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#musical artillery
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EDIT:
Here is the original artist: https://www.deviantart.com/flick-the-thief/art/vocal-warm-up-981201831
Thank you for the provenance, @blackbirdsgift!
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stylistic-nightmare · 10 months
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Artillery - Equal at First
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ithisatanytime · 6 months
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(DJ Portable Artillery Aimed At A Police Station)
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luisfilipe · 1 month
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(AI Artificial Intelligence)
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oddhellscape · 6 months
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song of the month tbh
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ariaste · 9 months
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The Magic Trick You Didn’t See: Being An Analysis of Good Omens Season 2
(or: Neil Gaiman, Your Brain is Gorgeous But I Have Cracked Your Sneaky Little Code And Have You Dead To Rights*) (*Maybe)
***
Soooooo I just spent the last 48 hours having a BREATHTAKING GALAXY BRAIN EPIPHANY about Good Omens Season 2 and feverishly writing a fuckin16,000 word essay about the incredible magic trick that @neil-gaiman pulled off. 
Yes, it’s long, but I PROMISE your brains will explode. Do you want to know how magic works? Do you want to know what Metatron’s deal is (I’m like 99% sure of this and it’s EXTREMELY FUCKING GOOD)? Do you want to know about the Mystery of the Vanishing Eccles Cakes and the big fat beautiful clue I found in the opening credits? Do you go through the whole inventory of Chekov’s Firearm & Heavy Artillery Discount Warehouse? 
Here is the essay, go read it: https://docs.google.com/document/d/193IXS11XN46lziHRb6eUpM17yK0BQkRqke1Wh64A_e0/ When ur done u can tell me I’m an insane crackpot, and u know what, i won’t even be offended
In case you don’t know whether you want to bother reading the whole enormous thing on google docs, I’ve put the first couple sections of it under the cut. JUST TRUST ME OKAY, HEAR ME OUT, THIS IS VERY EXTREMELY COOL, NEIL IS GOOD AT HIS JOB--
Proem
A dark theater. The rustling of the audience: clothes, breathing, whispers of anticipation. The lights come up. A man enters, stage left. He is a magician—a master magician—and he performs for you a magic trick so good and so subtle... that you don’t even notice you’ve seen it. 
You know there must have been a trick—after all, you came to the theater to see a trick performed, didn’t you? And he claims to be a magician. So there had to be a trick somewhere. There had to be.
But maybe there wasn’t. Maybe there was just a man on a stage, talking to you, telling you a story with a strangely unsatisfying ending you didn’t quite understand. 
I know. This is a weird beginning to an analysis essay. But hear me out, because I have to explain the mechanisms of the stage before I can show you what the trick was, where the trapdoor was hidden, and how Neil Gaiman pulled the whole thing off so gently and elegantly that you didn’t notice a thing. Ready? Here we go.
The Facts As We Know Them
Let us begin by establishing a baseline—some fundamental, logical assumptions that underpin the magic trick. These will seem obvious as soon as I say them, which is precisely the point: They are self-evident, loadbearing foundations for my entire argument, and if I don’t point them out, I’m going to sound like a crackpot conspiracy theorist. (Which! To be fair, I might be. I could easily be wrong about all this—but I don’t think I am.)
Our baseline, loadbearing assumptions that preface my Grand Unified Theory of Season 2: 
1. Neil Gaiman is extremely good at his job.
2. Neil Gaiman loves these characters and wants with all his heart to do them justice; likewise, he has a great deal of respect, love, and admiration for Terry Pratchett and is striving VERY HARD to write the show the way Terry would have been happy with.
3. The devil, as they say, is in the details: Neil Gaiman and the entire Good Omens cast/crew are fully capable of doing extremely subtle detail work, as conclusively proven in Season 1 Ep 6, specifically the whole sequence of the body-swap scenes.
With me so far? Great.
The Elephant In The Room
Season 2 was... odd. It was odd, wasn’t it. This isn’t a matter of whether you loved it or hated it—there was just something odd going on.
