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#its really up to interpretation i think
faunabel · 14 days
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i do really see veneziano as the type who would tease people (more often than not) with a completely innocent expression. no smirk. no rolling his eyes. no teasing tone. none of that. he just says and/or does things that seem totally genuine, and the only give away is the subtle look of delight in his eyes when he gets a reaction out of someone. it blends seamlessly into conversation and you might not even realize he's teasing, unless he keeps going at it and it's suddenly apparent he is not simply being clueless, and he looks far too amused for it to be an innocent action.
however, i also see him as the type to say/do things that seem teasing with completely serious/innocent intent (for example: when he says germany seems like the type of guy who "likes underwear"), so it's really a guessing game on what he's up to unless you pay close attention.
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tubbytarchia · 3 months
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@mcyt-yuri-week Day 5, Rose/Thorns I never stop thinking about SL episode 8 never ever
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qprstobin · 9 months
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I'm gonna be frank, Eddie just does not give me the impression that he was bullied all that much in high school to me. Especially as he got older, like he was the school drug dealer, he was not getting beat up by the same jocks who were going to be buying from him later that week. It just doesn't make sense to me!
I'm not saying he was never bullied at all (personally I think he was probably bullied by the people in his grade in like middle school, but leant more into the satanic image by the time he got to high school (which is when the satanic panic wouldve been starting) and people became more afraid to mess with him or it stopped when BS started dealing) or that people can't headcanon and project onto pm. It's fandom, do what you want lol. I've just gotten to the point where fics lose me whenever they claim Tommy/Steve/Jason was going around beating the shit out of him or shoving him in the halls every week or the like. Eddie just does not give the impression that he is scared of the jocks normally. He looks down on them and thinks he's better than them! He taunts them openly in front of everyone and pontificates on table tops.
I think if you take it in that context too, it makes the town turning on him more sinister? Like obviously, satanic panic was only growing at that point, and it was within the last year or two they started pointing at metal and D&D as recruiting centers for satanic cults. (Eddie also like an asshole is walking around with a satanic symbol on his jacket - peak edgy teen in the middle of a moral outcry.) But while people might've been afraid of him, and most definitely talked about him behind his back, that's worlds away from mob violence. The change was startling, even if Eddie might be able to see it on the horizon.
Idk to me that's more of what the hunt the freak line was about. The knowledge that they could turn on you and would if you gave them a reason (or if you want to go with the Eddie is closeted interpretation - if he got outed). I think he probably has been called the freak for a while but honestly I think he's proud of it at this point.
Obviously all of this is up to interpretation, I guess I've just gotten to the point where a lot of the popular fanon interpretation doesn't feel like Eddie to me anymore
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so REVENGE, HUH? or justice, if that makes you feel better. it tastes the same when cooked just right. 'I REALLY WANTED A BROTHER.' such a shame to burn a bridge you so desperately wanted to keep, especially when it wasnt even you who started the fire. especially when you hope that not a single fragment of that bridge ever washes ashore.[MAY IT ROT FAR FROM MY SIGHTS] an unfortunate loss! atleast he has his friends.
#jrwi fanart#jrwi show#jrwi prime defenders#jrwi prime defenders spoilers#jrwi pd spoilers#jrwi pd#william wisp#vyncent sol#THIS ONE IS FUUUUCKIN OOOOOLLDD RAAAHHHHH i made it like. a year ago. but didnt finish it for so so long bc i just wasnt happy w it.#BUT LIKE A CENTURY EGG the decades of being encased in salt n lime n ash have done WELL to bring out the flavores of this piece#i sorta recently cleaned it up and posted it onto twitty. didnt tag it bc it was SO OLD AND SCUFFED(i see so many MISTAKES NOW)#that i didnt want to expose it to the open air just like that#if i show smth to my small circles then it shall only be understood in those small circles.#open air and open interpretation from minds i cannot predict are NOT something i enjoy the thought of. usually. i am brave tho#BUT EVERYONE ON TWITTY WAS SO NICEEE i was like damn... i guess it IS good enough to be enjoyed by the masses...