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#like i was tenuous about it at first...
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when you mentioned in your tags that there was hardly any laughingstock i didn't believe you at first, but holy shit ur right. YOU AND @krasytoonz MADE ME INTO A LAUGHINGSTOCK BELIEVER. I WILL PAY TRIBUTE TO THESE SKRUNGLY FUCKERS SOON, MARK MY WORDS *shakes fist into the void*
no yeah Seriously though its just us out here, fighting for our lives in the fucking Trenches. in ten years someone is gonna use the word 'laughingstock' casually in conversation and im gonna have War Flashbacks
#no please get out while you still can#once you let them in all the way They Will Not Fucking Leave they are There Forever#the inside of my brain is just me huddled in a corner while they make out in the middle of my skull#BUT YEAH THERES BARELY ANYTHING#trust me whenever krasytoonz posts them i am instantly there to ravenously devour the crumbs like a rabid pigeon#they are my only outside source of barnaby/howdy#them and the side plot in Stamps by Indigopoptart on ao3#oh the side plot my beloved.... im still starving but sometimes they trick me into feeling like im Feasting....#and that one tidbit in Beautiful Boy Its Only Love by ImaginatorOf Things - also on ao3 ofc#and thats IT thats ALL I HAVE. all We have#shoving my entire fist into my mouth and biting it off while sobbing. screaming. etc.#oh the pain and joy of rarepairs... its been a while since ive been so taken with one...#who knows? with the power of friendship and this gun i found maybe one day it wont just be viewed as a crackship by the masses#rambles from the bog#gotta be honest. krasytoonz also converted me all the way#like i was tenuous about it at first...#it was just a Thought yk yk#i was like 'oh thats cute but like. as a side thing. a background thing. they dont have much going for them'#i think that was because i had nothing to enjoy outside of my own brain#i liked the very rare very jokey crumbs from a couple of clownsuu's posts#but it wasnt enough to make me go Theyre Mine Now#then i stumbled upon krasytoonz and one scrolling session later! i was fully hooked! just like that!#laughingstock went from a nebulous interest to a Permanent Fixture In My Braincase!#but yeah uhhhhh glad i could contribute to passing on the Illness#if you ever get free i will envy you#and to future me: if youre free i envy you as well. but i also pity you bc theyre so so good theyre so cute whats wrong with you-#i hate them & i love them & theyre nothing & theyre everything & they wont leave & ive locked the door
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aroaessidhe · 9 months
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2023 reads // twitter thread
Star Eater
fantasy world under religious rule by an order of nuns who practice ritualistic cannibalism to gain magic
one young Sister who’s plagued by visions wants to get out, and ends up caught in the complex politics between factions vying for power and the revolution wanting to get rid of them
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faebriel · 1 year
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good morning everyone and welcome to dn.posting FM. thanks for tuning in to the show. anyway this morning im thinking about how L supposedly 'never got around to choosing a successor' between mello and near but at the same time had primed light and the task force for months before his death to name light as successor of the title L within the team. most likely at least mildly aware of the conflict over succession already brewing in wammy's house. not only placing light in an obvious position as kira (and a position light would never refuse, with how it benefits kira) and building him up as a common enemy. L had light right where he wanted him even after his own death
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echthr0s · 8 months
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I love it (genuinely) when something incredibly mundane incites tumblr users to go full PvP on each other. like first aid kits
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fellhellion · 2 years
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I have like. Thoughts brewing on Utena in episode 12 specifically hinging the “taking back” of her old self upon the repossession of Anthy when prior to their relationship she still believed she could fulfil the role of a prince
#on one hand the sheer joy at seeing utena fight against a system that allows her gender expression tenuous passage#on the other knowing THAT such passage within the system relied on anthy’s subjugation#I think it’s. that Utena’s conception of princehood is still very nebulous and self centered in a different way than it is after meeting#anthy.#she forgets about Wakaba in the opening episode despite being obviously pleased and sincere when defending her from Saionji#she brushes off the student council stuff as too annoying and complicated to deal with to the point where she at first really does believe#she can hand anthy back off to a boy who HIT her#princehood was there for when it suited Utena’s self-centred worldview and when she clued in to her friends being actively hurt#but once she becomes emotionally invested in a person who’s suffering at the hands of this system is in the constant reminder OF her title#as your bride#her princehood identity becomes influenced by the self repeating emotional gratification of protecting anthy#and I don’t want to sell Utena’s genuine compassion for anthy short here. it’s a complex mix of naivety#wilful blindness as the series goes on#AND the fact that this arrangement as a prince makes her feel good. the ROLE makes her feel like she has worth and on an even deeper#repressed psychological level this role is what literally drove utena out of a suicidal standstill as a child#she has a VESTED emotional interest in not really examining herself and it’s genuinely sympathetic and compelling#tunes talks utena
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rabbitindisguise · 1 year
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it's my post and I can make it as long as I want to :3 (it's really long)
hm this might be a weird thought but I wonder how much misinformation has contributed to positive things in society?
a lot of human rights activism is a game of telephone where someone will say something like "I would like to use the restroom" and then someone else is like "my god someone can't even pee in peace why do we even have gender signs" and then it's all "gender signs should be removed!" which is 1) not what they said and 2) very much a part of mob mentality type of deals where everyone is so upset and repeating the worst most ridiculous parts they ping pong around until bigger, more concrete and radicalizingly basic ideas are established
in academia this is often seen as a negative. Like, "no good progress will ever be made until people can communicate perfectly an telepathically and it's only a major con," and not "perhaps an important feature in the ability to mediate social conflict because it's existed long past our attempts to remove it"
but yeah your cause getting picked up by well meaning middle aged white women has, historically, been a wonderful thing in general. Abolitionists, gay rights, suffragettes, etc are all movements that have had significant support in this area. And almost universally, these women tend to badly misunderstand some things and yet those misunderstandings, while they might incite rage in oppressive groups, also tend to rally lots of support by being emotionally gut wrenching.
I think the important part of misinformation is not that it's wrong but what the purpose of the falsehoods are. It IS true that we use gender signs on bathrooms, so while that's not the most pressing concern, why is it such an effective way to stoke resentment towards the kind of person who defends actively attacking trans people? If boiling something down to surface level arguments that barely scratch the surface is not doing due diligence, why does it so often pan out correctly more often on the side of the oppressed than the oppressor?
Words are wonderful and important tools but tbh I wonder if trying to logic our way out of human emotions is not just a fool's errand but actively harmful. One thing important about trauma processing is not just learning to properly identify emotions to wrestle with them, but to learn TO feel. At all. Since PTSD causes irritability, panic, anxiety, restlessness, etc because of repressed emotions, disassociation, and avoidance, I think it's a sign that emotions serve an important and even arguably necessary evolutionary purpose to intelligent thought and sensible action.
