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#nine for the tomb and for all that was lost
taomubiji · 9 months
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lasenbyphoenix · 1 year
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shredsandpatches · 1 year
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I spent way too much time on the drive back to St. Louis from Michigan contemplating voice casting for an opera of the Locked Tomb series, you know, if that were physically possible to do. Didn't get very far because I couldn't decide what voice part Harrow would be (she and Gideon should be different voice types/parts but I can't picture either of them as a soprano really)
(I haven't even read Nona yet, I've been busy running around like a headless chicken at the new job)
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wandringaesthetic · 1 year
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A thing I appreciate about The Locked Tomb is I think it would be almost impossible to adapt
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kdramacrybaby · 2 years
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On episode 40, and I just realized I still have no idea what the deal was with that ghost train in the beginning? Either they haven’t explained, or I missed it somehow…
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mayasaura · 2 years
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So I noticed something in Harrow the Ninth. In chapter two, when John is trying to console Harrow over having lost Gideon, he puts his hands on her shoulders, and he says "Gideon Nav did not die for nothing."
Harrow feels "a hot whistle of pain run down [her] temporal bone," which is, we know now, Harrow having a stroke as her skull alters her brain so that she hears him say 'Ortus Nigenad' instead. And she replies to him in kind, using Ortus' name. So the interesting bit is John's reaction, look:
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He had his hands on her shoulders the whole time. Physical touch negates lyctoral blindness, and she had a stroke while he was touching her. That look on his face. Is he working out an emotionally taxing anagram, or is he taking a good look at her and working out what the hell just happened? Then he says Gideon's name again, like he's running a test, and Harrow has another stroke. That's exactly the same test Mercy performed to figure out what Harrow did to her brain in chapter twenty-nine.
He knows. He's known about the lobotomy since chapter two. He thinks she did it to forget her grief and guilt, and he thinks he understands.
Which means when he 'notices' the lobotomy in this scene:
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He's not really noticing it for the first time at all. He's calling attention to it. He's just told Harrow that she didn't open the Tomb, that she's wrong about the events of her own life, and then he deliberately 'discovers' and points out her brain damage to seal the deal.
John Gaius uses: Gaslight! It's super effective.
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katakaluptastrophy · 2 months
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"I’ve already pretty much revealed that Alecto begins with the descent of Christ into Hades." - Tamsyn Muir
That's right...it's time for more Bible study for fans of weird queer necromancers!
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It's currently Holy Week, the week where Western liturgical Christians reenact the events of Jesus' death and resurrection in real time. And today, it's Holy Saturday. So Jesus died on the cross on Good Friday. He rises from the dead on Easter Sunday. But what happened in between? His body lay in the tomb...but his spirit was otherwise preoccupied. Because on Holy Saturday, Jesus went to Hell.
But why would Jesus go to Hell? Because the resurrection was not just about saving the people who came after it - it was a bit more...wibbly wobbly, timey wimey.
To be a bit more specific, he didn't visit Hell Hell. The place Jesus visited isn't Hell in the sense of eternal punishment of the damned, but Hades or Sheol or the Underworld or Limbo - a place for those who were mostly good but lived before Jesus' resurrection had made salvation possible. So before his resurrection, Jesus went to make that salvation retroactive. Particularly, according to tradition, to major figures from the Old Testament, including Adam and Eve.
So Nona the Ninth ended with Harrow walking off into the River in search of theological truth. And Alecto the Ninth apparently begins with Harrow in Hell:
Alecto the Ninth, ACT ONE HARROW IN HELL CHAPTER 1 At a point in the slit she was carving through life, Harrowhark Nonagesimus woke to find herself lost in a dark wound. She had been walking when it had all gone black– any path ahead or behind was blotted out; now she was here.  - Tamsyn Muir reading at TorCon
This is riffing heavily on the beginning of Dante's Inferno:
"In the middle of the journey of our life I came to myself within a dark wood where the straight way was lost." - Dante Alighieri, Inferno
But lots of people go to Hell. What's so special about Harrow going there? Because the traditional name in English for Jesus' chthonic salvation adventures on Holy Saturday is "the Harrowing of Hell." "Harrow" comes from an Old English word meaning to attack or despoil - a very martial way of expressing the idea of Jesus as the victor over sin and death.
