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unloneliest · 1 year

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jam i have a question. who is eliot spencer... where is he from. what makes him ur number one blorbo and what do u understand abt him that no one else does <3

partridge thank you so much for this ask i need you to know you made my entire morning. eliot spencer is. my specialest guy my blorbo of all time i love him so so so so much. he's from the tv show leverage, which aired from 2008-2012* and isn't immune to the downfalls of that era of tv in general but that. honestly does a comparatively outstanding job to ME. it holds up and also the premise is "what if these extremely competent hot thieves ruined shitty rich people's lives and helped the people who'd been victimized by the rich people and created a found family together after all having various levels of sad backstory? and there was an ot3 made as canon as the showrunners could possibly make it in 2012?" i'm getting ahead of myself though.

*there's a sequel currently airing but i have yet to watch it & there's certain aspects about it that i refuse to accept as canon (this is a part of me being the most right about eliot)

i am putting this under the cut because. well. this got long

to start with context. having my brain rewired by supernatural and captain america: the winter soldier when i was a teenager is a huge factor in like. *waves hands vaguely* everything. when it comes to how i came to love leverage and eliot specifically. i got driven away from spn because (to simplify things) the showrunners hated the fans so bad and the characters were fighting the narrative but unable to escape it, and i loved the version of the characters that was actively being opposed by the show. and that was just plain not enjoyable for me. and marvel is marvel and continuity of emotional and interpersonal arcs doesn't matter at all to them.

and the thing is i took a sociology class in 2017 and it was making me so upset learning about white collar crime. and @canis-la-trans was like. we are watching leverage now. to remedy this. and i'd tried watching it with him before but this time around it just clicked. and the biggest part of what clicked is eliot. because listen. eliot is in somewhat of the same category as my earlier favorite characters but the thing about eliot spencer is that all of his best qualities are canon, not fanon. he redefines the category. he's incomprable. to me.

the thing about eliot spencer is he's the punchboy. he's the hitter. it's his job to get in the fights and protect the team. and he does his best to come across as grumpy, as not caring about people, does his best to fly under the radar as just another unintelligent lackey with a short temper who's particularly talented at violence.

but that's a performance. canonically that's a performance. and he has the best work/life separation of the whole team. he's not his job - he's very good at his job, and it's what he does and that is a part of him, but where some of the other characters view their job as an extension of their selfhood, eliot doesn't.

he cooks. he cooks so well that he could do that professionally. he grows all his own produce (allegedly). he's one of if not the best person on the team with kids. he loves so wholly so fast. he's the first person to call the team a we. within team dynamics he & sophie, the grifter, protect the other 2 from the worst of the team leader's dysfunction.

eliot's done bad things in the past. and he views himself completely past saving. like. from commentary on the show: he knows he's going to hell. like. his self worth is completely abysmal. i know he would die for the team. in s2e2 there's an episode where the team isn't succeeding at the con, and he takes the fall on purpose. and in a conversation about that he says "i'm not diving on a grenade. i'll be all right" but he says that so readily that i Know he's thought about it. and he would. for the team he would. for parker and hardison he would. he's in love with them. and they're in love with him too and i have to cut myself off or i'll go an entire separate rant about them!!!!

he has long hair. which he straightens. and he looks great with blood on his face. he doesn't use guns. he never throws the con for personal reasons - only ever does to protect kids. he grew up in rural oklahoma and he enlisted to get the hell out of dodge and he got in such a bad argument with his dad the night before he shipped out that he got disowned. and he can't even talk about it until nearly the end of the final season of the show. he never once mentions his mom. and i just know he got disowned for coming out, intentionally or not. he's never had an environment he could be his full self in without fear until the team.

parker, the thief of the team, is intentionally written as autistic; the hacker, hardison, is so likely written to have adhd. and eliot is autistic too, to me. it makes the level of performing masculinity to closet himself so much more insane to me. bc it's also masking. and adding that context to eliot and parker's relationship makes me unWELL.

the thing is is that eliot is a character who's hiding, who's actively doing his best to be unnoticed. and so many people who watch the show fall for the act, even if they don't fall for the whole act they fall for parts of it, and like. They Are Wrong About Him. i have an entire complex backstory thought up for eliot, because i think the only thing sadder than him missing out on the kind of connection he finds with the team is him knowing what he's missing because he had a queer best friend as a kid, & the two of them were closeted together, but he lost contact with her over the years.

the thing is that eliot spencer has SO MUCH GENDER and i know if he and parker and hardison adopted a kid eliot would be ma. never dad. and i don't think he'd even be able to start exploring that for himself until the end of the series.

the thing is eliot spencer would listen to the mountain goats. and there's a couple other people out there who are right about that and it makes me so insane 100% of the time.

and i love him and this is just a list of facts about him and the most important thing about eliot spencer to me is that. he exists in motion. trying to capture a still image or static description in words never works. but he's my wife and i love him so much. and i always will. and i'm writing a fic where i'm going to blow him up. just a little bit. for his own good. this is my "eliot made himself a mountain goats mix tape about knowing he's willing to jump on a bomb for parker and hardison & never telling them that in advance" playlist from that universe.

all of leverage is availible for free streaming on imdb tv & here are thee best leverage fanvids of all time:

youtube

& this last vid is abt the show in general, not just the ot3:

youtube

i would add all my fave eliot pics i have screenshotted but this is already so long . i still might rb and do that anyways he is Everything to me

#jam replies #boyjoan #this is 800 years long. i love eliot spencer so bad #the thing about leverage is that without even touching on eliot. this show went 'this autistic girl's special interest is stealing #& crime. why would you ever stop her from doing the stealing and crime' and they're so right for that.#parker isn't the pov character but she's the main character to me. nate is the narrator not the hero #literally though leverage has it all. fake dating. characters handcuffed together for an episode. episodes about historical crimes where #the actors play younger versions of characters from the past. murder mystery costume party where an actual murder happens that they have to #solve. baseball episode. 2 hockey episodes. eliot spencer sings and plays guitar with jo from supernatural. hardison makes their undercover #names dr. who references. there's a reference to the mcelroys. there's two episodes that tell the story of the same night 'off' from 2 #different points of view.#eliot is a horsegirl.#i cannot put into words how amazing this show is it loves the fans so much & it's so clever and so good at like. being a story. and #character & emotional continuity is one of the things they value so much. i love this show so bad #my leverage special interest and mountain goats special interest are kissing with tongue #OH and the show also did. an 'i need you' moment. leverage grave danger job handclasp ca:tws handclasp spn goodbye stranger #not mind control though. but like.#okay i'm posting this now #leverage posting

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darkfluffydragon · 3 months

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White Lily Cookie's braids were giving me a hard time so I decided to draw how Pure Vanilla's appearance would look instead lol. I was going to make him a jester like the faeries but then remembered that Shadow Milk Cookie likes plays and stories. A story wouldn't be fun if everyone was the same character, and Pure Vanilla was supposed to be more of a main character, unlike the faeries. So, going with the jester theme, I decided to make him a puppet king instead!

His appearance doesn't change in the animation because Shadow Milk Cookie figured that it would hurt White Lily more if Pure Vanilla Cookie betrayed her while still looking like himself. Casually planting seeds of doubt in her mind.

I also realised kings have knights, so I'm giving PV a knight :D (to be designed later). Also, I headcanon that Shadow Milk Cookie is a theatre kid who likes dancing.

edit: I spelt Knight wrong in the image XD

#fyp #cookie run #cookie run kingdom #cr kingdom #crk #pure vanilla cookie #shadow milk cookie #possessed pure vanilla cookie #pure vanilla is partially aware of his mind controlled state #sort of like when you're aware that you're dreaming but at the same time you're not??#sometimes parts of Shadow Milk Cookie's personality creeps into Pure Vanilla #and vice versa #shadow milk is somewhat fond of pure vanilla #unintentionally #though he still bullies him using white lily #i made this at 4am-#phantasmagoria crk

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everysongineverykey · 1 year

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very pleased to report that i tried literally counting sheep last night and got my first full night's sleep in like a week in a long period of sleepless nights!!

