i need someone to do a "if death note characters had last fm" or Spotify wrapped ig so bad it's not a want it's a need
5 notes
·
View notes
you know i must have been bone-tired when this part of the herb brides lore didn't come to my mind when i discussed how the Kin fundamentally differs from the cultures it is inspired by um There Is The Human Sacrifice part. like it's an important part of pathologic 2 that you are doing human, or anthropomorphic (if you want to see the Herb Brides as closer to spirits, which comes with its own set of problematics regarding how to approach their oppression) sacrifice. it's an important part of pathologic 2 that you kill a woman, as part of the journey and in direct resonance with you ritualistically killing cattle earlier, and she offers herself to you with cultural and religious significance.
human sacrifices have been done across the globe for millennia, but i cannot, for the life of me, find any source at all that mentions the Buryats (since that was the discussion point) partaking in human sacrifices by the turn of the 19th-early 20th century (or even anything past the 16th). every single source mentioning offerings and sacrifices i've read mentions animals, things such as milk and vodka, and often both at once. would love to read anything about these rituals if papers exist, but i'm personally drawing a blank.
the Kin has Obvious and very Visible influences but it also differs from specific (in this discussion's case, the Buryats) or wider (here, turkic/mongolic as a whole) cultures from the area by so many pieces, big and small, that i wouldn't have enough appendages on my whole body to count them all. and sister. i have plenty of appendages.
20 notes
·
View notes
Well not exactly a vent but it’s just stuff pertaining to my personal life that only a few mutuals know about sooooooo yeah read the tags first for content warnings
Just talked to a friend from school after a long long time because i wanted to make sure he’s doing okay (he’s Palestinian) and yeah i just talked about how I hope i see him whole and healthy when I come back to school next month, and he said that he hopes I’m better too
And I was like wait what
So yeah idk if you guys know but memory issues are probably my main main problem right now in that they’re actually horrifically bad and I should really see a professional about this as soon as I am financially able to. So I was like okay what if there was something wrong with me last time I was in school
So I asked him what I was like last October and he said that I seemed really stressed/paranoid and that I seemed really on edge (those are his words) and like damn. In that regard yeah I’m doing so so much better now than back then. Which is understandable because England always fucks up my mental health I just didn’t expect it to be that bad in October. What in the world was a stressed about? I had nothing to be stressed about except my medications doing their job. NOW I have about a billion things to be stressed about. And honestly what was I being paranoid about. I have pretty much no memories of last year now which is obviously not ideal because I have exams for fucks sake.
Past me I am sorry for always throwing shade at you, I’m trying to remember that I don’t remember the past and I can’t possibly judge you for things if I don’t remember what you were going through. But I keep forgetting about my memory issues. I’m very sorry and please know I still love you and I know you’ve been doing your best since you turned 15. I’m sorry that I keep doubting you and hating you. I’ll try to remind myself that I have issues.
Future me here is a promise. I promise that I’ll try to be kind to myself, ALL versions of myself. I’ll try to be kind to myself when I feel lazy and hopeless, and I’ll try to be kind to myself when my thoughts are getting the better of me. I’ll try to be kind to myself as I work on myself and I’ll try to see the progress I’ve made in the past few years. I’ll try to be kind when im struggling and I’ll try to be kind when I’m doing better. I’ll try to remember to not throw shade at any past version of me, because I’ll try to remind myself that I don’t remember most things anymore. I know I keep feeling like I DO remember but I need to accept that I don’t, not just the times when I get proof that I don’t. I need to remember that I do not remember things and to not judge past me anymore. Im sorry past me. And I promise future me. See you both
2 notes
·
View notes
To start off this post I just wanna say, I hold mp100 dear to my heart and I say this with love, but.. I feel off put whenever people talk about the bad shit that anime usually has, and then say that. Mp100 has none of it. Because, like... sure, it has less of it than the usual, and I appreciate it for that, but that doesn't mean that it, doesn't have it at all? I mean. The transmisogynistic joke in episode 2. The fatphobia in season 2's episode 2. The lack of female main characters, Takeuchi's racist design.... don't get me wrong, the show is still great and I love it very much as I said, but you can love a show and appreciate all the things that it got right while not disregarding the things that it got wrong. You don't have to hate it for those things, you don't even have to necessarily talk about them if you don't want to. You just shouldn't deny that they exist in that media in the first place. That feels really disingenuous to me.
38 notes
·
View notes
if i write all the wanky stuff in the tags that means i am innocent if any wank ensues thereafter right?
17 notes
·
View notes
i know you put redacted for a reason but can you hint or something to what that means? I wasn’t here for whatever that was and I want to understand the history
The fact that people don’t automatically know what redacted is makes my heart flutter. The world is healing.