Harrow ended NTN realising that she cannot trust John's account of metaphysics. That she needs to discover the reality for herself. The faith of the Nine Houses and John's own styling as god rests on the foundation of the Resurrection - John is the "ransomer of death, scourge of death, vindicator of death", his power is understood to be absolute: "Let the whole of everywhere entrust themselves to him. Let those across the river pledge beyond the tomb to the adept divine."
And yet even that prayer - "let those across the river..." - introduces doubt. Magnus jumps in to silence Abigail when she expresses her heretical belief in the River beyond, and Harrow herself scoffs that "it has been thousands of years since anybody bothered to believe in the River beyond." Abigail believes that John knows nothing about what exists beyond the River. And what about Hell? In HTN, Ulysses the First is described as "languishing in Hell" after his run-in with a Resurrection Beast. John himself describes the stoma as "the mouth to Hell", "a portal to a place I cannot touch - somewhere I don't fully comprehend, where my power and my authority are utterly meaningless."
In the Book of Revelation - the Bible's account of the end of the world - Jesus holds "the keys of death and Hell". John may have resurrected the dead, but he does not comprehend what is beyond it. Both the destination of the good, the River beyond to which the souls of little Isaac and Jean should have traveled lightly after their short and brutal lives, and the Hell that lies beneath the stoma are outside of his power. He is a few keys short of the full divine bunch. He can manipulate death, but he is not really its master.
And so Harrow walks off into the River to look for something or someone she can call god. Harrow, who shares a name with the defeat of death across time and space. Harrow, who is of the unbroken line of Anastasia. Anastasia was kind to Alecto, who like Eve is the mother of all and like Adam walked on the empty earth with god.
In Orthodox icons, the Harrowing of Hell is depicted with Jesus triumphant, leading Adam and Eve by the hand from their tombs. The traditional term for this image is an anastasis, the Greek term for resurrection. Adam and Eve, whose sin broke the intended shape of reality, are restored to wholeness with god.
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How will Harrow answer her questions about god? What really is beyond the stoma and what would it mean to conquer it? What does it look like, metaphysically, to restore the world of The Locked Tomb to wholeness, and what will it cost?
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books · 2 years
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Writer Spotlight: Tamsyn Muir
Tamsyn Muir probably doesn’t need a lot of introduction here on Tumblr, but for those who aren’t yet familiar with her work: Tamsyn Muir is the bestselling author of the Locked Tomb Series. Her fiction has won the Locus and Crawford awards. It has been nominated for the Hugo Award, the Nebula Award, the Shirley Jackson Award, the World Fantasy Award, the Dragon Award, and the Eugie Foster Memorial Award. A Kiwi, she has spent most of her life in Howick, New Zealand, with time living in Waiuku and central Wellington. She currently lives and works in Oxford, in the United Kingdom. 
We asked Tamsyn some questions about Nona the Ninth, the next installment of the Locked Tomb series, which comes out on September 13. (Mild spoilers ahead. You have been warned!)
Can you tell us about Nona the Ninth? How would you contextualize it alongside the previous Gideon the Ninth and Harrow the Ninth?
The Locked Tomb has always followed a concrete set of rules about whose point of view we’re in—there’s a priority list and a hard if-and-else-if set of codes about who is telling the tale. The priority character is always Gideon Nav herself, but after Gideon the Ninth, in many ways, she gets knocked out of the ring.
Nona is the next rule on the priority list—the next storyteller. Except there are also a bunch of other storytellers popping up in the priority list as she lets her guard down. That’s kind of one curtain I wanted to pull back on The Locked Tomb as a whole. Who’s telling this story? What is the truth as someone else understands it? Which is why, where the last two books have been told very much from the perspectives of the Nine Houses, we’re finally in a setting where the Houses have pulled back, and the truth told is completely different.
You have a knack for approaching the next part of the story from a completely different vantage point, which is deliciously frustrating for the reader. Why do you think this works so well (when really, it sort of shouldn’t)?
