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#like.....parts or characters
thelonelynindroid · 9 months
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I don't understand even slightly when people (YouTube mostly) see Brad MQ and are like 'Abed', etc etc. Like as someone who is literally rewatching community for the first time (genuinely consecutively after my first watch) and watching MQ for the first time SIMULTANEOUSLY with Abed and Brad as my favs in both respective shows, I literally cannot conceptualise them as the same person even if I try. Like if you put them in the same room I'd be like 'oh cool seems legit. How do they know each other' like. DO U GET WHAT I MEAN. i don't look at Abed ans think of Brad I don't look at Brad and think of Abed that's just how it is. AND I'M LITERALLY WATCHING THEIR SHOWS LESS THAN TWO HOURS APART FROM EACH OTHER
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irregularbillcipher · 9 months
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nobody understands this highly popular fictional character at all except for me and my carefully curated panel of mutuals
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inkoutsidethelines · 1 year
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Thinking about how I would write an adult Scooby-Doo series, because I think it can be done.
The first thing I’d do is make the characters actually be adults.  Still young, but adults, in the mid to late 20s range.  Mystery Inc. is a private detective type business that they run together.  In this universe, the supernatural/ghosts/etc are real, but not necessarily common, so when they take on a case, the culprit might be a person disguised as a monster, or it might actually be a real ghost.  The stakes can be higher; sometimes a bad guy is legitimately trying to kill them.  Sometimes the mystery they’re trying to solve is a murder.  Sometimes they actually get hurt on their cases.
Fred: the core of Fred’s character should be that he’s incredibly kind.  Like, give a stranger the shirt off his back kind.  The “Fred can’t talk to potential clients because he might take a case for free and we need to eat” kind.  He’s an honest and good person and sometimes gets himself into trouble because he assumes other people are too.  While he’s not very good at reading people or noticing ulterior motives, he’s brilliant when it comes to mechanical or engineering type stuff, so he’s the one who keeps the mystery machine running, builds their gadgets, and of course, designs the traps.
Daphne: she comes from old money, and her parents absolutely despise her life choices, to the point where they haven’t officially disowned her, but they have basically cut her off, so she doesn’t actually have access to any family money.  Growing up wealthy has granted her a variety of skills, including speaking multiple languages, horseback riding, and fencing.  She’s very into fashion and jewelry (even if she can’t afford it anymore) and has extensive knowledge of both that can occasionally provide a vital clue in a case. And even though her parents have cut her off, Daphne still has a wide network of contacts she can ask for favors sometimes, because she’s personable, and people tend to like her.  Daphne is also very emotionally intelligent, and is usually the one who can spot when someone is lying to them.
Side note - I ship Fred and Daphne, so I think I would start them off as an established couple for this universe.  Dating, engaged, married, I don’t care.  They are stupidly in love, ride or die for each other.  There’s no will they, won’t they, no worries about cheating.  They are in a healthy, happy, loving relationship, and no one (not even Daphne’s disapproving parents) are going to mess that up for them.
Velma: she is the forensics nerd who sometimes gets super excited about the wrong thing at the wrong time (”He was mummified in seconds? That’s so cool!” “Velma!  His wife is standing right there!” “Oh.  Sorry.”).  She’s not purposely insensitive, she just gets laser focused on her work and forgets to filter herself sometimes.  She’s also the one who can get so fixated on solving whatever mystery they’re working on, she’s willing to bend or maybe break laws.  Is breaking and entering really so bad?  Not if it gets them answers.
Shaggy: he is still the comic relief, but he’s the comic relief by being the only person in the group that actually has common sense.  He manages the business’s finances, he’s the only one who knows how to cook, and the others tease him for being a coward sometimes, but Shaggy maintains that if a ghost with an axe is coming for you, running is the only sensible option.  He should also have a range of random knowledge that sounds useless, but sometimes saves the day (ex ventriloquism, origami, the history of spoons, etc).
Scooby: as this is a universe where supernatural creatures exist, Scooby is an ancient eldritch type being that took a shine to Shaggy when he was a kid, and took the form of a talking dog to befriend and hang out with him.  Aside from the talking dog bit and not aging, he never uses his powers in a way that anyone notices.  The audience is not told upfront that Scooby is an ancient eldritch being; it should slowly be hinted at throughout the series so the audience put it together, but the characters never realize it.  Scooby genuinely considers Shaggy to be his best friend, and cares about the rest of the gang too.
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lgbtlunaverse · 4 months
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There's a version of the "don't go grocery shopping while hungry" rule specifically for writers where you should never under any circumstances be allowed to touch your draft within 3 hours of reading a really good story. Because sometimes when you read something great your head goes "fuck this is so much better than my stuff I should make that more like THIS instead!" Look at me. That's the devil talking and you should close the document NOW.
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ink-the-artist · 7 months
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Video game I saw in a dream. It was in this low poly style like an older video game. You play as this character I think was meant to be a lamb, or maybe a weird mix of a lamb a mouse and a rabbit, (while not really looking like any of those things) and you’re running away from a wolf. Your objective is to last as long as possible before the wolf catches and eats you.
