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#im actually in the process of writing this but im a slow writer and have final school papers coming up
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Steve is Robins beard/no upside down AU where Robin and Steve run away and get married after Robin graduates because she gets outed in the last few weeks of highschool and its the only way to stop her parents from sending her to a christan all girls college.
Originally the cover up plan is for Robin and Steve to tell her parents that they just recently started dating and a girl in band started the rumor about Robin being a lesbian because she was jealous and hoped it would make Steve and Robin break up. They can fake date and then "break up" after Robin goes off to college in Chicago, claiming the distance was too much.
Robins mom is fully ready to accept this as fact, after all it will do so much for their status in town if her daughter marries into the Harrington family
Robins dad, on the other hand, hates the idea of his only daughter being with the son of Richard Harrington. He watched the bastard play with his sisters heart in highschool before running off to marry some rich girl and will be damned if he sees the same happen to his daughter. No it will be better if he put an end to all of this and ships her off to Mount Saint Marys so she never has to see the Harrington boy again.
Cue Robin and Steve aided by Joyce and Hopper making a plan for them to run away because Steve will be damned if all of Robins dreams are crushed because her father wants to be an over protective asshole. They decide the easiest way to stop her dad from tracking them down and forcing Robin to come home is if they get married.
So the night after graduation, Robin sneaks out of her house and steals away into the night with Steve. They drive all night until they make it to chicago as the sun is rising. Joyce has a cousin who lives in the city and is willing to let Robin and Steve stay in her spare room until they get settled.
Carina has the same motherly warmth as Joyce, though she never married or had kids instead choosing to live with her " Capital R Roomate" Marjorie. Of course, the two women know the truth of Robin and Steves situation and as soon as the court house opens, they bear witness as Steve and Robin sign the marriage papers and offically become Steve and Robin Buckley-Harrington
They actually fought quite a bit on last names Steve insisting that he should take the last name Buckley because fuck his parents, while Robin still angry at her father wanted to become a Harrington just to spite him. Carina is the one who convinces them to hyphenate after, to her horror and amusement they suggest combining their lastnames and becoming the Buckington's (Steves idea) or the Harringley's (Robins idea)
Steve and Robin find jobs together at a local coffee shop and after Robins first semester at school working towards a degree in linguistics, Steve decides to apply for community college eventually deciding he wants to become a school councilor, he loves working with kids and hey if he can help atleast one kid all the schooling will be worth it.
Steve and Robin love the city and once they both graduate -Robin ending up adding a teaching degree in with her linguitics- they get jobs teaching at a local middle school Steve as the guidance counciler and Robin teaching French and Latin. They talk briefly about getting divorced after a few years but after almost dying in a fire together when starcourt burned down they're trauma bonded for life, honestly steve doesnt know who he was kidding thinking he'd be fine staying in Hawkins until the kids graduated while Robin went off to Chicago.
Carina and Marjorie introduce Robin and Steve to the queer scene in Chicago and Steve has his bisexual awakening. Robin becomes Steves beard just as much as he is hers. They both date around a bit, but nothing serious ever comes of it theres not many people who can handle the combined force that is "Steve And Robin Platonic With A Capital P Soulmates"
Enter professional substitute teacher/drama club advisor Eddie Munson and brand new lead journalist of the Chicago Tribune Nancy Wheeler, who are both confused, gay and unwilling to be homewreckers but cant help but to be sucked into Robin and Steves orbit all the same
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milks-thoughts · 1 year
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hi it me, the best ROTTMNT writer to ever exist I know 😌
BUT I HAVE COME WITH AN ASK GRRR IM GOING TO DESTROY YOUR WRITER BLOCK
I need the turtles trying to teach their s/o something, and they stance is just a little bit off so they come up behind them to fix their posture and 😳 I'D KILL FOR THAT 😍😍😍😍
bye bye love you boo 💋 /p
PLEASE IM SO SORRY IF THIS IS OOC FOR MIKEY OR DONNIE- I DUNNO HOW TO WRITE THEM VERY WELL (blame Nick for their lack of episodes >:()
BUT YAYAYAY OKAY IMA TRYYY I HAVEN’T WRITTEN FOR THEM IN LIKE A YEAR OR TWO
this isn’t beta read! nor is it proofread- any mistakes are there now. there is no getting rid of them, they are part of the writing now. this is so short I’m sorry
tw: NONE ITS JUST HEART THROBBING FLUFF <33
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Raph
“ can you teach me how to knit? “
That’s all you have to say before Raphs enthusiastically taking you to his room
Little did you know knitting is hard
you were trying your hardest at knitting, you really were! But you couldn’t get the movements right, and the needles were so hard to move. It was honestly frustrating. Your eyebrows furrowed together as you again attempted to start a chain, you didn’t know how Raph did it. Your thoughts were disrupted by his voice ringing out “ -you’re not doin it right, here let me show you! “ he would walk over to where you were sitting and leaned over you. His plastron hitting your head slightly. It didn’t bother you, since you were distracted by his big hands grabbing yours and leading your movements, his voice didn’t process in your ears as you tried keeping your blush down. You decided it was best to focus back in so you could do it without him leading your hands, has it always been this hot in here? it was probably just you. He eventually let go of your hands “ you alright? your face is all red, are you sick? “ you could only chuckle and shake your head “ I’m alright love “ you promised before going back to knitting, so what if you were purposefully accidentally messing up? you were happy to be spending time with him.
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Leo
You were genuinely so excited when you found out he could skate
“ can you teach me!? “
Didn’t even think about how hard skating is
You didn’t take in account that even when walking you kept falling over, so on wheels? Forget it your ass is grass. a few hard falls and scrapped knees later you eventually could balance on it. Trying to get going was the hard part, you brought your foot down and completely fell off. you landed on your rear-end so at least you weren’t bleeding again “ that must’ve hurt wheel bad “ you glared up at him, but your brows lifted as you chuckled. stepping back on you felt his hands on your waist as he walked next to you. “ your posture and stance is so bad “ Leo chuckled, you gave him a playful glare. your face was red though, Leo’s hand held onto you as you put down a foot and touched the floor. Letting out a excited cheer you smiled up at Leo he smirked “ I guess I’m your lucky charm Hm? “
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Donnie
Coding was intriguing, to you at least
Watching Donnie spend hours on it while you do..your own thing was fun
“ can you teach me to code? It looks cool “
you poor unfortunate soul. Donnie was a amazing teacher, and nothing but patient at that. you just didn’t realize how hard coding actually was. “ okay! so- “ typing in the code you hummed in frustration. It didn’t work. Donnie reached over you, his hand taking on top of yours and like a puppet on a string he used your fingers to type in the code “ that will make it work. You weren’t listening dum-dum “ he gently reprimanded. You just simply leaned into his touch. you were on his bed, sitting in front of him. He simply laid down, it was the quiet hours of the night when both of you couldn’t fall asleep. you listened to all of Donnie’s rambles, tonight you wanted to use that knowledge. Typing away you noticed as he watched, even when you stilled or slowed down as your brain picked apart what you needed to do. Eventually you got it to work. It was a simple website for your art, but god was it amazing “ you finally did it, salutes “ his tone blunt and calm, but you could read the fine print, he was proud of you.
