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#mother bear ursa
attackfish · 9 months
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So everybody here knows that I'm notorious for being a massive defender of Ursa, and that I have no patience for the "Ursa was a bad mother, she favored Zuko, and was abusive to Azula and abandoned her kids, and made Ozai abuse Zuko," narrative. That narrative is vile, victim blaming, and deeply stupid on a number of levels.
With that out of the way, I want to talk about some really really bad parenting we see Ursa do during the series. And it is to be clear really really bad.
In the Book Two episode, "Bitter Work", Zuko and Iroh have a conversation:
ZUKO: So Uncle, I've been thinking. It's only a matter of time before I run into Azula again. I'm going to need to know more advanced firebending if I want to stand a chance against her. I know what you're going to say, she's my sister and I should be trying to get along with her-
IROH: No, she's crazy, and she needs to go down.
This scene is a favorite of a certain type of Azula fan who wants to paint Iroh as a big meanie who didn't wave his magic redemption wand over Azula the way he clearly did over Zuko. See? See? He's writing her off here and calling her crazy.
This of course misses the context of that scene, which is that Zuko is taking care of a severely injured Iroh, who was injured by Azula, in what looked a heck of a lot like a murder attempt. Earlier in Book Two, in the episode, "The Avatar State", Azula unambiguously attempts to murder her brother after failing to capture him, and he is only saved by Iroh's quick reflexes.
But let's leave that argument aside for today because what interests me about this scene in the context of Ursa's parenting, is the line Zuko says right before Iroh's infamous declaration: "I know what you're going to say, she's my sister and I should be trying to get along with her."
Because in the context of Zuko and Iroh's situation, where Azula has recently attempted to kill Zuko, and just put Iroh into a coma that Zuko had to take care of him during, in which he has only just woken up from, this line from Zuko actually demonstrates some really warped thinking. It is not a healthy response to the situation at all. And his assumption is that a good caring parent figure like Iroh is going to respond to this situation by telling him that Zuko needs to get along with his sister, who is actively trying to hunt him down and capture or kill him.
So why does Zuko think that? What adult reacted that way to Azula's violence toward her brother in the past? It wasn't Ozai. Ozai is not going to use the language of getting along with one's siblings, when he is so bent on setting them against each other. So who was it?
The show answers this a few episodes before this scene, in the Book Two episode, "Zuko Alone." The answer is clear and heartbreaking: It was Ursa.
The scene in which this becomes plain, starts with Zuko and Ursa walking together. Mai spots them and smiles and blushes. Azula notices, and then turns to Ty Lee, and whispers, "Watch this!"
AZULA: Mom, can you make Zuko play with us? We need equal teams to play a game!
ZUKO: I am not cart-wheeling.
AZULA: You won't have to. Cart-wheeling's not a game, dum-dum.
ZUKO: I don't care. I don't want to play with you!
AZULA: We are brother and sister. It's important for us to spend time together. Don't you think so, Mom?
URSA: Yes, darling, I think it's a good idea to play with your sister. Go on now, just for a little while.
And then Ursa leaves Zuko alone with Azula and her friends.
There is a lot here that I want to talk about. I have in fact talked about this scene before, and what it tells us about Ursa's eagerness to reinforce Azula's seemingly kind and loving behavior: [Link], and even touched on why this is in fact an example of bad parenting from Ursa: [Link], but I think this deserves its own post, where we examine exactly what went on here, what this tells us about Ursa's parenting, and how this affected Zuko, and to a lesser extent, Azula.
In those previously linked posts, I talk about how this is clearly a pattern, that Azula has learned to predict and manipulate, and because we know it's a pattern, we know that this behavior on Ursa's part is repeated, and something her children have come to expect from her. Zuko and Azula know their mother wants her children to get along with each other, and love each other and have a good sibling relationship with each other so much that if Azula she plays into that, Ursa will force Zuko to spend time with his sister, and worse, that time will be unsupervised.
So, to be clear here, what Ursa is doing is giving Azula unsupervised access to her brother, against his will, as a reward for Azula momentarily acting nice. Or in other words, Ursa forces Zuko to spend time with his abuser against his will because she wants them to get along.
I think we can all see how that is some grade A terrible parenting.
And it does have negative effects on Azula. I think that we can see her learning how to manipulate people, learning how to lie and get what she wants from people, and that Ursa by giving her what she wants here, is showing her that this is a thing she can do to get what she wants. That is not a great lesson to teach your kid. I think it also feeds into Azula's possessiveness of her brother, and sense of entitlement towards him. She has learned that even the people who love and care about her brother, won't protect him from her. And she has learned that no matter what she does to him, he is supposed to try to get along with her.
These are some really terrible lessons, and we see some of the effects of them throughout the course of the show, so why is it that the "Ursa is a terrible mother" crowd never bring this up? I mean of course we know why, it doesn't fit their narrative. Their premise is not simply that Ursa is a bad mother, or even that her bad parenting explains Azula's behavior.
In fact frequently it isn't even about finding someone to blame for Azula's behavior, so that the responsibility isn't Azula's. (Which, to be clear is not how it would work anyway, because even if Ursa were exactly the type of horrible mother they said she was, Azula was still making the choices to do Very Bad Things, in the same way that just because Ozai is an abusive father, this doesn't mean Azula stopped being responsible for her own actions). It's more about proving that she has suffered enough that she deserves all the sympathy, and is allowed to be awful to other people, including Zuko, you know, as a treat.
The narrative that the "Ursa is a terrible mother" crowd are pushing is that Ursa didn't love her daughter, and thought she was a monster, Azula suffered so much, and it's so sad, and this is why she deserves to do very nasty things to everybody else, and no one should ever hold her accountable. Frequently there is some flavor of, "Zuko had a mother who loved him, you guys, unlike Azula, so he doesn't deserve sympathy, not like poor baby Azula!" Which is a deeply warped thought process on many many levels, but we're not going to go into that here.
The point is, that this type of bad parenting that I am pointing out here, doesn't fit this narrative, because this is not the kind of parenting mistake that a mother who doesn't love one of her children, and thinks that child is a monster, is going to make. This is the kind of mistake that a mother who loves her children very much, and wants them to have a good relationship, and doesn't recognize the threat that one of her children poses to the other, is going to make. In fact, the fact that she does it, proves that Ursa does in fact love her daughter and does not think she's a monster. So it does not fit the narrative these people are spinning, so they will never bring it up as an example of how Ursa was a bad mom.