Oh, but it does, and it’s been proved to work—just play an RPG! One thing I passionately loved in Final Fantasy IX, my very favourite Final Fantasy at the end of the day, is that one moment you’re with the thief-turned-thespian Zidane and a wonderfully dashing attempt to kidnap a princess in the middle of a theater performance—then you’re with…some very bizarre kid called Vivi…who has lost his ticket and is getting negged by a horrifying rat child. You’re given a completely different lens on a completely different situation in what’s basically a completely different genre. In the same game! There’s a risk of getting too comfortable in someone’s truth—you might want to settle down in a character whom you have learned to understand. But then you have to practice a very radical empathy in settling down in Nona, who just absolutely does not give a shit about swords or empire and, at her worst, can be quite an irritating, materialistic babe in the woods who is WAY too into dogs. Of course it’s alienating. If the experience of being in Gideon’s head was the same as being in Harrow’s as being in Nona’s, there wouldn’t be any point. If different vantage points didn’t work, A Song of Ice and Fire would never have gotten off the ground. Hell, neither would The Iliad. I just sit longer with my vantage point.
After writing foul-mouthed and horny Gideon and acerbic, memory-challenged, and also horny Harrow, how did you approach writing Nona’s character, and what did you enjoy most about the process?
Harrow would hate that you described her as horny. Gideon would be fine with being described as horny. Nona would love to sit you down and talk about all the things that make her horny, at the end of which you are 50% worried that she doesn’t honestly understand ‘horny,’ and 50% worried that she DOES understand ‘horny.’
Nona is my character who doesn’t give a fuck. Gideon and Harrow both give too many. It was fun to write a character who sincerely seeks out love as she understands it, who has a large collection of friends and interests, and has no ambition. And yet what I really enjoyed is that Nona is easily also the most terrifying POV character of the series. 
We meet some old friends in a new place in Nona. What aspect of the familiar characters meeting the unfamiliar world was the most fun to write?
Honestly, the fact that they’re in such a different milieu was fun enough. One is a woman completely out of time, trying to find something to live for; two are dyed-in-the-wool Housers forced to re-examine values they’ve always taken for granted and what the next part of life after death is going to look like for them. All three are fish out of water. And then there’s actually the reader meeting the familiar after two long books about the unfamiliar, and all the ways I hope that’s entirely weird and recontextualizing. And then, for Nona, what’s familiar to us is entirely unfamiliar to her. Writing Nona was like one long experiment with jamais vu.
When Lyctorhood goes south or gets experimented with, we get someone’s mind in someone else’s body. What is it that drew you to writing this Cartesian mechanism into the universe of the Nine Houses?
Oh my God, please do not spring words like Cartesian on me, I have not had lunch yet.
My understanding is that Descartes thought mind and matter were two completely different things and then got stuck trying to explain why they don’t feel like two completely different things. So if someone kicks you in the goolies and your mind forms the thought ‘yowch, my goolies,’ how is that mind-matter gulf being bridged? Minds in The Locked Tomb lose to matter nine times out of ten. (This is linked, not coincidentally, to my experience of psychosis.) Gideon’s mind is constantly in danger of being sucked away into the storm drain of Harrow’s matter. Revenants are minds that have temporarily anchored themselves to foreign matter, but over time the matter exerts itself, and the mind starts to fall apart. So when you get a mind that’s big enough not only to resist the matter it’s attached to but actually to start burning that matter up…well, what kind of mind could possibly be so powerful?? (Significant looks at camera.)
You’ve previously headcanoned the often affectionately named “Jod” as Taika Waititi (which offers up the potential for some delightful space-god-gay-pirate crossover fic, thank you). Do you have any casting headcanons for the other characters?
I have recently admitted to loving Erana James as Harrow, except I don’t think Harrowhark is quite that good-looking.
By the way, I wish I had come up with Jod. Whoever did, well done you. 
We know you’re not allowed to read fanfic for legal reasons, but who would you find intriguing as a ship proposition and why?