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Mikey
You loved watching Mikey spray paint
It was obvious because of the hours you’d spend watching him
“ I wonder how I’d do spray painting? “
you got the answer to your own question: you’re shit at it. Mikey was painting next to you before he paused “ you’re holding it all wrong silly! “ he walked up behind you and grabbed your hand moving the paint can he took control off your arm and made a few strokes down like you were doing. His head resting on your shoulder, music blaring into your ears from the headphones he was wearing. Mikey simply smiled at you, his orange mask stained with paint from his messy fingers working it, you’ve come to realize Mikey has many masks. And not just Dr. Delicate Touch or Dr. Feelings. But he literally has a whole drawer full of him and his brothers masks, in case anyone needs a replacement. He let go of your hand as you continued the movements getting brought back by his comforting weight leaving your shoulder “ there we go! see now you’re holding it right, you should put on some music really get in the moment “
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nomsfaultau · 30 days
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thank you so much for writing mandatory family reunion. i just reread it for the eighth time. i think im going to dedicate my life to life to reading your other sbi fics until you update again. also; do you have any tips for committing to fics and not leaving them half-finished?
ahhhh that’s so sweet glad you enjoyed! As for writing fics, having it be your special interest really helps. But for more general advice on finishing:
-Don’t stick to just one story. Which seems counter intuitive! But inevitably you’re going to hit a snag in one story. So instead of stopping writing at all, switch projects. Writing involves a whole bunch of thinking, and stuff needs time to percolate in the back of your head. But having a small project to work on in the mean time keeps you engaged in the writing process, gives you practice, makes you feel like you’re making progress, and allows time to work out the other story. I personally have 1-2 main projects, Fault and MFR, and then rotate a couple back burner stories that I work on whenever I get inspiration and fully expect to have very slow progress and possibly never finish. Short stories, one shots, hell even just writing little one off scenes that don’t go anywhere. It’s a way to keep writing fun and thus you’re more likely to continue working on the stuff you’re trying to complete. Don’t feel bad if there’s breaks between working on your main project. Writing involves a lot of thinking and it takes time to do that.
-Devoting time to do that thinking also significantly helps. When you’re falling asleep can be a good time to rotate stories in your head. Could also be if you’re walking from place to place, or brushing your teeth, or other little gaps in the day. Even if you’re not physically writing, it’s still part of the process and can make it easier when you actually sit down to write because you know what scene you’re most excited to work on. Also, talking over your story idea with a friend is a great way to stay motivated if you can get over the mortifying ordeal of being known. You can bounce ideas off them, and other people’s investment in a project can be a great motivator to finish. Like legit a single ao3 comment once stopped me from my plan to abandon a fic. Reminding yourself why you (and other people) like the story makes it easier to want to continue.
-Keeping a rough outline of what you envision for the story can give you a road map to how close to done you are and where to go next. Just like you can hop between projects, I find jumping around the plot time line to write what scene I’m most interested in atm keeps me going instead of writing everything in order. Though, all writers have different degrees of plot planning, so that depends on your style.
-Art! I’m an artist, and while writing definitely fuels what I draw, I find doodling cool scenes I want to write really inspires me to keep going. This sorta falls under the same category of continuing to think about the story and motivating you to finish. -I found keeping a writing journal has improved how I view my writing. Basically, I’ll jot down a bullet point list of scenes worked on that week/month. Writing is a very slow process, so seeing a timeline of actual progression on a story makes it feel like I’m actually getting more out of my head and onto paper. I also jot down what ideas for scenes I came up with since that’s also part of writing, and might include a chill no stakes writing goal for that period, like work on X or Y project, or a particular scene. Sometimes my goal is just ‘write at least one sentence’. I give it lots of leeway, and accept that the muse may just be somewhere else that week. And if the goal isn’t met, no sweat! Life can get busy at times and it’s more important that you aren’t beating yourself up if it’s been awhile since you last touched a project. Forcing yourself to write a scene that isn’t ready won’t result in a good scene or an happy writer. Switch projects, give yourself time to think about it, take care of yourself, etc.
And, legitimately, don’t be afraid to abandon a piece. Maybe you’ll come back to it, maybe you won’t. It can feel disheartening to feel like you can’t seem to finish a project, but unfinished pieces also do a lot for you: they hone your craft, allow you a creative outlet, give you scenes that could potentially be reworked for later pieces, and most importantly were hopefully fun to write! Story crafting is a hobby that should bring you joy, not frustration and shame.
Like, I have stories that will never see the light of day and are just so I can have fun and poke it with a stick occasionally. I’m 100% confident in saying that every author will have tenfold the number of unfinished wips compared to complete works. That’s just part of the creative process: exploring different worlds to find the one you want to write.
Perhaps a fic might never get finished, but in the wise words of Technoblade: “if you enjoy it, it’s not time wasted, no?”
(Now, I think he was talking about murdering people, but the point still stands.)
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bettsfic · 1 year
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betts i want to get back into writing but i find my ideas so stupid and unoriginal and i think I've lost touch with what im trying to say or what i naturally used to gravitate towards before trying to make myself more palatable to others
it sounds like you've hit a writing ceiling, anon.
i think when you get better at something, progress doesn't happen at a slow, even pace. you work at one level for a long time and then suddenly you're ready to level up, and it can happen so fast that it's disorienting. sometimes there's not even a reason for it. your brain is just, "bored now, let's gooooo," like a kid tugging your arm desperate to get out of there.
but there's kind of an awkward elevator period too, where you're on your way to the next level but not on the floor of the previous one. it's a very frustrating space to be, because all you can do is wait for the doors to open, and you never know how long it's going to take.
it sounds like if you're coming back to writing from a long time away, you're visiting the floor you were on the last time you wrote, when you really belong on the next. you're bringing a new lens to old work. so you've gotta find the elevator or a stairwell or a jetpack or whatever to get you to the next floor.
ultimately what i think is stupid and unoriginal might be life-changing for someone else. and what i think is important and profound, someone else might find trite and meaningless. i try to make myself actually shape those two people in my mind. maybe some 21 year old fanperson who has no idea if they'll ever make it as a writer will read my stuff and go, "if she can do this, i can do this." (to which i say, yes you can!) and maybe a well-meaning 60 year old man will read my stuff and go, "the hell even is this? what am i reading?" both perspectives are equally valid, because once my work is being read it is no longer about me. it's about the reader who is bringing their entire life to each of my sentences, and reading it for their own personal benefit. your work will never benefit everyone, but it will benefit a few, and you can focus on writing to the eager younger person who needs to hear what you have to say, and not the middle aged man who has to get his daughter to reboot his phone. that man has tom clancy to read. but that eager younger person has you.