I spent the entirety of my first viewing very much enjoying myself and being very happy to be back with these characters and this world, but I was also liveblogging to my groupchat as I went, and a theme soon began emerging:
“Neil, what are you doing? Where are you going with this?” “What in god’s name is going on here? I’m so lost lmao.” “What is going on with the music situation?” “WHAT ARE YOU DOING HERE NEIL” “zombies, ok, I trust u to pull this all together in the end, Neil, but I still don't know what you're up to” “What is going on LOL” “Incredibly what is going on here” “NEIL! WHAT IS HAPPENING!” “Literally what is happening” “Neil Gaiman why have you constructed a regency au for mystery VIBES reasons” “just????????? lesbians????????? dancing what's HAPPENING. just all the background characters are gay here ok sure sure sure NEIL GAIMAN WHAT IS HAPPENING--” “mmmmmmm neil what u doin”
All these are copied verbatim from my liveblogging, and apparently I am not the only one to have this reaction. And to be clear, I was having a good time! I came out to this theater to see a magic trick, and this Neil Gaiman guy on stage is a master magician—but I didn’t see the trick, even though there must have been a trick. 
At first, I wasn’t sure how I felt about the season. I wanted to like it! Indeed, there were many things that I liked about it! But I felt a bit muddled and jumbled up and confused—I felt like there was something I didn’t understand about it, and so I couldn’t yet understand how I felt about it either.
I started chewing on this question in a friend’s DMs: Why is season 2 so fucking odd? What is going on here, Neil? What are you up to? The matter of whether he was up to something was never in question. I knew that he had to be up to something. Writers are always up to something, and as I watched season 2, it was as if I was watching Neil scamper around the room with a mischievous expression as he messed with things here and there and made little tweaks and adjustments to the arrangement of all the Chekov’s guns he’s stockpiling on the mantelpiece. 
You see, Season 2 has some very bad writing in it. HANG ON, DON’T ARGUE WITH ME YET! THIS IS NOT A JUDGMENT CALL!! This is the rug that the trick’s secret mechanism is hidden under!!! This is the hidden mirror that makes the trick work!!!!! This is the trapdoor in the stage!
Yes, of course I will explain myself.
Neil Gaiman is a master magician, but I am a pretty damn good magician myself—I’m a professional fantasy author who has published nine books, and I teach workshops for apprentice writers online and at universities—and if there is one thing I have learned about the process of achieving mastery of your craft, it is this: 
Regardless of what medium they’re working in, the apprentice artist is concerned primarily with achieving realism via an expansion of their control—control of their brush strokes as they paint a photorealistic eye; control of their deck of cards, the mechanisms of their magic tricks, and where the audience’s attention is being directed; control of all the little factors of voice, plot, character, setting, suspense and surprise that go into writing a good story. However, the master artist has achieved that control—so much so that it often looks effortless to an untrained eye—and sometimes the master artist returns to a messy, amateurish style simply because they have control even over this too. 
As an example, consider Picasso and his entire body of work. He begins as an apprentice focused on achieving control, doing portraits of people that look like people—like what we expect a portrait of a person to look like. Then, as he grows in skill and gradually achieves mastery, he pulls away from realism. He develops a style, he experiments with faces that don’t look like any human alive  colored in ways that do not appear in nature. He expands his control. His work becomes abstract. Towards the end of his life, he starts experimenting with what’s called “Naive art”, something that a 5 year old could theoretically draw... but you have to achieve mastery before you can do it on purpose and have it look good. 
On one hand, Neil Gaiman is extremely good at his job. On the other hand, Season 2 has bad writing in it.
What does that tell us?
Well, we know from our Baseline Assumptions that Neil Gaiman is simply too good of a writer to fuck up through garden-variety clumsiness and lack-of-control the way an apprentice writer would. Additionally, he cannot fuck up by accident in this case because I am positive that the man is scrutinizing his work on Good Omens far too closely to let anything slide—for Crowley and Aziraphale’s sakes, for David and Michael’s sakes, and especially for Terry’s sake. The stakes are sky-high, and he cares too much to write a weird, kind of “bad” season by accident.
