i've been rotating the "this doesn't make any sense!" response to boy and the heron in my head and i wonder how much of it comes down to like...the kind of audience that engages with ghibli movies vs the kind of audience that mostly only engages with weird art movies vs the kind of audience that only really engages with blockbusters and marvel movies, and the overlap of those groups in the theater.

because, like, the boy and the heron is far and away more straightforward, from a plot perspective, than a lot of other Weird Extremely Personal Art Movies i've seen and love, but it IS a Weird Extremely Personal Art Movie even so. usually the only people seeing Weird Extremely Personal Art Movies, especially in theaters, are people who like that and expect that and have seen those types of films before and are therefore capable of engaging with them even when things aren't as clear as they'd be in an average blockbuster flick. like, nobody who only cares about Cinema to the extent of marvel movies and MAYBE john wick is going to see beau is afraid, and if they did they wouldn't have the tools to engage with such a dream-logicy movie. it would just be a weird thing that doesnt make sense to them, at least until they worked their media engagement muscles with other weird films. there's a lot of self-selection to the kind of person who usually sees these kind of movies.

while boy and the heron is weirder and more complex than a lot of other ghibli movies, as far as weird art films go it is incredibly, INCREDIBLY straightfoward. every weird plot point is explained very clearly to the audience, very little is up for interpretation from a strictly "what was the plot" point of view. boy loses mother. father remarries and moves the family. boy struggles to contend with grief. boy is pulled into a magical world by an old man who wants to use him. time is weird and fucked up in the magical world, but the movie is going to go out of it's way to highlight who's who and make it clear how the time travel works and the characters' relations to one another. the boy refuses to take over the magical world because he wants to live in the real world with the real people he loves. boy leaves the magical world having learned an important lesson about moving on. but the boy and the heron trusts its audience, doesn't handhold, and expects the audience to engage seriously and with focus to its plot and characters and stories.

a lot of people never watch movies like that! a lot of people are used to uncomplicated superhero movies and romcoms and that's it. the difference is that those people were never going to see beau is afraid, so the discussion about that movie instead comes from people who have the tools to engage with it. but because of the aesthetic-ification of ghibli, a lot of people who don't Do art films but are really into the aesthetics of cute little guys and girls in pretty dresses went to this art film and were confused that it was weird and dream-like and dark and strange and requires more of its audience than just passively watching.

anyway there's nothing wrong with not having the muscles to engage with weird art films, though i do think everyone should challenge themselves with the kind of stuff they watch. there's nothing wrong with preferring simple straightforward uncomplicated plotlines. but it is really interesting seeing people talk about the movie like it's insanely weird and doesnt make any sense meanwhile me and the friends i've chatted with about who DO have experience with this kind of film all feel insane because the movie is SO clear and SO straightforward by the standards we're used to. its just a neat crossover re: the kinds of movie fans that exist

One of the many things I appreciate about the Sonic movies is the variety of the voice cast despite there currently only being three of them at the moment: you have the A-list celebrity in Idris Elba, the professional voice actor in Colleen O'Shaughnessey, and the comedian in Ben Schwartz

i wouldnt exclude ben schwartz from the category of voice actor though he was in several cartoons even before he started voicing movie sonic theres literally so many jokes about all the blue characters he voices. he just hasnt really been in as much stuff as colleen has

One day, maybe in my lifetime, the US will finally recognize that the best way to do a connected series of movies about superheroes is through animation.

I couldnt read warrior cats as a kid cuz the idea of my cat running away to join a feral cat colony made me sad

FORMIDABLE COOL. ethan landry

about. blinded by your attraction and romanticization of college, you don't realize that ethan landry isn't who he says he is until it's too late

includes. DARK CONTENT 18+ fem! reader, mean!ethan, ghostface!ethan, p n v, manipulation (!!),, choking/breath play

wc: 1.4k+

→ kinktober masterlist

Out of everyone else in the friend group, it’s easiest for Ethan to get close to you. 

Unsuspecting you, wide eyes and hopeful glances at anyone who looks your way, the desperation to live out your ‘college fantasy’ leaking from every single pore in your body. The stench of your sheer desire pulls him in, it urges Ethan to switch from that shy and dorky facade he’s put up around Chad and his friends to a more confident flair, the ego he uses while he’s behind screens on forums online. 

It’s frighteningly easy to get you to give in. All he has to do is smile and look at you twice, and suddenly you’re spreading your legs for him in a movie theater, some new film you originally seemed thrilled to see entering the third act without either of you knowing any of the key plot points. 

It’s after the first time that you cum on his fingers that you’re infected. His own personal love fool. 

Truthfully, after you meet him for the first time, taking part in an insufferable ice breaker in a group of five other people, your name has inched its way up the Bailey dead pool, sitting pretty right below the other five of the friend group Ethan is steadily infiltrating. 

You have the urge to eat, breathe and sleep Ethan Landry, your awe filled eyes glazing over any possible red flags in his behavior. You’re too busy forcing yourself into his lap and curling your hands into his hair to realize that he’s been blowing you off more often recently. You’re too busy bouncing yourself on his cock to notice the bruises he has along his back and shoulders, inflicted from someone other than you. You’re too busy grinding your face up into his mouth to take in his constant lies, times, dates, and actions that don’t line up well enough. 