I’ll leave it at the phandom has treated the year 2012 as a dark age because it was (despite 2011 being very happy). There was a single catalyst that made everything go from good good good to oh fuck, this is terrible, dans trauma is triggered, 13 year olds are fetishizing, oh fuck, this ruined the happiness and comfort Dan finally found after all these years, why are 13 year olds so into gay sex, bad bad bad, oh fuck.
Redacted is that catalyst
11 notes
·
View notes
i cannot show you guys all the EVIDENCE of jeremy bullying keldon... but here is THE START!!!
5 notes
·
View notes
life is funny bc it feels like itll last forever while also feeling like it will end at any second
2 notes
·
View notes
if i ever played jesus he would be the slimiest most decrepit doesn’t shower or sleep neurotic unwell emotional roller coaster dissociated from the human form motherfucker ever and if i ever played judas he would be a smarmy twink.
1 note
·
View note
if you have never corrected my grammar when i'm texting/calling you, know that there is literally nothing in this world i not do for you
0 notes
HANAMUSA (JESSIExDELIA) MASTER POST
I probably should have started doing this forever ago but I wasn’t sure how long I was gonna stick with drawing these comics. But I guess we’re in it now! This will be continually updated~ EVERYTHING UNDER THE CUT
BEFORE YOU START:
This post is required reading about Team Rocket’s ages since that’s usually a question that comes up a lot LOL. As for Delia’s age, she is said to be 29 in Takeshi Shudo’s (original writer on Pokémon) novel that built out the world and characters of the anime.
Next, I feel like this chart helps give the vibe of what these characters relationship is (all just headcanons except for their names and ages)!
WHERE TO START:
Here’s a post I made detailing how Jessie, James and Meowth initially start living with Delia. It also goes into what each character does in this AU. Before going into the post, you might enjoy this fanfic my girlfriend commissioned! It’s based off of said post and is a more enjoyable read.
Here’s also a list of headcanons!
COMICS:
Here’s all the comics I’ve done! The order of most of them are pretty ambiguous and up in the air but I put them in the order I kinda see in my head! There are some that do take place before Jessie and Delia start dating though! Also a few comics that have several parts but the “next” and “prev” links will be in each comic. So I’ll only link the first part of those ones in this masterpost.
Pre-Relationship
Fast Food
Ophidiophobia
Whipped
Making Eyes
Hairbrush
Inquiries
Separated
First Kiss
During Relationship
Big Bed
Tattoo
Crumbs
Pet Clown
I’d Like To
Jessica
Lipstick (not a comic but some fun extra dialogue for this)
Glow
Official
Stare Down
Shovel Talk
Invisible Walls
Date Night
Face Blind
One Motto Away
Babygirl
Snowgasboard
Delia’s Got a Cold
Mr. Jessie Ketchum
Peek-At-Chu
Hands Off Pikachu!
Wine Nights with James
Beauty and the Beach
Turning Point Arc
Sunscreen
Where Do Babies Come From
Head Scritches
Love Life
Ugly
Ace Trainers
Pikasitting
Mother’s Day
Father’s Day
Gift for Delia
Gift for Jessie
Jessilina Fan
Crossdressing
Type
Hickeys
Journey Arc
Tone
Cooking Twerp
Son
Cooking Advice
Serperior Facts
Cassidy’s Cabin Arc
Father/Son Bonding
Uniform
Hand-Me-Downs
Glasses
Study Help
Happy Valentine’s Day
Wrapped
Daddy Daughter Double Battle
Splinter
Married Life
Wedding
Arbok/Weezing Reunion
Snake Eyes
MISC DRAWINGS:
I’ll update this with links to my other miscellaneous drawings later!
FAQ:
What does "Hanamusa" mean?
Hanamusa is a combination of Delia and Jessie's Japanese names, Hanako and Musashi respectively.
When does this AU take place?
It takes place sometime after the Mezase Pokémon Master/To Be a Pokémon Master series. So all the events that happened in the series, unless retconned within the series, happened. Ash is 10 at the start of the comics.
What's the status between Jessie, James, Meowth and Giovanni/Team Rocket?
Not great terms since they were fired, but also not the worst terms. Giovanni just let the three of them go without any further issues.
I will say that I've always loved the theory that Giovanni keeps Jessie specifically around because of her parentage and he as a soft spot for her that he keeps a secret. I feel like Matori was the one that got the three of them fired and Giovanni wasn't able to make an excuse for them this time (without showing nepotism/special treatment) so he was forced to let them go.
If you headcanon Delia as a lesbian, how did Ash come to be?
Delia was young when she had Ash and I hc that she just didn’t really explore her sexuality much! I myself didn’t realized I liked women until I was 18 and didn’t know I liked ONLY women until like 2 years ago. She got married, had a baby and realized after her husband left that she liked women (trans people exist obviously but I’m also interpreting Ash’s father as a cis man).
Who do you think Ash’s dad is?
