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#no you cannot argue with me on this
arsoniiii · 3 months
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just don’t leave
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allmightydepression · 2 years
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Introducing you to the braincell squad
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they hold all the braincells in this show n the writers knew teaming this 4 up would've been way too powerful n they would've solved all the issues in the story ages ago
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aurorasandsad-prose · 6 months
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I really do fail to understand how people are able to justify this genocide at all even after 'claiming' to know the narratives of both the sides?
How can you remain neutral in face of mass murder?
All that privilege must be real nice. Getting to sleep in your beds, safe from this living hell, while justifying genocide must be real nice. Shame on you! Shame on you! Shame on you!
And I'm sorry to the Palestinians. I'm sorry the world's humanity is conditional. I'm sorry that we have failed you.
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gay-corn-flakes · 2 months
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Boromir and Legolas have such strong kenergy
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thirstyvampyr · 9 days
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of course it's mickey, the dirtiest white boy in america, who's the only one shown washing his hands after using the bathroom since the fucking show started
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kinqarou · 11 months
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cesar week day #2
scared boy with a gun.
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moeblob · 8 months
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I spent 3 hours replying to this anon simply to say "everyone gets a Vaporeon (except Sylvain)".
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not-poignant · 1 month
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Every now and then I just get the kind of comment that makes me stop working on a fic and just has me going 'how about you write it since you're so concerned with correcting me on this one tiny thing that doesn't matter because it's fanfiction actually'
And like, I do want to work on this fic, but damn, not today.
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corrodedcoughin · 1 year
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just thinking out loud but the Steve going to college because believe it or not he’s finally found a very specific course that catches his interest and it happens to be in Fort Wayne so he can still check in on the kids. It gets even better when Robin and Nancy decide they want to stay local too so they all pack together and get excited (and nervous) about moving.
The time comes and they leave Hawkins and suddenly it’s the first proper day of classes. The three of them are spread over the campus so Steve treks alone to his first class, the reason he chose the college in the first place: Introduction to Folklore.
He’s so ready to learn about something he’s finally interested in. Doesn’t pay attention to the usual seating conventions and social status, just wants to know where they’ll be starting, cliques and popularity contests a long gone part of his life.
The professor is in her stride, painting a picture with her stories of creatures from folklore and the origins, Steve can’t believe it but he’s genuinely excited to learn for once. The pinpoint accuracy focus on the professor is shattered when a voice erupts next to him
‘That’s great and everything but shouldn’t there have been a moth man lover sighting by now? Where is the justice for this noble creature I ask you? I know there’s monster fuckers out there professor.’
The professor slowly engages the guy in conversation but Steve is seething. Who does this guy think he is? Does he think this is a private class just for him? That Steve isn’t paying good money to be here? So pen clenched in a white knuckled hand Steve lets his bitchy temperament get the better of him ‘I thought this was a folklore class? Not a self insert romance lit course’ he clearly says it too loud because the boy next to him. The one who started all this turns to Steve and raises an eyebrow, a smug smile on his face and lets out a ‘huh interesting’ and what’s Steve supposed to do with that? And more importantly what’s Steve supposed to do with the fact that the guy is stupid hot with this long hair, tattoo combo and that the smug look on his face definitely made Steve’s heartbeat thunder in his ears? Out of rage on behalf of his fellow students, of course.
Turns out it doesn’t matter, the class is over and Steve is running out the door, determined not to get caught by those eyes again.
It starts off a Thing between them. Every week the guy, Eddie, will challenge the lecturer with some inane point that Steve refuses to accept he actually believes to the point of Steve firing back an argument at him. Eventually they are full on debates in the middle of the class that the professor has to mediate after eddie decided that standing on the table would be appropriate (of course, not to be outdone, steve followed).
They absolutely do not have a thing for each other and the rest of the class absolutely do have a sweepstakes on when they’ll get together
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anothercrisis · 1 year
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I have a question: do you think that Soap is constantly telling others what a good job they’re doing, how proud of them he is, and to keep up the good work? Because I think he does. I think this man came out of the womb coded to be the light of so many people’s lives and I think it’s second nature for him to offer kind words and kind touches every chance he gets.