what sucks about being on the elevator is that it's made of glass and you're looking down on the floor you just came from. you're seeing the work of your past self from the audience of your present self. and all you can do is wave goodbye to that last floor and look up to the next one. sometimes that takes some searching. for me, it often takes simple patience and a chosen mindset that i need to be paying close attention to the things the world is trying to tell me, because those are the things that will get me off this stupid elevator.
and while you're waiting for that, if you still want to be generating words, focus on mechanics, craft techniques, really nitty gritty tedious stuff that's hard to focus on when you're in a high inspiration state. do research. read as much as you possibly can and set down anything that doesn't keep your attention. try creative stuff that isn't writing, like poetry or drawing. if you do all that stuff with the knowledge that you're about to set off into something new, every single crumb of it will inform your future work. it's like getting the nursery ready for a baby. i know i say "there's no writing wasted" a lot but it goes beyond that--there's nothing wasted. every single thing you encounter has the opportunity to offer inspiration that might help you get to that next floor.
so if you're looking for something to try, my advice is just to listen. don't form thoughts or opinions of your work while you're in the elevator. play and discover and experiment. focus on process, not product. really sit in the physical act of writing. sit in your sentences. pay close attention to everything that isn't the floor you were just on.
and if you're not looking for something to try, know that i can definitely relate to the struggle, and i hope your elevator ride is swift.
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swifty-fox · 10 days
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so im. currently writing a gale / john au of my own, and john is a tattoo artist in it. and as per an ask earlier you said you hated when tattoo fics were under reasearched-- so what things in particular bother you??
oh man okay disclainer: i am NOT a tattoo artist i just have a hyperfixation and also am trying to become one. also dated one (don't do that)
my biggest pet6 peeve is i see a lof of writers calling it a tattoo "gun" and they would never do that, that's what people who don't tattoo call it. The artist is always gunna refer to it as a tattoo 'machine'
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tattoo machines are originally made out of doorbell motors fun fact. this here is your very traditional coil tattoo machine. A lot of artists use or have switched to the wireless Pen types but as an aesthete I love the classics.
Improper aftercare/ unrealistic post tattoo life.
Getting tattooed hurts. it puts your body through it you're going to be walking around with an open wound for a few days. No sex no touching it etc. but tattoo aftercare CAN be very sexy and intimate. partner washing the area nice and gently and then patting it dry and applying lotion.
I just personally love the methodology of tats. I LIKE to see the author has a knowledge of what they're writing about so I also look for the details and when I don't see it part of me is always oh :/ okay
Snippets from my oc story:
“Ever had a tattoo before?” He asks from where he was bent over a small hospital sink, headphones fully off his ears now as he fills a tiny cup with water and places it on a wheeling medical tray that was already covered with a box of surgical gloves, several more small cups, two packaged needles and a deconstructed tattoo machine. The rubber bands were the same bright yellow as Arnie’s headphones. His hands were bony and flushed at the knuckles; darkly tattooed with a mix of designs. Dom could make out a skull on one finger from where he was, as well as a cross, a dagger, and an assortment of meaningless designs. They threaded between a mix of heavy rings on the man's fingers, weaving between them seamlessly in a way that felt both entirely natural and deeply calculated. Dom found himself staring. 
“Yeah,” he answers, a beat too slow. “I wanted to get a cover-up done, actually.” 
Clink, clink, clink. 
The sound of Arnie removing his rings one by one, dropping them onto an empty ashtray echoed loudly around the room. His nails were painted with black chipped nail polish. He shoots Dom another friendly smile
-
“Just going to press really gently here,” Arnie murmurs, his now gloved hands applying pressure over the edges of the stencil to make sure the transfer was good. Dom is glad for the warning as his stomach flips uncomfortably. He exhales slowly. 
The next few minutes pass quickly as Dom tries to sit still so as not to smudge the still drying stencil. Arnie bustles about, putting on a clean pair of gloves, putting together his machine and testing it quickly before wheeling the tray of ink over. More cold goop is applied to Dom’s skin and he hisses again.
“Don’t remember this part last time.” He mutters, resisting the urge to cover the cold spot. 
“Yeah well, I can’t imagine your basement tattoo was done with much hygiene in mind.” Arnie says breezily, bracing a hand on Dom’s shoulder and leaning over him, “Ready?” 
Dom swallows against a dry throat. “Bring it.” 
I'm honestly being a lil lax with hygiene protocol here but.... its fine LOL. But little tidbits of the process of setting up and doing a tattoo all help it feel real!
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actualbird · 1 year
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Hi zak! I've been a longtime reader of your original works. Do you have any tips on what pieces to put in your writing folio?
hi anon !!! im very sorry it took me forever to get back to this ask, and doubly sorry if you are no longer in need of tips OTL. still, thank u for reading my original works, thats a pleasant surprise to know!! i havent posted my original writing website here in......a long while, since im the (very slow) process revamping the site HAHA,
but yeah, tips on what put in a writing portfolio!! if ever you still need em or if ever anybody out there can make use of this. all of these based completely on my personal experience of applying to writing workshops and writing jobs, so feel free to take what you think applies to you/would help you, and leave the rest behind
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1 ) in general, put your Best Works. but take into consideration that You are usually your own worst critic, so you definitely could benefit from a second opinion (or many)
so, obviously, you wanna be putting in your best stuff. and thats still the general method that i'd choose, but with the added reminder that a lot of the time, writers can be blind to certain works that they themselves made that other people really liked or found immensely compelling.
this for lots of reasons: writerly self-esteem problems, that odd experience of mostly remembering the arduous Process of writing the thing and less the actual finished product, general blindness to stuff in your own work since you Wrote That (and probably revised it 76439754985 times) so it's just hard now for you to realize the level of skill thats apparent to many others
the opposite effect is also very possible, where you can be Incredibly attached to a work (maybe for sentimental reasons, maybe because the you learned a lot along the way, etc) but other people kinda found the whole work meh.
bottom line: by this point, you know youve got skill in writing. but the skill OF seeing and evaluating your own skill is a whole different animal
reach out to your friends, writing peers, or reading peers and ask them what they think some of your best works are. personally, i think it's good both to ask people who are Also in the practice/study/career of writing, and people who arent, simply because a more diverse set of information is always better than a lesser diverse one. if you want, you can ask follow up questions like "why?", or you can just stick to getting a general pulse check of what is resonating to the people who read your work. because [tv commercial voice] The Answer May Surprise You!
and once you know what resonates with others, you can start chopping down the list with armed with that new knowledge
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2 ) "Best" should not be a catch-all term, cut it up into specific categories and showcase your Best in top categories you want to focus on. this way, you get a folio that's showing a wide range of your capabilities
if i were picking between two applicants, both of which submitted portfolios of their Best fiction works (and theyre both Very good), i would ultimately choose the applicant who gave a portfolio that showed a wider range of what Bests theyre capable of rather than the applicant who submitted 5 really great stories but they all still employed the same techniques/concepts/themes
......if that makes sense?
like, okay, let's assume the portfolio is a fiction portfolio. no specific lit genre limitations or whatever, just, fiction in general.