It takes you impossibly long to even start to notice his act, to start to take in the inconsistencies of his character depending on who you’re around. It’s Mindy who brings it to your attention first, coming to you as a caring friend, voice softer and rash opinions heavily watered down as she approaches you like she would a wounded animal. And when you flip out on her, denial heavy on your tongue which seems drier than usual, she only smiles at you sadly and watches as you run back to Ethan, another lie inevitably fed into your welcoming ears. 

It all comes to a head on your floor. 

Worn down hardwood creaks with each shuffle. The material is rough against your bare legs. The playlist you had going has ended, leaving nothing but the soft breaths from you and Ethan to fill the silence of the bedroom. 

Your questions are spoken into the air, answered by Ethan like he’s your savior. Like he can control you. And he can. 

He has. 

His hand around your neck, his cock entering your walls over and over, the pace steady and slow, each thrust harder than the last, sending you up the wood, the rough scratch of it against your back. The words he has spoken to you – his confession – reverberate through your body, bouncing around your mind all the way down to your lungs which scream for the need of constant airflow. 

Sensing your state, his hand loosens just enough to allow air in, the rough palm still circling around your neck as he refuses to let you go completely. You fear he’ll never let you go. But even more, you fear that you don’t want him to.

You don’t realize it, but hot tears are sliding down your cheeks at this point. It’s not until he points them out that you start feeling the emotions connected to them, shame and embarrassment and guilt planting itself in your brain, manifesting throughout your body. 

“Why’re you crying, sweetheart?” His voice wobbles just enough to show you that he’s affected, too, but definitely not in the same way. He has a smile on his face, borderline villainous, opposite from the sweet and charming smile you’re used to seeing from him. Sweat beads above his eyebrow, a testament to the chase he’d led you on, followed by the slow fucking he’s been giving you for God knows how long. 

Your eyes pinch shut, a pitiful attempt to dry your tears up without the use of your hands, rendered useless and bound between your bodies. It doesn't work well, and you flinch when you feel a drop of Ethan’s sweat land on your cheek, mixing with your self-created fluid. 

You’d assumed the question was rhetorical, a taunt to remind you of your inferior status in this fucked up relationship. It’s not until he hums questioningly that you realize you’re expected to respond. 

Your eyes pinch together tighter and you shake your head, only making Ethan chuckle. 

“No? You don’t know why you’re crying?” Nothing from you. You refuse to give him more, especially when you’re already letting him abuse your cunt. Because that’s what you’re doing. 

You let him lay you back. You let him peel your legs open. You lifted your hips and moaned approvingly when he slid your panties off and inserted two fingers into your entrance. 

“Open your eyes. Look at me.” The authoritative tone is more attractive than it should’ve been, and it has you instantly doing as told, eyes opening to look into those same dark brown ones you used to love so much. 

“Why’re you crying, baby?” he asks you again. “You knew it – this – was all an act, didn’t you?” 

And when you think back, you think you did know. You deluded yourself enough to think that this was sincere, genuine, your college dream. The thought heats up your neck, it stirs something unpleasant in your chest, it has you letting out a desperate cry that quickly slips into a pleading moan. 

His hand squeezes at the sides of your throat, thumb sticking under your jaw to lift your head. “Answer me.” 

Your nod suffices as an answer, especially when more tears slide down your already blotchy cheeks. His grin grows, spreading to either side of his face, reminiscent of a cheshire cat. 

Satisfied with what you’ve given him, he plants a kiss at the center of your forehead, and you curse yourself for melting into it. It’s the last act of physical kindness he gives it, because he’s instantly gripping your hips, hiking your legs up around his waist, and fucking you with no mercy. 

You cum with the sound of Ethan’s balls slapping against your skin, mixed in an almost beautiful harmony with your quiet sobs and the unabashed squelching of your cunt around his cock, a cacophonous edge to the sounds that perfectly represents your relationship with Ethan himself.

Got linked to these very good videos recently on all the fake branding around "No CGI" and "Practical effects" in big budget movies today - as is no shock to anyone virtually every single claim of "no CGI" in a movie today is just a complete lie (Oppenheimer is the only debatable exception). Jonas is a very good presenter, he respects your intelligence and has a breadth of cinema knowledge that makes this series more than its headline.

Something that I thought was interesting that he alluded to was a cool industry shift that has occurred around the ease of special effects meaning that people involved don't even know they are happening. If you were an actor in a movie in ~2010, and a shot was a "VFX" shot, you would see greenscreens/bluescreens, you would see rigging equipment, you would maybe wear a mocap suit or tracers or something. You yourself had VFX skills, you were part of the project. And audiences learned that too, they learned to expect to see bluescreens or behind-the-scenes footage of those things.

But that is increasingly outdated now - still used for ease or specific shots, sure, but its not necessary. You can completely redo the backgrounds, build rig models for actors, clone objects from the frame, and so on just from the native footage, the tech is that good. So you will sometimes shoot a scene and it will look normal to you, and then be changed in post, you don't even know. At one point he tangents to discuss how marketers will lie about the actors "doing their own stunts", which seems credible to audiences because they know that for stunts you do things like hiding the actor's face or having specific cuts to mask the actor switch. But they don't have to do that anymore! You can just composite the actor's face onto the body of the stunt double, and you don't notice. That old "trick" you had to tell isn't functional, and being used *against* you.

It really reminds me of Dan Olsen's idea of "Bakshi's Vision", where the distinction between an animated film and a live action film becomes too blurry even bother with. Obviously that won't become literally true, but you can see the shape of it more and more.