You with me? So, what if…what if he spouts so much happiness and compassion that people don’t think to check on him? Don’t even consider that he might need someone to tell him he’s doing a good job or that he might need someone to hug him for once? He knows how to be okay, he does, and he’s fine without people reciprocating his affirmations, but that doesn’t change the fact that it would be nice to receive even a fraction of it for once.
Stay with me. So, what do you think Soap would do, how do you think he would react, when Ghost tells him, “You did good, Johnny.”? Ghost doesn’t think anything of it because Soap is his soldier and it’s his job to keep track of him, keep him sane, but Soap? Soap, who hasn’t been told he’s doing a good job in months and is constantly battling the feeling that he isn’t doing enough and isn’t doing it right. Because I think Soap would shut down for a second, caught off guard by the sentiment, and then I think the tension he’s been carrying in his shoulders and in his back would melt and he’d smile the softest little smile and thank Ghost in the most genuine way that Ghost would have to rethink what he said, because why was Soap acting like he’d just hung the moon?
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julijbee · 4 months
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i kind of miss when he had genuine beef with a 12 year old and wanted him dead.
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vampirehayfever · 2 months
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the joy i get whenever fabian and riz start to bicker with eachother is unparalleled
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vidoeslot · 9 months
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hey I didn't want to have to say this but I really, really do not want any interaction from the "paraphile community" on here at fucking all.
I know that depending on your definition, objectum could certainly fall under a "paraphilia" (as could, say, BDSM, foot fetishes, furry porn -- or historically, even homosexuality) but there's no playing coy about it, the "para community" here is really just largely centered around the legitimization of pedo/necro/zoophilia.
zoophilia, necrophilia, and pedophilia are inherently harmful paraphilic disorders and if you experience them you need to seek professional therapeutic help. I have zero tolerance for anyone who attempts to legitimize, normalize, or act on (even in a fictional/fantasy context) these paraphilic disorders. get out of here.
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possamble · 10 days
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What are your headcanons about Marcille's mom if you have any? It's interesting that what drew Donato to her was cause she lived the history he studied, or that was said somewhere at least. She must've had an interesting life.
so this was going to be just a normal answer but then I realized I have a Lot of Things To Say. so here goes, a compilation of what we know for a fact from the canon, what I've extrapolated from the visual cues and details, and my theories based on all of that.
Things we know for a fact about Marcille's mother because they were explicitly stated in the manga and supplemental materials:
She was a court mage for a Tall-man kingdom at the southern part of the Northern Continent
Donato, a court historian, fell in love with her because she had lived through the history he was studying, and he courted her for 17 years (age 15 to 32) before getting married
She was a cheerful person who rarely showed extreme emotion and took things as they came
She always cooked a huge meal for Marcille on her birthdays
She remarried a gnome after Donato's death and a short distance away from Marcille's childhood home
Pipi, Marcille's pet bird, was actually older than Marcille and originally belonged to her mother (bird died at 62)
She was extremely heartbroken when Donato died and ultimately ended up instilling a deep fear of mortality in Marcille with her words
the only time she showed extreme emotion in front of her family was when Donato could no longer eat his favourite dish near the end of his life.
She scolded Marcille for being cruel to ants (implying she can have a stern side when needed)
Things that are explicitly shown but mostly through visual cues
She has a very distinctive style of dress always involving a ribbon choker (mirroring Marcille's habit of always wearing a matching choker with any of her outfits that don't cover her neck)
She was almost stereotypically good at housekeeping and traditionally "wifely" things (very frequently depicted wearing an apron or doing some domestic chore when not at work, seems to have been an avid cook).
She knits? (also, note the affectionate smile as she's looking at Donato and Marcille reading a book together in the full panel)
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She was as excited for Marcille's milestones as Donato was.
