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ruporas · 1 year

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i've been wondering- what do you think of vash and ww's relationship to pain? do u have any thoughts on it??

cuz i was just thinking like. obviously they're both extremely resilient and don't care much if they get hurt in the process of achieving whatever, but like... as for the pain specifically, i have to wonder.

cuz i'm reading trimax for the first time and toward the end of the sand steamer mess kite basically asks if vash even feels pain. and i mean... he has to, since not that long ago he just hit the floor with a dramatic blood splatter lmao. but like.

is he just suppressing visible reactions? or does he just not feel pain unless it's above a certain level?

and i wanna know about ww too if you have thoughts, i just haven't gotten that far in trimax :')

forgive me if my wording is all over the place, i havent been very elegant in my words Lately, but i am always down to talk about specific shit involving vash and wolfwood,

if we're just talking physical pain, yeah, i think they feel pain normally!

For Vash, he is the master of repression throughout Trimax, so I think naturally, he keeps a strong face no matter the level of hurt, whether on the outside or inner. It's just in his nature to not allow others to worry about him by pulling through with a fake smile or in some cases, he feels like he deserves the pain inflicted on him so even if he's getting pulverized to shit or threatened against his life, he'd default to a silence as opposed to screaming in agony that might make people think he isn't feeling anything. It's probably also second nature for him to no longer yelp or cry at pain after the amount of years he's spent getting hurt, but i think this only applies if he isn't emotionally involved in a fight (which is rare, but it happens in ch. 38).

In terms of physical pain, he seems to feel it like how regular humans do. I've thrown together some examples where he goes owchie owchie owchie that aren't too spoilery:

The Emilio scene is kind of why I don't think he's just playing up the theatrics of feeling pain, though I do think he would on some occasion, especially since he roleplays with children all the time. Verbally saying "ow ow ow" could potentially be an instinctive reaction too or maybe a source of comfort. But yeah!! I think Vash has always been able to feel pain and it's not like being a plant has lessen his ability to do so. Any resilience built is tacked on due to him being alive for 100 years and being a guy with a clear painted bullseye on his entire figure that ends up getting him shot and scarred.

In the end, the pain that gets to Vash the most will always be on an emotional level rather than physical, but Vash is such a genuine person and so present when it comes to other people that even if it's a pain he can take, it'll still hurt him terribly in more ways than one.

For Wolfwood; I think in general, those under the Eye of Michael have a strong resilience to dealing with pain due to the regen potions and the amount of training forced on them. I don't think we ever get the full description of what exactly those in EoM endured throughout their younger years, but we saw WW get shot at an early age in chapter 12 and we can assume it happened more than once. Over and over again until he won't even flinch against it just like how killing without hesitation was attempted to be drilled into him. I don't really know how it works scientifically… but I fully believe that he's mostly numbed to the physical sensation of it and it's the psychological part that gets to him more. Wolfwood himself is a naturally skilled fighter too, not that that really has anything to do with his dealing with pain, but I think his focus and attention on a battle and his stubbornness to win kicks an adrenaline that allows him to ignore the pain.

Though, his body also gets sore and tired just like any regular human does and there's this instance where he goes owie too:

(While NOT as much as Tristamp WW does where he's cracking a cold one every goddamn minute, I do think Trimax WW has gotten used to taking regen pots and thus, can afford to be careless and not give a damn.)

So, physically, technically in canon, they don't really have anything that specially makes either of them unable to feel pain, but just as you said, they're incredibly resilient. And ultimately, the both of them are affected emotionally/psychologically that hurts them more than the physical aspect of it, considering how physical pain is almost a daily chore for them to deal with (Vash being hunted for sport for majority of his life + Wolfwood being involved in experiments/killings for majority of his life.)

I think Trigun in general, while showing physical pain being a strong factor of hurt for regular people like us constantly seeing civiilians get beat up or shot, it tends to boil down to the multiple varieties of pain when it comes to those who deal with physical pain often (Gung Hos, Vash, EoM members).

I didn't know where to put these comments but here are extra thoughts:

They're both evidently really good at hiding their pains or any mark of vulnerability. They both could have a hole in their chest and go days without anyone else noticing so long it isn't killing them.

They're both pretty reckless during battle, but I think for Vash, he already tries to avoid violence at all cost and thus, do in a roundabout way lessen his own chance of getting hit in hoping to not stir that violence against another. As a result, I think Wolfwood can be way more reckless and ends up getting hurt more unnecessarily as a result of it.

