PRAYER: “God, thank You for being unstoppable, unchangeable, all-powerful, and incomparable. You alone are worthy of all my praise, honor, and glory! Your love endures forever, and I am forever grateful for who you are. Thank You for making a way for me to know You personally. Nothing compares to You! In Jesus' name, Amen.”

guy whose childhood drags behind him like a dead body

HOLY SHIT? got around to watching the new episode and it’s one of the best in the series. im absolutely shocked it’s so good

HAPPY SANDMAN DAY EVERYBODY!!!!

The thing about the Oropher & Cloudryad, Thranduil, Lasgen line up is that there isn’t even 50 between Oropher/Cloudryad and Lasgen, despite them being grandchild and grandparents respectively.

And that’d be fine if they were humans, but these are elves. 50 years becomes essentially worthless really fast.

Oropher and Cloudryad awoke 10 years before they had Thranduil and Miriel, and Thranduil had Lasgen when he was 38.

So the dynamic is rather interesting despite them being 3 generations.

In addition to the traditional parent/child dynamic, there’s also a strong friend/mutual respect as individuals happening between the 4 of them.

Bc in truth, no one can really pull seniority over each other, because there essentially is none. As a result, neither Oropher, Cloudryad, nor Thranduil weaponize “i am your father/mother” between them. Granted they don’t do it in general even with Lasgen’s siblings, but it’s especially notable between these 4.

Like with Lasgen’s siblings (Lirion, Kleoyia, and Legolas) there’s still over 4000 years between them and the 4, and that’s enough time to genuinely say “hey, i have more experience with xyz, so please listen to me”.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Furthermore, the dynamic between Lasgen, Lirion, Kleoyia, and Legolas is also rather interesting, because it’s a wierd mix between “x is significantly older than me, so i should listen to them” and “age doesn’t impact the dynamic at all”.

Lasgen was born at Lake cuivinen, Lirion was born somewhere around the time the 1st age became the 2nd age, Kleoyia was born a millenia after that, and Legolas was born a millenia after that.

So with at least a millenia between each sibling, there is a genuine experience gap between them. And it also means that each elf got “baby sibling/only sibling” treatment for a significant amount of time before the next sibling came.

And you’d think that, with all the older siblings being well into adulthood it’d mean that they aren’t close due to the age gap.

But that’s not what happened at all.

See, while they know and acknowledge where they stand in terms of experience, it doesn’t really impact or influence their dynamic.

Like yes, Legolas is the baby sibling, but that’s not his role in the dynamic of the 4. And Lasgen’s the eldest, but that isn’t why she’s in charge (she’s in charge bc she does not let anyone tell her what to do, it’s personality trait).

And to be fair, all 4 of them do not like being told what to do, regardless of who it is. So the dynamic between them can’t be related to “rank” or any such concepts, because that’ll just cause infighting.

Instead the dynamic is much closer to what you will find in close friends, though with extra platonic love in there.

It also helps that none of the 4 believe in the notion that “you’re too old to be doing something”. So none of them feel belittled when a sibling that’s younger than them asks them to help with something you can only get better at through experience.

Also, chaos in general is pretty standard at their home bc how else would they stay sane after thousands of years, so if they want to make a mold of their foot and poor melted candy into it to make a candy foot, you can’t stop them.

Not to indulge the BG3 " brain rot " but.... can we see what your tav looks like? Maybe hear a little bit about them? Sorry I'm just also on a BG3 kick right now

sure! don't apologize for that <3

this is my first tav, for my only currently completed playthrough. named her seraphina, she was a wild magic sorcerer elf and she romanced astarion, and she was 100% a goody two shoes. not to flex or anything. always gonna hold a special place in my heart. kinda sad i don't have more screenshots of her. also, i went through this playthrough without any mods!

