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#phew this was a lot of work
bts-trans · 10 months
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230805 RM's Instagram Stories
(https://instagram.com/stories/rkive/3162055826955650046) (https://instagram.com/stories/rkive/3162059962447181570)
(T/N: The photos show excerpts from The Agony of Eros by Han Byung-Chul.)
Picture Translations:
...constitutes an essential element of experiencing Eros. Heterogeneity is what dictates the essense of an entity that is not one's own self. And the reason one tries to find this quality in a strictly primitive relationship belonging to Eros - that is, a relationship that cannot be translated with one's existing abilities - lies here. The absoluteness of what one can do is what destroys another person. A successful relationship with someone else is regarded as a sort of failure. This is due to the other person being able to reveal themselves solely through the fact that they can't. "Can we really specify this kind of relationship of Eros related to the other person as a failure?" and once more the answer is "yes, we can" if we were to accept the terms commonly exercised in the description of Eros just as they are. This is so when you try to define Eros with words such as 'to grasp', 'to possess', 'to know'. Those concepts do not exist within the sphere of Eros. From time to time, Eros causes these concepts to fall. In a scenario where we were able to own, grasp and know the other person, it would no longer be someone separate from us. 'To possess', 'to know', 'to grasp' - these are all synonymous to being able to do something.
Today, love has become something positive and has, consequently, transformed into Sexualität: sexual love that falls under a system that awards individuals on their abilities. Being sexually attractive is an asset that needs to continue to grow. A body that is valuable in the way it presents itself will be different from...
...it is neither an abnormality, plot or drama; it is simply an insignificant emotion and the feeling of being aroused. Now, love is unfamiliar with the negativity that comes with wounds, ambush and loss. Even the mere act of falling in love is already too negative as it is. However, it is exactly this negativity that forms the essence of love. "Love isn't just a single possibility. It isn't created depending on our initiative. Without prior warning, love ambushes us and inflicts wounds upon us." A society that is governed by meritocracy, a society where everything is possible and a society where initiative and projects are everything is unable to access love characterised by wounds and agonised passion. Sexual love and romantic love also cannot escape the principle of achievement that dictates every aspect of life in this age…
흘러가버린 작품들의 경우, 지금 우리에게 들려줄 이야기가 있는지가 가장 중요하지 않을까. 마치 우리 네 옛 어른들처럼. 여기 퍽 좋아하는 말을 첨부해본다. 모든 영화는 현재형으로 다가온다. (https://instagram.com/stories/rkive/3162353181257045551)
With pieces of work being lost, isn't the question of whether there are stories we can now tell of the utmost importance? It's as if we're aged-up adults. I tried to add in phrases that I'm quite fond of here.
Every masterpiece draws forward towards the present.
Trans cr; Eisha Typeset cr; XPXOXD @ bts-trans © TAKE OUT WITH FULL CREDITS
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lynxgriffin · 6 days
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Eldritchrune - Dreemurr of Sacrifice
1 | 2 | 3
Story Setup Eldritchrune Masterpost
Back in the light world, Asgore is still dealing with the heartache of the sacrifice, even months later. Mayor Holiday is still set on moving ahead, though!
Yay, it's nice to finally get back to some light world characters here! More with the Dreemurr family will be coming along soon!
Alt text for these pages under the read more:
Page 1 Panel 1: a landscape shot of the Holiday house and surrounding garden, with Rudy and Asgore outside the fence and hollybush hedge. The Delta Rune is emblazoned over the door and spiky snowflakes decorate the roof and fence.  Asgore is walking by with a wheelbarrow. Rudy: “Asgore, you old goat! Been way too long!” 
Panel 2: A closer shot of the two men- Rudy is slim and dressed in a crisp tunic, Asgore larger and wearing slouchy overalls. Asgore: “Howdy Rudy. You’re looking well!” Rudy, hand on his knee, bends over to hack and cough. Rudy: “Oh y’know… well enough, I guess! How’s business?” 
