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#if it's not about the books it's probably a disability post
thebibliosphere · 1 year
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Absolute stunning misogyny from the person who messaged me with, "Oh, you're on your period, that's why you're being a total bitch today."
As though I'm not a total bitch every other day of the month. Sheesh.
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ok wait i need to hear more of your thoughts on peeta owning a bakery....
This is one of those rare times where I’m pretty sure this anon isn’t someone I know personally bc I’ve subjected anyone who will listen to my rant about the Peeta Bakery Headcanon. Anyway, you’re gonna regret asking this anon bc there are fucking Layers here.
I know this is probably a controversial take based on the number of fics where I’ve seen it, but I simply do not think that Peeta would open a commercial bakery after Mockingjay!! Like on a metatextual level, I don’t think it really fits with the point of the ending of the series. It actually sort of fascinates me that it’s just such a common headcanon because the ending of Mockingjay is exceedingly vague. I think that vagueness invites us, as readers, to imagine a better world post-revolution. A world where Katniss would feel confident that her children would be safe from injustice, where she’d feel confident that her children would never know want the way she did as a child. A just world. A kinder world. Can a capitalist society ever be just? Is a capitalist society where a disabled teenager has no other means to subsist himself (or feels like there’s no other way he can be a contributing member of his community) really the post-revolution world we dream of? Is that really the best we can imagine?
(This got so insanely long I’m adding a read more lmao)
I get that showing a better world is not always the point of post-mockingjay headcanons/fics. Like there are plenty of really great post-mockingjay fics I’ve seen where, yeah, part of the fic is that society like ISN’T all that different or all that much better. I’ve seen that really well done! Hell, I’ve written them myself! It’s easy to imagine how a lot of aspects of society would not get an overhaul, a lot of the same structural inequalities would continue to exist. One headcanon that really stuck with me (I can’t remember which fic it was from) was that Peeta sells basically mail order baked goods to people on the Capitol, sending them iced cakes and pastries by train, because there are still people who were “fans” of theirs during the Games. And idk this doesn’t actually have much to do with my point lol but I liked it because it’s kind of fucked up and like! Yeah! It makes sense! If he needed money that would be a good way to make it! War often makes people rich, often for horrible reasons, and often it’s people who already have capital in the first place.
Anyway, more about the hypothetical bakery because alright. I bring up the fact that “yeah society not being all that different post-revolution and still being an unjust capitalist hellscape” could be a reason why Peeta re-opens a bakery because that’s actually never the types of fics where I see the bakery headcanon. Fics where Peeta opens a bakery are usually trying to make the exact opposite point. Like. Things are getting better, now he can open a bakery! Look at how much better the world is now, plus he’s got a bakery! Peeta is healing, that’s why he can open a bakery now! And I am so, so sorry to inform everyone who’s never had the grave misfortune of owning a family business, but there is truly nothing further from the truth lmao. Like just putting aside the immense amount of emotional baggage that Peeta has about his family, running a small business is an insane amount of work in any context and being a baker especially is physically grueling and involves early hours (and long hours) that aren’t really the best fit with the multiple ways that Peeta is disabled now. (I could go into this more because I have a lot of thoughts. But I will spare you.). I also think it’s seen throughout the books that Peeta is someone who needs time to pursue creative outlets to process his feelings and someone who values leisure and values quality time with his loved ones. And having grown up in his family’s bakery, I think he’d understand the reality that running a bakery wouldn’t leave much space of those pursuits and wouldn’t leave much space for him to have the things that keep him healthy and stable. I think he’d know that the way he is now— after two Games and the war and unspeakable torture at the hands of a dictator—isn’t compatible with the lifestyle necessary for running a commercial bakery.
And tbh with that in mind, I don’t think he’d push himself to re-open a business (one that would be a constant reminder of his dead family and his complicated relationships with them that got no closure) that would require him to sacrifice his physical and emotional well-being. Like I think he might look into the possibility, I think he might even start trying to open a bakery out of a sense of obligation/duty, maybe harboring some idea that this is who he was supposed to be, who he would've been without the Games, or that it’s this last piece of his family that can live on, or that it’s this last connection to his family so he can’t let it die too. But ultimately, I think any attempt to open a bakery wouldn’t get very far. Maybe he'd start wading into the logistical nightmare that is small business ownership and realize it's not for him (because it's probably also true that as much as him and his brothers were involved in the business, there's almost certainly parts they weren't involved with and didn't see, i.e., filing taxes). Or maybe looking into opening a bakery— how triggering it is, the stress of it— causes a downward spiral. Maybe he hates how much he's worrying everyone by unraveling. Maybe having a breakdown from the stress of just trying to open a bakery makes him realize, yeah, maybe in another life he would have ran his family’s bakery but the way he is now just doesn’t work with running a bakery, not without great sacrifices he's not willing to make. I just can’t see a bakery coming to fruition.
I know a lot of fics include Peeta deciding to reopen a bakery as a big step in his healing or include him rebuilding a bakery as part of his healing process but honestly, I think the opposite would be more true: I think Peeta either trying/failing to open a bakery or ultimately deciding not to open a bakery would be hugely healing for him. I think it would be a huge part of him accepting the way he is now as a person, his new limitations but also his strengths. I think it would be a huge part of him accepting the way his life his now and accepting that he likes his life the way it is, that he’s satisfied with his life without needing to own a bakery. I think it would be an important part of him coming to terms with the loss of his family. I think he knows he can never have things back as they were and I don’t think he would try to recreate them, especially because his family’s legacy isn’t a business. I think he’s emotionally intelligent enough and self reflective enough to realize that what mattered to him about the bakery— taking care of others by feeding them, being integrated into his community and being actively involved in it, brightening people’s days with delightful things whether that’s beautiful cakes or hearty food or delicious treats— and the things he learned from his family through the bakery, are things that he can carry on in other meaningful ways.
(Do you regret sending this ask yet, anon? Because if not, you will soon. I’m not done yet. There’s more.)
I wasn’t really sure where to put this next part in what is rapidly becoming an essay because it sort of combines the points about like “what do we imagine a post-mockingjay society to look like” with the practical difficulties of starting this bakery but here’s another thing: do people really think that the Mellarks owned the land the bakery was on?? Like, sure, the merchants are the petit bourgeois of Twelve but I still don’t imagine they really own anything. In a society where houses are assigned to people upon marriage, where property ownership and capital are so closely interconnected with citizenship (as shown by the Plinths who, by having immense capital, are able to leave their District and become citizens of the Capitol) do people really think the Mellarks would be allowed to own the land their bakery is on?? I always imagined it sort of like a tenant farming situation: the Capitol gives them the raw materials for the bakery and in return the bakery give them some absurdly high portion of their profits, or the Capitol sells them a year’s supply of raw materials at a premium on credit and at the end of the year the Mellarks have to use the money they made with those materials to pay it back, except it’s never enough to turn a profit so they always have to buy next year’s materials on credit and the cycle continues.
We (understandably) get a really skewed view of the merchant class through Katniss’s perspective so I can see why people come to the conclusion that his family owned the property and, as the last surviving member, he would’ve inherited it. I’ve seen the inheritance thing in fics a lot or a hand wavey “well Twelve was decimated to no one owns anything anymore so it can be his” or even like an almost sort of reparations type situation where he’s entitled to the land as a surviving refugee of Twelve. But I don’t know. I guess I don’t think it fits with everything else we know about Panem that the Mellarks would’ve owned that land and I think the question of whether the government would’ve let him take ownership of the land post-revolution brings up a lot of issues about the structure of society post-Mockingjay that I find more interesting to explore in other ways, especially when, from an emotional perspective, 1) I find the idea of Peeta not opening a bakery more compelling and 2) I don’t think it really fits his character arc by the end of Mockingjay to reopen a bakery, as I went on about at length above lol.
On the flip side: literally who cares!! Do whatever you want!! Headcanon whatever you want!! I get why people go for the bakery!! It’s fun, it’s wholesome, it’s a built in bakery AU that isn’t even an AU. It doesn’t matter if it’s practical or realistic!! It doesn’t need to be practical or realistic!! It’s fanfic of a dystopian YA series!! My unfortunate affliction is that I grew up in a family that owned a restaurant and that I have multiple degrees in the social sciences so I can’t see the bakery without being like “What about the overheard? What about the start up costs? Who’s spending long nights balancing the books? Is Peeta covering shifts when an employee calls in sick? Is Peeta the sole person working there until the bakery is open long enough (often a year or more) to start turning a profit? How does that sleep schedule work with his nightmares? How does that work with Katniss’s nightmares? What happens when he has an episode and suddenly needs to take the day off before he has any employees? Does the bakery just remain closed for the day? Can the profit margins withstand regular unexpected closures? Can the supplies withstand regular unexpected closures?” And if the answer is “Elliott none of those things matter he’s not doing the bakery because he needs the money but because he wants to”, then my question is why does he want to? Does he not get the same sort of satisfaction out of feeding his loved ones? Doesn’t Peeta seem like someone who would rather give away baked goods than sell them?? Doesn’t Peeta seem like someone who would prefer to make cakes for people’s special occasions upon and then when they insist on paying him for it, he only lets them “pay for the ingredients” which actually cost significantly more than he says they did??