They both are capable of healing at quick rates so I'm sure that allows the pain to feel more temporary, less of a risk to sustain, and to further hone in not caring too much about getting shot. That only applies for themselves individually though because every time they see each other get hurt, they're always so so worried despite knowing the other will be fine.

i'm pretty sure i repeated myself like 800 times, but i hope this Answered the question SFGMSDKGSMDKH i also tried to be vague enough in my wordings and focus only on the beginning-ish of trimax so to not spoil! i hope u enjoy ur reading of it!!

#asks #thank you for sending this and for your curiosity on my silly thoughts #honestly i dont think this is very coherent but i hope it is at least comprehensible. if im like. missing or wrong about anything #feel free to lmk.....#i do think its so crazy though that vw both understand the other is not like a regular person by any standard #and like sure vash knows sees and breathes in the fact that wolfwood /is/ human but he also can't see ww as just Another human #bc that human is entrusted with his back and does a good ass job protecting it. ww is like #super abnormal to him but in a positive human way--#but where im going is that both of them know that about each other but still are so concerned all up with each other #Never once faltering in worrying about each other. granted theyre both so haunted by the amount of people theyv seen die and are thoroughly #afraid of that same thing happening to each other regardless of each other's monstrous capabilities of surviving but theyre just so #protective in some way as a result.#anyway i am sleepyg....

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licorishh · 16 days

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Replayed Modern Warfare 3 2011 on Veteran tonight and goooooooood night. Blood Brothers never gets any easier to watch no matter how many times you've done it and the ending really never misses huh

I apologize for the amount of yapping in the tags I reread it all on mobile and started giggling because it went on for so long but eh. Blessed are those who won't shut the freak up and all that

#call of duty #modern warfare 3 2011 #i just. wow. wow wow wow wow wow #i've played these three games so many times over the last several years and i just.#they literally. never get old.#loose ends and blood brothers will never not make me cry and endgame and dust to dust will never not make me smile so hard #ending it with price smoking the cigar like he did in the first mission in the first game wHEN HE FIRST MET SOAP JUST UGHHHHHH.#i know y'all don't care but i don't care that y'all don't care i could literally yap about this until i shrivel up and die #i have never ever ever in my LIFE seen poetic justice played out so beautifully like it is at the very end #JUST. WOW. WOW WOW WOW WOW WOW WOW WOW WOW WOW. WOW WOW. WOW #they do not frickin make games like that anymore DADGUM #i also forgot how frickin sad down the rabbit hole is?? like jeez louise they didn't have much screen time but gosh #i also have never in my life heard such gut-wrenching anguish from a grown man in my life like price in that one scene #I KNOW Y'ALL KNOW WHAT I'M TALKING ABOUT THAT MAN MAKES ME FULL ON S O B IN THAT PART HE HAD NO BUSINESS #anyway i'll keep cutely living in denial and pretending literally any of the main characters besides price and nikolai are fine <3 #foley and dunn and their team seemed just fine at the end of modern warfare 2 so i will accept that small mercy #at this point these games have taken everything else i love away from me so #y'all probably think i'm wild for how insane i get over these games but the nostalgia bit is a big part of it as well #like they're honestly in my opinion genuinely the greatest video games of all time #but the fact that i have that connection with my dad makes it so special #crazy cause he said he also cried in blood brothers and my dad is 54 and i have seen him cry one (1) other time in my entire life #heck infinity ward but also bless them i hope the devs live long beautiful wonderful prosperous delightful exciting fulfilling lives #Lord bless them and their entire bloodline for the contributions they have made to humanity not even joking #AND DON'T EVEN GET ME STARTED ON THE FREAKING SOUNDTRACKS DO NOT GO THERE OAUSYDJAKAKDN #MW2 AND MW3 CREDITS. EXTRACTION POINT. COUP DE GRACE. RETREAT AND REVEILLE. CONTINGENCY. PARIS SIEGE. PRAGUE HOSTILITIES. RUSSIAN WARFARE.#UGHHHHHHHGHHHH everything about these games is so unbelievably perfect and immaculate #i have got to get over my art block NOWWWWWWWWWW #makarov is also the best villain i've ever seen idc bro he's frickin awesome #i mean obviously he's horrible and a disgustingly evil human being but as a character he's stupidly well-written