King Bowser! Raph head canons

Wanted to hop on the train of the Four kings au with some head canons! Going off of the 2023 Mario movie and just what I know about Bowser in my experience (which isn't a whole lot so I'm sorry if some things are not accurate)--

CW: Kidnapping, Implied violence?

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Much like Bowser, King Raph would be a powerful and often feared ruler to the other Kingdoms. He is seen as aggressive and impulsive, quick to react with a fight if anything offends the King. His anger can blind him, which as much as it can get him what he wants- it also can be his downfall.

But he is not heartless. Raph takes good care of his kingdom and his people, which leads to his citizens being very loyal to his cause. So long as you follow his rule, you are protected under his care. I mean, have you seen how the King fawns and babies the stray animals he finds?

Big puppy energy. This man is very lonely and kind of awkward when it comes to anything outside of war and conflict. He leans more towards a tsundere way of dealing with his feelings, brushing them off as quickly as they come with a huff of smoke from his nostrils or a growl. He is the King. He must not show weakness. But around you, he like an excited puppy. Stumbling over his words and twiddling his claws like a love drunken fool.

Would do absolutely anything for you. Want to sit on his throne? Go ahead! A piranha plant bit you? It can't bite you anymore when its ash! He would conquer any land or defeat any foe if it meant keeping you by his side. Just say the words and he's sending armies to take care of it. Has absolutely no idea how to be normal about crushes. Raph always just takes what he wants, why would you be any different? Expect to be kidnapped a lot by this big guy. Doesn't matter if you live in his kingdom or not, he will always find a way to snag you away to spend time with you. Though he is very gentle with you, so you are never harmed in these schemes. You seem to be the only person he can't be truly angry at. It's... a bit unnerving to his guards sometimes. But if keeping you around means they get thrown into the dungeon less, they don't really mind. If you choose to come with him willingly, he is over the moon! He is all over you giving you affection, carrying you around in his arms like the princess he sees you as (Though he hopes to soon make you a Queen). Despite all his spikes and his horns and sharp teeth, he is very cuddly. He'll often rest his head in your lap with his arms wrapped around you, churring loudly as you give him head rubs and gentle scritches. His tail will thump loudly behind him as well, which has knocked things off of shelves and tables more than once with the mini earthquakes it produces. Is very quick to jealousy. King Raph is often seen as scary or seen as a monster most times, which leaves him insecure about his appearance from time to time. He's afraid that you're scared of him too and will leave him for someone less 'monstrous' like his brothers, making him very clingy each time he thinks you're showing any signs of disinterest towards him. You're the one person he does not want scared of him. Please don't leave him or see him as a monster. His heart wouldn't be able to take it. :(

Overall, Raph is very brash and impulsive, but very kind and compassionate as well. Gives kind of wet cat energy in a weird way. He really is just trying his best here, even if his actions come off as intense.

I convinced my mom to try the live action One Piece, because she's the type to like this style of show even though she isn't into animation and would never read manga, but I didn't think I'd be able to convince my dad because he's usually a stickler for more grounded and realistic stories (his favourite genre is war movies, his favourite movie is Saving Private Ryan, for reference). But, when I brought up with him how I figured it probably wouldn't be his thing because it was fantasy, he mentioned to me that he does enjoy some fantastical stuff if it has like an internal universe logic, like Star Wars, and the more I thought about it, the more I remembered that he also enjoys campy fun action adventure stuff that doesn't take itself too seriously like Indiana Jones or Pirates of the Carribean.

And One Piece has both that internal logic for why people can perform crazy feats (even if it isn't explained right away) which I mentioned to him (just that there is a reason why people can do crazy things in this world), as well as the campy fun action adventure thing going for it, especially in the Live Action (the fight against Morgan's base even has a major Indiana Jones vibes ngl). So I explained that to him and asked if he wanted to try it, and he agreed to watching the first episode with me to decide if he'd watch it with my mom and me.

AND HE ACTUALLY SAID IT WAS INTERESTING SO FAR!! Like, he is NOT the kinda guy to enjoy anime or manga or even western cartoons, always refuses to watch anything anime and doesn't show any interest when I talk about it (I've managed to convince him to watch a few movies like Sword of the Stranger but it's obvious that even when he's not bored or doesn't hate it, it still doesn't catch or keep his interest), and he's really picky about anything fantasy or SciFi, if it like sets off his bullshit meter too much he starts nitpicking the logic behind certain abilities, or decisions, or explanations, etc. I once tried to get him to try Gravity Falls and he wanted to stop after the first episode. He's THAT picky.

So the fact that he actually laughed several times while watching the first episode of OPLA with me, commented about Luffy's character positively several times (he seems to think Luffy is really funny which surprised me cause I thought he'd be the most entertained by Zoro but I mean I can't blame him it is Luffy after all), never cringed or criticised or said anything about how ridiculous it was, means a lot coming from him cause he's always really blunt and honest about his opinion on this sort of stuff (which is fine I don't want him to pretend to enjoy stuff when he doesn't). He actually watched the whole first episode without it losing his attention, and seemed to have fun! And he agreed to watch the rest with my mom and me!

This sort of thing is one of the reasons why I dislike when people just dismiss the idea of live action adaptations entirely. I get that people are jaded with past failures, and don't like when live action is treated like a replacement for or improvement from animation when it isn't. But it is a valid medium just as much as animation or comics or writing are, and can be used to produce some amazing things. And the fact is, there are people who have a hard time connecting with other mediums who will otherwise never engage with this media in its original forms. Live Action, when done well and done right, can reach new audiences and welcome them into the fold in ways the original formats never can.