So yeah my point is that it’s a matter of personal taste! It doesn’t fit the way I see the series but that doesn’t mean it’s like wrong, I’m not an authority on Peeta lmao.
It’s also a matter of personal taste in the sense that I find the themes that most resonate with me at the end of Mockingjay (and the end of Peeta’s arc specifically) more interesting to explore in other ways. Grief, living with loss, relearning yourself, finding hope, figuring out your place in a dramatically different world when you don’t even know who you are anymore, healing, building a new life after such complete and total destruction of your old life— those are all things I find compelling about the end of Mockingjay but for me the bakery isn’t the most compelling way to explore them.
Not to say I find the concept of the bakery totally uninteresting. I have this fic about Johanna that I’ll probably never finish where the point sort of is that, yeah, her life really isn’t all that much better after the war. It’s been years at this point and she’s still miserable and she doesn’t know how to be a person but by the end she’s trying to figure it out. And towards the end, Peeta tells her that he’s spent years sort of passively, half-heartedly trying to figure out how to inherit the land his family’s bakery was on, only to find out it was never theirs in the first place. They’d been renting it the whole time and he’d never even known as a kid. So he sort of passively, half-heartedly went on another wild goose chase to find the owner and now, finally, after years of writing to various government agencies and being sent in circles and things being barely functional, he’s managed to track down the owner. Now it’s owned by the daughter of the man who owned it when he was a kid because the original owner (who was likely up to some sketchy war crime shit) died during the war and she inherited it (the irony…). He got in contact with her and asked how much it would take for her to sell it and she told him she’s not interested in selling but in light of the situation, in light of the fact that he’d have to build a new building in order to operate a bakery, that she’d cut him a deal— she’d only require 50% of the bakery’s profits as rent instead of the 80% his family used to pay. And of course Johanna is outraged, that’s not right, the owner shouldn’t be allowed to do that, they should do something about it, they should fight back. And Peeta is like. Not interested. He was actually sort of relieved that opening wasn’t very feasible. Getting the answer was a lightbulb moment where he saw that over the years of trying to look into this, he’s built a life that he likes— one where he’s stable, where his loved ones are stable, where he’s cared for and can care for others— and he doesn’t really want to change it drastically by opening a bakery anyway. He just needed an answer, one way or another, before he could get some closure and move on. (And the point of the conversation is Johanna is having her own lightbulb moment that it’s okay to move on, it’s okay to change, it’s not a betrayal of the people and things she’s lost but that’s not my point here!!).
But anyway. That’s obviously not about running the bakery— it’s about the choice to not run one.
Anyway!! Anyway… are you satisfied anon? Is this what you wanted?
Lastly, here is my most important qualm with the bakery headcanon: must Peeta be gainfully employed? Is it not enough for him to be Katniss’s boytoy? Can’t he just paint and garden and bake and hang out with his girlfriend all day? Is that really too much to ask?
#peeta mellark#thg#the hunger games#the hunger games meta#anyway wow this got so long and I literally read it through one (1) time so uhhh sorry if this makes no sense!!#as I was doing my one read through and realized that one of my other thoughts on this is that yeah I can much more easily see the#headcanon that peeta like sells baked goods (probably at cost with no profit) out of his kitchen because that’s much more flexible#and I think that would work a lot better with what like I guess I’d call his psychiatric disability post mockingjay#and how he’d certainly want to take care of Katniss too#like that sort of flexibility makes a lot more sense for him and it’s like. if he doesn’t bake for a few days or however long then it’s fin#it’s not a formal brick and mortar business#it’s just something he’s doing because it’s a way to be involved with people and a way to do something he’s passionate about#without there being waste and while covering some of the costs#and he doesn’t have to like keep books or do payroll or any of the things I can’t see him being very passionate about#as far as like bakery management goes Lmao he can just bake!!#but then I started getting into this whole thing about how that quote-unquote ‘running a business’ like that (informally from your house)#is actually a really common practice for people living in poverty so probably something that Katniss and peeta would’ve been familiar wirh#anyway and then this whole rant about how the emphasis on the brick and mortar bakery often goes hand in hand with#this widespread fandom thing of having a fundamental misunderstanding of how rural poverty works and what it looks like#but then I was too deep into it and said you know what? never mind! and deleted it lmao
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xmcu-fietro · 2 years
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thinking about the Percy Jackson show that’s being made right now, and as someone who was obsessed with those books for years and then got late-diagnosed with ADHD and a learning disability (Dyscalculia), I really hope that the show actually shows how Percy struggles amongst his peers before coming to camp. I expect that the show will portray the positive aspects of neurodivergence since it’s so tied to all the character’s powers in the books (like Dyslexia being because their brains are hardwired for reading ancient Greek)--and I’m excited about that!--but I would also love to see the struggle that comes with being ND and not ever fully assimilating with NT peers. 
give me a Percy Jackson who gets kicked out of school not just because he acts out or has unexplained incidents with his powers, but who struggles in school and has to repeat a grade or two because his Dyslexia is so bad. A Percy whose teachers don’t believe him when he says he’s really trying because his grades are straight D’s and F’s despite his best efforts. A Percy who is a loyal and eager friend but doesn’t always understand NT communication and doesn’t realize when he takes his sarcasm and joking too far and gets shunned for it. A Percy who, at the tender age of twelve, is totally burnt out because no one knows what to do with him, who has awful self-esteem because he’s been told his whole life that he’s failing, who believes he wasted his potential already, but whose mom is kind and understanding and fiercely defensive of him to the rest of the world because she knows her child is worth so much more than his ability to fit in or get good grades. A Percy who comes to camp and is suddenly surrounded by people just like him, who excels in battle and finds friends who just get him, who slowly relearns who he is and what he’s capable of, learning that his struggles can be strengths sometimes, and finding confidence and acceptance through this community in a way that he’s never had before. 
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mantisgodsdomain · 1 year
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The greatest curse of Us, without a doubt, is the... us-centrism of the fact that we are Us and no one else. Our view on the world is limited and we are frequently subject to the logical fallacy of The Curse Of Knowledge and we're even more frequently beset upon by the fact that some people, like, are Genuinely Averse to depictions of things they've Dealt With themselves.
Like, what do you mean you're talking about this thing as a reason that this media sucks? What do you mean you actively avoid media that depicts things you went through? Do you not gain that feeling of connection from watching people go through something similar to what you did? Do you lack the feelings that are so easy to conjure up in a strong way from seeing a character dealing with the Same Damn Shit? Do you not look at art to feel things?
#this is a very long winded way to say that we got a media recommendation from a callout post again#we speak#“this media contains depictions of medical abuse and nonconsensual surgery and it puts heavy emphasis on these things”#“it highlights this transplanted thing and the difference from his body constantly”#and we're nodding along like “oh yeah sounds awesome”#and then they hit us with “i don't know why they thought this was appropriate for a family friendly franchise"#“other than the sheer ignorance of the developers about disabled peoples' medical experiences”#like HUH??? WHAT??? do you think that people only include fucked up shit that also happens to real people out of ignorance???#like. even ignoring the obvious “people can create depictions of real and fucked up stuff and that is in no way inherently bad” thing#have you never seen half of the family friendly things in the past decade? did you not read books as a kid? have you never revisited like#any kind of childhood books or games or movies or anything???#theres fucked up shit in kids media all the time! we'll go so far as to say that there should be MORE fucked up shit in kids media#because you need! to actually learn shit exists and figure out how to deal with it! and the earlier you can figure it out the better!#and even ignoring that like. its an AUTONOMY ISSUE. which is the one thing that kids will probably be able to connect to best!#because the single problem that kids and disabled fucks like us have in common the most is lack of autonomy!#a kid will be able to understand and connect with this issue because they have spent their lives surrounded by people#who sign them up to have things done with their bodies without first asking permission from them#who will have things done for them because they're kids and in their eyes cannot be trusted to make decisions of their own#even ignoring that disabled kids exist too and will be able to understand like. most of them will be able to recognize that kinds thing#theyre kids. they arent stupid. they can see this and relate to it as having problems Like Them but slightly more exaggerated#and maybe we're a bit opinionated about this but like#we're disabled! every word on this screen only makes us want to check this out because hey! sounds like the kind of shit we'd like!#we are VISCERALLY FAMILIAR with the kind of shit that people go through because guess what! we've been in the pits too!#we can appreciate the content warning for what its worth but the tone and the way youre saying it is just#look. we're sorry you didn't like it. different strokes for different folks and et cetera. what can help one person can harm another.#acting like medical abuse is a subject that should never be depicted in media for anyone but Mature Adults(tm) or whatever is just#bad#not to have opinions on childrens media but LACK of disabled people and such in media very much fucked us up more than them existing#let the kids have their medical abuse narrative and maybe itll give them a point to connect or get through something of their own#because let us tell you. having points to compare to? having even a fictionalized depiction to relate to?
