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#oops essay
landwriter · 24 days
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Ask Game: List 5 things that make you happy, then put this in the askbox for the last 10 people who liked or reblogged something from you! get to know your mutuals and followers :3c
help i missclicked the unfollow button before sending you this pls ignore that friend :')
Omg lmao I saw that and I was like, has he not been following me this whole time. was flattered to have finally made the cut 😂 Thank you for sending this, I just did it so I won't recirculate but any excuse to talk about things that bring me joy:
People! As a filthy extrovert living rurally I forget how much I love humanity until I find myself shopping and chatting with everyone who wants to (which, out here, is a lot!) Love shooting the shit while doing errands and it's always a culture shock grabbing stuff in cities now. What do you mean you don't make little jokes at each other!! There's something really affirming about the common openness/dependency on one another you get in the country, and it gives everyone a little bit of goodwill with people they would otherwise not especially like or even interact with. It's nice for the heart and good for a community.
Hot showers. Self explanatory but especially valued after tiring oneself out in the garden and having aches in all those muscles that only start existing near the age of 30
The way older people write emails. Setting up a tech help date with an elder friend and she told might if I'm coming by Thursday I might have to open the gate, which is often closed on Thursdays, and said she'll explain why when she sees me. Fascinating!! Another colleague adapted all his slang from the first two years of the internet's existence and hasn't changed it since. Every email from him is like an incredible time capsule.
Camp. Have rewatched Dead Boy Detectives' first episode a number of times now and the way Esther Finch's actress delivers her lines is an undiminished joy. People should check it out for that if nothing else tbh
Old friends. I just love the like, deranged and mindless craic you get with people you've known for years and years. I feel like you get to this point where you just make sounds at one another
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therantingsage · 2 months
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Because I promised this, and I really wanted to do it anyway, here's a really really long-winded rambling dissertation on:
Why N and Uzi secretly dating since before episode 5 is genuinely super plausible and also stupidly hilarious /pos
Under the cut cuz it got obscenely long oops-
Idk where to start, so I'll just cover my bases: why people think they've been in a relationship already in the first place.
We all saw this scene:
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And legit it can only be implying one of two things. Either A: this is his confession of feelings for her. Or B: this is him admitting that they've been dating for a while at this point. With the hearts it's pretty clear that this statement is meant to be romantically interpreted, and Nori's aghast reaction confirms that that's how it's being interpreted.
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Obviously no matter the interpretation, N only writes that because he can't think of anything else to snap Uzi out of it and thereby stop this confrontation from ending poorly. And it works obviously so good on him for the quick thinking.
Two things that make me lean towards the 'we're dating' interpretation over 'confession' interpretation, though: firstly, he's not writing this to tell Uzi something, he specifically calls out to Nori before writing it. "Hey btw I'm dating your daughter" makes more sense than "Hey btw I like your daughter romantically" because if it was the latter, Nori has far less reason to be mad at Uzi about it rather than N. It's not like Uzi can control how N feels. But if they're dating, that means Uzi is partially to blame for that and Nori can get upset at HER.
Secondly, the awkward wording. Like it's really vague and without the hearts you'd have no reason to assume anything but platonic meaning. But these are words we, and him, have heard before:
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...from Uzi, in response to a question about who she is and, by proxy, the nature of their relationship. She says it defensively, follows it up by telling N to shut up. N repeating her wording which, again, is a description of the nature of their relationship....but this time implying something romantic with it, it suggests the idea that it had romantic implications the first time.
I don't think it's far-fetched to say Uzi at least has feelings for N at this point in the story. I don't think anyone's arguing that that's not true. But the idea that 'hang out' means the exact same thing both times is what I'm arguing here. They're dating, but this version of N is a stranger to her. A cute stranger, as she says, but a stranger nonetheless who she isn't comfortable admitting to that she's dating him in the future to his face.
Backing up a bit, Uzi's reaction to Nori's reaction:
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This is a clear and obvious parallel to the previous episode, when 'Tessa' says "Don't date my robot, please."
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In both instances, someone gets on her case about the idea of them dating, and in both cases she doesn't deny it but instead defends both his and her own agency in the matter. No one is allowed to tell them what to do and Uzi refuses to let anyone try.
When Nori says it, though, she does seem to try and deny it for a moment. "I'm not-" She cuts herself off so we can't say for certain what she was going to say (if anything. it's entirely possible she started that sentence with no plan how to finish it, I do that a lot personally). But that's also because, like, she's Uzi. If this was meant to be a secret relationship, it would probably be her who made that decision. And like with butler N, she has no reason to disclose that kind of information to a stranger. She'd probably try and deny it whether its true or not.
As for when it would've started, after camp is the only big timeskip where we don't have much clue went on during. Cabin Fever is a big episode for them, and the three episodes that come after it are all back-to-back-to-back. The only time it makes sense to have started is sometime between eps 4 and 5.
And guys. Guys.
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This, more than anything to me, paired with the idea that they've been dating for a while by the time the most recent couple episodes happen.....doesn't this seem so, so romantic? You could easily call this a love confession! So easily! It sounds like one much more than 'we just kinda are hanging out a lot idk' at least.
Like, rephrase that even a little: "Being with you makes scary things fun. Being with you makes me feel brave. It makes me feel safe. So I want to keep being with you."
And Uzi agrees with that sentiment. He promises to stick with her. And she laughs and smiles with him as he makes the scary thing she's been dealing with into something fun, something they can laugh about. The together line gets repeated in the most recent episode, directly calling back to this scene as well.
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Like, just...AGH. In Cabin Fever he says it once as they're falling and a second time once they're grounded. The second time its a question, and one she eagerly answers with physical affection, which is super rare for her. In Mass Destruction its a statement, because he already knows her answer. Its a repeated promise. A vow.
Backing up again. Let's assess some interactions under this context. Assuming they're dating in secret. Because it paints so many things in a different light and basically nothing contradicts it which is fricken wild. This:
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Isn't a sheepish Uzi trying to hold her crush's hand in a moment of fear. This is an Uzi who wants to keep their relationship a secret but is so in need of comfort right now she's willing to risk exposing them to get it.
This:
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Her being so relieved because she almost watched him die but he's alive he's ok and she doesn't care who sees it because she needs to hug her boyfriend rIGHT NOW GUYS I DON'T CARE I'M HUGGING MY BOYFRIEND-
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This whole scene. Uzi interacts with him so gently here. She's not gentle with anybody else at all. She sees him stressed and uses his own "you good?" on him and it's just so dang tender when you think about it. Because no one else can hear them talking to each other. It's just these two sending face texts and everyone else's focus is on the Sentinal so they can afford to be as couple-y in this conversation as they want.