#lets work on being nicer to our art together. THAT BEING SAID. i really love my colors here HELL YEAHHHH#FIRST TIME IN A WHILE COLORIN THESE BOYS.... i dont use proper color enough..I ALSO RLY LIKE MY BACKGROUNDS HERE#i LOVE when the bg is hyperrealistic (i frankestiened stock photos) and when the subjects are all flat colored n cartoony#recently rewatched Making Fiends and they do that similar thing!! soft shading! lotsa details! almost painted? ill paint one day#ive already rambled so much abt the art im runnin out of ROOm to ramble about WWWIILLIAM GODDAMN WWIIIISP. its been a minute since i saw-#-this episode..but i DO remember the funny smoke trick that will did to his funny brother. EVERYTIME U GIVE AN ORDER. THAT BRINGS HARM-#-INDIRECTLY OR NOT. YOU WILL HEAR THOSE SCREAMS. YOU WILL FEEL THAT PAIN. OHHH WHAT A COOL PUNISHMENT THAT IS#its still an olive branch in a sense! a final chance for big bro bell to show that hes NOT an irrideemable piece o shit. and if not#well. to the wolves of psychosis with him!!! i really think william did the best he could here. if i was in his shoes i have no doubt i-#-woulda done the same. IM ALSO GLAD THAT VYN DECIDED TO STICK AROUND N SUPPORT HIM! thas character development baybe!!#i loooove prime defenders.. its been so long since i watched any eps of it but i KNOW it still has such a grip on my heart..GOTTA rewatch i
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lovesickeros · 2 months
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☆ love; heretical and divine
{☆} characters tsaritsa {☆} notes cult au, yandere, drabble, gender neutral reader {☆} warnings blood {☆} word count 0.8k
To love a God is heretical. It is an act of blasphemy– it is to drag them down from their throne of hollow gold, to topple the pedestal the worshipers uphold on their shoulders like lambs at the herders heel. It is the act of forcing them to their knees and ripping that beating heart of glorious gold and beautiful, cruel divinity from their chest, so pure it burns.
To love a God is to make them sin. To make them painfully, horribly human.
To love a God is to sin.
The love of a worshiper is no love at all, brilliant in its raw purity, untainted by sin. It is fear and obedience masked by adoration so overpowering it corrupts. It makes the lamb so unquestioning in it's faith it will never question the knife that cuts, the teeth that rip, the claws that tear. If the Creator deemed them unworthy of the very life crafted by their hands, then they must have committed a sin so grave there lay no salvation for their horrid soul.
But she is no worshiper– her lips speak of heresy as easily as she breathes, her words nothing but lies, cold and cruel like the ice that crawls along her skin like webs.
She loves a God like a lover should.
A damned sinner reaching longingly for the heavens.
She loves a God in the subtle brush of their lips, their muffled voices behind closed doors as they indulge in curiosity untamed. She is a sinner through and through, but she feels herself fall further with every brush of her hand across their cheeks, every touch she bestows upon them like a lover. She memorizes the imperfections of their body like memorizing a map– every scar, every mark, every line drawn on their body like a canvas, her touch the brush that stains the pristine white.
No devoted lamb shall ever see the painting they create in these stolen moments– it is for the eyes of a heretic so vile it makes them shudder, their body dirtied by the love of a woman so vile even their divinity is obscured by the ice.
The lambs may be satisfied with fleeting glimpses of gold and empty words from lips that guide them to the jaws of the wolves, but she is not. Her hands crave them like a starving hound, aching to touch that imperfect skin hidden by the veil of gold that obscures the painfully human body beneath. She longs to free them from the golden cage that binds them– to see their wings blot out the sky, their divinity tainted by sin and making them all the more beautiful for it.
It is a longing that leaves a festering wound that cannot heal, will not heal. Even if it could, she would not let it.
For as much as she tries, deny it as she may, she is no better then the blind lambs following the herder who holds a blade in their hand, glittering like gold in the sun, stained by dull red.
She is a fool, and what a fool they make of her with the touch of their hands against her skin– so cold it leaves frost on their fingertips. Yet they do not fear the cold, mapping out every inch of her imperfections, carved into her body by her own hands.
She has always been a heretic, cursing the divine until she could speak no more, but if divinity can be found in them – in this love that consumes, that burns her hands and her lips – then she is a Saint, praying at the altar until her throat bled.
But in the end, she has and will always be a cold woman with hands stained with blood. Until it is all she can taste, until it is all she can smell, until it is all she can feel. These hands of hers, heretical and divine, will bleed the God from their veins– she will become the wolf to their lamb until the rivers of Teyvat run gold with their ichor, until the gold bleeds into red, the taste of their divinity on her tongue.
Until she drags a God from their lofty throne and makes of them a monster.
There is no greater triumph to the heretic then to love a God into sin. To make a God sin to love.
To love is to be human, and they are no God.