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toytulini · 1 year
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also
#toy txt post#not to be selfish or whatever but im also pretty glad ig. that my boring unfinished ass artsyle thats just pencil sketches on paper#seems to be not super popular for ai to replicate? so uh idk. grateful for that ig. i already barely post art anymore i cant imagine#how fucking discouraged id be if i saw ai art that looked like mine : /#like now. if I coded it myself off of all my own art only? i think id be fine w that. but i think thats probably not enough images to code#one of those lol#but idk maybe that could be an interesting way to do ai#train it on your own specific shit personally that you made to create yourself a little dirk strider autoresponder for your own art.#not sure how many images it takes to train one though and if that would be achievable for one person to pull off#but like i think i would not be mad at that!#at that point its almost akin to making a little dressup game i think haha. or like a character creator#WHICH for all the complaints i see about like it being a useful tool for disabled ppl to make art that they dont have the#physical capacity to do im a bit like. okay youre essentially describing like a really really detailed character creator. or like. the sims#i feel like we dont need to steal art from ppl to make those#before anyone is like oh well its not like a character creator cos youre typing in keywords instead of fucking around selecting hairstyls#or smth. its just a keyword controlled character creator. thats what you want. and im not against that. im just against. using stolen art#to do it and im against letting companies get away with using that to make like a book cover or smth instead of commissioning an artist
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copperbadge · 2 months
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So the ADHD Handbook post struck a chord with a lot of people...
I don't think I have it in me to write the book I suggested, mainly because most of what I want to write about is variable by situation. I can't actually offer a magic formula for getting a good assessment, all I would be able to do is say "Here are the warning signs, here's my personal story, shit's just rough". Which I could do but it'd be basically an entire book of "shrug emoji". The best possible way would probably be to offer it as a workbook, like "Here is a page for you to record every communication with the clinic doing your testing. Here is a page for you to write down possible other approaches to getting your medication if the pharmacy is out." etc.
I do think I might write it as a novel of some kind. Possibly even a novel about someone writing a handbook, I haven't decided. I had a dream last night about the book, in which I saw a woman watching a revolution taking place in the distance, thinking, "This is not what I intended when I set out to write a self-help book." Baller way to start a novel, honestly.
Anyway there were several suggestions for books in the notes, so I thought I'd compile those here. I have read none of these, so I can't vouch for their contents, but I'm including what my readers said about them.
@blogquantumreality linked to How To ADHD by Jessica McCabe, who is a well-known ADHD youtuber (I haven't found her videos super helpful but they're also not aimed at me). @knitsinweirdplaces added "The last section of the How to ADHD book is literally called 'how to change the world' and exactly points out we can advocate for a more disability friendly world that traumatizes ADHDer less in the first place. It's the only book I've read that hits the balance of 'your brain has immutable challenges' and 'these strats may help' right. Bonus, it is inclusive of people who use adhd meds and those who don't/can't."
@theindefinitearticle mentioned "I read how to keep house while drowning recently and it's been much more practical for me in terms of actual usable advice." This book has also come up numerous times during National Clean Your Home Month as a helpful guide to cleaning.
@buginateacup said "The year I met my brain is the only one I've read that actually felt like it was making useful suggestions for living with ADHD."
@cabloom said "iampayingattention on Instagram wrote How Not To Fit In."
@grison-in-space said "Do you have any idea how over the top excited I was when I found I Overcame My Autism and All I Got Was This Lousy Anxiety Disorder?"
@doubleminorforroughing wrote "Please read Devon Price. He wants to tear it all down and I love it." I will add that I don't think I've read Laziness Does Not Exist but I have read Price's shortform work extensively and I think he's been very influential in rethinking how we frame laziness and productivity in relation to both work and neurodivergence, so I can second the recommendation.
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ratfish-blues · 1 year
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Actually, this deserves its own post because the way Abbott Elementary handled Melissa's character in this episode is genuinely some of the best dyslexia representation I have ever seen on TV.
She's not a little kid who overcomes her disability as an adult. Her dyslexia doesn't give her superpowers (weirdly common trope). She isn't portrayed as stupid by the show or the other characters because of it. She's a competent adult who has developed coping mechanisms to deal with her disability and is still shown to struggle sometimes despite that! Oh my god is that refreshing!
Also, Melissa being competitive about the reading challenge and Barbra's comment about how good she is at engaging kids in reading is totally recontextualized by the reveal that she has a learning disability and especially the reveal that she was probably teased for her LD as a kid (which I'm also so happy that they brought up - I don't think most people realize how competitive elementary schools tend to make reading, and how shitty and ostracizing that can be for kids who struggle with it). Winning the book challenge is important to her because it's something she used to really struggle with. She's good at getting kids to read because she can relate to their challenges in a personal way. They directly tie her LD to her strengths as a teacher without it being fantastical or over-emphasized and I can't even begin to tell you how much I love it!
The bit at the end where she says "you know how sometimes I have to read things a few times" to Janine, in the break room with no students present is also a great scene because it shows her LD in an adult, professional context. It's a conversation that I, and every dyslexic person I know, has had with their co-workers at some point. I just love that they make a point of normalizing her LD in an adult workplace setting that's separate from the classroom and away from the kids.
This season has done an awesome job talking about disability generally but the choice to give not just a student, but one of the teachers an LD was an absolutely perfect move. I really hope this gets brought up in later episodes and isn't just a one-off.
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ajbullet · 4 months
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Ok let’s get deep for a second. Probably my favorite line from the PJO show so far is Percy telling his mother “There’s something wrong with my brain!”
Why is this my favorite line? Because I’ve said it to myself so many times.
Now I know I’m Percy’s case, he’s talking about his ADHD and I don’t want to take away from that at all because I know people with ADHD and how serious it is. It’s amazing the representation people are getting because of this show.
But when you think about it, this could apply to any mental illnesses or disorders. I don’t have ADHD or dyslexia but this line still resonated with me so much because I do have depression. There’s no one cause, just the affects and over and over I’ve told myself it’s my fault, I’m making a bigger deal than it is, there’s no reason to feel the way I do. There’s something wrong with my brain.
Again, I in no way want to take away from the representation and struggles of ADHD being presented through the show, but I just wanted to share how powerful it has been to see these kids, who are the same age I was when my depression first developed (in fact this book series got me through the worst of it), struggling to make something of their disabilities and fight through the obstacles they pose because it helps me believe I can too. Just as I hope it does with other people who watch and can in some way relate.
Yes, this show is amazing at bringing our favorite characters to life and showing Greek mythology and everything else we give it credit for, but it’s also giving representation that is so often overlooked or inaccurate. So, thank you.
(Sorry, just woke up this morning not feeling the greatest and wanted to put these thoughts out there. Now back to your regularly scheduled program of…well, me posting other stuff)
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fatale-distraction · 4 months
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BG3 Companions Social Media Headcanons Part 1
I was bored at work and couldn’t stop. 🤣 I’ll make another post with Halsin, Minthara, Jaheira, Minsc, and some NPCs!
~~~
Astarion - Pre-Tav, Astarion's social media is mostly thirst-traps for some kind of nefarious, Cazador-related money-making plot. They barely scoot past the TOS on lewd content. Very little real personal content, anything that isn't a thirst trap is heavily doctored lifestyle content to make it seem like he's living a much more luxurious life than he actually is.
After meeting Tav and getting rid of Cazador, he deletes all of his old accounts and opens up new ones. They're not exactly private, but he's much more careful about who he follows and who can follow him back. The posts become much more genuine. Still a lot of selfies, but they're sexy in the way of a guy just finally living his truth and being comfortable in his own skin. There's more shots of his daily life; waking up with his partner's obnoxious pets strewn across the bed, morning coffee and his current favorite book, new outfits that make him feel more himself. Tav features heavily in most of his posts, and there are probably as many pictures of them as there are of himself.
Karlach - chaos. No rhyme or reason. Lots of parkour and Jack-ass parodies. Constant flood of pictures of her stuffed animal collection. Stupid filters abound. There's several videos of her just flexing. Lumberjack videos. Seven hundred pictures of Tav, tons of selfies together. Videos of her literally sobbing over some cute stuffy she found or a dog she got to pet. "How many times can I say the fuck word before I get suspended." Memes. Memes everywhere.
Lae'zel - She follows three accounts and never posts anything, but somehow she's constantly scrolling through. What does she even do? Her profile picture is still the default. She doesn't have any profile information filled out. It just says "No." Her screen name is just Lae_zel. Every single item in her favorites is a cat video. She has One photo and its a gym selfie. All of her comments seem really mean at first, but they're all weirdly supportive things along the lines of "your teeth are sharp and your visage terrifying".