We get tired when we need a break, we get happy when good things happen (typically). These cues are important bodymind communication tools and intertwined with lots of chemical reactions and complex psychological responses that control everything from perspiration to metabolic rates to oxygen saturation. When someone says "they're being mean!" and we get angry, that's regarded as purely interpersonal emotion but I think perhaps there is something deeper going on wrt to the social aspects of humans as a species. We talk about hiveminds (literally: bee hives), chemical signals, ultraviolet lights, etc as exotic compared to "rudimentary" human speech. But I think perhaps like gut microbes communicate with human bodies, humans in social groups communicate with the larger social groups. And things like democracy, anarchy, communism, capitalism, etc all fundamentally fail to answer how DO we actually make decisions anyways? Stripped down to the bare essentials, we appoint moderators/diplomats/instructors/skilled professionals into roles to handle disputes or take care of particular tasks.
But like . . . that's weird right? We don't really learn what it means to evaluate someone for something like that. "How do you know that Sam is good at teaching math?" There's nitty gritty How Many Kids Pass or Who Learns What but ultimately we sort of know what we're looking for and often laws and regulations aim to fix things . . . and make them worse sometimes in some aspects. But in addition to that, there's pressures for people to fill roles that they are not suited to fill because there is a huge amount of economic draw so they need to successfully remove people from the group that are interfering by not being good at it, causing risking making it worse to be worth it. So in a sense there's a pressure to self police at a global scale what's difficult to police even in a 1 to 1 interaction. And it's weird that it actually works at all. It means on a 1 to 1 level we have a shakey but effective system to determine who does what and what's in or out of line socially that is being replicated on a global level, with global level errors.
Take like . . . food labels, unions, and banks. People died and got sick when things were improperly labeled "not full of sawdust." When people found out about it there was outcry and regulations happened. Simply knowing was all that it took to get angry and the anger was effective at creating action. With unions on the other hand, disputes are mediated so that it doesn't turn into a shouting match and stuff can get done by sharing the facts, and just by mutual agreement unions will represent workers and not double cross them by lying a bunch. What? Trust, honor, and integrity are the only things standing in line of that, people say stuff like "if this union doesn't stand by their workers they're not a union" and that's like a fallacy or whatever but it's also decreeing what can be true and acceptable through regulating through social force of will. Laws like these are effective from punishments, sure, but what makes punishments effective is the social will to make it so- and shocking someone from touching a button doesn't really have a lot of social impact, even if you tell them it's the button that shocks them. Similarly, banks are methods to hold a currency's value on mutual agreement of value that's agreed upon by an entire country. Gold is typically used as a metric of value behind the dollar, but why did everyone agree gold was valuable?!?!? There has to be some utilitarian purpose- part of it is that it's rare to find, and effective for some status symbols like jewelry worn by people who can afford to pay for people to do luxury labor for them, as well as the value as a metal that is fairly hypoallergenic and can be used for protecting teeth to all sorts of other functional uses. But there's lots of other things that are similarly valuable that aren't globally seen as important (water for example). It doesn't make sense until I reconsider it in the context of humans being a living organism with social instincts, and gold being a tool and not something essential to survival.
On some level, problematic discourse could be considered in the same vein as an algae bloom or a rock slide or a migratory pattern change.
I think ultimately the answer to why misinformation works effectively to hear out oppressed people is that the facts of the matter are irrelevant to the intention of the interaction. The issue of the matter is Not if trans people can use the restroom, it's to draw the gaze of the entire country on the problems faced by an iiiiitty bitty tiny fraction of the population. Using the most inflammatory language possible, even if it's egregiously wrong, increases the attention- it's why trolls are such a big problem. It would also explain outcry, social change, reactionary behavior, and post reactionary behavior cycles. The outcry is the problem, the social change solves some and creates new ones, the reactionary behavior focuses on the problems, and after the reactionary behavior there's a bunch of chaos until Everyone Has Been Briefed on The Issues. Understanding this through the lens of a social group makes sense- individual birds will nest closer to a sunny spot, and others will follow to maintain the protection of being in a group. Cats will share nursing duties between themselves and raise kittens together. Strip away the complaining and infighting that happens, you can see regulations shifting towards informed consent HRT over time, then backswinging to it being outlawed, to a national conversation and protections from people fleeing the punitive laws. I don't think that California and Massachusetts would have such firm stances if they had not hear the (flawed) reasoning of republicans, or the pleas from trans people, or the very angry middle aged white women campaigning for trans rights with things that don't really make a whole lot of sense but are surprisingly effective. There's a huge push and pull across entire countries that looks like a nice flock of birds in the distance or a swarm of bees shifting course or a bunch of fish dodging a shark, if we didn't have to listen to insults and angry back and forth about it. We stare and wonder at ants making anthills and don't stop to think that it's incredible that we have people build houses that we can live in.
All this to say, I'm really curious about the bird discourse that may or may not be happening in light of this realization. Are there ant taxes? Are there ant fines for ant littering?
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weirdo-with-a-nametag · 5 months
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I feel like there's so much your parents are supposed to teach you how to do, and mine didn't. Some of it they assumed I already knew (?) Or punished me for not knowing (??) And now I'm out here clueless. There is a lot that I do not feel I have the knowledge or ability to handle. Where is the support you promised?
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worm-wood-words · 6 months
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#anyway wanting to ramble about Len but feeling like anything i have to say is super basic anyway thinking of getting rid of the time skip or#having it be much shorter but like. with the changes it's like. he thinks he's ready for so much since he's had such a dark life but then#he's already relieved when he doesn't have to kill Rakesh after all and then. when Alvor calls his bluff he can't do it and he's#already fucked up from having to kill to get mal free but it makes him think he will be able to kill after all and how he feels so#fucking weak for not being able to do it. like after everything Alvor has done to him and certainly to mal he thinks it'll be easy but then#he just can't and like. yeah there's the weakness but there's also anger at how much power that man still holds and regret and feeling like#maybe he doesn't care as much as he'd thought about mal after all. and like him and mals different#experiences being part vahla how that's something he can hide but she can't and that does affect how they both move through society but#hopefully never acts like Len is massively priveleged or something because like first off that still makes his claim to the throne#somewhat tenuous and even more of a technicality but also he still has to flee his homeland and change his identity and even hiding#that part of himself still takes effort and keeps him from fully connecting to people#maggot original#i dunno having feelings about this man don't mind me#also thinking about how the changes to the beginning make it come across more like he is indeed sixteen. seventeen maximum#like he's just a desperate boy trying to keep his world from ending at that point
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heich0e · 5 months
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yuuji calls sukuna a lot.
it's almost like second nature to him now, muscle memory even, so many years since getting his first cellphone; any time he finds himself idle, maybe on his walk home after his part-time job, or on a break between his college classes, he picks up his phone and dials his older brother without thinking. they never talk about anything of importance—maybe just what yuuji did that day, or some gossip he overheard, or what the two of them should have that night for dinner—but he still makes the call.
sukuna always acts annoyed when he answers, greeting him with a characteristically terse 'yeah, what?' that yuuji never pays any mind to. but he still answers the call—at least most of the time—and that simple truth speaks volumes in and of itself.
sukuna's phone rings at a few minutes past 1am, and his little brother's name lights up the caller ID.
