Tumgik
#lyrics rewrite
adastra121 · 2 months
Text
The Ones That Got Away (Touchstarved OC Rewrite)
I changed the lyrics to “The One That Got Away” by Katy Perry (I listened to this cover by Brielle Von Hugel), based on my Hound!MC Alon's backstory and their childhood friend's betrayal.
Summer in the city where we grew up. Running from our troubles and tryin’ our luck, Searching for a world that’d be big enough for two. Used to steal Headmaster’s liquor and climb to the roof. Dreamed about the future like we had a clue. Never thought that one day, I'd be losing you.
In another life, I’d still be your friend. We'd keep all those promises, be us until the end. In another life, you would make me stay, So I don't have to say you were the one that got away, The one that got away.
One night on that rooftop, we’d made our pact To leave these walls together, have each other’s backs. Sometimes when I miss you, I climb towards the sky. Summer kept on passing, and we grew up, Found something in the city much bigger than us. It’s time to face the music, we had long run out of luck.
But in another life, you’d be by my side. We'd keep all those promises to take charge of our lives. In another life, I would fight to stay, So I don't have to say you were the one that got away, The one that got away.
The one that got away.
All that money won’t buy back our time for me. Can't replace you with a million dreams. I never thought you’d turn our dream on me. So I guess this is goodbye.
But in another life, I could still believe That friends would keep their promises… In another life, we’d make our escape, And everyone who stayed would say we were the ones that got away.
The ones that got away…
In another life, I would make you stay So I don't have to say you were the one that got away. The one that got away…
#touchstarved#touchstarved game#touchstarved oc#alon the hound#erick the wolf#song parody#lyrics rewrite#the word “dream” is used a bunch because it's not just the childhood friend they lost in the betrayal it's also their shared dream.#the word “luck” is also repeated because of the childhood friend oc erick. he likes card games and gambling.#“we had long run out of luck.” referring to the heist that was the catalyst for the betrayal.#I changed the bridge lyric to “I can't replace you with a million dreams” for one of the songs I had in their playlist. “a million dreams.”#the “turn our dream on me” refers to the promise to leave the city. so alon did actually end up fulfilling that dream thanks to erick.#via exile. we love irony.#I liked playing with the phrase “the one that got away” because it can mean a lost chance#but since the hound mc is a thief it could also mean the person that escaped. like oh no the criminal got away!#with alon and erick in particular it refers to their promise to leave the walled city together once they gathered enough coin#that was also tied to finding a cure for alon's curse but the most important part of that pact was to be together no matter what happened#for the bridge after the chorus I just took out the second part of “we would keep our promises” because I thought it was more fitting#the sentence just ends because it's too painful to repeat. I also think it makes that quieter more subdued part stand out from the others.#my favourite change was the switch to plural in “everyone who stayed would say we were the ones that got away.”#it's meant to convey: “we were supposed to be the ones that made it out. we were supposed to make it out of here together.”#again it's playing with that phrase: “the one that got away.” I imagine it sung in a very raw and agonized way.
10 notes · View notes
quasibell353 · 8 months
Text
Tumblr media
10 notes · View notes
tiredrebelgeneral · 11 months
Text
One day it was over
No more holding hands, broken promises
How were we lovers?
Trying to deny, I don't want to cry
Running to someone other
It's gonna be fine, can I even lie?
Can it really be love if it's not you?
And tonight, I see you again
You're shining so bright in the light
I know it's not for me but I
See you,
Shine
It's your golden hour
You make me cry
In your golden hour
- JVKE - golden hour
(my verse that I will never ever ever let him see :))
3 notes · View notes
stoopidstapler · 9 months
Text
Tumblr media
SO IVE BEEN GOIN INSANE SINCE THIS TRAILER DROPPED. JUST. SIMON. SIMON. SIMON.
10K notes · View notes
Text
For Barriss Offee, Vokara Che, and the other Jedi Healers, who gave so much. Despite Order 66, you are not forgotten.