#not sure if i should say 'this works guys!' because while it worked for me #i'm not sure if it'll work for everyone #but yeah! focusing on counting sheep gave my mind one thought to focus on #so it could drown all the others out! much more effective than just trying to 'think of nothing' which i CANNOT do #and as i got further i began spacing out the counting. i listened to my heartbeat #and after like ten beats i'd count the next sheep #and in between the counting i found my mind drifting sort of aimlessly #vague noise i wasn't fully consciously thinking of #which i think is generally a good sign for me. cause i'm losing control of my thought processes and slipping into dreaming #but every time i'd count another sheep it was fascinating.#'one hundred and sixty sheep' and just like that the background noise was all gone. and my mind was quiet again. wow.#anyway i had a full dream for the first time in a while. my cousin was there. i missed school by accident and was disappointed.#love you all💙 sweet dreams and restful nights on planet earth even though it's ten am for me

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stop-breaking-my-heart-telltale · 3 months

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I think for all the discussions we have of "everyone hears the jokes and the piano; after that, they stop listening" surrounding Louis, we tend to still simplify his connection to the piano.

Yes, it's very cute that he sings Clementine a little song when they first meet, and it's very cute that he plays a little prank on her while "tuning" the piano. It's super cute that they carve their initials into the piano and Clementine carves a heart around them. It's mega cute that he names his song he wrote after her when she confesses her feelings. Louis playing Don't Be Afraid at the party is, in my opinion, one of the best moments in all of TFS.

But here's the thing: That piano is Louis' heart.

I don't mean to go all metaphorical on you, but I'm dead serious—the piano is Louis' heart, and when you think about his arc and his romance route with that in mind...?

That piano is his one comfort in a world where the dead walk. It's been with him from the beginning of the outbreak. We know from his backstory that Louis wanted to take singing lessons so he could be a real musician, and his father denying him of that was what set him off to be a "vindictive fuckhead." Louis never got those singing lessons, and it's a very real possibility that Louis taught himself how to play.

Sure, others could've taught him; we know Minerva was musically talented, perhaps she showed him a thing or two. But learning piano, or any instrument, is brutal even with professional guidance. It takes hours of practice until numbness wears fingertips raw; dedication to memorize every key and finger placement to make music pleasing to the ear; self-discipline to keep going through every fumble, every failure, every single cruel thought of self-doubt; intelligence and a creative ear to write his own songs.

And yet, it's severely under-appreciated by everyone. It's annoying. It's distracting. It's unimportant. It's an excuse for Louis to mess around and not do any real work. He doesn't have any actual talent. The music and the piano are brushed off, unheard.

Yet, Louis keeps playing. He keeps singing. He keeps making jokes.

Creating music, the one thing he wanted so badly as a kid that he destroyed his parents marriage, was possibly the greatest comfort he had... a welcome distraction to disassociate from the horror and death happening around him.

It's bittersweet, like a purpling bruise that you can't stop pressing on; it hurts, but there's something else below the pain. The piano is out of tune and it's something that brings him joy... but will always act as a constant reminder of who he was and what he did, why he's at Ericson to begin with.

We first meet him while he's playing; Louis' heart is exposed, but is it really? Is he playing to his true potential? Louis hides behind the mask of a charming, charismatic goof. It's what is expected of him, so he plays a silly song intended to poke and prod at Clementine, to gauge a reaction. That's something we see him do at multiple points in episode one. In fact, we can consider a majority of episode one to be like the song he's playing when we meet him; it's mostly cheery or fast-paced.

Louis is able to soothe AJ with his "alluring" music after the kid bit Ruby is an indication that the two of them will share a bond. Louis is a natural at communicating and bonding with the younger kids [another talent that's overlooked] so it's interesting that he praises AJ for being a natural at piano, as well.

But the song stutters just a bit when Louis and Clementine are in the woods together, though; "There's only one guarantee: this moment. That's the only you got, only thing any of us got. Might as well enjoy it." ...Only for Louis to compose himself and send her away.

It's only when Clementine has a gun in her face, held by Marlon, that the music isn't fun anymore; it's rainfall and thunder and the words "I thought you were more than that" sung through the wind in a melody only Louis can hear.

Then Marlon's dead. The song is over, and reality has arrived.

I've talked at length about Louis in ep2 and his vote in the past. It's one of the most compelling things about Louis' arc and romantic route. It's a tragic mistake driven by trauma and guilt. It's people simultaneously telling him to shut up and telling him to be angrier than he is. Telling him to stop burying his head in the sand when he's never been more aware of everything happening. It's AJ peering up at him with pleading eyes that Louis can't stand to look at. It's Clementine wrapping his heartstrings around her fingers and tugging just enough to hurt, but not break.

Louis missed Clementine. He says as much when Clementine admits she missed him first. I don't even know where to begin with that! I can think of no other way to describe it other than they are half agony, half hope over this... and if you get that reference, you get a gold star. I just- the ache, the tension, the conflicting feelings of finally having a quiet moment to talk but Louis not being ready yet.

Y'know how someone carved "you suck at playing" in the side of the piano? It's something you might not initially notice while playing the game, just as Louis' insecurities aren't apparent at first.. but they're carved in him; never fully healed, still scabbed and bleeding... Until Clementine offers him a bandage.

She won't clean the wound for him, but she'll be there. She'll help him figure out how to do it himself so he can heal. She'll listen to him, not belittle his feelings or pain. She'll make an effort to know his keys and notes and practice playing his song until she understands.

When Clementine chooses him to spend time with him, it's a mirror of their first time meeting... but this time, Louis plays something real: a song he wrote, one that I believe he crafted during the two week time skip... a song he wrote with Clementine on his mind, for better or worse.

If the piano is Louis' heart, he literally asks her to sit there and try to tune it, which ends up being a joke but I say she's already tuned your heart, my guy. It's there before them, changed in the warm candlelight. He plays for her and opens up about how no one actually listens, but Clementine did.

And remember, this is the night of the raid. They don't know it's coming, but they know it'll be soon. Louis understands that he could very well die, so what does he do? He carves his initial into the one thing he's always had, and he asks Clementine to do the same.

I'm sorry, how are we NOT more feral about this? Prior to this scene, the only thing we see carved into the piano, into Louis' heart, is an insult. This thing that Louis cares so deeply about, this instrument that's become so intertwined with who he is... he wants to leave his mark on it just in case he dies. A reminder that it was his and he belonged to it just as much. Something so important, and he asks Clementine to carve herself into his heart where no matter what, they will be immortalized together in this moment.

And when Clementine carves a heart around their initials? Yes, his reaction is very cute and that's great... but she's not ashamed of him, or her feelings for him. She wants everyone who looks upon his heart to know that. She tells him how she feels and Louis is so giddy, and warm, and he names the song after her and I am going to start biting anything that moves, I can't-

Oh, and let's discuss the party scene in episode three, shall we? Y'know, where the heart covered initials are on full display? Where Louis tells the story of why he was sent to Ericson to everyone?

Louis is so... vulnerable. Sincere. Ashamed of what he did. This is the exposed nerve, the one he was so afraid of showing Clementine but there it is... and she doesn't reject him. Sure, she can say it's fucked up if you choose to, but she doesn't break up with him over it.

Also the fact that everyone sitting around him finally listens when he's at his most unshielded only for Tenn to ask him to play Don't Be Afraid for them after...? How do you not see the connection? Are you trying to make me cry? In that moment, Louis' heart was heard and appreciated and beautiful and strong and-

Listen. I am fine. I'm so normal about this. And fine. I'm fine.

But I also have to add that during the walk in episode four, if you let Louis choose what to add to the imaginary house, he picks a brand new piano because he wants a new heart to reflect the confidence and growth Clementine helped him achieve and because he loves her and AJ so much that wants the new heart to not just be his but also theirs and I am so fine with this, okay.