"fiction in general" is a ridiculously huge field! theres the genres of course, so many damn genres. but what im more focused on is Technique. there are so many ways to structure your plot and pacing, there are so many ways to create your cadence and tone, there are so many kinds of characters and so many ways you can make them clash, so many dang ways to make your story's themes come to light. theres a Lot
so take a portfolio as a chance to show the widest possible range of what you can do, and what you can do Well
let's say you did Tip 1 and coming from that, youve got a list of 15 stories you think would be good for a portfolio. your next step then is to identify which stories are doing the same Thing (whether that be in its genre, structure, themes, etc) and then decide which of those stories showcases your ability to Do that Thing best.
if ive got 3 different stories that are all magical realism pieces using a very subdued tone to communicate the plot's conflict and emotion, then im gonna need to pick just one to put in my folio, the one that did it Best. and then you can go back to Tip 1 and get a second opinion on that if you want, and THEN i repeat with the other stories, this time picking a different Thing-Technique-Structure-Theme-Etc to focus on
basically my point is that a portfolio, ideally, should show different Kinds of Bests. because that is much much more appealing than only seeing One kind of Best
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3 ) you can make as many portfolios as you want, tailor-made specifically for what youre using that portfolio for
this is something i learned after college and when i was applying for various writing jobs. for context, i dual wielded fiction and nonfiction in college. though my degree ultimately/officially went into the nonfiction track, i still wrote a whole lotta original fiction, and when i was applying for jobs, my personal list of Bests included a lot of fiction pieces, as well as nonfiction pieces
but i was applying to all different kinds of jobs, and it would be slightly off-course to submit a fiction piece to a job like Feature Writer For Magazine. additionally, it would be slightly off-course to submit a nonfiction piece to a job like Romance Game Writer
(.....both of those real jobs i applied for and man, sidenote, can you believe i almost became a romance game writer? like, how ironic that is now that im into the fandom i am Currently into. guys. guys i got to the second interview stage of that job. Guys. jdhvfhvfkshd)
anyway, remember how Tip 2 is about showing off a diverse array of what youre capable of? well, dont get Too diverse. always remember the people/organization/etc that you will be submitting this portfolio to, and keep in mind what They are looking for
if youre applying for a sci-fi fiction workshop, submit your Best pieces that do different techniques or things BUT are still within the parameters sci-fi fiction, so they are relevant. if youre applying for a feature writing job, maybe fiction might work, but read the works that the magazine puts out, maybe. get a feel for their style, what they like. like idk , if theyre super into that Anthony Bourdain-esque kinda description of gritty details, then maybe a fiction piece that shows off that kind of descriptive skill can still be relevant.
make a new portfolio whenever the need arises to best adapt to whatever it is youre gunning for
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in summary :
tip 1: Best works but cast a wider net and ask other people because us writers can get tunnel vision sometimes
tip 2: whittle down your list to show different kinds of Bests that you can do, avoid redundancy
tip 3: keep your Bests relevant to whatever the task at hand may be
well....thats all i can think of. i hope some part of this can be helpful to anybody out there. hope youre doing well, anon :")
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neonsbian · 4 months
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hi vinnie <3 since you’re like my resident writing oomf i gotta ask: do you have any tips on motivating & inspiring yourself to write and get through a writer’s block? seeing you post about your writing is so inspiring but i’ve been struggling for months now rip </3
hmmm tbh i dont rlly have a good answer for you other than teach yourself self-discipline. ive been writing for almost a decade (crazy to think abt lol) and in that time ive basically had to teach myself to commit to writing.
writing is just like any other artform, it's a skill that you build gradually by practicing consistently. the best way to do this is to come up with a goal in your mind and actually work towards this. i don't mean like, deciding you want to write a novel and just writing right away (though that does work for some people) but building steps to slowly achieve that goal.
let's say you want to write a novel. great! the first thing i would do is find time in my schedule to write. a lot of people assume that means sitting down for hours at a time and just typing away but finding time to do that in todays society isnt easy and personally, it's more effective for me to find gaps and short moments to just write for a bit. for me, the most writing gets done when im constrained for time. and you don't have to do it all at once! you can write a little bit at different points of the day too.
i also plan what im going to write before i write it. this doesn't mean i outline necessarily (i don't do that until the second draft) but before writing a scene, ill have a vague idea of what i want to happen in that scene. sometimes it changes as im writing but i never go into writing without a vague idea of what's going to happen.
i think setting a daily goal for yourself is really important. i know writing everyday seems kinda daunting, especially if you didnt do that before but like i said, writing is a skill you build gradually by practicing consistently and you have to be consistent. your daily goal can be a certain page count, word count, or chapter count. whatever works for you. i personally don't rlly like using quantifiable units as my daily goal bc that makes me like check the word count obsessively and prefer to use story markers as my goal instead. basically, i decide before writing i want to reach a certain point in the story by the end of the day. sometimes im in over my head and have to adjust, but it's more useful to think abt it that way for me.
also, if you're just starting out, i would make my daily goal relatively simple and easy to achieve. if word count is how you're counting it, then i'd set it to like 500 words. you might feel frustrated with how slow your progress is but it's more effective to slowly build a story than to write a huge chunk in a short amount of time and then never touch it again. and even if the progress is slow, at least progress is happening!
i know a lot of people have said this but you're also gonna have to allow yourself to write badly. i feel like this something that's difficult to implement into your mindset but it's essential to teach yourself this or else you'll never get anything done. shitty writing doesn't mean you're a shitty writer, it just means that your writing needs more work and the only way to achieve that is by working on it consistently.
i also personally think it's helpful to read the writing processes of other writers and try doing them yourself. lauren groff, for example, writes her entire second draft from memory which sounded absolutely insane to me but i tried it for one of my short stories. that method didn't really work for me but from her method helped me improve my own system. basically for scenes that were in the first draft but were going to be changed pretty drastically, i don't open my first draft at all and just write the scene. every writer's process is different and what works for one writer isn't always going to work for you, but it's still worth a shot to try it and one way or another, it'll help you understand yourself as a writer better.
to me, writing is self-discipline as much as it's art and building a system that works for you is going to take some time but it's necessary to achieve what you're hoping to achieve.
this ended up being longer than i expected but tldr: set a goal, do it everyday 👍
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interlvgos · 3 months
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Hello dear Coral!<з
I’d like to request 3, 8 and 15 from the fic writer ask game!
hiii my love thank you so much for these! <3
3. What’s your favorite fic that you’ve written?
right i'll be 10000% honest here and say currently absolutely none of them asdfghj not even in a woe is me way but i feel like ive developed so much as a writer that both my published fics make me.. cringe now and i cant read them back at all!! i appreciate them as demonstrative of the writer but i was at the time but ya. if i HAD to pick one it would be firestone because apollo was my first time ever writing smut and nothing about that process was enjoyable i was 90% stressed 10% embarrassed
8. What project(s) are you currently working on?
sooo currently i have my gax fic following the 2023 season/not sure how far into 2024, the britcedes hand kink fic and a 5 + 1 britcedes fic that is entirely self indulgent, but just those three at the moment!
