The bros' reaction when the mc gets hit on in the streets!!! It would be a very funny scene!!

I can't imagine that'd go well at all.

I think it also depends on which streets they are and what exactly happens.

I mean, if it's something happening in the human world, I can kinda see the demons just frowning about it or maybe telling the person off. But not too much more 'cause they don't want to damage relations between the worlds by killing some random humans, you know?

But if it's in the Devildom? All demons forfeit their lives and/or well being the minute they do something like hit on MC in the streets.

Though I'm thinking of it more in a catcall/unwanted kind of way.

Everybody's reaction is going to increase a lot of MC is dating them.

Just imagine wolf whistling at Lucifer's significant other other in the street when he's right next to them. Like that is such a dumb thing to do, I kinda feel like they deserve whatever comes to them at that point lol. He'd be cool and collected about it, but he'd eviscerate them.

Mammon would instantly start a fight. Just immediately throws a punch at whoever even dared to look at you.

Levi might be nervous at first, but I think if you were really upset he'd flip a switch and summon Lotan.

Satan would also instantly start a fight. Demon form in two seconds flat. Might start with fists, but you know this guy has all the spells and hexes. Probably beats them up and then curses the hell out of them.

Asmo would deliver a scathing insult and if they still don't leave you alone, then he'd be in demon form and ready to throw down.

Beel would be upset, but I don't think he'd immediately try to fight them. Might just look at them with a serious frown and like... that might be enough, you know?

Belphie would tell you to ignore them and escort you away. And then forever after that demon suffers from terrible nightmares. OR he might come back and find them so he can take care of them when you're not around.

Hmm I feel like this ended up more violent than funny lol.

YOU 🤝 ME

SCREENWRITING

Could you possibly elaborate more on your EQ movies?? I'm really interested in this Cove Sunset... 👀

oh yeah actually i would love to talk more about that! so basically i wrote two movies intended to be the penultimate and the final installment in the Equestria Girls series since that’s definitely never going to get an official ending. i wanted to tie up loose ends…

i made a poster for the second one of the two that i made a few years back right here. but anyway…

the first of the two is called “Royal Nightmare.” the premise is as follows: it’s now spring of the girls’ senior year, and rarity has made the decision to run for queen of the spring fling after being robbed by sunset she tried to run for princess years ago. but when rarity gets possessed by dark magic, sunset has to confront her repressed baggage from the past if she wants to save her friend before it’s too late.

basically, this one deals a lot with sunset’s past with rarity. the film has a mix of the events taking place in the present day as well as flashbacks to the past, being the girls’ freshman year. it covers stuff like sunset arriving for the first time, her meeting flash, how she rose to power, and what she did to rarity (i changed it up just a tad because the junior novelization is a Weird book). it also has a lot of focus on rarijack as well.

the other one, intended as a finale movie, is titled “Forever Friendship.” after finally graduating from canterlot high, the girls are about to move onto the next stages in each of their lives. however, sunset still has unfinished business in regards to herself. together, the girls set out on one last adventure to uncover the truth behind sunset’s family and the sunset from their world. but could this be end?

this one is basically, like, giving sunset closure. in it i explore sunset’s origin and the truth about the Other sunset shimmer. it has an entire conflict that revolves around a discussion of the moral dilemma that comes with having magic in the human world. at heart it’s about sunset finding her purpose once and for all. i can’t say much else without spoiling it.

royal nightmare is complete in THEORY but needs a lot of, like, extra fleshing out and possibly the addition of a few more scenes. also, forever friendship is now missing a song or two because i removed one scene entirely and instead repurposed the song for royal nightmare. also ALSO, they’re a bit old now and i approached them differently than i did when writing for ever after high. i wasn’t totally thinking about completely matching the tone and more about cinematics. it’s not that i bumped the ratings up, but i let dialogue be lengthy and… idk, nuanced? i guess? more so in forever friendship than royal nightmare, at least. and there’s probably an occasional typo in them both.

i would share them, but the thing that makes me hesitant is the fact that for the songs, i made an unlisted youtube playlist of myself singing them each just for people who read them to have reference when the scenes pop up. it wasn’t so embarrassing when it was just being shared between myself and my friends, but the audio is kinda bad and there’s no music it’s just me singing. i didn’t even have the same range as i wanted for some of the songs or the characters so i sound wonky in it. and i can’t redo it now because i’m older and my voice has dropped so that’s a no-go.

idk, maybe i could give in with enough convincing.

for the character ask, daisy johnson!

Thank you so much for the ask! 💜 I love any excuse to talk about Daisy Johnson.

First impression: I'm trying to squeeze my brain here, but all I remember was trying not to like her at first because I knew se was a double agent for the Rising Tide. It goes without saying I failed miserably about three episodes in.

Impression now: She is my favourite character of all time.

Favorite moment: I really can't choose, but one that comes to mind was the final fight of season 5. I think it's a very underrated fight scene, because it's the end of the world, her dad is dying, she has been recently betrayed and tortured by her friend, and she still goes into battle BY HERSELF against Talbot, and if that wasn't bad enough, when she's about to die a horrible death she realises that the only way she can save the world is if she takes the serum and basically condemns the person she loves most to his death. It's so heartbreaking and poetic, but very cool to watch, and I just love so much it, idk.

Idea for a story: This is angsty but I would love to read something where the events of 5.14 are properly dealt with. May watches the security cameras and goes ballistic on Fitz, and Daisy gets time to grieve and heal. They get Coulson back and he's horrified, and Jemma is so conflicted but she's there for her best friend.