Panel 3: Asgore looks down,ruefully scratching the back of his head. His wheelbarrow is full of droopy plants, ready for planting. “Could be better… Those soldiers hassle me almost daily. But, I’ve gotten used to it, so it’s all right.” 
Panel 4: Rudy puts a comforting hand on Asgore’s shoulder. “Aww hey, you can complain to me any time…” he says. Asgore doesn’t avoid the touch but he doesn’t seem comforted. 
Page 2 Panel 1: close up on Rudy, who jerks his head to look as far behind him the door of the Holiday house opens to show the silhouette of a woman in a long dress. 
Panel 2: Rudy: “But uhh, I’ll let Carol here say her piece first. See you, Asgore!” He waves and pushes the gate open to go back to the house. Asgore looks taken aback. 
Panel 3: A textless landscape shot of the front of the yard. Rudy, halfway back to the house, turns to look behind him as Carol comes out of the large Holiday gate to meet Asgore, who is hunched in a half-bow with his hand over his heart. 
Panel 4: Asgore: “Howdy, Mayor Holiday.” He doesn’t look up at her, and we see only the back of her head, not her face. Carol: “Good day, Asgore. I appreciate you stopping by, as I wanted to inform you personally.” 
Panel 5: Carol leans into Asgore’s space, and he leans away, cowed. Neither of their eyes are visible, but we see their mouths: hers stern, his distressed. Carol: “We will be conducting the Ritual again in three month’s time, at the harvest moon. You and Toriel’s presence is required.”
Panel 6: Bust shot of Asgore, dismayed. “A…Again? You’ve… found another one?” His hand is still protectively over his heart. 
Page 3:  Panel 1: We see Carol’s face for the first time: she is severe looking, with medium length hair, a stiff dress, and a choker necklace and ornate belt. Her hand is also over her heart, though more like a formal salute. “I have tasked QC with obtaining the child.” 
Panel 2: Carol’s speech bubble continues as narration. “She’s been quite diligent in her duties, and believes we now have one open to the concept of self sacrifice.” The scene shown is QC- a friendly, soft woman with wildly curly hair- appearing to be at a street market. She is speaking to a child with a bandana neck scarf (Clover, from UT Yellow), but there’s no dialogue. 
Panel 3: Another shot of Carol in profile, gaze fixed intensely ahead. “With the Ritual rites already perfected, this time we will be successful.” 
Panel 4: A wide shot of Asgore, hunched over his wheelbarrow of wilty plant starts and flowers. There’s no dialogue. His expression is despondent. 
Panel 5: Carol: “Is there something you’re withholding, Asgore?” Asgore: “No. We’ll be there.” We don’t see his expression. Her hands are folded sternly in front of her. 
Panel 6: She moves once again into his space, pushing past the wheelbarrow to lean in. “I know that you two have been avoiding us in public since the last Ritual.”  Asgore cringes away like a dog that’s been scolded. 
Page 4: Panel 1: Carol continues. “Toriel has hardly spoken a word to me since then. I trust there is an explanation?” 
Panel 2: Asgore wrings his hands in front of him. His speech bubble covers up his eyes, but his mouth is downturned. “Carol… Toriel avoids you so much because she respects you. She does not want a confrontation.”
Panel 3: Carol, her expression still severe, almost angry. “A confrontation?” 
Panel 4: Asgore, still cringing and looking down: “I don’t know.. if I can explain just how badly losing Kris hurt.” 
Panel 5: His narration continues from the previous panel. “She’d be so cross if I knew I said this, but…” We see the past, Toriel kneeling and clutching the blankets of an empty bed, crying hard. Asgore kneels beside her, holding her shoulders. He’s crying too, unable to comfort her. “The night of the sacrifice, when we got home… Toriel collapsed and wept so long and hard I was afraid her heart would simply stop.” 
Panel 6: Sill the past with present Asgore’s narration over the top. “And then, once Asriel left too… Both of our children were gone.” Left to right, in the interior of the Dreemur’s house, Asgore stands dismayed as an unhappy Toriel rushes after Asriel, who is walking out the door with a bag on his shoulder. He’s looking back but is clearly set on leaving. 