15. How do you come up with titles for your fics/chapters?
im soooo weak for a lyric title its essentially my entire brand as its usually songs that ignite inspo for a fic! firestone is named for 'firestone' by kygo, let's take it slow, apollo (this love is mythological) is a combination of lyrics from 'apollo' by faith zapata, the working title for tp lewis (not sure if ive actually said this??) is the finish line (is a good place we can start) from lyrics in 'the finish line' by snow patrol, and the gax fic is 'run for the hills' from the tate mcrae song sdjssuds so yes. definitely on brand. the hand kink fic is called keep your hands to myself based on the saying can't keep my hands to myself etc purely bc i thought i was hilarious when i thought if it as its exactly what george wants to do lmao
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Hi. I was just wondering if you had any tips for new Tumblr users to get their posts seen. I am a writer and want to post stories on my page. I tried doing that with a fic I wrote and had no luck in getting it seen in the tags I listed. Tried doing support and was left hanging. I created a new blog and want to post it there as a fresh start but don't want to redo the deletion and creation process over again. Any tips for a new user and writer?
hi! i do technically have tips, but im afraid they might seem unhelpful. regardless:
i have found, and i am in no way an authority but believe this is the general consensus, that unless you run a gimmick blog here on tumblr, the process of accruing followers, notes and reblogs on original work, is extremely slow compared to other websites.
i started this blog almost exactly seven years ago. thats seven years of posting three (more recently two) prompts every day. i don't think ive ever taken a hiatus longer than three months, and there have only been two or three of those. im not saying you have to put that much work in or wait that long, just that if youre asking me youre asking someone who went through all that to get to 25k followers (who say nice things and who i love). and! a lot of that was luck! talented people noticing the prompts and answering them, or that one popular octopus post from my now defunct writing blog.
i hope that all didn't sound disheartening. what I REALLY wanted to say is that if you want to get your posts seen, its going to take time and consistency, unfortunately, plus the things youre already doing. and! (hopefully this is the uplifting part) i think that it IS worth it!
tumblr for all its many faults can be a place of genuine community, which you personally get to curate. no one is trying to sell you anything, and personally, i appreciate the authenticity that adds to the experience.
its the wild west out here, it can be hard to get your stuff seen, but time and consistency will win out. luck many even give you a boost, sooner or later. its also fine if that's not for you. if you'd rather look for a better way to get a lot of eyes on your writing fast, thats totally cool! but again, tumblr probably isn't the place to expect it.
if you want to keep trying, keep trying! keep making your stuff (making stuff just to make stuff can be a good experience, but i think its important to be seen too, ddw)! time. consistency.
love and best wishes from L
(oh! and before i forget my actual piece of real advice, get yourself something like a gimmick. pick a mascot for your blog, or a posting schedule. do some sort of weekly 'event', or change your url to tell people exactly what kind of content they'll mainly be getting. advertise a little! nothing wrong with that! people like a gimmick it can be anything it can be an octopus. trust me)
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boxwinebaddie · 5 months
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i was thinking about you today and hoping that youre doing well! sorry if thats weirdhfjfk. anyways i wanted to wish you well and remind you that self imposed deadlines are not real and i think everyone on here is more than happy to wait as long as needed <3
d'awww!!!! <333 :'}}} nonono! this is so sweet and kind! i'm so...omg
( this touches my heart in a way i cannot explain coherently rn ily )
if i'm honest, i'm finding that going fully into writing and not being able to answer my asks is sort of isolating and makes me sad because i feel like the same way that you all can't really check in on my ( unless you privately dm me ) i can't really check on you either!
( i think i'm gonna sneak back & answer some for stress relief shhh )
so it means a lot to me every time you guys write in and keep me company in the box, haha! i know it's kyle-piling up in there, but i swear i'm getting to them, i have read/enjoyed every single one and all of your deranged thoughts, big or small, make my day so lovely :)
also as we know i am working on my self confidence, so when you guys pop in, it's exciting for me because i'm glad you still care rip!!!
i know that its been a while, but i'm glad it's worth it for...ncu!style?
( i chatted a lot abt how i'm feeling abt writing rn! you don't have to peak if you don't want to hear me squeak on forever! but i'm processing a lot which is nice <3 )
you are all seriously so sweet and kind to me; i could not ask for better readers and human beings scattered around the world. <3 for all of you, i promise to be gentler to myself...i think i will feel much better when rm6 ( or, idk, sigh, part of it...ig ) comes out.
( btw no deadlines i promise!!! just ansty to post bc i'm v tired
and excited!!! more excited than tired!!!! )
BUT--
what i fear is happening ( and what i'm understanding ), is that because it all plays in my head like a movie which goes by way quicker than writing, i over-estimate how much can plausibly fit in a chapter upload...it becomes a list of things/scenes/dialogue so long that it's almost impossible for me to finish...and then i get stressed out/panic/get burnt out and never finish.
( aka something i assumed would fit into like 11k bc it's just blank lines of dialogue...actually ends up being 20k-30k with words fml )
so for my sake ( and possibly all of yours ), i'm thinking of maybe writing smaller updates...which will be more manageable for me than committing to months worth of work. they might flow less well, but that way you guys get content, i feel happy that i could post something/share stuff with you, my chest feels lighter. which is not to say the quality will be worse...it'll just be less daunting for me?
a lot of my stress unfortunately comes to sitting on all this writing and lore and not being able to post it until im Done...so i'm hoping that shorter chaps plus the relaxed formatting...and doing nice ask memes w/ breaks will really make me less stressed!
and i hope you too! ajhashdlsd thank you for checking on me! i also want to get something for pep out soon...even if its just posting a weird snippet of...whatever i have and spoonfeeding you all your cherry nyquil slowly but in pieces i can manage...seems better?
but tldr: thank you for checking! i'm okay! i just want to post my update/s because seeing them in my drafts is daunting. i think i'm going to post smaller chapters, so if they look weird! you get content/progression, i can relax and vibe with you all! peace on earth!
and of course, thank you for waiting and supporting me. i dearly miss doing my memes, it's lonely and boring in writer girl jail.
-uncle nina, who loves you all so so so so
p.s. slowing down in the sense of understanding plot is good for me tho! i think deep comprehension, but shorter, surer posts are in the near future <33333
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kamoegoi · 8 months
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Let's get to know each other <3
Tagged by @mxsovereign, Thank you!