#twdg #twdg clouis #twdg clementine #twdg louis #clouis #long post #happy valentine's day y'all i got you a totally normal louis/clouis analysis #i initially got you flowers but then i ate them sorry #real talk though I started out normal and slowly descended into unhinged waters while writing this... I don't know how it happened #years later and clouis still pierces my soul i am half agony half hope tell me not that i am too late-#I'm fine okay it's only louis asking clementine to carve herself into his soul it's fine #i can already hear 'it's not that deep bro' like i dunno try getting out of the shallow end and learn to swim you coward #2024 is the year cj goes full gremlin. no self-control. writes whatever bullshit her very normal mind comes up with.#apologies in advance for my bullshit skskskss

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merverelli · 1 year

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just a couple of dirty bean boys!

#jacksepticeye #just like art #this was SO CLOSE to never being finished #art machine (me) broke halfway through but we did it #uni is............. going #even though im only doing 2 subjects im losing it man #i think its just ALL OF THE GROUP PROJECTS IM DOING #like my groups are fine theyre all sweet and nice but i just.#just let me do it by myself let me take 100% control without guilt let me only depend on myself doing it #im such a damn follower with group projects please itd be quicker if it was just me making my own shots instead of a second party coming in #and asking for my opinion when my opinion is always ''do whatever you want :)'' because i either dont mind OR i dont have the social energy #to say otherwise like theyd be fine with it but i just cant do it man i got anxiety of the social kind i cant keep going man i cant #i dont like feeling like im letting down other people or that theyre depending on me im bad under pressure #JUST LET ME DO IT ALONE AND ONLY DISAPPOINT MYSELF BRO CMON #the group projects are wrapping up soon so i cant complain but im screaming #besides that ive been good thanks for asking!

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blorb-el · 6 months

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Don’t know if you made a post on this but what’s your opinion on DCAU Clark and how unapproachable(?) they made him in the later JL/JLU series without ever resolving it? Like I know the Cadmus arc hinges on him never considering himself a possible threat but it seems there was room for no much introspection outside a couple moments (that were later backtracked).

I've had like 6 half finished posts about this buried deep in the drafts for a year because I have capital B Brain Rot about this, but every time I tried to write it out I got six sentences in and wanted to rewatch the entire DCAU in order to get my facts straight. This time I'm resisting the urge, so forgive me if I forget specific episodes

Also, unfortunately for you, it’s nanowrimo, which means my brain is in Type All The Words Mode, and not Communicate Effectively and Succinctly Mode, and also I need a break from WSBF chapter 8, so. You’re getting a 3.5k essay sort of answering this question but not really. you will see

Thank you to my fellow lawyer for the defense of Rectangle Clark @januariat for helping to put this together

I do rewatch STAS and JL a fair amount, but much less JLU, so I actually don’t have much to say about the specific execution there. I’m planning on rewatching it soon. But for now…

To me it boils down to two answers. The Doylist answer, and what I think the writers really did have in mind, is that they came up with the Cadmus plot, knew it was an absolute banger of a storyline, and decided that it was worth compromising Superman's personality in order to write a good story. which is not something I can fault them for - as a fanfic writer, I make the same calculated tradeoffs every time I set out to write a fic. Characters are tools for narrative, even if these particular characters come with an additional weight of the tradition of collaborative storytelling that their most effective stories honor.

However, I do think it’s possible to, post-hoc, cobble together a Watsonian, narratively satisfying (if fucked up and sad) character arc for DCAU Clark if you also take STAS and JL into account. I think the key to understanding his character arc is his relationship with control. Throughout STAS, JL, and JLU, and then one more time in Batman Beyond for good measure, over and over again, he's manipulated and his powers and body are used as resources for other people. Obviously that’s not much of an excuse for becoming more authoritarian/overbearing/etc, Fascism Is Bad and I personally think a more IC superman would retreat more than double down (as in Kingdom Come), but looking at the totality of things that have happened to him before Cadmus, it's a little more understandable why he'd get close to snapping under the strain. Here's my personal reading of his arc, and the events that might have led to Clark behaving so irrationally in JLU.

cut for sheer length, but also mentions of manipulation, sexual assault, victim blaming, that sort of thing

One of the recurring themes in the DCAU is villains dehumanizing, depowering, and/or manipulating Clark. In STAS, Parasite, Lex via Bizarro, Talia and Ra’s al Ghul use him as a source for their own power. The Preserver and Maxima treat him like some exotic prize, disregarding his wishes. Jax-Ur and Mala use him and then betray him. But the most impactful, by far, is Darkseid.

In Apokolips Now, Darkseid defeats Clark, puts his bleeding body into public stocks, and drags him through the middle of Metropolis. Clark’s only rescued by the last minute intervention of the New Gods, and as a parting shot Darkseid murders Clark’s friend in front of everyone. Even though Clark prevents Earth from turning into Apokolips, it’s a huge emotional loss, and they don’t shy away from showing his rage and helplessness. But it’s when Darkseid returns in Legacy, the finale of STAS, that Clark’s life truly takes a turn for the worse.

Forgive me if this is all plot recap to you, anon, but I feel like a lot of people don’t know that STAS ends with Clark being mind controlled, heavily implied to be sexually assaulted, and forced to try to take over the Earth, killing god knows how many people in the process. When the military finally brings him down with a Kryptonite warhead and imprisons him, they nearly kill Supergirl in the process. Then Lex almost gives him a lethal injection, with a US general looking on, implying that the government approves of killing him. Lois breaks him out, he tries to get help for Kara from Dr. Hamilton, and then goes to Apokolips. Most fights in STAS have him shrug off blows. He ends this one bleeding from his mouth, looking almost dead. When he finally casts down Darkseid, tells the Hunger Dogs (the slaves on Apokolips) that they’re free… they turn away from Superman. They cluster around Darkseid to protect and heal him.

Those universal truths of a lot of Superman stories, that goodness and liberty and the American Way* always win? They don't in STAS. A representative of the US government (as far as he knows) has tried to kill him. He lost his temper and spoke in a harsh tone of voice once, because Kara was dying and he was hurt and desperate, and now his friend Dr. Hamilton, the man he trusted to repair the Kryptonian ship, study his body and his powers, one of the people who knew him best in STAS, is afraid of him - and, as we find out later, takes immediate, drastic, and violating action against Kara and against him. The series ends with the small town man standing on the roof of the Planet, hearing people hate and fear him, wondering how people will ever trust him again.

*I hate this phrase personally when used as a Superman Motto, but it's used here as a contrast to the fascistic imagery of Apokolips Now and Legacy (as well as Brave New World, which, hoo boy, we aren’t even getting into that one).

Six months (iirc) after the STAS finale, in Secret Origins, the US government has agreed to let a visibly older and wearier Superman help disarm the nuclear stockpile - only for this to backfire on him because it was a Plot by the White Martians. Clark’s let down the country again. He’s helped aliens invade again, and to make matters worse, he sped away in the middle of an attack to break into an official government facility to free J'onn. Clark founds the Justice League beginning from a place of personal failure, as a check on himself. Clark has power and wants to help people with it, but he’s been turned against people he cares about, and has twice now failed to protect the world. It’s worth noting that Legacy put him into the world stage; before, in STAS, I can’t think of any true worldwide threats besides maybe Jax-Ur and Mala.

Most of the rest of season 1 of JL isn’t particularly Clark-focused, although he does appear in a lot of episodes, but the themes of some of these episodes are potentially relevant to understanding his character later, so: brief bullet point summaries.

During In Blackest Night, Clark sees his respected colleague turn himself into an authority that turns out to be incompetent investigators looking for a scapegoat. Interesting. Surrendering to governmental authority/oversight didn’t turn out too well here.

During The Enemy Below, on Clark’s advice, Aquaman tries to solve his problems peacefully with diplomacy and is immediately shot in a life threatening assassination attempt. Peaceful diplomacy doesn't work so well for him.

During Injustice for All, Lex is dying of cancer. Clark tries to reach out and is rebuffed, with Lex going on to try to found a team to kill him and the rest of the League.