The house you’re running in is endless and bizarrely put together like most building interiors in dreams are (like the infinite toilet dream dimension on Reddit lol) the layout of the house is pretty detailed, you can stop and hide in places like closets or bins while the wolf looks for you, you can go up and down stairs and into rooms etc.
You never actually know where the wolf is or how close it is to you until it appears in your line of sight, it makes no noise and the game gives you no way of knowing where it is, and it’s pretty unpredictable it doesnt move at a consistent pace. When the wolf catches you there’s an animation showing it eating your character
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ronanlynchbf · 8 months
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tshirt that says NO LIVE ORGANISM CAN CONTINUE FOR LONG TO EXIST SANELY UNDER CONDITIONS OF ABSOLUTE REALITY
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stromblessed · 5 months
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Mizu, femininity, and fallen sparrows
In my last post about Mizu and Akemi, I feel like I came across as overly critical of Mizu given that Mizu is a woman who - in her own words - has to live as a man in order to go down the path of revenge.
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If she is ever discovered to be female by the wrong person, she will not only be unable to complete her quest, but there's a good chance that she'll be arrested or killed.
So it makes complete sense for Mizu to distance herself as much as possible from any behavior that she feels like would make someone question her sex.
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I felt so indignant toward Mizu on my first couple watchthroughs for this moment. Why couldn't Mizu bribe the woman and her child's way into the city too? If Mizu is presenting as a man, couldn't she claim to be the woman's escort?
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However, this moment makes things pretty clear. Mizu knows all too well the plight of women in her society. She knows it so well that she cannot risk ever finding herself back in their position again. She helps in what little way she can - without drawing attention to herself.
Mizu is not a hero and she is not one to make of herself a martyr - she will not set herself on fire to keep others warm. There's room to argue that Mizu shouldn't prioritize her quest over people's lives, but given the collateral damage Mizu can live with in almost every episode of season 1, Mizu is simply not operating under that kind of morality at this point. ("You don't know what I've done to reach you," Mizu tells Fowler.)
And while I still feel like Mizu has an obvious and established blind spot when it comes to Akemi because of their differences in station, such that Mizu's judgment of Akemi and actions in episode 5 are the result of prejudice rather than the result of Mizu's caution, I also want to establish that Mizu is just as caged as Akemi is, despite her technically having more freedom while living as a man.
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Mizu can hide her mixed race identity some of the time, and she can hide her sex almost all of the time, but being able to operate outside of her society's strict rules for women does not mean she cannot see their plight.
It does not mean she doesn't hurt for them.
Back to Mizu and collateral damage, remember that sparrow?
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While Mizu is breaking into Boss Hamata's manse, she gets startled by a bird and kills it on reflex. She then cradles it in her hands - much more tenderly than we've seen Mizu treat almost anything up to this point in the season:
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She then puts it in its nest, with its unhatched eggs. Almost like she's trying to make the death look natural. Or like an accident.
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You see where I'm going with this.
When Mizu kills Kinuyo, Mizu lingers in the moment, holding the body tenderly:
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And btw a lot of stuff about this show hit me hard, but this remains the biggest gut punch of them all for me, Mizu holding that poor girl's body close, GOD
When Mizu arranges the "scene of the crime," Kinuyo's body is delicate, birdlike. And Mizu is so shaken afterward that she gets sloppy. She's horrified at this kill to the point that she can't bring herself to take another innocent life - the boy who rats her out.
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MIZU'S ONE MOMENT OF SOFTNESS AND MERCY, COMING ON THE HEELS OF HER NEEDING TO KILL A GIRL TO SPARE HER THE WORST FATE THAT THIS RIGID SOCIETY HAS TO OFFER WOMEN, AND TO SPARE A BROTHEL FULL OF INNOCENT WOMEN WHO ARE THE CASTOFFS OF SOCIETY, NEARLY RESULTS IN ALL OF THEIR DEATHS
No wonder Mizu is as stoic and cold as she is.
And no wonder Mizu has no patience for Akemi whatsoever right before the terrible reveal and the fight breaks out:
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Speaking of Akemi - guess who else is compared to a bird!
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The plumage is more colorful, a bit flashier. But a bird is a bird.
And, uh
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Yeah.
I like to think that Mizu killing the sparrow is not only foreshadowing for what she must do to Kinuyo, but is also a representation of the choice she makes on Akemi's behalf. She decides to cage the bird because she believes the bird is "better off." Better off caged than... dead.
But because Mizu doesn't know Akemi or her situation, she of course doesn't realize that the bird is fated to die if it is caged and sent back home.
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Mizu is clearly not happy, or pleased, or satisfied by allowing Akemi to be dragged back to her father:
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But softness and mercy haven't gotten Mizu anywhere good, recently.