Last song : Farewell by Tayeon
Favorite color : I wear more black but I like red as a color but also in magic
Currently watching : I'm doing a Community rewatch as my background show but I'm actiely watching Jujutsu Kaisen and the new Bleach (im behind on those)
Last movie : I watched Hidden Strike with my mom a few weeks ago it was alright i guess its what youd expect though i did forget i had watched it until i had to think about it
Currently reading : This is How You Lose the Time War by Amal El-Mohtar and Max Gladstone but its slow going for me in spite of me swooning for every chapter ive read so far. i keep putting it down and restarting it to re-read The Sundered Bond by Django Wexler because i miss my blorbo
Sweet/Spicy/Savory : I say spicy until i eat it and go back to savoury
Relationship status : Single
Current obsession : I built a variation of d00mwake's Pioneer 8-rack and I have been shuffling and go fishing during all of my free time i was literally shuffling it and watching Community when I realized what time it was and was about to get ready for bed
Last thing I Googled : from most recent: 'what is google search activity' from 'netflix action movie new' from 'netflix action movie' from 'error code bee'
Currently working on : when i went to store champs the other month i spent all of my time between rounds teaching a new player how to play the game and i wish i had decks on hand that were actually useful for showing someone how to play so ive been working on that. i think ive got one deck figured out but im having trouble nailing down a good theme for the other that plays well with the first that i think a new player could get excited about and that i personally am also excited to play and also teaches the things i want to teach. maybe i have to reign in my scope. besides that ive been reviewing some of my older work because my friend drunk dialed me the other night and asked me to recite some of my work for him and his drinking buddies and now that ive been pop-quizzed once i am a little nerovus about being caught unawares again. finally, i have like ... one exchange of eris/ikora dialogue because of your fic sov and im sorta obsessed with it, but i dont have a lot of eris or ikora or hive knowledge so its just sorta rattling around in my head on its own and against my better judgment ive been outlining something that i hope i can gas myself up to write when the season ends and maybe bust my writers block in the process.
tagging @the-vaudevillain because i would like to hear about the podcast you are working on but anyone else feel free to share
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stormyoceans · 2 years
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Thoughts on talay's character arc? Thoughts on Puen's character arc? Thoughts on the development of their relationship? Thoughts on any part of this wonderful gift of a show??
ANON YOU'RE PLAYING A VERY DANGEROUS GAME HERE I COULD LITERALLY WRITE A WHOLE DISSERTION ABOUT VICE VERSA YOU GOTTA GIVE ME SOME LIMITATION IF WE BOTH WANT TO GET OUT OF THIS WITH OUR SANITY INTACT. it's probably a good thing that it's been a constant 48 hours goat screaming up in my head since the show ended and that im still nowhere near coherent enough to articulate my thoughts properly........
talay's character journey is actually one of my favorite things about the show (and this says quite a lot, considering i adore pretty much everything about it) and i think it's also one of the best i've ever seen depicted in a BL. i do feel like im lacking the right english words to explain myself rn, but there's been something so.. charming and heartening about watching this boy who didn't believe in love, who has always prioritized his dream career to the point he never allowed himself to even consider a romantic relationship, slowly opening up to the possibility of it
the way they handled it was also incredibly refreshing to me, because talay’s choice of putting work before love is never shown in a negative light, it’s simply a part of his character that helps the viewers build a sense of who talay is: someone driven, meticulous, logical…. but talay is also warm and caring and kind. he doesn’t need to change or put his dream aside to love and be loved, he just needs to leave some space for it and let himself feel. if in the end puen is asked to choose between work and love (and in his case that choice feels like a blessing, because he never had an option before), talay’s journey is all about learning that he doesn’t necessarily have to pick one or the other, but that the two can coexist
another thing i really appreciated is that the writers never rushed talay into realizing and accepting his feelings for puen, but they made him experience all these new and different emotions (both good and bad) and then actually gave him have the time to figure out what they meant. it was a slow process, but it felt incredibly natural, and drawing a parallel with the color pink was such a clever way to show the progress in talay's feelings
puen’s character journey is probably less evident, compared to talay’s, but it’s honestly just as good. i feel like we focus a lot on how the alternate universe gave puen the chance to learn about all the different kinds of love and affection he never got to experience in his life (not only romance, but friendship and family too), however i think a big part of his journey is also rediscovering himself and letting himself be puen
it probably sounds a bit of a contradiction, since he spent most of the series going by ‘tun’, but i’ve rewatched some scenes from the first few episodes and it’s really startling how much more contrived puen feels compared to the second half of the show. this isn’t to say he was being fake or insincere, but you can see he used to hide a lot behind the cool actor persona he had to build for himself, and it made me realize that i didn’t fully understand just how true puen’s words are when he tells talay “not many people see this side of me. you’re one of them��� and “i’m like this with you only. when i’m with you i don’t act.” being with talay and travelling to the alternate universe helped puen reconnect with who he is, and it’s beautiful to see his real self coming out more and more throughout the episodes and have him realize that maybe being puen is not that bad
i think im gonna stop here because this is already too long and if i start on all the reasons why puentalay is the best couple with the best development ever i will be on my deathbed and still not done with it, but i said it before and im gonna say it again: puen and talay's journey of going from strangers to friends to lovers felt believable and realistic in a way few others ever did, not only in BLs but in other shows too. it was about two very different people who didn't know what love was helping each other grow and choosing each other over and over again. they fell in love, and it felt real
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crows-murder · 10 months
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54, 63, 77 for Hollow Mind!
54. what’s your favorite part about the fanfiction writing process?
you know what, i actually really enjoy doing research for fics!! i love going down a rabbit hole of research and three hours later reading the wiki page for something entirely unrelated to what i was originally looking up. i love becoming an expert in stuff through intense research <33 (/j)
also: for my longer works (10k+ or multi chap) my number 1 favorite thing is getting to the one scene that sparked the whole thing/the scene i came up with very early on in the fic. (we havent reached that point yet, but im so excited to get there!!!)
63. something you hate to see in smut.
ooh i dont think i have a good answer for that one because i rarely read smut lmao
77. do you have a favorite scene you’ve written from hollow mind story/chapter? 
i have a few, but for the sake of not rambling too long, the scene in chapter 2 where Leo's on top of the Williamsburg Bridge and just takes a moment to process everything.
i like this scene, because it's a bit of a lull in the constant action, where for a few minutes Leo (and the reader) are just finally slowing down for a bit, taking a quick breather from the action.
also, i like this bit i wrote there:
He can take a small break up here before getting to that. He doubts the EPF have grappling hooks or Spiderman in their arsenal. It’s cold up here and Leo’s suddenly glad he got a hoodie to ward off the worst of the wind and chill. It’s a small price to pay for a few minutes of silence and rest.  He tucks his knees up to his chest, covers them with the hoodie, and leans back against a steel support. It doesn’t help with his breathing, but it keeps him warm enough.  There’s a dull ache in his lower back that won’t go away no matter what position he’s in and his voice is a little raspy still, and his throat hasn’t stopped hurting. If he feels like this, then he’s not particularly excited to see what his brothers look like. Or what he looks like, by extension. Probably bruised all to hell, with his neck sporting a full array of colors.  He watches the steady stream of cars driving down below, the sounds of cars honking and ambulance sirens floating up to Leo’s perch. 
ty for the ask!! <3
get to know your fic writer
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zscribez · 10 months
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For the ask game: 📙,🧡, and ♥️
📙What’s your favorite genre to read, and do you have any recommendations within that genre?