I don’t know and I don’t really care to explore it. I’m going off of the novel interpretation that he’s just a deadbeat that left to be a trainer, failed and never came back because of the shame. He’s not important.
Isn’t Giovanni Ash’s dad?
That’s a common misconception that people remember wrong from the Pokémon Live show. Delia mentions she dated Giovanni but then left him and his gang after meeting Ash’s father. I also don’t consider the live show canon personally! I follow The Birth of Mewtwo timeline where Madame Boss founded Team Rocket.
Do you think Delia and Giovanni dated at least?
Nah, I think he’s too old for her? I always got the vibe from The Birth of Mewtwo that he was quite a bit older than Jessie and it’d be sus if he was dating Delia when she was married to, and had a child with her husband at 18/19. He’s a bad guy but not a BAD guy.
You mentioned you still ship Jessie and James. Why not make a Jessie, James, Delia polycule?
I have a few reasons I’ve mentioned before! 1. I’m in super deep with this AU already and I feel it’d be very confusing for casual viewers of my stuff if James was added into the relationship haha. 2. I’ve drawn Jessie and James together since 2011 and took this AU as an opportunity to try my hand at writing them as queer, platonic besties bc I love that interpretation of them a lot as well. 3. I’m not poly myself and the way I write this ship is largely based off of my experiences with my girlfriend. I just know I’d favor the Jessie/Delia of it all which isn’t fair and not a good interpretation of a poly relationship. All that said, I DO super enjoy seeing peoples’ poly headcanons and art!
Who does James end up with in this AU?
No one. He's aroace and is happy to be single
Do Jessie and James have all their Pokémon in this AU
I think they have all the Pokémon that they did by the end of Mezase Pokémon Master (all their Pokémon that were left at HQ). Most of their released Pokémon have stayed released and the Alola Pokémon are still in Alola. I bring back Arbok and Weezing post-Jessie and Delia getting married. I may bring back Chimecho, Growlie and Cacnea if I think of an idea I like!
What are Meowth and James up to in this AU?
Hop back to the top of this post under the "Where to Start" section. All your questions will be answered.
Does Ash travel with anyone at this point of his life?
I don't have anyone in particular in mind! I could see him making new friends (Nemona???) or traveling with different combinations of old friends. Like him, Misty and Goh, him, Dawn and Cilan, him, Serena and Lillie etc.
Will Delia ever get over her phobia of snake Pokémon
Not fully! I think overcoming fears is fine and good but I think real PHOBIAS are much harder to get past and I don't want to cheapen it. She slowly gets used to Jessie's Seviper specifically and gets to the point where she can pet it comfortably with Jessie in the room. But otherwise, still scared and would need that same amount of time per Pokémon
Is Jessie gaining weight or is it just me?
Not just you! Jessie puts on a bit of relationship weight overtime as you'll see in the later comics in the timeline. Jessie grew in poverty, never knowing when her next meal would be and that continued into her life as a Team Rocket member. Once she was able to settle down (with a woman who runs her own restaurant no less) she's able to live a healthier lifestyle with regular meals and puts on some weight because of that.
Does Jessie ever feel self conscious about gaining weight?
Nope! She feels happier and healthier and hotter. She's also unreasonably excited to clear out her old clothes and get a new wardrobe.
Would Jessie and Delia ever have kids together or adopt?
Nah, Ash is enough for them! I have come up with hypothetical kids for them but they're not canon to this AU. Just a fun little thing for me.
Will you ever put this on webtoon?
Nah. People mostly ask me this because they want to read everything in the order of the timeline but to my knowledge, you can’t reorder chapters or installments which would defeat the purpose. I also don’t think nintendo fan stuff would fly there. Also, also it’s just extra work and another place to upload and I want to keep this all fun for myself~
44K notes
·
View notes
all RIGHT:
Why You're Writing Medieval (and Medieval-Coded) Women Wrong: A RANT
(Or, For the Love of God, People, Stop Pretending Victorian Style Gender Roles Applied to All of History)
This is a problem I see alllll over the place - I'll be reading a medieval-coded book and the women will be told they aren't allowed to fight or learn or work, that they are only supposed to get married, keep house and have babies, &c &c.
If I point this out ppl will be like "yes but there was misogyny back then! women were treated terribly!" and OK. Stop right there.
By & large, what we as a culture think of as misogyny & patriarchy is the expression prevalent in Victorian times - not medieval. (And NO, this is not me blaming Victorians for their theme park version of "medieval history". This is me blaming 21st century people for being ignorant & refusing to do their homework).
Yes, there was misogyny in medieval times, but 1) in many ways it was actually markedly less severe than Victorian misogyny, tyvm - and 2) it was of a quite different type. (Disclaimer: I am speaking specifically of Frankish, Western European medieval women rather than those in other parts of the world. This applies to a lesser extent in Byzantium and I am still learning about women in the medieval Islamic world.)