and then my current playthrough is actually my first durge! i've made a couple so far (my bad), but this is going to be a redeemed/resisting the urges playthrough. her name is aruna, and she's also romancing astarion (what a shocker). she's a storm sorcerer elf you can tell i have a preferred class and race huh. i also caught the wonderful lil sideye exchanged during the gur encounter between her and astarion which i laughed at for a good five minutes. so far, this playthrough has been 100x more chaotic, and is definitely giving her and astarion sharing a brain cell (the blood of lathander quest is still a sensitive topic for our dear pale elf womp womp). she's simply bhaal's god's favorite princess with her crew of scary dog privilege while she fights the voices. (and yes, this playthrough i am using mods. sue me.)

i also have two bard durge playthroughs (one as a tiefling, one as a half-elf), and one of them in a multiplayer campaign with my friend in which uh.... we're gonna do full on evil ! wish me luck !

IS LORD LAVENDER ANDREW LLOYD WEBBER

Me trying to put into the words the profound grief and the indescribable joy I feel when I think about lotr and how nothing else in the world will matter as much to me or affect me the same way: …beep beep

I should re download minecraft onto my poor weak laptop just so I can vote for my dear armadillo

Okay fine. MY re-write for Kion.

The lion guard has not existed for several generations. There was never a replacement guard inaugurated after Scar killed his. And while Simba had many friends, he had no siblings. When Scar took the throne after murdering Mufasa, he forbade a guard from forming, fearing that all the younger and stronger lions would form a coup and overthrow him. When Simba returned, he didn't feel the need for one either. Sarafina and Sarabi explained the tragic fate of Scar's guard to him when he returned, and Simba didn't want more stress in the middle of his busy term rebuilding the pridelands. The guard as an idea died out, and perhaps it was for the best. The royal family had enough of a rule over the Pridelands, and did not need to micromanage every little detail to an almost fascist extent. Everyone was shocked but content to see the new King Simba ACTUALLY fully retire the idea.

...And it might've been best if it had stayed that way.

Kion never took anything seriously. He could always be found fooling around and shirking his responsibilities. Simba worried about himfor this. The cub was adopted after he'd been found alone in the grasslands, and having a hard time fitting in with the royal family. Simba was the king. Nala led the hunts. Kiara was to be Queen one day. So...what was Kion? The spare? Royal only by mere adoption? He didn't seem to have any sort of importance to his name like the rest of his family. As a child that had always seemed nice. He would tease his older sister for the responsibilities she would be burdened with. Ha! He had none of that! He was free to play and goof off with the other cubs his age as much as he pleased! Such wonderful golden days! Nothing but a life of Hakuna Matata as far as he could see!!

...The ignorant bliss only lasted until Kion realized what it REALLY meant.

He stumbled across the abandoned lair of the Lion Guard by chance one day while playing. These days, the pride occasionally used it for privacy when lionesses gave birth, but not for much else. When he asked his father what it was, Simba felt like explaining the Guard and its controversial level of control over the pridelands was a good idea. Kiara had learned the dangers and true story about it not so long ago, after her adventures with Scar's heir that fateful day. Kion deserved to know as well. Simba cautioned him that the guard was a gateway drug. An open door to a lust for power that would eat him alive, the same way it had eaten Scar alive. Even a royal lion was not meant to have that much power. Kion seemed to finally take this seriously, and vowed to never become like his great uncle. But....in a way, it was always out of his paws.

The truth is...Kion was almost always destined from the start to follow in Scar's footprints. Despite being adopted into Simba's family with no idea of his own parentage...the evil red lion haunted his family tree far closer than anyone else might've wagered.

Kion was in a hurry to get the Lion Guard out of his head and go back to his normal life. And yet...it didn't leave him alone as easily as he wished it would. He kept thinking about how the guard would give him a purpose. Something important to do in the family. It would be just like being a king, wouldn't it? Keeping everything in check, and ensuring no harm befell innocent pridelanders. A lot of Kion's best friends were prey animals! And he wanted to help his friends! Simba always acted so calm about it in front of mixed company, but Kion heard his father's whispering about the hyenas, when no one was around. There was still a hint of resentment and distrust for the creatures. So...someone had to do something to keep the scum out of their lands, right?