Of course the other reason the "Ursa is a terrible mother" crowd aren't going to bring this part up is because it would mean acknowledging that Zuko deserved to be protected from Azula, and needed to be protected from Azula, when they were both children, which would go against the whole "she's a poor innocent child" thing they like to spin, and also because Azula is getting what she wants here, and Zuko is the one suffering, which is not going to get Azula any sympathy points.
And for the most part, Ursa was an excellent mother, who did the best job she could in horrible circumstances that she had very little control over, but she wasn't perfect, and she did make mistakes, which makes all of this a wonderful example of how even very good parents can make very bad choices that hurt their children and cause serious long-term damage.
I've talked some about the long term damage that Azula faces from this, learning about manipulation, and developing some really nasty entitlement issues with regards to her brother, but Zuko's long-term damage is if anything worse.
When we put this together with Zuko's line from "Bitter Work" quoted earlier, we can see that Zuko learns what Azula learns from the other angle, which is to say that he will not be protected from Azula by anyone, and not only will he not be protected, but he does not deserve to protect himself. Not only can he not defend himself, but he can't even protect himself by avoiding her. That's not allowed either. And in the face of her cruelty and violence towards him, it is still on him to make their relationship work, and to be clear, he should absolutely be making their relationship work. And the adults who love him are going to tell him this, no matter what Azula does to him.
I for one am really glad that Iroh is there to say no, that's a terrible idea, and you do not need to keep trying to get along with your sister who is trying to kill you. And it's significant that throughout Book Two, Iroh consistently protects Zuko from Azula, and teaches him what he needs to fight back.
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Aang: All life is sacred.
Uncle Iroh: It would be wrong for me to go against my father and brother directly. I refuse to challenge them to an Agni Kai.
Zuko: *avoids hitting Ozai with redirected lightning*
Ozai: *puts Iroh in prison instead of executing him*
Avatar Roku: *Spares Fire Lord Sozin's life*
Ursa, on her way to murder her aging father-in-law in his sleep:
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prodogg · 2 years
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Ursa killing Azulon is way more badass than letting Ozai do the deed. 😌
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theostrophywife · 8 months
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written in the stars.
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pairing: theodore nott x reader. song inspiration: until i found you by stephen sanchez feat. em beihold. author's note: boyfriend theo is the best theo. if you're wondering, then yes writing this hurt me as much as it hurts reading it but like in the best way possible.
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Theodore Nott has always had an affinity for the stars. 
When he was younger, Theo's mother used to take him to the rooftop of Nott Manor and point out the constellations to him. The stars told stories, his mum had said. Theo listened with rapt attention as she recounted the tales of Aquila, Heracles, and Orion as they glittered against the backdrop of the English countryside.
The two of them would make an entire evening out of it. Laying on his back atop a nest of blankets and pillows, little Theo watched as the stars climbed higher and higher, filling the horizon with hope and light. Stargazing had been their special secret. The one thing that wasn’t tainted by his abusive father. Theo guarded the memory of those nights in his heart like a priceless treasure.
After his mother’s passing, Theo continued their tradition of stargazing. Even if she was no longer alive, all he had to do was look up at the sky to feel her with him. For that reason, the stars were special to him and he’d never shared its meaning with anyone. 
Until tonight. 
“Watch your step, cara mia.” Theo said as he guided you by the small of your back. 
The dark cloth covering your eyes prohibited you from seeing, but you trusted your boyfriend to keep you from falling. Though you weren’t a fan of surprises, Theo was impossible to resist. All he had to do was flash those pretty watercolor eyes at you and you were an absolute goner. 
For you, Theo had always been the exception. 
He guided you up a staircase, keeping a firm grip on your waist as the two of you ascended. Wherever you were going, it was pretty high up. You smiled as Theo took hold of your waist, knowing that you weren't the biggest fan of heights. Sometimes it felt like he knew you better than you knew yourself. When you reached the top, Theo unfastened his tie from behind your head. 
“You can open your eyes now, sweetheart.” 
You blinked, letting your eyes adjust to the dark. The wind whistled through the stone arches of the Astronomy Tower, framing the starkissed night with its marble pillars. The soft glow of the moon illuminated the nest of blankets and pillows arranged in the middle of the wooden floor. 
“Did you do all of this for me, babe?” 
Theo smiled. “I thought you might like to go stargazing with me,” he said, his voice soft. “Do you like it, my love?” 
“I love it, Teddy.” You beamed, standing on your tiptoes to kiss his nose. “But not nearly as much as I love you.” 
Theo grinned before pulling you in for a proper kiss. His lips were soft against yours and he tasted like peppermint. Butterflies erupted in your stomach as your knees buckled slightly. Theo never failed to make you feel like a lovestruck school girl. It never stopped feeling like this despite how many times you kissed this boy.
As if reading your thoughts, Theo smiled against your lips. “Come on, Y/N. I want to show you my favorite constellations.” 
The two of you laid down beneath the stars, making yourself comfortable amidst the blankets and pillows. Wordlessly, Theo pulled you into his arms and you nestled into the crook of his neck, breathing in the familiar scent of sea salt spray and sun kissed skin. 
“Tell me the story of the stars, Teddy.” 
He smiled, brushing your hair back. “That one right there is Ursa Major. Otherwise known as the Big Dipper, but if you look at the entire constellation, it actually forms a bear.” 
“I remember learning about that when I was little,” you said, gazing up at the sky. “Didn’t it have something to do with Zeus?”
Theo nodded. “In Greek mythology, the Olympian God Zeus fell in love with Callisto and got her pregnant. After she gave birth to the child, Hera was so mad she turned Callisto into a bear.” 
“That hardly seems fair,” you responded with a frown. 
“Zeus was a bit of a wanker,” Theo said in agreement. “Hera was even worse. She cursed Callisto to wander the forest for years in bear form until she was hunted by her own son Arcas. Just as he raised his spear to strike her down, Zeus stepped in and sent them up to the heavens. Callisto as Ursa Major and Arcas as Bootes.” 
“The Greek gods were truly a piece of work,” you replied. “But at least we got those constellations out of them."
You squinted, pointing at the cluster of stars hovering in the east. “What’s that one?” 
