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venbetta · 5 months

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This is Tumblr, we're all wild animals with zoomies. Please share your thoughts.

You right... you're so right

Time to vomit all of my thoughts then-

I’m gonna have to be so sparring with the pictures due to the 10 image limit *sob* whatever i'll figure it out,,

Also I'm gonna say this- Freddy isn't possessed by Michael Afton in this. I don't mind Glammike, but I love the idea of Freddy just becoming a “deviant” I guess. Robots becoming human. They should totally make a game or something… wink wink.

I'm gonna just dig into the lyrics and breakdown my thought process for some of the frames… (I'm not doing every lyric, only some that stood out)

So, the meaning of “My Way” is based around self determination, that's the basic gist. I personally interpreted it as individualism, seeing how the lyrics have certain phrases based around it.

I had heard this song at the beginning of this year and immediately thought of Freddy. I also remember hearing the ai cover version at one point… (moving on)

And it was pretty obvious that most people agreed that this was his song.

Let's break it down >:]

And now, the end is near

And so I face the final curtain

I started the scene with Freddy walking on the third floor atrium, and I guess I took “I face the final curtain” literally since he's looking at the main stage lmao

My friend, I'll say it clear

Small side note, it's literally the most miniscule detail, but I felt like he was referring to Bonnie when he said “my friend” … It doesn't help that he's on the same floor as Bonnie Bowl.

I've lived a life that's full

Freddy reflecting about his “life” performing alongside his friends, I specifically added Chica because she's one of the remaining members of the original trio. :)

Regrets I've had a few

But then again, too few to mention

I did what I had to do

And saw it through without exemption

This verse was the best way to describe Freddy's situation. He had to not only escort this kid around the pizzaplex but he had to make sure Gregory wouldn't get hurt. He didn't want to hurt his friends but he couldn't let them hurt Gregory either. While it's shown that the other glamrocks were shattered, him saying he has regrets, I thought about whether or not he did the shattering himself or it was Gregory.

I mean, canonically, it was all Gregory's doing, Freddy was an accomplice… (sort of), but in the back of my mind, a messed up part of me wanted it to be Freddy's doing. Especially when we get to the confrontation scene. Honestly it can be interpreted both ways. I've read a fic where Freddy killed his friends… very gruesome but badass.

Anyways have a Freddy ear wiggle... cutest fucking thing ever.

Yes, there were times, I'm sure you knew

When I bit off more than I could chew

But through it all, when there was doubt

I ate it up and spit it out

I faced it all, and I stood tall

And did it my way

Another one of those verses where I went fucking crazy and said “THAT'S HIM.”

So as it's seen in the animatic, Freddy is trying to keep Gregory safe. Gregory was originally going to be in his stomach hatch during this fight scene, but as I mentioned, Freddy wouldn't have wanted him to be in serious danger, so.. I changed it to him carrying Gregory.

“I'm sure you knew when I bit off more than I could chew” refers to Gregory being aware of how much he was in danger, and Freddy deciding to bite the bullet towards confronting his friends. Even if it meant someone was going to get hurt.

“When there was doubt, I ate it up and spit it out.” God, I loved drawing Freddy clenching his fists. The hesitancy before just accepting that he has to protect Gregory at all costs. Maybe I took some of the lyrics and made them slightly literal? Idk. Either way, this scene was powerful, especially when he and Monty clashed together.

“I stood tall” to me shows how Freddy was no longer going to let his soft persona get in the way. This part was just very fun to draw and put together… :3

I've loved, I've laughed and cried

I've had my fill, my share of losing

And now, as tears subside

I find it all so amusing

Once again Freddy is thinking about his friends and life, I found this part kind of hard? Originally I wanted him to be surrounded by his friends, and have it fade to just him standing alone, but I didn't like how it was drawn lol. I improvised and had it be a poster instead.