1 note · View note
the-expose-on-girls · 2 years
Text
Lyrics Rewrite: "Breakfast" by Dove Cameron
youtube
"Friendless"
Girls like me are who you mess with
One by one, pollute my friend list
You're jealous and selfish
Cuz I was not friendless
Tumblr media
1 note · View note
muchmossymess · 2 months
Text
Loser, Bambi
A radiostar/radioapple/duckiedeer rewrite of loser, baby (as an aroace myself, this is platonic, I think it'd be hilarious to their dynamic) (set after the finale, and let my delusional heart believe alastor cares deep deep deep down)
Lucifer: So things look bad and your back's against the wall
Your whole existence hangs in the balance
You're feeling panicked like you heard the hunter's call
Can't face the world without you malice
You've lost your way, your reputations wrecked
Well me just say, (scoffing) what'd you expect?
Alastor: Excuse me?
Lucifer: You're a loser, bambi
A loser goddamn baby 
You're a fucked up little whiny bitch
Alastor: Now listen here
Lucifer: You're a loser, unlike me
Alastor: What a surprise
Lucifer: You've amused hell's ruler 
If only your shtick was newer 
You're an overlord gone overboard
But you've got company
Alastor: *staticy boo track*
Lucifer: There was a time I thought no one could relate
To the holy things that I cant let go
But lettin' walls down, it can sometimes set you straight!
Can't let the hotels progress plateau 
Alastor: I must admit, that I seem to've grown to care
Lucifer: You aren't the only one with his soul bare
Get outta here man 
We're both losers, bambi
We're losers, it's okay to be a-
Alastor: Psychopathic radio?
Lucifer (out of tune with the song): eeughhhhh…
Alastor: *snickers*
Alastor: I'm a loser deary
To admit it is quite dreary 
But at least I know I'm not alone
Lucifer: You're a loser
Both: Just like me
*tune change*
Lucifer: I've got a habit of creation
Alastor: I've got a knack for devastation, of every lowly sinner I can find
Lucifer: You know what Charlie thinks of that, come on
Alastor: I helped fulfil all of her dreaming
Lucifer: I'm making sure I'm never leaving 
Now that I'm back in her life
Both: I will protect her from all ill meaning
Alastor: You're a loser, Luci
Lucifer: A loser, but just maybe if we
Both: Eat shit together, things will end up differently
Lucifer: It's time to lose some of that loathin'
Lower your mask, let hope in, bambi
Play your card, be who you are
Both: A loser, just like-
Charlie: There they are! They're fucking singing???
226 notes · View notes
greyfics · 7 days
Text
even if it's handcuffed, I'm leaving here with you.
- °•. ✦ .•° -
pairing: the ghoul (cooper howard) x reader fic type: enemies to lovers, no smut, mild spice + eventual fluff slow burn meter: ◈◈◇◇◇ word count: 3.8K inspo: TPD lyric prompt list, reblogged on main reader type: assumed wastelander background, gender neutral, 'I don't need a knight to save me', assumed negative views of BoS, assumed gun for hire cw: strong language, violence, reference to fictional drugs, mild dismemberment summary: reader is a gun for hire who has gotten themselves into a bit of trouble in the form of a moderate bounty with a local segment of the brotherhood- and cooper howard knows he can get all the drugs he needs for what seems like an easy job.
- °•. ✦ .•° -
"We can do this all day, darlin'. Even if it's handcuffed, I'm leavin' here with you." you feel the pressure of a pistol barrel pressing against the base of your skull from behind, and a disgruntled, defeated sigh slips through your lips. The game is up- you're out of ammo, down to the ripper hanging from your side, and 'gun against the brain-cage' is the indisputable checkmate.
Up to this point, you'd been pretty successful in shaking off the swathes of bounty hunters and jet-scrounging raiders that'd been on your tale since you became an enemy to the brotherhood- which, nowadays, seemed to be a pretty fucking easy feat to accomplish. The rusty knights were getting a little big for their oversized, several-tonne boots- and you had never been a fan of self-asserting authorities using their power in the name of 'order', especially not when they could hardly organise their own little sectors across the expansive, sparse remains of the USA.