One Piece didn't need the live action to be popular, obviously, and the live action cannot and will not replace the original, nor should it. But I love that we get to have it alongside the manga and anime. It's just more of what we love, it's the cherry on top of an already stellar multi-layered cake. It complements the original rather than taking anything away from it. And for the first time in over a decade I might be able to share One Piece with my parents, who would only ever have a chance of experiencing it and enjoying it in live action. There's just something so awesome about that for me personally. I just wish more live action adaptations would understand what the One Piece live action understood about the adaptation process, and that's how to keep the heart of the story in-tact, so more people from more fandoms could have a chance to share something they love with more people who it would otherwise not reach.

Anyway, thank you Oda and the OPLA cast and crew for doing live action right for once!

atla live action thoughts: season one review

first things first: anyone who says the Movie That Does Not Exist is better than the live action is straight-up lying. the shymalan film fails on the criteria of even being a decent movie, let alone an adaptation. the netflix series, for all its problems, is at least an enjoyable watch with great effects, music and (mostly) appropriate casting. there's absolutely nothing to compare here - the netflix version clears easily.

now that we've gotten that out of the way, let's delve into the series, starting with the positives.

the good:

visuals and cinematography. they really did a great job of making it feel like a fantasy universe you wanted to be in & i love how vibrant the saturation and colour grading was. it made the world feel so much more dynamic and alive instead of the same flat, boring dullness that so many movies and shows have these days. sometimes i didn't even mind that i was being fed obvious exposition because at least they were giving me something pretty to look at lmao

effects and action. the bending was surprisingly good for the most part, and they did a good job of making the elements feel unique through the stunt choreography and the actors' movements. i'm immensely thankful they didn't try to skimp on budget by merely cutting away from fight scenes or showing us as little as possible. almost all the action sequences were fast-paced and engaging, and i was never bored watching them

acting. the main four were all great, but gordon cormier and dallas liu have to be the standouts for me. gordon brings such an earnest, innocent sweetness to aang that you can't help but like him, and dallas plays all of zuko's facets perfectly: the angst, the explosive anger, the bratty snark, and especially the deep-rooted pain that characterizes so many of zuko's actions in book 1. the range he has, especially when flashing from younger to older zuko, was insane. special shoutout to maria zhang and sebastian amoruso as suki and jet respectively, because they killed it

music. leaves from the vine instrumental had me tearbending and i love how they kept the iconic avatar theme while making it a little darker for this iteration of the story. in general, the soundtrack felt very true to the animation while still being a fresh spin on it

zuko and iroh's relationship and expanding on zuko's crew. i think the fandom universally agrees that lu ten's funeral and zuko's crew being the 41st division were the best changes in the series, so i'm not going to talk about it further other than to say that these scenes show me what the show can be, and that's why i'm not giving up on it

the bad:

characterization. almost all the main characters are missing the little nuances that made them so great in the original, but the greatest casualty is katara. i hate that they took away so much of her rage, and gave many of her traits and struggles to sokka. i don't think this is a problem solely with the writing though, because certain lines do feel like things animated katara would say, but the directing and line delivery don't have the same punch that made her so fierce in the original. this is an easily fixed issue though, so i hope they take the criticism and let my girl be angry and fuck shit up next season

exposition. this was primarily a problem in depicting aang's personality and the relationship between the gaang, because a) why are you TELLING me that aang is mischievous and fun-loving instead of just showing me and b) the gaang do NOT feel like close friends, mostly because they spend so much time apart in every episode that they have little screentime to actually bond and develop intimacy.

lack of focus on the intricacies of bending. for a show whose tagline is "master your element" the characters spend very little time actually... mastering their element. zuko is never shown to struggle with firebending (which is going to have ramifications when it comes to developing his relationship with azula), and neither aang nor katara ever learn waterbending from a master throughout the the entire show. i'm pretty sure aang never willingly waterbends ONCE in the entire eight episodes, discounting the avatar state and koizilla. bending isn't just cool martial arts, it's closely linked to the philosophies and spirituality of each nation, and i wish that had been explored more.

pacing. they really needed to do a better job of conveying that time passed between episodes because an 8-episode season is just going to FEEL shorter than a 20-episode one. the original animation felt as though they'd truly been on a long journey before arriving at the north, but here it feels like the entire show happened in the span of a fortnight or so because each episode seemed to pick up right after the previous. they needed to have more downtime within episodes instead of just rushing from plot beat to plot beat because it made everything feel a lot more rushed. give the characters and story time to breathe.

final rating: 7/10.

overall, i would describe the live action as a better version of the percy jackson movies - not an accurate or perfect adaptation, but a decent story that's very fun to watch. but what really makes me root for this show to get a season 2 is that it has a lot of potential and more importantly, a lot of heart. it's evident that the people who worked on it do genuinely love and respect the original series, and it shows onscreen.

regardless of anything else, this show created opportunities for so many asian and indigenous actors, writers and creators to tell the kinds of stories and play the kinds of roles they don't usually get, and that's something worth supporting. if they take the criticism from this season and improve, i believe they really do have something special on their hands which - although it might not be the original we all know and love - could still be a story to be proud of.

a night-in with jotaro

pairing: jotaro kujo x gn!reader

wc: 824

warnings: none

next date →

“What’re we thinkin’, handsome? Moisturizing? Vitalizing? Maybe a little pore action?” You shuffle through your collection of sheet masks, eyeing the taglines of each one. “Ooo, I also have this one that looks like a cat?”