And after:
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Blushing because they like each other so so dang much.......sweating bullets because the other two can see them do this. Suddenly without either of them really thinking about it they're being romantic around other people and wow! That's nerve-wracking! Peak young love early-in-the-relationship behavior they ain't slick.
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His tone of voice in this scene is gentler I think than we've ever heard from him before (Michael Kovach you are so damn good at your job). His loss-filled fury is cooled in an instant when he realizes how close he came to hurting his girlfriend. It's heartbreakingly gentle before 'Tessa' cuts him off.
And when she cuts Uzi off:
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He looks like genuinely pissed at her. "Did you really just interrupt my gf while she was talking?? She's scared and you're disrespecting her tf is wrong with u??"
And like- the fact he was genuinely willing to off Tessa for her. Like he realizes there's a possibility she tried to get his gf killed for no reason and upon her not even trying to deny it he just kills her instantly. Because it's no longer a question of the universe or Uzi. It's a question of Tessa or Uzi, and its a choice his heart has already made before this point.
But here's like. The thing about all this that gets me. This is meant to be a secret relationship, right? Like nobody but them is supposed to know about this. And the fact that we the audience didn't have any reason to assume them to be an established relationship without heavy headcanoning means they did a decent job at that, right?
Guys. Guys.
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N is terrible at keeping secrets. Like. Horrendously bad at keeping things on the down-low. Every single time in the series he's supposed to not spill info he like. Fails. It's wild. And because the relationship happens after "Inclusive reflexes!" that means that Uzi damn well knows this and still trusts him to try.
But based on V's reaction to the handholding in Dead End:
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I'm honestly willing to bet she knew. She doesn't sound surprised, just annoyed that she has to see it. Which means N probably like, heard her badmouthing Uzi or something and got like way too defensive about it and she clocked him instantly. Because he's bad at keeping secrets. And she doesn't bother mentioning it during any of these episodes out loud because she doesn't care what these idiots do in their free time.
Can you imagine how many hundred close calls they must've had? How many times Uzi must've had to aggressively shush him or cover his mouth because he was going to say something slightly too sappy in public? The only reason we don't get to see the time period between eps 4 and 5 is because it would've been painfully obvious that these two dating is the worst kept secret in the entire bunker. I'm going insane.
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Uzi fell in love with a proud himbo and they both know it. It's genuinely a miracle they didn't clue the audience in sooner.
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belethlegwen · 6 months
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liondanosaur · 5 months
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Dan and Phil, phandom expectations, the complexities of queer dynamics and how they are erased by people.
I'm going to start this by stating that this isn't directed towards anyone who makes jokes about things like "phivorce" or "our married dads" or fainting a bit (me too) over dan saying phil is a power bottom. It is also not to fault anyone for being young during 2009-2019 and not understanding boundaries or how badly you overstepped when you were a teen or younger, but about people who are still active in this community and have genuine expectations about Dan and Phil’s life and what they should be sharing with us.
For a long time, Dan and Phil's relationship has been romanticised and sexualised throughout many different mediums such as fanfics, tumblr blogs inspecting small movements and amounting them to intense theories and so on. Dan and Phil themselves have stated they don't have issues with fan fictions, and neither do I - however, overtime when people's basis for the fantasy of what dan and phil could do or could say have become distorted from reality (for some people within the fandom). Some examples would be, people's expectations on their sleeping situations, their sexual and romantic lives & the way that they would eventually "announce" their relationship.
But for me, the main issue has always ended up being the erasure of queer connections that tend to contradict what people expect from them. There is no basis with queer relationships for what they need to be, when two people find themselves in a queer relationship in any way, there's no expectation of the way it should play out. In heterosexual relationships, there is a worldwide accepted idea (which isn't fair, but has always been the assumed basis for along time) that it should be, dating, marriage, house and then children and so many different expectations of small things based on culture and country.
Queer couples don't have an outline and tend to be able to make their own.
The truth is, is that Dan and Phil will never fit into the heterosexual stereotypes people eagerly want from them, because they are two queer men. Queer relationships are unconventional fundamentally. Two people could be a couple and sleep in separate beds, never kiss and not engage in sexual acts together and still be a queer couple, they could also be married and sleep in the same bed but not be sexually involved or literally anything they choose, because there's no one telling them what to be. I won't make assumptions on what they are because this post is mainly about counteracting that , but all that I mean to say is that, every aspect of a queer relationship can just be decided by the two people, which tends to make for a relationship where things can be different from the normal concept of how we see heterosexual relationships displayed in media and in life. Queer people get to decide every small detail based on if they feel comfortable with those different things, instead of heterosexual relationships where a lot of the time people feel that there is a preconceived notion of how the relationship should play out.
There seems to be this agreement in the phandom that dan and phil haven't confirmed themselves fully to be dating, "but they are but aren't but are but aren't", and I think what people miss is that is what a queer relationship is like. No, dan and phil will most likely never make a video saying "we are married, this is the bed we sleep in together every night" and then kiss on camera, because why would anyone? They've said many times they are together, but people always crave more - because the way they say it isn't in some intensely straight on YouTube in your face manner, it's just casual - the same way its casual for anyone in a decade long queer relationship to not make a massive deal out of their relationship.
For a long time people have had a vision, due to imagine posts on Tumblr, fan fictions about it, and loads of other things, that it would be some grand announcement - that they are married and had a secret wedding and all of these over saturations of exceptions from two normal people who gave us the safe space and shared their lives with us. You will most likely always only receive dan agreeing that him and phil are 'just like a normal gay relationship', or describing themselves as "best friends, arch enemies, husbands, business partners, partners in crime, soulmates, just mates, who the fuck knows?'.
I think, for a lot of people who lived out their teenage or younger years of they lives reading, thinking or fantasising about dan and phil one day being out, the way it's occurred may have felt anticlimactic because of the high expectations of how someone would give out a really sensitive part of themselves to the world. To have lived in the thoughts that they would have made a big deal out of things, it can make the way they approach it seem disappointing in a way, to the point that people are still expecting an announcement about a marriage or at least their relationship some time soon - even though dan says he hates commitment (which can mean many different things, and people view what commitment is in various different ways), most gay couples don't tend to get married and phil's said how daunting having a wedding sounds in the past.
Dan and phil have an extremely special bond, one that even dan has explained transcends any human relationship, and to say that they might not share a bed, or maybe they aren’t romantic in ways you may expect, or maybe they are, or maybe there’s lots of complexities to the way they are with each other, those things don’t take away from the deep connection they have. People shouldn’t reduce their deep connection by the expectations of what they want a relationship to be, if they have separate beds, if they have a shared one, if they are comfortable in a middle ground of just existing in each others presence without ever tying a public word to what their dynamic is - all of it is down to them to share. When you experience such a strong connection with another person, and have for over a decade, it cannot be tied up in a neat bow for people, and it must be daunting to know that people have a preconceived notion of what they desire them to be, and that they can’t meet all the standards people want from them.