As good with a revolver as you are, today it seems your luck has ran out and your karma has caught up with you, because you've finally met your match in a ghoul with a face so smug you wish you at least had a chance to slap it before losing the game of cat and mouse you'd been playing for a couple days now across Junktown. Your face collides into concrete and a quick click combines with the feel of steel against your wrists, The Ghoul's threat having evolved into a promise.
You spit a ball of blood and saliva from your mouth, wrought up by the hard impact with the ground below, "Alright, you win this round you freak- I'll come with you, just get these off of me." You hear a smirk from above, "Now how stupid do you fuckin' think I am? No, I gave you a chance to come willingly, you chose to shoot me in the leg. Lucky I ain't returned the favour." He gives you a light, sharp kick in the side with the tip of his boot, "Up. We got a long way to travel, and sooner we get there, sooner I get paid. I'll be reminding you now that I only get a bonus for bringing you alive, so make my life hell and I'll live without the extra caps." "Not exactly easy when my-" you hear the chick of a safety being cocked, and awkwardly shuffle back until you can jut sharply up onto your knees and slowly stand, turning to glare daggers into your now captor. The Ghoul's expression remains stiffly affixed with the wry, smug facade he bears: relaxed, squinting eyes peeking out above a thin, ever-upturned lip- you swear to yourself to you'll smack that smile off his face- but by all accounts, beneath the withered, decaying skin that had festered in his ghoulish transformation, the man had the stature (and admittedly, the jawline) of a filmstar.
You shake off the irritable possibility of monster like this getting lucky with the gene pool as a calloused hand secures a vice grip on one of your wrists and tugs you in suit as it's owner sets into motion, dragging you away from the remnants of an old civilisation and towards a military base miles away you are all too acquainted with.
You had been so caught up in the wild ride of adrenaline that came with being on the lamb that you briefly detached yourself from the catalyst of the chase- but as concrete and clay inevitably crumbles away to distant sandy dunes and cacti, the dread stirs in your stomach like a plague. It was easier to wave off the consequences of your actions when you weren't being marched towards the gallows to face them- it wasn't like you made an attack on the organisation. You kill one knight trashing up a town in the name of redundant technology, and suddenly you're on a hit-list. You know The Ghoul probably doesn't know this, and you know for certain that even if you tried to give the man a sob story he wouldn't care. This was it. "You about to be sick?" You snap from your pessimistic daze at the sudden interruption of silence, "No. Why?" "You look like you just ate a mouldy iguana, that's why- and I don't want sick on my boots." You let out an irked groan, and sharply snap your head to face the horizon in the opposite direction to your captor. You hope this will satiate his sour jabs for the time being-
Your hope is crushed five minutes later.
"Go on then. I'm bored shitless and I'm outta jet, so spill." He says with an almost theatrical exasperation in his voice, "Spill what, exactly?" you coldly respond in a mute tone, focus still fixed on the horizon to the west, "Well what's the big story? Someone's always gotta be the victim when they got a bounty on their head, so what's the tragic tale behind 'Y/N', huh?" the muscles in your neck and shoulders tense up at the mention of your name- you weren't exactly a known associate or long-time rival to the brotherhood, and the wanted poster you had wrestled from the stiff fingertips of a raider last week only had a sketch and a scrawled account of the incident. You falter for a moment before replying, but ardently avoid taking the bait, "If your plan is to get me to tell you how we got to where we are right now just so you can mock me, then I think I'd rather carry on enjoying the view, if you don't mind." The sweet-toned sarcasm at the end of your sentence seeps with venom, and the hostility it implies does not slip away from your adversary.
