourceful in his pursuit of nonviolence. ladybug is in a constant state of damage control and the objects he chooses to discard or keep in his possession give him some sense of control over his bad luck.
objects for lemon provide a means of communication and a lens for understanding the world and the people around him. the sticker book objectifies the role thomas the tank engine plays in his life, and acts not only a reference for him to categorize personalities but also as a way to express his beliefs to those around him. percy sticker, diesel sticker, thomas sticker. i also like that objects for lemon tend to have protective qualities - the bulletproof vest saved him from the gunshots and tangerine's medallion saved him from drowning. when i rewatch the movie, i appreciate how this makes me feel like he's never in any real danger despite the massive target on his back as a black man ("i don't bleed").
objects for prince provide a way to get what she wants. she uses weapons - taser, rigged gun, explosives in the briefcase - and disguises to achieve her goals. she uses objects to manipulate people and paint a picture of herself as innocent and harmless. at the same time objects reveal her true nature, such as the shibumi novel she reads and the dangerous scissors-inspired hair clip. the hornet uses objects similarly. for her it's also all about stealth and weapons and disguises.
objects for shigeru relate to his past, the knowledge he's gained from it, his goals and his beliefs. thinking of the cane with the sword inside, how he fights with both, and the flowers - how he went into hiding and became a florist. we see him with flowers at various stages in his goal to get revenge on the white death (in the hospital room with wataru, as he boards the train, and when the white death has finally been defeated). when i think of shigeru and flowers, i also think of his trust in fate, the natural world and the forces of the universe.
for the white death, objects signify beginnings and endings. i associate the white death with his mask (again, identity management, the mask signals the birth of a new criminal empire and the emergence of its new leader) as well as the car he was meant to be in, and his robe and slippers. the beginning of his reign and the end of it, how objects symbolize his rise to power and the consequences he's now facing.
the importance of objects in the story can also be seen through the prominence of the briefcase, the water bottle, the rigged gun, the wolf's knife, and the tangerine and lemon truck, all of which serve a narrative purpose and have a presence in the story from the beginning to the end.
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pyjamaart · 3 months
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A looming presence... (A piece of fan art for Episode 11 of the Christmas Comeback Crisis)
Read more for an essay on all the memes and references ;)
So here it is. Finally. Only one month too late: This piece of CCC fan art I've worked on since the episode came out.
Sorry for the delay, but I just started at my new job this week and it's been a little stressful, so I didn't have much time to work on this. But now it's finally here!!! I gotta say, the hardest part by far was the background, lol. I didn't mean for it to escalate that much. At the end I was honestly running out of memes to draw.
I bet we can all agree that episode 11 of the Christmas Comeback Crisis was so worth the wait, right???? My god. Peak entertainment. I still can't believe I'm getting all this awesome lore and music for free, feels kinda criminal.
I'm so invested in this story, it's unreal. I can't wait to see how it will end. I can already tell it's gonna be pretty emotional. (And not to alarm anyone, but I have a slight feeling that the Voice is not gonna make it out of this story arc alive. I mean, after everything he's done, it's safe to say that he kinda deserves it. Of course I really don't want him to die, cause that would mean…….. Woodman would also have to die??? Otherwise the Voice will just keep coming back again and again because Woodman is keeping his memory alive…….. Oh man wait a moment….. I don't even want to think about that. Forget I said anything about this.)
Anyway, let's talk about this piece of art for a moment.
In the foreground, we have our brave protagonists. I really really like how Nozomi turned out, so I decided to make her my new icon from now on. Don't get me wrong, I love my old icon, but it's kinda zoomed out and you can't really make out any details when it's really small. So Nozomi it is. Meta Knights sword was shockingly difficult to draw, especially because I had to figure out how to draw it when he's holding it at an angle like that. Otherwise, drawing him was actually one of the easiest things about this whole thing. His design is really just two circles with some arms and armor. Figuring out how the circle tool in Gimp works has never felt this good. (Kinda crazy I can just draw him like this now, considering how obsessed with him I was when I was about 12-13 years old. Back then you had to download official renders of your favorite characters onto your computer, then print them out and hang them on your walls all around your room. Yeah I've always been like this.) Drawing Santa was really fun too, just his right hand was a little difficult. But that's just because I still can't draw hands in general. Maybe I should practice drawing hands more. (Naaaaaah I'm just kidding, I'll never do that.) Now that I'm looking at him again, he's also longingly staring at President Haltmann in the background. Doomed yaoi fr.
