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#phantom stuff
tearlessrain · 1 month
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please help me- i used to be pretty smart but i’m having so much trouble grasping the concept of diegetic vs non-diegetic bdsm!
gfkjldghfd okay first of all I'm sorry for the confusion, if you're not finding anything on the phrase it's because I made it up and absolutely nobody but me ever uses it, but I haven't found a better way to express what I'm trying to say so I keep using it. but now you've given me an excuse to ramble on about some shit that is only relevant to me and my deeply inefficient way of talking and by god I'm going to take it.
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SO. the way diegetic and non-diegetic are normally used is to talk about music and sound design in movies/tv shows. in case you aren't familiar with that concept, here's a rundown:
diegetic sound is sound that happens within the world of the movie/show and can be acknowledged by the characters, like a song playing on the stereo during a driving scene, or sung on stage in Phantom of the Opera. it's also most other sounds that happen in a movie, like the sounds of traffic in a city scene, or a thunderclap, or a marching band passing by. or one of the three stock horse sounds they use in every movie with a horse in it even though horses don't really vocalize much in real life, but that's beside the point, the horse is supposed to be actually making that noise within the movie's world and the characters can hear it whinnying.
non-diegetic sound is any sound that doesn't exist in the world of the movie/show and can't be perceived by the characters. this includes things like laugh tracks and most soundtrack music. when Duel of Fates plays in Star Wars during the lightsaber fight for dramatic effect, that's non-diegetic. it exists to the audience, but the characters don't know their fight is being backed by sick ass music and, sadly, can't hear it.
the lines can get blurry between the two, you've probably seen the film trope where the clearly non-diegetic music in the title sequence fades out to the same music, now diegetic and playing from the character's car stereo. and then there are things like Phantom of the Opera as mentioned above, where the soundtrack is also part of the plot, but Phantom of the Opera does also have segments of non-diegetic music: the Phantom probably does not have an entire orchestra and some guy with an electric guitar hiding down in his sewer just waiting for someone to break into song, but both of those show up in the songs they sing down there.
now, on to how I apply this to bdsm in fiction.
if I'm referring to diegetic bdsm what I mean is that the bdsm is acknowledged for what it is in-world. the characters themselves are roleplaying whatever scenarios their scenes involve and are operating with knowledge of real life rules/safety practices. if there's cnc depicted, it will be apparent at some point, usually right away, that both characters actually are fully consenting and it's all just a planned scene, and you'll often see on-screen negotiation and aftercare, and elements of the story may involve the kink community wherever the characters are. Love and Leashes is a great example of this, 50 Shades and Bonding are terrible examples of this, but they all feature characters that know they're doing bdsm and are intentional about it.
if I'm talking about non-diegetic bdsm, I'm referring to a story that portrays certain kinks without the direct acknowledgement that the characters are doing bdsm. this would be something like Captive Prince, or Phantom of the Opera again, or the vast majority of bodice ripper type stories where an innocent woman is kidnapped by a pirate king or something and totally doesn't want to be ravished but then it turns out he's so cool and sexy and good at ravishing that she decides she's into it and becomes his pirate consort or whatever it is that happens at the end of those books. the characters don't know they're playing out a cnc or D/s fantasy, and in-universe it's often straight up noncon or dubcon rather than cnc at all. the thing about entirely non-diegetic bdsm is that it's almost always Problematic™ in some way if you're not willing to meet the story where it's at, but as long as you're not judging it by the standards of diegetic bdsm, it's just providing the reader the same thing that a partner in a scene would: the illusion of whatever risk or taboo floats your boat, sometimes to extremes that can't be replicated in real life due to safety, practicality, physics, the law, vampires not being real, etc. it's consensual by default because it's already pretend; the characters are vehicles for the story and not actually people who can be hurt, and the reader chose to pick up the book and is aware that nothing in it is real, so it's all good.
this difference is where people tend to get hung up in the discourse, from what I've observed. which is why I started using this phrasing, because I think it's very crucial to be able to differentiate which one you're talking about if you try to have a conversation with someone about the portrayal of bdsm in media. it would also, frankly, be useful for tagging, because sometimes when you're in the mood for non-diegetic bodice ripper shit you'd call the police over in real life, it can get really annoying to read paragraphs of negotiation and check-ins that break the illusion of the scene and so on, and the opposite can be jarring too.