Shadowheart - total E-girl influencer vibe. Everything is #nofilter. She doesn't need filters. She's god's most perfect princess. You can't even be mad because it's not vanity its just how she Is. Ends everything with Prayer-hands-emoji hashtag Shar'sblessings or Selune'sblessings depending on where she is in that journey. Hairstyle and makeup tutorials and she makes it look so damn easy. "Dye my hair and cut my bangs with me." "Get ready with me" videos nearly every day. Every picture has a comment from Astarion that just says "oh fuck off" because even he can never hope to be as perfect as she is. Or at least that's what her forty-five thousand followers think.
Wyll - The official Blade of the Frontier social media account(s). Fencing videos and promos. "How to polish your horns for newbies" video that's been taken down twenty-seven times for lewd content even though it's literally for polishing actual horns. Accidental thirst traps because damn. Lots of disability advocacy, especially for visual impairments. Weekly Demon/Devil PSAs. Constantly featured in Karlach's vids and vice-versa. Buddy selfies. Once in a while a pic of him with his dad. Pics with Tav are rare, but when he does post them they're the sweetest pictures and he gushes about them for paragraphs. It's a little gross how gushy they are. Astarion comments with vomit emojis and Wyll just replies with an angry face emoji. The purest content. He's so wholesome. Not a swear to be seen. Lots of gentle hype videos. "You've got this. You can do this. I believe in you."
Gale - oh my god he has the most pretentious social media accounts. He's worse than Astarion. "Well, actually" videos with multiple parts because they're too long. Tea and bookshelves. Tara. So many pics of Tara. Tara napping on a book. Tara swatting a fly. Tara in the window. Tara on the kitchen counter. Tara laying in the sun. Tara doing nothing. He has one of those fancy cat terrarium backpacks. Magic tutorials. Mystra simp. Surprisingly few selfies but the ones he has are IMMACULATE. Pretentious book reviews. His only saving grace is that he is HILARIOUS. He's the only one with a reasonable about of pics with Tav as opposed to almost none or way too many, but the captions are always really sweet.
~~~
Part 2 here!
Part 3 here!
Part 4
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verimuru · 1 month
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Red on Maroon A 16-page IWTV (2022) fancomic about the vampire Armand and journalist Daniel Molloy visiting the Mark Rothko retrospective in 2024 Paris. Content mentions & warnings: The comic depicts Daniel’s internalized ableism. Rothko’s suicide is acknowledged but not discussed in detail. There’s angst, talk about kink and lots of fluff. Louis is mentioned as well as Daniel’s daughters. Marius is not named but is hinted at. The comic is set up in post-Dubai-interview time and based on my knowledge about s1 of AMC’s IWTV with sprinkles of book canon. Some notes about the comic below:
As with my last comic, I am not a native English speaker, so I hope you keep that in mind when reading <3 trying my best here meow meow
The Rothko retrospective can be visited until 2nd of April of 2024 in Louis Vuitton Foundation. I visited the place in January, so the comic’s surroundings are a mix of memories and some image searches, but in no way fully accurate. Since visiting Paris next week is probably not an option for most people, the foundation has a very cool free app, where you can listen to an audio guide about Rothko and paintings in the exhibition. I mostly used their app as a source for this comic, so in case you want to learn more, go here: https://www.fondationlouisvuitton.fr/en/events/mark-rothko
 I listened to a lot of Morton Feldman’s Rothko Chapel -album while making this. So put it in playing in the background if you’re into that sort of thing. Link to the playlist on youtube
Since I am Finnish and I found out that one of LVF’s first exhibition had some Finnish painter’s work, ofc I had to include them… Page 14 has Schjerfbeck’s “Dancing Shoes”  and Gallen-Kallela’s “Kullervo Cursing”.
Ok finally some headcanon stuff: in my head, while writing this comic, I imagined Daniel having accepted the dark gift from Armand, but both of them wanting him to live as a human as long as possible to enjoy the benefits of a… mortal body. :’D Since, you know, vampirism is forever anyway, so why not enjoy the variety of bodily fluids, body heat, aches and weirdness of aging? While having a chronic illness is shitty, his life is not, and while his disability marginalizes him, there’s a perspective there, a person living and enjoying things, allowed to take space and feel his thoughts develop from these changes (that also affect over 6 million people around the world with Parkinson’s).
After finishing the comic I am not so sure if Daniel is going to be turned into a vampire after all. So your guesses are as good as mine, would love to hear your suggestions, hehe!
I wish we knew more about Daniel’s daughters! I just came up with something here because I wanted to draw them and wanted to see their dynamics as a family.
I have now read the Devil’s Minion part from Queen of the Damned as a separate short story and appreciate the TV show’s changes to Daniel even more. I can’t wait for S2…..
My sincerest thanks to @anaid-queen for being a test audience, my informant and such a cheerleader the past week <3<3<3
Hope you enjoy xoxo
SORRY I POSTED THE WRONG IMAGE FILES FIRST WAHHH I had to repost ;_;
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thebibliosphere · 1 year
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I got an ask over the weekend, which I now can't find (sorry), but it related to this post talking about book comps in mainstream publishing and how I think trad-pub would describe Phangs.
Fortunately, I didn't have to think about it too hard because I already talked about this with one of my editors when that post went around. Gently rolling our eyes at trad-pub as we concluded that I'd most likely be marketed as "Twilight meets Fifty Shades" at worst and "Gail Carriger meets... probably Fifty Shades" at a hopeful best.
(Which... I mean. Yeah, I could see the Carriger association. Fifty Shades, however, nope, nope. Absolutely not.)
And I think we can all agree if I got marketed as Twilight meets Fifty Shades, you'd have a lot of disappointed people.
Not to mention the people who would enjoy Phangs wouldn't pick it up because Phangs, as it has been described by the actual fans, is the queer goth love child of Terry Pratchett meets Jane Austen, replete with vampires, werewolves, [REDACTED BEINGS], tongue-in-cheek social observations, multiple depictions of disability representation and a burgeoning dom/sub dynamic that expands into a happy open throuple in the second book after several bouts of vigorous communication.
Yet the industry would latch on to the vampire-werewolf dynamics, try to sell the polyamory as a love triangle, then lump the dom/sub elements into the horrific kink rep that is 50 Shades of Yikes because that's all it knows.
It knows "these are the things that made a profit; therefore, we must find ways to compare them, or we cannot market them," because they will not take a risk.
It's sad.
And also why, unless I'm offered obscene amounts of money, I'll be staying in my indie-self-pub lane. Trad-pub wouldn't know what to do with my disabled queer monsters.
They already demonstrated that when I did shop the novel around and I was asked to "tone down" the disability and also to turn the polyamory into a love triangle. So just, y'know, the core essence of the entire series 🙃.
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Kaz and Wylan’s potential to become each other
Wow, you guys were a lot more excited about this than I was expecting! I made a post briefly mentioning this idea and it got way more attention that I was expecting, so as promised here is my explanation and I’ve tagged people who asked for it at the end :)
*WARNING: CONSTANT SPOILERS AHEAD*
Ok so the driving forcing of this comparison is rooted in the similarities of their characters and their backstories. Both of them lost a close family member, were abused by men with power over them, and experienced a form of ‘rebirth’ by nearly drowning in the Ketterdam canals. They also both experience disability; Kaz using a cane for a broken leg that didn’t heal correctly, and Wylan having severe dyslexia that prevented him from learning to read. A key difference that separates them, and arguably is a representation of the difference in the way their experiences have shaped their personalities as well, is that Kaz’s disability is a direct result of his chasing after vengeance, whereas Wylan’s disability was used as an excuse for his father to abuse him for what we as the reader see to be a minimum of eight years. (I’m assuming this because he is 16 in the book and was 8 when his mother ‘died’, which is the point that he describes he father to have “given up on him”)
I’m gonna quickly hop to parallels between Kaz and Pekka Rollins, bare with me I promise it’s relevant, which are quickly established as a key part of the novels. When Inej compares them, Kaz’s reply is “I don’t sell girls, I don’t con helpless kids out of their money” to which she gently responds “look at the floor of the Crow Club, Kaz”. Aside from this being the heartbreaking line that it is, it also does a very good job of highlighting their similarities and a similarity that they share with Jan Van Eck. When they meet the merch at the end of the first book they meet on an island called Vellgeluk, which is described as being popular with smugglers and slavers like those who kidnapped Inej. The other Crows are surprised Van Eck knows about Vellgeluk, but Kaz simply says “maybe he isn’t the upstanding merch he appears to be”. Great subtle foreshadowing for his double cross, and great establishment of the link between these three characters. In fact, Van Eck and Kaz echo each other more than you might think. Just as Kaz states “Greed bows to me, it is my servant and my lever”, Van Eck says “Yes, Chaos will come. And I will be it’s master”. In their first meeting, Van Eck accuses Kaz of murder and gambling with people’s lives, and in return Kaz points out that 1 in 5 of Van Eck’s ships will never return because they will sink or “fall prey to pirates”, so they are both doing the same thing, and that they both have the same motivations for this bloodshed: “profit”.