During Paradise Lost, Clark sees his respected colleague turn herself into the authorities and immediately get banished from her home for the crime of trying to save it with all the resources she had at her disposal. Interesting. Surrendering to governmental authority/oversight didn’t turn out too well here, again.

During War World, Clark’s again captured for exploitation. This is essentially a retread of The Main Man from STAS, doubling down on how some people see him as a thing to be exploited.

During Fury, Clark’s completely ineffective at preventing an attempted genocide of half the world’s population.

Season 2 opens with Twilight, one of the most important episodes for understanding Clark’s mindset during the Cadmus arc. Imagine, if you will, the above happening to you. Darkseid shows up at your workplace. And the man you’ve worked with the longest, your friend, your ally, tells you to cry him a river, build him a bridge, and get over it. Tells you to get over being brainwashed, manipulated, and humiliated. Tells you to get over having your broken and bleeding body paraded around the streets of Metropolis, tells you to get over having your friend killed in front of you for trying to defend you, tells you to get over almost getting your cousin killed. Sure, Brainiac is a planetary-scale threat; Darkseid and Apokolips are in real trouble. Clark was wrong to write off Apokolips and its people, and the League should absolutely have intervened in the situation. But the way Bruce went about it was… one of the harshest things DCAU Bruce has ever done, and one of the only times the narrative seems to actually agree that he was an asshole about it. And even then, you really need the context of STAS to understand why Clark is so furious and hurt in this scene.

Clark relents and goes along with Bruce’s plan to trust Darkseid, only to end up betrayed again, the whole ruse just another ploy for Brainiac to gain control of Clark, torture him, and use Clark’s body to upgrade himself. Clark had spared Darkseid back on Apokolips at the end of Legacy, on Kara’s advice. But now Darkseid’s come after him, again. Used him again to put not only Earth but who knows how many other worlds at risk, now that Brainiac’s even more powerful. It’s the downfall of Krypton, over and over again. And when Clark goes to end it, I think he doesn’t care that the base is about to go, as long as Darkseid goes down with it. That isn’t a price Bruce is willing to pay, so he teleports Clark out. And he’s wrong, again. “No one could have survived that.” Well… no, Bruce. Darkseid does, and Clark knows it.

During Tabula Rasa, Lex manipulates Amazo the exact way he tried to use Bizarro. Clark once again fails to guard against a terrible, potentially world-ending threat, and in fact makes the situation worse by his very presence.

Then we come to Only a Dream, another key episode in understanding this version of Superman. Clark’s deepest fear is that his powers will keep on growing beyond his ability to control them, eventually destroying everything around him. In his nightmare He kills Lois and Jimmy, destroys the Daily Planet, and grows into a brutish, hulking, clumsy figure, first crying out for someone to help him, and then losing hope. He doesn’t want to hurt anyone. He goes back to the Kent farm and curls up in the spaceship in the fetal position, convinced that he’s only going to hurt anyone who tries to help. Is it any wonder, since that’s literally what’s happened to him in Legacy? Is it any wonder that he’d want to give up, to retreat? If we’re to take the World of Cardboard speech literally, he’s already having to focus on this restraint every day, in every interaction. This is my personal explanation/hc as to why in every single fight he lets himself get knocked around a bit first; he’s calibrating how hard he can hit back without doing irrevocable damage. Anyway. Deeply fucked up 2 minutes of horror. Wish they’d explored this a little bit more in later seasons.

Then, directly after this, it’s A Better World. After we’ve just seen that his worst nightmare is hurting people by being unable to control his powers, we come face to face with a world where he’s hurt people by the precise and controlled application of his powers. Justice Lord Clark uses the same Superman Robots we saw Kara use in Legacy. He’s become quite adept at his lobotomization techniques. Later on in JLU, we see ‘our’ universe’s Clark attempt to lobotomize Doomsday the exact same way Justice Lord Superman did. Again, Clark fails to protect the world from himself, and to make matters worse, the guy to save the day is Lex Luthor. I’d be a little miffed if the maniac who wants to kill me so so bad turned out to be instrumental in saving the world and now I owe him some unspecified favor in the future. Clark’s met with failure and distrust trying to fix things his way, now he tries to do things in an uncharacteristically sneaky way and… gets met with more dislike and distrust.

Eclipsed continues this trend of hurting his friends; he’s temporarily mind controlled and hurts Wally.

In The Terror Beyond, he fucks up and puts the world in danger again, all because from his point of view, he tried to prevent Solomon Grundy being manipulated and used (like he himself has been used over and over again).

In Secret Society, his frustration comes to a peak, amplified by Grodd’s telepathic manipulation. He’s been trying to do his best, but he snaps that he’s had better luck fighting armies alone (dubious plural there, but he did pretty much evaporate an army in Legacy, so at least once, ok) and that he’s had to hold back his abilities in order to be on the League. Again if we take the World of Cardboard speech at face value, this is true, and we see it in the episode when he accidentally hurts Shayera with heat vision despite shouting a warning beforehand. It’s also telling how other members of the League have the ability to constantly voice doubts about its usefulness and cohesiveness as an organization (hi Bruce) but when he expresses the same doubts everyone gasps. When he expresses his doubt and frustration, when he steps away, the organization that’s collectively saved the world several times falls apart; they’re reliant on him, and he has to be aware of the entire existence of the League as an extra burden of responsibility.

Since both this episode and the Cadmus arc as a whole are meant to show his flaws as a leader, it’s worth examining the foundations of that leadership as established in the DCAU. Clark’s the leader of the League, but narratively, Bruce is its brains and its ethics and Wally is its heart. As a result, Clark is filling the role of leader of the League without the narrative scaffolding that gives him the respect comics incarnations of the character are generally accorded. (I’m admittedly only drawing here from the JLA runs I’ve personally read, Morrison/Porter 90’s JLA and the early Fox/Sekowsky 60’s JLA). Superman might not technically be the First Superhero according to these continuities, but he is respected as though he is (and as we comic book nerds know him to be). The League in these comics treat him as something of an ethical standard bearer, a primus inter pares, as well as being the muscle. In the DCAU, Batman, having founded the DCAU with BTAS, is the First Superhero, and the entire plotline of the Justice Lords centers Wally as the emotional anchor of the team. Clark doesn’t have that pre-established stature. What really qualifies him to be the leader, besides the fact that Bruce doesn’t want to do it? His position seems precarious, relying more on Superman’s pre-established reputation than his actual onscreen characterization. Centering Bruce and Wally are legitimate creative choices I don’t even necessarily disagree with, but it means Clark-as-leader functions quite differently than more traditional JL structures.

Hereafter is something of a healing point for him. It’s a little fucked up that Superman almost bashes Vandal Savage’s head in with a rock, but you take what you can get at this point. He comes out of it fine, but everyone else is forced to reckon with what he means to them. Hereafter coming directly after Secret Society is a very good reunification for the League. Shame about what’s gonna happen in three episodes.

In Wild Cards, he’s useful to address the immediate threat but ineffective to stop the real, countrywide (worldwide?) threat. (I should note that of course I don’t expect every episode’s threat to be solved by Clark; I’m just pointing out a trend that I think his character would perceive as failures on his part. If the writers ever let him reflect.)

JL ends as it began, with another massive alien invasion that Clark helped facilitate in Starcrossed, by working with the Thanagarians during the first part of their plan. As a fellow exile, a fellow alien, he’s hurt and angry with Shayera’s betrayal… even though, in the end, in probably one of his best moments, he votes to allow her to stay in the League.

(Sidenote: almost every interaction Clark has had with other aliens have been despotic societies or individuals: Jax-Ur and Mala, Apokolips, Maxima’s planet, War World, and now Thanagar. The Guardians built robotic police/foot soldiers to enforce their will. Even New Genesis is ruled by a benevolent dictator. Martian society is nearly extinct, overrun by… more alien despots, surviving only with J'onn. Argoan society is nearly extinct, surviving only with Kara. At least Lobo isn’t a fascist? Small consolation.)