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She didn't tell Marcille much about elven food
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(there are a couple things that this panel in particular implies:
She lived a good deal of her life (if not being born and raised) in a mainly elven country in the West, implied by her knowing enough of an elven region's cuisine to prefer Tall-man food over it
seems to have a pretty carefree and casual demeanour overall, if this is how she replied to Marcille asking her about it (sounds like she never gave her culinary preferences that much thought to begin with)
slightly related to number 2, it seems like she and Marcille had a fairly casual parent-child dynamic (especially in comparison to the Toudens' memory of their father)
(local elf tastes Italian food once and never goes back))
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However, she seems a lot more... serious in most of the other times we see her? Almost like the very stereotypical archetype of a graceful elf.
Subsequent conclusions about her personality:
Usually pretty carefree and cheerful at home, has been a loving and attentive parent throughout Marcille's childhood (while not being so doting that she didn't discipline Marcille).
Slightly more conjectural theories on her personality:
Had a much more graceful and professional personality at work, which would explain the more serious portraits we see of her.
Given that both she and Donato had positions at the royal court, it seems a little odd that she'd go out of her way to do all the housework herself, so maybe she just enjoyed doing it?
Now taping all the evidence together and toeing the line between analysis and fanfiction:
It's clear that she loved Donato very much and was utterly devastated by losing him. But there's one thing that really stuck out to me in what little we see of her:
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Doesn't she seem... angry? The way she's gritting her teeth, clutching the tablecloth, and how this is the first and only time we see her eyes opened that wide. In the following panel, you see her being quiet and dejected after her initial outburst. She's still crying very intensely, but her brows are furrowed, and she's not really responding to Donato's affection in her body language.
We're not told the details of how she felt about losing Donato other than that it upset her. But this, to me, implies that she was angry and resented that he was aging, that the end of his life was approaching. An "it's not fair" type of preemptive grief. And if this was the first and last time she cried like this in front of her family, she was either very good at coping in private... or very bad at letting herself feel unpleasant emotions until they become unavoidable and end up overwhelming her.
It's not too remarkable a detail on the surface. It's even reminiscent of what the audience has seen of Marcille. But... when it comes to the big picture, you'd think an elf who voluntarily chose to marry a tall-man and have a half-elf child would have been better prepared for this.
It kind of recontextualizes her cheerfulness to me.
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"I'm sure everything's gonna be okay!" (or some variation thereof, depending on what translation you have).
And this is stated to contrast her extreme grief when finally confronting Donato's failing body and eventual death. But I'm wondering if... maybe this optimism was why she was so upset. What if she went into all of it thinking "everything's gonna be okay"? What if she was a little young by elven standards, and just followed her heart thinking that her own resilience would get her through anything?
Of course, only to get completely overwhelmed when she actually loses Donato. She turns into a completely different person. And that's heartbreaking on its own-- but what the audience sees is the effect it had on Marcille. Can you imagine being her, watching your invincible and upbeat mother suddenly lose all the light in her eyes in one go?
I've already made a huge post about how I think Marcille models her "work persona" off her mother, but another thing that stuck with me as I was looking for more details in the manga was this:
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copy pasting from the other post i made about it lmao it's like... the second she resigns herself to lifelong pain and terror, there's another portrait of her mother facing her like this. with their heads bowed, in mirrored body language of resignation and despair and sorrow. Except it's posed like Marcille is still looking at her mother but her mother is looking away.
It took me a second to realize, but I think that it's a visual metaphor for the fact that Marcille's mother was the only long-lived role model she had-- and she failed to model healthy grief for her daughter. I don't say this as an accusation or to disparage her as a character, but just as a matter of fact. In her, Marcille was seeing herself older and losing a short-lived spouse or loved one of her own, and all she saw was hopelessness.
But her mother didn't mean to instill hopelessness and terror in her. She wasn't really thinking of how it would truly affect Marcille at all (at least, that's how I'm interpreting her looking down and away from Marcille in the metaphor), she was just sad. And she, in her own way, was trying to protect her daughter and help her prepare for future losses.
What she meant was "loss is inevitable, and you have to learn how to be in pain but live on anyway." What Marcille heard was "loss is inevitable, and you will be scared and hurt for the rest of your life."
Again. Marcille's mother doesn't feature explicitly in the story the way her father does -- but in so many ways, her shadow, her silhouette, her reflection is always hanging over Marcille.