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greencarnation · 5 months

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Can you imagine if the French invaded Britain and killed a bunch of people displaced a bunch more and then shoved what was left into like. Aberdeen. And then bombed the shit out of Aberdeen for 75 years and didn't let anyone leave. And if you tried to get out they killed your whole family and called you a terrorist. And the whole world was like omg you're barbarians France has a right to defend itself even though that's literally not even France it's Britain, France just invaded and stuck French flags everywhere. And then France killed 20,000 people mostly British kids in like a month but if anyone says hey maybe France should stop killing the kids then they're anti-French and they support terrorism and genocide. That would be crazy right

#except aberdeen is bigger than gaza #so unfair comparison #and also probably offensive to gaza because aberdeen is a shithole #honestly though. saying this it like this to people often makes them pause and think about how crazy it all is #they see gaza as this far away problem and middle easterns as not human #applying it to them and their country seems to sort of make it click #which is disgusting that it takes that. but yk #is what it is #palestine #gaza #israel #free palestine

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yours-the-author · 9 months

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Spoilers for My Friendly Neighborhood? And Who Framed Roger Rabbit? Maybe? IDK I'm just putting my thoughts down.

I watched Super Horror Bro's let's play of MFN and I really liked it! Gordon is great, Ricky is great, everyone is great... but a lot of people seem to be over looking the whole "living puppets" thing? (or maybe I just haven't been looking hard enough.) And that got me thinking... what if the world logic of MFN is like that of Who Framed Roger Rabbit?

Like, the two have some similarities already (tough, down on his luck guy with a gun deals with the shenanigans of TV mascots while dark things happen around him), but let's put it like this:

In the world of Roger Rabbit, cartoon characters (toons) are alive. This isn't really explained in the movie, as far as I remember, but it's just a fact. The toons are real, they have jobs, they have a place to live, but they're also sort of considered "second class citizens" in a way; they don't really get a lot of variety in what jobs they can thrive in (they work in entertainment, usually), and they don't always get treated very well (Eddie Valiant, the protagonist, often responds to cartoon shenanigans by saying "toons" in a clearly derogatory way; and cartoon tools like singing swords and sentient shoes [which I think are safe to assume they're alive and sentient? less so than other toons, but you get it] are kept in boxes, seemingly for long periods of time). Toons also have their "Toon Town", their own separate place to live that, for much of the movie, is in danger due to the owner of Toon Town (a human) dying and potentially letting Toon Town get destroyed for the sake of a highway, and thus destroying the only known place where toons can safely live.

So, to summarize: 1. Toons are alive, an accepted fact by society. 2. Toons are citizens, and are expected to work to earn their keep. 3. Toons are citizens, and there is slight prejudice against them ("slight" may be putting it lightly).

Now, let's look at MFN:

Gordon J. O'Brien is a human, who is tasked with shutting off the antenna of the studio that used to produce and televise the children's show My Friendly Neighborhood. We see in a cutscene prior to gameplay that most television shows are hosted/acted by human players, except for MFN, which is primarily led by puppet actors. Nothing wrong there; it's a children's show, and as a lot of children shows go, puppets and other cartoonish set pieces are used to entertain. Most adult shows are filled with live people, and at the hour that the TV is shown, adult programming is more likely to be on than children's programming.

But consider what happens when Gordon enters the studio lot, namely when he first meets Ricky the sock puppet. Gordon is surprised by Ricky's appearance, but he doesn't really address it. In fact, he treats Ricky like he might be the owner/face of the establishment. We could argue that Gordon is just rolling with it: it's his last job of the day, he's on probation for a bad attitude and could get fired for failing to do his job or keeping up that bad attitude, so he's just playing along with whoever the crazy human behind the sock puppet is. All well and good, except when things start getting darker.

Gordon sees a puppet (Norman) bashing its head against the wall, seemingly of its own free will, and he offers little more than a "what the...?" Even when the puppets begin attacking him, he just carries on. Maybe he's just super dedicated to finishing his job and leaving so he can go home. But there comes a point, I'd like to think, when dealing with potentially deadly possessed puppets where a normal person thinks, "is this minimum wage job really worth my life?" and usually, the answer is probably "no, consequences be damned, I'm leaving while I'm alive."

So that begs the question: what sort of person carries on with his job when it's possible there are murder puppets after his life? Most people have said that Gordon is just "so done" with everything in his life that he doesn't particularly care, which makes sense; he seems to be a war veteran with little to enjoy in his life. But there's "being done", and there's "a strange but relatively normal day". So: what if puppets being sentient is just... a thing? A rule that the world doesn't necessarily question? Puppets trying to hug people to death is definitely unusual, but that's the only strange thing.