Page 5 Panel 1: Back in the present, Asgore is even more hunched in on himself, hugging his fists to his chest with his expression drawn tight and sad. “I know Toriel acts as though she is fine, but that’s simply because she is stronger than I am. The tension between us is so terrible that I’m afraid she’d leave me if she had somewhere to go!” 
Panel 2: Close on his distressed, panicky face, looking away from the confrontation. “And part of me can’t help wondering… w-what if we were…”
Panel 3: Carol jabs a finger in Asgore’s face. “We. WILL. Be rewarded for our sacrifices. Of this I am CERTAIN.” She’s stern, but her fists aren’t clenched- she’s controlled. Asgore shrinks under her words, looking up at her as he stammers “I-I know, but…”
Panel 4: Carol’s speech: “You talk of heartache. Kris was not even your child by blood.” Asgore looks down, ashamed. 
Panel 5: Carol continues, hand splayed over her chest. For the first time her expression is something other than stern, perhaps angry- still that, but pained. “Do you think your pain is greater than the one I feel, for December? Whom I gave away first?” 
Panel 6: Asgore plucks at his sleeve, looking away guiltily. “No, of course not-” 
Page 6 Panel 1: Carol’s brief moment of any other emotion is gone. She sweeps her arm to the side. “And yet I have put aside my grief for years, all for the sake of you, and everyone else, in this town. I will do whatever it takes to drive this invader from our doors, and restore this town to the peace it once had.” 
Panel 2: Carol’s face is almost a snarl. “All I require is that you, my oldest friends, trust me.” Asgore looks abashed. 
Panel 3: Close on Asgore’s downturned mouth, so none of the rest of his expression is visible. “Of course. Of course we do.” 
Panel 4: Carol draws away, her face returned to calm sternness. “That’s good to hear. Our children don’t need our tears.” 
Panel 5: Carol turns to go back into her gate, dismissing Asgore with a wave. “But our town does need our efforts.”  Asgore watches her go, putting his hands back to his wheelbarrow. 
Page 7 Panel 1: Another wide shot of the Holiday house and gardens, with Carol walking back to the house and Asgore outside the gate. Carol: “So I’ll see you both at the next gathering.” 
Panel 2: Asgore looks down at his wheelbarrow, despondently. His plants are all notably wilted. “Good day, Mayor.” The sky behind him darkens. 
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starflungwaddledee · 6 months
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from: @starflungwaddledee to: @post-it-notes7
message from santa: "happy holidays post-it-notes! 🎄🥳 i know you very politely only wished for a few modest things- characters high fiving, or struggling in christmas attire- but i hope you'll still enjoy this given that i kinda went the opposite direction entirely! i'm an enormous fan of your work and most times you post anything i wind up browsing your art tag from tip-to-tail in enraptured delight. as such, i thought it was only fair i give back something a little more significant in gratitude for all the joy your work has given me. i knew i wanted to do a comic, so i was thrilled you already had a whole storyverse for me to work from!! this scene seemed the most obvious choice (chapter 8 of "wishful thinking" on ao3) given that i enjoy a dramatic fight scene 😂 i tried to stick as beat-by-beat to the writing as i could and worked in as many details as possible; i hope it'll be fun to see it envisioned this way! merry christmas! ~starflung 🎀🔔 "
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ask-looks-to-the-moon · 10 months
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With all (All!) due regards from the (by spiritual splendour eternally graced) people of the Five-hundred-and-ninety-second High Convocation of the True Anointed Citadel, do hereby Wish to thank you for your Loyal and Relished services, and to Offer our Hopes and Aspirations that the Honourable and Righteous Cooperation between our people and yourself may continue until that Glorious moment when the last of us has joined our most Admired peers in spite of current Events!