Now consider how often Wylan echoes Kaz, and therefore whether he echoes his father as well. They both have exceptional memories, Kaz’s being photographic/eidetic and Wylan being able to put words to music in his head to remember pages worth of infomation - this is even emphasised by Kaz being able to count cards when he gambles, saying “he could keep track of the game for up to three decks” and Jesper asking Wylan if he’d be able to apply “that trick to counting cards” to which he replies “probably. But I won’t”. They also both have impressive intellects, which could have placed them far higher up in the world than they’ve found themselves if it weren’t for cruel circumstances - Van Eck even comments on this, saying it angers him that Kaz has so much potential but does nothing with it. Then there’s their tendency to avoid being vulnerable. I think we too often overlook the fact that no-one knows Jan Van Eck hired two men to kill his son, not even Jesper, and that not even Inej knows what happened to Kaz on the Reaper’s Barge. Jesper believes that Wylan left his house as a result of his father’s abuse but that it was still his choice, and Inej has no information beyond “Pekka Rollins killed my brother” and the explanation of the con when Kaz faces off with Rollins in Crooked Kingdom. I genuinely believe that the biggest thing separating them is where they place blame for their situations. Kaz blames Pekka Rollins. Wylan actually blames himself.
Arguably, although he catalysed the events, if Rollins hadn’t conned Kaz and Jordie they still would have suffered in an almost identical way: they would both contract the Queen’s Lady Plague, they wouldn’t have enough money for both medicine and boarding, and Jordie would die. In that scenario Kaz would have still been left penniless and alone with nowhere to go, but he wouldn’t have had anyone to blame. In fact, he may have died as well because it’s really his drive for vengeance that makes him strive for survival. When he’s on the Reaper’s Barge he wonders if it’s worth trying to survive because there’s nothing waiting for him in the city, but then he realises that the chance of revenge is waiting for him, and that thought drives him to stay alive every day that follows. Without Rollins, Kaz probably would have blamed himself for Jordie’s death, and I’m backing that up with the singular moment when he’s first attacked by parem-high tide makers and has a brief “boy’s fear” that they are ghosts. He thinks, for a split second, that a ghost has come to kill him and what does he say? He says “Jordie had come for vengeance at last”. This is chapter three. We have no idea who Jordie is. With the limited information we had at the time and what we’d just seen happen to Big Bolliger, I assumed it was someone in Kaz’s gang that he had backstabbed and who has died because of what he did. But no. This single line leads me to wholeheartedly believe that Kaz blames Rollins, who realistically was only a small part of his suffering, quite so vividly to emotionally avoid blaming himself.
Wylan blames himself until around chapters 14 to 16 of Crooked Kingdom. His experiences with mental, emotional, and physical abuse have actively convinced him that his so-called ‘inadequacies’ caused a change in his father’s behaviour. But Wylan not being able to read didn’t magically turn Van Eck from a lucky family man into someone willing to try “specialists, tonics, beatings, [and] hypnotism” against his child. The fact is that Van Eck, like many abusers, is masterfully manipulative in everything he does. Wylan describes seeing his parents’ marriage as a happy one, but he also says “the argued all the time, sometimes about me. But I remember them laughing a lot too”. He’s quick to defend their relationship as if it isn’t supposed to be marred by argument and he lays blame on himself by suggesting that he was the root of their unhappiness. He also says that around Alys, Jan Van Eck becomes who he once was around Marya; a kinder, gentler man. I don’t think we’re meant to assume that he’s acting any differently with Alys in private right now, but I do think we’re meant to assume that he would have done down the line if he hadn’t been arrested (and presumably she filed for divorce). In chapter 14 of Crooked Kingdom, Wylan learns that his mother is still alive but that his father had her committed and declared insane so he could use it as grounds for divorce and marry Alys instead. And you know what happens? Wylan blames himself. He says, verbatim, to Jesper: “You don’t understand. It’s my fault”. He explains that Van Eck did this so he could have a “real heir”; because Marya produced a “faulty” child he needed a new woman to give him the child he wanted. That’s a messed up thing to think on so many levels, but Wylan doesn’t blame Van Eck because he is still being conditioned by his abuse. He and Kaz experienced different kinds of abuse, and Kaz wasn’t conditioned to blame anyone but his abuser, so that’s what he does. When Wylan does begin to blame Van Eck, he is immediately taken in by this same idea of revenge. Kaz says “you were angry. I needed you righteous” when explaining why he sent Wylan to St Hilde blind in chapter 16. Wylan was angry with his father before, but he wasn’t actively seeking vengeance. Now that he has a cause, someone other than himself to fight for? He tells Kaz “well, now you have me”.
Both of them have this potential to be fuelled by revenge or self-hatred, and although they go about it in different ways and lean towards different sides of the scale they are both balancing between those two extremes for the entire duology. Their past experiences have, and their future experiences could, tip them further either way but right now they are almost playing with the line.
Thank you so much if you’ve bothered to read this far, sorry for the long post but you did ask for an essay, so there you go. Tagging the people who asked - @kazooyay @mikasimaginairyworld @sunseeking-cyptid @moonlit-aura @alexplutoplanet @gandalfsmallnaturals @livsarthaven @goodomenstrack23 @origami-butterfly @flower-biatch @bookworm010307 @thesunniest @wherela @space-ace-thoughts @sixofbabycrows @antisocial-burrito
Sorry if I missed anyone!!!
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familyabolisher · 10 months
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hi! i'm a follower, & i enjoy reading your posts and essays. in your recent post about the anti-intellectualism kerfuffle on tumblr, you said, "Part of my communism means believing in the abolition of the university; this is not an ‘anti-intellectual’ position but a straightforwardly materialist one."
i haven't heard of university abolition before, and if you are willing, i would like to hear what it's about. what is the university abolitionist image of a better alternative to universities? should learning still be centralized?
thanks for your consideration. :)
University abolition, as with any other form of abolition worth its salt, understands the role played by the institution of the university under capitalism in sustaining the conditions of capitalist-imperialist hegemony, analyses the institution accordingly, and recognises that the practices that the university purports to represent (that of intellectual production, the sharing and developing of knowledge) will undergo a fundamental overhaul and reconstitution under communism. This means looking at the university not merely as an organic institution wherein we study and develop ideas, but asking what ideas are developed and legitimised, and who is afforded the opportunity to do so, and why the university exists in the first place; we are taking a materialist rather than idealist approach. 
Simply put, the role of the university is to restrict access to knowledge and knowledge production, and to ensure the continuance of class divides and hierarchised labour. These restrictions come about in a vast number of ways; the most immediately obvious is the fact that one must meet a certain set of criteria in order to qualify for entrance in the first place, and this criteria tends to require compliance with the schooling system (itself another such arm of capitalist governance), a certain amount of wealth (and/or a willingness to accrue debt), and an ability to demonstrate methods of intellectual engagement compliant with the standard of the academy. Obviously, there are massive overlaps in this set of criteria; those who come from wealthier backgrounds are more likely to have had a good education and thus can better demonstrate normative intellectual engagement, those who can demonstrate that engagement have probably complied with the schooling system, and so on. The logic behind the existence of private schools is the idea that sufficient wealth can near-enough secure your child's entry into the university and therefore entry into the wealthier classes as an adult, with the most prestigious institutions overrun by students from privately educated backgrounds. Already, you can see how this is a tactic that filters out people from marginalised backgrounds; if you’re too poor, too un[der]educated, too disabled, not white enough, &c. &c., your chances of admittance into higher education grow slimmer and slimmer.
Access to the university affords access to knowledge; most literally through institutional access to books, papers, libraries, but also through participation in lectures and seminars, reading lists, first-hand contact with active academics, the opportunity to produce work and receive feedback on it, the opportunity to develop your own ideas in a socially legitimised sphere. As I explained above, who is afforded access to such knowledge is stratified and limited; the institution is hostile to anyone deemed socially disposable under capitalism. Access to the university also affords access to a university degree, with which you can continue down the research path (and thus participate in the cycle of radical knowledge-production being absorbed and defanged by the academy, and water down your own ideas to make them palatable to institutions which tend to balk at anything with serious Marxist commitments), or gain entry to better-paid, more stable, more prestigious jobs than those which people without degrees are most often relegated to. In this sense, the people who are more likely to be able to meet the access criteria for the university and then successfully participate in it are able to retain their class position (or else promulgate the myth of social mobility as a solution to mass impoverishment) and thus gain a vested interest in maintaining the conditions of hegemony. Those who gain entry into the middle class have done so after undergoing a process of stratification according to means; which is to say, class, race, [dis]ability; and tend to lose interest in defending a politic which seeks to destabilise their relatively privileged position in the pecking order.