Jotaro looks between you and the stack, hesitant. “Definitely not the cat one.”

You roll your eyes, but move the cat mask and its other animal companions off to one side. He’s no fun.

After a busy few weeks, you and Jotaro had decided to spend the evening in for Valentine’s Day, and now, with your bellies full of take-out from the place you had your first date and a movie queued up in the living room, it’s sheet mask time. Jotaro had let it slip that he’d never tried one before, and like any good significant other would, you made it your mission to introduce him.

Running a thumb over his cheek, you pout. “You already have such nice skin. It’s not fair.” For good measure, you pinch the chub of it, what little there is, and smooch his forehead. “My pretty little valentine.” Despite his little scowl, you feel the heat of his skin against your fingertips. “How about a vitalizing one? This one’s got roses on it. Very on theme.”

You hold the package out to him and he inspects it, flipping it over to read both sides. “That’s fine.”

“Want me to put it on for you?”

“Mmm, sure.”

Pushing him to sit on the closed toilet lid, you reach around to pull a little pink hair clip from the bathroom drawer. Jotaro’s pretty blue eyes slip closed as you brush stray waves from his forehead and pin them back with the clip.

“Ready?”

He hums, muttering, “As I’ll ever be.”

You tear open the mask, and spread it across his face, making sure the holes for his eyes and mouth are where they should be. “How’s that?”

“It feels like seaweed.”

Rolling your eyes, you smooth out the last wrinkle in the sheet. Deeming it perfect, you squeeze his shoulders. “Alright, handsome. Let your first face mask experience begin. And before you take it off,” you warn, poking a finger into his chest, “don’t forget to rub the leftover serum into your skin. It’s a very important step.”

He nods before fixing his gaze on the stack on the counter. “Which one are you gonna do?”

“Hmm,” you drag your fingers over the pile and a mask in a green package catches your eye. It’s a hydrating tea tree mask boasting the perfect serum for sensitive skin. Just what you need. “I think this one.”

He plucks it from between your fingers, and switches places with you before you can even blink, lowering you to sit on the toilet lid just as he had. “Lemme do it.”

Jotaro mimics your movements exactly, carefully moving the stray hair from your face before spreading the mask across your skin. He even goes the extra step to stretch the mouth hole just slightly so you have a little more room to move it. He gently smooths his thumb down the bridge of your nose, an affectionate smile tugging at his mouth. “Done.”

Twenty minutes later, and with the rom-com still playing in the living room, you and Jotaro venture back into the bathroom, ready to slide the face masks off and continue with your night.

You watch as Jotaro carefully peels the mask from his skin, discarding it before standing next to you in the mirror to work the rest of the serum into his skin, just as you’d told him to do. He finishes before you, much less meticulous than you are about it, and when he’s done, he just... stares. And it would be nerve-wracking if it was anyone else, those piercing blue eyes boring into your features, but it’s Jotaro. Jotaro whose face softens as he watches you move, whose love, though quiet, is ever-present.

“What?” You giggle, eyeing him through the mirror. “Something on my face?”

A shake of his head, a shrug of his shoulders. “You look pretty, ‘s all.”

Your cheeks heat up as you turn around to take his face into your palm. And maybe it defeats the whole purpose, doting on him and touching his face so shortly after using face masks, but you can’t help it. He softens even further, sinking into your hand with ease.

Jotaro’s hand comes up to close over your own, large fingers curling until their tips find a home against your palm. His thumb skirts over your pointer finger as he tells you, “Happy Valentine’s Day.”

“You sap,” you coo, lips curling affectionately as you watch his eyes roll at the comment. You press close to him to land a peck on the corner of his mouth. When he tilts his head closer, wordlessly asking for another kiss, you plant one right to the center of his lips. “Happy Valentine’s Day, handsome.”

Hey bud! If you had to give your favorite voice a favorite movie, what would it be? And would their matching vessel like or dislike it?

I know this wasn’t the assigned task, but I couldn’t resist–

Here’s me headcanoing a fave film for every single voice and their respective princess’ opnion on it–

Hero: Shrek 2. No it is NOT just because of the Holding Out For a Hero scene, tho that is a very nice scene that always makes him start bouncing on his seat the moment it starts playing. It isn’t Default Princess’ favorite (she prefers Shrek 1), but she still appreciates the satire and subversion of common fairy tale tropes and the exploration of Shrek’s character here.

Contrarian: The Emperor’s New Groove. It’s memeable, it’s funny, it has such iconic characters, what else could he ask for? Stranger likes what they saw of it well enough, but they can’t really bring themselves to focus on a movie for the entirety of it. Would rather be doing something that requires them to be proactive.

Cheated: Fight Club. I haven’t watched Fight Club myself, but from what I hear from it, sounds like something Cheated might enjoy. Razor isn’t allowed anywhere near a TV.