I find all ships intriguing. I’ve spent too long in these mines. No ship is too problematic or cracky for me. My only hope is to out-fandom fandom by presenting them with ships more problematic and crack-filled than they do (I will not; fandom always wins). In these tiresome days where ship wars have been taking on airs, as is my understanding, of virtue versus sin (I don’t even know what Bakudeku is and yet I feel sorry for anyone who ships it; I didn’t ship Reylo because it wasn’t messed-up enough and feel the same), I hope the Locked Tomb fandom is just accepting that all shipping is batshit and every ship is just as bad as the next. Gideon x Harrow is just as bad as Teacher x Crux is as bad as Hot Sauce x Cytherea the First is as bad as Camilla x Juno Zeta is as bad as Silas x Every Asht Brother (actually, I wrote the Asht brothers in an unrelated piece that’ll never see the light of day and imo they’ve suffered enough, but). 
I was in the Kingdom Hearts fandom briefly. We shipped people with Goofy. Actually, let’s go with that. Naberius Tern x Goofy. On second thought, please don’t go with that. Goofy had a happy marriage and would know better.
This question has sparked some debate among the editorial team here because we absolutely can’t agree on one. Do you have a favorite character?
Yes. As of twenty seconds ago, it’s Naberius because I can’t enthuse enough over how he and Goofy’s relationship would break down because Babs spends so much money on silk pillowcases to avoid hair frizz. He only needs two, max, but has twenty. I hope Goofy goes on longer and longer adventures with Sora and Donald to try to ignore how his love life is breaking down over Naberius leaving the wedding they were just attending because he saw some other dude wearing the same shirt. Leave him, Goofy!!!
If Nona had a Tumblr, what would it be called, and what would she post?
It would just be a single text post with ‘hi,’ and she didn’t even write it. She dictated to Camilla, then ran out of ideas. Her profile just says ‘nona,’ and it’s a default layout. Nona just wouldn’t see the point of Tumblr, even if you told her there were pictures of dogs: why would you want to see a picture of a dog when you could be near a dog in real life? (I told you Nona was scary.)
Which house would you belong to, and do you see yourself more as an adept or cavalier?
I belong to No House. I’ve never been able to belong to a House. I’ve never been able to sort myself into anything really; I’ve tried, and nothing sticks. I can’t be an adept or a cavalier either, I’m just sitting in the corner glumly eating hot dogs. I guess I’m Hot Dog House.
The Locked Tomb fanart is strong here on Tumblr. Do you have a favorite piece you’ve seen recently?
Every piece I have seen recently is my most favorite piece! I was just in Spain for the Celsius convention, and the most intensely wonderful thing was that I came away with fan art that the fans have done. I don’t know what they’re feeding them there in Spain, but pretty much every fan was just nonchalantly like, ‘I drew this,’ and presented me with the goddamn Sistine Chapel. Someone had, while they were waiting in a queue, just filled a sketchbook with the most incredible work on the fly. Special shout-out to a marvelous flipbook I got where Harrow and Gideon are ducks.
The plan was for Alecto the Ninth to be the third and last book. Here we are with Nona the Ninth and Alecto still set to appear (we are not complaining). How has that process been?
AWFUL!!!!
It took me a long time to let go of the fact that it wasn’t going to be a trilogy; it was four books. I want the story to be done now! For one thing, because I’m really excited about the ending, and for another thing, the longer this goes on, the more of a terrible gremlin I become. The Locked Tomb is very special to me, but also I have five million other stories to write and only so long in a lifetime. I’ve been with this world since 2018, and I am wildly excited to get to all the other places. My editor and I will, I think, shed a sentimental tear on the final page, but also, you haven’t even met Teresa Santos yet, who has kept every gun she has ever loved.
What kind of writer are you? A plotter? A pantser? Do you have any morning rituals that set you up for a day of writing?
Plotter. I envy pantsers and gardeners. This is why Nona being unexpected got to me so much. I don’t actually have any rituals or exercises or anything—it’s important for me to have a specific writing space and a good breakfast. But every book is different. Like, what helped with Harrow was breaking every so often to die in Donkey Kong Country.
Do you have any writing or publishing or life advice for any budding queer sci-fi writers reading this?
