hey so i fucking googled tallulah to see if it was a real name and

someone probably said this already but in spiderverse i think it's interesting how when pavitr was first introduced everyone thought something bad was gonna happen to him bc of how confident and optimistic he was. and then in the actual movie we see that something bad was supposed to happen to him (police chief dying!) but it doesn't! miles stops it! and miguel berates miles for this, says it's going to cause the universe to collapse or whatever.

there's this idea that tragedy is inherent to spidermans growth, and while it's true that some spiderpeople learn important lessons through loss, no one stops to ask, is it really necessary? yeah, maybe the chief was supposed to die. but why does spiderman have to be formed through tragedy? why do we (as heroes) have to let people die? pavitr didn't lose anyone, and he's still a good spiderman! maybe, if he doesn't suffer, he'll end up better off for it!

so while miguel is arguing for all this big picture stuff about saving the multiverse he's lost sight of what it really means to be a spiderman, he's not looking out for the real individual people. yeah it's just one person who would die, but that one person means something to someone. shrugging and saying "stuff just sucks sometimes, we can't do anything about it" is the opposite of what superheroes do. pretty obviously, miles arc is also a reflection of the struggles people face in real life, working within unequal systems, where it's easy to shrug and say "that's just the way it is" and not ask "but why does it need be this way? can't we do something about it?"

miguel is arguing that you can't have your cake and eat it too. presumably, miles and co. are going to find a way to get around that and change things for the better (and maybe that's why miles has that line about two cakes in the advisors office!)

you know, i can handle a little bit of fun "Nandor is dumb" talk, but i have a net-zero tolerance for any implication that Nandor is not educated.

Nandor would have been incredibly educated in his lifetime.

even (or especially) as a soldier in the Islamic World. being a soldier was more like getting sent to boarding school that's also a military camp. they weren't just concerned with creating loyal fodder for war. they were building the next government officials, generals, accountants, advisors, etc. it was important that young men knew how to read, write, speak multiple languages, learn philosophy...sometimes even studying art and music was mandatory.

if he was nobility (and its most likely he was), take all that shit and multiply it exponentially. Nandor would have been reading Plato at the same age most people are still potty training. he would have been specifically groomed in such a way to not be just a brilliant strategist and warrior, but also diplomate and ambassador of literally the center of scientific and cultural excellence of the age.

so like yeah, he can be a big dummy sometimes, sure. but that bitch is probably more educated than any of us will ever be.

He was about to kill you, Lex. Or divulge something you didn't want me to know.

— SMALLVILLE, "Forever" (4.21)

+ bonus from "Arctic" (7.20):

(last images sourced from this wonderful post)

Voy + Textposts 11- Special Chakotay being a hater edition!

(Voy + Textposts 11) + (Voy + Textposts 13)

you know, I actually think the moment byleth steps in front of that blow meant for edelgard, an action that changes EVERYTHING about their fate, really is monumental, especially after warriors came out and added context

you have this mercenary who’s known for being stone cold, emotionless, and who can annihilate entire mercenary camps in minutes blank faced, as we saw with shez - by all means, they should never, WOULD never take a blow like that so carelessly for someone they don’t even know, much less with such an angry, determined expression - and yet.

the game draws some clear parallels between byleth and edelgard, and in all routes they have a connection that seems unbreakable - all of this starts at that very moment, when the merciless demon gets swept by a wave of emotion so strong that they throw rationality out of the window.

idk, one of my favourite fe3h analyses mentions the ‘literal divine intervention triggered by edelgard’ and that’s exactly what that moment is. not even because of sothis, but because that’s exactly when byleth takes their first step towards humanity and their freedom - i honestly think that byleth only fully regaining their humanity in crimson flower is the only outcome that makes sense, since that’s exactly what we see in one of the first scenes in fe3h. excellent foreshadowing, I’d say

this is so stupid but i always have fun imagining the milgram characters watching their own/others mvs and seeing their reactions, especially for MeMe

That’s not stupid at all, thank you so much for the ask!! It’s sooo interesting to think about! I planned on just posting this drabble, but the more I thought about it, the more I started jotting down headcanons for everyone 👀 Of course there’s the initial disbelief and shock that Milgram can really do what it claims, but once they accept that, they’d have a lot of interesting reactions…

Es gets to watch the video first, then the prisoners are free to watch their own in the privacy of the courtroom/extraction room/wherever. Other prisoners can watch them only with explicit permission from the video’s singer. No one is allowed to watch Undercover except for Es. At first they spend hours looking at those final frames of themself flinching from the camera, hoping to jog any sort of memories, but eventually they give up on it. While actually watching it, they don’t mind the murder silhouettes. While sleeping, however, it has triggered more than one nightmare.