Also there's something heartbreaking about how he examines his plushie. “I find it all so amusing”, I interpreted that as him being melancholic about the situation, looking between the plushie and Gregory by the exit.

To think I did all that

And may I say, not in a shy way

Ah yes, Freddy setting the plushie on fire. I like to think he makes up his mind at that moment that none of this was worth it anymore. Once again, that interpretation of him being complacent to his friends being shattered kinda fits into this line a little, “I did all that”, as if he's surprised he had it in him to go that far to protect Gregory.

I did it my way

…self explanatory. Freddy said, “Yeah nah I'm done. Burn this bitch to the ground.”

I mean, that's basically the fire escape ending if I'm being honest. Mine's just funnier.

For what is a man, what has he got?

If not himself, then he has naught

To say the things he truly feels

And not the words of one who kneels

The record shows I took the blows

And did it my way

The final stretch. So this verse is pretty heavy, also I had to pace this correctly… I'm surprised I managed to fit the climax in.

“For what is a man” when I heard that line for the first time… fire no pun intended. It's also kinda ironic(?) Freddy says this, since he's an animatronic… but me personally, I saw it as an epiphany for him. He's acknowledging his own individualism, and that's all he has now. He made the decision to protect Gregory, to fight his friends, and now he's making the choice to burn everything down.

“To say the things he truly feels, and not the words of one who kneels” Good shit. He's not taking orders from anyone anymore, he's gone full deviant now.

And with the confrontation with Vanny, he makes the impulsive decision to take her out, going down with her. “I did it my way” the grand climax of the song, where he throws both of them off the building… lowkey my favorite part. I had fun using the tracking tool on the editing program to make them pan across the screen in slow mo…

But yeah, Freddy was gonna go down his own way- even if it was unnecessary.

Yes it was my way

The fall and the brief daze and fear in his eyes…

There's something about the acceptance in his eyes that makes my chest swell.

I'm surprised I haven't cried to this animatic yet.

I'm sure I'm not the only person who doesn't like this ending of SB… it's so weird and confusing. I laughed my ass off watching it due to how whacky it was… also I still believe that Vanessa on the roof was an apparition/ghost. Idk… it makes sense to me.

The fact that I made this ending have more impact makes it more satisfying. I know it was very indulgent but like… that was the point. I know Freddy's characterization in the game is pretty limited, outside of him being a goofball, but he had genuine moments where there was something else there (I'm looking at the true ending scene).

Listen, I headcanon Freddy as someone who's sweet and puts on his best face but has the entire company of FazEnt on his shoulders and all he can do is tolerate it because he was made to entertain. Having him not only have an existential crisis but an epiphany lets Freddy shine a little more.

I say the best part during the animatic process is looking at the lyrics and breaking them down for the story. It helps with pacing :)

I plan to do another fnaf animatic this weekend, so look forward to some wips… if I decide/remember to share

Feel free to ask me anything, I'll try to answer them!

#i hope that all made sense #im tired its 2am #i was busy most of the day...#anyways- *zzzzzz mimimimimi zzzzzz mimimimimi..*#glamrock freddy #fnaf security breach #rambles #gregory fnaf #song animatic

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silverskye13 · 29 days

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how do u write fighting or do u have any tips? i have an idea for a fanfic not mcyt related but im terrified ill write the fight scene poorly as it makes up a majority of the fic.

Fighting and fight scene tips! I have a couple I guess! The tricky thing is fight scenes are really subjective. It's hard to give a "and here's all the puzzle pieces you need for a good one" kinda answer. But I can at least tell you the stuff I think about while I'm writing.

You know the drill, writing tips under the cut:

1. Research

I feel like I put this on every tip list. Research the thing you're doing. The Internet is your greatest friend and confidante. Look up YouTube videos of fighting competitions. Look up the weapons your characters are using. Figure out how many bullets are in the magazine for the gun type your character is using. Research how far you have to be to survive that explosion. Figure out if the cool sword breaker was actually useful in combat and why. Get a reasonable measure for how much blood your blorbo can lose before they pass out. This will help you paint a clear picture for yourself about what needs to happen, and why. Your readers don't necessarily have to have that clear picture, but the more you, the writer, know, the more likely you are to write a consistent, understandable narrative.