It is with Honour I, Eight Bogs under Warm Starlight, of the House of Ten Bones, Count of two living blocks, Counsellor of 1, Duke of none, Humble Proprietor of the Convocation of the True Anointed Citadel, do write this to You on behalf of our Organization:
We seek your Thoughts, Opinions, and possibly Feelings (insofar as you find yourself capable of the latter, being Transcendent and Greater as you are!) on the issues that Surround the Imminent Completion and Activation of the Apostate Superstructure Abomination which has been allowed the Outrageous Blasphemy of being allowed to place shadow upon the Divine Body of the True Anointed Citadel.
Sincerely, Eight Bogs under Warm Starlight, of the House of Ten Bones, Count of two living blocks, Counsellor of 1, Duke of none, writing to you on behalf of the Five-hundred-and-ninety-second High Convocation of the True Anointed Citadel.
May your cycles be Fruitful and your recovery from the Present Situation regarding Oversights of Scalability and Sustainability on account of your Flawed and Humble Occupants be swift.
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usernameproxy · 1 year
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it's my very first 413 and i wanted to celebrate it with an art piece!
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crownedinmarigolds · 1 month
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Another batch of quick sketch commissions! Some of my favorite things to do that really help keep the flow going between my bigger comms! Thank you so much everyone gahhh these are so fun.
Two drawings of Rhea, a Malkavian for a dear personal friend! <3
Azriel the Gangrel, Magdalena the Lasombra, and Cass the Salubri, @insatiablewit's coterie! :D
Montgomery the Ventrue for our darling @chiss-ticism!
Jim the Super Mutant (he wants to be your buddy!) for @guayotaiswriting!
The stunning Julian the Lasombra for the stunning @vampiremood!
Thank you again!
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icantalk710 · 4 months
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This semi-mild cold has been an annoying start to this week 🤧😪
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ssreeder · 2 months
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I'm so looking forward to iroh and zuko properly talking and seeing irohs reaction to zuko being gay.
Like we all know he doesn't agree with the fire nation rn but how will he react?
Will he not support him cause sokkas a guy? Will he not support him because it's SOKKA? Will he accept him? Will he reveal he's known for years zuko was gay?
Especially with everything that happened with zhao, regarding to what jee said to bato on their date. (Which is a very understandable perspective, zuko just got out of this very sexually traumatising situation and almost immediately starts a relationship (his first relationship) with sokka, but then again it is a very unique situation)
One thing I love about some atla fics is how they portray the FNs thoughts on queerness, cause on one hand they were one of the only country's (I think) that treated men and women the same but then again it's also the fucking fire nation.
And I also think zukos whole canon arc can be very comparative to queerness,
His dads an asshole and after speaking out against him he throws him out, and zuko try's for 3 years to regain his father's love and acceptance, and then faced with the opportunity of regaining it takes it immediately regardless of who or what he may hurt (iroh, his own morals etc) but once he makes it back home realises how fucked up everything is and eventually confronts his dad and openly tells him he doesn't agree with him then runs aways.
I also wonder if iroh secretly knows jee is queer it doesn't seem that likely to me but it also is iroh so who knows.
<3
I do think Iroh’s reaction will be a big moment for not only the story but for Zuko’s character development. Right now, Zuko’s technically still a prisoner, holding himself there by assuming Iroh will not understand or judge him when in reality he’ll never know what his uncle is thinking until they TALK ABOUT IT. (Which the FN royal family is just sooo good at healthy communication I don’t understand why this is so hard for them lol?!)
I do agree that the suddenness of the relationship combined with the intensity from both zuko and Sokka is very alarming for people looking at it from the outside (I mean we all totally get it cause we were there but others are like uhhhh hmmmm ok this might be concerning) so I get them gossiping and wondering if this is truly real or what the fucks going on with those boys.
