#people who are fans of both characters who would like to see a world where they do reconcile
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You are both an Arrowfamily and Jason Todd fan account so I thought you would be the best person to ask this but: What do you think the Arrowfamily members opinion on Jason are?
ooooh i love this question.. i think a lot of people jump straight to "they would hate him" because of his fight with mia but!!! i don't think thats entirely true!!!!! some of them would hate him but not all of them </3 i feel like the people that claim they would all hate him have a fundamental misunderstanding of the arrows and what they stand for, not to mention deliberately misconstruing what the the jason & mia fight actually was and pretending it was a lot worse than what actually happened. but thats just my opinion
ollie absolutely would hate him though lmao. he would never get over the fact that jason kidnapped, fought, & tried to blow up his daughter. no forgiveness ever.
if jason HADNT fought mia though i think ollie would like him or at the very least tolerate him. ollie very clearly has no issue with murdering bad guys (as seen in ga88) and would be completely on board with anyone who goes out of his way to fuck with batman constantly <3 also in my humble opinion ollie shouldve been a cosmic mistake in countdown due to him coming back to life because parallax put him back together, which would have been hilarious and would absolutely have ended in them getting along (until jason goes through like his fifth breakdown in that book, because he would absolutely lash out at ollie after watching that one version of bruce die. but thats a whole separate tangent)
dinah also would hate him for trying to kill mia, but probably not as intensely as ollie. but even without that issue i dont think dinah would like him, mostly because hes the worst and i dont think dinah would have the patience to put up with him. she wouldnt have a huge problem with the killing (she wouldnt NOT have a problem with it but i really dont think it would be an unforgivable issue for her), but she would just think hes kind of an asshole about it and she wouldnt like him at all. i also think theres a panel somewhere where jason says that dinah told him she hates him personally?? idk ive only seen screenshots of it but i think its funny so im incorporating it into my belief system
with roy... i feel like there are so many people that see rhato and swing to the opposite side of the pendulum and say that roy would hate jason but i dont think thats true at all. im a rhato hater because that is Not Roy so we're disregarding that, but i still think they would get along tbh! given that roy is deeply in love with a serial killer i think that the people who say he would hate jason are misunderstanding who roy is. i think when theyre both in character they actually have personalities that would mesh well together and they COULD get along really well. i dont see roy having a Big Problem with jason killing people (he would try to stop him from doing it but murder wouldnt be a dealbreaker for roy) so i think its fair to say they would actually get along!!! but i bitch and complain every time they show up in the same panel because now the damage has been done from rhato so i dont want them to interact in canon. only in the secret world in my head.
in regards to jason fighting mia, i dont know how to say it but,,, i dont think roy would have a huge issue with it. he certainly wouldnt be happy about it but also he wasnt there so i feel like all he would know about it was that jason kidnapped mia one time but mia was fine. honestly i think that he would be more interested in brothers in blood bc dick would def mention that jason murdered people in a nightwing costume then turned into a tentacle monster and tried to eat someone but dick forgave him anyway. and once he hears that suddenly the mia thing seems inconsequential in comparison
with connor... i cant lie im a little biased because connor is a member of my dream outlaws team but i really think they would at least kind of get along! connor is not the type of person to hold a grudge at all so once mia forgives him (which ill get into in a sec) connor wouldnt have a problem with him. he WOULD have a problem with jason killing people but he's close with eddie so clearly he doesnt have that much of an issue with working with people who have killed before as long as they dont kill in front of him. and i think that jason has a healthy respect for anyone who can beat him in a fight and because of that he would not kill anyone when hes around connor. i also think that connor and jason would never fight because connor would never throw the first punch and jason would never start a fight that he knows he cant win (but thats once again a whole separate tangent). basically i dont think they'd be besties or anything, i dont think theres a world where they'd ever even consider themselves friends. but i do think they'd get along well enough to not hate each other
okay now finally mia. kind of a controversial take but i really think she'd forgive him for kidnapping her! she absolutely would not forgive him IMMEDIATELY because it fucked her up so she would be pissed about it for a while, but also? i think she completely understood what he was trying to do. he wasnt really hurting her specifically (like yeah he hurt her but he made it a fair fight and he wasnt beating down on her or anything. she also hit him so it evens out) and he was actually trying to talk TO her and relate to her. and it was working!!! he didnt force her to do anything except fight (in a fight where he untied her and gave her her weapons), so once she got some distance from the event i think she'd forgive him. it would take a while for her to actually forgive him enough for them to actually get along, but i genuinely think they would. theyre extremely similar people and i think they would really be good friends if given the chance, but it would take a looooong time for mia to be comfortable enough to be around him enough to consider him a friend since the fight definitely fucked her up. but it is possible for them to eventually be close, and i think they could be really good friends
honorable mentions:
- i dont know emiko well enough to know for sure (i havent read new52 or rebirth green arrow so i havent read much with her </3) but from what i know i think they would get along
- lian would have no opinion of him whatsoever. at most she sees him as her uncle's brother. i truly dont think she'd care enough about him to form a positive or negative opinion about him
- i dont like sienna so i dont want to acknowledge her but for the sake of the post. she doesnt like jason because dinah doesnt like jason and she says "i hate everyone that black canary hates <3"
- cissie is not a member of the arrowfamily but she wouldnt like him because she absolutely would have an issue with any murderous vigilante given that she almost killed someone one time and had a huge breakdown, so anyone that kills people for the Greater Good and continues to do so would not sit right with her
- i have absolutely no basis for this but shado would hate him for no reason. no specific beef with him about his morals or his actions, she just wouldnt like his vibes. sorry to talk about rose (no im not) but she would see rose hanging out with jason and go "im so happy for you and your ugly fucking boyfriend im serious"
- eddie and jason would get along like a housefire. there is not a doubt in my mind that they would bond instantly (ok not instantly because they both hate everyone and would probably start with trying fight each other. THEN they would bond) and it would be catastrophic for everyone involved 🫶
ok i think thats everyone. or at least everyone that matters. never forget that all my opinions are 100% correct at all times
#listen. i think the arrow fandom tends to try to fight against the arrows being put down by the bats by pushing in the complete opposite wa#so after a thousand posts of 'jason should join the arrows' or 'ollie is the worst because rhato said so' they start saying the opposite#that all the arrows hold a deep resentment for jason#but... the arrows are honestly pretty forgiving#killing isnt a dealbreaker and neither is fighting their family#ollie is not that forgiving* though so he wouldnt get over it ever. but everyone else might#*by this i mean forgiving of people that hurt his kids. he can forgive other people but hurting his kids is a cardinal sin#i think it especially bothers me when people say it about roy#i see so many posts of 'roy would actually hate jason because he tried to kill his sister!!!'#and?? honestly thats a pretty good indication to me that they dont understand roy SORRY#jason todd#arrowfam#<- SORRY i hate to be the person to put jason in the arrow tags but thats my organization tag 😔#dc
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I have to politely disagree to your reasoning of why Dimitri spared Edelgard at the end of AG. My reading was that he figured that she has already suffered enough because this time he has an idea of what TWSID have done to her and/or because now that she mentally regressed to twelve year old Edelgard, she's no longer the Edelgard that started the war in the first place.
I'm not sure if you saw my post after that one, but I mentioned a theory that basically there was dark magic on top of dark magic; that being, in this game specifically, maybe Edelgard had dark magic used on her to begin with (and was part of why she forgot about Dimitri), so in a way it could be that the "new" personality started there and the "real" personality was "asleep" that whole time.
When Thales used his dark magic to control her during AG, that would be the second time in this theory that he used it on her and I guess took her memory away to some extent, since she couldn't remember what happened over the course of six months.
If that happened it would be like, once Thales died and his dark magic on her was released, that the time she lived from back then to the present was possibly just gone. In a sense, you could say the Edelgard we know was possibly totally erased and that she's starting over from the moment her memories were first wiped/altered.
And I think it's totally valid that you have your own idea on what the final scene meant! To me I think it could be a combination of both the ideas we have, because while I think it'd make sense that maybe he's letting some things go since she may not have been totally in control and all that and the blame for most of his pain was due to Thales' desires, I think it would be hard for him to reconcile with her mentally by then. I think there's still probably some part of him that will struggle to look at her and not feel anger for things she did (especially the war). In time I think he might be able to forgive her if the theory I mentioned above is accurate/somewhat accurate and like you said, she regressed back to being a child.
Since it's an open ending on that stuff though, it could be possible that maybe she remembered him but still has her memories of the war and whatnot? Like maybe all that happened is her old memories are accessible to her now but she's returned to being who she was throughout the war, but she's remembering "oh shit, it's Dee who I've been at war with".
Because it's an ambiguous ending I think there are any number of possibilities as to why he walked away tbh. Basically the way I've been seeing it is what I wrote just above - that she might finally remember him but may also be just now realizing exactly what she's done. Perhaps a part of him was at the time still too bitter and he had to address the armies that they'd won first before trying to get into anything emotional with her.
You could kind of say with how I'm thinking of it that like, imagine you were talking to someone online and didn't know who it was. You ended up in this fight with them and bad things happened, only for you to find out later that it was another person you cherished and kind of had that oh shit moment, but the fact still remains that you had this fight with that person due to a conflict of interests without knowing who it was. You did things you normally wouldn't have done to that person, but because you didn't know it was them you did do those things.
If Edelgard had just completely regressed and was living her life over again from the age of, mentally, twelve, and everything from that point after was truly erased, I'm sure Dimitri would reconcile with her, though I'm sure he'd need some time to let his feelings work themselves out.
What he'd do after imo would really depend on which Edelgard she is at the end: twelve year old Edelgard or a combination of her memories from back then but also the person we knew in game.
Thank you for being polite about it though! I don't mind discussing opposing thoughts/opinions. Usually it's just angry stans who have no actual discussion to add and just throw insults and angry comments, so I'm not gonna bother having a calm discussion with them when I know they won't listen. Ima just tell 'em to hop off my blog if I say anything to them because they have nothing nice to say and no actual discussion to offer. I don't mind talking to fans of her (not sure if you would consider yourself a fan or if you just see the scene differently) and I've talked to a small few before who don't mind a casual conversation. The only time I actually mind it is when people have a fit and don't know how to do anything except combust and malfunction. At that point it's like, if you can't calmly explain your view to someone then you need to just ignore it and accept that someone has a different opinion. I don't talk to hardcore Dimitri haters because I know nothing I say will change their mind (and most are just gonna shit on him anyway lol), but I'm also not gonna waste my time getting mad at them one on one when I could be posting something positive about him.
#Three Hopes Spoilers#I think the ending is at least good post war fic material if nothing else#It's open ended enough that there are lots of interpretations and I know there are#people who are fans of both characters who would like to see a world where they do reconcile#so I think this ending is actually good theory/fic content for those people#tbh Edelgard would probably have to start her life all over if she did regress completely#to the point of having no knowledge anymore on what she did since Thales got to her#I do think it'd still ultimately end with Ferdinand taking over the Empire since like#either Edelgard has regressed to being a twelve year old or she just lost the war (with memory of causing it)#and I really doubt Dimitri actually wants to unify the continent or their lands in any way#I don't think he'd try to take over and be like the Empire is part of Faerghus now#There would probably have to be some kind of official meetings if she had all her memories now#as far as what to do with her after having started and lost the war#and I think if she didn't remember they'd just have to find a way to integrate her back into society somehow#I think if the war ended then and there with Thales defeated that they'd have a lot to discuss about her#but I think the war would ultimately just be over bc I'm not sure I see Edelgard just#getting back to the war and continuing to target Rhea/trying to conquer Fodlan#after remembering about Dimitri based on the way she sounded/her tone of voice#like would they have had her speak to him that way and then be like And Then She Continued The War (tm)#i mean i don't think so but then this is also intsys so who knows what bizarre ending they'd cook up lol#DCB Ask
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Been thinking about why the argument that OFMD is inherently a bad show because it's based on historical slaveowners so often feels disingenuous to me as a person of color.
HUGE disclaimer up front: if you don't wanna fuck with the show because of that premise right out the gate, that's 100% valid and I completely get that. I'm not talking about that. What I'm specifically talking about is White fandom people in particular who argue that OFMD must be "problematic" because of this, especially when they say this as some kind of virtue-signalling trying to win points in fandom wars, stuff like that.
My big thing is that the resemblance the characters in OFMD have to their real-world namesakes begins and ends with having the same name. The show feels more to me like it's playing with the vague myths around these names, not the people themselves. Can you make an argument that they should have come up with original characters instead? Sure, but let's be honest, even people who study the irl counterparts have very little knowledge of their actual lives, and the average person has all but none. To add to that, this show has absolutely zero interest in historical accuracy; the moment they cast a Jewish-Polynesian man as Blackbeard that became obvious. No one is saying the real-life Blackbeard and Stede Bonnet were good people, least of all the show itself; the point is that OFMD's versions are basically original characters already.
It always feels like an incredibly disingenuous claim to parallel the show to Hamilton, because Hamilton both did care about historical accuracy and also brought up the slave trade. Hamilton is uncomfortable for so many poc because it writes poc into the story of otherwise very faithfully portrayed racists, colonizers, and slaveowners and just handwaves the racism. In OFMD, racism exists, but the stance is always explicitly anti-racist and anti-colonialist in a way that is just so fun to see (whom among us has not wished to skin a racist with a snail fork?).
The other thing that sticks for me is...there's an appropriate amount of slavery I want to see in my romcoms, and that amount is none. I am so sick of historical fiction where Black characters are only there for trauma porn about the horrors of the slave trade. You can make a legitimate argument that OFMD is handwavey about the slave trade, but I'd argue that including discussion of the slave trade is something that should be done with such incredible care that it would leave us with a show that can't really be a comedy at all anymore. OFMD's characters of color are allowed to be nuanced, complex characters with their own emotions, and it's incredibly refreshing to see, and I'd much rather have that than yet another historical fiction show where the only characters of color are only there to make White audiences feel virtuous about how sad they feel for them.