Speaking of the background, let's talk about that next. There's obviously the title-giving "looming presence" the Voice. I had his hands completely in the background at first, but I thought it looked cooler when they were hanging threateningly around Santa's shoulders. (You may ask yourself, 'man these hands look kinda alright for my usual hand drawing standards', and that is because I traced over pictures of my own hands. I love "cheating" at art.) I also gave him his stupid little bow tie and the colored buttons on his suit sleeves. Not only is that kinda my trademark for drawing him at this point, it's also supposed to show, that under all the threats and the evil villain persona, he's just kind of a loser. A real (male equivalent of a) girlfailure. That's why I made sure that half of the things shown in the background are there to make fun of him a little. I love the Voice dearly, but that's just what felt right.
And now let's get to the actual main course of this essay. I probably spent half the time working on this on the freaking background. I'm just gonna start in the top left corner and then go down each column and explain what each of these mean or what they reference. (Since there are some quite obscure ones in there.)
Let's start with the two ponies in the very top left. They're actually ponysonas of Nozomi Tojo (left) and Takane Shijou (right). Nozomi is an earth pony and has a tarot card as her cutie mark, specifically the ace of cups. Takane on the other hand is a unicorn and has some musical notes as her cutie mark, which you can't really see. I don't know enough about the Idolmaster to think of something more meaningful for her, sorry. ;)
Under that are Susie Haltmann and her father, President Haltmann. They were (after Woodman) the first characters I wanted to draw into the background. Susie has this black bar covering her face, since she was never really there to begin with. The whole story line with her father wanting to bring her back was actually so freaking sad. And when the Voice killed him in episode 11 and that image of Susie flashed on screen as the last thing he saw before he died….. Oof……… That's also why I drew that cursor looming next to her "window" about to click on the closing button. Haltmann himself is also the only character in the background to actually leave his little window, wanting to reach his daughter. He's also glaring at the Voice for causing him all of this grief and anger in the first place with his false promises.
Then there's…. ahem, "Hot robots in your area". With drawings of a random unnamed robot and Mettaton from Undertale. Which the Voice has apparently bookmarked. This is just a head canon, but I like to think he has a thing for robots, lol. ;)
Oh and on the left next to that on the very first column is Simpleflips' logo. Shoutouts to Simpleflips indeed.
Onto the next column. At the very top is Haruka Amami (also from the Idolmaster), who played a pretty huge role in the CCC, especially in the latest episode. That moment at the very end where she saved Grand Dad from certain death was just fantastic. Absolutely goated scene. She's kinda pressing her face against the window she's trapped in. I hope you can even see that from far away, haha.
Under that is one of the more obscure references. It's from a King for Another Day video, specifically one titled "The Hobart Hootenanny - SiIvaGunner: King for Another Day". It's a slideshow made of beautiful Hobart pictures. One that struck me personally the most was a little family picture of Hobart and the rapper Eminem, who was also a contestant in the KfAD tournament, looking lovingly over their son sitting in a cradle. Eminem is seen saying "Our son is beutiful". A truly touching photograph indeed. In that same slideshow is also another scene of Hobart together with the Voice, but we'll talk about that one later.
The next one is a reference to the CCC side story "I wanna thank me" and shows a pie chart with the election results that were discussed in that episode. Under the pie chart itself is a little box containing all the different parties and showing their respective percentages. On the left is a poster for the "Poké Poké Literature Party", showing Monika's head with the words "Just vote Monika" at the top of the poster. The words (and Misha.) are scribbled on the bottom, lest we forget that she's not running this party alone. This side story was first featured in the Christmas Comeback Crisis Watchalong in 2020, which was actually the first time I watched the CCC in its entirety. It all went downhill from there. ;)
Then there's the Voice's… thing? Object? Weird apparatus where no one really knows what it does or what its purpose is? Every time we see the Voice sitting in his office, this thing is sitting on his desk right next to him. There's been loads of jokes about its purpose. They've all been made before. I'm not going to repeat them. Only the Voice himself truly knows what this thing does. Probably. Could just be a decorative piece of art.