it's very possible to blur these together the same way Phantom of the Opera blurs its diegetic and non-diegetic music as well. this leaves you even more open to being misunderstood by people reading in bad faith, but it can also be really fun to play with. @not-poignant writes fantastic fanfic, novels, and original serials on ao3 that pull this off really well, if you're okay with some dark shit in your fiction I would highly recommend their work. some of it does get really fucking dark in places though, just like. be advised. read the tags and all that.
but yeah, spontaneous writer plug aside, that's what I mean.
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secretsivekept · 26 days
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Super happy to be a part of this project!! :D I can't wait to show everyone what I've been working on! Meanwhile, here are some screenshots of the 2 scene's I'm a part of.
And be sure to check out the trailer for the project!!
youtube
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spookberry · 8 months
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"i kissed a girl once when i was 12" is kind of a losing response anyways
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bluerosefox · 6 months
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Of Tiny Tots, Mistaken Identities, and Reunions
Seventeen year old Damian Wayne is dragged to a business deal outside of Gotham (along with his father and Drake), mostly to keep up appearances that the family does work outside of Gotham, networking, and because Damian does need to learn the ropes of the company, he decides to head outside the meeting with the Manson family to get a breather (mainly cause the Manson's were annoying him fully, it was like they were trying to suck up towards Damian and trying to push their daughter on him but at the same time he caught them almost insulting and hostile towards him before they would stop and correct themselves) when out of the blue a three year old toddler with black hair comes running over with a cheerful "Daddy!" and latches onto his leg.
Damian is stunned in place but feels frozen when he hears a voice, older and almost identical to his own but he can detect a familiarity in it, a voice he only hears in his dreams nowadays say.
"Ellie, no! That's not me Starlight! I'm so sorry dude-"
When Damian turned his head towards the voice he's meet with an near identical face, granted there were some minor differences, but very, very familiar pair of striking blue eyes staring at him. Eyes that were somehow full of life, which shouldn't be possible because the last time he saw those eyes they had been dim and milked over years ago. The speaker had become startled at the his sudden turn and the words that he had been saying had quickly died out when he too took in Damian's features.
"D...Damian?..." the name came out so soft and small that Damian almost didn't hear it but he did.
And before Damian could stop himself, he spoke a name he hadn't dared utter in years.
"Danyal."
His twin looked like he had just seen a ghost, and Damian was sure he looked the same. And given the last time they had last saw each other it was no wonder they both looked like death warmed over them for a moment.
After all... Damian had failed to protect his brother, Danyal al Ghul all those years ago on a botched mission.
His bother who... wasn't dead.
His brother who was looking like he wanted to run but was keeping himself rooted in his spot.
His brother whose eyes were glancing downwards and seemed so nervous.
His brother who knew the little girl, Ellie, still hugging his legs.
His brother who had... responded and corrected her mix up when she had called Damian 'Daddy.'
And oh, she's looking up at him and making grabby hands wanting to be picked up and she has Danyal's eyes and his nose and-
Oh... Damian.... Damian's an uncle it seems.
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duchi-nesten · 11 months
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The idea of Valerie finding out shit about Phantom and/or Cujo through Danny Fentons tiktoks is hilarious to me.
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( @hannahmanderr @underforeversgrace see I don’t lie, he is the ghost king in shared cujostody au :) it took a while but it’s real :))
I also like to imagine that all the ghosts know not to fuck around when Danny is recording a tiktok.
Shared Cujostody AU
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chaos-bringer-13 · 1 month
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I've seen a lot of people writing Danny as a space ancient and Dan and Dani as ghosts with moon and sun cores, being sort of parts, versions of Danny and therefore weaker. Now, consider: Dan and Dani are both powerful ghosts with really cool cores and stuff but Danny is just some guy™
Dan, who came from an alternate timeline and is kind of from the future but also not, is Clockwork's apprentice and will eventually become an ancient of time. He probably only agreed to have some lessons with Clockwork to understand better what happened to him, but he enjoys his apprenticeship now.