It was a game at first. Something for Kion and his little ''Guard'' playing pretend as they went all over the pridelands. Being heroes and helping where they felt their help was needed. In reality, they were a bit of a nuisance. But the children didn't quite see it that way. The guard interrupted hunts, important ceremonies held by other species, and nearly got other animals killed with their interference. In an attempt to catch the eye of the beautiful Tiifu, Kion thought to show off by trying to fight Janja, the direct descendant of Shenzi herself. Had it not been for Nala interfering, the entire ordeal might've ended much worse.

The king and queen had to do quite a lot of cleaning up to fix the mess Kion and his friends seemed to leave wherever they went. Kiara wet along with them, dutifully trying to prove herself a proper princess in the wake of Kion and his chaos.

They were children. Children playing with something bigger than they could comprehend. Kion saw it as his rightful place in the circle of life, and his infatuation with his ''destiny'' blinded him from the truth. There even came a time when Ono, Fuli, and Beshte grew tired of the game and no longer wanted to play. Their parents had explained the gravity of things to them, and they understood. Kion refused to give in. Surely this was HIS destiny. HIS calling. His so called ''friends'' didn't believe in him. They were just like everyone else! They thought he was a useless spare! Bunga was the only one who stood at Kion's side, but...arguably that was just because Bunga was the only one fool enough to go along with it. Kion broke down in a fit with no one but Bunga to talk some sense into him, and...''talking sense'' was simply not Bunga's strong suit. With what he perceived as his purpose on the line, Kion decided he would have to show them all that this was what he was meant for.

He was so consumed and inconsolable about the idea, that he failed to realize the very familiar path he was walking down. But how COULD he know? He was only a child, seeing things from a very one-sided perspective. A perspective that was bound to get him in bigger trouble with other pridelanders one day....

I do feel kinda bitter over AG though because of all those things you mentioned since i cant look at AM the same way for not having a lot of those things

I can get that. I feel a little similarly. Overall I like AM more because it really delved into Dimitri’s trauma, but AG definitely handled the Blue Lions’ friendships better. What I didn’t like about AM’s characterizations for Sylvain and Felix in AM is that despite five years having passed, they didn’t mature nearly as much as they should have. In comparison, AG was only two years of a timeskip and it felt a lot more fleshed out with their characters. Ingrid was on a lesser scale, but she definitely got the better end of characterization in AG.

In part I think this is also because the writers have had time to decide on some things. When they made Houses, it was a new game. With Hopes they were working with pre-existing characters, so it was probably a lot easier to flesh them out and change their behavior. It just feels weird to look back at Sylvain from a five year skip and see that he hardly changed, but with a two year skip in an AU he’s a much more mature and composed version of himself.

AG also gives us the possibility of having Rodrigue to the end, and I’m wondering if that was a decision the writers made because they saw how he was received and decided to swap his position in the story with Gilbert who was a less popular character. Having the possibility of losing him is like a callback to AM, but we at least have the option this time. There’s also the chance for us to get supports for him with the characters that needed to be more fleshed out in their relationships with him.

Granted, in AM Rodrigue died because that was the final nail in the coffin for Dimitri’s mental state. He needed to have that moment where he gave up entirely and stopped caring about everything, planning to just go out and kill Edelgard or die trying. Byleth was also able to prevent it because they spoke with Rodrigue the night prior and could bring Dimitri to his senses through what they learned when speaking with Rodrigue. In that sense I think it was too important of a scene to leave out, because if not Rodrigue, I don’t believe any other death could have impacted his story to reach that point.