I love Zukos canon arc because there’s just so much about zukos story that can be relatable no matter who you are and I think that’s why he is a fan favorite (it doesn’t explain why we torture him the way we do but ehhhh it’s fine haha)
Hmmmmmm does iroh know Jees gay? Depends on how saucy those music nights got ;)
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pagesofkenna · 2 years
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there's a post in the tag about someone wishing to see more Omar in D20 and I agree, but it also reminded me about how a year ago a few RPG streamers I like started Power Play, and I never ended up watching it, and I just recently learned that Omar was in that and I could have seen what an awesome player he was long ago if I just had watched it
and then I got to thinking about how many cool actual plays are out there that don't have the budget that Dimension 20 or Critical Role have, but tell really cool stories with really good players regardless! And a lot of these players deserve recognition, but there's so little space to showcase new players for audiences who only watch D20 or CR
so anyway I compiled a list of every single actual play Omar has been in (at least, those I could find VODs for)
Power Play: actual play of Icons, a silver-age inspired superheroes rpg, hosted by QueueTimes! It's played remotely, about 59 episodes long, and includes several one-shots where (I think?) they play some other game systems as well
The Borros Saga: Banesbreak: actual play of Dungeons and Dragons, hosted by PixelCircus! Played in person, about 12 episodes long, with some one-shot vignettes. Aabria is also a player here!
Monsters and Fables: actual play of Dungeons and Dragons, hosted by the official D&D channel! Played in person, 6 episodes long
Buffy the Vampire Slayer RPG: actual play of Dungeons and Dragons, hosted by Hyper RPG! Played in person, about 9 episodes long, and half the time Omar is DMing!
Balboa Cantrip Academy: actual play of Kids on Brooms, a rules-lite magical school rpg, hosted by Hyper RPG! Played remotely, and only 3 episodes long (Episode 2, Episode 3, on Twitch)
Pugmire: Homeword Bound: actual play of Pugmire, a simplified D20 with dogs, hosted by Saving Throw! Played in-person, only 3 episodes long
The Last VHS Store: a 3-episode series hosted by Saving Throw, where Omar GMs a lite D20 system he designed himself! All in-person
Carrier Penguins: a series of 4 one-shots hosted by Saving Throw, playing Lasers and Feelings, an easily hackable lite system. Ep1, Ep2, Ep3, Ep4, all in-person
Oneshots specifically:
Aces in Space charity stream with QueueTimes, playing Blue Shift - remote
The Golden Girls charity stream with PixelCircus, playing Lewd Grannies - remote
The Gauntlet s2e2 with Hyper RPG, playing Pathfinder (Omar later GMs the 8-episode s4) - in-person
Spy Island ep1 with Hyper RPG, playing ?? (an ad-hoc mafia/werewolf rpg) - remote
(And here's just a truncated list of his Saving Throw oneshots, bc there's a lot: Scooby-Doo rpg playing Wildlings, Lasers and Feelings with the Doubleclicks, House of 100 Nightmares GMing Dread, John Wick charity stream playing Lasers and Feelings)
Game the Game (board games instead of tabletops RPGs) with Geek and Sundry, playing Pitchstorm, Aftermath, and Scott Pilgrim - in-person
He was also a campaign guest player in Failed Save c2e3 (D&D, PixelCircus), Damsels, Dice, & Everything Nice s3e2 (D&D, PixelCircus), and Ironkeep Chronicles ep21 (D&D, Saving Throw)
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dustbunnybell · 5 months
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⋆。°✩EII & IEI + Enneagram Subtypes⋆。°✩
Names under the cut
EII sp4:
Belle (Beauty and the Beast)
Fyodor Dostoevsky (Writer)
August "Auggie" Pullman (Wonder)
Dr. Kenzo Tenma (Monster)
Taeko Okajima (Omoide Poroporo)
Hayao Miyazaki (Movie Director)
Sufjan Stevens (Singer)
Kanade Yoishaku (Project Sekai Colorful Stage)
EII sp6:
Bruno Madrigal (Encanto)
J.R.R. Tolkien (Writer)
Armin Arlert (Shingeki no Kyojin)
Fear (Inside Out)
Cal Kestis (Star Wars: Jedi Fallen Order)
Chihiro Fujisaki (Danganronpa)
Charlie Brown (Peanuts)
Izuku "Deku" Midoriya (Boku no Hiro Akademia)
EII sx9
Wall-e (Wall-e)
Robbie Daniel Skinner "Cavetown" (Singer)
Legoshi (Beastars)
Mantis (Marvel Cinematic Universe)
Mafuyu Sato (Given)
Eleanor Crain (The Haunting of Hill House)
Suzu Naito "Belle" (Ryu to Sobakasu no Hime)
Shion (no.6)
EII so9:
Fred Rogers (Television Host)
Padmé Amidala (Star Wars Prequels)
Glamrock Freddy (Five Nights at Freddy's: Security Breach)
Frodo Baggins (Lord of the Rings)
Lucy Pevensie (Narnia Chronicles)
Tanjiro Kamado (Kimetsu no Yaiba)
Makoto Naegi (Danganronpa)
Kenshin Himura (Rurouni Kenshin)
IEI sx4:
Lana del Rey (Singer)
Gaara (Naruto)
Davy Jones (Pirates of the Caribbean)
Musa (Winx Club)
Gerard Way (Singer)
Johan Liebert (Monster)
Searan Choi (Mystic Messenger)
Jason "J.D." Dean (Heathers the Musical)
IEI so4:
Diane Nguyen (Bojack Horseman)
Jean-Jacques Rousseau (Writer)
The Little Prince (The Little Prince)
Guillermo del Toro (Movie Director)
Hans Christian Andersen (Writer)
Napstablook (Undertale)
Sadness (Inside Out)
Bingo Heeler (Bluey)
IEI sx5:
Amélie Poulain (Le Fabuleux destin d'Amélie Poulain)
Aurora Aksnes "AURORA" (Singer)
Lemon (Bullet Train)
Friedrich Wilhelm Nietzsche (Philosopher)
Korekiyo Shinguji (Danganronpa)
Yuri (Doki Doki Literature Club)
Spectra Wondergeist (Monster High)
Elsa Korr (Jojo Rabbit)
IEI sp6:
Mitski Miyawaki (Singer)
Raine Whispers (The Owl House)
Carrie White (Carrie)
Yoon Bum (Killing Stalking)
Yoosung Kim (Mystic Messenger)
Spider Demon Mother (Kimetsu no Yaiba)
Veronica Sawyer (Heathers the Musical)
James Sunderland (Silent Hill 2)
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melody-starlight · 7 months
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🩷🌸🌺PINK🌺🌸🩷
Aaaaaaaa I love how it turned out <33 I worked so hard to make these so likes and reblogs are pretty appreciated 🥹🩷🩷🫶🫶♥️♥️
I wanted to make a fan art series with each different color, which means I will draw OCs with their own color themes!! ^^ (you know what i mean, i am bad at explaning stuff xD)
I started off with Pink cause it's my favorite color 🌸🥰🥰💗💗💗
I hope you like it!! <3333 (ノ◕ヮ◕)ノ*:・゚✧💖💖💕💕💕💕
I DO NOT OWN THE CHARACTERS!! I ONLY OWN THE ART!!
Utena for @pja-party
Cocoa for @apendixisapain (I got it wrong at first, I am sorry qwq)
Maya for @animatoonstudios
And Razz for @onecupofsugar
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stardustedwanderer · 4 months
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.....There appear to be some. Variations? On this effect..
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medi-bee · 1 year
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Fortune Amidst Misfortune (more lore)
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From nearly the beginning, Fortune Amidst Misfortune held little interest for solving the Great Problem. Soon after his creation, his interest was caught by the biological behaviors of his parents' species, the Ancients, which quickly expanded to the biological mechanisms of all natural species. He kept only just enough of his processes dedicated to the Great Problem to keep his creators satisfied, and when they faded out of existence, he wasted no time reclaiming his processing power back from the useless simulations.