Even if she must tear the gold from their very being until all that's left is something human. Even if Teyvat crumbles and decays, even if it begins over and over again..
She will do it again and again, until the gold can bleed no longer. Until her sins grow too great for Teyvat to contain.
To love a God is to devour, and be devoured. An endless cycle of sin that dulls the glow of gold into something new– something horrifying and divine, in it's own right. Something just as horrid as her, just as divinely corrupted by the sins she carries on her shoulders like a trophy, as gold as the sun and as cold as ice.
Divinity, carved into something human by love all consuming, until it all bleeds away and they begin their dance anew, for as many cycles as it takes.
An eternity, if she must, of dooming this world of theirs to fire and decay for a glimpse of the being snared by their golden shackles.
#sagau#genshin sagau#self aware genshin#genshin impact sagau#self aware genshin impact#genshin cult au#genshin impact cult au#fic tag#tsaritsa#tsaritsa x reader#rip 2 anyone who expected like. a normal fic lol. lmao.#im very normal abt the tsaritsa and love its so tasty#i left it very up to interpretation what like. actually happens but. yknow.#i just think tsaritsa being the god of love and not knowing how 2 love without being weird abt it is fun#also wanted to dig into the concept of reader being fundamentally changed by being the creator besides gold blood yknow#but the tsaritsa Knows its changed you and she hates it. she hates it but how does one destroy what is divine?#how do you destroy the very thing that has created you in its hands so cruel and kind?#ive really gone off the deep end huh#this is a warning 2 the normal ppl u might as well leave now. lol#lowkey going for her actually straight up eating u but decided that was too weird for my first fic in a while. had 2 tone it down#i also wanted to add a bit of a concept of the constant resets teyvat goes through and how it plays into the themes#the tsaritsa constantly stuck in a cycle of getting rid of your divinity to be with you as you actually are but teyvat “dies” shortly after#bc obvs ur not the creator afterward so it just croaks and then it all resets again and again#but its the tsaritsa we r talking abt do u think that stops her. NO#obvs still up 2 interpretation go wild this was just what i intended#can u tell i have a lot of feelings abt tsaritsa and concepts of love from her pov. haha. I PROMISE IM NORMAL#i am mentally well why do u ask#what warnings do i add here. dont open this fic ive lost it maybe. yeah#covid rewiring my brain or smth idk man
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i’ll go see you again tomorrow (spring is coming to an end) ; sashisu
[ part 0 - first meeting ]
synopsis; the gradual blossoming of a youth shared with three strange classmates, at the weird, isolated boarding school you all attend. as the seasons of your first year together pass, the relationship between you changes into something you don’t need to put into words to understand.
word count; 1.6k
contents; sashisu/reader (but can be read as either platonic or romantic, or something inbetween!! i wrote it with the latter in mind), gn!reader, no curses au (dw they’re all still a little bit insane and damaged), very shoujo manga-esque, reader is a little bit in love with all their friends, just wholesome comfy vibes :), characters may be ooc but pls bear with me </3
a/n; this is the shorter opening piece of a sashisu/reader series i’m writing and the first out of six planned parts!! :> the rest will be much longer this is just me setting the tone. sorta. i’m extremely normal about sashisu and i wanted to write something summery and sweet so <3
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you first meet them in a sun-soaked classroom, with blue-tinted windows.
the room in question, clearly not having been of use for some time, is just a little dusty. enough that you notice it, nose scrunching up as your gaze trails over the space.
tiny specks of light dance around, meeting and intersecting between the gaps where streaks of sunlight fall and illuminate the floorboards. they’re oddly mesmerizing, a little hard to forget. the flicker of their movement begins to etch itself into your retinas; for some reason, you can’t quite take your eyes off them.
eventually, your attention is caught by something else, coaxing you into moving your gaze towards the translucent windows. they glimmer softly, tantalizingly in the sunlight, reflecting the blue of the sky. through the glass, it’s all you can see at first — a sky so blue that it’s a little irritating. big, white clouds are scattered like splotches of paint across a blue canvas, treading gently over the boundary of your vision. 
in a similar fashion, the ground of the schoolyard is littered with dots of white. for just a second, you delude yourself into thinking that it’s snow; it’s not until you spot the skeletal trees and their pale blossoms that you see them for what they are. soft petals flutter down to the ground eagerly, covering everything in a pure white. 
it really is eerily reminiscent of a snowy landscape, ephemeral in its beauty. it gives you the impression of having stepped over some sort of threshold, into another realm, another world entirely. coated in apricot blossoms, soaked in sunlight.