So, here are the 2 vital things to remember about women when writing medieval or medieval-coded societies
FIRST. Where in Victorian times the primary axes of prejudice were gender and race - so that a male labourer had more rights than a female of the higher classes, and a middle class white man would be treated with more respect than an African or Indian dignitary - In medieval times, the primary axis of prejudice was, overwhelmingly, class. Thus, Frankish crusader knights arguably felt more solidarity with their Muslim opponents of knightly status, than they did their own peasants. Faith and age were also medieval axes of prejudice - children and young people were exploited ruthlessly, sent into war or marriage at 15 (boys) or 12 (girls). Gender was less important.
What this meant was that a medieval woman could expect - indeed demand - to be treated more or less the same way the men of her class were. Where no ancient legal obstacle existed, such as Salic law, a king's daughter could and did expect to rule, even after marriage.
Women of the knightly class could & did arm & fight - something that required a MASSIVE outlay of money, which was obviously at their discretion & disposal. See: Sichelgaita, Isabel de Conches, the unnamed women fighting in armour as knights during the Third Crusade, as recorded by Muslim chroniclers.
Tolkien's Eowyn is a great example of this medieval attitude to class trumping race: complaining that she's being told not to fight, she stresses her class: "I am of the house of Eorl & not a serving woman". She claims her rights, not as a woman, but as a member of the warrior class and the ruling family. Similarly in Renaissance Venice a doge protested the practice which saw 80% of noble women locked into convents for life: if these had been men they would have been "born to command & govern the world". Their class ought to have exempted them from discrimination on the basis of sex.
So, tip #1 for writing medieval women: remember that their class always outweighed their gender. They might be subordinate to the men within their own class, but not to those below.
SECOND. Whereas Victorians saw women's highest calling as marriage & children - the "angel in the house" ennobling & improving their men on a spiritual but rarely practical level - Medievals by contrast prized virginity/celibacy above marriage, seeing it as a way for women to transcend their sex. Often as nuns, saints, mystics; sometimes as warriors, queens, & ladies; always as businesswomen & merchants, women could & did forge their own paths in life
When Elizabeth I claimed to have "the heart & stomach of a king" & adopted the persona of the virgin queen, this was the norm she appealed to. Women could do things; they just had to prove they were Not Like Other Girls. By Elizabeth's time things were already changing: it was the Reformation that switched the ideal to marriage, & the Enlightenment that divorced femininity from reason, aggression & public life.
For more on this topic, read Katherine Hager's article "Endowed With Manly Courage: Medieval Perceptions of Women in Combat" on women who transcended gender to occupy a liminal space as warrior/virgin/saint.
So, tip #2: remember that for medieval women, wife and mother wasn't the ideal, virgin saint was the ideal. By proving yourself "not like other girls" you could gain significant autonomy & freedom.
Finally a bonus tip: if writing about medieval women, be sure to read writing on women's issues from the time so as to understand the terms in which these women spoke about & defended their ambitions. Start with Christine de Pisan.
I learned all this doing the reading for WATCHERS OF OUTREMER, my series of historical fantasy novels set in the medieval crusader states, which were dominated by strong medieval women! Book 5, THE HOUSE OF MOURNING (forthcoming 2023) will focus, to a greater extent than any other novel I've ever yet read or written, on the experience of women during the crusades - as warriors, captives, and political leaders. I can't wait to share it with you all!
29K notes
·
View notes
What’s your opinion on the contrast between “silly” and “serious” spaces? Do you think people can have very serious interpretations about a genuine piece of media and also be goofy about it? I’m asking this particularly because I’ve seen people in the Magnus podcast fandoms fight about people “misinterpreting” characters you, Alex, and the many other authors have written. Are you okay with the blorbofication or do you really wish the media you’ve written would be “taken seriously” 100% of the time?
And follow up question, what do you think about the whole “it’s up to the reader (or in some cases, listener) to make their own conclusions and interpretations and that does not make them wrong”, versus the “it was written this way because the author intended it this way, and we should respect that” argument?
This is a question I've given a lot of thought over the years, to the point where I don't know how much I can respond without it becoming a literal essay. But I'll try.
My main principle for this stuff boils roughly down to: "The only incorrect way to respond to art is to try and police the responses of others." Art is an intensely subjective, personal thing, and I think a lot of online spaces that engage with media are somewhat antithetical to what is, to me, a key part of it, which is sitting alone with your response to a story, a character, a scene or an image and allowing yourself to explore it's effect on you. To feel your feelings and think about them in relation to the text.