In conclusion, I guess: every yt person who makes this argument to win points in a fandom war owes me and every other fan of color a million dollars
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'...“It’s fun playing bad, but actually he’s not,” the actor says, smiling as he reflects on his character, Crowley. “He’s a villain with a heart. The amount of really evil things he does are vanishingly small.”
...As it always has, “Good Omens” dissects the view of good and evil as absolutes, showing viewers that they are not as separate as we were led to believe growing up. Aziraphale and Crowley’s long-standing union is proof of this. The show also urges people to look at what defines our own humanity. For Tennant — who opted to wear a T-shirt emblazoned with the words “Leave trans kids alone you absolute freaks” during a photocall for Season 2 — these themes are more important now than ever before.
“In this society that we’re currently living in, where polarization seems ever more present, fierce and difficult to navigate. Negotiation feels like a dirty word at times,” he says, earnestly. “This is a show about negotiation. Two extremes finding common ground and making their world a better place through it. Making life easier, kinder and better. If that’s the sort of super objective of the show, then I can’t think of anything more timely, relevant or apt for the rather fractious times we’re living in.”
“Good Omens” is back by popular demand for another season. How does it feel?
It’s lovely. Whenever you send something out into the world, you never quite know how it will land. Especially with this, because it was this beloved book that existed, and that creates an extra tension that you might break some dreams. But it really exploded. I guess we were helped by the fact that we had Neil Gaiman with us, so you couldn’t really quibble too much with the decisions that were being made. The reception was, and continues to be, overwhelming.
Now that you’re no longer bound by the original material that people did, perhaps, feel a sense of ownership over, does the new content for Season 2 come with a sense of freedom for you? This is uncharted territory, of sorts.
That’s an interesting point. I didn’t know the book when I got the script. It was only after that I discovered the worlds of passion that this book had incited. Because I came to it that way, perhaps it was easier. I found liberation from that, to an extent. For me, it was always a character that existed in a script. At first, I didn’t have that extra baggage of expectation, but I acquired it in the run-up to Season 1 being released… the sense that suddenly we were carrying a ming vase across a minefield.
In Season 2, we still have Neil and we also have some of the ideas that he and Terry had discussed. During the filming of the first one, Neil would drop little hints about the notions they had for a prospective sequel, the title of which would have been “668: The Neighbour of the Beast,” which is a pretty solid gag to base a book around. Indeed there were elements like Gabriel and the Angels, who don’t feature in the book, that were going to feature in a sequel. They were brought forward into Season 1. So, even in the new episodes, we’re not entirely leaving behind the Terry Pratchett-ness of it all.
It’s great to see yourself and Michael Sheen reunited on screen as these characters. Fans will have also watched you pair up for Season 3 of “Staged.” You’re quite the dynamic duo. What do you think is the magic ingredient that makes the two of you such a good match?
It’s a slightly alchemical thing. We knew each other in passing before, but not well. We were in a film together [“Bright Young Things,” 1993] but we’d never shared a scene. It was a bit of a roll of the dice when we turned up at the read-through for “Good Omens.” I think a lot comes from the writing, as we were both given some pretty juicy material to work with. Those characters are beloved for a reason because there’s something magical about them and the way they complete each other. Also, I think we’re quite similar actors in the way we like to work and how we bounce off each other.
Does the shorthand and trust the two of you have built up now enable you to take more risks on-screen?
Yes, probably. I suppose the more you know someone, the more you trust someone. You don’t have to worry about how an idea might be received and you can help each other out with a more honest opinion than might be the case if you were, you know, dancing around each other’s nervous egos. Enjoying being in someone’s orbit and company is a positive experience. It makes going to work feel pleasant, productive, and creative. The more creative you can be, the better the work is. I don’t think it’s necessarily a given that an off-screen relationship will feed into an on-screen one in a positive or negative way. You can play some very intimate moments with someone you barely know. Acting is a peculiar little contract, in that respect. But it’s disproportionately pleasurable going to work when it’s with a mate.
Fans have long discussed the nature of Crowley and Aziraphale’s relationship. In Season 2, we see several of the characters debate whether the two are an item, prompting them to look at their union and decipher what it is. How would you describe their relationship?
They are utterly co-dependent. There’s no one else having the experience that they are having and they’ve only got each other to empathize with. It’s a very specific set of circumstances they’ve been dealt. In this season, we see them way back at the creation of everything. They’ve known each other a long time and they’ve had to rely on each other more and more. They can’t really exist one without the other and are bound together through eternity. Crowley and Aziraphale definitely come at the relationship with different perspectives, in terms of what they’re willing to admit to the relationship being. I don’t think we can entirely interpret it in human terms, I think that’s fair to say.
Yet fans are trying to do just that. Do you view it as beyond romantic or any other labels, in the sense that it’s an eternal force?
It’s lovely [that fans discuss it] but you think, be careful what you wish for. If you’re willing for a relationship to go in a certain way or for characters to end up in some sort of utopian future, then the story is over. Remember what happened to “Moonlighting,” that’s all I’m saying! [Laughs]
Your father-in-law, Peter Davison, and your son, Ty Tennant, play biblical father-and-son duo Job and Ennon in Episode 2. In a Tumblr Q&A, Neil Gaiman said that he didn’t know who Ty’s family was when he cast him. When did you become aware that Ty had auditioned?
I don’t know how that happened. I do a bunch of self-tapes with Ty, but I don’t think I did this one with him because I was out of town filming “Good Omens.” He certainly wasn’t cast before we started shooting. There were two moments during filming where Neil bowled up to me and said, “Guess, who we’ve cast?” Ty definitely auditioned and, as I understand it, they would tell me, he was the best. I certainly imagine he could only possibly have been the best person for the job. He is really good in it, so I don’t doubt that’s true. And then my father-in-law showed up, as well, which was another delicious treat. In the same episode and the same family! It was pretty weird. I have worked with both of them on other projects, but never altogether.
There’s a “Doctor Who” cameo, of sorts, in Episode 5, when Aziraphale uses a rare annual about the series as a bartering tool. In reality, you’ll be reprising your Time Lord role on screen later this year in three special episodes to mark the 60th anniversary. Did you always feel you’d return to “Doctor Who” at some point?
There’s a precedent for people who have been in the series to return for a multi-doctor show, which is lovely. I did it myself for the 50th anniversary in 2013, and I had a wonderful time with Matt [Smith]. Then, to have John Hurt with us, as well, was a little treat. But I certainly would never have imagined that I’d be back in “Doctor Who” full-time, as it were, and sort of back doing the same job I did all those years ago. It was like being given this delightful, surprise present. Russell T Davies was back as showrunner, Catherine Tate [former on-screen companion] was back, and it was sort of like the last decade and a half hadn’t happened.
Going forward, Ncuti Gatwa will be taking over as the new Doctor. Have you given him any advice while passing the baton?
Oh God, what a force of nature. I’ve caught a little bit of him at work and it’s pretty exciting. I mean, what advice would you give someone? You can see Ncuti has so much talent and energy. He’s so inspired and charismatic. The thing about something like this is: it’s the peripherals, it’s not the job. It’s the other stuff that comes with it, that I didn’t see coming. It’s a show that has so much focus and enthusiasm on it. It’s not like Ncuti hasn’t been in a massive Netflix series [“Sex Education,”] but “Doctor Who” is on a slightly different level. It’s cross-generational, international, and has so much history, that it feels like it belongs to everyone.
To be at the center of the show is wonderful and humbling, but also a bit overwhelming and terrifying. It doesn’t come without some difficulties, such as the immediate loss of anonymity. It takes a bit of getting used to if that’s not been your life up to that point. I was very lucky that when I joined, Billie Piper [who portrayed on-screen companion, Rose] was still there. She’d lived in a glare of publicity since she was 14, so she was a great guide for how to live life under that kind of scrutiny. I owe a degree of sanity to Billie.
Your characters are revered by a few different fandoms. Sci-fi fandoms are especially passionate and loyal. What is it like being on the end of that? I imagine it’s a lot to hold.
Yes, certainly. Having been a fan of “Doctor Who” since I was a tiny kid, you’re aware of how much it means because you’re aware of how much it meant to you. My now father-in-law [who portrayed Doctor Who in the 80s] is someone I used to draw in comic strips when I was a kid. That’s quite peculiar! It’s a difficult balance because on one end, you have to protect your own space, and there aren’t really any lessons in that. That does take a bit of trial and error, to an extent, and it’s something that you’re sometimes having to do quite publicly. But, it is an honor and a privilege, without a doubt. As you’ve said, it means so much to people and you want to be worthy of that. You have to acknowledge that and be careful with it. Some days that’s tough, if you’re not in the mood.
I know you’re returning to the stage later this year to portray Macbeth. You’ve previously voiced the role for BBC Sounds, but how are you feeling about taking on the character in the theater?
I’m really excited about it. It’s been a while since I’ve done Shakespeare. It’s very thrilling but equally — and this analogy probably doesn’t stretch — it’s like when someone prepares for an Olympic event. It does feel like a bit of a mountain and, yeah, you’re daring to set yourself up against some fairly worthy competition from down the years. That’s both the challenge and the horror of doing these types of things. We’ve got a great director, Max Webster, who recently did “Life of Pi.” He’s full of big ideas. It’s going to be exciting, thrilling, and a little bit scary. I’m just going to take a deep breath.
Before we part ways, let’s discuss the future of “Good Omens.” Gaiman has said that he already has ideas for Season 3, should it happen. If you were to do another season, is there anyone in particular you’d love to work with next time around or anything specific you’d like to see happen for Crowley?
Oh, Neil Gaiman knows exactly where he wants to take it. If you’re working with people like Gaiman, I wouldn’t try to tamper with that creative void. Were he to ask my opinion, that would be a different thing, but I can’t imagine he would. He’s known these characters longer than me and what’s interesting is what he does with them. That’s the bit that I’m desperate to know. I do know where Crowley might end up next, but it would be very wrong if I told you.
[At this point, Tennant picks up a pencil and starts writing on a hotel pad of paper.]
I thought you were going to write it down for me then. Perhaps like a clandestine meeting on a bench in St James’ Park, but instead you’d write the information down and slide it across the table…
I should have done! I was drawing a line, which obviously, psychologically, I was thinking, “Say no more. You’re too tempted to reveal a secret!” It was my subconscious going “Shut the fuck up!”
#David Tennant#Michael Sheen#Good Omens#Neil Gaiman#Terry Pratchett#Ty Tennant#Peter Davison#Aziraphale#Crowley#Doctor Who#Macbeth#Ncuti Gatwa#Job#Ennon#Bright Young Things#Series 2#Matt Smith#John Hurt#Russell T. Davies#Catherine Tate#Max Webster#Life of Pi#Sex Education#Billie Piper#Rose Tyler#BBC Sounds
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I need Neil Gaiman to know that Good Omens 2 made me feel emotions I haven't felt in nearly a decade.
When I heard there was going to be a Good Omens 2 I was looking forward to it, of course. I just wasn't expecting it do anything super special to my emotions. I was sure I'd enjoy it, though. I really enjoyed s1.
But, for the last few years, I watched shows and afterwards basically thought well, that was fun, and I quickly moved on and didn't think much about them. There was only about 3 shows in the last 5 years that had made me feel truly emotional and stayed on my mind to the point where I felt like I needed to engage in fandom for a while. (Good Omens 1 was one of them.)
I wasn't spoiled by the leak. I never even knew there was a leak. So I had no idea what was coming in s2. And oh boy...
See, I'd watched Our Flag Means Death, a show where you don't expect the lead characters to kiss, because, well, that never happens in these types of shows, right? And this is important because when they did kiss, it felt like a door that had been locked with just about all the high security locks in the world had suddenly, inexplicably, been opened. Something switched inside me. It took me months to understand what it was, but when I thought about Good Omens before s2 came out, I realized what it was.
I would never truly enjoy a bromance they're-only-queer/in love-by-your-own-interpreation story ever again. Stories where nothing is confirmed, just subtext that anyone who doesn't want to see it can easily deny and mock those who wish it was more.
While it was clear that Crowley and Aziraphale cared a lot about each other in s1, and were probably in love, it was still just a fun ship for fans to play with in fanfiction and fanart. Do they love each other? Oh sure. In what way? Well, that's up to interpretation. Ok, cool. But it's not quite Our Flag Means Death, is it?
Then I watched Good Omens 2. And from episode 1 I saw my favourite Angel and Demon duo love each other. And I was having the best time. I hadn't had such a good time watching a show in a long while. It was not only right up my alley, it was an alley I wasn't even aware was my alley until I saw it. I enjoyed seeing the old characters, the new characters. Oh, I was wonderful.
It was clear to me that, of course Crowley and Aziraphale love each other, are IN love with each other, showing it in their own way. And I wasn't expecting it to be THIS obvious.
And then when the kiss happened, I couldn't believe it. I covered my mouth with both hands and gasped and sat up straight in my seat. I had never expected it--the heartbreak it added to the already heartbreaking scene--it rewired something inside me.
It was like my emotions had been locked up in a stall like a horse for so, so long, and now the gate had been opened, the stable door kicked down, and the horse was running out onto the large pasture into the daylight, bucking and kicking up grass. Oh my god, I have to take a few minutes to process that entire 6 hour marathon of emotions.
And by a few minutes I meant a few days.
More than a few, actually.
I didn't need a kiss to understand how much they loved each other, but I did need the kiss to understand how intense and heartbreaking their separation is for them after everything.
But more than that, the kiss broke a barrier. They really did it, I thought. They really dared.
Aziraphale and Crowley aren't human males, no, but they're played by male actors. And that is significant. That makes the kiss significant. In the world we currently live in.
Weeks later, I'm still obsessed with the show, re-watching s1 and 2, reading the book again, listening to the audio drama. And I'm on tumblr, seeing people's posts and art to somehow sate my hunger for a s3 that doesn't exist (yet).
And I'm having a wonderful time.