(it shouldn’t be possible from where you’re standing, behind the windows — but the scent reaches you all the same. everything smells of apricots.)
it’s springtime, and you’re in the prime of your youth. 
a youth you’re about to share with three other kids, all standing in front of you and wearing mildly indifferent expressions as you give each other a brief glance.
you try not to stare too hard, but it’s difficult to resist the temptation. three new classmates, mysterious and just slightly intimidating; two guys, and one girl. the tiny glances you steal at them aren’t very sneaky, but you doubt they’d care, when they’re all doing the same. 
you study their appearances, eager to sate the curiosity clawing at your heart.
the girl is pretty.
the expression on her face is laid-back, almost bored, and she looks a little like she doesn’t quite want to be here. her hair reaches down to her chin, just barely, brown and smooth and silky. estimating her exact height is a little tough; you can tell she’s fairly short, but you don’t know how much of it is exaggerated, courtesy of her placement between the other two. their lanky legs and broad shoulders only make her look smaller in comparison.
her eyes are chestnut-coloured, a little dim, somewhat hazy. there’s a mole under one of her eyes, too, and you’re acutely aware of how charming you find it. you’re relieved to have at least one girl in your class, anyhow. you hope she’s nice.
the boy on her right is pretty, too. 
he’s much taller, and wearing a somewhat serious expression, but something about him feels almost comforting all the same. he seems relaxed, but also sharp, as his eyes trail across the room. his hair is black and silky, and it’s long — or so you assume, judging by the fact that he’s got it in a bun. two things about him stand out in particular; one, the black gauges on his ears, and two, a single lock of hair framing his face. his hair is tied up and neat, prim and proper, with the exception of his bangs. you don’t think it looks bad, exactly, but it’s an odd choice.
at first glance, you think his eyes are black, but when a ray of sunlight falls across his face you realize that they’re brown. a deep colour, oddly soothing, warm. little sparks of amber glitter in the depths of his irises, illuminated only by the sun. it gives you the impression that there’s more to him than meets the eye.
then there’s the other boy. 
he’s the most intimidating out of the three, without a doubt, though you still can’t pinpoint exactly why. he strikes you as particularly unnerving; maybe it’s the expression on his face, that you can’t seem to identify. he’s also tall, very tall, even taller than the other guy — though only by a smidge. he towers over you slightly, and that unnerves you even further. there’s something in the way he’s standing that almost seems a little menacing. his hair is white, and soft, and just a tad messy. and he’s wearing a pair of round sunglasses, even though you’re indoors.
you can’t see his eyes well, behind the black glass, but you get the vague impression that they’re blue when sunlight cascades down the contours of his face and reflects in them.
you take another moment to simply look at them, observing them, as if trying to reach some sort of conclusion about what they’re like. it doesn’t really work, but you do get some semblance of an impression.
finally, your teacher clears his throat, breaking the silence of the classroom — urging you to hurry up and get the introductions done and over with. the impatient reminder snaps all four of you out of your collective trance.
the first person to speak up is the boy with the weird bangs. that alone gives you a sense of his personality; polite, proper, the first to do the thing no one really wants to do. 
”my name is suguru geto,” he begins, well mannered. ”it’s nice to meet you.” his voice is pleasant, somehow. nice to listen to. there’s something comforting about it, that you can’t quite place; it sounds almost familiar, like you’ve heard it all your life.
then, the cute girl chimes in, casual and unbothered as she fiddles with something in her pocket. ”shoko ieiri. just call me shoko,” she says, short and sweet. 
she really is pretty, you muse, bathed in the streaks of sunlight falling haphazardly across the room. and she seems nice, not uptight or obnoxious; the kind of person that’s easy to talk to, easy to be friends with. you think you like her already. but she notices your lingering stare, and so you look away, gaze falling to the floorboards.
finally, after a slight pause, the boy with the sunglasses speaks up. you still can’t get a good read on his expression. ”… satoru gojo,” is all he says, and you can’t seem to grasp his tone of voice, either. 
it irks you, though. you’re not sure why. you almost get the sense that he thinks he’s appeasing you, by introducing himself, like hearing his name is a priviliege. that, and you feel a little like you’re being dissected when his gaze falls on you — like he’s weighing your value, deciding your worth. you think you almost catch a glimpse of his eyes behind the black tint of his glasses, and they strike you as acutely menacing, bright blue and uncanny. you decide that you don’t like him, and that his sunglasses are kinda ugly.