Dan and Phil transcend any normal expectations of a relationship, and to admit that isn’t to erase the connection they have, but rather to accept that this expectation of a heteronormative relationship between two queer individuals is limiting to how deep their connection truly is, and is erasing that queer connections are much different and can be much stronger than an average straight relationship. It is also important to not erase their friendship just to speak about their romantic relationship, because their platonic relationship is extremely important, and is something that is so special.
I guess the main consensus is that people need to understand the complexities of queer relationships, that queer platonic couples exist (which may not be what Dan and Phil are, they could be what lots of people want them to be, but there's no acknowledgement of the possibility of it being something like that), and that if you're going to be speaking about queer couples, at least comprehend how they aren't going to be a heteronormative idealistic couple, and how a lot of people need to stop expecting them to be.
This isn't to stomp on lighthearted jokes we and dan and phil make, like funny comments about our divorced dad's when dan went on tour or how we are the children of old gay rats or anything that is of course lighthearted fandom bantering and not something you expect them to actually ever meet the expectations of, but more so a commentary on the way that people still discuss things they have made clear that they do not want speculation on, and things they have many times set boundaries on. A lot of people's fantasy of a big "we are together" YouTube announcement most likely won't occur, because of the amount of times they have reiterated their want to keep private things private, and that is okay. That doesn’t take away from the strong relationship that is present between them or the magic in their videos or dynamic.
We all collectively love dan and phil, that's why we are all here, watch and love them. It's time, really, to accept that they are simply two amazing silly boys who live together in their forever home and choose to share their lives with us, and that should be enough for people, and if it isn't - it would be good (not in a cruel way, but from one phan to another) to reevaluate if you are overstepping something that is blatantly going over a boundary and if you have a fantasy image of them that you’re pushing onto them.
I’d also love to hear anyone else’s points on this topic as I feel like I could also write 800 more paragraphs, and if you have any additions or disagreements or just general discussion about it - I’m open to hearing anyones opinions as I think queer dynamics don’t get discussed enough :-] thank you for reading!
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quinn-pop · 8 months
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let’s do some autistic meta knight headcanons!! over explaining my interpretation of meta knight yet again wooooo
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this orb has NO idea how to talk to people!!! outside of work anyway. a lot of this is partially due to upbringing (suppressing his emotions all the time) but he does not know how to express emotions, like…at all.
this goes into a few things
1. yeah talking is hard. even after figuring out what he wants to communicate he will struggle. conversation can be so overwhelming, especially under pressure. he will need time lol
2. because of that, forming connections is hard. i really don’t think meta is much for shallow relationships, and certainly not early in the timeline. which also means he has very little experience with friendship. so a lot of the relationships he did have went kinda neglected, and issues that probably could’ve been worked on by talking became…*cough romk* escalated.
3. honestly i wouldn’t be surprised if meta convinced himself he couldn’t feel emotion (anymore) until like. katam-ish. he tried very hard lol
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vulnerability is terrifying. (though this gesture here is also just comforting, like his little cape cocoon thing he does.)
unmasking—yeah im taking the mask thing very literally here—is a big deal and a very slow process for mk. i’m sure he has a lot of feelings on that lol. it served as a way to ensure no one could ever, y’know, see him.
i can’t say i think he’d ever fully ditch it—there’s always gonna be some days that are more stressful than others and if having it could help him get through it, it just makes sense. mainly when working.
it really is about vulnerability. granted, i don’t think he has the most expressive face (in my head every astral just tends to stare at things) but i doubt he has much control over it. can’t fake a smile but also can’t hide it. probably blushes easy because yeah, astrals; just look at kirby’s face.
just the idea that someone might be able to read his expression and know what he’s feeling before he’s ready for them to (or even understands it himself…) yeah he doesn’t want that
but emotional turmoil aside, i think his mask also hides a lot of his stims
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remember that whole “suppressing your feelings” thing? yeah turns out that ignoring half your instincts isn’t a good idea. so in true meta knight style, he tries to stim as subtly as possible
1. he has the least control over his wings, so they will flick and twitch on their own. they’re usually a good indicator of how he’s feeling, not unlike the body language usually seen in cat ears and tails lol. flapping is also an extension of this of course, though he probably suppresses it more.
2. this also effects when he takes his wings out. pretty much every time he’s excited or nervous it just happens. kinda makes me wonder if his wing cape ordeal might also go into the suppression thing… (i’d say yes, but using a cape is also very comforting so it’s not necessarily a bad thing)
3. going back to the mask thing; he stims a lot underneath it. think like biting or pursing your lips. he bites his tongue and clicks his mouth. that sort of thing. his mask also makes it harder to notice that he is constantly sighing, humming, grumbling…all that
one nice thing about the mask though is that it helps a little bit with lights!!! woo
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(look at him and his magically floating glasses)
sensory stuff—i think he’s mostly bothered by light and sound. maybe a bit of texture. he’s pretty sensory avoidant and perfectly happy standing off to the side not touching anything.
the one exception to this is physical affection, which is, despite all of this, most of how he shows affection. it’s a lot easier to hug someone than to try to explain your feelings for them, after all.
i think he would like pressure though. so that’s probably part of it. and i’m pretty sure there’s some connection in here to fighting (dang, is that the only way he knows how to get his energy out?)
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anyway, pretty much all of this is in contrast to kirby, who i would gladly nominate as the champion of Doing Whatever He Wants. he might pick up a few bad habits, but he will never mask the way meta knight does. he might not understand how he feels, but he’s in tune enough to express it…usually.
this is a very good thing for meta because it helps him to do the same thing. kirby’s so energetic, it’s hard to not want to stim with him. it reminds meta to be kinder to himself and explore his own emotions. he can also help kirby understand themselves, so this connection is very important.
yeah, at the end of the day, everything kinda just boils down to kirby and mk as parallels
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this is the conclusion i promise
to me, meta’s arc is about growing stronger by growing kinder, and this is mostly by learning to be kind to himself. letting himself be a person again, loving and understanding other people, and eventually, letting go of all the expectations placed on him and doing the things he’s always wanted to do…
autism headcanons are fun for me because it’s cathartic to write, but at the same time, it just makes sense in this sort of narrative. meta is, to me, inseparable from these things. and so is kirby! that’s a dynamic that’s a lot of fun to play with, and it’s at the heart of my kirby interpretation.
if you actually read all this WOW thank you
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An analysis of Alhaitham's egoism in relation to Kaveh
(Update: The essay this is taken from is now uploaded! It can be accessed here and here as as a pdf <3)
Max Stirner's anarchist egoism is speculated to be the basis of Alhaitham's personal egoism, therefore I will be drawing upon Stirner's 'The Unique and Its Property' for this analysis.