This time, his laugh is a soft, whisper of a chuckle- something spiteful, foreboding- followed by matching words, "You should hear what your little community had to say about you for a couple caps and a promise not to shoot anybody- well, anybody else-" his words cut into something personal, then- and though you would normally know that attacking someone with your hands cuffed behind your back is never going to end in your favour, at this moment you couldn't care less as you swing your leg round in a swift roundhouse motion, and raise your knee towards the only place you can think to leave a mark-
You hit your target, but instead of howls of pain you are met with a split second of awkward silence as the ghoul cocks his head, unimpressed, before slamming it into your own, sending you staggering back a few paces-
Before you can reorient your vision, a heavy dull force plummets into your ribs- the sand cushions your blow slightly better than the concrete you met face-to-face with an hour ago, at least. Your arms, however, are not grateful to be pressed beneath you as a familiar, withered hand pushes into your throat, putting as much pressure on your trapped limbs when your upper body presses back as it does on your esophagus, halting your air supply as he lowers himself down to a kneel and fixes your gaze onto his,
"If I wasn't already a walking corpse, that could've really hurt- not a very nice thing to do to someone just tryna have a little bit of light conversation now, is it?" All you can do is glower through eyes blinded by the sun, which gleams behind the shadow of the ghoul's head, bearing on it a smile tweaked with frustration- you need to breathe- you can't keep this up, your heartbeat is louder than the sun in your eyes and-
The pressure releases. You turn your head to the ground and suck in air between dry, heavy coughs, and after you've finally steadied your breath, you find a minor fleck of relief in being hoisted up from the ground this time instead of scrabbling to get up at gunpoint. You wonder, perhaps, if this is some small act driven by guilt- perhaps this man had a conscience once and a set of values beyond doing what it takes to ensure one's own survival. You were a gun for hire yourself, so it would be hypocritical to criticise your captor for his line of work- mostly, you preferred to stick with jobs guarding merchant caravans and to take out bands of raiders harassing the cities you passed through, but you never questioned the legitimacy of the requests you received, or the cargo you oversaw; you had settled for a little while, having stuck around the same little settlement for a few years now and had started to develop some semblance of a connection to the people there-
or so you thought.
You know you're going to be walking for a while- so with a resigned breath, you begin saying what little there is left to say about your present situation, "Well, you probably know most of what I can tell you from the sounds of things, but I guess there's nothing else for me to do right now, and the horizon is the same no matter where you go around here. I guess you could say we're in similar lines of work, but that's not really what got me in trouble with The Brotherhood. They think they can rock up in a power armour with a logo on it and wreak havoc as they please because it's for 'the greater good', but they leave towns half-destroyed when they pass through. I didn't want that to happen to... well, I didn't like the sound of that happening where I was. So, dude gets out of his power armour and starts waving guns around screaming about some piece of pre war tech or the other, and I tell him with... a strong choice of words, to get going. He starts running for the power armour, guns blazing- and I just have better aim, I guess. Not even like I got paid for killing him, either. Maybe that would've made this whole thing a little bit sweeter."
Your profession leaves a silence hanging in the air for a little while after, but it feels appropriate. The dunes filter sand from the far west to respond to your story- the horizon quivers, but only through the illusion of heat; the sand dries your eyes before they have reason to shed tears. A loaded sigh escapes the ghoul in front of you, and the clasp on your wrist softens but for a moment before stiffening to pull you onwards, "Yep, well, caps keep you going a little longer round these parts, but money can't solve all your problems." "You should tell that to the Brotherhood. They seem to be doing pretty well for all the wealth they've hoarded- can even pay big time bounty hunters to do their shitwork from the looks of things." You retort, but after a moment follow up with, "Wish I could say I was upset about it but hell, if I were you, I'd turn me in too."
You hear that soft chuckle again, but when you turn around to catch a look at the face that matches it, you see relaxed muscles and a far-off stare- he won't let you go, but he has let his guard down but a little bit- perhaps when we get closer to my story's end, he'll even let me walk to my death with my hands unbound.
- °•. ✦ .•° -
After trudging on in silence for a while, head bowed to your fatalistic contemplations, you find as you drag yourself out of the pit in your head and look over the horizon once more that the scene has changed: the atomic orange dewdrops spattering the sky not long ago have quickly to faded into a bruised overhanging shadow of violent, lavender, crimson; twilight approaches, and you're still surrounded by desert hills and illusions.
One of these illusory quivers catches your sharp eye, a dark blip that has appeared somewhere in that distance; it's moving, but it isn't close enough for you to determine whether it's just a trick of the heat or whether it's something heading in your direction. Your brow furrows, but you say nothing yet.