All that to say... headcanon-wise (everything from here on is 100% without evidence lmao), I'd like to think that she matured and realized that she failed Marcille. I imagine her being regretful about it, wanting a chance to fix it but never finding a way to insert herself back into Marcille's life when Marcille is so so so busy becoming the most accomplished mage possible. I imagine her being herself again, now, so many years after her loss and after remarrying -- but with her cheerfulness tempered with a lot more wisdom and the pain of having gone through loss like that. I think the second Marcille actually tells her what happened in the dungeon, she'd want to go running to her daughter again -- if Marcille tells her the full truth instead of just being embarrassed she let things get that far. (oh, the tragedy of her wanting to be more like her mother and an accomplished adult who doesn't need to be babied... being embarrassed to actually tell her mother how much she fucked up...)
There's also the tension of her having remarried -- I know that there's at least a little bit of resentment that Marcille harbours about that, because she's childish like that at heart even if she makes an effort not to externalize it. I think that her mother would be aware of that, potentially adding to her sense of guilt and apprehension at trying to reappear/intrude on Marcille's life. I honestly don't think Marcille has met her stepfather -- or even considers him a stepfather rather than "mama's new husband" and kind of a total stranger. I think she and her mother actively don't talk about it in their correspondence, like an elephant in the room.
but, ultimately, I think her mother is on her side no matter what. Ancient magic? Dark necromancy? Sure, she'll feel guilty and like she was partially responsible for setting Marcille down such a painful path, but she wouldn't care. that's her daughter!! she would've moved back west and been petitioning for her at the court, buying a house right next to the Canaries barracks and visiting her every day that she wasn't on a mission. And if her husband had opinions on Marcille becoming a "dark arts user," he either gets over it or it's divorce with him. Yes, she might have had her optimism completely humbled by losing Donato like that -- but she's still headstrong and self-assured and she doesn't care what people think of her. It's her way or the highway and she's always going to be in Marcille's corner.
(She also needs a name lol. I went with Juno, just to be cute about "Marcille"s closest real life equivalent being Marcella, which is the female version of Marcellus, which in turn is a diminutive of Marcus, which was derived from Mars. Absolutely in love with Marcille potentially being named after Ares/Mars the fucking god of war btw)
#asks#she could easily be interpreted as distant or neglectful after Donato's death too#with how little involvement she has in Marcille's life/the fact that Marcille doesn't even mention her when talking about her life prospect#and that's fair! I will argue to hell and back that she was a loving parent when Donato was alive#but there's nothing that suggests she remained a loving parent afterwards#I just think that like... parental relationships are so complicated in dungeon meshi#you cannot deny that the toudens' mother loved them dearly but that she failed them both miserably as a parent#and i think it'd be more compelling if Marcille's mother was a little like that too#not a totally and easily dismissable deadbeat#but someone who truly loves her daughter but was only human herself and couldn't be what Marcille needed at a crucial moment#and regrets it deeply#and that the distance between them is mutually self-imposed by complicated feelings of guilt and fear#and a little resentment from Marcille's side that she hasn't really properly processed#I don't know if I'll ever get around to writing it but i had this idea where Marcille does finally spill the beans to her mom and she just#immediately arrives in Melini#and its awkward for a bit but they do finally have a heart to heart and air it all out#and marcille starts freaking out that her marriage is rocky rn bc her new husband wants her to distance herself from marcille#on account of the crimes and all#marcille's like no you can't blow up your marriage for me and her mother just shuts that shit down#'you didn't choose to be born. i was the one who made that choice for you'#'i brought you into this world and i'll be damned if i don't take responsibility for that the entire way'#'you are entitled to *nothing less* than my unconditional love.'#and obviously that's not a sentiment that's exactly healthy as a universal statement about parenthood#but i think its what her mother would believe and what marcille needs to hear#and dungeon meshi does such a fantastic job at just... letting imperfect things just *be* without having to justify it immediately#it expects the audience to do their own critical thinking#and know that its not trying to make sweeping universal statements in every instance#marcilleposting#marcille donato
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