Property and power are key principles within this philosophy. The egoist recognises himself as an individual, separate from the general collective of “humanity”, in which concepts such as freedom and property are governed to and over the people, for then the individual is not considered as such, rather they are a part of “humanity”, rather than a whole individual (Stirner, 170). This thinking is demonstrated within Alhaitham’s Story Quest, where he dismantles Siraj’s Hivemind by targeting individuals that compromised the Hive and reminding them of their own beliefs and preferences – the individual in themselves is a whole, and is not a “part” of a system (Stirner, 170).
In this, the egoist governs himself by what he owns and what he wants to own: “ownness is my whole essence and existence, it is myself. I am free from what I am rid of, owner of what I have in my power, what I control. I am at all times and under every circumstance my own”(Stirner, 106). This relates to the concept of freedom, which, for an egoist exists according to having the power to be free of something, for example, being freed of hunger, thirst, or societal expectations (Stirner, 105). This is reflected within Alhaitham’s description: “He lives free – free from the searching eyes of ordinary people,” but also extends to the power to own.
As power is considered something which the egoist owns, property then becomes something which the egoist exerts power over, and in this, can property be made use of by the egoist – all the while, the property remains an independent vessel (Stirner, 162). This is seen within Alhaitham’s view on his vision, in that it is “no more than a useful tool”, as it can be used to serve his own needs, and that since it in his possession, he has obtained it with his own power, it makes no difference to check on it as he continues to retain that power.
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In this sense then, Alhaitham has constructed his life around this form of egoism, in that anything he wants, he has, such as his job as the Scribe, his house, the interests he pursues, the people he enjoys. In order to maintain this way of life, he will deal with, or be rid of, anything he deems as "harmful".
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With this, the egoist seeks satisfaction in themselves through the satisfaction of another. Ownership, in relation to another person, can become love, which like all things the egoist has power over, is ultimately theirs – as in their love for a person (Stirner, 187), which is given willingly by the egoist, for loving a person is done for the satisfaction that love brings: “But I love them with the awareness of egoism; I love them because love makes me happy, I love because love is natural to me, it pleases me,” (186).
In loving another comes sacrifice, which the egoist can give into without compromising himself, as he himself sets the “purchase price of [his love]” (187) according to the happiness attributed to the loved one, as in return, the egoist shall also receive happiness (186). To enjoy someone, in an egoist fashion, is to be able to sacrifice all possessions and ownerships without foregoing the sense of an individual, of “ownness”, as the egoist would then lose his objectivity:
“I can deny myself countless things to heighten his pleasure, and I can risk for him what would be dearest to me without him, my life, my welfare, my freedom. Indeed, it forms my pleasure and happiness to feast on his pleasure and happiness. But me, myself I do not sacrifice to him, but rather remain an egoist and—enjoy him. If I sacrifice to him everything I would keep without my love for him, that is very easy… But if I sacrifice others to one passion, I still do not…  sacrifice my particular worth, my ownness. Where this nasty incident occurs, love looks no better than any other passion that I blindly obey.” – The Unique and Its Property, 185
It is relevant to note that just as the egoist receives happiness from a loved one’s pleasure, so does an egoist suffer from a loved one’s despair. Just as the egoist would sacrifice something of their own to provide happiness for a loved one in order to exact their own happiness, so too would an egoist sacrifice something, or act, to eradicate the root problem of a loved one’s misery, as this, in turn, would then resolve their own misery:
“If I see the beloved suffering, I suffer with him, and I find no rest until I’ve tried everything to comfort and cheer him…. It doesn’t follow from this that the same thing causes suffering… his tooth gives him pain, but his pain gives me pain. But because I cannot bear the sorrowful crease on the beloved forehead, therefore, then for my sake, I kiss it away. If I didn’t love this person, he could go right on creasing his forehead, that wouldn’t trouble me; I’m only driving away my troubles. – The Unique and Its Property, 186
The phrasing of “driving away… troubles” is particular to note here, due to similar usages of language used within Alhaitham’s Character Stories, in relation to him acting in accordance with his self-governed rules and serving his own self-interest by: “[acting] on his own will and deals with anything that appears harmful in his eyes”.
Kaveh, however, interprets Alhaitham’s egoism as a detached, pragmatic view of humanity, in which the individual isolates themselves not only as a means of prioritisation, but by elevating oneself over others by refusal to intermingle and to cooperate for the benefit of others. Not only is this a harmful opposition to Kaveh’s view of individuals sharing their knowledge and talent in order to pursue a better society, but due to Kaveh’s experience of Alhaitham’s personal egoism, it is harmful to Kaveh personally. Kaveh refuses to prioritise himself over others because he has seen a negative consequence of egoism, in which he has been “cut to the quick” and it has ended one of the few stable relationships in his life.
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By Kaveh seeing Alhaitham’s comment about his altruism as malicious, Alhaitham has elevated himself over Kaveh, since Alhaitham does not have the same struggles as him, and has trivialised Kaveh’s trauma. To Kaveh, Alhaitham’s prioritisation of the self actively harms others as it desensitises the self to the emotions of others. Therefore, Kaveh opposes the egoism which Alhaitham advocates for, since he interprets it through his own lived experience. Hence, by Alhaitham asserting egoism over Kaveh as a means of Kaveh prioritising himself, it only reinforces Kaveh to strive to consider the feelings of others, as well as to not prioritise his own way of thinking if it undermines someone else’s.
In actuality, Alhaitham’s frustrations with Kaveh lie in his belief that Kaveh’s talents are incongruous with his values, and that if Kaveh were to prioritise himself, he would save himself suffering and enable himself to discover his “true self”, unrestricted by others placing labels onto him.
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This is a personal frustration which Alhaitham would not compromise himself to assert onto a person he was indifferent to, due to his belief of not getting involved with other’s fates. However, he has been observed to ‘subvert’ his own rules to accommodate Kaveh. Through egoism, it can be seen that rather than ‘subverting’ these rules, Alhaitham adheres to them as an egoist, since he sees Kaveh as his mirror, they offer each other a contrasting perspective he believes they need to have a complete, objective vision of the world.
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This is necessary for Alhaitham to consider within his own life, and therefore has extended his house to Kaveh, in order to expand his scope of thinking, and to consider perspectives he otherwise would not entertain. Kaveh’s ideals, his beliefs, and his philosophies explicitly interest Alhaitham, in contradiction with Kaveh believing that Alhaitham is disdainful of his perspectives.