"yeah, what?" sukuna snaps groggily, holding his phone up to his ear. he'd passed out on the couch soon after he got home from work, a half-drunk and now room temperature can of beer left abandoned on the table in front of his spread knees. yuuji's babbling starts as soon as the call connects and his brother greets him, and it takes sukuna a moment to make sense of him.
"—'n now i can't finder!"
"the hell are you talking about, dumbass?" the elder of the two grumbles, scrubbing a hand across his face. his brother's voice is panicked and hard to understand.
"we got spliddup at the bar, 'n now i dunno where she is anymore—"
"don't know where who is? fuck, are you hammered?" sukuna complains, sitting himself upright on the sofa as he wipes sleep from the corner of his eyes, suddenly a bit more awake than he was when the phone first rang.
yuuji says your name with a croaking, worried voice, and sukuna sighs exasperatedly. he stares down pensively at the can of beer he forgot to drink on the coffee table, then his eyes flicker to a framed photo hanging on the wall across the room—the glass smudged, frame slightly crooked, and photograph sun-bleached from the years it's spent hanging there.
"just..." he grunts as he pushes himself up to his feet, "fuckin' send me the address and stay where you are, idiot."
it's not hard to find his little brother once he arrives to the address yuuji sent him—especially since the youngest itadori brother is waiting (as promised) right by the entrance of the familiar bar near the university campus where both you and yuuji attend classes. it's still busy for so late in the night, but the clubs are closed now and little bars like this are the only places still open. sukuna's not even sure what the difference is anyway, because the lights here are still dim and the music is loud and there are still people dancing off to one side of the establishment, so the distinction between the two seems tenuous if not entirely negligible. but as someone who's spent his fair share of nights in bars just like (and including) this one, he's usually not really one to complain.
but tonight's different.
yuuji is teetering a bit when his brother arrives—an unusual sight, considering he's usually pretty good at holding his liquor.
"shit, how much did you drink?" are the first words out of sukuna's mouth when he approaches.
the youngest itadori's cheeks are flushed as pink as his hair, and he grimaces in the wake of the eldest's question—he's always been a terrible liar, especially when it comes to his brother, so he doesn't even bother trying to deny it. sukuna doesn't wait for a response in any case, turning his head towards the thick of the crowd and letting his eyes scan through it.
he doesn't see you.
"where'd you see her last?" he asks, leaning towards his brother to be heard over the music.
"by the bar!" yuuji replies, raising his own voice to overcome the bass. "she said she was getting one last drink, but she never came back to the table."
yuuji's lip wobbles a bit as he concludes his sentence, but he sucks it quickly into his mouth and catches it between his teeth.
"and you looked for her?" sukuna asks again.
"all over," yuuji nods, letting his lip slip out from between the bite of his incisors to reply. "fushiguro's doing another lap. nobara's checking the bathrooms."
sukuna ruffles a hand through his hair, suddenly realizing it's probably a mess from his rudely-interrupted slumber. "maybe she just left or somethin'."
"she wouldn't do that, you know that," yuuji says firmly. there's an insistence burning behind his eyes as he looks to his older brother, and it's the most sober he's seemed all night.
sukuna rolls his eyes, even though he knows yuuji's right—you'd never leave on your own, much less without so much as a goodbye. the two of you have been joined at the hip for long enough he's almost surprised that yuuji wasn't able to find you with some weird telepathic form of echolocation. he swings an arm up over his little brother's shoulders pushing him down a little just to tease him, before using his grip to tug him towards the crowd.
"you track down that little sea urchin friend of yours and i'll take a look around. meet me back here in ten minutes or text me if you find that little pest, alright?"
the bar is harder to navigate the further in sukuna travels from the entrance, the bodies pressing closer together with every step he takes away from fresh night air. he's pissed off, but that's not out of character for him. he's more pissed off than he usually is, considering not even an hour before he'd been peacefully sleeping at home, and now he's glaring at some drunk college kid who just almost spilled their beer on him.
"move," he hisses through his teeth at the wide-eyed kid whose life he can practically see flashing through his eyes as he shoulders past him. sukuna would be lying if he said the look didn't improve his mood at least marginally.
as sukuna weaves through the bodies in the bar, his eyes don't stop looking for you. it's almost startling how quickly he can rule people out—how definitively he can say that someone is or isn't you with just a passing glance. he starts to doubt himself as he reaches the far corner of the bar and begins to round back towards the entrance, an annoying, grating irritation in the back of his mind. worry, maybe, if he were the type.
then he sees you.
just the faintest glimpse of your profile, caught behind the shoulder of the man who has you backed into a corner by a pillar, hidden mostly away from the crowd—at least as hidden as anyone can be in a place like this.
sukuna feels his lip curling into a furious sneer as he takes a step towards you—people move out of his path wordlessly as he trudges over to that dark corner where you're tucked away.
it's only when he gets a bit closer that he's able to read the lines of your body properly. you're teetering, just like yuuji had been—the two of you had probably enabled each other in your intoxication that night like the stupid kids sukuna knows you both to be. but you're also distinctly uncomfortable, pressed up against the wall as if to put as much distance between you and the man hovering over you as you possibly can. your eyes glance off to the side, like you're searching uselessly for an escape.
instead, they meet his.
"sukuna," you gasp out in surprise, and the man you're speaking to glances over his shoulder in confusion. he seems annoyed, and a bit nervous, when he spots the man (taller, and broader than he is) standing behind him with a scowl.
sukuna hears the relief in your voice when you say his name. reads it behind your glassy eyes.
"what are you doing here?" you ask, reaching out towards him clumsily.
the man in front of you puts a hand on your waist—possibly to steady you, more likely to stop you—and it makes sukuna see red.
"hands off," sukuna snaps, wrapping a hand around your upper arm and tugging you into his side away from the creep.