2. Character POV is important!

What does your character even know about fighting anyway? <- the most important question to ask of your POV character. This establishes what your character can tell your audience about what's going on. Has your character never fought before? Are they familiar with the weapons used? Do they know counters for fighting styles? Do they even know how to throw a punch? Do they have a high pain tolerance? These things will inform how the character informs us, the readers, about what's going on. Generally speaking, lack of consistency is what makes fight scenes frustrating, in my opinion. Sitting there and going "hey wait, how did that teenager know better battle tactics than the general they're fighting?" Takes you out of the moment and ruins whatever cool thing that teenager just did. Going "hold on, what do you mean the sniper didn't realize he was out of bullets?" Does the same thing. Keeping the characters consistent stops your readers from questioning the validity of the scene.

3. What can your readers see, and is it the same as what the characters see?

Similar to above, but a little more meta. Fight scenes are often played for drama. You're putting the character in peril, and that peril is for a reason: to make the audience have an emotional response. Can the readers see an ambush because of your 3rd person omniscient perspective, but the characters can't? Is that a good thing? Will it ruin the shock and surprise of the ambush, or will it induce dread and up the stakes? The enemy has a poisoned sword. Is this obvious to the audience in a way that isn't for the character? This is playing with suspense in a fight, adding and subtracting stakes for the readers, and it needs to be balanced against what the characters know.

I'm mentioning this as a thing because revealing your hand to the audience can be a really interesting way to add suspense, but if the audience feels like a character should've been able to see it coming [ex. How come the assassin didn't anticipate someone poisoning a blade during a fight?] it ruins the immersion of the scene, and makes it feel like you the author are shoving the characters in a direction. Generally speaking if the readers can see the hand of the author moving, it breaks immersion.

[Notably, I don't write in 3rd person omniscient. I write in 3rd person limited. I don't often have a chance or reason to reveal information to the audience that the main character doesn't know, because the audience is observing the world through that character.]

4. What are the guys in the back doing?

Everyone knows the Main Character has to fight the Antagonist at some point, but normally the MC isn't alone. They have friends and allies, or their pet dog. They have a supporting cast, and that supporting cast wants to help the main character. So... where are they exactly? A pitfall I see in Big Final Fight Scenes pretty often is, the MC brings an army, or their crew, or their super friends or whoever, and yet somehow, they end up fighting the bad guy alone, and the writer just... Doesn't address the other people in the room. And you the reader are left going, "Wait, why is no one intervening?" This gets especially immersion breaking when the main character inevitably starts losing their fight [because drama, few fights are easy]. Our MC might die! Why is no one trying to run even a basic distraction on the Antag? This isn't to say you have to have your supporting cast get involved in the final fight -- sometimes you need that solo showdown! But you do have to have a convincing reason to keep the rest of the cast away. If we the readers are under the impression there's six other people in the room just standing there, because you the writer forgot they were there, it gets kinda awkward.

5. Zoom in! Feel it. Zoom out! See it.

Okay so, you now know: Basic information on how your character(s) fight, what your POV character(s) know, what the readers can see (either the same or different from your characters), and you know where everyone is and what they're doing. You have your god's eye view ready. How do you show it?

Zoom in, zoom out.

There is a balance to fight scenes, in about the same way there is a balance to an art piece. There is a foreground, middle ground, and background. Each have importance, each need focus. The foreground is what is happening immediately in front of your POV character, it's their thoughts, what their weapon feels like, any wounds they've taken. It's bullet time, and observations, and right in their face. The middle ground is the surrounding 5-10ft. It's the people beside them, it's what's just past their opponent. It's the rest of the room, or the sound just out of view, or the object just out of reach. The background is everything past that. It's distant explosions. It's their friend getting wounded. It's an archer on the next rooftop.