Success in a research career, too, depends upon liberties afforded by wealth; can you afford to go to all these conferences, do low-paid and insecure teaching work in the university, churn out research, and support yourself through a postgrad degree without going insane? Not if you don’t have independent means. In the UK, the gap between undergrad and masters funding is absolutely wild—obviously there are scholarships afforded to a limited number of people (another access barrier—the whole institution runs on the myth of artificial scarcity), but broadly speaking, it’s pretty much impossible to put yourself through an MA with just the money you get from SFE unless you work a lot on the side to pay your bills (this is what I tried to do; I went insane and dropped out, lmfao) or have independent wealth. Establishing oneself as an ‘academic’ is simply easier when you have financial security. In this way, the people who make it to the very top of academia (the MAs, the PhDs) tend to be people who come from privileged backgrounds; people who are less likely to challenge hegemony, who will maintain the essential conditions by which the university sustains itself, which is to say the conditions of social stratification. These people often tend to hold reactionary positions on class—the people who are outraged at how little a stipend postgrad students get tend not to think twice about the university’s cleaners being paid minimum wage, or think of working-class jobs as shameful failstates from which their academic qualifications have allowed them to escape (how many people have you heard get absolutely aghast at the thought of ‘[person with a BA/MA/PhD] working a typically working-class job’?). Academic success tends to engender buying into the mythology of academia as a class stratifier and class stratification as indicative of one’s value, even amongst people who probably call themselves academic Marxists.
Universities are also tangible forces of counterinsurgency. I live in the UK, where universities are huge drivers of gentrification; university towns and cities will welcome mass student populations, usually from predominantly middle-class backgrounds and often coming to cities with significant working-class and immigrant communities, neighbourhoods formerly home to those communities will be effectively cleaned out so that students can live there, and the whole character of the neighbourhood changes to accommodate people from well-off backgrounds who harbour classist, racist feelings towards the locals & who will assimilate into the salaried middle-class once they graduate. More liberally-oriented universities will tend to espouse putatively progressive positions whilst making no effort to forge a relationship with grassroots movements happening on the streets of the city they’re set up in; student politics absorbs anyone with even slightly radical inclinations whilst accomplishing approximately fuck-all save for setting a few people off on the NGO track; like, the institution defangs radical potential whilst contributing to the class stratification of the city it’s set up in. 
This is without even touching on the role played by the university in maintaining conditions of imperialism and neocolonialism, both through academic output regarding colonised regions (from ‘Oriental studies’ to the proliferation of white academics who specialise in ‘Africa’ to the use of the Global South as something of a playground for white Global North academics to conduct their research to the history of epistemologies such as race science as transparently fortifying and legitimating the imperialist order) and through material means of restricting access to and production of knowledge based on country of origin (universities in the Global South are significantly limited in what academic output they can access compared to those in the Global North; engagement with Global North academia relies on the ability to move freely, something that is restricted by one’s passport; language barriers and the primacy of English in the Global North academy) keeping knowledge production in the Global South dependent on the hegemony of the North. Syed Farid Alatas has termed this ‘academic dependency,’ as a corollary to dependency theory; academia in the GS is shaped by the material dependence it has on the West, which in turn restricts the kind of academic work that can be undertaken in the first place. Ultimately, all institutions under capitalism must ultimately reroute back to the conditions that favour capitalism, and the university is not an exception.
This is just a very brief overview of an expansive topic; I would recommend going away and examining in greater detail the role played by the university under capitalism, and what the institution filters out, and why. What sort of research gets funding? What sort of knowledge gains social legitimacy? What can the university absorb and what must it reject? Who is producing knowledge and to whom are they accountable? etc.
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evanpeterswhoresblog · 10 months
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Behind the Crime
Warren Lipka x f!reader
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warnings: smut, unprotected p in v, oral male receiving, dominate warren, underage drinking, underage smoking, use of marijuana, rough sex, hint of choking, talk of robbery, um yeah i think that’s it
summary: from the moment you were brought into the heist, you knew working with warren was going to be hard…
word count: 3.4k
a/n: sorry for not posting guys i have not been on the grind lately. i watched this movie and omfg evan was so attractive i just needed to write. if you’re the real warren lipka just scroll this is about evan…
~~~
You sit back in your chair, the crew members adjusting your mic. You’re starting to regret doing this interview, but it’s too late to back out now. Everything’s already set up, the camera is about to be rolling. The interviewer is sitting a few feet away from you, notes in his hand. He waits for you to give him the signal that you’re ready. You nod, he begins.
“So, y/n, how did you become involved with the group?” He asks.
“I was first approached by Spencer when I was eating lunch outside one day...”
~~~
You were sitting alone, the cool fall breeze almost too cold to be comforting. You didn’t pay much mind to it though, you were more focussed on your studying. You were flipping through the pages of another history article when suddenly there was a presence beside you. Looking up at them as soon as you noticed, you recognized the boy as someone from your class.
“Can I help you?” You asked, your tone polite.
He looked nervous as if he were about to ask you out. “Hi, uh, I don’t know if you remember my name, I’m Spencer we have Art History together.”
“Oh, yeah, I’ve seen you,” you replied. “Do you need help with the homework or something?”
“No, I actually wanted to talk to you about something else, if you’re not busy or anything,” he said, his voice quiet.
You look away for a second before replying. “Sure, sit down if you want I’m not busy.”
He smiled at you before quickly sitting at the spot across from you. He put his bag on the table, you could see him take a deep breath. Was he really going to ask you out? You thought he was cute, but definitely not your type. You started to pray he wouldn’t say anything along those lines.
“I started to ask around a week or two ago about people who are good with computers and stuff, a lot of people told me you were the best person to go to,” he started. He lacked confidence in his voice, you felt bad for the poor guy but paid close attention to his words. “I need some... help with cameras.”
“What kind of cameras?” You asked, intrigued.
What he was saying was true, you were decently good with computers. You mostly would hack into places and disable things you didn’t like, like the cameras on the public library computers. It wasn’t anything illegal, at least you didn’t think it was illegal. It probably was, but you didn’t care.
“Just you know cameras in... semipublic places...”
You raised an eyebrow. “Like what kind though? Phone, laptop, desktop, security?”
“Security,” he answered quietly. “But before you say no listen, how does a couple hundred thousand dollars' worth of payment sound?
“What?”
“I won’t tell you the details till I know you’re on board but let's just say something is going down and we need help with the cameras. The pay would be huge and all you’d have to do is just mess with some cameras for like twenty minutes.”
You only stared at him; your mouth slightly hung open. Was he being serious? Was he really asking you to join him in a potential robbery that would pay hundreds of thousands of dollars? You never would’ve expected to be asked such a question on a cloudy Thursday at lunch. You shut your book completely and look around to make sure nobody is close.
“This money, it’s guaranteed?”
He nods. “As long as we get the job done, you’ll have it.”
You knew it was crazy, you knew whatever was going to happen would either result in you going to prison or having to run off into hiding. But the thought of being able to pay all your student loans off and have extra money to live off of was more appealing. Hacking into cameras wasn’t that hard, and it wasn’t going to hurt anyone. Unless it was.
“If you’re trying to get me to make sure a murder or rape isn’t on camera I’ll snitch,” you warned him.
“Oh no, nothing like that is happening at all. It’s just you know a robbery,” he replied, his expression genuine.
You nodded your head, convinced whatever he was asking couldn’t be that bad. “Okay, yeah, I’ll do it.”
~~~
“What was your first impression of the guys?
You smile. “They were really cool, funny, just overall really fun people to hang out with.”
“Do you remember the first time you met all of them?”
“Of course, like it was yesterday...”
~~~
The house you sat in front of didn’t look like a typical criminal's house. It looked like an average American’s family house actually. You were parked out on the road outside the house Spencer told you to go to, you were meeting the rest of the people involved with the robbery. It had been about ten minutes of you sitting out there debating whether or not to go in before you got a text from Spencer asking where you were. You sighed, praying to God this decision was the right one before getting out of your car.
You knocked on the front door with a shaky fist. You started to regret your decision, you thought about turning around and leaving, but the door was opened before you could act on it. An older woman stood in front of you, she looked to be in her 50s.
“Oh, you’re very pretty,” she said, making your cheeks turn red. “You’re here to see Warren, right?”
You had no idea who Warren was, but you nodded. The lady's smile grew, and she opened the door for you and ushered you inside. She directed you to the basement entrance, asking you a million questions you had no answers to. After those few but excruciating painful minutes though, you walked down the basement stairs and finally caught sight of Spencer.