Haruka: He thinks Weakness is very pretty – he’s amazed seeing himself on the screen and hearing his voice, knowing he’s not that good of a singer. Even before his innocent verdict, it gives him a huge surge of confidence. Once he gets to know the others better, he gives them mv permissions, then stares intently at their faces to see their reactions as they watch it. AKAA scares him a bit, seeing his own intense emotions on screen, and he only gives Muu permission to see it. When he’s alone, Haruka pauses the shots of his mother, just to stare for a while.

Yuno: Laughs at the symbolism her mind used in Umbilical. She’s never shied away from sexual words/thoughts, so it's funny the video was as tame as it was. She thinks the song is fun, and isn’t afraid to show the others and sing snippets of it around the prison. Some days it’s too emotional for her to get into it, but most of the time she tries to display a confident attitude about it. After Tear Drop, she’s satisfied with her anger and more overtly sexual images. If anything, she feels too exposed by the shots of herself looking more vulnerable/sad. 

Fuuta: He experiences a solid mix of embarrassment at the gaming theme in Bring it On and feeling a surge of pride that he looks badass in the knight’s armor. He’s worried the warden won’t take him seriously with the video game obsession, but he absolutely loves the song and thinks it portrays his toughness and ideals well. He’s less thrilled with Backdraft, everything about it unsettles and embarasses him. He’s thrown by the shot of crossing out his own silhouette – he’d had self-harming thoughts, but wasn’t quite ready to confront them so blatantly yet. Like Haruka, he can be caught pausing the arcade shot just for a moment before turning the whole thing off and storming away.

Muu: She has mixed emotions towards After Pain. She hates seeing herself look so weak and pathetic, but it gives her a lot of hope that her story will be understood. She misses her friends, and seeing them again is bittersweet. She closes her eyes at the moment of the stabbing – she’s only gotten the courage to watch it through her fingers once. She watches INMF once, then refuses to look at it again from shame/horror. Despite Haruka’s begging, she doesn’t let him watch it, either. 

Shidou: He asks Es what they saw in Throw Down. Upon finding out his family wasn’t in it, he chooses not to watch it. He believes he already knows all about his emotions and crime, so there’s no need to go through that pain again. He’s tempted to watch it when he’s confused about Es’ verdict, but still holds off. He does watch Triage when informed his family is in it. He spends hours in front of the screen by himself. Only after seeing that one does he watch Throw Down, though he’s still left confused about Es’ decisions.

Mahiru: Absolutely loves TIHTBILWY. She thinks it perfectly describes her situation, and that the song is very cute. She lets others watch it, and unlike Yuno, feels like singing it 24/7. It reminds her of her bf, and she thinks that’s very romantic. Similar to Shidou, she spends a lot of time watching I Love You just to look at her boyfriend. She shows it to everyone, just to show him off and talk about him, even if she does skip over the beginning and end each time.

Kazui: He is very similar to Shidou; he refuses to watch his videos until T2, assuming it would be too painful to watch something he already knows and wishes to avoid. Unlike Shidou, seeing Hinako is far too painful, and he regrets watching it and seeing her so happy on their wedding day. Though maybe he’s still waiting, and hasn’t seen any of the videos yet…

Amane: Magic makes her worry more than anything. She fears she’s poisoned by unnecessary vainness since so much of her video involves cute things, colors, outfits, animals, and is set up like a tv show. She’s also worried that Es and the others will really see her as a child because of how cute the whole thing is. She prevents herself from watching it too many times, but buried under all her fears, it gives her a surge of pride seeing herself so talented and pretty and the star of the show. Purge March only reaffirms her confidence in her crime – the video brings up some awful memories, but it shows her as a leader, a warrior, a hero! It brings her comfort and confidence more than anything.

Mikoto/John: The videos are distressing to both of them, and they spend all their time studying the others’ screentime. Mikoto watches in horror as John does things that line up with his spotty memories, and John panics seeing that his actions distress Mikoto more than they’ve reassured/saved him. John does end up watching his own scenes a few times – it feels incredibly good to appear in a way that Mikoto may finally notice him. He feels seen. Now, logically I think that MeMe would be the final tipping point in which Mikoto finally accepts the situation and his DID, but if I must stick to his canon denial, then I’d say he goes on a whole rant about movie magic andt the crazy things you can do with editing nowadays. He doesn’t have a good explanation on how Milgram found his home and knew so much about him, but he explains everything away as cgi or camera effects. Double manages to sway him a bit more, as he hears John speak so plainly to him. Just as the audience had some debate on who was apologizing at the end of Double, Mikoto and John wonder who is apologizing to whom. Though they both come to the conclusion it’s their own apology, they decide that if it was the others’, they’d accept it and forgive them.