I see so many writers—and this may also have something to do with being a queer writer—giving themselves SUCH a goddamned hard time. If I could give any advice to them, it would be to stop beating themselves up so much. I’m really dubious at how there’s this perceived glamorous youthquake to writing— like, that if you haven’t been published by 25 and don’t have BookTok at your feet, you’re a failure—it is so much more important to live your life. I’m so grateful I lived in an era where I could write fanfiction, for instance, and not have the sense that it ought to be my side hustle. You don’t have to have published the world’s most important and meaningful queer SFF story by the time you are 29. You don’t need to have done jack shit. 
I do have one piece of practical life advice because if I have any regrets, it is that for a large portion of my early twenties, I used to consume like six cans of Mountain Dew a day. I don’t think this sparked queer joy. I think it stripped away all my tooth enamel. You will LOVE having tooth enamel in your old age, so stop.
The Locked Tomb is seriously good and gloriously queer, and its continued success will hopefully encourage more publishers to publish more queer sci-fi, all of the time. Do you have any queer sci-fi reading recs to tide us over while we await Alecto? 
Some Desperate Glory by Emily Tesh is coming soon. It should really be called Problematic Gays I Have Loved (this is why they don’t let me title things).
Thank you so much to Tamsyn for taking the time to answer our questions! We’re so excited to see everyone’s reactions to Nona the Ninth when she arrives on September 13!! In the meantime, head over to the #the locked tomb tag for fan theories, fics, and art (remember to filter for spoilers)!
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lulafia · 2 years
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“Nine for the Tomb, and all that was lost.”
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torpublishinggroup · 9 months
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“Two is for discipline, heedless of trial; Three for the gleam of a jewel or a smile; Four for fidelity, facing ahead; Five for tradition and debts to the dead; Six for the truth over solace in lies; Seven for beauty that blossoms and dies; Eight for salvation no matter the cost; Nine for the Tomb, and for all that was lost.”
8-74-13-18 13-343-25-111 8-269-16-10 15-386-33-34 9-209-9-25 14-131-22-34 7-283-11-34 13-283-27-55 9-453-6-17 14-508-25-65 7-212-10-17 14-172-21-153.
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inkdragon1900 · 4 months
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…TAMSYN MUIR IS FUCKED UP.
I just realized the poem at the beginning, the line “Nine for the tomb, and all that was lost.”has a McFreaking double meaning.
Not only is it the Earth/Alecto
But it’s Harrow and Gideon, the last of their generation of the ninth house.
“For the tomb” is Gideon since she was literally born as a sacrificial lamb to open it.
“And all that was lost.” is Harrow because her parents killed 200 children of the ninth house to make her.
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Nine for the Tomb, and all that was lost
It's been way too long since I last drew anything , so three days before my exams seems like a wonderful time to pick up my pens again.
I did take some creative liberties with the Ninth's Skull, but well, here it is! (The brain-rot is REAL)
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Should I do all the House skulls?
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lasenbyphoenix · 1 year
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shredsandpatches · 1 year
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Spent way too much time contemplating whether or not this juxtaposition was intentional (some of the other pop culture references in the puzzle made me think maybe)
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theglamorousferal · 4 months
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Some Uzushiogakure/Danny Phantom shit for y'all
What if Kushina felt when the barriers fell at Uzushio?
What if it sent her sprinting as fast as she could towards her first home?
What if she made it, but after the city had fallen?
What if in her grief and rage as she sat amongst the blood of her people, her family, she activated a long forgotten seal buried beneath the city?
The blood seeping through crevices to channels, flowing down the intricate seal and finally dripping down into a tomb.
Drip.
Drop.
Her chakra, her rage, the power of the Nine Tails as he relishes in her anger shines like a beacon from the center of the village.
It too seeps through the cracks.
All the way to the tomb.
Bright green bursts through the cracks beneath the lid.
______________________________________________
Kushina's rage whipped a storm about her.
The rain hid her tears as it pelted her small form, knees scrapped from when she landed hard on them.
She screamed, bending forward until her bare forehead-
The threw it so hard it lodged itself in the column of the Gates of Konoha when they tried to make her stay.
was pressed to the ruined mosaic of the village center, pounding her fists against the ground.