Which leaves only one option: He did it on purpose.
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(Am I sounding like a crackpot conspiracy theorist? Baby, you ain’t seen nothin’ yet. I’m gonna get SO MUCH MORE CRACKPOT.)
If he did it on purpose, then the natural question to ask is: WHY!?!?!??
It’s a great question. Not “Why?” in terms of why he as an individual person with emotions would decide to do that, mind you. More like, “What purpose does this serve for the structure of the narrative?” There is a story he is intending to tell, and out of all the choices he could have possibly made, for some reason this one was necessary and correct in order to achieve that end goal—so what was that reason?
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See? Intentionality. He knows exactly what details he left in, and he did it on purpose. (Editing! It’s important!)
So there has to be a reason. It’s like when a master magician “casually” rubs an itch on his nose—why did he do that? What is he sneakily slipping into his mouth by hiding it under the excuse of this little gesture that does not even register to you as meaningful? (If you haven’t watched enough stage magic to know what I mean, watch this.)
This question is, of course, impossible to simply answer out of thin air without any further evidence. It is a dead end—so we must adjust the question and come at it from a different angle.
The one I settled on when I was chewing on this was: Well, okay, what do I mean when I say “bad writing”? What is it about S2 that makes it feel so goddamn odd?
The Pledge, The Turn, and... The Conspicuous, Expectant Silence
There are three parts to a magic trick: Pledge, Turn, Prestige. 
First, the Pledge: You show the audience something ordinary. Second, the Turn: You make that ordinary thing do something extraordinary, like vanish. Third, the Prestige: You bring the ordinary thing back.
To quote the 2006 film The Prestige just after its explanation of the first two parts: “You want to be fooled. But you wouldn’t clap yet, because making something disappear isn’t enough. You have to bring it back.”
You have to bring it back.
When I teach apprentice writers, I call this a “setup-payoff cycle”. Achieving control and dexterity with this tool is crucial, because the setup-payoff cycle is the engine of the story—it’s what makes the story run. You can have a setup-payoff cycle at any scale—I have read ones that were a single sentence long; I’ve read ones that were two books long. Additionally, all jokes, no matter how long they are, are structured on a setup/payoff cycle. These cycles work precisely the same way a magic trick does:
You set up the audience’s expectations. (Optional but generally considered stylish and elegant: You give those expectations a firm jolt to throw the audience off-balance.) You pay off the audience’s expectations in a way they weren’t expecting, while saying “TA DA!!!!” really loud with your arms flung wide.
Audiences really like this. A setup-payoff cycle executed just right makes the audience’s brains light up like Times Square and hammers on their mental “reward” buttons like nothing else. It’s like you’ve personally handed them a cookie and a gold star. They go wild for this.
Here’s an example of a setup-payoff cycle, though it’s not a perfect one—and you’ve probably heard it before, so you’re not going to be throwing chairs and tearing down the theater from sheer glee:
The Setup: Knock knock. Who’s there? Banana. Banana who? The Jolt: (the joke starts over and repeats several times without reaching the payoff (aka the prestige) while the audience grows more and more annoyed and frustrated about the unfulfilled expectations, until finally...) Knock knock. Who’s there? Orange. Orange who? The Payoff: ORANGE YOU GLAD I DIDN’T SAY BANANA?
Good Omens Season 2 feels so fucking odd because the setup-payoff cycles are incomplete—nearly all of them are, and the ones that do close the loop do so in really weird ways which, as a professional author, make me feel kind of, “Bwuh?????? But where’s my cookie? Excuse me??? Sir???? Neil????? My cookie, tho???”
When I realized this, when I finally put my finger on why the whole season was giving me some uncanny valley heebie-jeebies, a chill ran down my spine. (The rest is here: https://docs.google.com/document/d/193IXS11XN46lziHRb6eUpM17yK0BQkRqke1Wh64A_e0/ I’M GOING TO GO STARE INTO THE ABYSS NOW BYE)
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tvlbct · 1 year
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tag drop.