#good omens#good omens 2 spoilers#go2#neil gaiman#im queer and emotional#NEIL LIKED IT?!#asdsdksfksnvkjdnvdkjvd
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I think about this sometimes but I personally love that Horikoshi took the Yandere trope, split it in two, and gave one half to Izuku and Himiko.
Like it’s so fascinating how you can just SEE how purposeful Himiko was as a character in hindsight standing next to him.
Himiko is a really interesting subversion of her trope for two reasons:
She hurts people because she loves them, not for isolation or destruction of the competition (gore/blood is love to her, not necessarily a means to love someone)
She’s not possessive. Like at all.
I’ve seen that hc a few times and it always bothers me. Ochako is for sure a possessive character (we saw that with Hatsume around Izuku way back at the sports festival arc), but Himiko? Really?
You mean the girl who had a crush on a boy AND the girl who also had a crush on the same boy? Her?
You mean the girl who doesn’t hurt people who love who she loves, rather actively encouraging it in the first place? That one? Really?
Like it’s such an integral part to her subversion too. It’s what makes her such a weird and fascinating character. Possessiveness is supposed to be whats ugly about love itself, yet her love remains ugly without it. She is ugly because the fundamental ways in which she sees and feels about the world are considered “wrong”, “dangerous”, and “deviant”.
But Izuku… ohhhh Izuku…
He holds this trait like a badge melted to his skin. My man cannot escape these allegations. It’s to the point where it’s honestly a fundamental to his narrative. Izuku does not act nor feel the same without it.
Izuku holds a cutesy nickname that literally every other childhood friend of Katsuki’s has long left behind, saying his real name instead (this is honestly why I’m also uninterested in a scene where Izuku calls him “Katsuki” instead of “Kacchan”, Katsuki doesn’t represent the same things the name Izuku does, imo at least), izuku “give him back to me” midoriya, holds his dead body to his chest on a cover, freaked out on someone either hurting/offending Kacchan.. 3 times(?), keeping big boy ofa secrets…. The list goes on.
So it’s this main reason that I think their characters are just so. Fucking. Intertwined. I’m glad this has become a more common interpretation because there’s just so much that aligns between them.
Both of them call their “special people” with -chan endings, both by their first names, both deemed deviants/irrelevant by society. It’s no wonder Ochako fell in love with Izuku, just like she did toga, they’re fucking freaks. They’re interesting. They’re weird. They’re overly friendly and socially inept and a little beaten down by the world yet have too much passion to stay on the ground. They’re envious of the ones they love (Ochako of her freedom to be a normal girl, Katsuki for his raw power and harnessed skill), and I guess I just wanted to make this post because I adore how it’s all done.
I LOVE how the yandere trope is used as societal commentary here. Not necessarily as a way to make the main love interest jealous and feel she must protect the main character, nor for some kinky reason surrounding her character, but because the trope is built off of real, ugly feelings that can and do happen. That love can and is considered truly beautiful in all its forms, especially those of queer people.
So I especially love it because it isn’t just limited to Himiko, but Izuku as well. He may never hurt the ones he loves, but he would hurt for them.
A perfect narrative foil on queer and deviant forms of love. Big fan Horikoshi.
#they’re such freaks and that’s why I love them so much#and so are ochako and Katsuki in their own special ways#just never in the way people think#ochako is a little freak who may or may not think it’s hot when Izuku is a bit beat up.#Katsuki may also be a freak for being weirdly aggressive and so viscerally himself at all times. not even necessarily bc he wants to be a-#jackass but that it’s just who he is to call people asshole nicknames based on appearance or to scream mid battle#ntm my boy was bullied before he got his quirk so like. yk. makes sense that he’s so quick to think that izuku’s been playing the long game#bkdk#togachako#midoriya izuku#mha deku#bkdk brainrot#bakudeku#bnha deku#bakugou katsuki#mha analysis#deku midoriya#uraraka ochako#himiko toga#ochako x himiko
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The Final Fifteen is about Terry Pratchett's Death
read on Ao3
The final fifteen is obviously a major plot point, and serves a role in a story that was written long before Terry Pratchett was ever diagnosed with Alzheimer’s. But the scene itself wasn’t written until just a few years ago, during the writing of Season 2. In fact, the scene came about during a park bench conversation between Neil Gaiman and John Finnemore.
Others have noted that the non-romantic kiss that signals the story moving into the third act is a Neil Gaiman staple. The function of such a kiss, from Gaiman’s perspective, is to communicate.
In 2023 we are seeing a lot of stories written by men, for men, about men who are best friends and discover that their friendship can go deeper than the norms of society would usually allow; that platonic and romantic love are not so far apart, and perhaps the better word for a relationship that can be described this way is intimacy.
Neil Gaiman has made it clear in interviews that his friendship with Terry Pratchett was deeply intimate. They began collaborating on what would become Good Omens in the 1980’s, endured a tumultuous experience together through the first publication, wherein Neil offered to martyr himself on behalf of Terry if the book failed, and then spent the better part of two decades touring the world, meeting the people who loved their work. Neil would even off-handedly remark that Terry’s fans were so cheerful, and Neil’s seemed like they were ready to kill themselves; wouldn’t it be nice if they got married? From the outside, it looks very much as if Terry was Aziraphale-coded, and Neil was Crowley-coded, working together in an unexpected partnership to make the world a little bit more tolerable for the humans inhabiting it. I am not conjecturing that Neil and Terry had romantic inclinations the way their fictional characters do, but I think it is fair to say that their opposites-attract intimacy became an important part of who each of them were.
In 2007 Terry Pratchett was diagnosed with posterior cortical atrophy, a rare form of Alzheimer’s. As the disease progressed, he began to lose himself, and knew that the person he used to be was slipping away. He wanted to end his life on his own terms, and die as himself, but England did not and still does not allow for voluntary euthanasia or assisted suicide. He advocated for the right to die but never achieved it, and ultimately succumbed to the disease in 2015. Neil Gaiman has spoken a lot on the topic of death, and one answer of his that resonated with me reads:
Mostly it feels terrible. It even feels terrible when it’s someone who has been in a lot of pain for a long time or has not really been there for a long time and you know that Death has in some ways been a blessing: suddenly you are mourning the whole person.
It doesn’t get easier as you age. It gets stranger. The point where you realise how many people you used to know and like who aren’t there any longer, and you cannot talk to them or see them or laugh with them is painful in a way that I had never expected. The first time that someone you had a romantic relationship with dies and you realise that there had been moments both of you shared and now you are the sole custodian of those moments and one day you will be gone and they will be lost forever is peculiarly strange and hard.
~~~
The entire show is seeded with references to Terry Pratchett, but the most important one is the one that’s missing. Neil Gaiman cameoed as a sleeping moviegoer in S1E4, but a long time ago, he and Terry had discussed cameoing as sushi restaurant-goers, because sushi was weirdly prominent in the book. That cameo would have been in S1E1. But when it came time to do it, Neil couldn’t. Not without Terry.
Neil: I was gonna say our location is a Chinese restaurant we’d had turned into a sushi restaurant. So Terry and I, Terry Pratchett and I, had a standing… not even a standing joke, just a standing plan, that we were going to have sushi - there was going to be a scene in Good Omens where sushi was eaten and we were gonna be extras, we were gonna sit in the background, eating sushi while it was done. And I was so looking forward to this and, so I wrote this scene with it being sushi, even though Terry was gone, with that in mind and I thought: Oh, I’ll sit and I’ll eat lots of sushi as an extra, this will be my scene as an extra, I’ll just be in the background. And then, on the day, or a couple of days before, I realized that I couldn’t do it.
Douglas: You never told me this before either. I might have pushed you into doing it, had I known. I think you were right not to tell me.
Neil: I was keeping it to me self ‘cause I was always like: Oh, maybe I’ll be… this will be my cameo. And then I couldn’t. I was just so sad, ‘cause Terry wasn’t there. And it was probably the day that I missed Terry the most of all of the filming - it was just this one scene ‘cause it was written for Terry and all of the sushi meals we’d ever had and all of the strange way that sushi ran through Good Omens.
~~~
In the Final Fifteen, it is clear that Crowley and Aziraphale want to stay together. They love each other. They each know that the other loves them. There’s nothing that needs to be said, no convincing that their bond is true and real and precious.
But Aziraphale has to go to Heaven, and Crowley cannot follow him there.
I cannot speculate what it must have been like for Neil to endure losing a friend who, though I’m sure he desperately wanted to still be in his life, he also knew that life had become a burden to him, and grieved that Terry was not able to choose the time and manner of his departure from this Earth. This sort of complex grief, we fan-ficcers know, is the kind that is often best processed through story-telling.
I think that what we see Crowley going through in the Final Fifteen, alongside its importance to the story arc of Good Omens overall, is Neil processing his grief at losing his friend Terry Pratchett, and even the kiss, that violent, terrible, awful kiss, was the symbolic representation of Neil saying goodbye.
#neil gaiman#terry pratchett#aziraphale#crowley#good omens#good omens 2#good omens meta#ivoc#this meta ended up being only about 2/3 the length of my usual metas and somehow that feels appropriate because Terry's life ended too soon#and the jarring brevity of this piece parallels that feeling of sudden unexpected loss#for me anyways I don't know about you guys#if this made your eyes even slightly moist you are obligated to reblog to help someone else feel their feels#I don’t make the rules#but them is the rules#blessed by Beelzebub
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hii! I love love loveee ur harry fic. can I request a modern au where harry and fem reader are both famous actors, they get paired up to do a movie where they have to do a s3x scene, and things get pretty heated off set as well ~
hi! thank you so much for requesting, i really enjoyed writing this! i hope you like it!
pairing: harry james potter x fem!reader AU (18+)
summary: you're filming your first romance movie that features a sex scene with harry potter (early 20's), an actor you've only ever seen on the big screen. despite both of your nerves, a growing chemistry between you two leads to something more in the dressing room.
content warning: smut!!! dry humping, oral sex, penetration
word count: 8.7k (i can't write short blurbs i swear lol)
you were currently sitting in the hair and makeup chair chatting with the stylist about each other's respective careers, laughing and messing around before your official call time. you always went out of your way to talk to the crew on any set you worked, not just to be respectful, but also to make everyone comfortable around you right away.
it was a little hard to grasp from your perspective as you were only thrust into the spotlight a few years ago, but you were in enough successful movies that you were now pretty recognizable to most people. not that long ago you were just like everyone else, a fan of celebrities yourself who went to premiers and fawned over meeting them. today, those same people are technically your coworkers. it's something you're still learning to accept as your new normal.
that being the case, it was easy for people to feel a bit intimidated by you. you were well-liked, by both fans and people in the industry, and already highly-acclaimed with quite a few notable awards/nominations under your belt in just a couple years. and while you took your acting seriously, in your real life you were very different from the stoic characters you played. funny, warm, personable, always trying to lighten the mood - you were a pleasure to work with in every sense, so the intimidating preconception people had of you would quickly melt away.
"wow, jen, it must be so cool being able to work with so many celebrities all around the world," you sighed. the stylist, jenny, gives you a bewildered look in the reflection of the mirror. "well, you do that too y'know? you're one of those celebrities that people will ask me, 'oh my god, what's she like?'" she laughs at you, finishing up the final details of your hair.
you give her a half smile, feeling a blush rise on your cheeks. "okay, well, i guess…but it's not the same. i'd love to travel as much as you do. i know it's for work, but i'm sure you get to see some pretty incredible places," you gush. jenny smiles back at you.
"i do, it's nice and all, but you get to be on the big screen with some pretty handsome faces," she teases. "i mean, that movie with timothee you just did?" she practically moans. "i would do anything for that boy," she laughs.
your blush only worsens. being a young woman in the industry you're very often paired with actors around your age, almost always men, to have a romance plot line with. it seems like no matter how artistic, action-packed, or sad the movie is, they just can't let you leave without having you makeout with said actor at least a million times before getting 1 good take. after a while it becomes so routine that it loses all novelty. kissing becomes meaningless and these 'heartthrobs' just become coworkers to you.
"please, timothee's like my brother at this point," you roll your eyes, pulling out your phone to check the time. just a few more minutes before you have to leave and be on set. "and i'd much rather do his makeup than makeout with him in front of everyone again," you laugh, putting your phone back in your pocket.
"well, y'know, i was doing the potter boy's makeup just before i came in. wouldn't mind making out with him a few times, lucky duck," she teases you, starting to pack up her equipment.
harry potter. the name was familiar to you. he was an actor around your age who started getting more roles at the same time you did. you always seemed to miss each other at award shows and premiers, so you haven't been properly introduced yet, but you had been somewhat excited to work with him on this movie.
it was your first proper romance, a book adaptation that you had actually read just a few years prior on your own. you knew the director well and you were his first choice when casting the lead role. at first you were a bit hesitant to accept because you didn't even enjoy the little romance you did in your previous movies, so you weren't sure how you'd feel doing an entire film centered on it. but robert, the director, had convinced you to at least read the script, and you were hooked from there.
it was less of a romance and more of a drama, focused on the downfall of a marriage due to the wife, you, having an affair. that's where potter came in. you learned he was cast for the role of the 'side piece' only a month or so before filming began, and you weren't sure how to feel. on one hand, like jenny said, he wasn't bad looking from what you had seen in his films. however, when you previously did these types of scenes with costars, you at least knew them previously and could be friendly with them between takes. you had never met potter, not even seen him off-screen, and now you have to have an entire affair with him on camera.
that's another thing. you've only ever done heated kissing scenes before, maybe a little undressing and implied nudity, but nothing too explicit. this would be your first real 'sex scene', which just added another layer of awkwardness to the situation on top of not even knowing the basics about each other. to say you were anxious about filming those scenes would be an understatement.
"then you can take my place, cuz i'm not looking forward to it. you know i've never even met him before?" you ask as you stand up from the chair, stretching your body after sitting for over 2 hours. "just gonna introduce myself like, 'yeah, hi, i'm [y/n], nice to meet you. you ready to pretend to fuck passionately for the next 4 hours in front of the catering staff?'" you joke, putting on a voice and pretending to shake jenny's hand. she laughs at you, pulling her hand back and waving you away.