Dani, with her love of travelling, loves seeing all the different places the world offers to her, and that includes space and different planets and maybe even parallel universes, and she accidentally ends up being an apprentice of the space ancient. For now she's probably a baby ancient of freedom or something like that, but she might become an ancient of space in the future.
We can also have something like Dan having a core of destruction or Dani being the Speed Force if you want it to be dcxdp, or any headcanon of yours about their cool powers.
And then there's Danny. And yeah, everyone knows that he's super powerful, but also he's just some guy.
It can go different routes. Does everyone know that Danny is just Danny? Or do they think that with siblings (well, technically a clone and an alternate version, but whatever) so powerful, he must be even stronger? Is Danny actually something terrifyingly eldritch and ancient and strong, almost a god, but he just doesn't know himself? Or is he just really some guy?
Now, because it's obvious that I have a dcxdp brainrot, have a regular "JL summons/meets a powerful ghost" but its Dan and Dani, and they keep mentioning their original/brother who won a fight against them at some point. The JL is very concerned about Dan and Dani's godlike powers, and they can't imagine what Danny is like. And then they meet him (in his human form), and it's just a young adult in casual clothes, very friendly and helpful, with no evident powers. Imagine the confusion. Imagine Dan and Dani, radiating power, in their eldritch ghost forms, admitting that fighting Danny for real is the dumbest thing to do and not even they would succeed... And then there's Danny is jeans and silly t-shirt, waving shyly.
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lilianade-comics · 3 months
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Vlad: *exists*
The Dairy King:
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As it turns out, Danny makes a pretty good leader. His little gang of homeless children has grown immensely, both from picking up strays and from assimilating other gangs into his group.
Danny might only be 10 and still figuring out his powers but dang, intangibility and flight are over powered even before you add invisibility and laser blasts. At first he regretted sneaking into the lab alone to check out the portal his parents made in this basement. Waking up in a cold alley in a city you've never heard of is a terrifying experience even without the corrupt cops trying to sell you into human trafficking, but finding out he had powers and could do whatever he wanted? That was great. It no longer mattered that adults didn't listen to him or chased him around. He could do anything now. Be anything. Take anything.
He and the people under his protection often robbed places, never banks or anything but high class restaurants and stores that usually wouldn't even let them in through the front doors. Yeah, Danny can admit most of thier robberies were because of grudges the other kids had because of how they were treated but Danny being ten thought this was fine.
The real issue was Gothams Paw Patrol (who absolutely hate being called that :3 ) they were always on thier case, Dannys especially. They kept insisting that the system could help them -Danny called bull. No one helped him or Jazz back in Amity and it was waaaay nicer that Gotham- and kept getting him and his fellow kids arrested. That didn't really matter. Anti-meta stuff never worked on him so getting himself the other kids out was no big deal.
After overhearing a conversation between Nightwing and one of the other bats a kid came into thier current secret base announcing that Nightwing was poor and the other bats weren't. This caught everyone attention. Appearently Nightwing was trying to establish himself outside of the colony cause he didn't get along great with whoever the bats super daddy was, which was fair. A lot of them were runaways for one reason or another and knew a bunch of reasons why you wouldn't want to except "free" money.
This led to them fetching Nightwings "wingdings" and batarangs instead of keeping them/selling them like they do with the others, sharing some of thier spoils with him like the groceries, jewelry, fancy clothes, ect that they stole.
Dick even catches one of the kids in his apartment in Bludhaven filling up his fridge which has him panicking about his secret id being compromised. Luckly the kids had only followed him there and didn't think to check who was on the lease or anything cause they assumed it would be a fake name or something.
Just Dick getting forcibly adopted by a child gang.
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potatodotpng · 3 months
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diabolichare · 3 months
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Is this courtship?
Danny is going to Gotham for his scholarship.
Good news! There's another halfa in the city, and he seems to be a good guy. Bad news: the nearest path to his university is through that halfta's haunt. He could take the long way around, but the costs would be more than his budget can handle, and he'd like to avoid dealing with a pissed-off Red Hood.