JLU begins after a short time skip. I’m not as familiar with JLU episodes since it’s been a while since I’ve watched them, so I’m not going to attempt an episode-by-episode breakdown. Also this post is already way too long. But the point of this post is to look at Clark’s overall arc until this point, and see how it informs his decisions in JLU. For a more JLU-specific informed point of view check this post by januariat!

What we have is a man who naturally wants to take responsibility on his own shoulders, a doer and a fixer who wants to get into the ring and solve problems, who wants to use his abilities to help, being confronted over and over again with a string of personal failures, manipulation, and betrayal. When he tries to set a boundary about not being willing to help the man who took over his body and forced him against his home in Twilight, he’s told to get over it by his most trusted ally. When his deepest fears are revealed in Only a Dream, we see them having been already realized in Legacy. And when he’s presented with his dream of a peaceful life farming, a family that loves him, and no responsibility to save the world, it’s ripped away from him in For The Man Who Has Everything.

Ultimately, I don’t have a good answer for exactly how he doubles down in JLU S2, because I need to rewatch all of it with this understanding of the character. But I think you can see the shape of a traditional Superman character in there, trying and trying again and again to do the right thing, putting himself on the line - only instead of learning from his experiences and letting them inform his actions, he’s carrying the weight of years of suppressed trauma while trying to hold up the entire Justice League. This long, long run of failure, manipulation, betrayal, and distrust adds up. And there’s only so much weight one person can hold on their shoulders, even if they are a Superman.

(And then as the nice little capstone to his story, in Batman Beyond's The Call, he’s kept under alien mind control for years! With the way Starro clings to his chest, he probably hasn’t been touched in years! Trapped in his own mind, forced to watch as yet another alien species uses him as a tool to hurt his own teammates and invade the Earth! And that’s the last we see of DCAU Clark! What a fun little ending to his character arc that doesn’t make me go insane whenever I think about it. Very very very normal about this.)

#id in alt text #like i said. brainrot. i'm so normal about clark kent #you really do have to like. put this arc together in your own head though. they did NOT put this on screen.#long post #dc meta #DCAU #STAS #JL/JLU #clark kent #my fucking kingdom for a fic where j'onn helps him develop mental shielding against mind control. and also gets him therapy. one day #my writing #<fuck it. putting it in the writing tag so i can find it again #thanks for the ask :^)

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fishlings · 25 days

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a young mare stands in her bedroom...

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stagefoureddiediaz · 27 days

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Something something about Buck and learning and or teaching.

Something something about Buck teaching when he really needed to be learning.

I just keep thinking about how the show has increasingly - especially last season - put Buck into the role of 'teacher' - including his coma dream. (i'm using teacher for the lack of a better term!) and how in the aftermath of the coma dream - he's been trying to teach but it hasn't worked - instead he's been learning.

I've been musing on the fact that even back in season 1 Buck has been in a teacher role -

Abby learning to chose herself and go for her happiness,

Bobby learning to let people in and Buck being a major part of that because of their developing father-son type relationship

'teaching' Eddie that he could rely on other people for help

Maddie learning at Bucks hand that she didn't need to keep running, that she could lean on him for support and build a new life for herself

Ravi being tutored by Buck in the fire house

even Lucy being given advice by Buck - teaching her through his own experiences in dumb luck

Buck making himself into a teacher in his coma dream and the idea that all these people he has helped teach teaching him that he has a place with them and that he is important

and so many more examples through the seasons that I won't list or I'd be here forever!

Because there has been a lot of emphasis on teaching and learning since Buck woke up from his coma - he learnt he was good at maths, but then wasn't allowed to help Chris with his maths homework because it would be cheating.

used his maths skills to win at Poker - but got taught lessons even in victory - rather than teaching others lessons (whatever they might have been)

Natalia being interested in him because he could teach her about death and things going south pretty quickly when it became evident that Buck needed to learn how to live again rather than be stuck in death

And now we've had several mentions by Tommy of him teaching Buck things - teaching him to fly, teaching him Mauy Thai, all the way to him being his bi awakening is teaching him about a part of himself he didn't know. Things are turned on their head - Buck is the student not the master now

Even with Eddie this season, we've seen him teaching Buck things - rather than Eddie learning from him - Eddie handing over this really important thing going on with Chris - Eddie knowing that Buck would be a better option - that Chris would open up to him more - is teaching Buck about his importance in the Diaz family - re-enforcing that he is part of their life. Its also Eddie who has had the good advice for Buck this time rather than the other way round.

Something something about 'you like to be the guy with the answers' to Buck becoming the guy with the (maths) answers - only for it to fade away and now he's having to learn

Something something about the tie to Buck and death and the resurrection and how Christ was the teacher up to and immediately after his death and resurrection when he left others on earth to spread his teachings and he ascended to learn at the right hand of god

Something something about how that is the key to happiness and that is what Buck has figured out and that is why his journey to figuring that out has had him wearing the bright blue - because in Christianity - that shade of blue is the colour of the kingdom of heaven (because it is the colour of the sky!) so putting Buck in it at all these key markers of his journey is showing him as being on the road to ascension.

This post is a mess - I don't even know what it is any more! I started with one idea about teaching and Tommy and then more kept coming and we ended up here!!!!

#I know technically that they all teach and learn from each other and that others were also involved in these scenes #but I'm just interested in the fact that the tables have now been turned on Buck specifically and he is now the student #I think thats interesting as a character study - Buck who learnt to survive on his own and teach himself now getting to go back to learning #look here I am - atheist me blabbering on about religious symbolism around Buck once again!!!#Im fascinated in it though - especially in relation to Eddies catholic guilt and the way that the show is using much more #scientific symbolism around him - hearts and guts and the mind - all working organs (or groups of organs)#that have these metaphorical and intuitive attributes attached to them #but all have important real world functions that a human need to survive #and the fact that we've got Buck to this point of 'ascension' and Eddie effectively working on the last of the three - the gut #well I think that is pretty telling - once Eddie has his gut under control/ worked out (catholic guilt) then he will be in a position to #'ascend' as well.#and don't even get me started on the triangle symbolisim within all of this - the holy trinity and the trifecta of heart mind and gut #because they are playing into the triangles this season - literally every where!!!#I feel like at this point if they put Buck in purple (esp if hes wearing it when buddie go canon) - the holiest of colours and #one associated with magic -then I will be the one ascending - because that would be the ultimate #this show is insane!!#it makes me insane - I'm insane!!#evan buckley #eddie diaz #911 abc #911 meta

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dykedvonte · 2 months

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thinking abt what you said with house viewing Benny as a son and I’m obsessed. Like. The man spent most of his life before the war presumably alone, and then after the bombs fell he was alone again, save for AI he himself devised. Then he decides to pull in some Tribes, and one kid shows promise! So sure, treat him well, train him, groom him to be his protege, then next thing you know UH OH he’s got developing paternal feelings towards this guy. Wanting some semblance of a family when the time has long since passed, yet fostering that feeling all the same seems so accurate for him. Benny meanwhile only views him as a boss, and not a particularly good one at that. makes me wonder how House must’ve felt when he found out about Bennys plans

I view it as House blames only himself for this, cause he kind of does in canon (strap in this is a long one).

When reflecting on the issue of Benny, House chastises himself first and foremost for not acting quickly enough when it comes to priming Benny. He describes Benny as being ambitious, ruthless and capable; compliments coming from a man like House. House has an ego and while he is logical enough to understand there was never any evidence Benny saw him as a father-figure, he lacks the humility to admit he let his own views on his relationship with Benny blind him to the activities happening behind the scenes.

I doubt that House was as aware as he makes out about what Benny was doing, he knew early on but certainly not early enough to stop Benny from hacking and obtaining a securitron along with getting the chip in the first place. I take it he was distracted by all the possibilities he was calculating of Vegas' success and growth with him steering and Benny as the new figure head, not because of any normal affection for Benny but the admiration of his capabilities. It's to be noted that House believed menial incentives (likely caps, booze, basic needs, etc..) were enough to keep Benny tame like the other Chairmen but, as evidenced by the Omertas and Mortimer in the WGS, this is not enough when it comes to more driven Vegas citizens. This implies he still undervalued Benny and created a space in which Benny felt the need to rebel.