"oh hush, you're gonna do just fine. hell, you might even like it." she gives you a smirk as you just laugh her off. you exchange goodbyes with her, wishing her well and thanking her excessively for her time.
as you're walking through a maze of hallways to find your set, you run into robert. he looks like he's seen a ghost when you greeted him.
"oh…[y/n]...i've been meaning to talk to you…" he says nervously, trying to keep his tone positive. you narrow your eyes at him. you've worked with robert long enough to know when he's about to tell you something he knows will annoy you.
"robert…" you warn him, a hint of sarcasm in your voice. he sighs. "look, just walk with me." he tells you as he walks away, motioning you to follow.
as you catch up to him, he begins trying to find the best way to break the news to you. "see, well…we uh…we think it's best if, uh…maybe…" he stammers, causing you to look at him with concern. you've never seen him this nervous to tell you something. "what? just spit it out, rob." you tell him.
he sighs again, rubbing his forehead. "look, casting just isn't sure on this potter kid yet. we've shot a couple of his solo scenes already, but…" he trails off, trying to find the words again.
"but…?" you ask confused. he gives you an apologetic look. "but…we just need to see his chemistry with you first." robert says. you're just more confused, staring at him blankly. robert slows to a stop and turns to you, his hands raised in innocence.
"it's not my idea, but cast wants you and potter to shoot the sex scene today so they can decide if we're keeping him or not," he admits regretfully.
you're completely dumbfounded. there's a few moments of silence before you can even conjure up a response. "what?"
he sighs yet again, clearly stressed about the situation. "i know, trust me, i know, you weren't excited to do this scene to begin with but…think about it this way," his voice turns to the same fake positivity to try and reassure you.
"if we shoot all the lovey dovey stuff first just to find out there's no chemistry during the sex scene, then we just wasted all your time, all his time, and a lot of money…" he reasons with a strained voice. you're still giving him a death glare, arms crossed, not buying his excuses.
"robert, that doesn't even make any sense. wouldn't we build chemistry over time like any other movie? i thought i had at least a couple weeks to get to know this kid before… you know…" you trail off, blushing from both frustration and embarrassment.
"i know, i know, but cast is really pushing for this other guy, but i've wanted potter in this role as long as i've wanted you as my lead." he says desperately, his hands literally pleading with you. "please, [y/n], i know this isn't cool of me, but i'll do anything you need from me for the rest of filming. for the rest of my life!" he's joking, but there's a hint of seriousness in his voice. "just, please?"
you're still glaring at him, not happy that you're being put in this predicament. you take a second to breathe, trying to think past your anger, and see this from an outside perspective. realistically, even if you and potter did have chemistry outside of the sex scene, it didn't necessarily mean it would transfer over. by filming that first and getting it out of the way, there would be no awkward building of tension over the next few weeks knowing what's to come. and who's to say there even is any chemistry? then they'd end up having to switch him out for an entirely different actor, which could up a lot of time for paperwork and legal fees…
sighing, uncrossing your arms, you give robert a look of defeat. "fine."
robert's relieved, thanking you profusely as he continues to show you the way to the stage. he's trying to babble on about how you're going to do great, and there's nothing to be afraid of, but you can't focus on his words even a little bit because your heart is thumping so loud.
as you walk into the bustling room with robert leading the way, you can't help but search the room for potter's face. you want to at least see who you're going to be dry humping from 4 different angles.
recognizing different crew members you've worked with before, you smile and say hello to each of them as you continue analyzing each face in the room. you only kind of know what he looks like, so it might be a fruitless search, but it's the only thing that can distract you from your growing anxiety.
robert brings you to the catering table, telling you to make sure you eat and drink some water before being pulled into conversation with someone else and, eventually, leaving you behind completely. whatever, you think, he wasn't helping anyway.
grabbing for a water bottle, you drink at least half of it before feeling a tap on your shoulder. you're twisting the cap back on as you turn around.
harry potter.
you can instantly tell it's him, though he's now wearing glasses, something you don't remember seeing in his movies. he has a shy, nervous smile as he offers you his hand. "[y/f/n] [y/l/n], right? i'm harry potter," he introduces himself. "i guess we'll be filming together for the day."
you smile and shake his hand. "harry, hi, it's nice to meet you. and, yeah, i guess so…" you reply shyly, noticing that your hands are sweating, as well as his. he chuckles just a bit, reaching for a water bottle as well.
"yeah, i take it robert talked to you already?" he asks before he takes a drink. you nod, giving him an awkward smile. "he did…" you chuckle as well. "just a minute ago, actually."
harry nods in return. "yeah, he came by my room not even an hour ago to let me know." he states.
there's a few moments of awkward silence between the two of you before harry sighs and sets his water bottle down. he turns to you with his hands up just like robert.
"look, let's not be coy, yeah? this is weird as hell." harry states bluntly, a look of guilt on his face.
you let out a surprised laugh, setting your water bottle down as well. you turn to him, giving him your attention, curious to see what else he has to say.
harry briefly looks you up and down, his hands still raised. there's a hint of anxiety in his eyes before he blinks and shakes his head. "and, i'm just a big fan of yours in general, and this is really not how i wanted my first sex scene to play out, especially with you…" he emphasizes, his eyes widening at his own words.
"not that i didn't want it to happen at all, i definitely did, just, like…" he groans, throwing his head back and covering his face with his hands in frustration. you can't help but giggle at his nervous antics. you didn't know what to expect in terms of his personality, but you certainly didn't think he'd be so humble and shy. most actors you meet close to your age are either full of themselves or try too hard to be something they're not. you've made friends with plenty who aren't like that, but it's definitely more common than you expected.
with harry, however, he seemed very honest right away. he wasn't putting on a face to impress you, if anything he was failing miserably at that…but you found it really admirable. he reminded you of yourself, in a way.
after hearing you giggle at him, harry looks back at you with flushed cheeks. his brunette hair, an already messy fringe, was now even more disheveled. you continue to giggle at his expression, covering your smile as you look him up and down as well. tired converse, blue jeans, a maroon zip up, and a plain blue polo. you'd never think this kid was a famous actor based on his appearance. even his glasses looked old and bent out of shape.
but again, you found it admirable. no designer names, no flashy accessories. not that you found anything wrong with either of those things, it's just what you're used to seeing. it was refreshing, harry's simplicity.
he awkwardly chuckles with you, wringing his hands together nervously. "uh, what i'm meaning to say is…" he trails off. you interrupt his thoughts. "i know what you're saying," you reassure him. he looks back up at you. "you do?"
you laugh again. he's oddly innocent despite his age. "i do. i've never done this before, either." you admit. "oh, i know, i've seen all of your films plenty of times," harry beams, his nervousness melting away a bit. you're taken aback by his statement. "oh?" you respond.
he nods proudly. "oh yeah, i'm just a big film person in general so i'm constantly watching them at home. or on the plane. or in the dressing rooms…" he laughs. you smile warmly at him. again, something about him is so genuine to you. not afraid to be a fan.
"but, anyways, yeah, i just love your work. and i know you've worked with robert before, so i was over the moon when i heard he wanted me to work with you guys. that was one of my favorite films that year, y'know? definitely deserved more recognition than it got." harry rambles.
blushing, you give him an incredulous look. "yeah, we have worked together before. i-i loved that film." you're clearly impressed with his knowledge of you and of cinema in general. that film wasn't even all that popular, and definitely not your most well-received work as far as the critics went. "thank you. really."
harry's smiling at you, admiring you in a way.
you blink a few times to come back to reality. "u-um, i love your work, too. i actually just went and saw your most recent one twice, before robert even told me we'd be working together."
harry's shocked, his mouth slightly agape and eyes wide. "you…you've seen my movies?" he asks with a slight smile.
again, you can't help but giggle at him. his humility just keeps surprising you. "of course i have. you're not the only actor who enjoys films, y'know?" you tease him. he laughs, shaking his head.
"yeah, i'm…i'm just surprised, i figured you might not be familiar with me at all, really," he shrugs, still sounding in shock.
"well, we always miss each other at shows and such, i always meant to introduce myself, but…" you trail off. "i know! tell me about it! i've wanted to meet you for ages, seriously," harry gushes.
smirking, you cross your arms and shift your weight. "well, what do you think now that we've met?" you ask, mostly sarcastically but also curious about his response.
he clears his throat, the nervousness coming back slightly. "u-uh, well, um…" he stumbles. "quite honestly, i didn't think you could be more beautiful in person." he admits like a schoolboy with a crush.
his response gives you butterflies. he's so adorably innocent, but such a gentleman at the same time. at no point does his admiration for you feel manufactured or forced. it's like he's truly just happy to be with you in this moment.
"well…thank you, harry," you respond. "you're not so bad yourself. i really adore the glasses." you admit with a blushing smile.
harry perks up immediately. "really?" he asks, excited and shocked at the same time. "they're prescription, actually, i'm blind as a bat…but no director wants me to wear them, they say i look like a total nerd," harry laughs, but you can tell it saddens him.
"nerds are hot." you shrug. harry's stunned for a moment before chuckling, his eyes softening for you. "right."
you and harry continue to chat for a while, losing all sense of time as the crew continue to work around you. you're mostly discussing films you both enjoy, and have incredibly similar taste. you love all the same directors, and grew up watching the same stuff.
this eventually leads to talking about both of your starts in acting, which are also strikingly similar. you discuss your experience so far as a woman in hollywood and he listens intently, asking questions with genuine curiosity and concern. he tells you about his experiences with theater growing up and the connections he made throughout his time performing.
you're completely enthralled with the conversation and feel like it could go on for days without any complaint. it's not until you hear robert calling both of your names that you look at the time and realize you've been talking with harry for nearly an hour and a half, but it feels like you just started 10 minutes ago.
harry follows you towards robert who's talking to the wardrobe team. you recognize a few faces and excitedly greet them, asking how everyone's been.
"potter, [y/n], these lovely folks are gonna walk you through how this works as far as clothing, don't be afraid to ask questions," robert told you both distractedly, his head already turned away before he ran off to help someone else out on set.
you and harry are separated and put into your respective outfits for your characters, as well as specific underwear for the scene. looking in the mirror at yourself in a simple dress, you can't help but feel the nerves coming back to you as you realize you actually have to film this scene with harry soon.
harry…
when you come back, he's already in his outfit and waiting for you. he's in an earth tone suit, his glasses taken off and his tie slightly undone. you have to admit that he looks extremely handsome, and decide to tell him so with a smirk. "says the most gorgeous girl in the room," he instantly quips, but you can see the blush blooming over his cheeks.
the wardrobe team basically teaches you both how to take off your clothes in a "movie style" that looks best on screen. specific movements can obstruct certain body parts from the camera, some take less time than others depending on what you're wearing, just little things that keep you from having to constantly reshoot the scene.
after a few tries of swiftly removing your dress, and taking glances at harry as he took his button-up off, you start to get the idea and have the motion memorized. you're laughing with one of the assistants you've met previously about the task and catching up with her in general. harry comes up behind you and also recognizes her, giving her a friendly hug. you're impressed with how personable he is with her, asking about her schooling and her roommates, parts of her life you hadn't even known about. you couldn't help but be in awe of him. he really was like you in so many ways.
before you get too comfortable, the wardrobe team informs you and harry that you have to also practice taking each other's clothes off for the camera. obviously, you thought, but you were still a bit shocked at the news.
you turned to harry, who's already waiting for you with that familiar smile. you smile back nervously. "hey, it's alright. it's just me." harry reassures you. the tone of his voice is so comforting it actually helps settle your nerves a decent amount.
both of you basically learn what the other person learned, you taking off harry's suit jacket and tie as he lifts your dress in one swift motion. the first run through you're a bit nervous and end up giggling most of the time. harry also laughs with you, making the atmosphere less tense.
"feels like a dance, oddly enough," harry says, pretending to dance with you. you laugh and agree, dancing along with him.
after a few more awkward tries, you both start to get the hang of it and feel more comfortable with each other both physically and emotionally. you're cracking jokes, helping teach the other how to unclothe themselves quicker, just having a good time that comes so naturally to both of you. it doesn't take too many tries before you can efficiently take off each other's clothes without giggling or accidentally tickling the other.
before long you're both placed on set, a mock living room that resembles the apartment of harry's character. you and harry are given a few simple, non-sexual scenes to start with. the scripts are kept close by in case either of you need a refresher, but you both seem to have your lines memorized well and go through the scenes very naturally.
you were familiar with harry's acting of course, but something about how he performed his lines with you struck a different chord. his emotions were so raw, his timing felt natural, and his eyes told a whole story on their own. at one point you got so lost in them you missed a beat, quickly correcting yourself and focusing your gaze elsewhere.
you only had to redo them one or two times before moving on to the next scenes, which included kissing. you could feel your heart start to race again before harry's hands found their way to your shoulders from behind, a soft but firm grasp that sent chills down your spine.
"remember, it's just me," harry mumbles to you, coming around the side of you with a reassuring expression. somehow he knows exactly how to ease your nerves, and does it at the perfect times.
you're moved from the couch to the 'front door' area, where robert has you and harry mimic the steps he wants you to take before the cameras start rolling. "[y/n] opens the door, harry grabs her hand and pulls her back in," he directs you two like puppets as he shows you how and where to stand.
harry has you by the hand, your palms still sweaty as he squeezes your hand for reassurance. you smile at him, and he smiles down at you before quickly looking back at robert's actions.
"harry backs her up to the door, back, back, back 'til it closes," harry's pressed against you, chuckling under his breath as he looks down at you. you try to hold back a smile.
"kissing, kissing, blah blah blah, yadda yadda yadda," robert calls out despondently, flipping a page in his notebook. "harry, you take her shoulders and push her against the east wall," robert points to the wall just next to the door, and harry lightly moves you to the other wall, keeping his body close to yours.