Hopefully the offerings will be enough to sate his annoyance (and help maybe, god that man has the most malnourished core he's ever seen).
Jason is getting incredibly confused over the strange gift baskets that keep appearing on his patrol routes.
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waspgrave · 2 months
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What if you were the cutest little druid/rogue changeling
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strangelysimian · 8 months
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DPxDC Prompt: Ghostly News Update
One day John Constantine finds a letter on the table in the House of Mystery addressed to Deadman. He calls for the ghost, and they open it together and are shocked to read the following message.
"Dear Mr. Deadman,
Since you reside primarily on Earth you most likely haven't heard the news. Pariah Dark has been defeated in one on one combat, and his title of king has been passed on. Long may reign the new King Phantom, Ruler of the Infinite Realms.
Unlike his predecessor, Phantom has no interest in conquest nor does he aim for more power. He is also quite fond of humans, and is even known to protect a small town in the United States of America, despite with the Anti-Ecto Laws the local government has passed (Claiming any being containing ectoplasm to be non-sentient thus has no rights. It is recommended you stay out of Illinois for this reason).
Keep up the good work in the Justice League Dark, and if you have any further questions feel free to call us at 1-xxx-xxx-xxxx."
The message is typed out, except for a hand written addition at the bottom.
"P.S. If you could get the JL to do something about those laws that would be great :)
-Phantom"
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sleepy-writes-stuff · 2 months
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DP X DC PROMPT #24
Been a while since I wrote a prompt. Let's change that!
Pen Pals
Red Hood comes across Cujo somewhere in Gotham (location and reason like feeding off of ambient ectoplasm, looking for a new toy, lost, etc are your choice). At first, he's kinda freaked out over this pup that glows Lazarus Pits green but slowly learns that Cujo is relatively harmless as long as no one threatens him or anyone under his protection. Kinda hard not to learn that since Cujo has been glued to his side ever since he found the pup roaming the streets at night.
Cujo eventually gets into Red Hood's good books when the sweet little pup turns into a rottweiler the size of a small house and nearly bites the Joker's head off due to him being his usual creepy, rancid self.
Once he's gotten comfortable enough around the strange dog, he gets close enough to spot a tag/nameplate that reads the pup's name along with "Belongs to Phantom" scratched onto the back in messy handwriting.
He thinks nothing of it until Cujo starts getting restless and Red Hood gets the feeling that he'll be leaving Gotham soon. So, given the dog is clearly supernatural and his tag had no contact information, he assumes Cujo is basically a free roam pet and is able to get back to his owner on his own.
The night before he feels Cujo is going to leave, he ties a letter to the pup's collar. The next night, Cujo is gone.
Weeks pass and he thinks of Cujo often, wondering if he made it back to his owner. If his owner got the letter. If this "Phantom" is similar to him. He doesn't think just anyone owns a Lazarus green dog that reeks of death magic.
It's not until he's out on patrol one night, almost two months later, that Cujo suddenly appears and barrels into his stomach. As the excitable pup slobbers kisses all over his helmet, he sees an envelope covered in stickers attached to Cujo's collar.
Looks like he's got himself a pen pal.
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spookberry · 4 months
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Idk man im havin a moment
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bluerosefox · 8 days
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It's shenanigans time guys
So have this DpxDc idea.
So, the Justice League and the Light (OR villains in general) have two newish members, they've both been around for about a year and they're from the same plane of existence (a place called the Infinite Realms according to those who dabble in the occult)
And the two seem to have some serious beef with each other.
Wisp and Wrath are basicly feral cats hissing and hekles raised when they spot the other and their fights normally ends in draws. They're evenly matched and sometimes the two even fight to the point they are out of steam and just fist fight.
Needless to say everyone believes they totally hate each other and might one day kill (or end?) One of them.
So everything gets turned upside down when suddenly both factions of heros and villains are suddenly summoned to the Infinite Realms.
In a throne room.
In front of the Infinite King (or most commonly known as the Ghost King)
A King who looks very, very much like Wisp and Wrath (like yeah the two do sometimes look alike, like when they grin with sharp teeth and their hair color, but one has blue skin and red eyes for crying out loud!)