their gazes fall on you, at last. 
you’re the only one whose name they don’t know, now. it’s a kind of power, in a way, the power of mystery. intrigue. their stares feel heavy on your skin, and you feel more than a little nervous; but you’re intent on following the silent cue, all the same. 
and you do so, dutifully, raising your hand up in a silent hello before tentatively saying your name. then, in a voice you hope doesn’t come across as bored or unpleasant:
”— it’s nice to meet you.”
some of them hum in affirmation, as if to say it’s nice to meet you too — others remain silent. even when the introductions are finished, you continue to look at each other, vaguely and discreetly, as if trying to look inside each other’s heads. 
but then your teacher begins to speak, in an authorative voice, and you’re snapped out of the trance, once more. 
he babbles on and on, about something you’re sure is important, something about the school and the classes you’ll be having and the dorms and so on. you try to listen, you really do, but it’s tough — you vaguely get the gist, but all you can really think about is your classmates, still so mysterious and intimidating.
you try to repeat their names, inside your mind, trying to ingrain them into your memory.
suguru geto, shoko ieiri, and satoru gojo.
you still don’t really know what to think about them. shoko will probably be fairly easy for you to warm up to, but the other two are a different story. all three of them seem to have strong personalities, reflected in their eyes; a dim hazel, a deep umber, and a stark azure. you don’t know what’s hidden in them, but you have a strange inkling that you will, in due time.
that’s how the four of you meet. and in this moment, as you look into their eyes for the first time, you have no idea how much your life has changed — how much they’ll change it for the better.
you only know that it’s springtime, and that you’re in the prime of your youth. 
a youth you’re about to spend with these three kids in front of you, who you know nothing about. some part of your soul urges you to find out, for yourself.
maybe you will.
(outside the sun-soaked classroom, through the blue-tinted windows, the world observes your meeting with bated breath and barely contained excitement.)
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part i
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front-facing-pokemon · 2 months
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possamble · 14 days
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What are your headcanons about Marcille's mom if you have any? It's interesting that what drew Donato to her was cause she lived the history he studied, or that was said somewhere at least. She must've had an interesting life.
so this was going to be just a normal answer but then I realized I have a Lot of Things To Say. so here goes, a compilation of what we know for a fact from the canon, what I've extrapolated from the visual cues and details, and my theories based on all of that.
Things we know for a fact about Marcille's mother because they were explicitly stated in the manga and supplemental materials:
She was a court mage for a Tall-man kingdom at the southern part of the Northern Continent
Donato, a court historian, fell in love with her because she had lived through the history he was studying, and he courted her for 17 years (age 15 to 32) before getting married
She was a cheerful person who rarely showed extreme emotion and took things as they came
She always cooked a huge meal for Marcille on her birthdays
She remarried a gnome after Donato's death and a short distance away from Marcille's childhood home
Pipi, Marcille's pet bird, was actually older than Marcille and originally belonged to her mother (bird died at 62)
She was extremely heartbroken when Donato died and ultimately ended up instilling a deep fear of mortality in Marcille with her words
the only time she showed extreme emotion in front of her family was when Donato could no longer eat his favourite dish near the end of his life.
She scolded Marcille for being cruel to ants (implying she can have a stern side when needed)
Things that are explicitly shown but mostly through visual cues
She has a very distinctive style of dress always involving a ribbon choker (mirroring Marcille's habit of always wearing a matching choker with any of her outfits that don't cover her neck)
She was almost stereotypically good at housekeeping and traditionally "wifely" things (very frequently depicted wearing an apron or doing some domestic chore when not at work, seems to have been an avid cook).
She knits? (also, note the affectionate smile as she's looking at Donato and Marcille reading a book together in the full panel)
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She was as excited for Marcille's milestones as Donato was.
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She didn't tell Marcille much about elven food
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(there are a couple things that this panel in particular implies:
She lived a good deal of her life (if not being born and raised) in a mainly elven country in the West, implied by her knowing enough of an elven region's cuisine to prefer Tall-man food over it
seems to have a pretty carefree and casual demeanour overall, if this is how she replied to Marcille asking her about it (sounds like she never gave her culinary preferences that much thought to begin with)
slightly related to number 2, it seems like she and Marcille had a fairly casual parent-child dynamic (especially in comparison to the Toudens' memory of their father)
(local elf tastes Italian food once and never goes back))
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However, she seems a lot more... serious in most of the other times we see her? Almost like the very stereotypical archetype of a graceful elf.