In this way, Alhaitham enjoys Kaveh. He willingly pays for some of Kaveh’s tabs; pays for crates of wine for the two of them; and goes out of his way to pursue interactions with Kaveh. Just as Alhaitham is to Kaveh, Kaveh is an old friend, as unchanged in his beliefs as he was in the past and thus is a constant: “the most unshakable part of one's past is a friend that will never change”’.
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Alhaitham strives to act in accordance to his own egoism and therefore assesses what “appears harmful” to him, in relation to these rules, so as to be rid of them. This can be extended to Kaveh, as Kaveh falls under what ‘belongs’ to Alhaitham, in the sense that ownership equates to Alhaitham’s enjoyment.
Alhaitham wants to have Kaveh in his life due to the alternate perspective which Kaveh offers him, thus expanding his horizons and granting him knowledge he otherwise would not obtain. As well as this, Kaveh is seen to be considered part of Alhaitham’s way of life that he wants to protect. In line with Stirner’s egoism, it follows that as Alhaitham enjoys Kaveh, as in, ‘owns’ the contentment Kaveh elicits, he therefore is affected by Kaveh’s self-inflicted grievances. Therefore, Alhaitham sees Kaveh’s altruism at the expense of his own wellbeing as something “harmful” to be dealt with, as this not only causes Kaveh inward misery, but also detriments Kaveh finding his “true self” (Alhaitham Character Story 3), which the egoist pursues above all else.
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thetechnicolorphase · 5 months
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silly doggy save me
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Ok so I know everyone’s talking about the choice to use ‘Logical’ by Olivia Rodrigo for Sally Jackson but it actually fits so well:
First the word logic is derived from Ancient Greek
Fell for you like water/ now the currents stronger- He’s literally Poseidon, god of sea (or water)
I couldn’t get out if I tried- she’s already in too deep because she had a child with him
I’m the love of your life- Poseidon’s immortal, he doesn’t have a life per se, and she knows all the myths, she knows he’s had so many affairs and will continue to do it
'Cause if rain don't pour and sun don't shine- believing in the Greeks means that rain doesn’t pour because Zeus is the one controlling it and the sun doesn’t actually shine, it’s Apollo or Helios, so everything she’s believed in up til then is wrong
Changing you is possible- even Hermes said it the gods are stuck in their ways, changing something that has stayed the same for millennia is really hard, she knows deep down she can’t
You built a giant castle, With walls so high I couldn't see- he has a castle under the sea, and unless he helped her get down there she physically couldn’t see him, he technically held the power
The way it all unraveled- I’m pretty sure Sally didn’t know about the Big Three Pact or she wouldn’t have had kids with Poseidon in the first place, she had no clue and he never told her
I'm sure that girl is really your friend- again Sally knows the stories, she knows what he’s like and as much as he loved her in the moment he literally had a wife at the same time
I know I'm half responsible, And that makes me feel horrible- it’s about Percy saying he’s a troubled child, and she knew he wasn’t but she couldn’t tell him til he was older because then the monsters would find him
I know I could've stopped it all, why didn't I stop it all?- she blames herself just as much as she blames Poseidon for the trouble Percy would have to go through, she should’ve stopped as soon as she knew he was a god
And bonus ‘I’m reading in to this too much’ point:
Olivia repeats logical three times, but on the third she repeats the ‘love is never logical’- Poseidon is part of the big three, and also what cabin is Percy? Number three
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shadow-the-crow · 1 month
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I think i finally understand how the Distortion works. I mean, i don’t think it’s possible to ever fully understand it, and i don’t know the whole picture yet because i don’t know what Helen will be like, but i feel like i’ve just been granted a glimpse at the lovecraftian (as in ineffable) thing that is this being.
It’s not a person and a creature fighting inside one mind. There’s no Michael clawing himself to the surface to express his emotions and get his revenge.
Michael Shelley is dead. The Distortion became Michael. It sounds so simple, yet a least in my opinion it’s hard to fully understand.
I think what provides the best metaphor is a small thing the Distortion says after becoming Helen: "without a proper mind." The Distortion does not have its own mind. It’s only a what, but in order to really exist in this reality, it needs a who. It needs a body, but also a mind.
So if i understand this right, it’s like this: Michael Shelley is dead. His conciousness is not there anymore. And the Distortion got forced into that mind, an empty mind of a dead person. This doesn’t make it human, it’s still able to understand the impossible, it’s still the thing that was created to scare and kill. But in the mind it’s living in… the previous owner’s furniture is still there. It gets the dead person’s memories. It becomes Michael, in the sense that it has to be someone. Its existence got tied to being Michael, although Michael Shelley is dead.
When Michael got "emotional", that wasn’t Michael Shelley coming through. It was the Distortion grappling with the side effects of being someone - of living in a mind with all the memories and the human emotions that a human mind can’t fully turn off, even when the thing inhabiting it isn’t human at all.
The Distortion was Michael in the sense that it was thinking with Michael Shelley’s mind. When it became Helen, its consciousness, its being stayed the same, but it needed to adapt to this new mind. It could see clearer now, realizing that the windows of the previous house had been dirty, realizing that the wirings of the previous mind had driven it to do something that it actually didn’t want to do. The throat of the Spiral itself getting caught in the spiralling of its own, borrowed mind.
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andhumanslovedstories · 8 months
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hello this is kind of heavy and no pressure at all to answer. and apologies because im sure you must have answered this before. but do you go through like a pain management flow chart for your patients and if so what are some of the steps? my dad is having some medical issues and i want to be able to help him manage his pain as much as i can. thank you and enjoy wasteland!
I work in a hospital setting so my pain management care plan is part of an interdisciplinary team in that setting. It's relatively easy for me to get, say, IV pain meds for a patient with extreme breakthrough pain. I don't know how well my approach would translate outside of that setting, I'm not palliative care trained, and I don't personally deal with chronic or acute pain (which is why I'm answering this publicly so other people can chime in), but in broad strokes:
First: Define pain. What type of pain is it? Muscle pain? Indigestion? Neuropathy? Surgical site? Stiffness from lack of movement? Is part of the pain also the fear of the pain? Sometimes when pain has been bad for a long time, or even has been bad in a short-term but very notable way, the idea of hurting that bad again is traumatizing. That fear of pain can, unfortunately, make you focus more on the pain you're feeling because now it's not just the physical sensation of pain, it's also the psychological impact of it.
Then, how does the pain affect you? Is it stopping you from sleeping? Is it stopping you from eating? Is it making you short-tempered or depressed? Does it make it difficult to focus on things? Does it make you nauseated? Anxious? Isolated? Do you feel like you need to hide it from those who care about you?