A sudden chill, the heaviness in the air of someone holding carefully leashed power, and a gentle hand on her shoulder.
"Child, what happened here?"
She jumps into a ready stance, a kunai in each hand.
"Who are you?"
Green. That's the first thing she notices, brighter than the leaves of any tree in Konoha.
White, then black. His hair floats as if in water and his armor appears ancient, older than the Warring Clans era. He wears no headband, but a circlet that appears made of ice. He is also floating about a foot above the ground and the rain seems to pass over him as though his mere aura kept the downpour away.
"I have many names, but of all I prefer Danny."
Kushina blinked. "What are you?"
The being, Danny, seemed to ponder for a moment. "I suppose the closest thing you would have here is a god."
That would explain the power and the fact my hair is all on end.
She licked her lips for a moment. "What are you the god of?"
"Protection, longevity," he pauses for a moment, uncertain, "Death."
"A shinigami?!" she hissed "I should have expected one to be here."
"Again I'll ask, what happened here?"
Kushina's face went entirely blank as she set her arms by her sides, hands still clenching the kunai in a white-knuckled grip. She looked out over the ruins of her birthplace, her home.
"Uzushio fell. I don't know yet who did it, I just felt the barriers fall and by the time I got here, it was deserted."
The being watched her, bright, bright, almost too bright, green, flickered across her, eyes settled on bright red hair.
"You are an Uzumaki, are you not?"
She jumped and turned back to the being. "Y-yes."
Danny grinned and began to float towards the Kage's office. "Well, not all is lost. It may have been a long time since I was sealed, but I should be able to find everything necessary. First I'll have to find the cardinal points seals to set the foundations back together, and then we'll get about the resurrection seals."
"R-resurrection seals?!" Kushina stumbled after him, entirely out of her element for once.
"Oh, yes, I forgot to mention, one of my many names."
"And what's that?"
A smile with too much teeth and vengeance behind his eyes turned back to her.
"Uzushio."
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briefpiratewitch · 7 months
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Ok to all the people who are fans of Percy Jackson and the Percy Jackson universe have you ever wondered what the chronological order of the the books are, because I have. And guess what... I figured it out :) It took a long time and I had to ask for some help from a friend but I got there. I am about 90% sure this is right and there is also his new book that hasn't been released yet that comes after The Chalice of the gods: Wrath of the Triple Goddess. I no virtually nothing about this book but I'm really look forward to it. I also included a few short stories from his side books. And so I now present you all the books in chronological order:
The Diary of Luke Castellan (The Demigod Diaries)
The Lightning Thief
The Sea of Monsters
The Titans Curse
Percy Jackson and the Olympians the Ultimate Guide
The Stolen Chariot (The Demigod Files)
Battle of the Labyrinth
The Bronze Dragon (The Demigod Files)
The Sword of Hades (The Demigod Files)
The Red Pyramid
The Throne of Fire
The Last Olympian
Percy Jackson and the Singer of Apollo
The Staff of Hermes (The Demigod Diaries)
Son of Magic (The Demigod Diaries)
The Serpents Shadow
Demigods and Magicians
Brooklyn House Magician's Manual
The Lost Hero
The Son of Neptune
The Quest for Buford (The Demigod Diaries)
The Mark of Athena
The House of Hades
The Blood of Olympus
The Greek Gods
The Greek Heroes
The Sword of Summer
The Chalice of the Gods
Wrath of the Triple Goddess?
Hotel Valhalla Guide to the Norse World's
The Hidden Oracle
The Hammer of Thor
The Ship of the Dead
9 From the Nine Worlds
Camp Half-Blood Confidential
The Dark Prophecy
The Burning Maze
The Tyrant's Tomb
Camp Jupiter Classified
The Tower of Nero
The Sun and the Star
The part I'm unsure of is the The Sword of Summer and the books under it. The first reason is because of all the new books Rick has released lately and the second is the fact that ToA and MG happen around the same time. I would not recommend this order to people reading the books for the first time but for long time fans I challenge you to try this. Hope you enjoy this either way.
Adiós! ;⁠)
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