I feel like art or writing wise for me Kenny is either pretty expressive or not very expressive at all. In heavy moments, he's not very expressive, like if you wanted to picture things the same as in my brain, that's how it'd be. With Kyle it's expressive either way, bright when happy, very visibly upset and pissed when... upset and pissed lol.
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it seems there's a gamkar week happening! I'm with y'all in spirit lmao. one of the pale ships of all time. to me.
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One of my favorite parts of phase 2 (and indeed one of the few moments I resonated with IDW Prowl) was when the neutrals were coming back to Cybertron and Prowl said that he refused to let Autobots be pushed aside and overruled after they were the ones who fought for freedom for 4 million years (the exact wording escapes me atm).
And I mean, that resentment still holds true even once the colonists come on bc like. As much as it's true that Cybertron's culture is fucked up, and as funny as it can be to paint Cybertronians as a bunch of weirdos who consider trying to kill someone as a common greeting not important enough to hold a grudge over.... The colonists POV kind of pissed me off a lot of times, as did the narrative tone/implications that Cybertronians are forever warlike and doomed to die by their own hands bc it just strikes me as an extremely judgemental and unsympathetic way to deal with a huge group of people with massive war PTSD and political/social tensions that were rampant even before the war?
Like, imagine living in a society rife with bigotry and discrimination where you get locked into certain occupations and social strata based on how you were born. The political tension is so bad there's a string of assassinations of politicians and leaders. The whole planet erupts into an outright war that leads (even unintentionally) to famine and chemical/biological warfare that destroys your planet. Both sides of the war are so entrenched in their pre-war sides and resentment for each other that this war lasts 4 million years and you don't even have a home planet any more. Then your home planet gets restored and a bunch of sheltered fucks come home and go "ewww why are you so violent?? You're a bunch of freaks just go live in the wilderness so that our home can belong to The Pure People Who Weren't Stupid And Evil Enough To Be Trapped In War" and then a bunch of colonists from places that know nothing about your history go "lol you people are so weird?? 🤣🤣 I don't get why y'all are fighting can't you just like, stop??? Oh okay you people are just fucked up and evil and stupid then" ((their planets are based on colonialism where their Primes wiped out the native populations btw whereas the Autobots and OP in particular fought to save organics. But that never gets brought up as a point in their favor)) as if the damage of a lifetime of war and a society that was broken even before the war can just magically go away now that the war is over.
Prowl fucking sucks but he was basically the only person that pointed out the injustice of that.
And then from then on out most of the characters from other colonies like Caminus and wherever else are going "i fucking hate you and your conflicts" w/ people like literal-nobody Slide and various Camiens getting to just sit there lecturing Optimus about how Cybertronians are too violent for their own good and how their conflicts are stupid, with only brief sympathetic moments where the Cybertronians get to be recognized as their own ppl who deserve sympathy before going right back to being lambasted.
Like I literally struggled to enjoy the story at multiple points because there was only so much I could take of the characters I knew and loved being raked over coals constantly while barely getting to defend themselves or be defended by the narrative so like. It was just fucking depressing and a little infuriating to read exRID/OP
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using my credentials as a top .1% mitski listener for two years in a row i have brought you mitski KL classifications
recommendations/strong matches are bolded
Laurel Hell // Be The Cowboy // Puberty 2 // Bury Me At Makeout Creek // Retired from a Sad, New, Career in Business // Lush
Keith
Everyone
Valentine, Texas
Stay Soft
Love Me More
A Pearl
A Horse Named Cold Air
Blue Light
Washing Machine Heart
I Bet on Losing Dogs
Thursday Girl
I Will
I Don't Smoke
First Love/Late Spring
Humpty
I Want You
Strawberry Blond
Wife
Door
Lance
The Only Heartbreaker
There's Nothing Left For You
Working For The Knife
Nobody
Me and My Husband
Lonesome Love
Remember My Name
Fireworks
A Burning Hill
Texas Reznikoff
Townie
Francis Forever
Carry Me Out
Goodbye, My Danish Sweetheart
Brand New City
Abbey
Both/either/interchangeable
Heat Lightning
Geyser
Come Into The Water
Pink in the Night
Two Slow Dancers
Once More to See You
anything not listed has been given careful consideration but would be too much of a reach to apply to them and/or is too personally about experiences of the human condition mitski herself has lived
Im open to healthy debate on any of these but just know i come armed with explanations for all
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Ian wakes up alone on a road in the woods, and he has to decide if he's going to stay or go.
Ian has a near-death experience and sees moments from his past. Basically me trying to get any kind of acknowledgment of how fucked up Ian's history is!
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I only ship Elliot and Olivia because what i really ship is Olivia and the Stabler kids. Girl deserves a big ass family
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Things I learned from Max’s Radio Eins interview today (in bullet points because I am still coughing up a storm and can’t form complete sentences):
- The Riemelt household usually spends Christmas at home with a tree but this year they are going away to the countryside. Somewhere quieter 🎄
- Max is not into dating app/platform 😝 (it was when they asked him about his Christmas rom-com ‘Ein Taxi zur Bescherung’)
- Max talks to taxi drivers sometimes when he’s in one, depends on if they are the talkative kind. Sometimes it can get very philosophical 😂
- Max drives a Golf MK6 (GTI?) and he once went on a road trip to the Arctic Circle in it, he took the long and scenic route through Lofoten in Norway ❄️
- Max plays a working class taxi driver in his new film “Es geht um Luis”. He says his character is an avenger with existential crisis and worries about the future for children 👀
- Max’s favourite U-Bahn line in Berlin is U2 (line 2) because it reminds him of home and his childhood ☺️
- Both Max’s two new films “Es geht um Luis” and “Zwei zu Eins” will be released in 2024 ❤️
Max with ‘Es geht um Luis’ co-star Natalia Rudziewicz
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