"really sweet, yeah, but make sure it's passionate!" robert says dramatically, making both you and harry laugh.
you're instructed on the best way to take each other's clothes off for the cameras, and practice only a bit before officially having to start to scene. in the lull between the cameras being placed properly and the lighting being set, you start to nervously crack your knuckles and try to steady your breathing.
harry appears in front of you. he lightly grabs your chin with his fingers and kisses you softly on the lips. you're a bit stunned at first but can feel butterflies erupting in your stomach. you look up at harry with wide eyes, and he's chuckling again. "sorry. just thought i'd get the first one off-camera."
your mind is jumbled and you're staring at harry with, undoubtedly, a ridiculous face. you can't even remember the last time a kiss made you feel this way, or if one has ever made you feel this way before.
you suppress another smile as robert calls for places. somehow you're now less nervous about making out with him, if anything…you're excited about it. that soft, gentle kiss he gave you left you wanting more. maybe he just knew kissing you before being filmed would make it feel more natural on camera.
the scene starts, harry pulls you through the doorway, and backs you up against it until the door clicks shut. you're looking up at harry with wanting eyes, exploring his face as the camera pans to your left. once it pauses, harry pulls you in for an eager kiss.
your hand goes to his jaw, keeping it out of the way of the camera's view. you realize after a second just how comfortable you are kissing harry. not only are you comfortable, you're actually getting into it. and so is harry.
as another camera pans towards the wall beside you, harry grips your shoulders firmly and pushes you against it, reconnecting your lips with a desperation that felt completely real to you. it only fired you up more, running your hands through harry's hair and arching your body closer to him as the kiss became hungrier.
"cut," robert calls out in a casual tone, causing harry to pause and take a step away from you. you look at him for only a second before you have to look away, crossing your arms, a blush completely taking over your face.
what the fuck was that?
you've made out with plenty of guys plenty of times, but not like that. not even off-screen have you been kissed so passionately. either harry was the best kisser in the world, or you were confusing your feelings with your character's.
"that was great, guys, no issues, just gotta readjust," robert informs you as he works with a camera guy to get the angle right. "harry, can you come in again?" he asks, motioning harry towards you.
harry steps closer to you, giving you a shy smile like he didn't just change your entire life with one kiss.
you smile back at him, still blushing, mind still spinning. he may be pretty cute with his glasses on, but at least without them you can get a better look at his pretty green eyes. you wondered for a split second if his glasses would get in the way of you making out with him, but you quickly dismiss the thought as he's your costar. one that you barely met 3 hours ago.
the camera gets adjusted, and you're directed to just continue to the undressing part of the scene. you look over at harry, getting closer to him as you mumble, "do you think it'll be difficult, kissing and undressing at the same time?"
harry gives you an unsure face, looking at his tie before loosening it a bit. "might be, i'll get it started for you," he says, unbuttoning the top couple button of his shirt as well. you smile at him a bit. "just take your time, i'll help you." he says. something about the way he looks at you lets you know he means it, and you believe him.
as the scene starts, harry pulls you in for another breath-taking kiss, and the butterflies erupt in your stomach yet again. you know something's not right about this. well, actually, everything couldn't feel more right with harry's lips pressed against yours, but that's the problem. you're way too into this for it to just be acting for a movie, and it seems like harry's just as into it, if not more.
you quickly start undressing him, pulling off his suit jacket as he helps you, repeating the steps you practiced together. except now you were trying to keep the kissing going smoothly.
your fingers began fumbling with harry's shirt buttons, getting it and his tie off just in time for him to pull the skirt of your dress above your head, resuming your kiss with an eagerness that surprised you.
"cut, nice, one more time, little bit quicker guys," robert calls out. you pull away from harry breathlessly before trying to put your dress back on. harry redresses as well, and a stylist comes from the side to fix the back of his hair. he thanks them by their name and with a smile.
you and harry resume the scene again, picking up the speed just a bit as you attempt to make out and undress at the same time. the quicker you both moved, the more intense the kiss became, as if neither of you wanted to stop for even a moment to breathe.
"cut, nice, thanks guys," robert calls out, walking away to the furthest camera man.
you and harry redress, making funny comments to each other about the scene as you do. you notice your lipstick is on harry's lips, and you giggle as you tell him he should maybe wipe it off. "maybe i like this shade on me," he says sassily. you just roll your eyes and laugh at him.
as you chat a bit more, robert eventually comes up to you guys with a script in hand. "okay guys, we're gonna do this quick and try to get it in one take if we can. we wanna eliminate all the awkward for everyone, including the camera guy," he jokes, waving towards the camera man who laughs at him.
you and harry chuckle dryly, knowing what's coming next.
a few crew people leave the room, whether robert told them to or they chose to you're not sure. it's down to just a few more people than you and harry, along with a camera. you look at each other, harry giving you a big smile before he starts undressing.
you follow suit, listening to robert's instructions. "the scene's barely 10 seconds of screen time, so we're only gonna do about 30 seconds of filming. yeah?" you both nod, setting your respective clothes to the side. you're quite a bit relieved at this news, glad that everyone else wants to get this over with as much as you do.
you're both wearing nude colored underwear, harry's briefs and your panties and strapless bra matching your skin tones enough that it could pass for nudity in the dim lighting. you feel a bit exposed, but not to the point of embarrassment, especially having harry next to you in just as little clothing as you.
"alright, now, i don't care if you're both virgins or whores, we all know what sex looks like, so i'm not gonna get too graphic here," robert jokes to lighten to mood, making you and harry laugh to yourselves as you give each other embarrassed looks.
"all i'm gonna do is tell you where to be and you guys just feel it out from there. sound good?" robert asks. "yeah," you both say at the same time. "but remember, you're a cheating bride, so put some oomph into it," robert jokes with you, walking towards the couch. you feel your cheeks heat up as harry tries not to laugh.
robert has you on the couch, laying with your head hanging off the arm as harry steadies himself above you. his arm has to be in a certain position to keep you covered for the camera, and as he repositions himself to their liking, you admire his body from your view. his chest is well built, his shoulders and collarbones creating shadows across his lovely pale skin…
you had to stop. this is just a job. he's an actor, you're an actor, you're acting together, nothing more. just be professional.
just before the camera's start rolling, harry looks down at you and gives you that same reassuring smile that makes your heart skip a beat every time. fuck. stop doing that.
"it's just me. okay? just you and me." his voice is so deep and he's so close to you, and the lighting behind him is making him glow. this moment could be a movie on its own.
"yeah," you breathe out, mesmerized by his words. just you and me. you could do that.
when the camera starts rolling, harry's hips start grinding into you slowly, his lips immediately connecting with yours. you involuntarily melt into him, your hands reaching for his shoulders as his leg starts rubbing against your panties. you let out a moan against harry's lips, and your grip on him gets tighter.
his hips become more and more rough with you, using your thigh to rub against rather than your panties themselves. it doesn't matter. you're still insanely turned on. and not just as your cheating character, but in real life, as yourself.
as you throw your head back in pleasure, harry takes advantage and digs his head into your neck. he's softly biting at your skin as he brings a hand to one side of your face, keeping his other arm stable for the camera.
he brings you back in for a kiss, and your hands are back in his messy brunette locks. this time he moans, and his rocking hips begin to pick up speed, grinding with more force into you.
your face twists in pleasure, partially for the camera but mostly for harry. you can't believe how natural this feels for you. it's like it really is just the two of you, no camera, no pressure, just pleasure.
as robert cuts the scene, there's a tone to his voice that was different compared to his normally distracted, stressed voice. harry slowly backs up from you, an indistinguishable look on his face as he gives you space to sit up.
you sit up, and quickly walk over to grab your dress. you don't feel uncomfortable, you're just afraid that you got wet enough to soak through your panties and really don't want anyone to notice.
as you slip the dress over your head, you notice harry putting on his pants. you can't tell if you just saw him from a weird angle or if you looked too quick and were mistaken, but you could've sworn he had an erection he was stuffing in his trousers.
well, even if he did, that's normal, right? you're both young people practically dry humping each other and pretending to enjoy it, of course your bodies are going to think it's real and end up actually enjoying it…right?
that's what you tell yourself as you try your best to seem normal, fixing your hair and steadying your breathing as robert makes his way over to you.
"that was, uh…that was great. i don't think we'll have any problem keeping potter, yeah?"
with a heavy hand on your shoulder and a knowing smile, robert calls it a day for the rest of the crew still on set and says his goodbyes.
you're a bit confused by his statement, but try not to think about it too much. you turn to look at harry, but he's already gone.
you're a bit surprised. you thought for sure harry would want to maybe chat a bit after all that, but you tried not to be disappointed as you turned around and headed towards the wardrobe department to retrieve your real clothes.
after getting dressed and setting wardrobe's outfit back in their closet, you make your way out towards the hallways. your mind is still racing, but you're trying not to think too much about what just happened so you don't lose your mind.
on your way to your dressing room, you kept feeling like someone was watching you. the feeling made you walk a bit faster as you tried to remember which hallway was yours.
once finding the door, you quickly let yourself in until a hand stops the door. as you peak through the crack, you see a tie hanging over a messily buttoned-up shirt, and instantly recognized it was harry.
you open the door a bit more excited than you expected yourself to, and are completely in awe of the man in front of you. messy hair, his glasses back on, still wearing the wardrobe outfit without the suit jacket.
"harry," you greet him, smiling like an idiot. he smiles back. "[y/n], hey, um…" he takes a breath, seeming a bit nervous. "sorry i just dashed, i hate those contacts and had to put these back on," he jiggles the frames of his glasses from the the side, making you giggle. "well, i guess i can forgive you. only because i'm pro-glasses," you say with a smirk.
harry seems so nervous, he's constantly shifting his weight and his smile isn't reaching his eyes.
"well, um, i just wanted to say, y'know, thank you for trusting me today…i know it wasn't easy but you did really, really well," his smile is so sweet, and his eyes are incredibly kind. you swear he's trying to get you to swoon.
"thank you, harry, but you made it incredibly easy to trust you…" you say with a small smile. "and it went a lot better than i was expecting." you say with a laugh.
harry cracks a smile. "yeah, same here. i actually wouldn't have minded it at all minus the cameras and audience." harry tries to joke with you, but his nerves are still overpowering his voice. is he joking, or does he feel the same way you felt shooting that scene?
smirking, you lean on the doorway of your dressing room. "i don't know, part of me thinks the audience part is kinda hot…mostly terrifying and vomit-inducing, but…" you joke back with him. he tries to laugh with you but he looks a little shocked by your statement.
"but, i agree. i didn't mind it at all." you say with a tone of seduction. you try to analyze harry to understand how he's feeling, what he's thinking, and why he's so nervous to be talking to you after everything you just did. yeah, maybe you shouldn't be playfully flirting with a coworker, but he started it…
there's a few moments of silence between you exchanging nervous glances with each other. you somewhat enjoy watching harry squirm like this under your gaze, after being so calm and collected on set it's pretty funny to see him fall apart with just you and him.
"uh, look…" harry finally breaks the silence, looking at the ground before making resistant eye contact. "[y/n], i know i said i was a big fan, um…" he's sweating, and he can't stop shifting his weight.
"but, i was just wondering, since, y'know, now we work together for a bit, maybe, um…"
god. he's so cute. is he really nervous to ask you to hang out after having practically having sex on camera? you can't take it anymore. you don't care if you're working together, you need him.
you grab harry and pull him into your dressing room, closing the door and locking it before turning to him and practically forcing him into a kiss.
harry's a bit stunned, quite a bit, but he quickly begins kissing back. the performance kiss was nothing compared to this. he's somehow an even better kisser when it's just the two of you.
this time, you're pushing harry into the wall next to the door. you smile up at him between making out. "this feels familiar." you say with a smirk. harry nervously lets out a laugh before immediately pulling you back in for the kiss.
the tension that's been built between you guys for the last 3 hours is finally being released, your hands exploring as you slowly take off the other's clothes. unlike the acting you were just doing, you're both gentle with each other and take your time to carefully take the other's clothes off. you're admiring harry's body as his shirt comes off, throwing it to the side. you're mesmerized by his neck and shoulders.
harry takes a moment to admire you, his hand on your cheek as he moves a strand of hair out of your face. your heart couldn't have been beating louder. something about these small, intimate moments with him between the heavy kissing and touching actually makes you more nervous. it was one thing to just be physically attracted to him, but the soft kiss he gave you during the break between filming and now this gentle moment between making out had your mind racing with questions but wanting nothing more than to just keep going.
"harry…" you sigh, examining his face while he looks down at you. "[y/n]...this is like a dream come true…" he whispers softly. the genuine look in his eye has your stomach twisting knots. "i never thought an on-screen kiss could feel like that…" you respond just as quietly.
his smile's real this time, no nerves, no looking away, just admiring you with the most loving smile. "don't tell robert, but, um, i wasn't acting out there. that was harry kissing [y/n]," harry tells you with a chuckle. you feel yourself smiling like an idiot and suppress your laugh. "yeah, i could tell," you say with a smirk.
harry pulls you in to kiss again, and your hands go to his chest. standing on your toes, you push your body further into his, moaning into harry's mouth as his hands find their way to your waist and hold onto you firmly.
"fuck," he practically whimpers, his hands sliding down your hips and eventually to your ass. he squeezes it roughly and causes you to gasp. "i want you." he states simply, staring you in the eyes again. "i don't care if we get in trouble, i'll take the fall. i just, fuck, i need you [y/n], please…" harry breathlessly begs you, his hands making the way under your shirt and up your back.