“That’s the constellation of Leo,” explained Theo. “Named after the Nemean lion that Heracles defeated during the first of his twelve labours.” 
“Didn’t he make a cloak out of the lion’s pelt?” 
“Smart girl,” Theo said proudly. “The cloak made Heracles invincible and more fearsome than he already was. The Nemean lion’s heart is made up of the star Regulus, which is associated with the arrival of spring.” 
“The Little King. I read that it burns hotter than the sun.” 
Theo couldn’t help but smile. Before he met you, he never thought he’d find someone to share such a special and intimate thing with. He was worried that no one else would understand his love for the stars, but as he watched you peer curiously up at the sky, your nose scrunched in careful concentration, Theo felt all of his doubts fade away. 
“Regulus is unique because it can be seen in both the Northern and Southern hemispheres.” 
The blue star glittered brightly above your heads, as if it was showing off for the occasion. “It’s beautiful,” you breathed. 
Theo stared at you, at the childlike wonder shimmering in your eyes, and he felt like the breath had been knocked out of his lungs. The gravity of what he felt for you hit him all at once. 
“Yeah,” Theo said softly, still looking at you. “Beautiful.” 
You grinned, intertwining your fingers and kissing his knuckles. “How do you know so much about the stars, Teddy?” 
“My mum taught me.” Theo answered, drawing circles on your hip. “When I was little, she used to take me to the rooftop of the manor and tell me the story behind each star. She was fascinated by them. Before she met my father, she wanted to teach astronomy at the Stati Magia.”
“The Italian School of Witchcraft?” 
Theo nodded. “My mother attended the Stati Magia, just like her mother and her mother before her. A tradition that I unintentionally broke, as nonna Lucia loves to remind me. Sometimes I think the old bat wishes that I was born a strega instead.” 
You giggled. “You would’ve been a very pretty witch.” Theo chuckled as you propped your head up in one hand. “Did your mum end up becoming a professor?”
“No,” Theo said sadly. “After I was born, my father said that her place was at the manor. He refused to move to Florence, even though he knew it was my mother’s dream.” 
You stroked his hair, nodding emphatically. Theo rarely talked about his mother. You knew that her passing was a painful subject for him, so you never pushed him to talk about it unless he wanted to.
“That’s awful. I’m so sorry, my love,” you said. “But at least she was able to pass down her love of the stars to you. In a way, she lived her dream by teaching you.” 
A soft smile tugged at your boyfriend’s lips. “I suppose she did.” 
You laid back down, but this time you cradled Theo against you. He rested his head against your chest, listening to the calming sound of your heartbeat. Talking about his mother will always be hard, but you helped ease the pain. 
“What about those stars?” You asked, pointing to the north. “What did your mother tell you about them?” 
“Perseus and Andromeda,” Theo answered. “Those are actually her favorites.”
“The chained maiden.” 
Theo stirred, inclining his gaze to the horizon. “Andromeda was the Princess of Aethiopia, the daughter of King Cepheus and Queen Cassiopeia. She was said to be very beautiful. Her mother bragged that Andromeda was fairer than the Nereids, which angered Poseidon. As punishment, the Sea God sent the creature Cetus to ravage that coast of their kingdom.” 
You nodded, recalling the story. “King Cepheus chained her to a rock and offered her as a sacrifice to appease the sea monster.” 
“Luckily for Andromeda, the hero Perseus found her before Cetus could attack again. Perseus fell in love with Andromeda and defeated the monster so he could free the princess. They ended up marrying and became king and queen of Mycenae. When they died, the goddess Athena placed them side by side in the heavens so that they would never be parted, not even by death.” 
“A love written in the stars,” you said with awe and wonder. “I can see why it’s your mother’s favorite.”
“When I was a boy, she told me that she hoped I’d experience a love like theirs, minus the sea monster of course.” You chuckled. Theo knit his brows together like he did when he was deep in thought. When he spoke again, his voice was barely audible. “It’s sad to think that she never found her Perseus.” 
You brushed his hair back, running your fingers through his curls gently. “She might not have found her Perseus, but she did have her Theo.”
Theo turned over and looked at you. The intensity in his gaze made you shiver. He was so ingrained in your heart that it felt inaccurate to continue calling it yours.
“After she died, I never thought I’d share her stories with anyone again, but I’m glad I shared them with you.” 
“Thank you for trusting me, Theo.” You said as you placed a kiss on his temple. “It means the world to me that you not only shared your mother’s stories, but her memory as well. I would’ve loved to meet her.”
The tender smile on Theo’s face was heartbreaking. Then softly, he whispered. “She would’ve loved you, Y/N.”
Your heart cracked open, his words spilling like sunlight over every crevice, warming you from the inside out.
Tears formed at the corners of your eyes, but you forced yourself to give Theo a watery smile. “Because I’m a nerd who memorized obscure mythological facts?”
Your boyfriend smiled. “No,” he said gently, caressing your cheek. “Because you made her wish come true. You are my love written in the stars, cara mia.” 
The moonlight kissed Theo’s tan skin, the silver beams caressing his face like a lover as if the moon and the stars craved to commit his beauty to memory as badly as you did. Gods, he was breathtaking. 
This was the Teddy you knew and loved. Your Teddy.
Those watercolor eyes shimmered with emotion. “Sometimes I think the gods made you just for me, like our souls are linked in a way that neither logic nor magic can explain. Whatever it is, I think I’ve loved you since before the heavens and the earth existed and I’m fairly certain that I’d still love you even after the last star falls out of the sky.”
“You’re the love of my life, Theodore Nott.” Tears streamed down your cheeks as this boy—this beautiful boy ensnared your mind, body, and soul. “I’d find you in any universe and in any galaxy. Maybe someday we’ll be immortalized in the stars too.” 
Theo held your face in his hands. His expression was open and vulnerable, like he wasn’t afraid to lay himself bare before you. As if it was the most natural thing in the world. 
“We’re two halves of a whole,” Theo said. “I loved you yesterday. I love you today and I’ll love you tomorrow. You’re it for me, Y/N. You and no one else.” 
“You and no one else, Teddy.” 
Under the constellations of the star crossed lovers, Theo kissed you so gently that it made your heart ache. As Andromeda and Perseus kept watch over the horizon, Theodore Nott knew one thing for certain.
Someday the stars would tell your story too.