Everything pain is and affects is a place where you can intervene. Some of these interventions will be very small and would, if they were the only intervention, feel completely inadequate. Pain relief is rarely "you do one thing and you're done." You're addressing pain on multiple fronts, and sometimes that doesn't mean your focus isn't just the reduction of pain but the restoration of what pain has taken away. It's possible the worst part of pain for you isn't the pain itself but, for example, the immobility it causes. Are there different ways you can learn to move? Can you get a grabber? Can you get a shower chair? Can you find physical therapy exercises that help you regain strength or stop you from deconditioning to the degree you're able? What mobility aids might restore movement to you?
And if returning mobility is not possible at this time or ever, how can you modify your environment to support you? Can you figure out what bothers you the most about that immobility and mitigate that? If it's annoying that not being able to leave bed makes you bored, what can be within arm's reach? If it's frustrating that being too painful to move means you feel isolated from other people, can you make wherever you are more central? If pain makes having your bed on the second floor unfeasible, can you move your bed to the first floor? How can you adapt the environment around you?
I'd encourage movement too, to the degree it is possible. Being in the same position HURTS. If it feels good to stretch but you can't do it by yourself, can someone help you with range of motion? (You can look up "passive range of motion" to get an idea of how to do that.) This doesn't need to be exercising, just exploring the joy of moving your body. Related to movement is physical touch. I love lotions and medicated creams for pain patients because you can turn them into massages. Just be careful with pressure and be open about what hurts and what feels good. At the most gentle end of the spectrum is something called the M Technique which isn't even massage, it's like guided gentle touch. Give the body something else to feel.
Different medications work better with different types of pain. This part is hard to talk about in general because of the specificity of some pain med regiments. Tylenol is great, but be cautious with how much you are taking (acetaminophen overdoses are no joke) and remember that there's a point where more tylenol doesn't mean more pain relief. Opioids are great, but they can be very dangerous and aren't well-indicated for a lot of types of chronic pain. Even if opioids work best, I'd encourage you to be working on pain reduction on multiple fronts, as opioids are so controlled, it is easy to lose access to them. If opioids give you enough pain relief to do physical therapy, then make sure to do that physical therapy. Medications are amazing and I love them and I give out PRNs like crazy, but similarly to how I can't just take my depression meds and stop being depressed, pain medication works best in conjunction with other strategies. Those other strategies though can literally be something like "tramadol takes away the pain enough I can focus on something, and what I want to do with that focus is to watch a movie I've been meaning to rewatch for a while now but haven't had the spoons for." Sometimes all you will want to do when you get pain meds is sleep because you can't when you're hurting. Sleep is wonderful; how can you arrange your sleeping place and habits to make sleeping even more of a delight?
And if you find a medication that works, use it consistently. It is always easy to keep pain level than it is to address a pain spike. Don't wait until symptoms are at their worst to address them. Figure out what it feels like when your symptoms are ramping up, and intervene early.
Sometimes medications that aren't explicitly for pain can still help. If anxiety makes pain worse, consider an anxiety medication. If coughing hurts, can you get a numbing spray from your throat to make it less sensitive so you cough less?
I don't know how useful this is to you and your family. Hopefully it's at least something to think about. Think about palliative care (which is about the management of symptoms of illnesses rather than the treatment of illnesses) as not just taking away bad sensations but restoring good ones. You can't always get someone to a place with no pain. But what can you do to enhance life in the presence of that pain? There is a psychological aspect to pain, it's a parasite that drains you and makes you feel like you are nothing but a body that hurts and won't stop hurting. I want to make clear, I'm not saying pain is only in your mind. Bone mets and nerve pain exist whether you're cheerful about it or not. But pain doesn't have to mean suffering, it doesn't have to take away the things that make you you. Address pain through medication and therapies, but also remember that protecting, promoting, and prioritizing the parts of yourself that you most value and give you the most joy will help give your life so much substance that pain can't rob it all. You aren't doing one big thing. You are doing a thousand small things that make life easier, better, more suited to yourself and your abilities, and more aligned with the parts of life that you that give your life meaning.
(And a note in particular for being the family member of someone in pain--ultimately, they are going through this alone. It is their body. What can you make smoother for them? How can you protect their dignity and their privacy without making them feel abandoned or alone? How can you make it so your reaction to their pain is not part of their burden? Like for the six hundred other hypothetical questions in this endless post, the answers will be highly personal and will take time to figure out. Be patient and calm.)
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giac222 · 3 months
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I think one of the most annoying takes I see about TCOAAL is when someone says Ashley is solely the problem and that Andrew is completely innocent…💀 like did we play the same game?? Ashley and Andrew are the same, they always have been. Andrew just hides it better, but we see his mask slip in Ch. 2.
In a comment section on YouTube I literally saw someone say “Andrew needs to realize that Ashley is a bitch and leave.”… I rolled my eyes 🤦🏻‍♀️ lmao, like alright are we just going to completely ignore everything Andrew did? I’m convinced that person didn’t actually play the game.
I’m going to die on the hill that Ashley and Andrew weren’t born evil. The two of them are a product of their environment, especially Ashley. We see that her parents never cared about her and that her “friends” weren’t actually her friends. I’m sure we’ll see more of this in Ch. 3, I already know it’s going to make me sad ughhh. Ashley’s been treated like shit by everyone around her it seems except for Andrew. Andrew has been the only consistent presence in her life, the only one who’s ever been there for her. The flashback from her birthday was so fkn sad, but Andrew tried his best to make it special for her 😭. When she called him her favorite lemon muffin 🥺 yeah, she loves him downnn.
Ashley also has major self esteem issues which absolutely stem from her childhood. Again, I think we’ll see more of this in Ch. 3. She also has a ton of internalized misogyny, she’s had it since she was a kid. I’m like girl.. why are you like 10 calling other girls hussies? 😂 Seriously though, I believe she picked this behavior up from her mother. I mean where else would she learn those words and behaviors from? It’s very easy for kids to pick up on things. I really need the lore on Mrs.Graves because I don’t think she was born evil either. 🤔 The fact that she was a teen mom of 2 before the age of 18 is crazy. That also means her and Mr.Graves have been together for quite some time.
We know Mrs.Graves overall doesn’t care about either of her children, but it’s fair to say that Andrew was treated somewhat better than Ashley. I bring this up because I’ve heard stories about how some moms are easy on their sons while being very hard on their daughters. Also, I’ve seen someone else bring this up before, but when Andrew declines the olive branch and defends Ashley, Mrs.Graves doesn’t understand why and then she accuses him of sleeping with her. Why did her mind automatically go there? As if he couldn’t love Ashley for any reason other than sex. I think the reason Mrs.Graves said that is because of her own internalized misogyny and is projecting. Basically saying: If a man cares about you and does things for you, it’s obviously because you’re sleeping with him, not because he actually wants to do those things out of love. I could be wrong though, that’s just something I picked up on. So yes, I do believe Ashley got her internalized misogyny from her mother. I think generational trauma is definitely at play here, which is honestly just sad more than anything.