House in my eyes is not sentimental in the traditional sense. I can imagine his pride was severely scorned as someone he certainly deemed dumber than him was, albeit only for a little, able to out-gambit him. It would definitely hit home seeing how his brother also betrayed him but I feel like that's why he's so apathetic when he tells the Courier to do as they see fit with Benny. I doubt the way he terrorized his brother brought him any emotional satisfaction other than a "Now who's in charge!" ego boost. Putting that same emotional intensity towards Benny isn't worth it because who does it benefit? Wasted time, wasted planning, and most importantly wasted potential are all he gets from continuing to be hands-on with Benny. I say the closest example is not being able to throw out old toys due to the memories attached but knowing it's necessary as they are broken or just taking up space for new ones, and then asking someone else to do it so you don't need to get caught up in the feelings of throwing something you put so much effort into. It's not Benny House cares about in my mind, not in a way that sounds healthy to any non-emotionally constipated individual, but what he could've represented for him, which is why he so quickly offers the same position to the Courier.

As for Benny's view on all of this, it was a long time coming. Benny didn't and doesn't believe House is a completely shitty boss. He admires what he's been shown and admits House knows how to run the strip, but disagrees with the directions. Ideologically, House is an anarcho-capitalist while Benny is just an anarchist. House wants to run the strip to profit, though money is not what he's concerned with being rich with anymore. Benny wants a free state that he wishes to become a place for the people, except for the Chairmen who would be on top (I like to remind people that Benny's motives were selfish but not for personal gain/power as was it for the people he actually saw as family). Benny was never looking for a father but a future. He was not interested in being adopted, or having the chairmen adopted, as bigger names still overshadowed in House's legacy.

Truly, it's easiest to summarize as House feeling strongly and thinking positively enough of Benny to start incorporating him into the future of Vegas (a huge honor actually) while Benny was so disillusioned by House's ego and indifference that he thought the only way Vegas could be the future is with House gone.

#tdlr House saw Benny as the perfect face of his Legacy while Benny saw his legacy as a stagnant mosquito infested pond #its more complex as house certainly would of been irate if he hadn't known and the courier came to kick benny's ass #but more someone being mad youre fucking with their things #i likely thing that even in a more traditional father son relationship House is conditional and would force Benny to confrom more to his #standards as I also believe the Chairmen are more tightly monitered due to bennys unique relation to house and being the first tribe #so itd be smothering and oppressive for someone like Benny even though imposing his beliefs and standards would be how House shows affectio #and fatherly praise which would result in Benny probably wanting to act out even more. like the only way a father son dynamic is healthy an #works is if house would relent some control and show he sees benny as an equal which would never happen cause its house but its still tragi #to me cause house has that longing for something more personal to him than Vegas and tries to fill it with progress cause its rather hard #to create those bonds in the state he is in and benny was the closest thing to that and even that he inadvertently ruined #but on benny house kinda ruined him cause the chairmen for all intents and purposes liked and trusted benny as a leader after bingo who #benny really only killed because of the illusions of grandeur house put into a young impressionable mind and how bingo refused to hear him #not to absolve him of his wrongdoings and being a dick but benny didnt just attack bingo he challenged him and won and in the end while #nostalgic none of the chairmen choose to leave and go back to the old way which says something cause they can leave #this is long and honestly should a seperate post on benny cause i have thoughts on him and how more people need to add his all roads traits #to get a cohesive picture of how hed really act #benny gecko #benny fnv #fallout #fallout new vegas #robert edwin house #mr house fnv #mr house #ask #anon #sorry if this is confusing I have very indepth thoughts on all aspects and possibilites on how unhealthy and power inbalancey anything #with house would be but this is so interesting cause its oddly vulnerable for house of all people to disclose this to the courier

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cienie-isengardu · 3 months

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[MK1] Bi-Han & Kuai Liang. Good brother? Evil brother? Nah, just different reactions to trauma, part 3

part 1, part 2

The previous part helped me lay a ground to establish the main difference between Kuai Liang and Bi-Han. Scorpion, as a dedicated follower of father and Liu Kang’s authority is what I had called the Believer. He does not question the nature of Lin Kuei duty, as he built his life around it. Bi-Han on another hand is definitely a Questioner, as he questions and undermines not only the wisdom of Fire God or even his own father but also the reasons why his clan should serve Earthrealm in the first place as he sees such servitude as enslavement. So one brother follows orders of those he considers to be his superiors while the other, the same as all know to us major cryomancers, has a rocky relationship with authority.

Being the sons of Grandmaster definitely influenced their life by how they were raised, because beside the hardship of physical training they, as heirs, needed to be prepared for their future duties to the clan. As the eldest, such additional education was aimed primarily on Bi-Han, and depending on how big is the age gap between brothers, he could be more involved into clan politics - and in result more aware of the inner working of Lin Kuei and the unrest of his people than Kuai Liang or Tomas were. I will expand this thought soon, for now let's talk about the Grandmaster and Mother, as the first authority figures that shaped and influenced both brothers.

FATHER

There is no doubt that their father played a great role in shaping Kuai Liang and he meant a lot to the younger brother. During story mode we had 6 main scenes in which Lin Kuei brothers interacted with each other:

waiting together for Liu Kang

before infiltrating Fortress

after Bi-Han defeated Nitara and Ermac

before brothers separated to carry on their parts of mission

Bi-Han’s betrayal

the second confrontation between brothers that lead to Kuai Liang and Bi-Han fight + Kuai Liang and Tomas talking over unconscious body of Sub-Zero

Out of 6 examples, four was focused on the ideological conflict between Sub-Zero and his brothers - and in all of those scenes, Kuai Liang was talking about father in one way or another

“His teaching did not pass with him. They should still guide us." “We must honor his vision Bi-Han." “Bi-Han!! How could you?! Father would turn in his grave if he saw this!" "We must chart a new course. One that both honors our Father's legacy and serves Earthrealm."

but outside the importance of father and his teaching, had almost nothing meaningful to say in the presented interactions. What is frankly a pretty alarming detail. Not only because Kuai Liang barely interacted with Tomas before he needed his support (6th interaction scene), but also he does not contribute much to the mission - the only one time he does say anything relative to the job at hand is when Smoke is out of the picture.

In contrast, Bi-Han and Smoke talked about how to process the mission on two separate occasions - before and during infiltrating the fortress, even though Tomas is the least battle experienced out of the three brothers (confirmed by his BIO and the falling scene) and the one about whom frustrated Bi-Han said to not have Lin Kuei blood.

And this is very surprising choice of creators, as it was Kuai Liang to whom other characters will look up for leadership during battle to close the portals, so A) he doesn’t lack the skills and self-confidence to lead a mission and B) he was no afraid of Bi-Han nor Tomas as he spoke his mind openly around his brothers.

For the majority of Bi-Han’s chapter, literally all Scorpion has to say was to critique Sub-Zero even for things not worth the scorn[1] or bring father into discussion despite perfectly knowing this will only frustrate his elder brother more.

Again for contrast, during the same chapter Bi-Han spoke of things not related to his father or ambitious plans for Lin Kuei’s future. As in:

discussing mission with Smoke on two different occasions

enjoying the fight for his own personal reasons (glory, testing his skills against worth opponents)

childhood memory - hearing the stories about Nitara’s people as a child

Sub-Zero’s chapter alone gives us a good hint of differences between Bi-Han and Kuai Liang. Scorpion is all about father and tradition to the point he barely interact with Smoke despite his own assurance “We may not share blood, but we are brothers” and has little to nothing nice or supportive to say to his elder brother despite their close bond (as provided by intro dialogues: Kuai Liang believing their bond couldn’t be broken and Bi-Han wishing to rule with Kuai Liang at his side).

In all fairness there is something almost fanatical in the way Scorpion acted at this point in story mode and it would be easy to claim this blind-like dedication to father is what Kuai Liang was at the core. However, like I said in the previous part, the same as Bi-Han’s behavior was influenced by emotion out of his control, the frustration we were told by Scorpion and shown through Sub-Zero’s angry gesticulation, the same assumption should be made for Kuai Liang. The best hint comes from the interaction between brothers before they attempted climbing on the wall.