He's staring at them, glowing green eyes that seemed to just... know.
"Welcome to the Infinite Realms. I am King Phantom." His voice echoing in the throne room and seemed to rattle them deeply, like a sudden chill in the early morning.
"I have summoned you all here for a single reason." He continued to say "Tell me..."
Here he paused, closed his eyes before leaning back on the chair then he smiled big and cheerfully asked.
"How are my kids doing in your world? Dan and Ellie arent causing too much chaos in their wake are they? They tend to go a tiny bit overboard sometimes but what siblings don't when they rough house you know. Tell me everything."
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confessedlyfannish · 25 days
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Writing Prompt #12
Bruce is reading the paper when the pour of Tim's coffee goes abruptly quiet. It would be hard to pinpoint why this is disturbing if it wasn't for the way the soft, tinny sound the vent system in the manor makes cuts out for the first time since being updated in the 90s. The pour, Bruce realizes, has not slowed to a trickle before stopping. It has simply stopped. And there is no overeager clack of a the mug against the marble counter or the uncouth first slurp (nor muttered apology at Alfred's scolding look) immediately following the end of the pour.
Bruce fights the instinct to use all of his senses to investigate, and instead keeps his eyes on the byline of the article detailing the latest set of microearthquakes to hit the midwest in the last week. Microearthquakes aren't an unusual occurrence and aren't noticeable by human standards, which is why this article is regulated to page seven, but from several hundred a day worldwide to several hundred a day solely in the East North Central States, seismologists are baffled.
Bruce had been considering sending Superman to investigate under the guise of a Daily Planet article requested by Bruce Wayne (Wayne Industries does have an offshoot factory in the area) when everything had stopped twenty seconds ago. That is what he assumes has happened (having not moved a muscle to confirm) in the amount of time he assumes has passed. His million dollar Rolex does not quite audibly tick but in the absolute silence it should be heard, which confirms the silence to be exactly that—absolute.
While Bruce can hold his breath with the best of the Olympian swimmers, he has never accounted for a need to remain without blinking without being able to move one's eyes. Rotating the eyeballs will maintain lubrication such that one could go without blinking for up to ten minutes. But staring at the byline fixedly, he estimates another twenty seconds before tears start to form.
These are the thoughts Bruce distracts himself with, because he doesn't dare consider how Tim and Alfred haven't made a (living) sound in the past forty-five seconds. About Damian, packing his bag upstairs for school after a morning walk with Titus that was "just pushing it, Master Damian".
There is a knife to his right, if memory serves (it does). In the next five seconds—
"Your wards and guardian are fine, Mr. Wayne," the deepest voice Bruce has ever heard intones. For a dizzying moment, it is hard to pinpoint the location of the voice, for it comes from everywhere—like the chiming of a clocktower whilst inside the tower, so overpowering he is cocooned in its volume.
But it is not spoken loudly, just calmly, and when he puts the paper down, folds it, and looks to his right, a blue man sits in Dick's chair.
He wears a three piece suit made entirely of hues of violet, tie included. He has a black brooch in the shape of a cogwheel pinned to his chest pocket, a simple chain clipped to his lapel. Black leather gloves delicately thumb Bruce's watch (no longer on his wrist, somewhere between second 45 and 46 it has stopped being on his wrist), admiring it.
"You'll forgive me," the man says with surety. "Clocks are rather my thing, and this is an impressive piece." He turns it over and reveals the 'M. Brando' roughly scratched into the silver back. He frowns.
"What a shame," he says, placing it face side up on the table.
"Most would consider that the watch's most valuable characteristic." Bruce says, voice steady, hands neatly folded before him. Two inches from the knife. To his left, there is an open doorway to the kitchen. If he turns his head, he might be able to get a glance of Tim or Alfred.
He doesn't look away from the man.
"It is the arrogance of man," the man says, raising red eyes (sclera and all) to Bruce, "to think they can make their mark on time."
"...Is that supposed to be considered so literally?" Bruce asks, with a light smile he does not mean.
The man smiles lightly back, eyes crinkling at the corners. He looks to be in his mid thirties, clean-shaven. His skin is a dull blue, his hair a shock of white, and a jagged scar runs through one eye and curving down the side of his cheek, an even darker, rawer shade of blue-purple.