Andrew is everything to Ashley, he really is the center of her world 😭, and he’s the only person who’s shown her any type of love. We know she’s terrified of losing him and will do anything to keep him around. Considering no one else has stuck around in her life, it makes sense that she has serious abandonment issues 😞. Ashley can be abusive and manipulative, but I don’t think she necessarily wants to do that, she does it because she thinks that’s the only way she can keep him in her life… what she doesn’t understand though is that Andrew loves her just as much as she loves him, he would stick by her without any of that, we know this, even though he doesn’t show it as much. In ch. 3, I’m sure we’ll finally see him open up more and give her the affection and reassurance she needs. We see a glimpse of this in the questionable burial route when they’re on the bridge. In my opinion, I don’t see how people can call the questionable route the “bad” ending when both of them look the happiest, especially Andrew. I don’t think I’ve seen Andrew that happy at any other point in the game. 💀 he was fr in his element there.
Some people may not want to admit this, but Ashley is a victim as well. That’s why it’s frustrating to see people with the take that Ashley is purely evil and that Andrew is an angel who was manipulated to do everything he’s done. They’re both flawed individuals, but their upbringing was awful and the world around them is awful too. They live in a dystopian society. How they ended up was inevitable, and I’m not excusing their behavior, but they were failed by their parents and had 0 parental guidance. I mean my god, to make things even worse, their own parents sold them to organ harvesters and they were left to starve locked up in an apartment for months with no one else but each other. If they didn’t do what they did, they would have died. 🤷🏻‍♀️ They originally didn’t plan to sacrifice their parents either, they wanted to rob them and leave, but their mother came home and it screwed up their plans. Their mother absolutely would have snitched on them if they didn’t take action. We also know now that people are looking for them, hence the hitman. They literally have no choice but to be on the run. Their situation and actions aren’t black and white.
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This turned into a very long post, sorry if it’s messy haha. I just wanted to get my thoughts out there because some of the takes I’ve seen on this game are horrendous. 💀 Thanks for reading if you did. ❤️
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kjpurplepineapple · 1 year
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Been thinking about this LU update a lot, and I see a lot of people talking about how everyone seems to be talking about Wind and Legend and how those two had the cutest expressions.
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But can we just take a moment to appreciate the real MVP right here.
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This. This is the face of a man who's proud to see that all his hard work paid off and his efforts weren't in vain. Twilight is alive. His friend is alive because of his healing. He finally feels like he accomplished something.
And for a character who's self worth is literally through the floor... That's huge, even if he's in the background and trying not to show it. Twilight is alive and everyone is happy, and Hyrule actually did something.
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bleue-flora · 4 months
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There has been a lot of discussion regarding c!Quackity, c!Tommy and c!Dream recently, a good portion stemming from the recent video circling around, where it is depicted that c!Tommy not only knew of c!Quackity’s torture but approved.
But while I could write an essay about it (ok yea I did…but) instead I want to shift the focus a bit, away from the same debates we keep having year after year. Because I think we’ve become too focused on the characters themselves over the audience's perception of them and too focused on morality, justification, and right and wrong in a story where everyone is morally questionable. Because at the end of the day it isn’t whether c!Dream or c!Tommy were actually right or justified, it is about - Who you root for and why. It is about (you) the audience's perception of the characters, not the characters’ perceptions of each other. Sure, c!Tommy himself feels justified in hurting c!Dream but do you believe he was.
With that thought in mind I found myself reading a 24 page research paper last night on a psychological study that looked at what an audience defines as the hero and villain. Why they are naturally pulled to like certain characters and hate others. What the audience’s classification of morality in regard to the characters of fiction where the conditions of morality are often not defined. One of the things shown in the data and line up to real life is that at the end of the day, heroes and villains are not defined on true purity and morality itself. If they were, action heroes and anti-heroes wouldn’t be successful and enticing. And yet, anti-heroes are some of the most beloved characters. In fact, I for one am typically drawn to violent anti-heroes, some of which are the heroes despite being perhaps sadistic murderers and torturers. But if the audience doesn’t simply define hero and villain as ‘good’ and ‘evil’ then what is pulling us toward taking one side over the other.
The answer is actually more complex than you might think. According to this paper, the first thing taken into consideration in a viewer’s appeal or unappeal of a character has to do with what the viewer considers “appropriate behavior.” Simply put, “appropriateness” is basically a social judgment which serves to approve or disapprove of a character’s behavior. This can be based on many things, such as cultural norms, societal code of conduct, your personal morals or experiences. And I think this is key, because I for one see stealing and griefing when I play Minecraft as seriously hurtful things to do (even though you can always rebuild). To the point that if you blow up the house I spent hours building or take my items it can ruin the fun for me entirely. So my definition of the appropriateness of such behavior might differ from people who take those things much more light-heartedly, causing me to disapprove of c!Tommy more than they would for that behavior.
Even further, when it comes to determining their appropriateness of behavior as in whether we tend to approve or disapprove of them we can look at moral domains, which spark our moral intuition instead of simply categorizing everything into ‘good’ or ‘bad’ since not even our subconscious brain is always so black and white. In the research I read, they looked at two sets of domains (aka sets of relating attributes used to measure and compare): The person-perception domains of Warmth (tolerant, friendly, warm, polite, gentle, trustworthy), Competence (intelligence, cleverness, opposite of stupidity, efficiency) and Duplicity (mad, tormented, violent, and tragic), which help to measure our perception of morality in characters as well as the five moral domains of MFT - harm/care (concerned with the suffering of others and empathy), fairness/reciprocity (related to justice), authority/respect (related to hierarchy and dominance), ingroup/loyalty (common good and punitiveness toward outsiders), purity/sanctity (concerned with contamination). According to the research behind these domains, we, the viewer, evaluate characters immediately and without cognitive deliberation. In other words, when characters fulfill domains it sticks with us and when they violate domains it can send out major red flags to us as soon as it happens without us thinking about it, not later in more considerate retrospect. So then, it makes sense that now as we debate we struggle to find common ground because our judgment was made ages ago and it's hard to reason with our already defined moral intuition.