Within a minute, the object comes into better focus- or, rather, the creature. Your heart skips a beat, and you open your mouth to utter some kind of warning, managing to rasp, "Get the handcuffs off of me." "Now, darlin', I thought we managed to get past this already-" "No-" You tug your bound wrists, pulling the ghoul into your side- his other arm steadies itself against your shoulder before slipping up to your jaw and dragging it to face him, his own clenched and unaccompanied by a smile this time- the pallid complexion of your own face gives him enough pause for you to blurt in a fruitless, strained whisper, "Deathclaw."
If The Ghoul's skin could have paled more than it already had in his lifeless state, then it might have at that moment. The tight grip holding you against him slackens completely and you thud onto your ass as he draws his guns and casts you a playfully pitiful glance from above, shrugging and saying, "Sorry, darlin', guess I forgot to pick up the keys." He steps in front of you as a curse rips out of your throat in the sudden panic that ensues, and you try to muster enough brain cells in this moment to figure out a way of not dying, prematurely, and becoming just another skeletal curio.
There's the back-up plan, the 'if shit goes south' plan that you still hadn't gone through with because of the possible dismemberment that it might entail- but you had not been unarmed when you had been restrained earlier, and the phantom hum of a ripper blade always strapped to your waist as your last resort. You won't be able to wield it with any competence with your hands restrained as they are, but you can hit the power button from your current position-
Though, usually, you'd prefer to do it when the blade was already in your hand, not digging into the side of your leg.
shredded leg is better than deathclaw snack. Your astute analysis confirms your decision, and with a grunt and a whack, the blade starts chugging into a steady whirring action by the will of the dregs of an energy cell embedded inside- the next couple of seconds are far too long.
The blade begins it's excursion into your thigh as the gunslinging ghoul whips around at the sound, eyes wide at the sudden display of spraying crimson. You scream, struggle to try to align the cuffs without jerking your shoulders out of place. The deathclaw bounds into the mid-distance, closing in upon it's approach- it caught your scent before you could even see it's silhouette-
The tip disappears as your leg reflexively jerks, responding to the dancing jig of the chainsaw blade- you see pathetic sparks as the thing bounces off of the cuffs- strong enough to sever a leg, too rusted and battered to cut through metal. Your plan is failing. Your leg is bleeding. The cowboy falters as the deathclaw closes further-
You make a snap decision: fingers are easier to fix than legs.
You twist your wrist, and the pain just melts into the already existing burn emanating from your leg- a bloody, three-fingered stump slips from it's cage, and you swing your still-cuffed hand around in a fluid movement to drag the ripper from its sheath within your leg, snapping the cord that ties it to your waist-
You hear a frenzied firing of a revolver, but the approaching thunks are unimpeded- and though you know your leg may give way when the adrenaline finally dies, and though you know you need to find the two fingers you lost before sand vipers snatch them up and you're known as three-fingered y/n for the rest of your life- you launch yourself from the ground on your good leg, and stagger towards the approaching beast.
You grew up in the wastelands. You grew up in a settlement up here that, like any of the rest, was constantly plagued by critters and beasts- and if you were taught anything by the survivors that surrounded you, it was the following:
If you can't blow the bastard up, get 'em in the belly.
The deathclaw- a baby, thankfully- has it's gaze fixated on the man that had in the past half a minute become it's primary aggressor- so when you stumble forward, low and bleeding, with what to the creature is just another indistinguishable bit of metal in your hands, it does not see reason to change the track of it's jump.
As it launches itself above you, you pray to lady luck that you hit your mark.
An ear-splitting yowl and a sudden muffled crash tells you she's listening, for once.
Finally, after a few ragged breaths, the adrenaline wears off and you feel the weight of your body pressing into the wounds that liberated you- and the blueberry sky fades to black as you become weightless. This time, your fall is of your own accord- and this time, something stops you from hitting the ground.
- °•. ✦ .•° -
When you come to, you do not open your eyes at first- awake though you might be, your body is heavy with exhaustion. Before your encounter with the ghoul, you had been on the run for weeks, and in the last twenty four hours had not had time to stay put long enough to sleep. Coupled with the rough journey and the blood loss, you couldn't move if you wanted to. That being said, in those few dark minutes, a few things of note still catch your attention.