Now, this is not to say that jokes and goofiness about a piece of art aren't fucking great. I love to watch The Thing and drink in the vibes or arctic desolation and paranoia, or think about the picture it paints of masculinity as a sublimely lonely thing where the most terrible threat is that of an imposed, alien intimacy. And that actually makes me laugh even more the jokey shitpost "Do you think the guys in The Thing ever explored each other's bodies? Yeah but watch out". Silly and serious don't have to be in opposition, and I often find the best jokes about a piece of media come from those who have really engaged with it.
And in terms of interpreting characters? Interpreting and responding to fictional characters is one of the key functions of stories. They're not real people, there is no objective truth to who they are or what they do or why they do it. They are artificial constructs and the life they are given is given by you, the reader/listener/viewer, etc. Your interpetation of them can't be wrong, because your interpretation of them is all that there is, they have no existence outside of that.
And obviously your interpretation will be different to other people's, because your brain, your life, your associations - the building blocks from which the voices you hear on a podcast become realised people in your mind - are entirely your own. Thus you cannot say anyone else's is wrong. You can say "That's not how it came across to me" or "I have a very different reading of that character", but that's it. I suppose if someone is fundamentally missing something (like saying "x character would never use violence" when x character strangles a man to death in chapter 4) you could say "I think that's a significant misreading of the text", but that's only to be reserved for if you have the evidence to back it up and are feeling really savage.
I think this is one of the things that saddens me a bit about some aspects of fandom culture - it has a tendency to police or standardise responses or interpretations, turning them from personal experiences to be explored into public takes to be argued over. It also has the occasional moralistic strain, and if there's one thing I wish I could carve in stone on every fan space it's that Your Responses to a Piece of Art Carry No Intrinsic Moral Weight.
As for authorial intention, that's a simpler one: who gives a shit? Even the author doesn't know their own intentions half the time. There is intentionality there, of course, but often it's a chaotic and shifting mix of theme and story and character which rarely sticks in the mind in the exact form it had during writing. If you ask me what my intention was in a scene from five years ago, I'll give you an answer, but it will be my own current interpretation of a half-remembered thing, altered and warped by my own changing relationship to the work and five years of consideration and change within myself. Or I might not remember at all and just have a guess. And I'm a best case scenario because I'm still alive. Thinking about a writers possible or stated intentions is interesting and can often lead to some compelling discussion or examination, but to try and hold it up as any sort of "truth" is, to my mind, deeply misguided.
Authorial statements can provide interesting context to a work, or suggest possible readings, but they have no actual transformative effect on the text. If an author says of a book that they always imagined y character being black, despite it never being mentioned in the text, that's interesting - what happens if we read that character as black? How does it change our responses to the that character actions and position? How does it affect the wider themes and story? It doesn't, however, actually make y character black because in the text itself their race remains nonspecific. The author lost the ability to make that change the moment it was published. It's not solely theirs anymore.
So yeah, that was a fuckin essay. In conclusion, serious and silly are both good, but serious does not mean yelling at other people about "misinterpretations", it means sitting with your personal explorations of a piece of art. All interpretations are valid unless they've legitimately missed a major part of the text (and even then they're still valid interpretations of whatever incomplete or odd version of the text exists inside that person's brain). Authorial intent is interesting to think about but ultimately unknowable, untrustworthy and certainly not a source of truth. Phew.
Oh, and blorbofication is fine, though it does to my mind sometimes pair with a certain shallowness to one's exploration of the work in question.
2K notes
·
View notes
I feel like people have been quick to dismiss Mimzy's importance in Ep. 5
I've been seeing a lot of Mimzy hate, mainly on Reddit, where people are genuinely REALLY hating on Mimzy because she was annoying, interrupted Hell's Greatest Dad, and served no purpose in the episode.
Whilst the previous two points are down to personal taste, I feel like considering Mimzy's role in this episode nonexistent, or that she just exists for fanservice here, is greatly overlooking what this episode is about. There are two focuses to the episode, one of course being Lucifer and his relationship with Charlie, but it's also the deepest look into Alastor's actual character that we've gotten so far, I'd say significantly more than the finale. We see two sides to Alastor that both Mimzy and Luficier bring out, and I wanted to kind of highlight my thoughts and what the episode was trying to show us about Alastor that we wouldn't have gotten if Mimzy wasn't there.
Alastor's instant hostility towards Lucifer makes it incredibly clear that Alastor can't keep his cool all the time - his two biggest flaws is that he is power-hungry and incredibly petty. From what we know - and what is likely to be true considering Lucifer is shown to have no idea who he is - Alastor has never met Lucifer before this. If the theories that he belongs to Eve/Lilith in some way are true, there is reasonable ground to say that this immediate hatred towards him could be justified, maybe it was in some way Lucifer's fault that he's caught in this deal and this is his way of taking it out on him or trying to uphold his end of that deal.