"we're just working on our chemistry," you respond, helping him pull off your shirt. he groans at your mutual eagerness and his lips attach to your neck and chest, leaving plenty of bite marks as you tangle your hands in harry's fringe again.
letting moans slip out of your mouth without a second thought, your body is responding to harry like it never has with anyone before. everything you've done with someone before him has felt so mild and mechanical, but harry was so naturally passionate with you. you're not sure if it's because he's always been attracted to you or if you just really, really find yourself attracted to him…
eventually harry's lips find your own again, and his hands begin to explore. he runs his fingers over your bra straps as he traces your back, sending shivers all over your skin. smiling into the kiss, he's loving the effect he has on you. harry slowly unclasped your bra and you let it fall to the floor, his hands already replacing it as he massages your tits.
your hands make their way down to his pants, pulling at the waistband only slightly before harry immediately unbuttons them for you, helping you push them before he separates the kiss and kicks off his pants entirely. you steal a glance down and see his erection. "i've had this since that first kiss, need you so bad" harry's voice rumbles.
you take your pants off as well, with harry's assistance, and he pulls at the waistband of your panties. "fuck, everything about you is so beautiful," harry admits before attaching his lips to yours sloppily. the kissing becomes needy, messy, and secondary to you groping each other roughly.
harry spins you around so you're now against the wall as he begins kissing down your body. the cold wall makes your skin shiver again, the visual of harry slowly getting to his knees in front of you making your mind spin.
he looks up at you for just a second above his glasses and your heart can barely take it, how can someone be so adorable yet so incredibly sexy and seductive at the same time?
eventually harry's mouth finds its way to your panties, softly kissing your pussy through them as you squirm under his touch. quiet whimpering and frustrated hip thrusts let harry know you need more, and he slowly pulls the fabric to the side.
you're in a complete state of ecstasy watching harry eat you out from above. his eyes are softly closed as he gets lost in licking and sucking on your clit. his hands go to your legs as he lifts one of your thighs over his shoulder, getting a better angle.
you're full on moaning now, not afraid to let harry know just how good he's making you feel. you can't remember a time where someone was this eager to eat your pussy, solely giving you pleasure. you can feel yourself getting wetter against harry's lips and blush at just how desperately your body's craving him.
"harry, fuck," you whimper, your hands returning to his hair as you begin to slowly grind down onto his face. harry is completely accepting of this, moaning as you stuff his face further into you. his moans send shockwaves through your body, gasping as you feel the tension building in your body.
harry looks up at you, his eyes full of lust and barely open as he continues to make out with your pussy. you can hardly stand the erotic sight before you as he watches your body react so well to him.
"fuck, harry, keep looking at me like that and i'm gonna cum," you teasingly scold him. you can see the smile in his eyes as he backs away, his chin and lips soaking wet. your body goes cold, missing his touch, and your climax fades away.
he quickly wipes his face with his hand before standing up and going back in to kiss you. you moan as the taste and smell of you is all over him. his hands go to your weakening legs and he lifts you up without breaking a sweat. you gasp and look down, seeing he already took off his boxers as he holds you against the wall. you look back in his eyes and they're so much darker than you remember, the bright green now a haunting emerald as he searches yours.
"i need you," he growls, the complete opposite of his usually gentle nature. you can't hold back your moan, something about his desperation makes you crave him so badly. you've never felt so wanted or loved by a partner.
"need you," is all you can say before you kiss him again, tongues instantly entangled. he takes this chance to use one hand to stroke himself, your legs wrapped around his body as he continues to hold you against the wall.
as harry's slowly pushing into you, your body envelopes him and embraces the pleasure. he's slowly thrusting up into you, his eyes completely fixated on your face as you fall into bliss. you can't get the words out, but harry feels so perfect inside of you. it's everything you've been wanting since he gave you that loving kiss on set.
harry's pace stays slow and torturous until he begins groaning and thrusting more desperately. "holy fuck, [y/n], you feel so fucking good," harry's head falls into your chest, his heavy breaths hitting your skin. the only sound you can make are your pathetic whimpers, your head thrown back against the wall.
harry starts sweating as he holds you against the wall, his legs getting weaker along with his arms. despite that, his thrusts become quicker and more hungry as his hand finds its way to your pussy. your whimpers turn into moans as harry brings you closer to your orgasm. his head lifts to look at you as you reconnect your lips, forcing your tongue in his mouth.
you can feel that knot in your stomach tightening, your hands finding harry's shoulders for something to hold onto. his exasperated breaths and gasps against your lips only turn you on even more. even at his weakest moment he's doing everything possible to make sure your pleasure and comfort comes first.
"harry, harry, i'm gonna cum," you say between kissing, your arms wrapping around his neck. "please, baby, please," harry groans eagerly, pushing your body further into the wall and thrusting even deeper into you. you can barely wait a moment before letting yourself go, burying your head into harry's neck as you call his name. harry's breathing is completely ragged as you squeeze around his cock, loving the way your body feels against his as you begin shaking.
it's not long into your climax that harry slows down, his hips stuttering before pulling out at the last second and letting his cum drip to the floor, his head falling into your shoulder as well.
you let yourself down from harry's grasp, your legs barely able to keep you up. harry steadies you, chuckling, his reassuring hands on your arms. "okay?" he asks breathlessly. you look up at him, his face is completely drenched and flushed as he stares at you lovingly. "yeah, fine," you say with a smile, using the wall to balance yourself.
you and harry stare at each other for a bit before going in to kiss each other again. it feels so natural, like you've been kissing him your whole life. the butterflies come rushing back. even after having sex with harry you still feel so attracted to him in a nervous, crush-like way.
after getting dressed harry offers his phone to you, asking for your number. you set your contact's name to your character's in the movie, and it leaves harry blushing. he's smiling at you for just a moment before he envelopes you in a hug. warm, comforting, and completely safe, you lean into his touch and don't want to let go.
with some flirtatious remarks and a promise to meet up tomorrow for a date, harry's leaving your dressing room in a barely buttoned up shirt and messy hair. you watch him disappear down the hall before closing your door, hardly able to believe you're already so smitten with the costar you only met earlier that day.
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Creator Spotlight: @66sharkteeth
66 is a comic artist and the creator of City of Blank, a WEBTOON original series. They worked in the game industry at companies such as 2K Games before entering the field of comics. They began their career in comics at Tapas, where they worked as an editor and lead typesetter, before being signed to create their own original series on WEBTOON.
Check out our interview with 66 below!
Have you ever had an art block? If so, how did you overcome it?
The short answer is yeah, I’ve definitely had one. Overall, I feel like doing a lot of style studies during that time and trying to use new brushes helps a lot. In addition, because I’m a comic artist, I feel like writer’s block is in the same field, and with that, I’m really fortunate that I have an editor that I can work with, who helps me a lot there. Whenever I am stuck at a plot point in my comic, I can always go to my editor, who helps me hammer things out.
What medium have you always been intrigued by but would never use yourself?
Animation. Of course, everyone loves animation. I went to school for game art and design and even did some animation courses, and I am just not cut out for it. I don’t enjoy the process, and I am not good at it. Animation is beautiful, and I admire people who can do it. I’d love for my work to be animated some day, I’m just not capable of being the one to do it haha.
Warm tones or cool tones?
It really depends on the scene! Especially in my comic, I really go with both of them, just depending on the moment in the comic. There was a major character death, and that scene was almost black and white. But normally, the comic is very vibrant, and people really like it, so when I switch it to a more cold tone, it makes the scene that much more impactful.
What is a recent creative project that you are proud of?
Honestly, my current comic, City of Blank, takes up 100% of my time. But recently, I did a plushie campaign where I worked with Makeship through Webtoon to design the plushies and do a little bit of marketing for them. So that’s fun and different from what I normally do!
When planning a comic or a story, what do you do first, character design or character outline?
Normally, I have a design, and I fall in love with the character design, and then I find a role for them. That’s how a lot of my characters have started. Also, that’s how I’ve been tackling new projects that I want to work on after City of Blank. I just came up with a character, and I’m trying to make a story around them.
What is a convention experience that has stuck with you?
Meeting readers and realizing how much my work means to some of them. Some of them have started their own comics, having been inspired by mine. Learning that I’m part of the reason they started their own comic journey, the same way I looked to other inspiring comic artists to start mine—it means the world that I’m in that position now.
Top tips on setting up an Artist Alley booth?
Let’s see…bright, sparkly colors! I think just trying to make sure that the booth is eye-catching. I ended up making a big shiny banner for New York Comic Con, and I know many people stopped by because it caught their eye and they’re curious about what it is. I know a lot of people are selling merchandise of popular media. Even just a banner of your brand to get them curious about who you are and maybe interested in seeing what you make and taking a business card so they can look you up later. It’s better than someone just buying a pin and forgetting you exist. Lastly, put out a tip jar. You never know just how generous your fans are feeling.
Who on Tumblr inspires you and why?
I’m mostly involved in the webtoon sphere! I am definitely inspired by my fellow Webtoon creators, @lark-wren, who created the series Woven. I love their work and seeing them interact with their readers on Tumblr. Same with fellow Webtoon creators, @miranda-mundt-art and @astrobleme-enterprises, who created Lovebot.
Thank you so much for stopping by and sharing, 66! Be sure to check out their Tumblr blog over at @66sharkteeth and follow their webcomic, City of Blank, over at WEBTOON.
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ʚ 𖦹₊˚. remus lupin x fem!reader
summary: remus dies his hair red and you go feral.
kiki says: i saw this pics of david and i couldn’t help it. this history contains smut, MDI please, it mentions reader and remus being in his twenties and in college. reader is a horn dog but with a bf like remus who wouldn’t. there’s mentions of cum play, oral sex (male receiving) but it’s mostly domestic life fluff i think. sorry if somethings is wrong, english isn’t my first language.
ʚ 𖦹₊˚. ʚ 𖦹₊˚. ʚ 𖦹₊˚.
smut below the cut.
remus lupin had no right being this extraordinary specimen of a man he was. he was already too cool for you to handle, the mastermind behind every marauder plan, one of the top students in all his classes, what’s more attractive than a boy who loved to see the world burning but never burn with it.
sometimes you pinched yourself every time he called you ‘baby’ because nothing felt real next to him. it didn’t feel like you were on earth.
“no” you signed as soon as your boyfriend entered your shared department with a half smirk “no, no, no, no, NO!”
the last ‘no’ was higher and accompanied of a tantrum, the kitchen flannel was now on the floor and you walked straight to the bedroom. remus followed you, frowning in silence and found you lying in bed.
“what?” he chuckled.
“how could you do that do me?”
“what did i do” your arms start to violently move, pointing at his — now orange — hair. “well, sirius had a perm and he said i would look good”
“sirius had a perm?” you were really curious about what would made him take that decision, and more, how did it turned out?
“yes, never mind. what’s wrong with my hair?” he said, touching his already messy hair “i can change it if it bothers you that much”
you turn to face the pillow and take a second to scream against it.
“you look really fucking hot” you respond nonchalantly, as if you weren’t throwing the biggest tantrum of your early twenties. “it’s not fair”
“you’re like this because i look good? i thought i looked hideous. i thought i looked like those unemployed people who drop out of college to start a band”
“you look really good” you say “and definitely knowing you’re going to the university helps your character a lot”
“then what?”
you sigh in pain “i masturbate at the thought of you a lot, remmy”
he chuckles “thank you, baby”
“a lot, remmy” you emphasize “i mean it”
“i masturbate thinking of you too”
“yeah, the two times you’ve ever masturbate, and i’ve always finish it for you”
“what’s that?”
“you don’t like masturbating”
“well, no” he starts “i have you. and even before of that i wasn’t a fan, sorry?”
“not the point” you discard his apology “the thing here is, that doesn’t affect you as much as it does to me” you feel suddenly embarrassed, hidding your head on the pillow while remus sits on the mattress with your legs on his thighs “i can see myself getting out of bed later thanks to you. taking more time showering because of you. and what when you’re not here? i’ll just think about that stupid hair and have to do it”
“c’mmom” he laughs “you don’t masturbate at the mere sight of me”
“you don’t know what’s going on under those sheets, remus”
“fine. fine. fair enough” he kisses your shoulder “i don’t mean to brag, baby, but you make me feel really desired”
“you are, remmy. why do you think i make sure to kiss you every time we’re at the school cafeteria?”
“because you love me?”
“no, silly” he looks at you offended “well, yes, that too. but i just have to make sure everyone knows you’re with me”
remus chuckles again, that’s the only thing he knows how to do in moments like this one, where he felt so close to you and in his mind was only one thing.
fuck you.
in any way he could, he just wanted you to warm his cock.
he threw your shirt somewhere in the room and now he was on top of you. both of his legs at your sides and he just took his time kissing your lips and caressing your face.
he took off his clothes as soon as he could, he was an eager and busy man.
remus fucked like he was being chased. his goal was making you cum as fast as he could while that motherfucker just smirked and edged himself, watching the whimpering mess he made you, you couldn’t take any more and yet he still hasn’t cum.
“my pretty, pretty, baby”
remus sat on your belly, his already hard cock was resting between your breasts and he holds himself onto the bead board with one hand while the other toys with your boob.
you moan in his lips and he just has to bite your lips.
“my pretty, horny princess” he’s making fun of you. you know it by the smirk forming in his stupid handsome face “eager, baby?”
he knows you are, you always are. remus starts to move his hips against your torso, his balls humping against your skin.
a few seconds before that, remus starts getting closer to your mouth, finally standing with his knees in a way that his cock is directly in your lils.
you of course, receive him with an open mouth, how could you not when he looks this hot.
his balls are resting on your boobs and his big cock is now inside of your mouth, he toys with your face as if it was nothing, like you don’t have a gag reflex at all.
remus caresses your face with a soft completely opposed to his strokes. every time you suck his dick he makes a mess of you, he pulls out for a second and slaps your pretty face, you moan and he smiles, how can this moment not be perfect?
“you’re the prettiest girl i’ve ever slapped”
you chuckle, you’re also the only girl he’s ever slapped and you intended to continue like that.
remus kisses you after putting his cock on your mouth again and this time you raise your head so he could hit deeper, he holds your hands as soon as he sees you trying to touch him and he laughs every time he felt you wanting him to let go. he pulls out of you and he hears your cries, because you wanted more.
“what, baby?” he smiles, leaning down on you to kiss you “you know i wouldn’t cum right there. s’ not much like me, is it?”
and it wasn’t, but you thought that maybe that hair would make him change his mind and not be so cruel about filling your mouth with cum, his cum.