Subsequent conclusions about her personality:
Usually pretty carefree and cheerful at home, has been a loving and attentive parent throughout Marcille's childhood (while not being so doting that she didn't discipline Marcille).
Slightly more conjectural theories on her personality:
Had a much more graceful and professional personality at work, which would explain the more serious portraits we see of her.
Given that both she and Donato had positions at the royal court, it seems a little odd that she'd go out of her way to do all the housework herself, so maybe she just enjoyed doing it?
Now taping all the evidence together and toeing the line between analysis and fanfiction:
It's clear that she loved Donato very much and was utterly devastated by losing him. But there's one thing that really stuck out to me in what little we see of her:
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Doesn't she seem... angry? The way she's gritting her teeth, clutching the tablecloth, and how this is the first and only time we see her eyes opened that wide. In the following panel, you see her being quiet and dejected after her initial outburst. She's still crying very intensely, but her brows are furrowed, and she's not really responding to Donato's affection in her body language.
We're not told the details of how she felt about losing Donato other than that it upset her. But this, to me, implies that she was angry and resented that he was aging, that the end of his life was approaching. An "it's not fair" type of preemptive grief. And if this was the first and last time she cried like this in front of her family, she was either very good at coping in private... or very bad at letting herself feel unpleasant emotions until they become unavoidable and end up overwhelming her.
It's not too remarkable a detail on the surface. It's even reminiscent of what the audience has seen of Marcille. But... when it comes to the big picture, you'd think an elf who voluntarily chose to marry a tall-man and have a half-elf child would have been better prepared for this.
It kind of recontextualizes her cheerfulness to me.
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"I'm sure everything's gonna be okay!" (or some variation thereof, depending on what translation you have).
And this is stated to contrast her extreme grief when finally confronting Donato's failing body and eventual death. But I'm wondering if... maybe this optimism was why she was so upset. What if she went into all of it thinking "everything's gonna be okay"? What if she was a little young by elven standards, and just followed her heart thinking that her own resilience would get her through anything?
Of course, only to get completely overwhelmed when she actually loses Donato. She turns into a completely different person. And that's heartbreaking on its own-- but what the audience sees is the effect it had on Marcille. Can you imagine being her, watching your invincible and upbeat mother suddenly lose all the light in her eyes in one go?
I've already made a huge post about how I think Marcille models her "work persona" off her mother, but another thing that stuck with me as I was looking for more details in the manga was this:
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copy pasting from the other post i made about it lmao it's like... the second she resigns herself to lifelong pain and terror, there's another portrait of her mother facing her like this. with their heads bowed, in mirrored body language of resignation and despair and sorrow. Except it's posed like Marcille is still looking at her mother but her mother is looking away.
It took me a second to realize, but I think that it's a visual metaphor for the fact that Marcille's mother was the only long-lived role model she had-- and she failed to model healthy grief for her daughter. I don't say this as an accusation or to disparage her as a character, but just as a matter of fact. In her, Marcille was seeing herself older and losing a short-lived spouse or loved one of her own, and all she saw was hopelessness.
But her mother didn't mean to instill hopelessness and terror in her. She wasn't really thinking of how it would truly affect Marcille at all (at least, that's how I'm interpreting her looking down and away from Marcille in the metaphor), she was just sad. And she, in her own way, was trying to protect her daughter and help her prepare for future losses.
What she meant was "loss is inevitable, and you have to learn how to be in pain but live on anyway." What Marcille heard was "loss is inevitable, and you will be scared and hurt for the rest of your life."
Again. Marcille's mother doesn't feature explicitly in the story the way her father does -- but in so many ways, her shadow, her silhouette, her reflection is always hanging over Marcille.
All that to say... headcanon-wise (everything from here on is 100% without evidence lmao), I'd like to think that she matured and realized that she failed Marcille. I imagine her being regretful about it, wanting a chance to fix it but never finding a way to insert herself back into Marcille's life when Marcille is so so so busy becoming the most accomplished mage possible. I imagine her being herself again, now, so many years after her loss and after remarrying -- but with her cheerfulness tempered with a lot more wisdom and the pain of having gone through loss like that. I think the second Marcille actually tells her what happened in the dungeon, she'd want to go running to her daughter again -- if Marcille tells her the full truth instead of just being embarrassed she let things get that far. (oh, the tragedy of her wanting to be more like her mother and an accomplished adult who doesn't need to be babied... being embarrassed to actually tell her mother how much she fucked up...)