But look how much his mask slips, look how annoyed and angry he is. If this was a font that he was doing to somehow make Lucifer intentionally mad at him for some sort of personal gain, he wouldn't have looked so murderous. Him just leaning down and hissing 'fuck you' right in his face was so shocking for the audience purely because no one has done that to him before, no one has pushed him so much.
This indicates that Alastor isn't just playing some sort of game, Lucifer genuinely got under his skin, because he is so obviously more powerful than Alastor and he HATES that. He hates being reminded that he's not the biggest meanest in Hell - this was explored more in his showdown in Adam, but at the time of this episode's release, this is the most flawed and 'human' Alastor has ever felt. He's dropped from this force of mysterious evil, to randomly picking a fight with the Devil himself because he was so catty about being shown up.
As further reinforced with him snapping at Husk when he also reminded him he wasn't as all-powerful as he sees himself to be, Alastor will lash out at those who make him feel like he isn't the one in control and pulling the strings of everything - we finally see a hint of motivation for him sticking around at the hotel at all.
But then there's Mimzy.
We immediately go from seeing Alastor at his worst, at his most aggravated and petty, to seeing him literally melt into a hug. The demon who, according to Viv herself, hates physical contact so much that he would distort and melt himself to get away from it. We so quickly go from being shocked that Alastor is behaving so spitefully to now having to take in Alastor being ecstatic to see someone who he considers to be a friend.
Having this be so directly after his massive tiff with Lucifer is so important. If this wasn't included in this episode, our only insight into the person Alastor actually is would be that he's an asshole. Picking fights with people just because he wants to stay on top, that its the thing he cares about the most. But Mimzy does come along, and we see that it isn't true at all - and its confusing, and that is so perfect.
You think you're getting somewhere with the person Alastor is, but you see that, hold on, there is actually a semblance of heart in there, here he is actually caring about someone. But what is so important about this being a relationship he shares with Mimzy, and something that couldn't at all be explored with, say, Rosie, is the kind of person Mimzy is.
Mimzy double crossed Alastor. And, according to Husk, this is a somewhat regular occurace. We can see that Alastor is annoyed at her, and I think most of us were prepared for him to do something to her like he was doing to those loan sharks a few seconds before this confrontation.
But...he doesn't. Not at all, he doesn't even snap at her. Perhaps scold her a bit, but other than that, he is so nice to her and just politely tells her to leave and that is that. He does more shit to Lucifer, who literally hasn't done nothing but exist in his presence, than someone who just trampled all over his ego by using him, both as a shield and, well, somewhat emotionally.
In this episode, Alastor is shown to lash out. Easily. All you have to do is be more powerful than Alastor, and he won't like you - that's the impression you'd get from his scenes with Lucifer alone. But we have his scenes with Mimzy as well, and you're being told, hold on, no, that isn't quite correct, because he's not acting the same here. What has Alastor got to gain from letting Mimzy get off of this with no repercussions? Mimzy, someone who has probably sold her soul to someone else and has absolutely no power at all.
Nothing. He does it because Alastor cares about her.
I don't think I would have considered his friendship with Rosie to be genuine at all if it wasn't for his friendship with Mimzy. Rosie is so powerful, and Alastor has so much to gain from being in close cahoots with her, but it's so clear that he doesn't care about that, but he sees her as an equal. If all we saw from Alastor in that episode was him lusting for power, it would render the way we see all his relationships with people to be of some gain to him somehow. ESPECIALLY Rosie and other Overlords like Zestial.
This makes Alastor and Mimzy's relationship arguably one of the most interesting in the show. Someone who is so powerful and unpredictable, who hardly cares for anyone other than himself, caring about this absolute gremlin of a woman. He likes Mimzy purely because she's fun to be around, a sentiment you might expect from Alastor, with his stated reasoning for joining the hotel being to laugh at people, but he's in no way laughing at Mimzy. You can tell that he doesn't intimidate her at all, because she has the absolute balls to pull off the loan shark thing with him.
Mimzy and Lucifer's interactions with Alastor has made him to be one, if not THE most interesting character in the show. Because you're exploring two contradictory sides of the same coin at once. One where he gets so worked up and angry over not having the power he sees himself as having, and one where he's visibly hurt that his long time friend used him. In one instance you have him pulling out all the stops to be as hostile as he could be to Lucifer without actually hurting him (even though he clearly wants to), and another where he has full range to hurt Mimzy as much as he wants to, but he doesn't.
Alastor cares about people. But also disregards people like playing cards. He is such a mixed bag, so far from being one note, and you wouldn't have gotten that insight without Mimzy.
2K notes
·
View notes
Can I request headcanons for Sunday, Boothill, Welt, Gallagher, Blade, and Dan Heng react gn s/o who always makes it a habit to tell him that they love him whenever they can like when they wake up, before going to sleep, before they leave, and when they return?
Welt: loves, loves, loves the domesticity of it all.