The man turns the watch back over and taps at the engraving. "Let me ask you this," he says. "When we deface a work of art, does it become part of the art? Does it add to its intrinsic meaning?"
Bruce forces his shoulders to shrug. "It's arbitrary," he says. "A teenager inscribes his name on the wall of an Ancient Egyptian temple and his parents are forced to publicly apologize. But runic inscriptions are found on the Hagia Sophia that equate to an errant Viking guard having inscribed 'Halfdan was here' and we consider it an artifact of a time in which the Byzantine Empire had established an alliance with the Norse and converted vikings to Christianity."
"The vikings were as errant as the teenager," the man says, "in my experience." He leans back in his chair. "I suppose you could say the difference is time. When time passes, we start to think of things as artistic, or historical. We find the beauty in even the rubble, or at least we find necessity in the destruction..."
He offers Bruce the watch. After a moment, Bruce takes it.
"The problem, Mr. Wayne, is that time does not pass for me. I see it all as it was, as it is, as it ever will be, at all times. There is no refuge from the horror or comfort in that one day..." he closes his hand, the leather squeaking. And then his face smooths out, the brief severity gone. He regards Bruce calmly.
"You can look left, Mr. Wayne."
Bruce looks left. Framed by the doorway, Tim looks like a photograph caught in time. A stream of coffee escapes the spout of the stainless steel pot he prefers over the Breville in the name of expediency, frozen as it makes its way to the thermos proclaiming BITCH I MIGHTWING. Tim regards his task with a face of mindless concentration, mouth slack, lashes in dark relief against his pale skin as he looks down at the mug. Behind him, Bruce can see Alfred's hand outstretched towards the refrigerator handle, equally and terrifyingly still.
"My name is Clockwork," the man says. "I have other names, ones you undoubtedly know, but this one will be bestowed upon me from the mouth of a child I cherish, and so I favor it above all else. I am the Keeper of Time."
"What do you want from me?" Bruce asks, shedding Wayne for Batman in the time it takes to meet Clockwork's eyes. The man acknowledges the change with a greeting nod.
"In a few days time, you will send Superman to the Midwest to investigate the unusual seismic activity. By then, it will be too late, the activity will be gone. They will have already muzzled him."
"Him."
"There is a boy with the power to rule the realm I come from. Your government has been watching him. The day he turned 18, they took him from his family and hid him away. I want you to retrieve him. I want you to do it today."
"Why me?"
"His parents do not have the resources you do, both as Batman and Bruce Wayne. You will dismantle the organization that is keen on keeping him imprisoned, and you will offer him a scholarship to the local University. You and yours will keep him safe within Gotham until he is able to take his place as my King."
This is a lot of information to take in, even for Bruce. The idea that there could be a boy powerful enough to rule over this (god, his mind whispers) entity and that somehow, he has slipped under all of their radars is as frustrating as it is overwhelming. But although Clockwork has seemed willing to converse, he doesn't know how many more questions he will get.
"You have the power to stop time," he decides on, "why don't you rescue him? Would he not be better suited with you and your people?"
"Within every monarchy, there is a court," Clockwork. "Mine will be unhappy with the choice I have made," he looks at Bruce's watch, head cocked. "In different worlds, they call you the Dark Knight. This will be your chance to serve before a True King."
Bruce bristles. "I bow to no one."
"You'll all serve him, one day," Clockwork says, patiently. "He is the ruler of realms where all souls go, new and old. When you finally take refuge, he will be your sanctuary." He frowns. "But your government rejects the idea of gods. All they know is he is other. Not human. Not meta. A weapon."
"A weapon you want me to bring to my city."
"I believe you call one of your weapons 'Clark', do you not?" Clockwork asks idly. "But you misunderstand me. They seek to weaponize him. He is not restrained for your safety, but for their gain."
"And if I don't take him?" Bruce asks, because a) Clockwork has implied he will be at the very least impeded, at worst destroyed over this, and b) he never did quite learn not to poke the bear. "You won't be around if I decide he's better off with the government."