"who's this? you said you don't have a boyfriend," the kid asks you, jutting a thumb towards sukuna accusatorially.
you mumble something quietly in reply about him being yuuji's brother, tucking yourself a bit closer to sukuna as you say it.
"your brother?" he asks as his eyes squint in confusion, having clearly only caught part of your explanation. "you're ditching me for your brother?"
sukuna's anger flares again at the entitlement this little brat has the nerve to display so flagrantly. the older man's hand slips down to your waist on instinct, and then lower still to the curve of your ass, making a show of how his big hand grips into the flesh beneath it. you squeak quietly at the contact, turning and hiding your burning face against sukuna's chest. he keeps his hand right where it is.
the stranger's eyes widen at the inappropriate display before him and sukuna leans in close with a vicious, almost manic grin.
"we're very close."
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neil-gaiman · 8 days
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Id like to let you know that I recently lost my annotated and very well-loved copy of Fragile Things in the San Diego Airport.
Rather, I lent it to a goth kid who'd been sitting next to me and wanted to know if I had an Android charger. I did. She plugged her phone in, and a pinhole light on the screen blinked into life. We both looked at the otherwise dead screen for a moment, and I asked her where she was flying to. New York, she said.
Then she asked me what book I was reading - Fragile Things, I told her, by the same guy who wrote Coraline. What's it *about*, though, she asked again.
Im at best a mediocre writer, so I rather gave her the book than trying to explain things myself. I figure some folks get Hugos for writing stories, and I should let 'em do it.
She didnt seem to mind my scribbles in the margins, and it was fun, watching a painted face that looked so somber and serious just a few minutes ago smile. A Study in Emerald had its surprising share of humour. After a while, I stopped paying attention and scrolled absentmindedly through my phone.
Then I hear my flight called - San Diego to Philadelphia, the boarding now, group C, C as in Coconut. I grab my bag, my phone, my ticket, pat my pockets down for my passport, my overstuffed backpack, precariously balanced on my carryon luggage, my headphone wires tangled in the strap of my purse and jerked out of my ears. I trot hastily over to the gate check - a smile, a beep, and I'm shuffled down the gangway and into the plane. My things stowed, and myself cozy against the window.
This was when I went to reach for my book, and realised that it was missing - still nestled comfortably in the hands of a 15-odd goth.
I miss my book. It had many memories in it, beyond the stories told there. My grandfather was still alive when i first read Fragile Things, and he was the one who gave it to me. But I hope that the kid who has it now will also love the stories you wrote. I hope maybe she will remember me and our little story, that we now share. Maybe she will also keep other memories of her own in there.
It seems an oddly fitting way for me to part with this book. It was an old fragile thing, given to me by a fragile man, and left to a child with whom i had only a fragile, tenuous connection.
Or maybe I'm reading too much into things, i don't know.
At any rate, if you read all this rambling, thank you mister Gaiman.
I hope it was the book she needed.
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ew-selfish-art · 8 months
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DCxDP AU: Danny and Damian are actually twins but were never raised together- Talia would divide her time between bases, spending time with them separately (but spending more time with Damian). Jason technically only met Danny in his time with the LoA.
It still a very tenuous truce that Jason has with his family when he finally joins them for breakfast after a late night of busting a drug ring. And sue him, he's never cared to look at the little one that closely when he's not pointing a knife in his direction. But then the little Bat Brat turned his face towards the ray of light streaming into the family room of the Manor and Jason caught a closer look to the… green color. Huh.
“Hey demon, when you died did you come back with those green eyes?” Jason calls out, and perhaps it’s a little antagonistic but something deeply unsettles the crime lord about this.
“Tt. I’ve always had green eyes Todd. Your observation skills remain dulled-“ Damian begins to berate him but Jason’s scowl deepens and he interrupts.
“No, they were definitely Bruce’s color blue when I met you with Talia- I punched your lights out because of it remember?” Jason supplies, looking perturbed and having a small child look equally perturbed back at him.
“You never met me in Nanda Parbat. And mother would have never allowed you to attack above your station and live.”
“Kid I literally have the scars from my punishment. My memory from that time after the pit might not be great or even good but I know, I know I punched your lights out.”
“No doubt you have been fooled by a clone then-“ Damian says but he looks upset.
“Talia called you Dami then, you’ve never let us call you that.” Jason supplies further, he was certain that Talia had introduced him as her son.
“I was never called such an informal name.” But Damian looks disturbed more than he looks like he wants to fight.
Eventually, after combing through their collective memory of Talia's where abouts and Damian's lack of interaction with Todd, it’s decided that they have to talk to Drake who was there the most recently. Neither wants to add the fact that he's also the most knowledgeable family member when it comes to the LoA now.
“Huh? Yeah, it looks like Talia kept ledgers dividing her time between two places- the journal reads like there is Dami as Damian but… maybe it’s Dami AND Damian…” Tim reviews the books he robbed them of with a fine tooth comb and suddenly this pattern of using the “nickname” and the “full name” start to show a “first child” and a “second child”.
Damian was clearly the favorite. The ‘Dami’ kid was sent away on a suicide mission pretty early in their lives, he would have left right after Todd did at the age of 8-ish. They all groaned at the cold trail following this assignment he failed to return from- it meant that they had to involve Bruce with a DNA search of the local areas the kid had been sent to across the globe. One of which, weirdly enough, was in Illinois.
“My name isn’t Daniel” Danny sighs at yet another event the Mansons brought him to with Vlad looking over his shoulder every five minutes.
Then the weird skinny kid who’s the big talk of the town approaches him with some guy built like a tank and says: “It’s Damian, isn’t it?”
Danny literally sinks through the floors, but in his attempts to run out the back door he’s stopped- By a guy that has Danny's own face and a very sharp looking knife pressed to Danny's throat.
In short- Danny introduced himself to the Fentons as “Dami” but they misheard him and called him Danny and fuck it, it’s close enough.
Now it turns out that their mother only planned on one surviving the artificial womb and gave them very different amounts of her time- so she just gave them the same name and reported it like she only had one child.
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moonstruckme · 9 days
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heya!! i was wondering if you could write a poly!marauders x reader where r stopped smoking..? i’m 6 months clean from smoking nicotine and i haven’t told anyone (you’re the first!! lmao) just incase i break from a stressful day and so i don’t disappoint!! could you maybe write that into the drabble or whatever you do..? tysm if you do, and if you don’t then no worries!!
i love you mae and make sure to take care of yourself and keep being you!!!!
thanks for requesting gorgeous, i really hope you're doing well!! proud of you <3
cw: smoking, reader deals with addiction
poly!marauders x fem!reader ♡ 936 words
Remus smells like cigarettes. He’s stopped smoking anywhere near you, but you’re sure if you look out the front door you’ll see the telltale smear of ash smashed into the sidewalk from where he’d stamped one out on the way in. The aroma brings longing and self-loathing, the former more potent than the latter, and you find yourself breathing in the fibers of his sweater for a whiff of it. 