ho boy, most of my book diet has been nonfiction recently due to university so I haven't had a chance to catch up on fiction. normally i do read relatively widely so i like most genres, the ones i tend to go for are either speculative so like sci-fi, fantasy, and things in that vein, or like romantic-comedies. im probably not gonna rec the rom-com books i've read since the ones i've read so far are pretty liberal in outlook so not worth reccing other than sheer shallow pleasure.
in terms of speculative, i highly recommend player of games by iain m banks. it's the 2nd book within the culture series, which i was recommended through my brother who practically won't shut up about it. my brother did give me an optimal reading order that is different from the publishing order, which is why i started with the second book published rather than the first book. player of games is a pretty good introduction to the world of the culture and it was a bit slow in the beginning but it definitely picks up pace soon enough and iain m banks' writing is unlike other sci-fi writers i've read, it definitely has a more literary flair and a very unique style that can't seem to be replicated by anyone else. most other people who are fans of the culture have commonly said they couldn't find other books quite like the culture. also it's really funny. i'm still in the process of reading the entire series, surface detail (my brother basically lent me all of the physical copies he has of the series) is currently on my bedside table atm, and i've been trying to get around to reading it.
❤️Who is your all-time favorite author, and what makes their writing so special to you?
i'm not sure i actually have an all-time favourite author yet, haven't been able to read a wide variety of authors to be able to answer this conclusively. if i had to choose an author that i have read, probably leslie feinberg, stone butch blues is so important and i should probably reread it especially since i've had more experiences since the last time i read it and my queerness has certainly evolved in that time.
🖤 Are there any book series that you’ve been meaning to start but haven’t gotten around to yet? Which ones are they?
my tbr pile is way too much honestly but the ones i've been meaning to start include:
ursula k le guin's earthsea series
terry pratchett's discworld
douglas adams' hitchhiker's guide
among many many others
[ask game post]
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okay so after i saw the announcement of a stranger things animated show, i looked into it just for more context and found out that this year, a stranger things stage show opens in london, and as a british theatre nerd, i may have fell down a rabbit hole.
to preface, i have not studied drama since i was 16. i did not pursue further it as much as i wish i had. i have, however, seen many many plays and musicals, both amateur and professional. i know at least a little more than the average person.
so if youre remotely interested in hearing amateur analysis of what we know of stranger things: the last shadow, welcome:
"take theatrical storytelling and stagecraft to a whole new dimension"
so in one article, i found this quote. i couldnt find who said it exactly, just someone associated with the play.
i'm hoping, this is just marketing; i really hope its just marketing. because this feels a bit insulting to uh, a lot of people who came before. such as augusto boal who founded theatre of the oppressed or konstantin stanislavski or bertolt brecht or antonin artaud who founded theatre of cruelty.
i mention artaud because im expecting some elements from theatre of cruelty. if you look up any artaud plays or theatre of cruelty plays on youtube, youll probably get why.
but anyway, as you might have gathered, this hasnt inspired confidence in me. and i already wasnt confident because it is very difficult to translate film or tv to theatre, and vice versa. look at phantom 2004. i dont believe the duffers would be able to do this; this isnt even a knock on their writing, i dont think most writers could do this without practice.
and so i went to their website to see who else was involved
now is probably a great time to mention how inaccessible their website is. in the background of their website, there are small flashing lights all over the screen. theres no warning for this.
it literally triggered a migraine in me and i had to take my strongest medication for it. fuck you website designer.
(also, just gonna mention it here, i do like the poster and some of the website design, ignoring the stupid lights, but i cannot find the artist ANYWHERE on the website, which as an artist, fuck you)
anyway, first thing i did was look at who is writing it, and im in two minds about it. there are four writers credited: kate trefry, duffer brother 1, duffer brother 2, and jack thorne.
if you recognise jack thornes name, its probably because he wrote the awful harry potter play.
HOWEVER, hes actually quite a competent writer like 90% of the time. his plays tend to get at least 3 out of 5 stars. looking through the reviews, his best regarded plays are bunny, hope, solid life of sugar water, and his adaptation of let the right one in
that last one is very promising because he drew both on the book and film in adaptation. jack thorne does know how to adapt media into different mediums. he has also won an adaption award for his adaption of a christmas carol. his adaptation of the film after life has also be commended for being a good adaption.
this is not to say his work isnt without criticism. i mean, he wrote cursed child. he also has been criticised for slow pacing, shallow writing and one of his more recent plays, sunday, apparently had a "hello fellow kids" vibe. he is now in his 40s afterall.
so a bit of a mixed bag, but a good sign in terms of it not being simply terrible due to lack of understanding of medium.
i also have to mention that jack thorne is disabled and is an advocate for disabled folks in the dramatic arts. when he wrote the solid life of sugar water, he dictated that one character should always be played by a deaf actor. he does also write many disabled stories. his impact is a net positive.
(hes also frank skinners brother-in-law which is fun)
now, the other three writers have never written for stage, which uh, yeah, no, that does the opposite of inspiring courage in me. it is a very different process than writing for films or tv, and none of them have any writing credits for stage work.
on the poster, kate trefry is credited as the main writer which could go either way. shes not written much for screen. she has at least written stranger things episodes so shes not going into it blind.
honestly, i just hope they use jack thorne and his expertise more than they need to. hes the wise old man in their group and i really hope they listen to him and dont just try and do it all themselves.
now onto the director: stephen daldry. ive never seen his work live, but when i was studying drama, i really wanted to.
to give you an idea as to why, when david hare was working on via dolorosa, he had daldry as a co-director and when daldry responded no to hare asking if something was over the top, hare said "your top is situated some hundred yards above everyone else. ive seen your productions."
do you get why i want to see one of his productions asdfdesd his work tends to be very expressionistic and vivid. his directing style has been described as consistent stylised helming. hes won a lot of awards and he tends to get 4/5 stars at the very least on his works.
hes also helped to adapt the billy elliot movie (which is both fantastic and directed by him) to stage and it was fantastic.
hes also gay <3
the set designer is miriam buether. ive never seen any of her work live so i cant speak for the atmosphere it creates, but her setwork looks fine. shes versatile and doesnt need to go over the top with spectacle for her sets to look good.
in particular, i really enjoy her sets for earthquakes in london. the colour work there is *chef's kiss*
unfortunately, theyve kept it all very under wraps as to the tone the stageshow is going to take so i dont know how either buethers set design of daldrys directing is going to translate.
by combining them, i would expect a very expressionistic, very brightly coloured show, which, theres some cognitive dissonance round the corner.
also the premise is about young!hopper, young!joyce, young!bob and henry creel, with some kind of mystery. id expect a more naturalistic approach with this premise, but daldry isnt exactly known for that. so im in two minds.
however, one of his best regarded shows is his adaption of an inspector calls. ive only seen a naturalistic version of that and it very much reads naturalistic. daldrys was the opposite, even going as far as swapping out the fancy dinner hall for the blitz. so if anyone is gonna make it work, it would be daldry.