Then we have something veeeery self indulgent on the next column. It's Aquaman from Megaman 8 (With a not so subtle skull right next to him). You should all know by now that I'm the founding father of the Aquawood ship. And I also have the head canon that Woodman and the Voice are very divorced. Interpret into this whatever you want.
Next to Aquaman is the internets' favorite panel from the web comic Tails Gets Trolled. I fucking love that comic. If you haven't read it in its entirety, I highly recommend doing it. (Though be warned that it contains some pretty heavy topics, many many slurs and a plethora of gore.) Okay, maybe I don't recommend reading it. (Just read it with all of that in mind.)
Under that is a personal favorite joke of mine. It's supposed to be Spotify, with a playlist open that I created some time ago. I called it "Die Pizza Playlist" (Remember that die in German is just "the") which I always listen to when I'm baking my own pizza. Highlights include "Pizza" by Antilopen Gang, "Pizza Heroes" by Lemon Demon (You can actually see the album art for Spirit Phone on the left of the playlist.), "Pizza Pizza Pizza" from the Ratatouille musical and so on and so on. The first song in the playlist is obviously "We like pizza" by the Pizza kids, which is even playing in the image. On the side are two more music artists, at the bottom is the image for the Veggie Tales soundtrack, which also featured a song called "Pizza Angel". And over that is Mitski. I just feel like the Voice would listen to her music. Do not question me on this.
The audience laughs at the funny 7.
On the Voice's left shoulder sits a single green bean. It's flashing you a cheeky grin and a peace sign. While I didn't intend for this to happen, I accidentally referenced my own Woodman birthday gallery art from two years ago, where the bean also sits atop the Voice's shoulder. I know that next to "Yankin'", the bean is one of the most hated memes on SiIva, but I think he's just a silly little guy! :D
Let's head on over to the next column. Seems like the Voice has an incoming call from one of his guards, but he's ignoring it as he has more important things to do, like hovering intimidatingly over Santa Claus.
Next to that window on the right are the Voice's messages. I almost wrote "messanges". That would have been embarrassing, thank god I caught that in time. This is also (yet again) a little self indulgent, since the Voice apparently has the last message he sent Woodman pinned to the very top of his messenger app. His big triangular head is blocking most of it, but since I'm the artist, I can tell you exactly what it says: "Please call me back", which was sent on February 1st 2023, the day "The Disappearance of Woodman" was released. Yeah, I'm still very upset, how could you tell? :( Under that is a message to his trusty pizza guy asking for a pizza with extra cheese.
Next we have two of my favorite memes on the SiIvagunner channel (My absolute favorite being "Funny budots", since I never wrote that down anywhere.), one being Frisk Undertale becoming uncanny and the other one being the goat. I don't really know how to describe the goat, but apparently it was crafted by the same artist who made the stoned fox that's also very popular online?? I may just be stupid, but I didn't know about that until I looked up a reference for the goat. Since it often appears alongside Undertale and Deltarune, many have made the assumption that this is what Asriel would look like in real life. That's why Flowey is there next to it with an equal sign. Whoever drew up that calculation wasn't really sure of their work, which is why they drew a question mark right next to it. Between Frisk and the goat is a little Soul, also from Undertale/Deltarune.
Onto the next column, where I'm dropping very subtle hints that a specific character in this image might like pizza. Or might even be a little obsessed with it. On the left is a list with the contact details of three well known pizza chains, on the very top is Sonic the Hedgehog who just recently became a brand ambassador for Totino's and on the bottom right of this section is a flyer for some kind of pizza sale.
The next window contains my favorite joke of any rip on the entire SiIvaGunner Youtube Channel. "Peepoona 5. Let us shart the pants." Just typing this out is making me die of laughter yet again. (The rip in question is "Our Beginning - Persona 5".) But as you all know, I am very into toilet humor. That's why Aquaman is one of my favorite robot masters. And why I'm such a big fan of Youtube Poop. And why I watch Minion fart gun religiously. But enough of that, you get what I'm trying to say. I love funny poop jokes. That's why this is here.