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shananys · 1 year
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New Gallery Round: Amadour at Lauren Powell Projects Hard-edge painting has rarely been so romantic—or had such an enchanting soundtrack. Visual and musical artist Amadour’s exhibition of breezy architectural abstractions, “Echolocation” (even the name evokes a merger of sound and space), explores the recurring motif of stately archways framing views of bright Pacific horizons. Read the full review at Artillery Magazine: https://artillerymag.com/gallery-rounds-amadour/ And catch the exhibition at its closing event Saturday March 18, featuring the artist's original song stylings live. @artillery_mag @amadour_ @laurenpowellprojects #art #painting #artist #event #amadour #music #performanceart #galleryrounds #artillery #artreview (at Lauren Powell Projects) https://www.instagram.com/p/Cp3rdGiv7d8/?igshid=NGJjMDIxMWI=
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aquaticsasquatch · 1 year
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(HIMARS! HIMARS!) For boys and girls!
(HIMARS! HIMARS!) Rusnya will go to hell!
(HIMARS! HIMARS!) Under the thunder of your trembits, the first flower of cotton flies!
(HIMARS! HIMARS!) Love everything you do!
(HIMARS! HIMARS!) Let's burn the horde!
(HIMARS! HIMARS!) From night to dawn, let the ghouls burn!
Chorus translated from Ukrainian to English.
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yasminebahng · 2 months
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skz and how they give you physical affection
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notes: some fluff for yall after the angst of my last post ;) was waiting for my lecture to start and suddenly started thinking... how do the boys love to show their affection physically? then started day dreaming and yeah.. enjoy! cw: reader x ot8, mentions of kissing, mentions of showering/bathing together, gn reader
‧₊˚ ✩°。⋆♡ ⋆˙⟡♡ ⋆˙⟡♡⋆。°✩˚₊‧‧₊˚ ✩°。⋆♡ ⋆˙⟡♡ ⋆˙⟡♡⋆。°✩˚₊‧‧₊˚ ✩°。⋆♡ ⋆˙⟡
Chan: Resting on you
God knows this man needs a break. When he's exhausted after dance practice or doing interviews all day, the only comfort he can find is in you. He'll trudge over to you, head bowed down, his eyes droopy with sleep and just collapse into your open arms. This happens very frequently actually. When he's working on music, he'll bring his laptop with him while he lays on your chest. He knows he cant be around all the time, and when he is around he's usually busy, so he's grateful that you embrace him while working (I mean, he needs some lovin too.) He'll let you know its time for bed by kissing your arm that's usually resting on his chest or playing with his curls. The rest of the night is spent with cuddles and giggles.
Lee Know: Tracing his fingers on your skin
Lee Know is notorious for avoiding skinship. Out of respect for him, you allow him to initiate it most of the time. Whether it be kisses, hugs, or cuddles, you let him take the reigns. Except for when you ask when you're feeling needy, most of the time he will oblige. So whenever he doesn't really want to kiss or hug, he will draw figures or words on any exposed skin. You find that he does it subconsciously when you both watch movies on the couch or are falling asleep in bed. That's actually the way he told you he loves you the first time. He traced the words on your arm while you spoke, thinking you wouldn't catch it. But you did. You always paid attention when he did that. So you picked up his palm, making eye contact with him the whole time, and traced the words back. The whole day was spent with kisses and arm doodles.
Changbin: Bear hugs
Binnie is so touchy in general but his personal favorite in his artillery, are huge hugs. Whenever you guys go out on a date, he'll wrap his arms around your shoulders and waddle behind you. Even when you watch him at dance practice, during breaks he'll chase you around and hug you (much to your dismay, since he's all sweaty.) He loves encasing you and knowing you're safe with him as much as you love the warmth of his embrace. He'll squeeze you so tightly, honestly to the point of suffocating. Whenever you return the favor, he melts. Feeling your arms around him is the greatest comfort, especially when he's had a really hard day.