As such, since I started getting into the dsmp first by watching all of the recordings of previous streams in order in this one playlist then going onto watching all of the blueberrytv videos (at the time of course), which edit the streams to allow you to see things from multiple perspectives. Therefore, I watched things from the very beginning, back when it was just c!George and c!Dream goofing off and dying in the nether. So, my intuitive judgment of c!Dream involves him building the community house, always trying to keep the peace between his friends, exploring the world so he can bring back all the types for wood for people to build with, building the prime path to connect everyone's houses together to make for easier travel, rebuilding Tubbo’s house after c!Tommy burned it down, helping c!Ponk when people kept burning down his house. These are just some of the moments I suspect helped to form my evaluation of him. Showing him as being very empathetic and caring, being loyal to his friends and accepting of new people, being a mediator and trying to keep things fair between his friends, fulfilling at least 3 (since he kinda is the authority that is hard to classify) of the moral domains. The streams also depicted the characteristics with warmth as well as competence and intelligence. So immediately my perceptive moral intuition deemed him the hero. As he fulfilled the warmth and competence domains of the one method and most of the domains of the other method without violating them in an obvious enough manner for me to remember at this moment (These are by no means the only reasons why I’d be inclined to root for c!Dream but that's beside the point).
On the other hand, my introduction to c!Tommy was him immediately breaking the three rules, by going around taking down donator’s signs, griefing, stealing, claiming things and property as his, trying to kill people until he ends up being banned. So he hurt others and causes harm, he is invited to join and have fun but fails to reciprocate that by going about and messing things up, he immediately disrespects everyone and defies authority by breaking the rules, hard to say on loyalty though (as mentioned above) him burning down c!Tubbo’s, his best friend, house doesn’t give me the impression of loyalty, concerning purity he scams and lies, is obsessed (though hardly the only one) with male genitalia (which I personally find unsavory) and is disrespectful towards women so definitely failing in the purity and sanctity domain as well. In regards to warmth, I wouldn’t say so, nor particularly competent, though certainly meeting the more violent and aggressive elements of duplicity. So in other words, in just his first few streams he has violated every moral domain, while also not meeting the warmth or competence but meeting duplicity. So immediately my impression of him is to dislike and disprove as my moral intuition labels him as a villain.
In other words, perhaps our affinity for characters and perception of their morality has less to do with actual legal or other measurements of morality but more of what our initial impression was that formed our judgment from the very start. Because at the end of the day, I feel like the discussion needs to be less about whether this character or that character is ‘good’ or ‘bad’ because their motivation or trauma justifies their behavior and more about what qualities do you appreciate about the character. At the end of the day, it's fiction and you should be able to love or hate whatever character you want regardless of morality or right & wrong. It’s your opinion and I don’t see other fandoms shaming and bashing other people for liking a certain character that others dislike and/or the protagonist dislikes meaning therefore they are bad so how can you like them. But in the same way, I should also be able to hate a character without being bashed for not being empathetic to their trauma… Anyways I think the idea that we all see characters as justified and innocent in our own way is cool, especially in respect to the dsmp which is told from all angles, and that’s what I set out to learn more about and share with you. Hopefully, you have enjoyed my findings and I made sense (…..and if it didn’t, you are always welcome to ask or add on :D), sorry for the length I’m beginning to realize conciseness is not my strong suit…
I hope with this interesting angle, we can lean away from discussions on legal, moral, crime, trauma and more towards questions of preference and characteristics and personal perception - Why do you root for them? What was your introduction to the characters? How do you think that impacted your viewpoint on the story? Has your viewpoint ever changed? What do you think helped define your definition of ‘appropriateness’?… etc <3 <3
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frenchfry99 · 5 months
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Waitttt....you said Lilly has a *honkable nose???*
.....
*Fnaf nose honk insert*
Lilly does the fnaf nose honk canon ‼️🎉
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She's inviting you to join the clownery!
Do you accept the offer??
Bonus Lilly with a couple of her many friends! (lil one befriends anyone in sight)
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Haven't drawn my Home design in ages,, he's such a silly fellow (as much as a house can be silly and fellow lol)
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goldensunset · 20 days
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share ur theories abt khml pleaseeeee im dying over here
ok ok i’m thinking. i’m thinking ummmm
so as pointed out in this post it’s odd that master’s defender is on freya’s weird conspiracy board/wall. seems like she’s gathering and analyzing important things to try to figure something out, right? so what’s particularly and immediately relevant about the founder’s keyblade?
i’m feeling like master’s defender is either 1. missing (even stolen), like that post was talking about or 2. they know exactly where it is but there’s something weird going on with it lately. like is it really just a regular keyblade? surely not
basically i can easily see this item as being central to whatever the conflict of this game is about. it is The Missing Link™️. like it’s clearly culturally very important to the people of scala bc their founder wielded it and he’s been immortalized in a statue holding it, and we know its history (having come from brain, who got it from ava, who may or may not have gotten it from MoM bc of the insignia) is a plenty interesting one. so there’s a lot they can do with it here
we also know its future is clearly an interesting and relevant one because eraqus inherits it. we can be absolutely certain without a doubt it was a nepotism thing as opposed to merit bc it’s been pointed out that he’s a blueblood and also there’s no way that doofus earned it by his own right or whatever lol. so like… khml is surely gonna feature the themes of bloodlines and inheritance, right?
but it’s super interesting bc (presumably) eraqus’s ancestor is brain, right? i mean he could possibly have dual lineage and also be related to ephemer at this point but like i feel like what they’ve been going for all along is that it’s brain. but then you consider how if master’s defender is associated with ephemer then surely his (main) bloodline would be the ones inheriting this keyblade right? assuming they don’t like have it in a museum being treated like a relic or whatever. (also assuming the one ephemer’s statue is holding isn’t literally the keyblade itself baked in there but that’s a thought tangent for another time)
my point being. it seems odd that eraqus would end up with it. that his ancestors would have it. and therefore i’m thinking possibly part of the plot of the game is that brain takes it for himself or something. i mean like it was his first and ephemer himself was like ‘ok i’ll take it but in my mind it still belongs to you’. would it really be in character for brain to steal like that? dunno. but there are a multitude of ways it might go down
like maybe it’s a national treasure-esque situation where he steals it to prevent someone else from stealing it. like he’s just holding onto it for safekeeping and ends up keeping it. alternatively he takes it bc there’s something weird happening with it and he wants to solve the mystery. basically this is how ‘brain gets arrested’ becomes real
much to think about
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nyxofdemons · 8 months
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this was going to be like a mile long essay but i just realized the most concise way to say it is that "it feels like a retcon that blitz has been so resentful and hostile towards fizz all this time since he was supposed to feel guilty" is simply not a good criticism when we have been shown, time and time again, that blitz's number one defense mechanism when he feels guilty or judged or attacked is to lash out, to deflect and ignore all his responsibility, and to shift the blame to someone else. that's like. his defining character flaw
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