Sub-Zero: “We must find a less guarded section before attempting an ascent. Finally we face a worthy foe. Victory will bring us glory." Scorpion: “Glory? We fight for duty." Sub-Zero: “Does our Father's ghost possess you? All I hear is his voice."

Saying someone is possessed is a strong way to emphasize how a person is acting differently than usual. By Bi-Han’s frustrated reaction we can assume that the way Kuai Liang behave and speak mimic the behavior of their parent - and if Sub-Zero was constantly rebuked by father the way he is rebuked by his younger brother over everything, whatever big or small matter, it could be the origin of his growing frustration.

However we need to keep in mind that Kuai Liang was deeply affected by the unexpected death of their father, so this event could influence the way he interacted with his brothers, especially with Bi-Han. There is no reason to doubt they were once close, but I think the moment when Kuai Liang lost not just a parent but the most important authority figure, he started treating father’s wisdom not as just a guidance but some sort of Sacred Laws he - and his brothers - needs to follow to the letter.

At first in story mode Kuai Liang only says “His teaching did not pass with him. They should still guide us” to which Bi-Han replies that father’s wisdom can guide them but not “shackle” (limiting). But the more conflict escalates, the more Scorpion insists “We must honor his vision Bi-Han” yet he does not provide any real argument why they must do it actually. Like yes, sons should respect their father and be obedient while tradition is an important part of one’s culture, but Kuai Liang never goes out of his way to provide any example of what is good about that wisdom in the first place.

In contrast, the more tense became their interaction, the more vocal Bi-Han was about why he reject their father’s teaching:

Sub-Zero: "Vision is what he lacked. He was blind to our superiority. We settle for defending Earthrealm when we could help lead it."

and later, at his breaking point,

Sub-Zero:"He was doddering old fool! He did us a favor, having that accident. And I was right to let him die.[...] Father had doomed the Lin Kuei to mediocrity. Now we will achieve greatness."

At the same time, despite the harsh criticism toward father and considering his death as “favor” done to Lin Kuei (brothers) and having no regrets for letting him die, Sub-Zero’s relationship with his parent is not so one sided as it may look at the first glance.

Through intro dialogues, Bi-Han still considers his father a foolish, short sighted man

Scorpion: Father would be ashamed of you. Sub-Zero: Only because he lacked vision.

and

Smoke: Father wanted us to be brothers. Sub-Zero: Yet another of the old man's foolish dreams.

Sub-Zero: My father was a fool to follow you. Liu Kang: He wisely honored Earthrealm with his service.

but at the same time he does not completely reject the notion of the father’s greatness

Sindel: I knew your father. He was a great man. Sub-Zero: Yet he never understood the Lin Kuei's potential.

or that the man’s wisdom had some merit

Sub-Zero: Father was right about one thing: never trust a sorcerer. Quan Chi: Truly, he was a wise man.

nor Sub-Zero's action was motivated by hate or spite

Reiko: Is it true: you let your father die? Sub-Zero: What war's ever been won without losses?

Ashrah: What kind of son betrays his father? Sub-Zero: One who sees his father's time has passed.

(And there is something really weird how Reiko bothers to ask Bi-Han about his father’s death yet Fire Lord, who praised the previous Grandmaster as a wise man to serve Earthrealm, has nothing to say about the matter? No anger, no rebuke, not even a simple comment for what Bi-Han did? When he expressed regret on various occasions for the ill fate of Sindel and her husband? I guess this could add to the pile of reasons why Bi-Han resents Liu Kang’s authority for not treating his Lin Kuei allies with the same or similar level of respect he express toward Outworld Royal Family).

Scorpion in his intro dialogues does not question father’s authority at all. He does speak about him with

Sindel

Scorpion: Your husband's murder haunted my father. Sindel: All those close to Jerrod were devastated.

and

Sindel: Both your parents were excellent fighters. Scorpion: I can only hope to live up to their example.

Geras

Scorpion: I want to see the moment my father died. Geras: You are not ready to receive that knowledge.

and Bi-Han (“Father would be ashamed of you”) however I didn’t find any example he directly mentioned father to Smoke, who, like Sub-Zero, had a more complicated relationship with the man[2].

He also expressed to Johnny and his mirror match burning anger at Bi-Han for father’s death:

Johnny Cage: Bi-Han's got you all fired up, eh? Scorpion: He'll burn for betraying my father.

and

Scorpion: I won't be consumed by vengeance. Scorpion: How can your father's death not burn you?

This fierce reaction to father’s death is understandable, as Scorpion’s Bio said,

Like his cherished father, Scorpion is dedicated to the Lin Kuei and its defense of Earthrealm. When his father died, Scorpion was bereft.

Now, let’s focus on the choice of words. According to Merriam-Webster’s dictionary, bereft means:

suffering the death of a loved one but also being deprived or lacking something needed, wanted, or expected.

Which is why I think the loss of a father is for Kuai Liang something more than just missing a beloved parent. He also lost the guidance that was constant in his life since he was a little kid and he tries to fill the emptiness by honoring and in result, mimicking the authority figure he built his life around.

Kuai Liang’s character theme is HONOR

and as much as it is about his integrity and loyalty to father’s teaching (protecting Earthrealm), I think this is also a keyword to what Scorpion dedicated his life: to honoring the past but only through father’s idea of tradition, duty or his legacy[3].

Story mode: "We must honor his vision Bi-Han."

and

Story mode: "We must chart a new course. One that both honors our Father's legacy and serves Earthrealm."

and

Smoke: With you as grandmaster, our new clan will flourish. Scorpion: Only if we honor tradition.

If we agree that Father was the authority Kuai Liang followed and built his life around, then he did not just lose a parent but also a central part of his world, a source of comfort and security. And Bi-Han, the closest remaining blood-relative, the eldest sibling is NOT PROVIDING THE NEEDED COMFORT and/or STABILITY because Sub-Zero does not follow father’s teaching anymore and slowly is building his life around different values and goals than were accepted by previous Grandmaster.

Which is why I believe Kuai Liang so desperately clings to it, and honors the man’s teaching like it is some sort of sacred code and can’t anymore interact with elder brother the way they used to. Because he is afraid to lose the last connection to cherished father - if Bi-Han casts away their father’s teaching, they will be forgotten with passing time and then lost forever. And the dislike of changes father would not approve and fear of being forced to act against his own brother are part of Scorpion’s BIO:

[...] he took pride in knowing that his brother, Sub-Zero, would succeed their father as the Lin Kuei's grandmaster. But Sub-Zero's unprecedented moves to cast off the Lin Kuei's traditional duties have frozen Scorpion's enthusiasm. He fears that one day he may have to battle his brother for control of the Lin Kuei's legacy.

- even if Bi-Han prior to his betrayal scene did not do anything that cast off the tradition. We could hear him talking about his ambitions to change Lin Kuei, but only between his closest family and never openly questioning or challenging Liu Kang’s authority. Like yes, Bi-Han was frustrated and lacked patience for back talks of Kung Lao who still didn’t figure out Lin Kuei pulled out their punches and acted violently once Johnny grabbed his arm - and how much it was a learned reflex to respond with violence and a simple excuse to hit him is up to debate. But each time Liu Kang got involved in the “conflict” Sub-Zero fell back to his place and obeyed. The same as he did not argue about the mission he and his brother undertook on Fire Lord’s order.

As the story mode provides, the clan was more than ready to reject the past because only Kuai Liang and Tomas refused to follow Sub-Zero’s leadership. Which speaks a lot both about Lin Kuei as a society and Kuai Liang’s dedication for tradition and father. The story mode really made him look to be in the minority in that matter. To the point that he openly admitted to Smoke how small are chances for him to replace Bi-Han as the Grandmaster even though he is the second in line to that title:

Smoke: “What are you doing? Once he's exposed, won't you be made Grandmaster?" Scorpion: "You forget Cyrax and Sektor. Their loyalty to Bi-Han is absolute. They'll sooner abet his corruption than follow me."