For example, in Ailell Dimitri behaves the same way to everyone around him. When they meet up with Rodrigue, that’s when his manner of speech starts to waver and he is, for the first time in five years, scolded and essentially told to shut up and listen. With Rodrigue being, as Dimitri literally says pre-skip, a second father to him, he didn’t treat that situation as he would have with anyone else, ending it with referring to Rodrigue as his friend (which is more than he did for anyone else by that point, too paranoid and being unconvinced that everyone wasn’t his enemy. The one person he knew would never be his enemy was Rodrigue).

Since the stories are vastly different in both games I do get why things were altered. Going back to AM will just be unfortunate that Rodrigue fans can no longer use him as a playable unit or get all the character lore we got in AG (which was a whole lot tbh for the parent generation, as well as his relationships with the people around him). We also have things like Gilbert coming back to the Kingdom much sooner and thus mending his family relationships, bringing back the old Gustave who is fiercely protective of his family to the point he won’t tolerate any enemy laying a single finger on his daughter and brother. I love seeing him in SB as an enemy and getting to see how aggressive he really is when someone tries to harm his family. To me that shows us who he used to be before Duscur.

I guess in the sense of like, for the sake of fanfics I’ll probably love keeping both stories in mind and mixing the two for things like characterization. Like I said, I understand that they were reusing already established characters so it was much easier to create new situations and improve the characters (to which tbh I’d say was usually hit or miss, like how I can’t even begin to imagine what they were thinking when writing Caspar for Hopes but they did so, so good writing for Lorenz).

Really I guess it’s just kind of what happens when they use existing characters and improve upon them when the original story was already so good. I’m going to hate going back and not having all the Rodrigue content because he’s one of my favorite characters in the franchise itself. On the other hand I’ll like returning to all the sides of Dimtri’s character, because having that aspect of such severe mental illness I think is really important to use in media, particularly in our modern day where that’s a big and largely important topic in our society. While I’d say they also made the attempt with Takumi in Fates, at this point Fates is not a very well loved game and due to how it was handled overall, I think a lot of the attempt at mental illness and suicidal behavior went over people��s heads due to of how poorly the rest of the game was received by players (and admittedly the writing wasn’t nearly as clear with Takumi as it was with Dimitri).

Houses kind of has the vibes of like... a whole lot of “what if” situations that AG used to show the answers of that. SB is more of like... another rendition of Edelgard’s story with not much changed except that we get to actually fight Thales instead of the characters defeating TWS post game. GW is the total opposite of VW, so rather than creating it as a “what if” timeline like AG it’s more of a “what if they went the opposite path they took in VW”. AG focuses more on the possibilities that existed in AM and builds upon those, rather than SB’s choice of the same route but handled differently and GW’s choice of seeing what it would look like if VW was turned on its head (no upside pun intended...).

Technically it’s not bad in and of itself for them to have written SB and GW in those ways, and that’s not to say AG is just absolutely the best because of it. It comes down to personal preference and I saw a lot of people saying the same thing that they see SB as more of a retelling but altered CF, which at that point it’s up to the individual if they prefer the new or the old. GW’s plot in and of itself wasn’t an issue, but it was the treatment of its characters and how the plot wasn’t focused on the characters but instead focused on altering its characters to the plot instead of the characters being what made the plot (ex. AM being written to follow Dimitri, not Dimitri written to follow AM).

Following that thought too, AG follows the formula of its characters being the story itself because in SB and GW, the characters go here and there and everywhere and they’re dragged along. In AG if you try to suggest that you go west during a civil conflict, you’re basically told no, we can’t afford to do that and have to stay here where we already are to deal with this problem and we can head west after that. You’re in one place and kept in that place until the conflict is resolved, rather than being pulled west and then having to go back to where you already were.