Cold: Inside Out. Am I projecting? Yes. Do I care? Absolutely not. She watches Inside Out over and over again, imagining those little emotion guys as some of its friend, and getting a weird tight feeling in its chest when the control panel starts going gray because of Riley’s increasingly depressive state. Spectre likes the movie :)

Paranoid: Paranorman (I didn’t realize how similar those names are, but holy shit that’s funny), she finds Norman’s struggles to fit in and being seen as a ‘weirdo’ relatable and finds the way he’s fascinated with horror weirdly compelling. Both the fact it’s a stop-motion movie, and that it’s ‘children’s horror’ helps Paranoid feel safe watching it, and she doesn’t even jerks her arms once! Nightmare finds the zombies funny and gets… weirdly emotional during reveal at the end.

Hunted: The Lion King. It’s pretty, it’s colorful, the scenery and characters makes it feel at home, and it’s really compelled by the lion hamlet storyline. Beast tries to paw at every animal on screen and starts howling sadly when Mufasa dies.

Opportunist: Says it’s The Devil Wears Prada, but actually, it’s Legally Blond. The musical, specifically. Constantly has ‘Gay or European?’ playing in his head. Witch also loves The Legally Blond musical and is constantly grumpy that it’s also Oppy’s favorite.

Stubborn: Kung Fu Panda. It has FIGHTS, it has a panda struggle to become stronger, it has a compelling emotional core, he loves that shit! Adversary prefers John Wick, personally, but she’s also cheering for that white leopard guy every time he’s on screen (yeah, she knows he’s the villain, so what?).

Broken: Winnie the Pooh. It’s comforting and so nice to watch! It always makes them feel better. Tower doesn’t concern herself with this kind of leisure.

Smitten: The Princess Bride. Do I need to explain this one? Damsel also likes it, though she prefers Enchanted; especially the animated bits, she finds animation much more compelling than live action. :D

Skeptic: Knives Out. The mystery is compelling, the characters are engaging, and the set design! Skeptic could spend hours dissecting every frame of this movie and he did. Prisoner thought the culprit was too easy to figure out.

Extras–

Long Quiet is very fond of the Rio movie, while Shifty really likes Everything, Everywhere, All at Once (she’s also fond of The Lego Movie :))

Hello Siiri! First off: I just yelled in delight that you're offering subs on Ossan's Love Returns -- thank you! I have not watched the previous series or OL movie, but I come to you after learning that EarthMix will cameo in this week's episode. I'm watching older Thai BLs to learn more about that nation's genre of BL, and I'm learning about the Thai genre's Japanese BL roots -- which makes the cameo extra sweet for me in my history project. In any case, I am wondering if you could offer a kind of overview of the importance of the Ossan's Love franchise in Japan. My very favorite BL of all time is Kinou Nani Tabeta? -- and I've been so thrilled over the years to get TWO seasons, a movie, and the New Year's special. Ossan's Love has even more content. Would you say it's a bigger BL than KNT? Is the audience for OL growing actively in Japan? I'd love to learn more about the context of its importance in the Japanese media landscape. I feel like I generally have a grip on these things in part due to the fame of the various actors that end up in BLs (like in Cherry Magic), but Ossan's Love has been around for so long, that I'm not sure how to quite contextualize its popularity against other JBLs. Thank you for considering my question!

Hello!

I don't want to make any claims on who's more popular without gathering actual data, but I can talk about the general context of the show.

OL actually precedes Nanitabe's live action, so they weren't in competition during their original airing. OL differs from most other bl live action outputs by being an original script. It's not based on a manga unlike pretty much all other Japanese bls out there, and as such, it pretty much single-handedly brought gay relationships to the mainstream when they had so far been mostly confined to the bookshop bl section: if you wanted to read a bl, you'd go to the bl section, but otherwise you wouldn't be exposed to it.

The first season of OL aired in 2018. There are all kinds of live action bls airing these days, at least one per season, but it wasn't like that back in 2018. Live action bl until recently was either typical age-gap uke/seme anime (Gravitation, Sekai ichi hatsukoi, Junjou romantica) or made-for-dvd movies with mostly unknown actors. My first bl movie was Ai no kotodama. I don't know who those actors were or where they are now. By comparison, the cast of OL is full of popular mainstream actors. Pretty sure at least one person fainted when Tanaka Kei was on the cover of An an's love & sex (was it me, you'll never know!).

Even now, at lot of the bl you'll find on Gaga or Viki actual airs in a specific bl slot or on a paid subscription service. You had to buy each episode of Old fashion cupcake on Rakuten to watch - meaning you need to already know what you're looking for. Nanitabe and Cherry Magic both aired in TV Tokyo's Friday midnight slot , but TV Tokyo is a local network. I had to watch both online because we don't get TV Tokyo in the prefectures. What we do get though is TV Asahi, the network producing OL. It's one of the major national networks and the second most viewed channel after Nippon TV (it's also the channel buying GMMTV shows for Japanese distribution).

What made OL such a phenomenon was the internet and social media. It was the most tweeted show in 2018 and Japanese people tweet a lot. It received the Popular Word of the Year Award. You read it right, Ossan's Love was the Popular Word of the Year 2018 with #MeToo and e-sports (for comparison: in 2022 one of the words was state funeral because of Abe's assassination, and one of last year's winners was boiling of the planet).

As for how OL Returns is doing - it's super successful! Last Friday even omutsu paatonaa/diaper partner was trending on the internet. Last time there was an update about viewership, the first two episodes had been viewed 4.5 million times. The Japanese fandom is super active, and people of all ages are watching. They're doing quite a bit of promo, too. Tanaka Kei & Hayashi Kento were on Geinoujin kakuzuke check, a popular new year's quiz show.