Remus doesn’t catch onto the true motivation for your proximity. He takes it for cuddling, adjusting his hold on his book so he can read with one hand while the other wraps around your shoulders, encouraging you closer to his side. Underneath the heady smell of lingering smoke he smells like himself, like cinnamon and oranges, and you try to focus on that as your better sense fogs over and your fingers start itching for a cig. 
“Aha!” Sirius slaps his last card down on the table. 
James blows out a flabbergasted breath, leaning back on his hands on the floor. They’re playing some kids’ card game Remus learned in primary school and unwisely taught them. At first you’d all gotten into it, but after Sirius nearly took your head off for forgetting the rules and playing with two hands (“Sorry, gorgeous, you know I don’t mean anything I say when I’m trying to win…and I could have won, couldn’t I? No, I’m just saying, it’s about the principle—”) you and Remus had bowed out. James and Sirius have retained their obsession for days, each keeping a scoreboard in their own heads that seems to hold them in favor. 
“Angel?” 
You look up, meeting James’ knowing gaze. “Hm?” 
“He asked if you’re getting hungry for dinner,” Remus clues you in, toying with the ends of your hair. 
“Oh, sorry. Um…” You think hard. One of the more irritating things about quitting smoking is that now your appetite never seems to fully die down. You’re ready for your next meal all day long, and so you actually have to think about whether it makes sense for you to have it. “I had some carrots just after I got home, so I could eat whenever you want to.” 
“Alright…” 
You take another deep inhale, telling yourself it’s because Remus smells nice and losing your grasp on self-control all the while. 
“Are you tired?” Remus asks, and you don’t know how you didn’t notice it before, that extra bit of roughness that his voice takes on after he’s been smoking. You’re so envious you could die. “You seem distracted.” 
“I’m good,” you murmur. Though perhaps it’d be better if you did take a nap or something. You’re beginning to feel twitchy. You take in a breath through your nose like you’ve been practicing, letting it out through your mouth. 
“Ah.” Sirius scoots closer to you, laying his cheek on the couch cushion. “You want to have a piece of your gum, sweet thing?” 
You look at him guiltily. Remus makes a soft sound of realization. 
“You’re picking your nails,” Sirius explains, and you look down to see that you are. “I imagine that means you’re craving one.” 
It’s simultaneously sweet and irksome that none of your boyfriends will even say the word cigarette around you anymore. They’re trying to be considerate, you know, but it feels like they think your self-control is so tenuous that just one word could shatter it. You don’t have the heart to tell them. 
“Sorry,” you mumble, getting the pack of gum out of your pocket. Just the act of unwrapping a stick makes you feel instantly better. “I guess I was thinking I wouldn’t need it anymore.” 
“Don’t be sorry,” James says lightly. “I don’t imagine it’s easy, sweetheart, you shouldn’t feel bad about using something to cope. It’s not like having gum hurts anything.” 
You hum, then turn to Remus sheepishly. “I’m really sorry, do you think you might be able to change?” He looks confused. “Your sweater smells like cigarettes,” you explain. 
James gasps as though scandalized and Remus swears, grabbing the neckline of his sweater and tugging it off. He tosses it into the hall. 
“M’sorry, dove.” He takes your head between his hands, mushing a kiss into your hair. He’s now bare-chested, and you laugh at the dramatics, totally unexpected from him. “I didn’t realize. Is it better now?” 
“Yeah, thanks.” 
He drops another kiss on your head, remorseful. “Alright, I’ll go grab something else to wear,” he says, starting to stand. Both Sirius and James protest loudly. 
“I think what you’re wearing now looks great,” says James. 
“Yeah,” Sirius seconds, “stay in that.” 
Remus looks down at his shirtless torso, raising an eyebrow at the other boys. You can see the amusement dancing in his eyes. 
“Really?” he asks. 
“Come on, it’s not like the fucking Pope’s coming over,” Sirius says, looking well below your boyfriend’s eyes with unabashed enthusiasm. “Tell him, gorgeous.” 
Remus turns his gaze on you. You curl in on yourself slightly, shrugging your shoulders. “This is the best distraction I’ve had all day,” you say quietly, and James’ laughter booms off the walls. 
“Fair enough.” Remus rolls his eyes, grinning as he sits back down on the couch beside you. You get comfy like you were against his side, now smelling only him. He drapes his arm across your back, settling a hand on your hip. “The lows I stoop to for you, hm?” 
“If you’re not up to the task,” Sirius says, “just say the word. I’d be happy to take her off your hands.” 
“Fuck off,” Remus says, and tugs you closer.
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historiaxvanserra · 4 months
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Whatever Our Souls Are Made Of
Pairing: SingleDad!Rhys x Reader
Summary: After his mate and the mother of his son abandons them, The High Lord and Nyx are left alone and wanting.
Word Count: 3.9k
Warnings: allusions to sexual assault, allusions to depression, abandonment, broken homes (y'know keeping it light, in all seriousness this is not all angst it's quite sweet actually).
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The sky is painted in hues of lavender and mauve and the flowering ivory clouds shade Velaris in a perpetual state of dusk. The silvery light of the waxing moon seems to cast you in a gentle opal light as you approach the opulent manor. The High Lord’s townhouse is nestled in the heart of the city of starlight and wreathed in the colors of twilight; a slate facade that looks as though it is crowned in green, climbing ivy and night-blooming jasmine frame the large bay windows on the ground floor. From here you can see the large stained-glass window on the top floor, light refracts and it casts a myriad of dancing light onto the stone below-- dappled pinks and roses that fracture and give way to amethyst and indigo.
You spare a look to your aged companion as she breaches the threshold of the High Lord’s residence and, on unsteady feet, approaches the ornate wooden door and knocks thrice. 
You remain for a moment a solitary figure at the entryway of the property, contemplating the series of events that led you here. Mother above, you chastise yourself. The thought occurs to you then, that perhaps you had made a mistake in coming here; that you should have given yourself more time, that you should have remained in the quiet solitude of the library where the world seems like a bitter memory. 
“Come, girl.” Madja’s voice is tired and impatient as she beckons you closer with the wave of a crooked finger. “Don’t just stand there.” 
You swallow thickly, bowing your head in obedience and you notice how her eyes soften as you approach the door tentatively.
“Nervous?” the old woman asks, you feel her eyes on you-- examining and critical.