There is a faint crackling to your side, and the lulling warmth of a fire that brushes in waves against your face- and though you feel the silky grains of sand cushioning most of your resting body, your head lays higher up, neck leaning up to a more elevated surface- your attention snaps to the light sensation of fingertips absently grazing your neck in a repeating pattern, and the distant hum of an old country song embedded into muscle memory. The surrounding sensations are a strange comfort for all the brutal imagery this post apocalyptic world usually beholds; but it is brief, as your neck tenses, giving away your lucidity. The hand pauses, lifts- settles somewhere to the side.
When you dare to open your eyes, you are unsurprised to see the question-begging smirk and sharp eyes peering down from above, "Have a good nap?" You bolt upright, and immediately regret it when the bending of your leg snags one of the stitches you didn't know had been sewed into you until just now. Defeated, you flop back down, turning your head to the side to gaze into the dying embers of the fire beside you- praying you can brush off the flush of blush creeping into your face to the influence of the fire. Eventually you garner the courage to speak, "Feels like I've only been out for an hour." He snorts, shaking his head, "You went down around sunset, and it'll be sunrise in a couple hours." This catches you by surprise, and not just because of the amount of time you've lost, "What happened to getting your caps as soon as possible? Lost a lot of time waiting." He frowns, but does not lose his grin, "You trying to get yourself killed? 'Cos you've done a damn fine job of that so far. No, I've just been doing some thinking." "Congratulations. I'm proud of you." His eyes narrow into slits and he tuts at your sarcasm, following your gaze into the fire, "See, it could be argued that I would've been minced ghoul splattered n' buried six feet under the dunes if you hadn't gone all psycho slicing yourself up like that to get that baby deathclaw where it hurts." "That was a baby?-" "Anyway, guess my point is I might be willing to do a lot of things, but I still got my principles- only human thing I got left, probably. So I'd say I owe it you to not kill you at least. When you can walk, we'll go east to- well, to what's left of Shady Sands, and then you can do whatever the fuck you want."
You consider his words, and not knowing how to express appreciation or what to begin to make of this mysterious stranger and his obscure appeal, you find yourself rejecting this suggestion, though you don't know why- and so naturally, you dig yourself into a hole, "Well, you could also say that I would have died of blood loss if you didn't stitch my leg up." He studies you then for a minute, before shrugging and clasping your hands together at the wrists. You begin to stammer indecipherable protest and with a smirk he pulls you up, your hands still held rigid in your lap by his own, his head resting on your shoulder as he murmurs, "Now, I'm starting to get the impression you want me to march you up to our friends at the brotherhood just to keep my company." If he can't see the warm hue in your face now, he can certainly feel the heat flushing through your flustered face- you fight against the feeling, if only to make sure you stand a chance of winning this little exchange,
"Says the man who watched me sleep all night." You feel him shrug your comment off as his grin extends, "I might look like a monster, but I was a gentleman once upon a time. Like I say, I got principles." He lets you slip forward out of his grasp when you move to shuffle yourself around. As you do, you feel for the first time you are looking at him properly, sincerely- face to face, on equal grounds, with no threats of death or necessary facades of false confidence. After soaking in as much as you allow yourself to without losing yourself to curiosity entirely, you crossing your arms across your chest, and reply,
"Well, I have principles too- and if you're oh so graciously not turning me into the brotherhood then I still I owe you, so I guess I'll just have to stick around until you nearly get yourself killed again- that's all. No other reason." The ghoul rises, resting a hand on his pistol,
"You tell yourself that, darlin'- I'm gonna enjoy this change of scenery, I think."
147 notes · View notes
ladysansalannister · 1 year
Text
Tumblr media
844 notes · View notes
holleighgram · 30 days
Text
So, go easy on me. This is my first time singing/recording/editing/mixing anything-- let alone posting it, but I really wanted to participate in March Caprice this year. I wouldn't have been able to even do this much without the incredible @projectdestati lending me their sensational talent for the accompaniment.
I hope one day to re:record this piece sometime down the road when I've got a few more collaborators (and can afford a decent microphone), Hopfully by then, I'll learn how to mix, or can afford to pay someone to mix it into an actual track. For now, there are 2 versions-- one with lots of nerdy call backs and the other that's a little more simple and .... tidy.