I know OL doesn't get a lot of love in western bl fandom. On one hand, I'm like huh okay fair enough. But on the other, much bigger, you could even say enormous, hand, I'm like you don't have all the facts! You don't even speak Japanese! Take a seat! But if you wanna trash the airline remake (was it really necessary???), I'll bring the snacks.

To add on to how Oda’s involvement with Netflix should be taken with a grain of salt, there’s also this quote from a Netflix’s Director of Original Series Ted Biaselli where he makes it sound like every meeting with Oda was an argument:

“We're working directly with Eiichiro Oda who is the creator. You know, he's got a vision, and he's also never worked in television so there's this give and take in education of what works in live-action and what doesn't work in live-action. He'll tell us we're missing the point, that's not what this scene is about... Then we'll all go, oh, okay.”

Yup oh my god I remember that, I remember quoting that to people and they shrugged it off??? I was like?? Why is everyone pretending everything's just fine???

Also, fun fact? The guy who said that? Also said this about the live action Avatar the Last Airbender. You know, the series where they ALSO got the original creators onboard, but those creators left the production because they weren't being listened to?

Sure Ted, I'm sure EVERYONE working on the series LOVED the original animated series. They loved it so much, the original creators essentially got kicked out! Just like how EVERYONE who worked on the OPLA was such a HUUUGE One Piece fan!

And like, Mr Ted is wrong, Oda HAS worked in television. He's literally helped write scripts for One Piece movies and has created original characters for both the anime and One Piece films. Some things cannot adapt from animation, and Oda more than anyone would fucking know that? Why do you think One Piece is so fucking finely engineered to fit into its medium? Genuinely just feels insulting to be like "Oh he doesn't know what he's doing" as if he's not trying to help fix the STORY, not the process of MEDIUM ADAPTION?

It's not "Oh you just don't understand live action adaption" when Oda has said "HEY?? MAYBE DON'T ADD GARP?" like...I'm sorry?? Please explain to me why Garp just SCREEEAMED to be shoved into a live action medium, so much so that you had to fight the original creator over it??

Just spare me.

(edit)

Oh yeah and for those wondering where the quote's from here's the article. Just an absolutely bizarre move for him to even say that and for it to be included in the article at all when it's an article supposedly praising the production of the live action? Strange.

Here’s the thing about Scuttle

I like the newer trailers more because they have more of a spirit of vulnerability and fun, if that makes sense

But you can’t turn Scuttle into a fisher bird that Ariel encounters underwater. That’s the only conceivable reason I can figure out for changing his species; that Female Scuttle will talk to Ariel underwater, not above the surface, because fisher birds can spend more time under water than seagulls.

You can’t turn Scuttle into a fisher bird for precisely that reason. Ariel needs to encounter Scuttle above the surface. Because the idea in the original film, before she sees Eric for the first time, is that she doesn’t have much experience with creatures that live out of the ocean.

She needs Scuttle because otherwise, where did this one mermaid in a sea of mermaids who hate humans get her new-fangled ideas? Where did she come up with the notion that human beings are not barbarians?

She needed to meet a creature that lived out of the water, and could explain things to her, yes. But more importantly: She needed to try going to the surface, and have an experience with a completely non-threatening animal of the air and sky. You don’t get much more non-threatening than Scuttle.

The point of Scuttle, for the story, is more than just “encounter a bird who can explain human stuff.” (If that were all it is, then having a bird talk to her underwater would be fine.)

The point of Scuttle, for the story, is actually “encounter a safe and friendly surface-dweller out of the sea, to prove its not as dangerous as everyone says it is.”

“DO YOU UNDERSTAND WHAT I’M TELLIN YA”

Here’s the reason all of this matters: I have a feeling they’re going to try to make Ariel have her “first moment” out of the sea. Like, in the Live Action, we get to see what it was like when she went for it and stuck her head into the open air for the first time. That’s the only reason I can figure why Scuttle would need to be a fisher bird rather than a seagull.

And that’s dangerous. We don’t need that moment.

Because in the original movie, the idea was that Ariel had already been out of the sea multiple times, much to her father’s frustration. Building up to a scene where Triton loses his composure and destroys Ariel’s collection and pushes her too far is going to be a little harder if you make her stick her head out of the water for the first time in the course of the movie.

There’s less sense of a long-term period of building tension. There’s less understanding of how much Ariel is willing to sacrifice and how far she’s willing to go if she…hasn’t gone that far, yet. Just talks to a little water bird and gets near the surface, but hasn’t gone all the way yet.

That takes something away from Eric, too. Eric and her father’s outburst in the grotto work together as the catalyst for change in Ariel’s life. She’s already been to the surface before, but that doesn’t mean she’s ready to do whatever it takes to live there. She’s even already encountered human stuff and good creatures like Scuttle, and no danger, when she’s gone to the surface; again, that doesn’t mean she’s ready to sacrifice everything to live there. It’s important that we see that.

It’s not until she encounters Eric for the first time that she reaches the next stage of longing, and is ready to leave her family after her father destroys his statue.

Going to the surface and coming back safely wasn’t enough. Going to the surface and meeting a friendly seagull wasn’t enough. Finding human treasures and seeing a human ship wasn’t enough. Getting yelled at by her father wasn’t enough.

Eric was the last straw. Eric, the human who’s free to make his own choice of bride. Eric, the human who prefers exploring to kingly duties. Eric, the human who would sacrifice himself to save a dog in distress instead of being the barbarian Ariel’s always been told about.