There were three other guys in the room and all of their eyes were on you. Two, along with Spencer, were sitting on a couch. One of them was skinny with glasses, the other muscular with no glasses. They didn’t grasp your attention though. The last guy who was standing did. He had long dark curly hair, and eyes to match. His eyes met yours before you watched them slowly move up and down your body. You didn’t know how to react.
“Guys, this is y/n,” Spencer said, breaking you out of your thoughts.
“Hello, I’m Eric,” the guy with glasses introduced himself.
“Chas,” the muscular guy spoke, not paying much attention to you. “Are you sure this was a good idea, Spence? How much do we really know about this chick? No offense.”
“Shut up, we agreed,” Spencer hissed. He waved you over and you complied, walking to the couch and sitting on the end beside him.
The standing guy took a step forward and held out his hand to you. You looked up at him before accepting his handshake. His hand was rough, you liked the feeling of it in yours. “I’m Warren and you are our cameraman or woman I guess.”
You laughed. “I guess.”
“How much has Spencer told you?” Warren asked after letting go of your hand and stepping back. It was then you noticed the maps on the wall with drawings all over them, the layout looked familiar.
“Just that I need to hack some cameras and that it’ll pay me a lot,” you answered. “I don’t even know what you guys are stealing.”
“Well y/n, I’m sure you’ve been to your own school's library right?”
You nodded.
“Have you ever taken a tour of the library’s rare book collection?”
You nodded again.
Warren smirked. “Then you know exactly what we’re stealing.”
Your face fell and you immediately looked at Spencer and the rest of the guys. “Are you serious? You guys want to steal historic books?”
“I told you this was a bad idea,” Chas mumbled from his chair.
“Shut up Chas,” Warren quickly snapped. He looked back at you, his dark eyes engulfing yours completely. “We’ve been planning this out for months, and you are the last piece to our puzzle y/n. Think about how much you’ll be earning.”
You didn’t say anything. Maybe it was a bad idea.
~~~
“Chas eventually stopped being cold to me, I actually think in the end he became my closest friend in the group,” you say, finishing your story.
The interviewer gives you a look. “Well, besides Warren right?”
“I don’t know what you mean,” you reply, a confused look on your face.
“I have to ask if the stories are true, you know about you and him. The other guys say something changed between the two of you after a party you all attended. I mean, didn’t the police even question if your involvement had a deeper meaning than simply the money?”
You shake your head, giving your best performance. “Me and Warren were only ever best friends, there was never a deeper meaning behind anything.”
~~~
Music was pumping through your body, from the tips of your toes to the top of your head you could feel it. It had been a few weeks since you met the guys, and they all wanted to do something fun before the heist. So, a frat party was naturally the easiest option. That’s where you were now, already two shots and half a joint in. You didn’t know where Spencer, Nick, and Warren were, but Chas was dancing with you.
Though the two of you got off on the wrong foot, you and Chas quickly learned how well you get along. He was a good friend, all of the guys were. You liked how easily they could make you laugh and brighten your mood. They were all good people who you enjoyed being around.
Warren was the only one that you felt different for. You didn’t know why, but from the first day you met you knew your feelings for him would be different than the other three. The way he looked at you alone was completely different than the others. There was always something darker in his eyes, something you knew wasn’t supposed to be there for simply a friend. Every time the two of you looked at each other, your stomach filled with butterflies. You wanted it too. But in those first few weeks, nothing had happened. No matter how much either of you wanted it.
After some minutes of you and Chas dancing, Warren and Spencer appeared. They asked if the two of you wanted to go out and smoke, you both agreed and followed them outside the back. Not too many people were in the backyard, but there were enough for there to be a bonfire going. The four of you found an empty spot near the fire and sat down. Warren took out a joint and lit it before passing it around.
“Where’s Nick?” You asked after taking a hit.
Spencer shrugged. “Probably with the weird kids doing weird stuff.”
“He’s not that weird,” Chas replied. “He’s just awkward.”
You watched as Warren took another long hit of the joint. Because of the weed and alcohol, you found yourself even more attracted to him than when you were sober. You wanted so desperately to run your fingers through his hair, you wanted to hear his voice as you touched him. He suddenly met your gaze, his lips curled up into a mesmerizing smile. You wanted to kiss him. It was too much for you to handle.
You swallowed and stood up, brushing the dirt off your shorts. “I need to um use the bathroom.”
You didn’t wait for any of their replies. Instead, you rushed back into the house straight to the kitchen. You poured yourself a shot, downing it before giving it a second thought. You needed these feelings to go away. How were you supposed to work with Warren if you couldn’t even look at him without thinking about having sex with him? It made you feel awful. A hookup couldn’t be the reason the robbery went bad, you refused to let that happen.
After another shot, you started to forget about your feelings. In fact, you started to forget about Warren completely. All you felt was the burning sensation of the alcohol in your stomach and chest, it felt good. You stumbled out of the kitchen and into the hallway, grabbing the railings of the staircase for support. Suddenly, you felt a presence next to you, their hand on your back.
“Y/N, are you good?” It was Warren.
You turned your head and looked at him, God how could he look even better? “No- I’m not okay.”
“You’re wasted, you need some water,” he said. He moved his hand around your waist and pulled you up straight. You felt like you were on fire. “Come on, back to the kitchen.”
“Why are you here? I just- I just wanna forget about you,” you mumbled.
He started helping you walk back to the kitchen. “What? Why would you want to forget about me?”
“Because... I want you but I can’t have you. I thought you- felt the same that’s why it’s been so hard to resist,” you spoke, stumbling over your words. “I can’t look at you without thinking about you fucking me.”
Even in your drunken state, you could still see the cockiness on Warren’s face. He lifted you up onto the kitchen counter effortlessly before turning and getting you a cup of water. You leaned your head back against one of the cabinets, your head was spinning. You couldn’t think straight.
“Drink,” Warren’s voice filled your ears.
You lifted your head and grabbed the solo cup from his hand, downing the water faster than ever. When you finished, you threw the cup to the floor, your eyes meeting Warren’s once again. He was standing close enough that if you reached, you could touch him.
Perhaps it was because of the alcohol, or perhaps it was because of how long you’d felt the tension between you two, that gave you the courage to gently place your hand on the top of his head. His hair was soft, just like you’d expected it to be. You smiled and played with his curls. He didn’t object, you were glad. You needed this.
“Do you want me?” You asked, your voice barely audible against the loud music.
“What do you think?”
You shrugged. “I thought so, but I could always be wrong.”
“Maybe I should make it clearer,” he said. He grabbed your wrist and pulled your hand off his head before stepping closer to you. “If this house wasn’t crowded, I’d fuck you right here, right now.”
Your heart was racing, your cheeks bright red. You couldn’t believe this was happening. Warren was still holding your wrist, it sent electric shocks throughout your body. His eyes began to shift from your eyes to your lips and so on. You swallowed; a lump had formed in your throat.
“There’s probably an empty room somewhere,” you mentioned. “You could take me to one of them and show me you mean what you say.”
Warren raised an eyebrow. “I don’t know, you’re pretty drunk.”
“I’m not- I swear. I consent, I’ll remember all of this in the morning,” you replied quickly.
“All right.”
Before you could say anything else, Warren scooped you into his arms and began to carry you through the house. You didn’t know whether to pretend you were drunk so it wouldn’t look suspicious or stay awake to also not make it look suspicious. You chose to stay awake and within minutes you and Warren were alone in a bedroom, your lips connected.
The kiss was fast and rough, everything you expected from him. His arms were wrapped around your waist, he towered over you. You wasted no time, immediately kicking off your shoes and pushing Warren back until he fell onto the bed. He pulled you on top of him, guiding your hips in slow motions over his clothed erection. You felt like you were on fire, you needed more.
You broke this kiss and leaned back so you were straddling him. You pulled off your shirt and bra, Warren followed your actions. Once your eyes fell upon his toned abdomen, you audibly moaned. You quickly leaned down again and kissed his chest, beginning a trail down his body. Each breath that left his mouth made your pussy drip even more. And when you reached his navel, his breaths turned into soft whispers.
“Keep going.”
“Please.”
“I’ll do anything.”
When you no longer had any skin left to kiss you looked back up at him, his eyes were already on you. He got your signal and instantly pulled his shorts and boxers off, leaving him completely naked. You weren’t surprised at his size; you had a feeling he’d be big. You started off by slowly stroking him with your hand, the expressions on his face already enough to make you cum.
After a minute or so of that, you bent down and pressed a small kiss to his tip. You loved the way his leg twitched. It made you proud. So, you took him into your mouth. He gasped, one of his hands finding its way to the back of your head. He didn’t push you; he only twirled your hair back into a ponytail-like style and gripped it tight. You moved your head up and down, taking as much of him in your mouth as you could. You were never a fan of giving head to guys, but with Warren, it was a different story.