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zutarasbuff · 2 months
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Found this somewhere on Tumblr, it infuriated me to a great extent and forced me to crush the “coloniser-colonial romance” accusation against the Zutara nation. For this, you need to read everything quite carefully that will be presented to you.
So people who accuse Zutara use this narrative that Zuko had a princely life as a colonizer, unlike Katara. Now look at the ground reality:
Katara’s mother Kya lied to Yon Rha that she was the last waterbender of the Southern Water Tribe to save her daughter. A similar act was done by Ursa (Zuko’s mother) who killed Firelord Azulon with her potion as part of her deal with Ozai to save the life of her son Zuko and got banished eventually. That makes us come to one certain conclusion:
Both Zuko and Katara spent greater part of their life without their mothers and this impacted their childhood badly as we find them dealing with the trauma of loss even after they hit puberty.
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As if the absence of a mother was not enough, when Hakoda (Katara’s father) leaves with the fleet for the war, it’s almost the same time when we find Ozai getting immersed in attacking other nations, so much so that he’s never there for both of his children. Technically speaking, even if Ozai was there physically, he was never emotionally available for his children being a narcissistic father.
I would say that Zuko had the worst childhood experience as compared to Katara because Katara had a brother who always supported his sister in dealing with the trauma, but we don’t see that in the case of Zuko whose own sister used to bully him right from the childhood for being too weak and the mom’s pet.
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Now let’s analyze the colonizer part. Unfortunately, Zuko was born to a father who was not just the worst ruler but an equally worse son, brother, husband, and father. One can say that Zuko’s only fault was to hail from a wrong family but other than that, he was never a colonizer. You may ask why. I will give you a reason.
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It’s not just Katara who has to bear the ill effects of the war that was imposed on her, but in many ways Zuko was a direct victim of what we call “Emotional Imperialism”. In psychology, it’s a condition where the colonizers not just physically take control of their colonies, but they start infusing their ideals deep into the mentality of their subjects as well.
Coming back to the case of Zuko, we find that he never gets to formulate the normal father-son relationship with Ozai, rather Ozai treats both his children as his humble subjects who need to obey him unquestionably and need to be perfect as his subjects. He’s in every sense not just a narcissistic parent but a controlling one as well who emotionally traps both his children and wants to rule over them at every cost. The apparent manifestation of this emotional imperialism is evident through:
Zuko’s quest to be the best firebender
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When the colonizers start ruling over a certain colony, it’s the colonials who feel the need to be validated by their masters. It’s their first survival strategy that they embrace the change as they know resistance is going to be of no use. They simply adapt themselves to the new ideals that are set forth by their ruling masters. Similarly, Ozai always wanted his children to be the absolute embodiment of Azulon’s great bloodline and both his children obliged to his desires because they feared the firelord. Therefore, his stiff standards force both his children to compete against each other from a very young age. This is the worst form of emotional imperialism where the subjects simply want some validation in return and therefore they are ready to even forget their kinship. That’s what we find as Zuko repeatedly wants to “get his honor back and win the trust of his father”. What do you think this honor is? It’s not the quest for being the next heir to the throne, rather it’s being the absolute best in the eyes of the master who controls both the siblings. We know Ozai has a manipulative nature and this relates exactly to the manipulative attitude of a colonizer who puts the colonials against each other.
Zuko’s almost absent friend circle
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Have you ever seen the modus operandi of the colonizers? They alienate their subjects so that the subjects find no way of self-expression and eventually give up to the demands of their masters. That’s exactly the scenario that propagates in Zuko’s life. Other than Mai and Ty Lee we don’t even find his friends throughout the series. Isn’t it a bit strange that despite being a prince, he has no guy friend of his age? He has no friends at all. It’s because the master (Ozai) wanted so. The siblings never get much exposure to the outside world. When we draw a comparison of Zuko’s situation, then Katara seems to be at an advantage in that she found a peer group that allowed her to grow further and overcome her insecurities. Zuko, however never got a chance to blend into an actual peer group and that kept him secluded throughout and gave him his introverted persona. Don’t you find it strange that as a friend Zuko got no one but his uncle who had a lot of age differences and the opinions differed too? This created a rift further maybe because Zuko felt that somehow his feelings were not interpreted well by Uncle Iroh. Compared to his “angry guy” persona, he grows a lot more friendly when he finds the gang or should we say people of his age. This allows him to understand his persona in a constructive way and he strives to alter the course of his life afterwards.
Identity crisis
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Out of all the characters on ATLA, people often say that Zuko is the one with the most complex attributes because he is not even sure of his “destiny”. Sounds familiar? Eh? Well, this is the typical case of an identity crisis existing in the subjects of a colony. Zuko goes through this phase where he is always striving hard to explore his identity, and his destiny thus fueling his internal rage as well. A kaleidoscopic journey is what he follows. Sometimes it’s rage, sometimes regret and sometimes he even questions the actions of his father. By the end, his driving force to change his alliances is nothing but this very identity crisis. This makes me remember a very interesting observation that whenever he’s near the gang, he’s a bit cranky and at the same time uneasy because he looks at the gang as the polar opposite of himself. To a caged bird who has accepted his fate, even the slightest call of resistance feels like Hades’ call and that’s why he repeatedly aims to avoid Aang’s calls for forming a friendship because he is afraid of peeking into his resisting side. That’s the typical thing you find in Haru who despite being a fine earthbender resists waging a war against the firebenders who roam freely in his village at first. So would you blame Zuko for never resisting the colonization when as a subject it was inherent to his mentality for a long time?
A harsh realisation
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People who degrade Zutara with this stupid claim that Katara was the only one who “lost everything” need to get their brains checked thoroughly because when we compare her loss to the magnitude of the loss faced by Zuko at the end of the war, the comparing scale diverts wildly in Zuko’s favor. Though many of you know this; I will recall it for you again. Katara lost her mother to the war but in the end, she got lifelong friends to cherish with her brother as well father. On the contrary, even during the war, we find that Zuko loses not only his mother, his father, and his sister in the worst possible way. It means all his family members are lost to him in every sense when the war ends. Now some of you will come to me with the argument that the gang eventually finds Ursa back but how? With her memories all erased. It means that the war has not just left him with permanent emotional wounds but it has further taken the very idea of a family from his life.