“don’t be mean, remmy” you manage to say while trying to get back your breath. “s’ just not fun. you don’t cum. and i don’t cum, why are we even having sex?”
he smirks and raises his hands in a way of declaring himself innocent, of what? you wouldn’t know, remus’ brain overworked while having sex and yours simply stopped working.
“you wanna cum, baby?”
and, as if being under his body with your face covered in saliva and his pre-cum wasn’t humiliating enough, he had to make you bed.
“yes, please, remmy” and you were weak. you would beg if he wanted you to. “please, please, i need you, need your cum, remmy”
“wow, you’re unbelievable. how do you look this pretty while begging? i would look embarrassing”
“s’ part of my charm”
“let’s have you cumming, baby, shall we? if you’re good enough i’ll stuff you with my cum too”
“not too many rounds, remmy. just cum”
he laughs, but you’re not kidding. he kisses your temple and nods.
and by the end of the night you’re a complete mess. there’s cum leaking from your pussy and you can still taste it in your mouth, your breasts are sparkling with it too and remus tries to get you up to take a shower but you’re way too proud of yourself.
remus lupin came four times that night, and here you were thinking that red hair didn’t make him change his mind, because there was no way a brunette remus lupin would cum more than twice the same day.
“and ruin my victory that soon?” you responded when he begged again for you to go to the bathroom with him “let me be, remmy”
“baby, i promise i’ll cum more but please. you have to pee and shower”
“i’m just so happy right now, remmy”
“have a shower and i’ll stuff your pretty pussy with cum again for you to sleep like that, fine? but at least you’re clean for the night”
and just like that, your body was already receiving the cold drops of water.
#remus lupin x reader#remus lupin smut#the marauders x reader#remus lupin fluff#remus lupin fanfiction#the marauders smutt
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Highlights from the stream:
Here are the anecdotes shared during the epic draw-fest. Nearly all of them have been shared elsewhere at least once, but the new ones for me were about Greg Universe's orientation and the prototypical name for what Steven and Pearl's Fusion was going to be.
Rebecca Sugar loved Peridot's floating fingers and wanted to do all kinds of fun things with them before they would be gone forever. That's why we see her making arrows with them and biting them nervously in the episode right before she loses them.
When selecting clips for promotional use, they tried to be super careful about not picking anything that would show Peridot's real hands before the reveal had been aired. They didn't want a promo to accidentally ruin that surprise.
While doing the show they had an "eye theory" where the three main Gems would always have a different number of eyes showing. Pearl had both her eyes visible; Amethyst usually had one covered; and Garnet had either no eyes showing or three eyes showing.
With Rebecca and Ian's decision to get married and the characters Ruby and Sapphire being based on them, they figured well, of course now they have to get married too. (Though Rebecca and Ian got to do so AFTER their characters did!)
One of Rebecca's "post-Future theories" is that Steven gets a Gibson Hummingbird guitar.
Cookie Cat was originally based off of Cookie Puss, a very strange Carvell ice cream cake. It had a complicated backstory, which was appropriate for working with their own characters' complicated backstory. The branding and packaging of the Cookie Cat is important within the show.
Jeff Liu composed the Cookie Cat theme on a Game Boy and pitched it.
Rebecca has a "theory" regarding how Steven and Connie's faces kind of "fit together" with Connie's face sticking out at the top and Steven's face sticking out at the bottom.
Rebecca used to do a lot of fan comics, and learned a lot about storytelling while practicing with others' worlds and characters. They love when people make things based on these characters.
The original appearance of Rainbow Quartz was inspired by a music video from the Cars that Rebecca loved when they were younger. The Cars are referenced a lot throughout the show because their videos were a huge inspiration to Rebecca.
Lapis is very much based on a character from one of Rebecca's comics from the art school days.
Everybody on the Crew had different ideas of how Steven's head connected to his body and how his hair worked; Rebecca felt that they learned from everyone's various ideas.
If you've heard that Rebecca was against Finn being in a relationship while working on Adventure Time, that is not true. Rebecca worked on lots of the Flame Princess episodes. Finn and Flame Princess were still together when Rebecca left the show (last episode "Simon and Marcy").
Greg Universe's sexuality was never explicitly stated on the show, but Rebecca thinks of him as sexually fluid. Regarding him as bisexual is also completely valid--and appreciated by Rebecca as a bisexual creator who puts lots of their own personal traits into characters and feels that bisexual characters are pretty rare. Greg's gender on the show is pretty solidly established as male, so Ian says he is probably not gender fluid, but Rebecca is fine with alternate headcanons about that too.
Some of the earliest concept art from "Mr. Greg" was everybody in suits. Getting everyone in a suit was a primary agenda.
Everyone also wanted Connie to have a Space Camp outfit in the earliest concepts for her design in the movie.
Rebecca used to love doing signings while doing the show because it was like a chance to come up for air and go back to work energized by knowing how many people were touched by the show.
Rebecca Sugar wanted Pink Diamond to feel a bit influenced/inspired, design-wise, by the work of Iwao Takamoto. Rebecca loved his work in the Hanna-Barbera Alice in Wonderland and on Sleeping Beauty.
Rebecca drew the rough of the poster's art and Danny Hynes did the colors. Rebecca loves that they got to do this poster because they didn't get to do the final Comic Con with any art depicting Future or beyond (the finale of Future coincided with the emergence of Covid, so everything was closed down), so this is their way of "going rogue" and doing it!
An early prototype of a Steven/Pearl Fusion was called Coral. Rebecca said maybe they could share some drawings of this Fusion sometime. Rebecca shared this factoid with the viewers while drawing Rainbow Quartz 2.0, and mentioned that Ian boarded the scenes including their introduction.
Rebecca would often draw Garnet with a huge smile on her face whenever Garnet was the requested character--even before Garnet had made an expression like that on any aired episode. They had to be careful not to drop any Garnet lore before viewers knew what her center was about. For the short period before "Alone Together" had aired that they were doing conventions, some people were getting mysteriously grinning Garnets and not being familiar with that expression, but once the episodes aired, they understood for sure.
Shelby Rabara, Peridot's voice actor, is a professional dancer, and she choreographed the tap-dancing in "Mr. Greg" as well as provided the foot-taps that you actually hear in the show during the dancing.
Rebecca thinks of art and writing as just two different ways of expressing what you mean--they're not exactly as different from each other as most people think.
Everyone on the Crew was so excited about Steven's neck as an older teen. Mainly because figuring out how Steven's head joins to his body was an issue in original SU.
Unfortunately, while it was also kinda nice to see so many people enjoying Rebecca's drawings and commentary, there was a lot of rudeness and obnoxiousness in the chat. I know, I know, it's expected; I too live on the internet. But I'm disappointed to say the chat was full of people demanding Black Diamond, or repeating their own name and what character they want every 3 seconds (like, literally, pasting it over and over again for a long period of time), or harassing them about "weird Ed Edd and Eddy art," or spamming "REBECCA WHAT WAS IN THE CHEST," or wanting constantly for them to say hi to them personally, or repeatedly asking if Rebecca has read Homestuck. Or even writing snotty things like "maybe you should stop drawing and get up and give us a new season." Holy shit. can u not
(I didn't want to get a live-signed one, but I did get one of these to be sketched later! Mine is supposed to get Lion on it. I love Rebecca and the SU crew for bringing us new art and fun discussions in 2024.)
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So… I have a lot to say about this post I saw on my feed today. I took screenshots and blocked out the username for the sake of the OP. I didn’t want this to be a callout post for one specific user, and do not wish them any hate or harm. I DO have a whole heap to say about this and the treatment Charles gets from the rdr fandom as a whole, not only the OP in the screenshot.
I have a lot of problems with this post, and I have been wanting to talk about this issue and pattern I’ve noticed in the rdr community. Again, I do not mean to send any hate in OP’s direction or suggest that OP is racist in any sense. With that being said…
It’s an inherently racial stereotype to assume that Charles, a black and native man, is illiterate with such a lack of evidence or real reasoning behind it. He was isolated for most of his life after the age of thirteen, and he’s been with a gang for only six months. He is very private, and he is shy. He doesn’t talk much at all, much less about reading. I have never seen this sort of assumption made about any other character, claiming they’re illiterate, because they’re never seen reading at camp.
This is the most ridiculous take I have ever seen. Charles is the one who buried Arthur with his own two hands and created his gravestone. He was the only person who knew where Arthur was buried, hence being the sole creator of Arthur’s final resting place. Charles’ handwriting is the one we see on the gravestone. Charles is the one who wrote the inscription on the cross. He is not illiterate.
I think a problem I have with a lot of Charles fans is that they see him as a blank slate. They see Charles, a physically attractive man, who is quiet and take him for that alone. He is often seen as a blank canvas to project their own ideas onto and sort of mold to their own use and convince. And often times, whether knowingly or not, Charles is consistently watered down to racial stereotypes. Race is obviously a part of who he is, and it affects a lot of his actions, as it does with everyone, but that is not all who he is.
Charles is clinging to the fringes of what little of his culture that he does have. His mother was taken from him as a boy, and he holds onto what little he does have and that absence of his mother, and both of his cultures (because people also tend to ignore the fact that he is also black) is a huge part of who he is. But a lot of folks would rather see his shyness as blankness. He is not levelheaded, but he is moral. He is not always morally correct though. It’s frustrating to constantly see who he is being ignored for the sake of the false persona that’s been created for him.
I think a lot of folks need to listen to the one dialogue of Charles opening up at the campfire. Yes it is a relatable speech for a lot of reasons, but it is also about his race, how he experiences the world, and how he feels as though he has no place because of the loss of his mother, the lack of knowing who he is, his culture, and a whole host of other things. He is one of the best written characters in the game, and to brush that aside to make him into this ‘softhearted super caring ideal s/o’ is so frustrating. This is the same man who was ready to kill Uncle if the need arose. He is moral, but they are morals of his own, and he is not always correct. He is also flawed, just like everyone else. He is not a saint. He is a flawed and conflicted man.
To disregard Charles for who he is, is such a great disservice to the character and to all the work put into him, his story, and other people who have and continue to share the same experiences as he does.
#charles smith#arthur morgan#red dead fandom#red dead redemption 2#john marston#charthur#red dead#rdr2#rdr#Rdr community#charles rdr2#charles smith rdr2#red dead redemption two#red dead redemption arthur#charles smith x arthur morgan#charles x arthur#arthur Morgan x charles smith#rdr2 fanart#rdr2 photography#rdr2 arthur#arthur morgan rdr2#rdr2 community#rdr2 fandom#red dead redemption fanart#red dead redemption community#red dead 2 gameplay#fllnordr rants
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THE MEANING OF THE END OF GOOD OMENS SEASON 2 (SPOILERS UNDER CUT)
I binge-watched this entire new season and immediately unleashed every thought I had about the ending of the show alongside MANY others who were experiencing a lot of feelings.
After we all calmed down, we started talking and analyzing- and I think we found something way bigger than we saw on screen at the end of this season. And what this might mean for Aziraphale and Crowley going forward into (FINGERS CROSSED) a wonderful 3rd season.
The biggest complaint many of us in our chat had about the choice Aziraphale made at the very end- to ascend to Heaven, leave behind Crowley and the bookshop, to take Gabriel's place.
Everyone is saying that it's out of character, there was so much build up all for Aziraphale to throw it away, etc.
But the theory- a miracled brainwash.
By Metatron, on Aziraphale.
Metatron has proven to be a very dismissive and rude character, especially in regards to Aziraphale, since we met him in season 1. During the literal end of the world he still only spoke as God's voice and never appeared in person.
Suddenly, Metatron comes down- IN PERSON- to talk with Aziraphale about a promotion. Before we know who he is exactly, we see him buying a coffee and giving it to Aziraphale- KEEP NOTE OF THIS.
When Metatron first talks to Aziraphale, Azi says something to the effect that he has "made his position quite clear." The Metatron insists, pointing out the coffee and insists they talk.
HERE'S THE IMPORTANT PART:
Metatron says "are you going to take it?" and RIGHT BEFORE Aziraphale says "shall I?" you hear the FAINTEST GLIMMER of the sound effect for miracles. I'll be honest I had to turn my sound up and lean in once someone pointed it out, but it's there and you HAVE to listen for it.
They both go for a walk.
Crowley clearly believes Metatron is up to something, and watches them leave and walk but doesn't follow- this isn't addressed again. Then Crowley, Nina, and Maggie have their talk, and this is the part where Crowley is meant to confront his feelings.
We switch back to Aziraphale with Metatron. Clearly Metatron and Aziraphale have talked about a deal and Metatron asks him to "think it over." Aziraphale has presumed to finish his coffee at this point, because he heads directly back to the bookshop to talk to Crowley. They fight, they kiss, they give each other up because Aziraphale decides to go to Heaven and leave everything behind.
Like I said earlier, this is the part that enraged a lot of people- why would Aziraphale do this? This is so out of character. Why would he leave Crowley behind? Why would he leave his BOOKSHOP behind?
The current persistent theory is this:
Metatron has proven to be dismissive and untrustworthy since we met him. It is odd that he suddenly shows a change of heart for Aziraphale and wants to promote him. We, as the audience and fans, know Aziraphale's desire to live a simple, humanlike life with the person he cares about the most (Crowley) with his most prized possession (the bookshop).
The subtle miracle sound effect when Aziraphale took the coffee was the moment the miracle took place, affecting the coffee to brainwash (or at least to make more easily persuaded) Aziraphale so he'd say yes to the offer Metatron was giving him.
Aside from this, they editors/director/writers purposely wrote in and left the entire part about Metatron getting coffee for Aziraphale (as what? Some sort of peace offering?). The entire ending could have done without bringing so much attention to the coffee that Metatron gave to Aziraphale. It was unnecessary.
Unless it wasn't, and we are meant to find that out in season 3.