It never fails in making him smile knowing just how much you love him, so much so it was enough to melt his heart as he smiles softly every time he heard you say it.
For it never gets old for welt and never will as its quite possibly his most favourite thing to hear.
He feels warm, loved and happy knowing you felt so strongly about him to make a habit of letting him know just how much.
‘I love you too my dear.’ Welt would say with a chuckle, pressing a kiss to your forehead. ‘So much.’ He adds fondly as he strokes his thumbs against your cheeks as he looks at you fondly.
‘Not as much as I love you.’ You cheeked as you pressed kisses into his large hands.
‘My dear don’t start something we both know you can’t finish.’ Welt replies with a chuckle.
He didn’t want nor need much in life to be happy. He’s a hopeless romantic and this was the easiest way to his soft, old heart.
Blade:
Not use to it at first.
He grows stiff and doesn’t know what to say in response because it wasn’t everyday someone openly admitted to loving him at any given moment.
So the more you do tell him you love him, the more Blade will grow accustomed to having that one special someone who’s seeing his scars and still looks at him as though he were the most beautiful man in existence.
Someone who loved him unconditionally and wasn’t afraid to show it, whether in public or in private settings.
Sooner or later Blade would become addicted to you saying you love him at any given moment and will sometimes not let go do your until you did tell him you love him.
‘You’ve known what I’ve done and yet you still feel brave enough to admit that you love me?’ He asks.
‘I do,’ you replied, ‘and I don’t regret ever admitting that I love you because if I ever did it’d be a lie. I love you beyond words but am forced to use words because there is no action that could truly convey how much I love you.’
‘Then I hope you don’t live to see the day where you regret saying those three words.’ Blade then said seriously as he keeps you close.
‘I won’t.’ You assured him and all he could do in response was chuckle humourlessly and say. ‘Don’t make promises to someone you’ll later regret giving ownership of your heart.’
Sunday:
It’s like music to his ears.
It’s all he wants to hear from you and now he has it, he felt as though he had everything he could possibly want.
He’s selfish with your love and wants it all directed towards him, and so to hear you admit your love for him at every possible opportunity makes him feel more entitled to you and your love.
He don’t want you uttering those words to anyone else other than him for the rest of your life together.
‘Say it again.’ He’d say.
‘I love you.’ You reply.
‘Again.’ He then says with a look in his eye.
‘I love you.’ You reply once more.
‘Good.’ Was all he said before he’d go on about his day.
He often wouldn’t let you leave until you’ve told him you loved him enough to satisfy his own greedy desires.
Dan Heng:
Blushy baby who loves gets all weak in the knees when you say you love him whenever you could.
He can’t look you in the eyes the first time you said it because it took him aback that badly.
Now however Dan Heng only smiles and lightly blushes as he scratched the tip of his nose.
You’ve still got a strong effect over him and he knows that you’ll be the death of him one day with your sweet words and affection. He swears upon this.
He could be doing something a simple as reading a book and you’ll come along, sit on his lap and rest your head against his chest only to casually say that you love him; causing him to go rigid as you could obviously hear his heart go at a million miles an hour.
He swore you got a thrill out of his reactions and seeing him caught unawares, he just knew you did but he couldn’t help but love you for brining light and unexpected joy into his life.
Boothill:
Can’t stop smiling whenever you tell him you love him.
‘Really sugar? You mean it?’ He’d ask.
‘Of course I mean it Boothill, why would I say something I don’t mean?’ You replied.
‘Never mind, just say it once more for your handsome boy?’ He’d try to the quickly change the subject with a smile.
He just doesn’t see what was there to love about him at all but he feared that if he brought this up to you then he was questioning your genuine feelings for him, which wasn’t what he wanted.
He knows you adore him to death but he doesn’t understand what appeal he has going for him when 90% of him was unfeeling metal, and the only part of him that could feel was his face.
It was something that he frequently felt invalidate about, but hearing you say you love him gives him a semblance of confidence that he had been missing after getting his new body.
He needed someone to look at him and think he was beautiful, handsome and above all a sweet soul and that’s what you did, but you also did so much more for him then anyone else had and he didn’t want to throw all of that away because he felt as though he wasn’t worth you.
Gallagher:
Enjoys the moment as much as he possibly can.
Acts like he didn’t hear you the first time when he did just because he wants to hear you say ‘I love you’ in that heavenly voice of yours.
‘Don’t think I caught that one, this old dog doesn’t hear as well as he use to.’ He says with a cheeky smile.
‘Of course he doesn’t.’ You scoffed before continuing. ‘I love you, you old dog.’
Gallagher smiles sleepily as he brings you into his chest for an extra five minute nap. ‘Love you too, you punk.’ He said affectionately.
He loves the moments where it’s just you and him, living in your own little fantasy where no one else besides you two exist, and drinking in the love and how happy you made each other without really even trying.