We zutarians never ship Zutara together because we “just find them good together” but it’s deeper than that. It’s because Zuko was the one who understood Katara’s quest for Yon Rha in order to find answers behind her mother’s death in addition to revenge. This is because deep down he was always looking for the answers of his mother’s (who was the only real person known to him) banishment. That’s exactly what we find after Zuko becomes the firelord. The first thing he does is asking Ozai questions and being certain that he’s finally gonna tell everything. We ship them together because Katara was the only person who understood the value of Zuko jumping in front of Azula’s lightning to save her. We ship them together because we believe if it had become a potential canon, maybe both of them could have helped each other in healing with their individual traumas and creating a real family together.
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yourhighness6 · 2 months
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What is your favorite Zutara headcanon?
I hope you have an amazing day! ^.^
I'm so sorry this has been sitting in my inbox forever! I haven't had a chance to answer asks and I kind of forgot about it, so I'm going to give an extra long answer to make up for it lol. I have a few that are tied for first and second, so bear with me.
Firstly, I absolutely love the idea of Zuko helping out Katara with the chores after he joined the gaang. It just makes sense that he would try to help her out, and that he would feel guilty and try to do extra work. Of course, it takes Katara awhile to actually appreciate his help, but after TSR they actually manage to have fun together while they're doing dishes and laundry together, and she can't imagine it any other way.
This one is kind of cheesy, but I love the idea of them both being musically inclined, but in different ways. Zuko is obviously great at the tsungi horn, but he's an absolutely awful singer, and Katara can't play an instrument to save her life, but she has the voice of an angel. They like practicing songs with each other to let off steam, and even after the war whenever Katara finds herself in the Fire Nation or Zuko in the water tribe, they still get together to make a bit of music. They're also both wonderful dancers, Zuko from growing up learning dances in the FN court, and Katara because it's a big part of her culture, and she also just thinks it's fun. Zuko never really liked to dance, because it reminded him of being boxed in at court, but Katara shows him some different steps and he actually enjoys himself for once. In an AU where they end up together, their kids grow up combining the dances of both their cultures and creating new trends in both the FN and the SWT.
This one isn't really Zutara-centric, but Toph teases the HELL out of them. She literally goes around making the snarkiest comments and she will not stop until they are both blushing like tomatoes.
In an AU where they get together, they are the second in the gaang to get married, after Suki and Sokka but before Aang and Teo (I said what I said). Their wedding is obviously a huge event, and Sokka and Aang are the groomsmen while Toph and Suki are the bridesmaids, obviously. Katara is super into wedding planning and picking out her dress. Uncle Iroh helps her with the plans and buys fireworks and organizes the guest list and Zuko rebels against the both of them at every turn because he doesn't really want a huge, ostentatious wedding. He eventually realizes that this is way more important to Katara than it is to him, though, so he stops trying to get them to tone things down and only helps her with the planning when asked, to give her all the creative freedom her heart desires. In canon (where they don't get together) I like to think that Zuko would be Katara's 'man of honor' at her wedding with Aang. Partially because of pining and angst, but mostly because they want to be there for each other and see each other happy, even if they aren't going to be the ones spending their lives together.
Zuko would be the first one to realize his feelings for Katara, but he'd be in denial for so long that by the time Katara realizes her feelings back, they're at about the same place when it comes to their relationship. She's the first one to say "I love you" and even though it takes him a little time to say it back, it's only because he's scared to be so vulnerable with someone at first. She gives him time, and his love confession ends up being simultaneously the most awkward and the most romantic thing in the world. Zuko is the one to propose and Katara says yes without question.
They end up having two kids, twin girls named Kya and Ursa after their mothers. Kya, the nonbender, is set to inherit the throne, and Ursa, the waterbender, has a special gift for healing. Zuko only wanted one kid because he was afraid of messing them up, but he ends up being a wonderful father. Katara is a great mother as well, of course, and she loves to teach Ursa waterbending while Zuko helps her incorporate firebending moves into her fighting style. Kya feels a little left out of these family training sessions at first, but Zuko teaches her how to use the dao swords, her Aunt Mai teaches her how to throw knives, and her Aunt Ty Lee teaches her chi blocking, so she's just as deadly as the rest of her family.
Katara's first project after becoming firelady is to help spearhead pollution reform and create industrial regulations that help the FN become more environmentally friendly. She eventually travels back to the village in "the Painted Lady" with her daughters to show them the value of respecting nature.
This one also isn't very zutara-centric, but I don't think Katara and Azula would ever really reconcile. Although she becomes good friends with both Mai and Ty Lee (who are dating, obviously), she can never forgive Azula for some of the most traumatic events of her life. Zuko and Azula do eventually have a healthy relationship after Azula realizes the error of her ways, but she decides to move away from the palace of her own accord. There are too many bad memories there.
Anyway, I hope you enjoyed my headcanons! These are the only ones I can think of right now but I probably have more somewhere in my brain.
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genericpuff · 4 months
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Oooh, I love that you're actually using Withy (and maybe Krokos as well?), so I can't wait to see where this storyline goes! Ngl though—and this is a problem I have with Rachel as well, I know Withy comes from there—but I kinda wish you had taken the opportunity to use a more Grecian name instead. Withy is another word for willow stem, so something like Helike or Itea could've fit very well.
Funnily enough, a Helike actually is associated with the abduction of Persephone, albeit according to the Roman Ovid in his Fasti, though in this case. If I remember correctly, she'd originally been a nymph (specifically one of Zeus's nurses) and eventually became Ursa Major as a reward, according to Aratus' Phaenomena.
Two Bears wheel together—wherefore they are also called the Wains. Now they ever hold their heads each toward the flank of the other, and are borne along always shoulder-wise, turned alternate on their shoulders. If, indeed, the tale be true, from Krete (Crete) they by the will of mighty Zeus entered up into heaven, for that when in olden days he played as a child in fragrant Dikton (Mount Dicte), near the hill of Ida, they set him in a cave and nurtured him for the space of a year, what time the Diktaioi Kouretes (Dictaean Curetes) were deceiving Kronos (Cronus). Now the one men call by name Kynosoura (Cynosura) and the other Helike (Helice)
"You Arcadian stars (since you can see all things, Never plunging beneath the watery wastes) Show this wretched mother, her daughter, Proserpine!"
She spoke, and Helice answered her in this way: "Night’s free of blame: Ask the Light about your Stolen daughter: the Sun views, widely, things done by day."