Hyunjin: Hand worship
Having hands on the larger side, Hyunjin loves looking and feeling your smaller ones in his own. He'll make fun of you sometimes, calling them baby hands even though they're a normal size but I digress. Sometimes when he paints, he'll turn to you and ask for your hand to hold. You smile at him and give it to him and he'll bring it to his lips before intertwining his fingers with your own. If he's feeling especially playful, he will start to paint on it. Landscapes, flowers, even Jiniret. It feels so intimate when your fingers dance around together, exploring each other.
Han: Kisses
This man has some juicy lips and he is not afraid to use them. He will find any excuse to kiss you. ANY. "Aw, you had a bad day? Here, my lips will cure you." "Oh! You had an amazing day? Let's make it a better one." Before he showers your face and neck and shoulders with kisses. His personal favorite place to kiss you is your forehead. He'll rest his head against yours and find your lips, slowly molding them together. Then, after a dizzying and heart melting kiss, he'll leave a trail of them until he finds his lips on your head. You'll close your eyes, savoring the warmth of his body pressed against yours. One time, his kissed your head for so long it left a hickey on there. When he pulled away and saw the angry purple mark, he collapsed on the floor laughing and you looked at him like he was crazy. Until you found a mirror. And you became the crazy one. He did not kiss your head for a while after that.
Felix: Massages
After a long, exhausting day at work, all you want to do is go home, shower, and cry. Thankfully, your caring boyfriend has better plans. Felix loves doing acts of service. If he knows you're not in high spirits he will take your bags at the door, help you take your shoes off, and run a bath for you while you grab yourself something to drink. You'll walk into the bathroom that's thick with steam and see that the candles on the tub are lit and Felix is hunched over, checking the temperature of the water. He'll help you change out of your clothes and lower you into the tub. He has bought several lotions and oils because he loves massaging you so much. He'll spread it over your shoulders and squeeze softly but firmly. You melt. He will hear your words of approval and feel so giddy that he's helping you and relieving some of your stress. Eventually he will move down to your arms, your legs, your feet. Any part of you he can massage he will. It's as enjoyable for him as it is for you and he loves that he can show his love for you this way.
Seungmin: Spooning
This man is a fiend for cuddles. He will jump at any opportunity to cuddle with you. Whenever he wraps up singing at the recording studio, he will get out of the booth and run to your spot on the couch and pull you into his arms. You try to scold him sometimes, since one or two of the members are usually there, but they don't seem to mind at all. You don't really either. You love feeling his arms around your stomach and your legs tangled together. He will fall asleep sometimes and whenever you'd attempt to get up, his grip tightens and you admit defeat. Don't tell anyone this, but whenever you guys are alone, most of the time he's the little spoon. He loves how you hitch your leg over his hip and have your arm under him (it falls asleep most of the time but you never move or tell him.) He feels safest in your arms.
I.N: Playing with your hair
He discovered how much he loved playing with your hair when you guys were on a picnic date in a field. Your head was in his lap and you were nearly asleep. He was staring down at you and began to stroke your hair and scratch at your scalp. You hummed in approval and it was lights out. After seeing how much peace it brought you, he would always be playing with it. Twirling it between his fingers, asking if he can help apply products, even washing it for you when you guys would shower. He did it for you initially, but then it became his favorite thing in the world. Some days you'd let him tie it into weird styles and with weird hair ties. Some with bows, or beads, or wonky colors. He'd find himself kissing it before bed every night and you could cry at how loved you felt in those moments.
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almostlookedhuman · 1 year
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Artillery - Bombfood
[By Inheritance, full-length, 1990]
Soldier You're not worth a damn Take orders - is all that you can Obey'em They'll teach you every rule Bombfood - you're nothing but a tool
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stylistic-nightmare · 7 months
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Artillery - In the Trash
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ithisatanytime · 6 months
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(DJ Portable Artillery Aimed At A Police Station)
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jayjay-barnes · 2 years
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luisfilipe · 1 month
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(AI Artificial Intelligence)
https://soundcloud.com/luis-flipe-silva-santos/when-the-artillery-comes-oh-yey-by-cat-lf-pn?si=470f8f9e4f164556afb6d86af76ba42c&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
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heartfullofleeches · 7 months
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What would happen if fast food reader tried to quit?