“A little,” You admit, eyes downcast as you loose a shaky breath, “I haven’t left the library besides for training in quite some time.”
You stare down at the sleeves of your faded pewter robes as they billow in the evening breeze; the silver embroidery around the cuffs has begun to fray and the layers of fabric gather about your waist, the pleats have been poorly ironed and the heavy fabric falls over the curve of your hip haphazardly and pools to the floor in a swathe of heavy cotton. Shame pools in your stomach at the sight of your slippers as they peek out from the skirts of your robe. 
It’s about time you asked Clotho for a new set of robes you think. 
“You’ve met him before, no?” Madja’s voice breaks the tenuous peace you have found in those moments. You look up at her and a deep set frown graces her weathered face, “when you first came to Velaris?”
The visions fall on you like night; the Moonstone Palace saturated in onyx and jade, the reflections of your face in the marble of the throne room floor, the sentries as they dragged you before the High Council. The sounds of your screams and a sea of rubies and pearls as the bodice of your dress is torn away from your heaving chest-- all that red. Terrible and red. 
Hewn City had always been cruel to you. You, a useless daughter to an ambitious man. The dreams are less vivid now but the sound of footsteps on marble still haunts you. 
“Yes, it was him who brought me to Velaris-- after-afterwards,” You acquiesce to her questioning, eyes set on the light beyond the frosted glass panes of the onyx doorway, “though I doubt he remembers.”
Your avenging angel.
Madja looks at you carefully, taking account of you before she nods to you in silent acknowledgement. 
The door to the High Lords townhouse opens with a flourish to reveal Morrigan. She’s more beautiful than you remember, radiant even as the dark shadows of sleep cling to her. Her golden hair hangs in loose waves over the delicate curve of her shoulder and though the deep umber of her eyes meets yours in a warm inviting stare as she utters your name. 
She knows your name. 
“Come on in from the cold.” she beckons you with the curve of a slender hand. You smile politely as you cross the threshold of the house. The wards fall away as you pass through into the foyer and the smell of mandarin and night blooming jasmine flood your senses. 
The foyer to the townhouse is truly beautiful; a testament to the fine artistry and craftsmanship that seemed to define Velaris’ art district. The walls are paneled wood, painted in a shade of twilight that can only be found here, in The Night Court, and the burgundy carpet so rich in color that it reminds you of a blood moon, the oil paintings that hang on the walls seem to exude an air of majesty unlike anything you’ve ever seen. 
In this room night reigns triumphant and you behold it all with a sense of wonder and awe. A careful deference to the love and care contained between these walls. It is a home that has been truly cherished by the people that live here. 
“Did Madja tell you why you had been summoned here?” Morrigan’s voice is soft and sweet and the feeling of her hand on your robed arm pulls you from your thoughts. 
“Sorry - I - uh” I stutter, glancing between her hand on my arm and the unyielding warmth of her gaze. “No she didn’t, only that there was a position in the High Lord’s household that Clotho recommended me for.”
“It was my recommendation actually,” Morrigan smiles proudly, letting her hand drop to her side idly. “Clotho just happened to agree.” The words leave her lips with the ghost of a smirk as she recalls the conversation between her and the High Priestess.
The last time you had spoken to Morrigan would have been in Hewn City, all those years ago. You abandon yourself to those days; when you had been the cursed daughter of a capricious Lord. The girl you were died under that mountain. The woman that stands in her place had been forged of blood, and splintered bone-- made strong by violence and tempered by time.
You nod solemnly and cast a glance to Madja who watches on in quiet curiosity. 
“Rhys is upstairs,” Morrigan says softly to you both, gesturing up the staircase to the upper level of the house, “I’ll fetch him down”. 
You notice then how troubled Mor looks. The rings around her eyes are pale purple and blue and her skin, once radiant, has become pale and sallow. She begins her ascent up the stairs with a small wave of her hand signaling Madja to follow. From here you can see a singular light that pierces through the blanket of the dark that shrouds the upper levels of the house.
Mor regards you once more as Madja passes her on the stairs and points towards the ornate door that leads to the antechamber at the heart of the house. “Go on in, we won’t be a moment.” In a flourish of golden blonde hair and crimson Morrigan winnows away and leaves you to linger in the foyer for a quiet moment. 
The smell of cherries and marigold shades the air in her absence.
Voices, disembodied and distant from the upper levels of the house draw you into the heart of the house.
The antechamber of the High Lords townhouse is a beautiful living room, plunged into near darkness spare the slivers of jade light that dapple the dark walls from the emerald chandelier, even in the darkness you can make out the dark marble of the hearth that is draped with moonflowers and ivy. The low backed chairs are elegant and worn from use and there are books strewn about the room and a small library contained neatly in the alcove. 
Your eyes find the painting hung above the hearth; immortalized on oil and canvas the High Lord of Night and his Lady. The High Lord is painted in a deep navy tunic and the silver paint mimics the delicate embroidery favored by the Velarian tailors in The Rainbow. His violet eyes shine bright against the dark. 
He is a thing of dark beauty, you think.
In this light, his High Lady looks as though she is wreathed in starlight as smiles down on the antechamber from her place above the hearth. You observe the pointed curve of her nose and the upturn of her cerulean eyes and something aching and jealous festers in you at the sight of her beauty. 
Otherworldly and ethereal.
“It’s beautiful, isn’t it?” The low tenor of a man calls out from the darkness of the room, the voice is measured and devoid of any emotion as it permeates the dark. The male cuts an intimidating figure in the low light and all thought and sound eddies from your mind. You’re sure the sound of your heart like an echoing war drum is loud enough to shake the mountains as he takes a step towards you.
“High Lord?” you question. He steps further into the light and you regard him pensively; his skin is pallid and his eyes are ringed with dark circles of amethyst that trouble you. His onyx hair is left tousled and the ends have grown long enough to curl away from the harsh lines of his face. The sharp junction of his jaw has become obscured by the smatterings of coarse, black hair that grow there.
Even still, even in the unforgiving jade light, he is the most beautiful male you have ever seen. He smells of night blooming jasmine and violets undercut with something inherently masculine. Pine and whiskey perhaps. 
His presence is something truly captivating; dark and intoxicating. When he looks at you there is only dark in those violet eyes. 
The High Lord sinks into the worn armchair by the hearth with a deep sigh and for a moment he allows his eyes to flutter closed as he breathes deeply and all you can do is surrender yourself to that dark magnetism. The dying fire in the hearth warms him and in this light you notice the golden hues of his skin and the dark inky trails tattooed across the planes of his chest where his shirt opens. 