He loves how playful you can get, how serious you can get with it and for it to always end in you saying ‘I love you.’ A hundred percent of the time.
And Gallagher would love nothing more then to hear you say if a hundred times more in the future.
1K notes
·
View notes
I’m not trying to attack you, but do you know that proshipper means someone who supports and romanticizes pedophilia, incest, and abuse? Your reblog on that post seems to read that you think antis just hate on people for having ships they don’t like. But it’s completely different than that. Just looking on the proshipper side of Tumblr and the internet and you can see people happily shipping children and adults and making nsfw content of such things.
i appreciate that you're not being outright hostile, but i have to say, that on its own put you above basically every anti i've interacted with.
i understand where antis are coming from, i really do. there are a lot of things on the internet that make me deeply uncomfortable, including the minor/adult ships that you mention. i don't want to anything to do with those kinds of ships and i would be happiest if i never saw them again. which is why i'm proship.
nine times out of ten, if i see that kind of ship brought up on my dash, it's because i was following an anti without realizing it, and they brought it up unprompted and untagged, to talk about how bad it is that they exist. they are the ones putting that kind of content in front of my face and making it harder to avoid.
the thing about people who ship those ships is that they're generally very aware that not everyone wants to see that kind of content, and so they tag it. they make sideblogs to talk about it. they don't go out of their way to shove it in people's faces. that means i, and everyone else who doesn't like it, can avoid it.
what antis want is for it to not exist at all. they want the tags to be purged and blocked, and for anyone who uses those tags to have their accounts deleted. and sure, that might get rid of some of it, but do you know what would happen to the rest? it would stop being tagged. people who don't want to see it wouldn't have the tools to avoid it. this isn't just a hypothetical, that's what's happened any time a fan space has tried to do that.
that's not even getting into the rabbit hole of what should be banned and what shouldn't. obviously any content that depicts real children or real life abuse shouldn't exist and shouldn't be allowed to be posted, but basically any platform that people use already enforces those policies, and there's not much of a slippery slope to go down there. if it involves real living breathing people being abused, it's bad. end of discussion.
but the same can't be said for fiction. ask ten antis for a specific list of all the content that should be banned, and you'll get ten different answers. what about kink? what about roleplay? what about horror and murder and anything that involves fictional characters being graphically tortured? what about people using art to process terrible things that have happened to them? what about art that uses dark themes as a horror element? if you just want to ban anything questionable to anyone, that's the line of thinking that gets any mention of lgbt existence banned. and again, this isn't just a hypothetical, this has happened before, and that's generally where it leads.
i know, from personal experience, that antis do, in fact, send harassment to people just for shipping things they don't like. i've gotten accused of absolutely vile shit for shipping two fictional characters who were both consenting adults. i've seen ship wars turn into moral battlegrounds, over ships that an average person wouldn't bat an eye at.
the thing about "romanticization" is a whole other can of worms. the anti logic goes like this: if someone sees something (even if it's very obviously fictional) in a positive light enough times, they will start thinking it's okay in real life, and go on to hurt real people. the problem with that is that it's just. blatantly untrue.
if it were true every horror movie fan would be a serial killer, every person that studies dark media would be an unhinged psychopath, and everyone who is into ddlg would be a pedophile. but they're not. they just aren't. people have directed movies just as fucked up as the darkest shit on ao3, and are still capable of being normal human beings who know right from wrong in real life.
even if someone is that impressionable, scrubbing away the existence of every piece of questionable content isn't going to solve their problem, because they're still going to be vulnerable to con men, scams, and cultists. the only thing that would actually materially help someone like that is developing their own morals and critical thinking.
children are also more impressionable, and there's a lot of content that's not suitable for them, but that doesn't mean that content shouldn't exist. it just means that they should stick to spaces designed for them (which most social media sites, tumblr included, are not) or, if they're old enough to be responsible for their experience online, they, or a trusted adult in their lives, should block and filter out things that they aren't comfortable with.
which is what everyone on the internet should be doing. it's what i do, and it's made the internet a much more pleasant place to be. and it's why i sometimes worry for antis mental health, especially teenagers, because they're being told it's right and moral to seek out content that makes them uncomfortable and to engage with the people making it. and that's just. really bad. it's not good for the creators that they're harassing obviously, but it's also really bad for them! it's not healthy to seek out things that make you feel bad, and it's a terrible internet safety lesson to teach minors that it's okay for them to seek out and engage with people making adult content.
individual harassment and crusading is never going to succeed at removing dark content from the internet. it just isn't. at best you might get a small percentage of people who create that content to stop sharing it, at worst you're just going to make people stop tagging it, and either way, you're exposing yourself to things that make you feel bad, when you don't have to.
if you want to materially change the type of content you see, you can. the block button is your friend, use it liberally. same with content filtering and tag blocking.
16K notes
·
View notes