There is so much tragedy layered into Mizu's character, and it includes the things she has to witness and the choices she makes - or believes she has to make - involving women, when she herself can skirt around a lot of what her society throws at women. Although, I do believe that it comes at the cost of a part of Mizu's soul.
After all, I'm gonna be haunted for the rest of this show by Mizu's very first prayer in episode 1:
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"LET" her die. Because as Ringo points out, she doesn't "know how" to die.
Kind of like another bird in this show:
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poorly-drawn-mdzs · 2 months
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You keep telling yourself that Namari.
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astearisms · 8 months
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fionna and cake drawings before and after watching the episodes so far. it’s nostalgic and somehow cathartic and poignant and relatable and—it just started
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aitadjcrazytimes · 5 months
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egophiliac · 5 months
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I have SO many thoughts about everything and they are in no kind of order yet, so here's just some quick little bits in the meantime!
I am not normal about any of these characters!
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#art#twisted wonderland#twisted wonderland spoilers#twisted wonderland episode 7 spoilers#twisted wonderland episode 7 part 6 spoilers#twisted wonderland book 7 spoilers#twisted wonderland book 7 part 6 spoilers#me just staring at the ceiling thinking about anime characters#if i start talking about the big stuff now it's going to turn into a huge rambling mess so in the meantime#i did not get sebek (yet) (i need to contemplate my gems...) but i did see his groovy#he is just full-on cinderella-sparkles bibbidi-bobbidi-booing into that armor! magnificent.#and i really don't have enough words for how much i love tiny malleus. he is perfect. he is precious. he is everything to me.#he knows who his dad is no matter what some crusty dead talking ectoplasm blobs say#(man no wonder lilia's got hangups if THAT was the general attitude he was getting)#('eww you got your dirty bat cooties on the prince' go sit in the corner with mrs. rosehearts you absolute garbage)#(...i did kind of love that lilia started to wake up because the senate said one nice thing to him)#(and he immediately was like 'this is not reality')#(sounds about right)#on a lighter note i was just. SO charmed by the little throwaway about ✨dragon lord consort esteemed diplomat revaan✨#who picks the vegetables out of his food and hides them under the tablecloth#everything i learn about this man makes me like him more. he was SO dumb.#now we know where malleus gets it from i guess#also unrelated but once again the fact that i named my mc tamago has had unintentional consequences#tamago take the tamago and tamago tamagao tamago#frikkin love that when yuu gives the egg back you can just be like 'i love him. this is my baby now.' 100% accurate.#also yuu continually referring to malleus as tsunotarou even to the senate = amazing. yuu really has NO self-preservation or awareness.#they fit right in with everyone else#<- see what did i tell you. huge rambling mess.#and i haven't even BEGUN to talk about MELEANOR -- (is dragged offstage by a hook)
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aroaceleovaldez · 3 months
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Nico referring to his mom as "Mama" implies he most likely at least used to refer to Hades as "Papa" and i 100% headcanon he still does but mostly in the manner of him having the entire Underworld wrapped around his finger for being the baby of the family
#pjo#riordanverse#nico di angelo#headcanon#my art#nico flexing youngest child privilages by pulling out the most pitiful expression he can manage#anyways i find it fun to explore character word choices#cause yknow no two characters are going to select their words the same way#or even necessarily think about it to the same degree#i like to think Nico thinks about his word choice a lot#so of course every time he uses ''papa'' he fully knows he's pulling the Baby Of The Family card#Hades definitely knows this too but falls for it every time anyways#cause Nico hasnt called him ''papa'' regularly since getting his memory wiped - just detached ''father'' or at best ''dad''#so it just reminds Hades of How Much He Just Wants His Children To Be Happy Like The Old Days#and how much poor Nico has been through and he's just the baby of the family and-#cue Nico smugly staring at the camera cause he knows how much power he holds#also i say Nico is Hades' only son cause mythologically even when Zagreus *is* Hades' son (rarely) he's. dead.#a major part of Zagreus' mythology is that he died#and im p sure every other deity said to be Hades' children are all goddesses and also are like 50% of the time not his#theres also only like 3 of them. and as far as we know in riordanverse canon one of them is implied to not be his daughter#so Nico is Hades' only son and also youngest in the family (cause Hazel is older by a month chronologically or 1 year biologically)#(and everybody else is a deity if children of hades at all)
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I dreamt of a character that would be obsessed with keys and who could open doors wherever he was as long as there was a wall... Thought I might draw him!
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captainkirkk · 1 year
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I want to see characters being taken care of in an explicit and worshipful way. Home-cooked meals. Hair brushed and braided by gentle hands. Little gifts just because.
I want to read about characters who are not used to kindness being bombarded by acts of service. This trope works romantically and platonically. Give me found family and acts of service - all the ways a character is wrapped up in wordless, explicit care after years of cruelty and having no idea how to handle. I need it.
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skeletood · 3 months
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i've been sitting on a lot of disgrub related art.
no, context will not be provided (probably)
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titanofthedepths · 1 year
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Society if people stopped using “he” for characters that use they/them or it/its
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