Scuttle being a seagull she has to go to the surface to communicate with is an important stepping stone on the way to proving that Eric was the last straw.

Besides, it takes a lot away from Scuttle. Scuttle is a wonderful character because the whole movie is about being understood, and communicating, and Scuttle understands nothing and has a really hard time communicating.

So in conclusion, everything matters, even the seagull, and Live Action Disney is ruining the seagull.

Hello. I have never seen an "teenage mutant ninja turtles" show, comic, or movie. The characters however, appeal to me. If any one show or movie would suffice, where should I begin? Other sources have not been helpful.

OHHH GODDD OK WELL. OK SO. the thing is that different iterations are SO different i'm not entirely convinced that comparing them to each other is very ?? helpful?? a lot of people these days get into tmnt through the 2018 animated show Rise of the Teenage Mutant Ninja turtles. HOWEVER, that show only has like 2 seasons and is not the end all be all of the tmnt universe.

it's kind of hard for me to advise you to watch or read any one specific piece of tmnt media to get into it, because I kind of just already knew about it the entire time growing up?? like i never really actively watched it but i was generally aware of the concept for my entire life.

and i'm not sure exactly ABOUT the tmnt characters interests you, so i wouldn't know where to point you.

with all that as a disclaimer here's some of the more popular film/tv shows (I'm about as lost as you when it comes to the comics to be honest)

ROTTMNT/rise of the teenage mutant ninja turtles. it's the newest series as far as i know and it has fantastic animation. it's very funny and lighthearted most of the time and the boys even get magic powers (eventually) it's the one that really got me into tmnt. this one kind of switches around the roles of the characters. Usually you'll see Raph being depicted as the rash one, or the one with anger issues who strikes out on his own (and i still think thats true to an extent in rottmnt) but he, as well as Leo, are definitely portrayed in a different way than normal in rottmnt. which i like tbh it's fun. (i could write a whole essay about how their characters are different but also kind of the same in rottmnt vs other media but that would take all day)

TMNT 2012 series. The 2012 series is very influential as well, and heavily beloved by many. I haven't seen all of it yet, but it's biggest drawbacks (to me at least) is its very 2010's american childrens show style of comedy which can come off as uncomfortably cruel/annoying if you aren't ok with it. it's also an early years CGI animated show, so sometimes things don't look as good as they could. STILL it's definitely interesting and i like the dynamics between the brothers there so I'd give it a chance.

TMNT 2003 series. honestly i havent heard a lot about this one, but i really like the style and ive watched a few episodes of it, and it's definitely solid, sorry i can't say much more than that.

TMNT 1987 series. also can't say much about this one but it is hella goofy from what i've watched of it. it's also the original cartoon series i believe, airing as a sort of "saturday morning cartoon" situation.

TMNT 1990 movie. this one is part of a trilogy of tmnt movies, but i've only seen the first and a half movies. I really enjoyed the first one, it was a fun time and kind of campy, and the guy who plays casey jones is cute. this one is live action and the turtle costumes can look off putting to some people, but personally i liked them.

im sure people in the replies/reblogs of this post will add their opinions too haha

Maybe it is not because of cgi movies but because how bad written the characters especially the villains. So far the only villain I can think fits is Mother Gothel because of how well-written her character is despite lacking of powers and a twisted version of her helps. Although they did take inspiration from CGI movies like Big Hero 6 for that chapter 6 plot and even took some TV shows like Lion Guard which it revealed to have lion guards in Leona's hometown.

[Referencing this post!]

As I mentioned in the original post, yes; TWST does take inspiration from and make reference to many Disney properties regardless of artistic medium. This extends to their animated and live action films and shows, as well as musical productions (the whole plot line with Rollo having a little brother that was led astray by sin comes from an obscure Hunchback of Notre Dame German musical) and more. It’s just that TWST has yet to introduce characters in their own universe explicitly twisted from characters in the 3D era, whether villains or not.

Seeing as the big “sell” of Twisted Wonderland is its villain-based characters, I can see why one might think poor quality of the original (3D) Disney characters would be a factor in preventing them from being successfully adapted. However, I personally don’t think this is a huge consideration since that would imply Disney’s old villains are all written significantly well when some are simply generically evil or not that interesting (though this will vary depending on who you ask). Besides, it would also discount the fact that no matter how low quality or boring the original villain was, they can always be “dressed up” and given a more interesting story and character by the TWST team; they are not 100% beholden to the mold the original Disney character set.

I definitely agree that many of the more recent villains aren’t the… strongest… (if we had a villain at all, that is). Mother Gothel is the only one that immediately sticks out in my mind as a great villain from the 3D era. (She’s so uniquely wicked in how she gaslights and manipulates Rapunzel.) However, we don’t know if the people on the TWST team also hold this same opinion of disliking the 3D era and letting that actively influence their design direction for the game. It’s very hard to discern what the overall sentiment is since we don’t often hear from the TWST devs and just make assumptions of what the popular opinion is based on what we hear from our own social circles.

With the deliberate 3-4 years of staying with 2D animated characters (+ the G7 being some of the most iconic Disney villains) and now the Platinum Suit line now making references to the classics, I really think nostalgia is the main motivator rather than TWST (or Disney) questioning the quality of their 3D stories and characters. If anything, they (Disney, that is) seem pretty eager to stroke their own egos about mega box office and merchandising hits 😂 Frozen, anyone?