All that to say,
I rewrote the lyrics to Hikari to reflect the themes of Kingdom Hearts a bit better. Hikari has always hit a bit different than Simple and Clean, for me and I just wanted to sing along, so I made these lyrics. Hope you enjoy :)
Lyrics:
Been having dreams, At least it seems That way… How much is real Of what I feel And say?
Was I reckless diving in so deep and believing you would follow me, And dive in after? Was I wrong all along ? You and me weren't meant to be :( How can I face what lies ahead? How is this the path that my heart led?
And now dawn is breaking and soon you’ll be waking This that path I am taking Will lead me back to you. Hearing the dark call, I’ll fight it with my all Keep shining bright, Cause you’re my guiding light.
~Break~
Now back to back, We walk our paths, my friend But when we meet My hearts will beat again
Never thought that it would end like this-- With you and me facing the great abyss Though doors are closing Pick a side, you and I, we’ll get by Cause you’re next to me, we are the key we always were. Take my hand, And we’ll go together
~Break~
And now dawn is breaking and soon you’ll be waking This promise we are making Is like the one we made while Watching the stars fall-- I promised you my all. I’ll stand and fight For you, my guiding light
Slowly, The pieces come falling into place, and we’ve landed standing hand in hand. Regardless of heartless, I know that we’re prepared for this fight. You’re my guiding light.
Slowly, The pieces come falling into place, and we’ve landed standing hand in hand. Regardless of Darkness, I know one day we'll set this all right. You’re my guiding light.
68 notes · View notes
annymation · 4 months
Text
"This Wish" Reimagined
Asha's "I Want" song in my Wish rewrite
Tumblr media
Something that quite bothered me in Wish’s “I want song” is that I never really… Connected with Asha as a character while listening to it.
With Ariel we WANT to see her get to the surface.
With Quasimodo we WANT to see him out of Notre Dame.
With Mirabel we WANT to see her make her family proud.
With Asha I want… her to have more than this…?
And what is “this”? Like, the subject is vague, and that’s because the song writer Julia Michels was asked to just “Write a song about a young woman that wants to fight an corrupt system” which is a neat concept… But Julia didn’t know what that corrupt system even was doing, I’m not joking, she said so on interviews, AND SHE SAID DISNEY ASKED HER TO DO IT IN 3 WEEKS LIKE GIRL!?
Anyway, as a result, I can’t really relate to Asha’s struggles because the song feel like it could be sang by ANYONE facing a hard situation where they “May be young but are not wrong” or “Have hesitations about what to do”…
But who is ASHA in this, aside from the person who is singing the song? Yeah, she wants more, but more WHAT?! You can listen to “When will my life begin” without watching Tangled and you’ll totally understand what Rapunzel’s personality is and what she wants… But in This Wish?… I don’t know who the heck is Asha, and I watched the movie!
It doesn’t help that in the movie the BIG HORRIBLE REVEAL that Asha is facing is that the system that only grants one wish per month… isn’t granting EVERYONE’S wishes… when that should’ve been common sense, like, does no one in Rosas understand basic math???
In my rewrite though, Asha has been silently questioning the system around her but knowing full well she couldn’t change it so she just accepted it, until the day arrived for her to give away her wish to conform to the expectations. She said she didn’t want to, and questioned if the king even granted all the wishes like he said he did. Seeing that she had spirit, the king and queen gaslight, gatekeep and girlboss manipulated her to get a wish out of her, and after that, by peeking through a door, Asha discovered the truth about her kingdom’s wish system, a truth so terrifying for her that she ran as far away as she could. And with no one else to help her… She made a wish upon a star.