In some ways I guess you could say AG was written too well, because now when we go back to AM we’re missing all those improvements on the writing. I do prefer chapter 19 to chapter, what is it, 9 or 10? with the way Claude allied with Dimitri because it felt way more natural in AM and was rooted in a trust that was forcibly finnicky in AG because they were trying to sneak in concepts of GW Claude and how he wasn’t someone people ordinarily trusted. Instead of writing him as just a different path Claude, they tried to keep aspects of him that applied to very different routes and it wound up feeling wonky. AM was much more rewarding, and even more so because Gronder had already happened. Comparably, AG Dimitri and Claude had not even fought each other and yet everyone except Dimitri (and presumably Seteth and Rhea based on the dialogue when they all met up) was highly distrusting of him and treating him like he was some infamous slimy plotter who was going to jeopardize something. It was very forced and kept trying to nudge at GW/SB Claude, so for me that was extremely awkward to see considering in AM, nobody really highly distrusted Claude when he asked for aid. They’d never even fought or had problems in AG, but for some reason most of the cast didn’t want to trust him.

Regarding Thales though, for sure AG did handle it way better. I don’t really like Edelgard’s story in the second half of AG since I prefer AM’s ending for Edelgard (and it makes more sense because she was hellbent on fighting to the end, even if her path killed her. Dimitri gave her a final chance to end it alive, but she willingly chose her death and for her that could’ve been a matter of pride which is more in line with her character, but AG took her character away entirely so that just wasn’t a possibility). Thales imo should’ve been the final boss in AM too, having escaped as Arundel in chapter 19 and fighting the Kingdom later on. Considering how deeply rooted in Dimitri’s entire backstory Thales is, it’s kind of insane to me that he wasn’t the final boss. He has the least connection to Claude but is the second to final boss in VW instead.

For me the perfect ending would’ve been like... a mix between the two, where Dimitri had to come to his senses because Rodrigue almost died but he survives just barely. Perhaps he can’t fight for the rest of the war, thus rendering him unplayable as a unit and making sense as to why he couldn’t be playable from beginning to end. Sylvain, Ingrid and Felix would have grown into who they became in AG when you get to the five year timeskip in AM. Obviously Dedue would keep his story about saving Dimitri with others from Duscur, but then maybe soldiers from Duscur continue to fight with the Kingdom army the way they do in AG. We’d have AM’s version of the Alliance getting the Kindgom’s aid, and we’d have Thales escape as Arundel but fight the combined armies later on. Maybe while they were allied, the Kingdom gets news that people from the Alliance, maybe even Holst, located TWS’ base (since they’re near Goneril territory I think?). Since they were basically one big army, Dimitri could defeat Edelgard as we know their battle to happen in AM, but then they could travel to the Alliance territories with the war being over now and from there, fight Thales and have Dimitri learn the truth. Maybe Rodrigue joins as an NPC in the final battle so that he can be present against Thales, even if he’s not fully recovered because he feels he has to be there since it’s the battle for the truth that he’s been waiting on since he lost his best friend and son.

Whether or not Nemesis would be at the very very end idk, but I think Thales at least should’ve been the final or second to final boss like how he was the latter for VW. I think it would also be nice if Claude hadn’t left right away and instead joined the joint armies, even if just as an NPC since in this case you’d be traveling through the Alliance to fight TWS, and since they’re in Alliance territory I think it would make sense for the Alliance to be much more invested in that fight. It would give Claude the truth he’d be seeking in VW, thus giving a nod to his story in his route, and would give Dimitri and everyone else the truth about Duscur. It would be a complete story imo that way with all loose ends tied up, and if they had Duscur soldiers show up with Dedue in the timeskip then they’d be there too maybe as some NPCs in the final battle, so their story would be concluded too with the truth proving their innocence. Imo it would be a perfect way to resolve the whole Duscur storyline.

I know they were probably going for an imperfect ending in AM in the sense that we can’t have everything, but the only problem with the way they wrote that out was that Duscur was the focal point of AM. At the very least I think they should’ve tied up that entire story from beginning to end, concluding it with everyone learning the truth and Faerghus finally being able to heal when the truth gets around that Duscur’s people didn’t kill their king. Not only do the characters we’re familiar with have resolution, but the actual story we’ve followed right from the start is finished in full.