There's also the tension of her having remarried -- I know that there's at least a little bit of resentment that Marcille harbours about that, because she's childish like that at heart even if she makes an effort not to externalize it. I think that her mother would be aware of that, potentially adding to her sense of guilt and apprehension at trying to reappear/intrude on Marcille's life. I honestly don't think Marcille has met her stepfather -- or even considers him a stepfather rather than "mama's new husband" and kind of a total stranger. I think she and her mother actively don't talk about it in their correspondence, like an elephant in the room.
but, ultimately, I think her mother is on her side no matter what. Ancient magic? Dark necromancy? Sure, she'll feel guilty and like she was partially responsible for setting Marcille down such a painful path, but she wouldn't care. that's her daughter!! she would've moved back west and been petitioning for her at the court, buying a house right next to the Canaries barracks and visiting her every day that she wasn't on a mission. And if her husband had opinions on Marcille becoming a "dark arts user," he either gets over it or it's divorce with him. Yes, she might have had her optimism completely humbled by losing Donato like that -- but she's still headstrong and self-assured and she doesn't care what people think of her. It's her way or the highway and she's always going to be in Marcille's corner.
(She also needs a name lol. I went with Juno, just to be cute about "Marcille"s closest real life equivalent being Marcella, which is the female version of Marcellus, which in turn is a diminutive of Marcus, which was derived from Mars. Absolutely in love with Marcille potentially being named after Ares/Mars the fucking god of war btw)
#asks#she could easily be interpreted as distant or neglectful after Donato's death too#with how little involvement she has in Marcille's life/the fact that Marcille doesn't even mention her when talking about her life prospect#and that's fair! I will argue to hell and back that she was a loving parent when Donato was alive#but there's nothing that suggests she remained a loving parent afterwards#I just think that like... parental relationships are so complicated in dungeon meshi#you cannot deny that the toudens' mother loved them dearly but that she failed them both miserably as a parent#and i think it'd be more compelling if Marcille's mother was a little like that too#not a totally and easily dismissable deadbeat#but someone who truly loves her daughter but was only human herself and couldn't be what Marcille needed at a crucial moment#and regrets it deeply#and that the distance between them is mutually self-imposed by complicated feelings of guilt and fear#and a little resentment from Marcille's side that she hasn't really properly processed#I don't know if I'll ever get around to writing it but i had this idea where Marcille does finally spill the beans to her mom and she just#immediately arrives in Melini#and its awkward for a bit but they do finally have a heart to heart and air it all out#and marcille starts freaking out that her marriage is rocky rn bc her new husband wants her to distance herself from marcille#on account of the crimes and all#marcille's like no you can't blow up your marriage for me and her mother just shuts that shit down#'you didn't choose to be born. i was the one who made that choice for you'#'i brought you into this world and i'll be damned if i don't take responsibility for that the entire way'#'you are entitled to *nothing less* than my unconditional love.'#and obviously that's not a sentiment that's exactly healthy as a universal statement about parenthood#but i think its what her mother would believe and what marcille needs to hear#and dungeon meshi does such a fantastic job at just... letting imperfect things just *be* without having to justify it immediately#it expects the audience to do their own critical thinking#and know that its not trying to make sweeping universal statements in every instance#marcilleposting#marcille donato
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houndfaker · 1 year
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another summer put to bed
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confusedsiewmai · 14 days
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Sometimes, I don't like looking at Frieren fandom things is because it feels so alienating as an aroace person sometimes.
I relate to Frieren in a lot of ways. The way she goes through life at her own speed, the way she has a certain way of doing things that is hard to change, the way she struggles to fully understand others but is still compassionate and tries, and last but not least, the way she doesn't feel romantic or sexual attraction the way most people do.
So when a fan posts something about how elves like Frieren don't really feel romantic or sexual attraction and it's wonderful that Himmel's unrequited love with her is still portrayed as something beautiful, healthy and valued, but the comments section is just filled with people being like: No!!!! That's not true!!! Frieren loves Himmel even though she doesn't realise it!!!!
Or even the more "generous" ones are like: No!!! She is just falling in love with him years later!!! The whole story is about how she regrets not pursuing it until it was too late!!!!
And like, every person has their own interpretation and ships. But it really is a bit saddening as an aroace person that sees Frieren also as an aroace who probably would never feel as much romantic love for Himmel EVER. People have almost this... need to correct people that Frieren loves Himmel romantically.