That leads to another supporting question: who owns the studio where MFN used to be broadcast? The buildings, for the most part, are all well maintained with working electricity and general power. It's a little under kept, but the maintenance is there. And yet, there are no people around. At all. All of the offices are empty, all of the sewer areas are empty, it's just puppets all the way down. But why? The show isn't being made any more, so why are all these buildings empty? Shouldn't they be filled with new businesses, new people, new lives? Or at the very least, if no one owns them/uses them, then shouldn't they be knocked down and the land used for some other company? A newspaper mentions a company that bought up a lot of land and buildings for their own consumerist purposes, often kicking tenants out of their homes to do so, so clearly it's not unheard of to knock down/take over buildings that have no obvious purpose.

But the puppets still live there. The puppets do their own thing, wallowing in their accidental trauma, but otherwise not going out and attacking people. They stick to their buildings, and don't bother anyone. So is the MFN studio the "Toon Town" for these puppets? Do they technically "own" the lot? I recall a different note mentioning that the tools and materials of MFN were the "property" of a different company after MFN was taken off air, but the puppets are still in the building, wandering around. Why, unless they have some right to the land?

It could also offer an explanation of why Gordon is tasked with turning off the antenna instead of any other company: the puppets refuse to turn off the antenna and stop broadcasting their show over the network, so they have to send someone in to do it themselves. Not just anyone, though: a down on his luck old war vet with a bad attitude who doesn't seem to have any real importance to the city. If he does get killed, fine, send someone else to do it. If he succeeds, great! In fact, everyone seems so happy to see him successfully disable the antenna that he gets promoted to manager in the "bad ending", despite being on probation. Why is he rewarded so much for doing his job, unless it was really important that the show was shut off? Maybe it's a weird political statement? Or a symbol of human dominance over the "puppet class"? Whatever the case, it's definitely weird that Gordon is so well rewarded for shutting down the show.

Alternatively, in the "normal" and "true" endings, Gordon decides to help get the show back on the air, legally. In the normal ending, he specifically makes a note of how he has to keep his head down, not telling anyone what he's doing and eventually not coming back to the studio because he thinks he's done his part and can move on. In the true ending, he's found out and fired, despite disconnecting the antenna as his job required him. Why would he be fired for doing his job? Unless the wire disconnect was meant to have some bigger meaning? Are the puppets considered "second class", or "other"? Is their show getting back on air and gaining a following some sort of problem for the company Gordon works for? Some people like the show, and some people hate it, but it does gain a following.

A recurring theme in this game is "darkness/meanness vs light/goodness", with modern "adult" television being dark and mean and more "appropriate" in the post war world, and the old "children" television being a bright reminder to be good and friendly, which doesn't correlate with the world that the post war city has become. Maybe the puppets are a living reminder of the "good" in the world that adults are shielding themselves from? I don't know, I'm kind of rambling at this point.

Speaking of the war- isn't it weird how they just refer to it as "the war"? Based on the context and the dates, it's fairly agreed by the community that the war represents the Vietnam War, a controversial event that televised the dark realities of war to everyone with a television, which was mostly everyone. If it's supposed to be the Vietnam War, why not just call it that? Unless it's not the Vietnam War, not technically, in this universe? Since the puppets are living beings (even if they aren't exposed to television and the horrors of war until after the show stops), maybe there are other historical differences in this universe, too? Different lands, boundaries, people, etc?

And when the puppets- no longer supervised due to a world going dark from the atrocities of war- watch television to find what they're missing that other TV shows have, they get traumatized by what they see, and inadvertently incorporate it into what they know. They're impressionable, like children- or a sheltered class of people. They all get a little intense- insane ramblings and hugging people to death- but some of them go so far as to physically change themselves (remove their eyes, give themselves human teeth, turn into monsters) as a screwed attempt to gain the love and attention that the "darkness" offers. Unless someone takes some time to talk to the puppets, to let them know that there can still be good and light in the world, then the puppets will all remain on that lot, by themselves, without an outlet, and will possibly be destroyed when the now pointless studio lot is without purpose. That's what Gordon's for: someone who has also been troubled by the darkness of the world, but can take the time and empathy to be a little bit friendly.

Sorry for the long post; it's possible there's more stuff I forgot to talk about, or some information I got wrong, but feel free to add your thoughts to this! I need to go to bed, I have work in the morning.