Not much time passed before Warren pushed you gently, telling you he wasn’t going to last much longer. You didn’t care, you wanted him to finish in your mouth. But he told you he wanted to have sex, so you stopped. You peeled off your shorts and underwear before you climbed back onto him. His naked body against yours felt unreal, you were almost convinced this was all part of your drunken imagination.
However, when Warren pulled your head down and began to kiss your lips again, you knew it had to be real. His hands gripped your ass, kneading and playing with your skin. You positioned his tip at your entrance, you were so wet you didn’t need any lube. You broke the kiss and looked into his eyes, you wanted to know it was okay. He gave you a nod and so you began to push yourself down on him.
He filled you well, just the perfect amount. You had thrown your head back, a moan escaping your lips. You hadn’t had sex in months, and this was the perfect way to break that streak. You started to move your body forward and backward while simultaneously going up and down. Warren’s grip on your ass tightened with each movement you made.
“Fuck baby,” he moaned. “You do it so well.”
Your confidence was boosted; you began to move faster. This only lasted a few minutes though, much to your dismay. You weren’t too athletic; you didn’t have good stamina. Warren noticed this, and without saying anything he flipped your bodies. Once on top of you, he began violent thrusts. You almost screamed from the pleasure; you’d never felt anything remotely close to it in your life. He hit your cervix each time, it made your back arch off the mattress and your nails dig into his back.
“Warren,” you whimpered. “Oh, fuck Warren.”
One of his hands wrapped around your neck. He didn’t squeeze, he just rested it there. You felt the knot in your stomach form at this. It felt so good to be dominated by him. It had been your dream for weeks, and it had finally come true. You closed your eyes and let the feeling of Warren fucking you fill your senses.
When you came, you practically screamed his name. You swore you could see stars. You’d never experienced an orgasm so hard in your life. Warren came a few seconds after you, you felt his dick pulsing inside you. He collapsed on you. You didn’t care about how his weight crushed you, you still held him as the two of you began to come down from your highs.
~~~
As the crew packs up, you remain in your chair, staring blankly out one of your windows. The interviewer is still across from you, but you don’t notice until he speaks.
“Just tell me one thing, off the record,” he says, grabbing your attention. “Did you love him?”
A small smile grows on your lips. “With all my heart.”
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aroaceleovaldez · 3 months
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random question but i came across a post of yours where you talked about how mark oshiro sort of erased an aspect of nico's ADHD by making a joke about how he only liked mythomagic cards because he's gay and there are hot guys on the cards, and then TSATS also seemed to really downplay the themes of neurodivergence in the series. and it made me wonder if you have any thoughts on how the show has portrayed the demigods' ADHD and dyslexia so far? i've seen some people say that the show also downplayed it a lot, and i'm inclined to agree... which feels really weird considering that rick's own son's neurodivergence was specifically a major inspiration for him writing the series. but if i recall correctly a lot of scenes showcasing that in the first book were taken out of the show.
Oh absolutely, a lot of scenes and general discussion about adhd/dyslexia were removed in the show (and some of the disability-coding in general - i appreciate the change they made with making Chiron disabled based on his mythos rather than just using a wheelchair as a disguise, but i wish they had kept Grover's crutches in a similar manner honestly) - I've made a couple of posts discussing it: here, here, and this reblog is relevant to my opinions about the matter. There's probably some other stuff in my pjo tv crit tag.
I think the main sentiment i have regarding it - which i've seen a couple of other people mention as well - is how much the show ignores or outright removes and downplays Percy's personal struggles with his disabilities to instead emphasize Sally's experiences instead, particularly in manners of her taking out her stress on Percy - which alongside being completely antithetical to Sally's role in the books, is pretty ableist and why I continually compare show!Sally to Autism Speaks Parents. Autism Speaks tends to make an emphasis on the struggles of the parents of autistic children rather than treating autistic individuals like a person experiencing their own struggles. One of the major points of Sally's character (and later Paul) in the books is that she's an incredibly accommodating parent and works hard to make sure Percy is supported when he's struggling with his disabilities, because he's not been able to find that accommodation elsewhere. That's part of why Sally is such a great mom in particular, and is intentionally supposed to directly contrast Annabeth's home life struggles with her parents having difficulty navigating how to provide that same level of accommodation to help support her (and how Annabeth finds that accommodation at CHB instead, because that's the metaphor that CHB is supposed to represent - an appropriately accommodating system they can rely on, and then exploring how that's still a flawed system and looking at how disabled kids/demigods fall through the cracks and how to change the system to better support them).
The show also almost completely ignores Percy's ADHD/dyslexia experiences in general after the first episode. I was honestly really happy with, in the first episode, how clearly Percy's poor experiences in the American education system, particularly relating to his neurodivergence, have informed his reaction to situations such as people trying to tell him he's a demigod in coded language. It was essentially the perfect update to something i've discussed in the past here, about how the original "all demigods have adhd/dyslexia because it's secretly SUPERPOWERS" thing was presented as the basis for the series and why that teaching/parenting style fell out of favor. We see Percy in e1 acknowledge how dismissive of his struggles it is to constantly just be told he's "special" - and we even get explicit acknowledgement of how that description is used aggressively and for ostracization (from Nancy), which is extremely true to the experiences of kids who grew up with that teaching/parenting structure. But then we get to episode 2 and... all the acknowledgement of ADHD/dyslexia/etc is gone. We get at most a one-off acknowledgement from Luke that demigods are all neurodivergent and that's it. Pretty much nothing else for the entire rest of the season, save for flashback scenes that only emphasize Sally's experiences, not acknowledge Percy's. No further acknowledgement of Percy's dyslexia, or Annabeth's, or anything about their ADHD, or even Percy's completely removed PTSD (which we know for sure because of both writer commentary [see: that second post i linked about the LA Times article] and Percy's total lack of reaction to Mr. D). Nothing.
It was extremely disheartening to say the least, having such a strong start and it evaporating completely, and I fully agree with you.
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keepthisholykiss · 1 year
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The results from my Dracula Daily survey are in! Just like with my Hamlet survey in the past, these are the highlights of data that I found from the survey. Folks shared valuable insights that are soon to be shared with the purpose of advocating for further free education resources like these. The data in these graphics is not all the data received but that is because I never share 100% of results, only the interesting parts. This is also probably my final survey I will do like this unless there is desire for me to do more research, if you have a topic you’d like me to cover send me an ask! Otherwise I will be working on my child, my magnum opus, my future PhD dissertation.
Onto the post mortem thoughts and alt text which are both under the fold!
This survey was originally done with the purpose of a specific conference I was to attend and share my thoughts on accessible education with. However that conference was, ironically, incredibly inaccessible. I am a queer disabled scholar and I face a lot of challenges in academia so making my case for why educational resources like Dracula Daily should be promoted within academia is very important to me. Unfortunately my original plans for this research could not happen due to my having to pull out of the conference. Now this data is being shared with a new and much more accessible conference, so at least I can still have use it for its original purpose!
Also of note is that this survey, unlike work I have done in the past, received some really nasty responses. Specifically terfs (idk why they wrote gross stuff in my survey answers though) and people who wanted to belittle the way or the content of what I was researching. This is not okay. I want to reiterate that I am a queer, disabled scholar who has zero tolerance for some of the responses I received. Studying fandom is never fully free of this but I want to hold people accountable always for the way people are treated within a community. My studies of online community are basically done (because I am moving onto my PhD work which does not involve the same research) but if I come back to doing it I will be implementing other methods to avoid the way I was treated. Regardless of the bad eggs and struggles I have with most all of academia this was fun. I appreciate everyone who participated and thank you for the feedback. Please enjoy these results!
ALT TEXT:
Slide one: Dracula Daily survey results Slide two: About the survey -  A survey was conducted to gather data from fans of Dracula Daily to gain insight on accessible education and fandom. The survey received 863 responses these are the data highlights. Slide three: Disclaimer - The data presented here is a summary of information and highlighted portions of responses. This is not all of the data and the entirety will never be released. Also some responses were omitted from final numbers due to abusive language entered into the survey toward the researcher. Slide four: Before Dracula Daily - 62%  of respondents had not read Dracula before Dracula Daily.  More than 50% of respondents answered that they had been avid readers at some point in their lives. Slide five: 85%  of respondents noted that they had consumed other gothic or vampire media prior to Dracula Daily. Slide six: Finishing the story - 66%  of respondents finished Dracula Daily. 15.7% plan to finish. Slide seven:  92% of respondents said Dracula Daily improved their understanding of Dracula and/or classic literature Slide eight: Stopping short -  The majority of those who responded that they did not finish stopped reading sometime in October.  The top reason for not finishing was: lack of motivation. Slide nine: Let’s Talk About It - 82%  of respondents talked about Dracula Daily online, in person, or both. Over 50%  cited memes as their favorite part of participating. Slide ten: One More Chapter -  Many respondents indicated their desire to read more books in this format, the titles with the most interest were: Sherlock Holmes, Jane Austen, Phantom of the Opera, and Les Miserables
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