At his breaking point, Bi-Han explained to brother he lied about father’s death because

"[...] you couldn't, and still can't, face the truth. Father had doomed the Lin Kuei to mediocrity. Now we will achieve greatness."

what is of course a very subjective opinion, but considering how sources presented Kuai Liang and how narrow-minded he can be, especially during mourning father, I’m willing to give Sub-Zero some benefit of doubt. Not if father worsened the Lin Kuei situation or not, but about Scorpion and his inability or lack of will to face the truth. Lin Kuei has changed and Bi-Han alone is not the source of problem, because he is the clan leader for relative short period of time while the whole clan rejected the centuries old traditions honored by Kuai Liang’s father despite knowing it puts them on the collide course against Liu Kang, Earthrealm and Outworld. What is more, just because the previous Grandmaster died, it does not erase all the older members who served Earthrealm longer that Bi-Han or Kuai Liang lived and they too support Bi-Han’s independence streak as far as sources implies. Would they reject Sub-Zero if they knew about his part in Grandmaster’s death? Maybe or maybe not, all depending how long and how deeply the dissatisfaction about the Lin Kuei situation runs. Something that Kuai Liang may not be aware of - or quite the opposite, he was in fact painfully aware about it and this is why he feared Sub-Zero's desire for change, because he knew the clan will gladly support it.

The same as for tradition, brothers have a different approach to their father and what he symbolizes in their life. For Kuai Liang the man was a cherished family member and moral guide, the first and final authority while for Bi-Han a source of frustration and limitation. Understandable then, they have an opposite reaction to his death, one is heartbroken and the other sees it as an opportunity for his own growth and realization of ambitious plans.

The Lin Kuei brothers’ feelings for mother though are drastically different matter and this will be the subject of the next part.

SIDENOTES

[1] The best example happened here:

Sub-Zero: “We must find a less guarded section before attempting an ascent. Finally we face a worthy foe. Victory will bring us glory." Scorpion: “Glory? We fight for duty."

as Bi-Han can’t even express the joy he finds in fighting without Kuai Liang cut in and bring it down again to duty and in the wider perspective what father trained them for. An excitement that in itself is not inherently a bad thing, especially since the Sub-Zero’s quotes after losing the fight against Nitara or Ermac shows how Bi-Han would graciously accept defeat and praise his enemy (“You are a superb adversary. More than worth the wait” and “You are as formidable as promised. Let’s continue.” respectively) thus his attitude is about something different than bloodthirst or fun. Sub-Zero was warned about the danger Nitara and Ermac posed:

childhood stories about Lin Kuei's effort against Nitara’s people: “As a boy I heard tales of battles against your kind.”

Liu Kang’s warning about Ermac: “You are Quan Chi’s creation. Liu Kang warned about you. I had hoped for the chance to battle your dark magic.”

and so Bi-Han hoped to face worthy opponents against whom he could test his skills. And though it may sound selfish, we can’t forget that Sub-Zero was raised as a warrior - only facing strong opponents and overcoming the danger allow a warrior to make progress. Lin Kuei warriors were always striving for perfection, and if this mindset did not change in Liu Kang’s timeline, it is understandable why the prospect of facing danger after years of idleness pleased the Grandmaster.

Bi-Han looking out for a chance to perfect his abilities, wishing to test himself and earning a recognition for fighting skills he dedicated his whole life doesn’t sound as something deserving such a negative reaction. Especially since Bi-Han at this point has never done anything that put the mission or his brothers at risk. And though he was frustrated about his and Lin Kuei's situation, it never stopped him from doing his duty - until the capture and Shang Tsung’s offer scene. An offer he wouldn’t be otherwise interested to listen to, as was seen during his fight with sorcerer

and Sub-Zero’s intention to eliminate the enemy for good (even if Liu Kang clearly said to capture the sorcerer not to kill him).

This leads me to think Kuai Liang’s rebuke was uncalled for but also supports my feeling mentioned in the previous part - Scorpion did not enjoy fighting but was doing it because tradition (father) demanded that from him.

[2] Tomas’ complicated feelings toward Lin Kuei Father are rooted in his trauma - it was Grandmaster’s own people who killed his mother and twin sister. As much as an adult Tomas respect his adoptive parent and maybe even became emotionally close with he man over the years, there is still something in the way he spoke about the past events that indicates it was not always the case - and maybe he still feels some resentment to the man that at least indirectly destroyed his childhood

Kitana: You are Kuai Liang's adopted brother? Smoke: His father's honor demanded that he take me in.

and

Reptile: Lucky for you, Kuai Liang's father took you in. Smoke: It didn't feel that way at the time.

And I guess this is just the nature of intro dialogues, but it feels off to me that when Tomas is talking with non Lin Kuei characters, the father is always connected down solely to Kuai Liang (and not for example to both brothers) and Tomas never corrects them or say anything implying that despite not sharing the same blood, the man became his father too. There is also something to say how Tomas twice brought father in his dialogues with Bi-Han:

Smoke: Father wanted us to be brothers. Sub-Zero: Yet another of the old man's foolish dreams.

and

Sub-Zero: You were never truly one of us. Smoke: Were Father here, he would disagree.

None of the brothers adds “my” or “our” father - and Bi-Han could do so, if he didn’t consider Tomas part of the family. Interestingly Sub-Zero only once said “my father” in his intro dialogues and between the three brothers, Sub-Zero's ones revolve the most around the man (I counted 8 separate, direct intro dialogues), while Kuai Liang does not talk directly about father with Tomas at all in their pre-fighting interactions. Which is quite surprising, considering how important father is to Kuai Liang and how often Smoke brought the man’s authority in story mode and intros.

[3] At this point I think it is not the burning anger that Kuai Liang shares with the original Scorpion that should concern other characters (and us), but his “blind” clinging to the past that brought Hanzo Hasashi a lot of suffering and made him an easy target for manipulations. Now, I know this may sound too harsh, especially at such an early stage of exploring a new timeline and having no clue what is NRS’ final goal for his character development but hear me out. Kuai Liang’s Shirai Ryu is not an improved version of Lin Kuei, but it's replacement. For now Scorpion needs to find and train willing adepts to secure Earthrealm and his new clan’s safety, so it’s understandable his focus is set on the most urgent matters at hand, but if he is not willing to closely examine past and question it - be it father’s teaching or what lead Lin Kuei to follow rebellious Sub-Zero than following their traditional duties, he will recreate the system that objectively speaking is unfair to people born into it. As far as we know, Lin Kuei members weren’t paid for their dutiful service, they lived in isolation and secret, forced their children to endure hardship since childhood to turn them into superb soldiers (tools) so Liu Kang’s Earthrealm could be safe and sound and even in times of peace, the warriors could die for unspecified reasons that aren’t related to natural death out of old age (presumably what happened to mother). There is much more to talk about, so I’m gonna leave this matter for another part. Just signaling that Kuai Liang’s fierce loyalty to father (past) can be as dangerous as Bi-Han rejecting it.

#mortal kombat #bi han #kuai liang #tomas vrbada #sub zero #scorpion #smoke #lin kuei #my analysis #that kinda get out of control #sorry folks as much as i'm dying to talk about lin kuei bros' mother i needed to cut the text here #as it something around 9-10 pages already lol #i won't lie writing about pyromancer kuai liang is so painful and i tried my best to not be harsh on him #for being so narrow minded character that like barely provides any arguments or explaination for his cause #especially in contrast to bi han who though is painted as the “powe hungry brother” he has some good points and at least give me #something to work on and analyze #while kuai is mainly father this tradition that #and it is so weird bi han and tomas have more intro dialogues about father than kuai liang and tomas have #it is not character flaws nor their fault just storyline and how story is structured and so on #but it is so weird sometimes #i'm here for scorpion being affected by grief over father and fear how the world he knows is falling apart to explain why brothers #were so frustrated and bad at communication #the same way i feel bi han's frustration influenced his behaviour

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