“You’re staring--” The High Lord’s violet eyes falls onto you. In those liminal spaces between the seconds, when he is looking at you, all ceases to be. You tilt your chin downwards, hoping to avert his gaze, as you offer him a courteous bow. 
“My apologies High L-” the apology is cut off by the High Lords gentle protests. None of that, Love.
You pray to the mother that he doesn’t notice the flush along the tops of your cheeks or the wild fluttering of your heart at the pet name.
“Sit down,” The High Lord gestures simply to the seat across from him by the hearth and his whole demeanor is somehow softer when you deign to look at him again. Wordlessly you comply with his request, a careful hand runs down the length of your robes to smooth out the lazy pleats in the skirt as they fan out around you in the low backed chair and while you don’t dare to meet his eyes directly you can feel him looking at you.
    “I didn’t mean to startle you,” he apologizes though his voice is distant, despondent even and his eyes find the painting that looms over the hearth. “The portrait-- It’s beautiful, isn’t it?” He muses, tipping the rim of his whiskey glass towards the portrait. 
“Very beautiful, High Lord.” you agree, smoothing the heavy material of your robes again. He watches you then with a curious glint in his eyes and he takes a few moments to assess you.
“Just Rhysand will do,” He smiles lightly, though there's a sense of apprehension as he regards you playing with the threads of your sleeves for the third time in so many moments, “there’s no need for such formalities when it’s just the two of us.” 
“No of course not,” You agree and look at him through thick lashes and offer him a small smile in return, “forgive me, I’m--” you extend a hand to him over the small end table between the arm chairs and he takes it in earnest shaking it lightly. A calloused pad of his thumb rubs an absentminded circle into the skin of your hand before he brings your hand, trembling and slender, to the sulk of his lips and places a chaste kiss against the knuckles. 
“I know who you are, Priestess,” he says lightly-- playfully. You offer him a polite laugh in return and nod your head again. 
Something dark burns in his eyes in those moments; silver and violet. Like the darkness between the stars. He smiles to himself then, a soft beautiful thing. A secret shared between him and the dying light in the hearth as he picks at an errant threat on the stitching of his shirt.
“Why am I here, Rhysand?” You ask, inhaling deeply, hoping that his answer might assuage the anxiety that has been coiling in your stomach all afternoon. The door to the antechamber opens then and light, golden and radiant spills into the room all at once. The radiant light reveals the room to you fully, you observe the emerald velvet chairs and the dark wood furnishings, the landscapes hung on the walls and the rare manuscripts and novels bound all in black that line the walls. 
This house is something truly breathtaking. 
It feels like a home you realize. 
“There you are!” Morrigan's velvet voice smothers the morose tension in the room as she comes into view. She’s since shed the tiredness that plagued her before and you notice the way her hair frames her face like a halo of gold in the soft ochre light. In her arms, swaddled in sapphire spider silk, is the High Lord’s son. 
“We were beginning to wonder where you had gone.” Mor coos at the bundle in her arms as she approaches Rhysand who takes the babe in his strong arms. 
As if he could get any more beautiful-- the man looks as though he was carved by The Mother. 
It’s wrong, you know. He is your High Lord and you are…
The cursed daughter of a capricious Lord, you remind yourself.
Rhysand glances at me hesitantly and I meet his eyes briefly before focusing on the babe in his arms. He’s since broken loose from the swaddling and his chubby fist clutches at his fathers shirt. I can just see the top of his little head, it's all tufts of curly blue-black hair and pointed pink ears. You smile fondly to yourself as he continues to wriggle in his father’s grasp. 
Gods, it’s been so long since you had smiled that wide without the feeling of guilt that usually attends it. 
“You used to be a governess, didn’t you?” Mor says by way of explanation for your summons. To her credit her smile never falters even as your demeanor hardens against her, “Clotho said you had talked about it a few times.” 
“Yes. I was,” You admit swallowing thickly, your voice comes out strained like the words themselves pain you to speak, “that was a long time ago though.”
That had been long before him. 
You must have only been a youngling yourself. You had been happy-- that much you remember. Those were the happy recollections of your old life; summers spent under the opal lights of The Moonstone place, children’s laughter like birdsong that breaks apart in the humid air as you danced and sang long into the nights. Of dark autumns and smoky air, a bonfire and a small hand that holds your own with such gentle reverence. 
“Clotho said you wanted to leave the Library?” Rhysand questions you, his eyes are dark and filled with a thinly veiled darkness that draws you into their depths as you speak to him without pretense. 
“I do,” You answer him honestly, your voice wavering only a little, “I don’t want to spend my days rotting in the depths of that House.”
Rhysand considers it carefully and his face twists into a pained expression that almost breaks your resolve. You hadn’t meant to hurt him-- never. But you’re done hiding in the dark. 
The world is a cruel place and full of cruel men. It always had been and it always will be. There is nought you can do to change that. So why should you cower from the world any longer? 
You want to live. 
The whining of the restless babe in Rhys’ arms rouses your attention and something akin to longing gathers in your chest as you regard him. You pull a lip between your teeth as he fusses and Rhysand struggles to soothe him. The babe looses a cry that comes out as a pitiful howl and you can feel a small ripple of power permeate the air.
“May I hold him?” The words take everyone in the room by surprise and the High Lord only nods easily and stands to pass the babe into your arms.
“I’m grateful,” You continue as Rhysand stands before you and transfers his son’s weight into the crook of your arm, “To you and your court for providing me, and girls like me with somewhere to heal but--” 
“But you weren’t meant to cower in the darkness of the library forever.” Rhysand’s words come out as little more than a whisper and the feeling of his warm breath on your skin is something entirely perverse. 
You shake your head, mouthing an inaudible ‘no’ before lowering yourself back into the chair by the hearth, hoping to hide the rosy blush that spreads across your cheeks. Rhys doesn’t retreat back into his armchair like you had thought he might and instead sinks to his knees before you and allows one of his son's fists to wrap around his ring finger. The babe seems to quieten then in your arms as he nuzzles against your chest, one balled first clinging to his father and the other pulling at the neckline of your robes and he smiles sleepily in your arms.
Looking at him now you are overcome with the realization of the absence that had stained this family’s happiness. Rhysand had given himself completely to a woman who had changed her mind. And their son-- their son; all cherub cheeked and big blue eyes framed with dark lashes-- had been abandoned by the woman who was supposed to love him without condition. Before the ghost of her had been an abstract thing. Something intangible and errant, a whisper or a memory, but now, as you look between the babe in your arms and the woman immortalized about the hearth you feel nothing but biting fury. A dangerous wrath only tempered by the stilling of the High Lord beside you. 