Kotoko: She’s very pleased with Harrow, and is unashamed to show it to the others. Though she’d been able to watch a few of the previous prisoners’ videos, it still shakes her a bit when she realizes that Milgram really does have the tech to look deep inside her. She watches it just a few times – not obsessing over it, but not afraid either. Deep Cover, however, is a once-and-done sort of deal. She claims she’s not letting the others watch it because “they couldn’t handle such harsh but true criticisms about themselves,” but she doesn’t end up watching it anymore herself, either.

Sora’s stupid but well-meaning cartoon brothers/dads/uncles: don’t be sad :) always stay positive

Sora young and impressionable: I will never let you see me sad again or talk about it with you ever, heroes are always cheerful and you don’t wanna hang out with me if I’m not, my sadness is an inconvenience to everyone, got it, I am internalizing this forever

Don't judge a book by its cover. An essay by Mew Pt. 2

Mew in his revenge era went shopping and thought, "you know what screams I'm gonna fuck you up, maybe you'll like it, maybe you won't? Floral/patterned shirts," and proceeded to buy a bunch of those.

BOOK KASIDET as MEW WITSARUT ( ONLY FRIENDS EPS. 7-12 )

Correction: I missed one outfit in ep. 6 and instead of remaking that set, I'll just post it below because it's actually the hottest Mew has looked, so I'm not even upset.

I just noticed Mephisto matches with Barbatos (who is matchy with Diavolo) in the anniversary outfits in his SSR memory card

These three were also the only three who had half masks in the masquerade event!!!

Anyway, The Royals with Mephisto chat group when? We got one for Purgatory Hall with Raphael..... it's just fair !!

And one for Mephisto and Diavolo as well, but also one for Mephisto and Barbatos too. because you can't tell me their relationship isn't deeper than the devs portray when Mephisto has lines like this about Barbatos's room:

Hozier on "Eat Your Young" from his new album Unreal Unearth, releasing August 18, 2023

gregnant

anton belongs to @poicyss

bro why are the asoryuu methaphorically foreplaying every single interaction. first the "you think i cant get you off" then "we both know you cant last even a minute". now in 2-5 ryu tells kazuma to "sheate (his) sword right in front of all these people's gaze" ??? Your Honor why are the two attorneys doing humiliation play during my trial (van zieks probably)

By the looks of it, unlike Naranja/Uva Academy, Blueberry Academy is age restricted since we only see kids as students there. Since Kieran is in class 1-4 and Carmine is in 3-2, it's safe to assume that Carmine is only two years older than him despite being like a foot taller.

Logically Carmine got in first, and then Kieran two years later. So Kieran would've been on his own until then. I imagine he still had no friends during this time; I mentioned it before, but Japanese rural villages like Mossui have a population issue.

In the Higurashi series, which takes place in the 80s, there's less than a dozen kids between elementary and middle school age in Hinamizawa, and they all share a single classroom and teacher. In timelines where everyone gets to live (lol), the school eventually shuts down entirely when all the kids age out and no one replaces them. It also appears that anyone who wants to continue their education has to move out of the village entirely.

I don't think I've seen a teenage NPC in Mossui? When Pecharunt brainwashes everyone in town and brings them to Loyalty Plaza with it, besides Carmine, they're all middle-aged or elderly. The time Kieran was alone was probably when he frequently snuck off to Ogerpon's cave.

Of course, this also means Carmine never had friends in Mossui either. Thankfully she at least has Amarys at school. Until then though, they literally had no one else to hang out with, and they still only hang out with each other when they're home because the situation hasn't changed.

hope i’m not just some guy to you but also that one deranged mdyz enthusiast

extra:

Do you guys remember that Reddit screenshot that was like:

Incel-adjacent guy: the simple fact is that no hot woman wants to get with an average looking nerdy man. That's why guys like me are fucked.

Normal commenter: why don't you try dating average looking women with nerd hobbies then?

Incel guy; what would be the point of that

.......... Sometimes the male loneliness discourse feels a lot like that.