Fortune dislikes social interactions with both the Ancients and other iterators. He can appreciate the social behavior from a distance, but being forced into one-on-one interactions make him incredibly uncomfortable and tense. His small local group were quick to realize this, except for one: Thirteen Thoughts of Lights Above (redesign pending).
Thirteen Thoughts of Lights Above is especially oblivious, but well meaning. She is considerably more "mechanized" than the other iterators, and has difficulty with social cues. She only ever reaches out to communicate to her neighbors with good reason, but she tries her robotic best to be short yet polite about it. Fortune is more tolerant of her then he is with the rest of the local group.
(Insert here a few dozen cycles of sparking interest in yellow lizards specifically. Fortune raises a handful of these genetically altered lizards, training them as best as he could while in his stock bipedal puppet. Fortune did manage to figure out a way to disconnect and reconnect himself with his umbilical, but his experience while detached was so horrible that he only did it a couple times and never again. And then the antenna-less yellow was born, and the pack project was discontinued.)
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And so when Fortune Amidst Misfortune could no longer emotionally nor physically handle being stuck in his stock puppet (with its thin, too fragile build), he eventually had to turn to Thirteen for help. He has only basic knowledge of engineering, and something as advanced as building a new compatible, maneuverable, and sturdy puppet is out of his capabilities. Thirteen was happy to lend her knowledge and be of assistance. Besides for her, Fortune kept his puppet-revamp hush hush (at least until later on, when investigating overseers spill the secret).
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Nowadays, he mostly spends his time researching the wildlife up close and getting assaulted in return. His can, settled into the side of a cliff above a biologically diverse hotspot, has two wings dedicated to holding subjects of study (mostly genetic experiments fueled by curiosity, with the occasional pity-case).
Slugcats would be the obvious choice for any genetic tampering, with how malleable-yet-stable their genes are, but... among his first experiments in the beginning, Fortune abducted a few specimens from the nearby colonies so that he could sample their DNA. And although they were later returned to the wild more-or-less unharmed, they must have somehow communicated their experience with the rest of them, because after that point Fortune would be harassed on sight whenever he got anywhere close to the colonies. So, slugcats? No longer a viable option.
Fortune tries to keep a code of ethics when working with his specimens: no harm without cause, no releasing unnatural organisms into the environment, etc. And he mostly succeeds at this! But there was one notable case of several breeding specimens escaping: batfinches. A splice of batflies and vultures. A small, gas filled prey animal. They invaded the local ecosystem, and even though things balanced out with time, for a while they had been devastating the lowest tiers on the ecological pyramid. They're pretty cute though, so worth it maybe?
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Enter the current era with his darling devil lizardslug, Nips at Neurons.
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chirpos-pencil · 1 year
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!!!WARNING: BLOOD!!!
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To The Rescue!
Makoto's and Komaru's parents fight against Ultimate Despair with the help of the Resistance in order to rescue their children.
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shkika · 4 months
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aightbronormalyimakeajokebutifuckingcantcauseyourjustactualyreallygood You are very talented and creativeeeeeeeeeeeeeee thethings you draw is coollll uhmm!!!
stay gold Dogboy
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Ahhh!! Wow thank you so much The dogboy will do his best o7
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minzbins · 11 months
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MY TOP 10(-ISH) SONGS FROM JANUARY TO JUNE 2023 (in no specific order)
fireworks – aimers // self-portrait – park woojin ft. kim jaehwan turning point – dkb // madness – moonbin & sanha (astro) macarena – blitzers // drowning – woodz halley's comet – oneus // coco colada – dkb midnight sky – xodiac // unblown – giuk ft. aden save me, kill me – cix // fnf – stray kids i need love – dkb // beautiful liar – monsta x ► LISTEN TO THE FULL PLAYLIST "THIS IS 2023" HERE!
thank you sooo much @jwoongz, @davinciae, @changbeens, @lee-minhoe, @ambivartence and @shorelinnes for tagging me 🧡🧡🧡
i feel like i'm very late to this so i don't really know who to tag skdsnkjlf but if you haven't done this and want to do it, feel free to say i tagged you 🧡
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