The problem with ending it with Edelgard for AM is that Edelgard... wasn’t really the true enemy of AM as a route. She was Dimitri’s personal enemy and conflict and he would have to fight her if he was going to end her war, but with the way the actual plot goes, Edelgard should have been AM’s penultimate battle, exactly like how Dimitri is CF’s penultimate battle before she reaches her actual enemy and goal, Rhea. Edelgard’s war was most specifically against Rhea, thus why her route made Rhea the final battle and not Dimtiri. AM should’ve followed that same formula, because Edelgard’s overall gripes weren’t Dimitri himself. Similarly, Dimitri’s story and the plot itself was centered around Duscur and the truth, which defeating Edelgard doesn’t solve a single part of. It concludes Dimitri’s personal arc with his step sister, but it resolves absolutely none of the plot of AM. While it resolves a character arc within the plot, the plot itself remains unfinished.

Like I said, I get the whole idea that we can’t get a perfect ending, but in this situation I don’t think it’s even about a “perfect” ending anymore. You could argue that this ending still should be present even if Rodrigue still died. AG is in a better position for the plot because it actually thoroughly explores the true plot of Dimitri’s background as a character. AM is a character centric ending, but AG is a plot centric ending, and I hate that we don’t get both in either of them. We either get a very good character heavy story, or we don’t get the full depth of the characters (ex Dimitri’s mental state not really being a problem in AG and is only sometimes given a nod to) and have a completed plot.

Hence, I feel like for fic’s sake and headcanon’s sake I like to think there’s more to the point of the Alliance fighting alongside the Kingdom as one army and that the plot related final battle would be against at least Thales if not Nemesis (since Nemesis himself isn’t relevant to AM’s plot or any of the characters, but Thales is deeply involved in multiple characters’ lives). Also, it could maybe give resolution to Dimitri’s personal story with Edelgard, learning that Arundel was killed and that was why he stopped donating, and realizing why Edelgard changed so much post her stay in the Kingdom. Just a final battle against Thales alone would conclude both the story and character plots and make a full, true ending. AG technically has a full, true ending to its story since Edelgard wasn’t in a position to continue her war, so whether she lived or died becomes irrelevant at that point since what happened to her, whether we enjoyed that aspect or not, did resolve that particular conflict. In that sense, yeah, AG solved pretty much everything in one shot.

So yeah, I totally get why you feel bitter about it. AG had an actually conclusive plot while AM was just left hanging as an incomplete story. CF was “complete”, i.e. TWS was defeated post game, and VW was a fully complete story. Instead in Hopes, GW is left a huge question mark and incomplete and SB is still basically complete unless Edelgard continued her war for conquest, so that one is more like... complete(?), with that question mark being necessary. AG is basically complete, since what happens to Edelgard doesn’t really affect the plot which was finished.

Considering TWS is the center of AM’s entire backstory and Dimitri’s most intense trauma, you’d think that would be much more important to the story in AM and that Edelgard wouldn’t be the end of the game. I wish they were still making DLC or updates or something for Houses, because it would be so great if they added that as a late attachment to AM (like how, if you know Tales of Graces, the game ended up releasing and then re-releasing with an entire post game arc added, though in that case it was more of a remake because it was titled differently, adding “F” to the end of the title to indicate there was an addition to the game and changes made/added).

//A Happy birthday to Riversal, who, in true middle child fashion had his birthday forgotten last year so hopefully by shouting him out here I can get rid of the guilt that's been burdening me ever since ;w; Again, happy birthday to our little boy!! Asks ofc are open (Of all the siblings, I'm sure he'd appreciate them the most lmao) though I'm currently trying to focus on some older asks as well (When i'm not caught up in college and bighttown), so if it takes a second just know I'll get to you eventually!! Thank you~ :3

It took like three months but I have finally finished The Love Hypothesis by Ali Hazelwood. And it was garbage.