"I quit!"
Fourty minutes in - that's a new record. You're in the middle of a transition with a customer when the newest in a line of new hires comes storming from the back, apron and badge on hand.
"In the single hour I've worked here I've been yelled at till my ears bled, pelted with plastic balls, saw my reflection drown itself in the toilets, and had my wallet and keys stolen."
"I'd say you had an okay start...." You pause for a moment, centered on the task at hand. ".....So will that be cash or card?"
Your coworker stares at you like you've grown antlers which probably wouldn't be the weirdest thing they've seen, but still up there in rankings.
"You're staying?!"
"I can't quit."
Pity flashes briefly in their eyes. "Being jobless is better than whatever this is, but I'm sure there's something else out there."
"You don't understand. I literally can't quit."
Your ex-coworker scoffs. "I know the job market is pretty rough these days, but come on..."
Sighing heavily, you carefully remove your apron- folding and setting at atop the counter along with your hat and badge. Glancing apologetically at the customer, you mutter.
"I quit."
Really, it only took the first syllable for what happened next, but it felt weird not to finish the sentence.
The entrace doors swing to a loud shut. Music playing over the speakers descends into static. Caution tape peals and tears from the walls as management's door pries it from position. Darkness oozes from the cracks as a body presses against the frame. A hand reaches out - pointing behind you.
"So!"
Your ex-coworker and the customer scream. You look over your shoulder at your manager's grinning face as they grip your shoulders.
"Please don't touch me."
Your manager laughs. "Oh, you and your silly jokes. So, I hear someone isn't having the best time. Your little friend is free to go, but you are a valued member of our team, Y/n. Anything we can do to make you stay?"
"No."
Your manager hands their head in sadness, immediately perking back up as they remove their touch from your shoulders. "I see..... Well! We'll all miss you dearly, but we respect your decision. Allow us to give you a portion of your severance in hand as thanks for your service."
"Please don't."
"Lambchop!"
The lights flicker as the freezer door slams into the adjacent wall. They continue to flicker with every heavy click of hooves on titled floors. The hulking figure ducks beneath menu signs, narrowly missing its curving horns getting stuck as it rises to full high. The reds of it beady eyes cast you in eerie glow as it stares - pupils shrunk as it turns. It seems to blink away tears as it snorts.
In a flash, the store mascot picks your ex-coworker by the throat and slams them to down on the counter. It reaches for its belt, sorting the sharpest cleaver of its artillery and sporting it against its prey's neck. Your coworker shrieks and flails, ceasing all movement as warm blood runs down their neck. As your eyes meet, you remain perfectly calm - brows raised in a sort of "I told you so look".
They pathetically beat at the goat demon's arm. "What the fuck.... what the fuck?!"
Your manager clicks their tongue. "I do apologize, but it's in their contract. Money is important, but we value something more here. As payment for self-termination from our team, Y/n here is to receive the beating hearts of everyone in the building in loo of breaking our own unless... they've changed their mind."
You shrug. "Long as you're still cool with my taking cash from the registers."
"Wonderful! Lambchop, could you please let the spoiled meat go? I'm afraid they won't be any good trying to posion our dear Y/n like that and I doubt they'll even make it out of the parking lot."
Your coworker scrambles for the door as soon as they're freed. Their blood, which you refuse to clean, paints the front door seconds later. Your manager sighs.
"Now that that's out of the way, please see to comforting Lambchop. You know how they get when you threaten to leave."
You look over at the mascot would bleats softly as they knock their head gently against the side of yours. You pet their horns as you throw your hat back on.
"Come on, Choppy. You can feed me fries in the breakroom."
Lambchop throws you over their shoulder and heads for the back as your manager takes their leave as well - leaving the customer alone in the main lobby.
"They... never gave back my card."
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