(There, I summarized my rewrite so far, if that sounds cool to you consider checking it out here)
I think that’s a more interesting premise, and it gives Asha more nuance, but how do you translate ALL THAT into one song? Well, here’s how I’d change “This Wish” to do that:
“This Wish”
Should have listened to my own instincts No time to cry now for what could have been If I could show them everything I've seen Open their eyes to all the lies then Would they believe in me or in them? But when I speak, they tell me, "Sit down" But how can I when I've already started runnin'? All I wanted to do was grant my wish on my own But now that wish's stolen and, I am all alone [Chorus] So I look up at the stars to guide me For I know they can send me a sign If knowing what it could be is what drives me Then let me be the first to stand in line So I make this wish Asking us for freedom, hope and bliss So I make this wish To have something more for us than this [Post-Chorus] Hey, yeah, yeah, yeah Hey, yeah, yeah, yeah, ah-ah More than this, oh-ah-ah-ah For many years they’ve been tricking us all Yeah, they said “We’ll protect you” while being our downfall Now what’s a girl like me supposed to do? How do you fight a king and queen? oh and they’ve got magic too! And all I've got is reservations and hesitations On where I should even begin I'm past dipping my toes in But I'm not, no, I'm not past diving in If I could just be pointed in any given direction On where to go and what to do My legs are shaking, but my head's held high The way you always taught me to [Chorus] So I look up at the stars to guide me For I know they will send me a sign I'm sure there will be challenges that find me But I can take them on one at a time So I make this wish Asking us for freedom, hope and bliss So I make this wish To have something more for us than this [Post-Chorus] Hey, yeah, yeah, yeah (So I make this wish) Hey, yeah, yeah, yeah, ah-ah (To have something more) More than this, oh-ah-ah-ah [Outro] So I make this wish To have something more for us than this!
Thank You For Reading!
123 notes · View notes
Text
How many fics is too many to post in like three days? Asking for a me.
Also, at what point should I collect the Pining Creature™ drabbles into one multi-chapter fic instead of posting them separately?
I don't want to feel like I'm hogging the Lisa Frankenstein AO3 tag honestly. But it's so hard because I can't stop writing.
28 notes · View notes
goat-guy-tm · 3 days
Text
I feel like we as a fandom need to have a deep conversation about how 'The Bog Bodies' by Rabbitology fits too well for too many mcd characters to a, worrying amount.
https://open.spotify.com/track/4FKkGkK3BqjJN3AeHSuEq6?si=aCC9sERDQ6CkFo_RufppIA
It's such a good song for one, I have listened to it on repeat so many times.
If you don't want to listen to it all good, I will share basically all the lyrics of the song (it's a bit short but still so good)
Tumblr media Tumblr media Tumblr media
I really think it fits so many characters, and I have yet to see the song breach into this fandom, PLEASE ITS SUCH A GOOD SONG
If you reblog this post please tell me in the tags which silly block creature you relate to this song, I WANT TO SEE EVERYONE'S CAUSE I KNOW IT CAN FIT SO MANY OF THEM
13 notes · View notes
doumapilled · 8 months
Text
Tumblr media Tumblr media Tumblr media
「アナタ誰」 「ワタシ誰」
46 notes · View notes
neonpelt · 1 year
Text
im normal about this guy i think
Tumblr media
(forgive me for butchering the FUCK out of that kanji btw 🙏)
76 notes · View notes
cinnamontoastcroonch · 7 months
Text
a post about the lyrics of Francesca by Hozier and how they fit the way more complex version of Laurance Zvahl’s character that i have in my head
(fits any pairing)
“Heaven is not fit to house a love
Like you and I”
- he is the figure of the damned, the other saved (heaven & hell); which ties in that he is “unfit” for heaven given that he is essentially a demon, despite his love and adoration for his partner.
- also note things like the calling which literally would restrict him since i believe he is in a weird place between mortality and immortality before he answers it
“If I could hold you for a minute
Darling, I’d go through it again”
- this i like to think of as the part of Laurance that is separate from his corrupted alternate form, or what still remains inside of him of it. This can tie into any pairing, as a sort of statement highlighting how the piece of him that still can love longs to so deeply that he’d put himself through hell (the torture of his transformation/avoiding the calling) again, if only to be able to hold the one he loves again, as his true self.
not to mention how raw the music and vocals Hozier gives in this song match so well with what could be imagined as Laurance’s mental state at this point of his existence, and how this portion of his old self that still remains (although damaged) claws so desperately at love that he is willing to re-destroy himself for it.
23 notes · View notes