Even without knowing that this was originally Star Wars Reylo Fanfiction, this book was dry as fuck and I zoned out so much while reading it I can barely remember the basis of the plot. The only thing that got me through it was how often I was pulled out of the plot by the comically bad writing. Spoilers below

Our main character, Olive, is in a predicament, that her best friend, Anh (Rose Tico), wants to date Olive's ex, Jeremy (General Hux?), but Olive had just broken up with him and Anh thinks she still has feelings for him. Olive tries to convince Anh that she's moved on and fakes going on a date until she almost gets caught working in the lab at midnight on the night of the date and kisses someone to make it seem like she's on a date...in the biology lab.

The rest of the book was honestly filled with Anh pushing Olive to actually act like she's dating Adam (the man she kissed in the bio lab that fateful night) and Olive pushing back on it for some reason. Girly nobody would honestly believe you were dating if you only met up for coffee once a week, said hello to each other in the hallways, and were never seen in public together otherwise. I'm shocked that it worked, but also not, because this book sucks.

The only time Olive actually takes control of the plot is when she kisses Adam and when she plays the recording of Tom harassing her in the restaurant (which she should have known that he was recorded like five chapters earlier, when she saw she didn't stop recording after her presentation and it had practically killed her phone battery. Like girly......it's not that hard. But whatever.) That one single page in chapter 20 was the only entertaining thing about this book.

Other than that, the characters were all flat, and Malcolm, who I am led to believe was Finn in the original, is a racist, homophobic caricature whose personality traits are fucking like rabbits and being the gay/black best friend and nothing else. Anh's personality was being the only woman of color in the room but also the head of several diversity committees and somehow running an organization for black and indigenous people despite not being either of those things (she's Vietnamese, which is notably not black nor indigenous). We are told Adam is a ruthless, cutthroat professor but never really shown that. He's just there to bounce off Olive's increasingly #quirky personality. The side characters even felt like copy/paste versions of Olive, which made the whole experience worse.

Not to mention one of the lines, walk with the confidence of a straight white man, is literally stolen from a 2012 tumblr post about the murder walk. I have not seen a single person mention this. Do we forget our roots? Something about repeating history...

Anyway, this book was bad, over-hyped, and just overall boring. I don't read romances so my only baseline is Clockwork Heart by Dru Pagliassotti which was published in 2008. That book is far from perfect but it at least had an interesting world and heroine who did things instead of just letting things happen to her, and it was a fun read. I finished that book in less than a month and it took me three months to read the Love Hypothesis.

TL;DR this book was shit the characters were flat the plot was almost non-existant and Olive was one of the worst heroines in a book I've ever read. 0/10.

the irony that is me loving my parents and still them being the two people i am the least honest to and feel the least safe with my secrets

A question for Ponds: how often do you have to get Monnk and Doom to put Fox to bed?

Sfhjjkkkkjj

Right, the whole thing is more of a post-war thing (Fox killed Palps and it's all good and nobody dies in this version because I'm weak). Ponds is the oldest, followed by Fox, Doom, Monnk and then Wolffe. During the war, Ponds was normally called in when on planet to wrangle Fox to sleep, because he's one of the few that can. After Fox killed Palps though, she's become a bit uppity and tries to tell him off, which results in Ponds getting the other two because it's easier to do than try and fight her by himself.

Idk, whenever they're together? Ponds won't stand for her not sleeping, so there Doom and Monnk go, who find immense glee in wrestling their older sister, especially Monnk.

The two are the sorta twin pair of the batch and very effective and Ponds himself is sometimes too tired to deal with all of it by himself.

So now Fox gets regularly tackled and thrown into bed by her two younger siblings of Ponds isn't on the mood to do so himself.