"A hundred and one. Going on a hundred and two."
"You're a terrible liar."
He lived,,
I'm beyond the point where I can use words to describe them anymore.
Just know that I drew this instead of working and I'll probably keep drawing them more even tho the work's piling up-
I'm not even kidding, it's terrible how much they invade my brain, like I'm always either thinking about them or drawing about them or saving pins on Pinterst about them (the board is getting pretty stuffed), everything i see is ORANGE at this point (it's my favorite color fortunately so I don't mind).
Still not done with the third book btw. I try to make it last as long as I can but I constantly want to read so the end is getting dangerously near...
Next I'll probably draw Dan and/or the other foxes, cause let's be honest they're all so cool...
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Price or Ghost just slowly sliding into while giving you praise and small reassurances, “That’s it so good for me hm?” “Almost taking it all, just relax for me sweetheart.” All while one hand is making sure to gently rub your clit and the other is gently rubbing soothing circles into your side 😵💫
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neil josten’s complex kiss analysis
can we talk about neil’s first kiss for a hot minute?
ok so here’s the thing. yes, we can all agree neil is a questionable narrator but consider the way he describes his first kiss with andrew:
"andrew kissed him like this was a fight with their lives on the line, like his world stopped and started with neil's mouth."
this is an intense portrayal of a kiss that goes beyond mere romance. have you ever thought about the deeper meaning behind neil's words? why would he even describe it that way? for someone who has never even fathomed kissing anyone, why would he describe it so intensely? think about it, neil's life has indeed been filled with survival instincts and a constant need to stay on guard due to his troubled past. when andrew kisses him, it's likely a powerful and overwhelming experience for neil, as he might subconsciously associate it with the intensity of survival mode.
see, neil's life has been shaped by a rollercoaster of danger, abuse, and evading deadly threats from a young age so he’s become a master at staying alive. surviving has been his primary skill, and his instincts are always on high alert, just like the when he is in a fight for his life. so, when andrew kissed him, it's only natural for neil to draw a comparison because our boy was caught off guard. so, andrew's passion and intensity may have reminded neil of the survival mode he's been living in for so long, hence the sudden tilt and shift of the world beneath him that he experiences post kiss.
in this light, andrew's kiss becomes more than just a romantic gesture. it represents a moment of vulnerability for neil. throughout his life, he's learned to shield himself emotionally, keeping his guard up to protect against any harm that might come his way. but andrew's kiss breaks through those barriers, leaving neil exposed and defenseless, much like the vulnerability he experiences when he is forced into his aliases to stay alive.
besides, our darling goth babygirl andrew here plays a significant role in neil's journey towards growth and healing. the trust and connection they share gradually guide neil away from a life solely centered on survival and toward a path of understanding and acceptance. andrew's passion to protect neil at all costs contrasts neil's survival instincts, showing him that life is about more than just making it through the day.
(ps. i personally think that the way he describes every single interaction with andrew is just so beautiful.)
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Okay if no one is gonna talk about, I'M GOING TO FUCKING TALK ABOUT IT. *Loud ass sigh*
Auron with brass knuckles make him really hot & I'm fucking tired of sitting here & pretending that it's not. It makes me FEEL things.
I'M TALKING ABOUT A REPRESSED VICTORIAN MAN SEEING A WOMAN'S ANKLE EXPOSED‼️‼️
I'M GOING TO FUCKING LOSE IT. I'M GNAWING AT THE BARS OF MY ENCLOSURE. RELEASE MEEEEE LET ME BE FREEEEEE‼️‼️‼️
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thank you maggie we finally got some good quality on the vinyl and it is in fact everyday by buddy holly, which means we finally also have context for THIS
which is aziraphale driving the bentley up to scotland to do his little detective roleplay at the resurrectionist, the pub that has a jukebox which only plays everyday
and finally the audio we got from nycc with the muriel introduction scene makes sense.
crowley enters the bookshop with houseplants because he's moving them OUT of his car so aziraphale can take it up to edinburgh himself. I don't have the audio on hand but that's also why crowley is irritated asking why aziraphale can't just take the train. it seems he insisted on taking the bentley and now crowley has to re-home his plants again. so aziraphale already has the vinyl and plans to go investigate the resurrectionist before muriel shows up in episode 3, and crowley LENDS HIM THE BENTLEY so he can go play sherlock holmes in scotland. so we now know the significance of 1) the vinyl, 2) the nycc audio, and 3) aziraphale's funny little hat and briefcase
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