Oh man. This next one is why I wanted to write this very detailed essay in the first place. A reference so obscure, even I can't find its origin anymore. And believe me, I tried. Thankfully, I took a screenshot of the original comment thread this was based on. A user called "The New Guy" commented on a SiIvaGunner rip, something along the lines about how much they enjoyed this specific rip. At the time, the comment had 920 likes, so I'm guessing it must have been a pretty popular video. (The comment should also be about 4 years old now?) Anyway, under that comment, someone asks them what their profile picture was from. They simply answered "wagon", since that was exactly what their profile picture showed. Someone on the SiIvaGunner team must have found this exchange so funny that they commented "wagon" as well. And that's the origin of this joke. If anyone knows which rip this is from pleeeeaaaase tell me. I need to know.
I don't think I need to explain who the next guy is. Just the love of my life. I specifically drew Woodman in his getup from the Nuclear Winter Festival, since that was the last time he appeared on the channel. He's looking kinda concerned in the general direction of the viewer, for obvious reasons. And right under him is his trademarked >:] emoji.
And last but certainly not least, the final column! Now I finally get to talk about this other scene from the Hobart Hootenanny. It shows Hobart and the Voice having a romantic stroll at a beautiful beach, while the sun is slowly setting in the background, making the water shimmer with its breathtaking colors. Okay, the last thing didn't really happen, since it's a shitty MS Paint drawing, but I like to imagine it did. Maybe I should draw a remake of this image one day. Now I'd like to quote the video in question: "A man and Hobart were walking together on the beach. He looked back and saw that in his times of sadness and need, there was only one set of footprints. He asked Hobart why he would leave him in his time of most need. Hobart simply turned to the man and said, VVVVVRRRRR SRRRRR RRRRGGGHHHH--" (Thank you SiIva Wiki for the transcription.) Now I don't think I need to explain why I drew Hobart in a bikini top and fishnets. The question answers itself.
The next image is actually quite easy to explain. It's mm5charge and smol Maki. In another universe, Chargeman and Maki might have been integral to the SiIvaGunner lore. This specific image is just stolen from my piece of fan art called "Megaman 5 Brainrot (featuring Acidman)", which I posted in 2022. I still head canon that Megaman and Love Live take place in the same universe. Just because I think it's funny. And because I want to see funny robot masters interact with the girlies from Love Live. How do I explain this? It's like…. balancing out the world? The robot masters are almost all male (with a few exceptions) and the characters shown in Love Live are all female. How would Thanos say? "Perfectly balanced, as all things should be." Don't question my cool head canons, okay?
After that we have a poster featuring the Jazz Cats! I really really love the little animations that showed their backstory when KfAD2 first came out. I don't know if it's okay for me to say this, but I also really really enjoy the song "But Not You" written (in universe) by Doge and Naxx. The text is veeeeeeery questionable, but man, does it sound good regardless… And shoutouts to wolfman1405 for the heavenly vocals.
On the right of that is a missing poster for Wade L.D.. Nothing much to explain here I guess.
Left of that is the Voices shopping list, which lists flour, oil, yeast… Wait a minute…. All of these are ingredients for pizza dough! Guys, I'm beginning to think that this guy might like pizza.
On the very bottom of this column is Mario 7 Grand Dad himself, who has his hostile gaze directed at the Voice. I would be pissed off too if someone kept me locked in a glass tube for 7 years.
The last little window just shows the Vineshroom with the words "fecal funny" written under it.
And with that, it is done. The entire background thoroughly explained. (I may have gone a little overboard this time.)
It's been a while since I posted new art, huh? In the meantime, a lot has happened. As I said before, I started a new job, got a tattoo of Woodman on my leg (best idea I've ever had btw) and I also started watching MLP, which explains the Love Live / Idolmaster ponysonas, lol.
And that's all I wanted to say. I hope that the next piece of art isn't that far off. Jenny out. (I think this might have been the longest essay I've ever written here. I'm so sorry. By which I mean, I'm not sorry at all. I'm not forcing anyone to read this.)
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