Sorry for the weird ask, I just found it's a bit of a pet peeve of mine when names aren't consistent with a certain culture. Again, I have this problem with Rachel too and even some retellings I really like, so nothing against you personally.
Anyway, I really like that you made her be associated with music! The painter Polygnotos depicted Orpheus as having brought willow with him when he went to the underworld, and if I recall correctly, willow is a common plant to be associated with poets. He also encounters a willow nymph in the Argonautica, while Homer tells us in The Odyssey that willows (and black poplars) are sacred to Persephone.
Orpheus sobbed as he prayed. But the Nymphai were still at hand, and they took pity on the suffering men. They wrought a miracle. First, grass sprung up from the ground, then long shoots appeared above the grass, and in a moment three saplings, tall, straight and in full leaf, were growing there. Hespere (Hespera) became a poplar; Erytheis an elm; Aigle (Aegle) a sacred willow. Yet they were still themselves; the trees could not conceal their former shapes--that was the greatest wonder of all. And now the Argonauts heard Aigle in her gentle voice tell them what they wished to know.
When you have crossed the stream of Ocean, you will reach the shore, where willows let fall their dying fruit, and towering poplars grow in the forest of Persephone.
So yeah, the fact that Persephone—future Queen of the Underworld—encounters a nymph essentially named Willow twice, first while said nymph is playing music and now in the underworld, is a really neat reference, intentional or not lol!
Not a weird ask at all, that was actually one of the few things from LO that I kept that I still kinda go (ノωヽ) on as well haha Although my biggest worry wasn't so much Withy, but Krokos, because in the original myths Crocus/Krokos was a man (and supposedly one of Hermes' lovers though the sources on that are a bit muddier) who had nothing to really do with Persephone.
The inclusion of Krokos and Withy is definitely one of those times I've ultimately decided to keep an element from LO despite it being out-of-place. Some things I changed for the sake of correcting the course Rachel put LO on, other things I kept in spite of the inaccuracies for the sake of storytelling, Krokos and Withy being one of those inaccuracies. The Act of Wrath plotline was one of my favorites from the LO storyline so when Krokos and Withy got swept under the rug, I wanted to use Rekindled to give them an actual spotlight and role in Persephone's story as unique characters, especially for readers and critics of the comic such as myself who wanted to see more done with them. I thought of changing their names at one time, but I felt like it would stray too far from the goal of redrawing/rewriting LO in doing so. So that's one of those "bear with me" things while I work with LO's ingredients (a challenge I'm fully open to taking on LOL) while also trying to respect the original myths.
What I will say without spoiling is that the Withy Persephone saw in the opening parts of the comic and the Withy she's seeing now are one and the same ;) So have fun with that fridge horror thought (•̀⌄•́)
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theerurishipper · 12 days
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think people dislike Ursa and iroh more than they do ozai because the former two see azula's behavior as wrong and treat it accordingly? it definitely makes sense why some people are more mad at ursa for scolding azula and at iroh even thouhg he has plenty of valid reasons to dislike her than at ozai, because ozai is the only one who doesnt see anything wirong with her behavior because he himself thinks it's fine.
Oh yeah, the Azula stans who criticize Iroh and Ursa aren't doing so because of anything those characters actually did, they do it because they can't bear to see Azula be criticized because she's this perfect victim to them who did no wrong and who should never be held accountable because everything she did is the fault of her uncle, her mother, or her brother. They will get on their soapbox about how Ozai abused Azula and will then parrot everything he ever said about how Azula is the bestest ever and how her being an imperialist isn't that bad, actually and will also say the same stuff about Ursa and Iroh than Ozai did, that they hate her and are weak and isn't Azula so much better than them?
They are so unable to handle any criticism of Azula (kind of like Azula herself huh?) so they find someone else to blame, like her mother for trying to discourage her violent behavior that she's picking up from Ozai, her uncle for correctly recognizing how dangerous she is and for not putting up with her shit, and even her brother for not dropping everything to the side to let himself be abused by her some more. I sometimes feel like they criticize Iroh and Ursa more than they criticize Ozai, and sometimes the stuff they say is so oddly reminiscent of him that I feel like a few of them don't even disagree with some of the bullshit he fed Azula lol.
Thank you for your ask!
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jedi-nurse · 2 months
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This is a very quick little fic (not really edited at all lol). But the idea came to me forever ago and I never got it out on a doc but my brain finally spit it out. Hope you enjoy it (mistakes and all).
Also this is incredibly fluffy and you might cry happy tears.
*ka boom*
A loud crack of thunder rolled across the Lothal sky. Ezra jolted awake at the sound of the thunder but also the sound of the bedroom door opening. As he was gathering his bearings he felt the bed move as his wife Sabine sat up.
“Mama, papa?” a small voice said from the doorway. Ezra couldn’t tell which of the twins it was.
“Come here ad'ika, is your sister with you?” Sabine asked, voice a little deep from sleep.
“Of course” replied the voice, Ezra could now tell it was Ursa, the older of the twins. He heard their little feet pad across the room and then the bed move as two little toddlers climbed in between their parents.
“Papa are you awake?” asked Mira as she settled in next to him.
“I am little love, the storm woke me up too” he replied as he adjusted his position to now accommodate two more bodies in the bed.
“Do you think the baby is awake too?” she asked, referring to the baby that was due any day now.
“Oh he is very much awake ad'ika” Sabine replied, “he is having a dance party on my bladder.” The twins laughed at their mother's response.
Before long the bed moved again as Murley their loth-cat joined the party. Fren, their howler, was fast asleep in the corner with her legs in the air, slightly looking dead. Ezra just chuckled at his little family.
The four of them all got cuddled together and Ezra & Sabine draped their arms across the girls and interlocked their hands. Ezra sent some calming Force energy to his girls so they would be able to get back to sleep with the storm.
As he was drifting off himself, he remembered being alone in the same tower all those years ago when there were these thunderstorms. He was incredibly grateful for whatever force allowed him to now be there with his beautiful wife and children.
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telekitnetic-art · 1 year
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🌙 Ursa Major / Ursa Minor 🧸
(Print available)
A slightly experimental formline piece I designed as an art print this summer. I’m very proud of how it turned out, and I’m hoping to get to produce prints of it soon.
The themes of this piece revolve around the bond of family, specifically that of mother and child (as reflected in the mother bear and cub). Whether the emotions of this piece is bittersweet, melancholic or comforting is up to you.