#me talking #long post #my friendly neighborhood #who framed roger rabbit #spoilers #honestly when I first saw the cutscene with goblette I was like #oh yeah I bet the war was between the puppets and the humans #but then ricky proved me wrong with the big reveal of why they're a little crazy #gordon is The Man #and ricky is The Sock Puppet #putting those in caps to make them sound important #we love a hardened war vet who can talk puppets through their trauma #and we love a weird little sock boy that's just doing his best

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kitnapz · 5 months

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dawg writing and analyzing is so hard i was meant to be a memorization machine

#im jk bc i am in fact a die hard humanities girl but studying for econ was so much easier than writing this analysis paper #like why cant i just memorize a quizlet . i wasnt built for this #THE CRAZY THING IS I DO ENJOY PAPERS JUST NOT THIS ONE LIKE. WHY DID THEY MAKE IT SO LONG #12-15 pages do you want me to die honestly

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trickstersaint · 1 year

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clay man // october 2020

#oh god oh fuck it's fine everything's fine i brought the clay man poem back.#nicer repost #honestly this is one of the first ones i should have reposted but. we all make mistakes </3 #crusades 2: this time god's the enemy #can you believe this is from my senior year. i submitted this to my english teacher. shit's crazy #shout out to mr. penn would love to know what mental image you accrued of me over that year #poetry #poets on tumblr #poems about identity #poems about being trans #this isn't about religion. not really. so it'll get the crusades tag but that's it #this is about human growth and having beef with god. that's separate from the specificity of catholicism #this is like... mythology... anyway.#poem #poems #poems and poetry

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mariatesstruther · 4 months

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okay hear me out modern au where Tommy and Maria first meet in a club in their 20s and they bump into each other while dancing and just start dancing together and they just hit it off but in the end they both forget to give each other their numbers so both of them go back to the same club the next week to hopefully meet each other again (also Tess and Maria definitely go clubbing together because I love them as best friends)

cowboy!!!! yes yes YES i LOVE this. and u could extend this meet-cute into like a whole thing where tommy and maria keep trying to meet at the club and exchange information, but something gets in the way everytime!!!! kid emergency!!! bar fight!!! cocaine bear on the loose!!! zombie apocalypse—who knows????

im thinking the first time, tess drags maria to a bar she likes because she’s been trying to get the attention of this hot dilfy guy at the bar, but he’s always tailing along with his friend. by tess’s design, maria and tommy meet and and hit it off and dance (to maria maria by santana) the night away. they fall in love and decide they want to go home together, so maria goes to the bathroom—but joel randomly comes up and is like “tommy, hey sorry selena’s mom called, sarah had a nightmare and she wants us both to pick her up, we gotta go” and in true miller dad-uncle panic they BOLT. by the time maria comes back, tess is like “idk dude, mine got a call so they had to go. seemed like an emergency. bummer” and they assume thats that

on the flip side: everythings okay with sarah, but after tommy and joel tuck her in tommy’s suddenly just like “fuck—fuck!!!!!” and joels like “what? what???” and he’s like “i didn’t get her number :(:(:(:( fuck” and so joel’s like “it’s okay, i see her friend there all the time” and so tommy’s like “omg :D do you have her friends number?” “well… no” “joel… what the fuck man.” so they make a plan to go back next week with the hopes of at least seeing tess and getting maria’s number from there—tommy also wants to get tess’s number for joel, but he doesn’t need to know that

little do THEY know, tess and maria are already plotting for next weekend. they show up to that bar looking fine as FUCK—they quite literally turn heads walking through the door. of course the miller brothers are there, sitting in a booth all the way in the back and waiting, making eyes. tess and maria are not shy, so they start making their way over. unfortunately, some drunk asshole decides to try to get handsy with tess on her way there—which results in her punching him in the face, which results in him trying to punch her in the face. she dodges, of course, but it starts a full-on bar brawl that the miller boys jump into without hesitation (joel manages to tackle and land a few good ones on og drunk asshole too so. slay.). none of them get arrested or anything, but they definitely don’t get eachother numbers on account of joel and tommy having to duck the cops

so i guess they gotta keep trying ;)