How much of that you want your audience to see, how you want to vary that, depends on what you as an author view as important. If you want to focus more on the character, their struggle, their opponent, you will write most of the fight scene in the foreground. Focus on what the character feels, the sensation of movement, the pain, fear, exhilaration. Focus on the words they're saying [or not saying]. Focus on what they know, what they're telling the audience. If you want to highlight the battle, how the main character is working in their surroundings, you will focus on the middle ground. This is what the character looks like from an outside perspective, how they fight against their opponent. This is them trying to reach an item, or shove their opponent into something. This is running, and kicking, and trying to figure out if your friend is still by your side. This is seeing your comrade go down out of the corner of your eye, or admiring someone's fighting style, or screaming orders at someone. The background is anything further away, a distant problem that is putting on pressure. A ticking time bomb. This is the building catching fire, the lightning in the storm overhead. This is superman fighting off the alien army while your MC is trying to kill the general. This is you reminding the audience the rest of the world hasn't stopped turning while the MC has been doing MC things.

Generally speaking, I like to move through all three spaces several times during a fight scene? The main character is hurting and holding onto their sword, and breathing is hard. The antag is pressing the advantage, trying to back them through the space. But they can't lose too much ground, because their friend is fighting the second antag over there, and they're bleeding from a fresh cut. They have to win, they have to escape, because the sound outside says the building is groaning on its foundation-- and the main character stumbles as the building rocks. [And I've just moved through all three types of ground, giving the audience a clear view of what's happening].

You don't have to bounce reliably through the space. Not showing the background for a long time means you can surprise your audience with a new hero or villain swooping in! Or leave us in suspense about that magic ritual we're supposed to be stopping. Not showing a middle ground side character implies your MC is so distracted they won't know their friend is hurt until it's too late -- etc.

If it helps, I like to imagine there's a little invisible camera panning around, taking dramatic shots of everything, like you're making a movie, and writing accordingly.

Uhm!! Hopefully that's helpful?

Some broader quick tips:

Fight scenes are very fast, and generally happen over a period of a few minutes. That time will feel significantly longer because it's jammed packed with Stuff Happening, but the fact remains, it's only a few minutes. Keeping the timing in mind helps you figure out if backup can arrive to help, or if it's reasonable for someone to miss the fight happening, etc,

On that note, if it's a battle specifically, battles [especially medieval ones] are short. They don't last all day, unless they're a siege, and even then, sieges are long periods of digging in and waiting with short clashes peppered around.

This might just be me, but try not to overuse metaphors? We get it. The swordsmen look like they're dancing. But not everything they do is graceful or dancer-y. Sometimes you can just say "and he punched him in the face." Unless your writing style is naturally super flowery, in which case, do continue. Consistency is key.

Do some basic research on wounds. Suspension of disbelief can only carry so far, and pain is genuinely debilitating. Also, yes coughing up blood is a very dramatic "the character is dying" cue, but in real life it only happens on very bad lung/throat wounds. If what you're writing is Super Realistic, maybe don't throw that in there.

Write confusion with care. You might not want your audience to know what's going on all the time, but if your audience genuinely can't figure out what's going on, why something is happening, or who it's happening to, you will eventually lose your immersion.

Write comedy with care. If your fight is non-serious, or if your character in a serious fight doesn't normally take things seriously, jokes are allowed to happen. But sometimes if you don't take it seriously enough, you will chop the knees off your drama. Maybe save some of the jokes for after the life-threatening battle is over.

I think! That's everything I can think of just now! I hope it helps :'D

#answering asks #anonymous #writing advice #writing tips #writing #apologies if this was incoherent at all #its 2am im very tired and this week has been hell #i wanted to answer this before i forgot it and it got buried

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