REBLOGS APPRECIATED <3
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zuko-always-lies · 9 days
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If you take the comics out, I think most writers don't see the many possibilities that Azula.
First of them, she had ONE mental breakdown. Every one in the Gaang had one, this doesn’t make them "insane" (also, not how "sanity" works).
So, first thing, I don't like the idea that Azula is "insane". She had a mental breakdown. It HAPPENS. She doesn’t needs an asylum. She needs therapy, maybe some medication, and a support system.
After that, let's bring the OG Ursa back. The noble lady Ursa, that had a fine marriage at first, that committed unspeakable acts to insure her children's safety before vanishing. Let us see Mama Bear protecting Azula.
Imagine how interesting, how conflicting, if Zuko is trying to decide what to do with his little sister only to his beloved mother be there like "if you try to hurt my daughter or send her away, I'll have to go through me first".
Imagine a Mai and Ty Lee that weren't sugar coated, and yeah, they'll fight to break Azula out and help her out. They were friends for YEARS.
Let Mai tell Zuko that she loves Azula too. That her decision to help him was because she loved him more than she feared Azula. BUT in the same way, she loves Azula more than she fears him.
Let Ty Lee be her manipulative self ready to take a whole troop of benders to make sure her friend is fine.
Let us have Lo and Li there, ready to fight for their "granddaughter".
How would Zuko react?
How would the Gaang react?
What about the rest of the nobility? What Zuko would do when they refuse to respect him, because he was not their Crown Princess?
And the Fire Sages? What to do if the announce that _Zuko_ cheated on their Agni Kai? 2v1 Princess Azula?
What if they refuse to make Zuko Fire Lord and Aang had to force them?
Put them in the uncomfortable position of being the "bad guy". Make them reflect how everything isn't black and white.
What then?
Agreed
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attackfish · 1 year
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I had a brain wave tonight. Given how much older Iroh appears than his brother, I have always thought it was very likely that Iroh was either an adult by the time his brother was born, or very close to it. And what we see if Iroh's adult past paints him as a military leader who led from the front, and was not afraid to spend years on end in the field. So it's not improbable that he might have been only rarely present when Ozai was growing up.
Ozai bitterly resents his brother, who Azulon clearly favored, while scorning Ozai. He privately denigrates his brother and later blames him for Zuko turning on him in a way that shows he likes to blame Iroh for things. Ozai's picture of Iroh has much more to do with what it's useful for Ozai to believe about his brother, then it does with who Iroh actually is. This would be much easier for Ozai to do if for most of his life, he were able to project what it was useful for him to believe onto an absent Iroh.
It's a whole lot easier and more comfortable to maintain a psychologically useful image of someone if they aren't there to contradict it. And this has fascinating implicatations for the other two people we see Ozai most eager resent and blame, Ursa and Zuko, both of whom he banishes. And even better, when Ozai banishes Zuko, Iroh goes with him.
This must have been the most mentally comfortable Ozai has ever been in his life, with all of them safely gone and unable to break his useful images of them, but still alive so he could resent and blame them as needed. And this offers a plausible unconscious motive for Ozai to do something as stupid as sending his accomplice in murder and treason, a potential heir to his throne, and an alternate claimant to his throne, who also just happens to be an accomplished military leader, out from under his direct control.
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talonabraxas · 2 months
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Saturn ♄ Talon Abraxas The Seven Rays The Rays are the custodians of the Universal Plan as designed by and depending upon individual perception, the "All-Knowing" or "Supreme Being" or "God the Father." Each Ray embodies energy through which a specific part of Divine Will is channeled in accordance with Divine Universal Intention. From this Great Source, they travel through time and space eventually attaining Galactic Synthesis and then on until they reach the constellation Ursa Major or the Great Bear. From Ursa Major, they continue to filter through three Fixed stars Polaris, Sirius, and the Pleiades and then move on to Mother Earth. They are believed to have a monumental influence on all Earth affairs making it possible for mankind to flourish. The MONAD of course is unchanging. It is your creation as designed by God. It is the droplet of God that is you or if you prefer, your essence. The MONAD can only be one of the first three Rays which are the Major Rays 1, 2 or 3. There are seven planes. Simply speaking, the first plane is the Divine Plane or the Adi. The second plane is the Monadic Plane which is unchanging and where the essence of the Soul is found. On this plane there are three Monad rays. From the Monadic Plane, some essence from one of these rays travels down to the third plane known as the Spiritual or Nirvanic Plane and the fourth plane known as the Intuitional or Buddhic Plane until it reaches the fifth plane known as the Mental Plane. Here the Monad essence filters through one of the Seven Rays. This is known as the Soul Ray. From the Mental Plane, the Monad releases more essence where it travels from the sixth or Astral Plane on to the seventh or Physical Plane where it filters through the Seven Rays again to become the Personality Ray. To make things more profound, the Soul Ray and the Personality Ray are colored by subrays. The Soul Rays and Personality Rays can change over subsequent incarnations. It is thought that the seventh Ray aspires to the first Ray, the sixth Ray aspires to the fourth Ray and then the second Ray, and the fifth Ray aspires to the third Ray. The Soul, Personality Rays and subrays change every seven incarnations.
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cacartoon · 9 months
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(I don't know if you do headcannons for your comics, so sorry if you're not comfortable with it!!!)
Headcanon for the Castaway Octonauts AU:
The junior octo agents (at least try) to bring back the octonauts and find Barnacles at some point.
For example, it just fits Koshi to be determined to keep "The Case of the Beached Barnacles" in her free time,
As well as for Ursa and Orsom to be too determined to not give up on their uncle who survived the catastrophe of their first 'Polar Bear Track' (I forgot what its called-) with them.
As Periwinkle got older, he could see how much his uncle was hurt by everything, and despite not knowing much about the team, could still see how much
Even Pinto who loved and respected the Octonauts team would be in disbeleif that they would give up (Even if they did try their best and kept the search up for all those months.) And would try to pry the details out of a reluctant Peso.
Maybe they'd pull a "Parent Trap, and try to bring the octonauts/octo agents in the same place to try to sort things out, or one or more to leave by themselves to try and find him.
(Whether or not it actually works can create some major fluff or angst)
IDK tho, I feel like the meme with the guy and the conspiracy board-
The Case of the Beached Barnacles- omg I am deceased. That’s brilliant!