The coffee is Chekhov's gun. In filmmaking, nothing is ever just a coincidence or an accident. They made a point to give us the miracle sound effect without showing any visible changes, made Aziraphale act wildly out of character, and framed it as though it is not, let's say, an institutional issue that is being covered up 👀👀
And let's not ignore that the episode 6 description specifically says "The Metatron brings an oatmilk latte, along with a final offer." Which would be an odd thing point out if the coffee was a mere prop.
All to say- I personally loved the season. I loved every minute, and I want to see what happens next. I think that people are going to be very angry with the ending, but that there's so much more we have yet to uncover and we shouldn't underestimate the wit of Neil Gaiman.
#good omens#good omens spoilers#good omens 2#good omens season two#good omen season 2#aziraphale#crowley#ineffible husbands#anthony j crowley#my post
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Hello fans of Re: Dracula who were introduced to fiction podcasts through the updates from our good friend Jonathan Harker! Now that the story's over (sob!), would you like some recommendations for some other audio dramas that you might enjoy, made by some of the folks who worked on the podcast?
Jonathan Sims, who played our local phonograph enthusiast, is the writer of the hugely popular horror podcast, The Magnus Archives. The Head Archivist of the Magnus Institute records statements made by members of the public, detailing strange encounters with the supernatural. What soon becomes clear is that these statements do not describe separate and unrelated events, and a bigger and horrific picture begins to emerge. Also appearing as recurring characters in this series are both Sasha Sienna and Alasdair Stuart.
Karim Kronfli is a prolific voice actor, and while he might be best known for his roles in both Re: Dracula and The Magnus Archives, he has voiced a wide range of characters in many different fiction podcasts. Out of all the ones he's appeared in, I would personally recommend urban fantasy anthology series, Unseen. The unseen world exists alongside ours, but only a few humans can see it. It's a world where magic and magical creatures exists, and Karim's character tells his story in episode 7, titled We Ourselves.
Beth Eyre and Felix Trench played twins Antigone and Rudyard Funn in Wooden Overcoats, a British sitcom set on the tiny fictional island of Piffling, in the English Channel. The twins run a funeral parlor together, the only one on the island, until a newcomer arrives. Eric Chapman (played by Tom Crowley) sets up a much more successful funeral parlor, and the story is narrated by the Funns' house mouse, Madeline.
Alan Burgon plays the Interviewer in The Amelia Project. The Amelia Project is a secret organisation, and clients come to them looking for their help in faking their deaths. The Interviewer listens to each client's story, before concocting unique and often elaborate ways in which they will stage their deaths, before being reborn into a new identity.
David Ault is also a very recognisable voice to anyone who spends a considerate amount of time listening to fiction podcasts, and The Kingmaker Histories feels like an appropriate choice here. A weird steampunk series set in the Valorian Socialist Republic in 1911 , this story involves found family, its own intriguing magic system, and being gay and doing crime.
Our favourite cowboy, Giancarlo Herrera, plays one of the protagonists in sci-fi action/thriller, Primordial Deep. Spinner is part of a team which is sent deep beneath the sea to investigate the resurgence of creatures thought to be long-extinct. There's plenty of horror to be had here, as something ancient is stirring in the depths of the ocean.
As for the crew? Tal Minear works on so many podcasts, and if you like fantasy stories, I would recommend the delightfully lighthearted Sidequesting, which follows new adventurer Rion, as they help people on their travels. If you would like some more horror, there's their spoiler-driven anthology series, Someone Dies in This Elevator.
Hannah Wright's Inn Between is a fantasy series based on D&D. Each episode follows a party as they meet in the Goblin's Inn, in between adventures, as the tavern follows them around wherever they go.
Stephen Indrisano's upcoming docu-horror Shelterwood promises to be a series which explores the horror of suburbia, as it follows one man's quest to find his missing sister. Until this is released, I would recommend Do You Copy, in which Stephen plays one of the protagonists. This found footage horror series follows the events which unfold after the closure of Red Tail National Park, and the people who were left inside the park, after its mysterious closure.
Ella Watts is regarded as a walking encyclopedia of all things audio fiction, and has worked on several high-profile projects, including directing both Doctor Who: Redacted and Marvel Move. Her upcoming Camlann is a post-apocalyptic series due to be released next year, inspired by Arthurian legends and British folklore. She is also the executive producer of Tin Can Audio's (who are also producing Camlann) beautiful experimental series, The Tower. The protagonist of this story, Kiri, leaves her life behind to climb an impossibly high tower, making phonecalls along the way.
Newt Schottelkotte's Where The Stars Fell is a supernatural fantasy set in the town of Jerusalem, Oregon. Cryptozoologist Dr Edison Tucker arrives in the town to carry out some research, and meets her roommate, author Lucille Kensington. There's so much more to this strange town than first meets the eye, with a huge revelation at the end of season one.
If you're new to fiction podcasts, welcome! I hope this short (ish!) and very much non-comprehensive list gave you some ideas of what to listen to next!
#Re: Dracula#audio fiction#audio drama#podcasts#podcast recommendations#podcast recs#the mortifying ordeal of being known WELP#me yeeting this list into the void and then disappearing for the forseeable future
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Okay, so… The ending flashback in “I Remember You” is often assumed by fans to be specifically the moment where Simon and Marcy first met. Like, Simon stumbled on this Weird Gray Kid crying in the middle of the apocalypse, cheered her up with a dolly and only after that Simon started taking care of Marcy full-time.
However, while this seems to be a pretty logical interpretation of the scene - a look at the original storyboard actually reveals that was not the original intention.
You can argue whether or not it was properly conveyed in the finished episode, but the intent was supposed to be that these two already knew each other and were already a tiny lil’ post-apocalypse family (‘he has left her alone for some reason’ implies that they would usually be together at this point).
I mean, since this idea wasn’t really all that clear in the actual episode, a lot of people who did know about the storyboard notes (myself included) still assumed it wasn’t really canon. You know, it didn’t seem like such a big deal. What’s the big difference between Simon giving Marceline Hambo on the first day they met or not? What difference does it make?
And even when this idea was discussed, it was generally within the framework of, like, speculating about a possible connection between Simon and Elise (Marceline's Mom). And/or that Marceline specifically knew Simon before the War. Since neither of these ideas ever really came back in the Show itself, most people just kinda forgot about these Storyboard notes - if they ever knew about them in the first place.
It’s only very recently that it suddenly dawned on me; what was the original intent behind that scene, what is the meaning it was trying to convey, why was it so important to specify that Simon and Marcy already knew each other in that flashback.
If this is Simon and Marcy’s first meeting then the narrative is, like we mentioned above, that lil Marceline was crying in the rubble because she misses her mom or she just really processed that the world has been destroyed, or because she was tired, or hungry. Then Simon sees the poor little girl weeping and immediately sets on to cheer her up and help her in whatever way he can. That is still a very solid narrative that focuses on Simon’s kindness and strong parental instincts. I can see why so many people are attached to it as their interpretation for that scene. It certainly makes sense for Simon’s character overall and Marceline’s relationship to him.
But the intended meaning is actually uniquely important as a part of “I Remember You”. Because the narrative implied by the fact that they knew each other at that point is that Simon has left Marcy alone ‘for some reason’ (scouting ahead? Forging for food in a dangerous area?) and Marcy probably started crying because of that. Maybe he was taking longer to come back than he promised her to, maybe she just started getting anxious because she’s a little kid all alone (who already has abandonment issues pre-packaged from her mom).
But whatever the specifics are, with this one extra detail of ‘they know each other’ it seems extremely likely that Marceline was crying because she thought Simon had left her forever.
But Simon did come back, ran straight to her, comforted her and reassured her that no, he didn’t leave her behind, he’s right here. And then he gives her Hambo as both an apology for leaving her behind and a reassurance.
A reassurance that he’s still here, and he’s not going to leave her.
#adventure time#atimers#ice king#the ice king#marceline#simon petrikov#marceline abadeer#marceline the vampire queen#marceline adventure time#simon and marcy#i remember you#simon adventure time#adventure time simon#adventure time marceline#adventure time analysis#at simon#at marceline#simon at
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Pride Petty Watch
Long story short, I owe the BL gods, so I'll be watching TWO series from my Petty List during the month of June. This list includes shows I haven't watched for purely petty reasons, so I'm asking the crowd to pick the two shows I will watch from all the MAME series, some censored Chinese bromances, a few sexual tension-filled Korean bromances, and one wild card.
I'm making my first ever poll, so whichever two series get the highest numbers will be the two I watch. And for all the kind people in the crowd, this is not the time to think about me. Pick your favorite. And for all the people who I annoy on the daily with my wild ass takes that piss you off, pick TharnType. But there is a possibility of a secret thirteenth option that would hurt me much worse . . .
The petty ass reasons are below the poll.
Disclaimer: If you're going to read the petty ass reasons, I need you to understand these are PETTY ASS REASONS, so don't try to hit me with 2,000 words about why me not watching censored bromances is a problem or why me not liking your fave hurts your feelings. Nah. Pick a show!
MAME
Love By Chance
This show came out at the end of 2018, and I watched the first episode, maybe first two, and thought it was boring. Then, in 2019, I saw a GIF of the locker scene, so I recommitted. I made it past the first episode just when the PerthSaint drama started spilling out everywhere, so I chucked the deuces and haven't returned since.
TharnType
For some reason, I couldn't find the first episode when it aired. Then, I found out how the first episode ended. Then, I found out about Type's past. Then, I just kept finding out more awful stuff until eventually the MewGulf shit finally hit the fan, and I was still reeling from the PerthSaint drama (and the emerging ZeeSaint chaos). At this point, I've built this show up so much that I'm afraid to see what it is actually about.
Don't Say No
A story of another GIF of a locker room scene sucking me in! After the first two MAME pairs blew up, I believed her shows were cursed, so I opted out of watching this one even though I thought it would be the one to vibe with me the most. But the biggest reason was because the main characters came from TharnType, so I felt like I would have to watch TharnType to understand this show, which was a big hell nah.
Love in the Air
I watched this through mutuals on my dash, so I feel like I did watch it. It is also the highest rated MAME series, so I had faith in it. However, when I found out about Sky's past, TharnType's ghost popped back up, and I realized this demon of a show is gonna haunt me in every MAME series.
The Wedding Plan
Y'all hated one of the leads so much while it was airing that I now hate him, and I don't think I can let that go, so I'm coming in with pre-hate and TharnType's ghost, but on top of that, some of y'all said it was boring. But what is boring in a MAME series? Consent? Not kidnapping someone? I never got answers, so I'm very conflicted about this show.
Censored Chinese
The Untamed
It's color coded, but FIFTY FUCKING EPISODES! What is this shit? Grey's Anatomy? The fuck! Second, once China pulled Addicted, I was holding grudges for life because it crossed from entertainment censorship into real-world oppression, so I could not bring myself to support media from a country that openly discriminates against the queers when I live in America where our highest court is just one Supreme Court Justice away from making us all live in the damn Mojo Dojo Casa House.
Word of Honor
It's color coded, but THIRTY-SIX FUCKING EPISODES! What is this shit? Supernatural?! The fuck! Second, I don't know the difference between this and The Untamed. Both are color-coded, one of them has a lot of uncles (?), one of them has awful facial hair, and they all have pretty outfits. Every time someone makes a reference about these shows, I just nod the same way I do when people mention Star Wars because none of it makes sense.
Guardian
I spent two years believing Killer and Healer was Guardian. I haven't watched either, but I thought they were the same show. Honestly, if this show wins, I might just watch Killer and Healer because I will forget they are not the same show. Don't they both solve cases? And because it's China, past lives must be involved, no? I'm looking at their MDLs as I write this, and I'm still not convinced they are different.
Stay with Me
It's color coded, but I know how it ends, and word on the street is that IS the ending since a second season seems unlikely. China couldn't just let me be hurt over Addicted, the original. No. Gotta hurt me again with Addicted, the remake. Rude af.
The Spirealm
First off, SEVENTY-EIGHT FUCKING EPISODES! What is this shit? Law & Order: SVU?! The fuck! I know how this ends, and it ain't happy! I don't care how people are trying to spin it, so to sit through SEVENTY-EIGHT DAMN EPISODES just for that ending already has me irate. And don't try telling me Viki combined episodes so it's only thirty-four. That's still a lot. However, everybody who has watched it says it's phenomenal, so is the pain worth it or are these people all lying so they convince themselves it was worth it?
Korean Bromance
Beyond Evil
With most Korean dramas, I feel like I missing something important. Like some part of the story does not click with me and I stay lost for the rest of the show. I suck it up for the queers, but the not-queers-but-it-is-queer shows . . . nah, and especially one about cops . . . (-_-). Also, The Worst of Evil just showed, and it was another reminder that I need these cops to quit their jobs and just screw each other. Embrace "Be Gay. Do Crime"
The Devil Judge
I know enough about Kpop to know GOT7 would not let one of its members kiss a man in this show. I looked at those GIFs of Jeff Satur and Jackson Wang on their show knowing damn well that if Wang got too close to Satur, an entire management team would have ascended from hell and kidnapped both of them, so the promo for this show was so wild because it felt queerbait-adjacent, and I was salty about it.
WILD CARD!
This option will be automatically unlocked IF this stupid little poll gets 216 votes, so I have high hopes this will not happen since I ain't that popular and I hate this wild card which is . . .
SOTUS
This show is my original TharnType. It came out in 2016. I watched it live. I watched the sequel. I remember neither. New was in it? Off was in it?! WHAT?! I have no memory of this show except Krist wiping his mouth, and I have carried that with me for eight damn years. I loved Be My Favorite, so I thought I moved past whatever strange grudge I was holding against this man who doesn't know I exist nor care, but then I saw that trailer for The Ex-Morning, and unlike Elsa, I can't let this shit go, so I'm willing to play Jumanji and go back into the jungle to finish this once and all.
So what it's gonna be, mi gente. Which demons am I facing for Pride and what shows do I get to stay petty about? Help me decide!
#Pride Petty Watch#it's time#help me decide which shows I'm watching#may the best demon win!#a promise is a promise#my blessings came quick#so I will not upset the BL Gods#I must pay them what I owe them#it is time
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