#missed connections au #honestly idk how i would even end this i think its so fun to imagine scenarios where some shit goes down and the bar has to scatter 😭#tess calling joel her miller >#idk how joel turned into a shy type in this au but he did and i think itd be so cute #shameless flirt tess and shy nerdy dad joel who’s majorly oblivious?????? cmon #and then stuffy upcoming lawyer type maria who wants to be partner before shes 30 #meeting veteran tommy who spends his days taking care of his niece working with his brother and being a good mf man #he just wants to watch her be great and talk about her achievements and explain stuff to him #hes very complimentary to her yet insecure and one of these meetups she finds out hes a literal human calculator #like is crazy good at multiplication. she just spends all night giving him rando equations and checking them with her calculator #they are just sexy geniuses i love them #his ultimate goal is to take her on a proper date and maybe cook for her #it takes maybe 5 bar meetups for that to happen #one time is just gonna be them sitting and talking for so long that they just forget about numbers bc it feels like they have them already #i dont imagine maria having a son in this au tbh #this could def be a whole fic lmfao #tysm for this cowboy what a treat #sorry it took me long i wanted to edit typos!!!!#asked and answered #tlou #tlou au #the tipsy bison #tommy x maria #tess x joel

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vagabondfromkanto · 2 months

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//I've noticed that most people have a rule about godmodding and/or powermodding in their rules. Decided I also need one, with a twist.

The twist being "My muse's canon main superpower as per the finale is the power of endless 'NO U' and I will not hesitate to use it if you start bullshitting" ✨

#//me when normal roleplay: oh yeah she can totally get her ass kicked lol #//I'm good with tuning KlK's craziness down to make it more fun for everyone! me included! I like giving her human-ish limits!#//you can even get her on the death's door provided I'm aware that's what we're doing!#//however me if anybody tries to pull a 'and then I kill ya 'cause I'm stronger >:3':#//nu-uh it's actually a huge plot point that every time a bitch tries Ryuko turns into an absurd powers generator on pure spite. so no.#//honestly that's very in character - have weaknesses and shit until your bitch of a mum starts godmodding.#//then get pissed off and overpowered. suddenly remember to have weaknesses and deal with the fallout later.#-: ✧ :-゜・．(;ooc) 「„out of fibers“」#//don't mind me I've just been thinking a lot about how the concept of overpowered muses relates to KlK's batshit plot #//speaking of which if anyone ever wants to play the crazy Trigger abusrd bullshit fight on purpose that's. an option too

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aria0fgold · 4 months

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For the "artist end of the year ask game"

What is the best advice you've received this year, or, what's something new you learned about art?

I didn't really received any advice, well, to be exact, the advice that I saw are tumblr posts directed to all artists and not just me. One particular advice that I always make sure to remember is the "create for yourself" one. Whenever I catch myself low on confidence with the stuff I make (be it art or writing), I always take a step back and remind myself that what I create are things I want for myself. If this makes me happy, then that's enough for me. Others liking what I make is a really nice bonus of it!

I know it's an "or" but I'm gonna answer it too cuz there's a lot of new stuff I learned about art! As a beginner artist, I have so much to learn and each time I do, it's always such a thrilling experience! Though something important that I've learned is that art doesn't need to be perfect. It was something that I struggled with at first, where I have to make sure that there's not a single mistake in my art at all and that it has to be 100% polished with no line overlapping or colour out of the line.

But then while looking at official arts from games a lot closely, I'd notice there being a line going over another section. That was when I realized that I don't need to be so meticulous with it. Seeing the mistakes in those drawings didn't suddenly make them look bad, if anything it made them look even better, and "human" in a way that you know there was an artist behind the creation of it, an artist that missed that one line but it didn't change the quality of their art at all. So I can be just as messy with mine too. Miss a line or two and it'll be just fine, cuz that's what being human is like.

#arianswer #anon #honestly tho realizing that being imperfect with art is alright for me is pretty crazy cuz im someone that rlly likes #seeing sketchy or ''messy'' artstyles cuz im always amazed at how ppl are able to make it so pretty despite it being messy #then i turn to myself and suddenly just: no messiness at all otherwise itll turn BAD #after realizing that im like: gurl... what is wrong with you? to myself cuz honestly. why did that take me awhile to realize #also just goes to show that ai art will always be shit. i hate ai art.#seein tiny lil art mistakes that a human makes is always lovely cuz its understandable for someone to miss a single line #when working on such a wonderful piece. then there are also the artists that go: sorry for that one mistake #then i look at the art and see nothing at all. like: wtv that mistake is became part of the beauty of what you created now #and i think that's lovely on its own way

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