It is Morrigan’s movement at the side of the room that rouses you from thought. “Then perhaps we can come to an arrangement?” The smile that graces her lips is brilliant and calculating and the sparkle in those umber eyes tells you she is genuine in his intentions.
“An arrangement?” You ask hesitantly, raising one arched brow to her. 
“Yes.” The High Lord nods in agreement as Morrigan approaches you all casually, sauntering over to snatch a glass of wine from the decanter, “you’re free to leave the Library at any time but--”
“Help me take care of Nyx,” The High Lord beats you to it, his voice is soft and gentle and one of his fingers runs along the curve of Nyx’s ear as he begins to doze in your arms. 
“High Lor-” You start, and you’re torn between declining outright and trying to dissuade them altogether, “Mor, I haven’t cared for a babe in well over 60 years.”
“Listen to me,” Rhysand’s violet gaze is unyielding and when you can no longer avert his gaze he takes on of your hands in his own and all but pleads with you,  “take care of Nyx, for one year-- just until I get used to doing it on my own-- just until he starts his pre-schooling.” 
The thought of him raising his son all alone pains you, a physical, bone deep ache that settles over you. You mourn for him then, for the love he thought he had, for all that he lost and then you mourn for the babe in your arms. For the son who will grow up without knowing his mother’s love. The High Lord looks at you through dark lashes and you note the tiredness in his eyes and the desperate sadness that seems to radiate from him these days and yet, he smile softly at you. As one might smile at something lovely and precious. 
“And in return?” You ask peering down at him with sympathetic eyes when his whole body goes lax.
“I’ll help you get set up somewhere-- anywhere you want.” The words come quickly and if you were a cruel woman you would see what more he would offer you. But when he’s looking at you like you might just be his last hope you can’t find it in you to do anything but allow yourself to be persuaded by him.
You see a home; a cottage maybe, made of ancient stone and covered with climing ivy and jasmine. On the outskirts of Velaris, away from the artisans and market stalls of the main square, but close enough that you never feel truly alone. A home and it smells of mandarin and moonflowers, the sound of children laughing, and a garden blooming with violets in the garden in the leonine yellow heat of high summer. You smile wistfully and you swear you feel the gentle caress of a hand in your mind's eye. 
“You can live here with us in the meantime” Rhysand continues gesturing to the house around you. 
It’s warm and inviting and your body sings in response to the prospect. 
“I don’t think that's a good--” 
“Just until you find somewhere of your own.” He assures you standing to his full height before you. He casts a morose glance to the portrait that hangs about the hearth and you can see the moment his violet eyes meet painted cerulean. 
“Rhys--” You warn gently. 
“Please,” He turns to you again and the desperation in his tone has you yielding to him further, a gentle sweep over your face before settling on the sleeping babe in your arms, “please.” He repeats it once more and you swear your heart breaks just a little bit for him. 
He had saved you once, you think. You had only been a girl then but you remember looking at him in that light; he looked like the shadow of some dark winged God-- avenging and angelic.
Perhaps this time the girl can save the God.
“A bargain then.” You muse lightly holding out a pinky finger to him.
Rhysand huffs out a laugh and curls his finger around your own. Nyx’s hand seems to flex in response, his own tiny pinky finger outstretched in agreement. 
“A bargain.” With the simple confirmation you feel the gentle burn of a promise as it kisses its way up your wrist, and you see Rhysand’s own inky sigil as it glows faintly on the skin of his outstretched arm.
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scribbledghost · 6 months
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Alright yall know neighbor!AUs are my bread and butter so I present to you: one Neighbor!Simon Riley. Just some preliminary thoughts:
Definitely not the type to go around introducing himself to the existing neighborhood. He may give you a polite wave if you pass him on the sidewalk or something, but that's about it.
Only opens the blinds very, very rarely. In fact, the only way you can usually tell he's even home is if his modest pickup truck is in the drive.
So it takes months before you even figure out what his voice sounds like.
Some of your mail probably gets delivered to his place by mistake, so he brings it over just in time to catch you walking to your car.
It's. A very short conversation lol. Just a quick "got your mail by mistake" and a quick nod when you thank him.
But, unbeknownst to you, the exchange is different for him. You've caught his eye.
It takes several more weeks after that first "conversation", but at some point you notice that stuff outside just. Starts being done for you while you're not there.
The grass is mowed. The leaves are raked up. The gutters are cleaned out. The snow is shoveled out of the driveway.
You know it's him. It's the only sensible possibility.
But if you ask him, he denies, denies, denies. Or says he was already doing his own thing and it was no big deal to just tack yours on.
Try to thank him and he just sort of. Waves you off. So you try to repay him by bringing him dinner or things like that.
It's a. Tenuous definition of friendship, but it's there.
To the point where he asks you to grab his mail while he's deployed elsewhere. He trusts you to not go through it.
Its not too long before he notices that he's thinking of you when he's gone. Wondering what you're up to. If you're okay.
He finds himself coming to you when he returns home. He can't divulge details of his work, but he can at least see that you're alright.
The first time you stay the night at his house is when the power knocks out during an ice storm. He's all but adamant that you stay with him, just for safety's sake.
It's also the first time you wake up in his arms. When he wakes, he pulls you closer instead of pushing you away before he can even think twice.
He feels like he can be vulnerable with you. Like he can let his guard down. You're his soft, safe place to land after witnessing so much death and destruction.
For the first time in a very, very long time, Simon Riley realizes he has something to look forward to. A reason to come home.
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dogco11ar · 2 years
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god i can’t wait for ppl to bring up old ass discourse when the tog sequel drops
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celluloidbroomcloset · 4 months
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Just thinking about how Ed is so incredibly careful with Stede. All of their kisses (that we see) are very gentle from Ed's side. Their first kiss is a little tenuous and awkward, but it's also quite tender and delicate. He doesn't grab Stede or hold him in place. He lets there be space for Stede to pull away and say no. And throughout, even as their relationship becomes more confident and they're far surer of each other's feelings, Ed's always very careful. Stede initiates the intensity in the bedroom scene, and Ed responds and increases it, but even then he's holding him like Stede's just the most precious thing in the world.
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I think some of this comes from what Ed wants—he's never had tenderness with someone, he's never had someone treat him delicately, and Stede does—but it's also what he wants to do for Stede. Because he's never had someone he could hold like that. He's never had someone with whom he was safe to show his gentleness and tenderness.
The only other person we ever see Ed being truly gentle with is his mother when he was a child. And throughout the show, long before they put words to their feelings for each other, Ed treats Stede with such tender feeling, right from the moment he takes care of him when he's been stabbed.
I dunno—Ed is represented as this man who has had to be mean and hard when he really wants to be gentle, and he can be that with Stede.
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