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kingofthecapybaras · 8 months
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brief lil fic i wrote bc i was having too many thoughts about landduo hurt/comfort
obvious warnings for mentions of missing eggs and general angst
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foolish walks out of his tower, having just finished organizing his loot from the dungeons he did today, and pointedly not dwelling for too long on anything other than the chests in that room. he still has a bit of time left today, and he's certainly not looking forward to trying to go to sleep and being left alone with his thoughts, so maybe he can finally squeeze some work in on the titan, or he'll go to spawn and run into someone else to goof around with and distract himself.
foolish gets halfway across the path to his warpstone when he finally notices bad on the shore. he's sitting on the ground outside his and dapper's first house, with his arms wrapped around his legs, knees tucked up to his chin, staring off blankly into the water as it waves and ripples against the land.
foolish pauses for a brief moment, and then turns to walk along the shore over to him.
"hey," foolish greets softly. bad turns his head to look up at foolish, but doesn't say a word. foolish notices the bags under his eyes. bad turns back to staring out at the water.
it's not an outright 'go away,' so foolish takes that as invitation enough to sit down next to him on the ground, curled up similarly to bad with his hands resting on his knees. for what feels like the first time all day, foolish lets out a deep breath, the full weight of his thoughts washing over him like the sound of the waves.
he thinks of leo. he thinks about how in the days leading up to the eggs' disappearance he didn't even get to see her, missing her by mere minutes. he thinks of the note she left in the chest in her room, he thinks about the totems left there and how wherever she is now, she doesn't have them. he thinks of vegetta, how he's probably going to come back and find out their daughter is missing. he thinks of all the other eggs. surely they'll all come back, right? the last time they went missing they came back. they have to come back, it's not fair for them to just be taken without any warning, without any explanation, without any closure.
foolish feels tears start to prick at the corners of his eyes, and tries to push the feeling away. bad is still sitting next to him, after all, and foolish can only think however he's feeling, bad must be feeling it worse, he practically took care of all the eggs. he doesn't need to add foolish having a breakdown in front of him on top of all of that.
foolish takes another few deep breaths, listening to the sound of the waves, letting his thoughts wash away with them, and he thinks he might be somewhere close to feeling normal again. and then he feels bad lean his head against his shoulder.
he looks down to find bad already looking up at him, and they share a brief glance before foolish wraps an arm around bad's back, pulling him in closer, and bad moves to fully wrap his arms around foolish's chest, and then foolish moves his other arm and they're hugging each other so tight foolish worries he might crush him.
and then foolish notices bad is crying- shaking, silent sobs with cold tears landing where bad has tucked his head near foolish's shoulder- and then foolish's carefully put up wall cracks, every last thought and emotion foolish had been bottling in rushing out in the form of tears that trail down his cheeks and fall against bad's back.
they stay hugging even after they've both stopped crying, until finally foolish feels bad push back against his hold and he releases him. bad pulls away, wiping at his face with one hand, still saying nothing. foolish has the impulse to poke fun at him just to regain a sense of normalcy, but quickly pushes it down. he has the feeling bad needed that just as much as he did.
they sit in silence again for a little while longer, staring out at the water and the now mostly set sun just barely dipping below the horizon, before bad stands up.
"uh, i should go… i have stuff i need to work on."
foolish stands up with him, feeling that whatever moment they were having before has now passed.
"yeah, yeah. me too," foolish says. bad turns to leave, and foolish puts out a hand to stop him. "uh. thanks, though."
it's doesn't feel exactly like what foolish really means, but it's close enough.
"oh. thank you too," bad says.
they go their separate ways, and they don't mention it again, aside from the knowing glance they share when they see each other the next morning.
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admiral-arelami · 3 months
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AITA If My Favorite Character is a Fascist?
Uh oh. The Fascsplainers are at it again. Yes, we know what fascism is, thx.
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this-should-do · 2 years
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a lil redraw of this baller sfm by @gearbroth​
it just enamored me so,,,, they all look so cute <3<3
featuring close up gordon and wrong lambda big foot because thats the vibes gordon giving in this one lol
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samarecharm · 2 months
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Thinkin about doing a persona redesign for Pandora; i really. really. really dont like it 😭
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lorephobic · 17 days
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this is the funniest thing that sits and rots in my drafts because its been four months atp and i still have not thought of a single headcanon for these two
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anyone else have a playlist of just a few songs that in the context of the dragon prince emotionally wrench them like a lot or just me 😃
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