"You will," Clockwork says, with the same certainty he's wielded this entire conversation. "Not because he is a child, though he is, nor because you are good, though you are, nor even because it is better power be close at hand than afar.
"I have told you my court will be unhappy with me. In truth, there are others who also defend the King. Together we will destroy the access to our world not long after this conversation. The court will be unable to touch him, but neither will we as we face the repercussions for our actions. I am telling you this, because in a timeline where I do not, you think I will be there to protect him. And so when he is in danger, even subconsciously, you choose to save him last, or not at all. And that is the wrong choice.
"So cement it in your head, Bruce Wayne," the man says, "You will go to him because I tell you to. And you will keep him safe until he is ready to return to us. He will find no safety net in me. So you will make the right choice, no matter the cost."
"Or, when our worlds connect again, and they will," his voice now echoes in triplicate with the voices of the many, the young, the old, Tim, Bruce's mother, Barry Allen, Bruce's own voice, "I will not be the only one who comes for you."
"Now," he says, producing a Wayne Industries branded BIC pen. "I will tell you the location the boy is being kept, and then I would like my medallion back, please. In that order."
Bruce glances down and sees a golden talisman, attached to a black ribbon that is draped haphazardly around the neck of his bathrobe, so light (too light, he still should have—) he has not felt its weight until this moment.
Bruce flips the paper over, takes the pen, and jots down the coordinates the being rattles off over the face of a senator. By his calculation, they do correspond with a location in the midwest.
"You will find him on B6. Take a left down the hallway and he will be in the third room down, the one with a reinforced steel door. Take Mr. Kent and Mr. Grayson with you, and when you leave take the staircase at the end of the hallway, not the elevator."
The man gets up, dusts off his impeccably clean pants, and offers him a hand to shake.
"We will not meet again for some time, Mr. Wayne."
Bruce looks at the creature, stands, and shakes his hand. It feels like nothing. The Keeper of Time sighs, although nothing has been said.
"Ask your question, Mr. Wayne."
"I have more than one."
"You do," Clockwork says. "But I have heard them all, and so they are one. Please ask, or I will not be inclined to answer it."
"What does this boy mean for the future, that you are willing to sacrifice yourself for him?"
There is a pause.
"So that is the one," Clockwork says, after a time. "Yes. I see. I should resolve this, I suppose."
"Resolve what?"
"It is not his future I mean to protect," the man says. "It is his present."
"You want to keep him safe now..." Bruce says, but he's not sure what the being is trying to say.
"I am not inclined," Clockwork repeats, stops. His expression turns solemn, red eyes widening. In their reflection, Bruce can see something. A rush of movement too quick to make heads or tails of, like playing fast forward on a videotape. "Superman reports no signs of unusual seismic activity. With nothing further to look into, you let it go in favor of other investigative pursuits. You do not find him, as you are not meant to. He stays there. His family, his friends, they cannot find him. His captors tell him they have moved on. He does not believe them, until he does. He stays there. He stays there until he is strong enough to save himself."
Clockwork speaks stiffly, rattling off the chain of events as if reading a Justice League debrief. "He is King. He will always be King. He is strong, and good, and compassionate, and he is great for my people because yours have betrayed his trust beyond repair. He throws himself into being the best to ever Be, because there is nothing Left for him otherwise. We love him. We love him. We love him. My King. Forevermore."
The red film in his eyes stall out, and Bruce is forced to look away from how bright the image is, barely making out a silhouette before they dull back to their regular red.
"I am not inclined," Clockwork says slowly, "To this future."
"Because of what it means in the present," Bruce finishes for him. "They're not just imprisoning him, are they."
"They will have already muzzled him."
Clockworks is right in front of him faster than he can process, fist gripping the medallion at his neck so tight he now feels the ribbon digging into his skin.
"Unlike you, Mr. Wayne," and for the first time, the god is angry, and the image of it will haunt Bruce for the rest of his life, "I do not believe in building a better future on the back of a broken child."
"Find him," the deity orders, and yanks the necklace so hard the ribbon rips—
Clack!
"sluuuuurp!"
"Master Timothy, honestly!"
"Sorry Alfred!"
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