Honestly I had a similar thought of how the Junior OctoAgents responded to the team splitting up.
Maybe I can have them like speaking in secret 🤫 with one another to have each other keep tabs on the crew.
Koshi would definitely have a whole notebook about the details of the day the captain disappeared. Dashi would’ve of probably vented to her sister after some convincing.
Periwinkle definitely would feel awful for his uncle Shellington. I feel like he’d ask about why they split up and Shellington would explain how things just got too hard for them. And Peri would absolutely work with the other agents to try and continue the search, even if the team is too distraught.
I do have a bit of how Orson and Ursa (the captain’s niece and nephew) as well as their mother Bianca reacted to hearing that Barnacles disappeared. The cubs were devastated to hear about it but refuse to believe that he could just vanish like that. With them being polar scouts, they’d have contact with Tracker so they would be able to get information on the rest of the team and the agents. Bianca was also devastated by her brother’s disappearance, thought she held strong for her cubs. Though she wasn’t certain if Barnacles was alive or not, she knew Barnacles wouldn’t want her to give up (especially since she’s a mom with two young cubs).
Note: I also have more on Natquik Peso and Tracker. With those three being close with Barnacle’s family through their relationships with the captain, I imagine they keep tabs on Bianca and the cubs. Tracker would keep giving any updates he can get. Natquik, with some help from Peso, always send care packages and gifts to Bianca and the cubs as a way to keep an eye on them for Barnacles.
Now Pinto, OOOOOH Pinto wouldn’t take the news lying down. I’m sure at some point Peso explained what happened (although maybe not in a lot of detail) and tries to get Pinto to understand the situation. However, knowing Pinto, he’d be just like Kwazii and refuse to give up. So while he investigates in his own way, he also would encourage Peso to not give up as well and to reach out as often as he can to the others.
Other OctoAgents do play a role in continuing the search in little ways. Paani and Min especially. Whether it be encouraging the Octonauts to reconcile and get back together, or trying to support them in their time grief and anguish.
Overall your headcanon was amazing to think about.
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ask-ozai · 4 months
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This may offend you, sir! Kiyi is may not be your child. She is dark skin tonned. You and your children are fair. ........Unless the somehow the spirit changed the color of the baby inside Ursa's womb during her face transition..
Your question reveals that you are from the Earth Kingdom, where the majority of the inhabitants have never set foot in a school. Not even Zuko's economy minister, the blind thirteen-year-old earthbender (she doesn't know what a Monetary Base is, it's obvious why our situation is so bad. Her last order was to end poverty by printing more money and giving it to the poors. She probably doesn't even know how to read). Not to mention that people from the Earth Kingdom are famous for their segregationist and superficial beliefs, where skin color is a sign of their status. We, the citizens of the Fire Nation, on the other hand, are decent people and staunch defenders of progress and meritocracy. Someday you will wish that we had won the war.
Let me educate you with a basic biology class that children learn in the first year of the Academy.
The approximate tone of human skin is determined by a cell called melanin. The melanin receptor gene is called melanocortin. Each human being has a specific balance between melanocortin, eumelanin, and pheomelanin, not to mention the number and size of melosomes and their distribution. Not to mention everything that is subject to external factors such as the amount of sunlight each person absorbs. There are no two human beings with the same skin tone. Even the same person can have different shades throughout their life. Zuko and Azula themselves returned home a darker shade than they left, having spent so much time on their ships.
Furthermore, it would not be a unique case. Since you're from the Earth Kingdom, I will give you a local example: Lord Beifong, whom I saw in person once when I was Zuko's age, has Earth Kingdom's usual brown skin. But his illiterate daughter is paler than raw bread. A closer example is Michi, Ukano and their daughter. They both have skin a shade darker than Mai.
For example: If the Avatar and the waterbender had children, I am sure that each of them would have a unique and different color. It's basic biology.
And if all this were not enough, Kiyi's case is perfectly explained in the family. If a child is born with a color that is too different from her parents, it is probably because the parents were carriers of a recessive gene. Ursa's parents had darker skin, and it is said that my mother did too.
Kiyi's case is perfectly normal, especially within the immigrants from the colonies that we have received in recent years. I don't blame you for not knowing, because the racist ideology of the Earth Kingdom has left a very deep mark on its society. They have to learn to see beyond skin color to the only things that matter: bending and loyalty to the crown, and a basic understanding of how a calendar works to know when Ursa got pregnant. Of course Ursa is going to tell everyone that the girl is not mine. Ursa is, at her core, deeply selfish, and she would rather the girl bear the dishonor of being a bastard than admit that she was wrong.
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artemis-potnia-theron · 10 months
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Artemis + 🐻
"The life cycle of bears and their behaviours and similarities with man were studied in ancient times by Aristotle, Theophrastus, and Pliny. However, archaeological evidence for the image of a bear as mother goes back to the Neolithic period. This Neolithic image portrays the 'notable tenderness of the mother beast for her cub as an image for human mothering.'
Baring and Cashford suggest that the bear is 'probably the oldest sacred animal of all.' These images are linked to the Brauron initiations into womanhood and motherhood, as well as the suggestion that Artemis is a derivative of an ancient bear goddess.
The authors note that the bear is 'the oldest animal hunted for food in the northern hemisphere, and also the oldest animal whose remains have been given a ritual significance.' This complex imagery of the bear as caregiver, but also as a large violent animal, is in many ways an anthropomorphic representation of the goddess herself.
Under her care, young women are protected in the transition from child to adult; however, there is also an animalistic character to this ritual. In order to be transformed from girl to woman, the young girl must shed the uninhibitedness of her childhood and offer it as sacrifice to Artemis.
This is a ritual of 'wildness.' When girls who were coming of age were seen as being especially 'hormonal', they were said to be in the grip of the wild, independent goddess herself. By performing these rituals, it was believed that the goddess would guide the girls to maturity.
During rites of initiation, young girls become the bears of Artemis. One example is the archeological find at Sparta, where an interesting lead figure from the sanctuary of Artemis shows a female dancer wearing a bear mask.
The ancient Greeks saw bears everywhere, especially in the stars, and attributed the characteristics of the mother bear to Artemis, both as the creature and as the stellar constellation of Ursa Major, 'the Great Bear'."
- She Who Hunts: Artemis: The Goddess Who Changed the World by Carla Ionescu
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