in terms of light design, thats jon clark. once again, ive never seen any of his work in person so im going off of photos but oh my fucking god i love his work with shadows. hes won many awards and he fucking deserves them.
sound design is the same. ive never heard a paul arditti sound design show in person and bootlegs dont have the best audio. hes award-winning, however, so it seems like thats in good hands.
one thing i was very interested about was how they were going to translate the upside down and the monsters. the show relies on cgi which obviously, you cant really do cgi on a stage; it would just look kinda shit.
their solution seems to be hiring two illusion designers.
i couldnt find much on the first, chris fisher. hes a member of the magic circle and hes done a lot of work so he seems accomplished.
the second one, im honestly kind of excited about. the second is jamie harrison who is the co-artistic director for a company called vox motus WHO ARE SO FUCKING COOL.
there is no mention of his partner in vox motus, candice edmunds, but that could mean nothing.
instead of trying to explain what vox motus do, im just gonna copy two quotes from their website:
"ours is a theatre of story-telling visuals, transformational design, magic, comedy, music, physical performance, puppetry, multi-media and most importantly thrills."
"we are drawn to stories that explore extremes of behaviour and taboos in the contemporary world: often unbelievable true tales that delve into the bizarre, glorious, exhilarating and macabre."
look up their stuff, its so fucking cool. there is also definitely some elements of artaud in their work. it gives me a lot of confidence for the show being enjoyable even if the writing is bad, because spectacle can go a long way.
i genuinely kinda want to go see this show now because i really want to see their work, and id get a chance to see a daldry play.
so like a tl/dr for this part: im not confident in the writing but i dont necessarily think itll be bad. i think the worst itll be is sufficient and mediocre, if they listen to jack thorne. i do have a lot of confident in the visual aspects and spectacle; even if the writing is shit, it will look good.
now im going to be an annoying disabled person and point out some accessibility stuff:
as i mentioned before, the website has small flashing lights all over the background. theres no warning for this. it triggered a migraine for me which was the best three options considering they could have also triggered visual disturbances in my eyes (aka seeing things that arent there due to my iih) or epileptic symptoms due to brain damage.
the theatre itself does have wheelchair access at the side of the building it also has accessible toilets. there is no onsite parking which does make it more difficult for wheelchair users.
they have said they will present captioned, audio-described and british sign language performances, but the dates are not yet set. they instruct you to keep checking . im a little intrigued about this and a little concerned considering its currently may 9th and it opens 17th november.
if you need accessible tickets, you need to have atg access membership. this is a third party company. to have this, you have to show paperwork or documents to prove that you're disabled which is often not possible for many disabled folks. i dont have a written diagnosis for anything besides my adhd diagnosis because i was diagnosed in person or over the phone. luckily, i receive pip so i qualify but its a ridiculous standard.
in the faq, theres a question about being aware of any potential trigger warnings; the answer to this is copy and pasted from the question above which asked about age rating and parental guidance, apart from them adding that there will be flashing lights in the show.
and finally some extra details:
there is a £3.80 transaction charge on top of ticket purchases
you cannot book over the phone
they are all e-tickets
currently, you cannot buy group tickets or student tickets, and you can only purchase a max of 6 tickets.
they are planning a weekly-lottery for late-release tickets, and this will be announced closer to the first show
there is not a confirmed runtime
they have no current plans to move the show outside of london
the age rating is 12+. this means under 16s must be accompanied by adults and under 5s are just not allowed in. not entirely sure how it works if youre age 6 to 11.
the most common ticket price i saw was starting at £45 (about $57). the second most common was starting at £75 (about $95).
there were some tickets starting at £20 (about $25).
i might actually buy a ticket and see it. i would have to save for it but i could do it and then tell you if its shit or not lmao
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ladygreenfrisbee · 2 years
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Hi, I was hoping if you have time maybe you could answer some in depth questions? I'm a huge fan of your LMK fics and I'm reading your BNHA stuff in the meantime between updates.
But I notice that you juggle your fics, updating some fics a couple chapters and then another fic. As a writer who loses momentum/motivation for good ideas quickly...how do you juggle them all so well without getting details mixed up? Your chapters all flow exceedingly well from one chapter to the next! I was wondering if you could share maybe how you organize things or share some other writing tips? I'm thinking that a similar method of cycling through fics snd updating them may work better for me to keep writing continuously and I was hoping you wouldn't mind sharing if you have the time or energy to do so. (If you don't, I completely understand!)
And lastly, I just wanted to say thank you for sharing your fics. Brotherhood and Reverse are my favorites, so well written and put together and god I love toddler Mac so much. (Also a mood on how you start to write a crack fic and then it gets Emotional and Plot and Angst.) I hope you have a great day! ❤️
Sure thing! First thing first you have to understand taking breaks from writing is VERY important! Although it does look like I'm constantly writing, I actually take lots of breaks -because most of the future chapters are planned out, and I know exactly what I'm doing -and most of all, I've already written most of the next chapter out by the time I get to it.
When I start a fic, generally I set up a Chapter Zero -that one contains all my notes, drabbles, pieces and bits for the story. Any string of words I imagine for it, some scattered bits that jumped to my brain -all serve to not only make the chapter writing faster, but to preserve the thoughts I had in that moment while I was imagining what to do next. It makes jumping back and forth between fics a lot easier, since if you properly document everything, you only need a easy peak in that file to catch up on your planning process for the fic! This also ends up with the result that some large parts of future chapters are written out long before you get to them, and you only need to polish what is there after that. Fun fact -Sunbreak's ending climax is already written out. It might be tweaked in the future, might be changed drastically, but I am happy with the current version and this also allows me to sprinkle some good ol' foreshadowing in the current chapters! Jumping between fics is also a technique I use to write faster in and out of itself -let's be honest we've all had those writer blocks you can't get out of (looking at you MHA fics, Im like so close to finishing the next chapter for a few of them) and the best way to claw yourself out of that hole is to step away. Don't stress about reaching that deadline. Take a break. Not only go do something else, experience something new, detach yourself from the computer for a while -but in terms of writing, write something different.
Each one of my LMK fics are angsty, but they are different flavors to write. Fire and Sparks is snarky, MK's monologue is funky and peppy to write, Red Son too. Sunbreak is a complex, slow beast with lots of build up and time. God of Shadows is pretty out there and abstract. Reverse is meant to be crack on the level of my MHA fic Missy but it ended up something else for now, and that's fine. I will stuff crack and funsies into that fic at one point, just gotta get the sad bits out lmao... What I'm trying to get to, is that write what you feel like it. Don't force yourself to spit out lines, otherwise you're going to end up feeling sluggish and stuck. Variation! Breaks! Twist and turns! Write what flavor you feel like it in that moment helps a lot at coming up with just the right words you need. This is what works for me, and it might work for you! After all, we write for fun, right? To put onto paper, or screen, what our crazy minds come up with!
Hope this answered your question, have a good day!
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