Unpopular opinion: Since apparently I can't stop thinking about season 5, here's some more. I think she actually did a good job of leading the team in season 5b. Especially if you consider that she's been recently tortured, her family doesn't seem to care, she has no experience, and hasn't gotten a good nights sleep in about 5 years. She might be tough, but hello? IT'S THE END OF THE WORLD?? You have to be at least a little bossy if you wanna make it through that. Also if you're gonna be a baby and call her a hard ass maybe you should have thought twice before joining SHIELD.

Favorite relationship: If it's romantic, then Sousa. I love them so so much, they're literally perfect and despite my obvious outrage at season 5, I will forever love the AoS writers for somehow pulling that off. As for platonic relationships, I'd say May. She's the perfect mother figure for her, and I love the parallels between them. I think Daisy has the best relationships in general, but this one is my favourite. Honourable mentions go to Coulson for being the most unhinged dad ever, and to Jemma for being the sweetest friend in the earlier seasons.

Favorite headcanon: before she goes off to space at the end of season 7, she rebuilds Afterlife with the help of Sousa and Kora. I've said this before, but I think they are actually the perfect team to do this. Kora has lived in Afterlife her whole life, she's seen Jiaying help people go through Terrigenesis, and she's been though it herself in a much healthier and safer environment than Daisy. Sousa is reasonable and calm, which are good qualities to have when you're helping someone who's terrified and potentially dangerous. He has experience leading people, which I think would make him a good mentor for the Inhumans. So Kora has the experience, Sousa has the qualities, and in my opinion, Daisy has a nice combination of the two. She has a different and much more horrifying experience of Terrigenesis that people who accidentally go though it can relate to, and she has spent years exploring and controlling her powers, so she knows what the deal is. And she's also a good leader, so where Sousa can help the Inhumans pre-Terrigenesis, she can train them after if that's what they want. Because that's another thing, SHIELD may be funding Afterlife, but they've learnt their lesson and they're not sticking their noses where they shouldn't. They accept new recruits and help train them, but if that's not what the Inhumans want, then SHIELD helps them get settled back into their normal lives. Anyways this got long but it's one of my favourite headcanons, so there you go.

Thank you so much for the ask! Sorry for rambling, but I have a lot to say about Daisy. 🌼💛

Character Asks.

First off; I LOVE 666!!! 'Multi-series hard kink/edge play pwps (though I'm with you on the 'without plot' being a total misnomer) that are actually in depth psychoanalysis of characters and complicated relationships' is one of my favorite parts of any fandom ( I'm being specific with that because no really for years in a lot of fandoms there's been that one ((or 2)) series that like. Will stick with me forever and make me think about sex/intimacy/myself differently. And your fic is 100% that for HH). I have a lot of squeeing about a lot of it that I hope to be able to coherently comment about at some point but for now!!!!

I was wondering if there was specific purpose behind where certain scenes take place? Like if they're at 'Vox's place' or 'Alastor's place'? because I thought there was a pattern of when Vox is (or ends up) subbing it's at his place (where he would feel safer and therefore more comfortable being vulnerable maybe) and vice versa with when they're at the hotel. But looking back at it to write this maybe I'm making that up? Because they just mostly do take place at somewhere of Vox's? Because I guess Alastor did end up 'going home' at the end a lot. In which case is there specific reasoning behind them not being at Alastor's place as often? (Does he just have less privacy at the hotel lol?) Idk I thought I was getting something, especially with that 'we're at the heart of your territory' line in part 8??? The more I type into this rambly chatty ask the more I think I was just overthinking. But it stood out to me anyway. ANYWAYS. *Finally pauses to breathe*

I really appreciate your series and I love your interpretation of these two weirdos relationship!!! Every snippet and every update I see drives me crazy!!! Thank you so so much for all your work!

Ahaha, I'm so glad to have written that fic for you in this fandom! Someone left a tag on one of the art posts for 666 recently that said "can't wait to see what emotional revelation unsafe kink will lead to this time" and it's. Pretty on point for the series, ehehe. With the likes of Alastor and Vox, it's really hard to dive into any form of intimacy without, like, emotional repurcussions, and that's my favorite thing to write! Thank you so much!

As for your question: To be perfectly honest, there's no specific pattern behind which location I choose for a fic as far as their roles are concerned! They mostly take place preferentially at Vee Tower because Alastor doesn't want to invite all the fuss and bother of Vox's...everything...to the hotel until much later in their reacquaintence. It's much easier to decide that he's done with whatever's going on and to dip out of Vee Tower than it is to have to remove Vox from the hotel (or, well, at least in theory: he portals Vox back into his own bed pretty easily after their night of drinking, haha).

Alastor inviting Vox over for drinks is a sign that he's actually, like, opening up a bit in certain ways by actually inviting him into his living space. Previously they'd mostly only been at the hotel transitionally, and during the second time they slept together, which is also the first time Alastor actually slept with Vox for reasons other than "for the meme", and was looking for a more comfortable, controlled environment to try this new thing in. (And also gave fewer shits about kicking Vox the fuck out without a second thought.)

In a way, the locations follow the general pattern of Alastor's emotional evolution throughtout the series: he's fine with it being at his place at first because he feels more secure and doesn't give a shit about Vox; then he transitions to being more careful and shutting Vox out of his personal space; and now he's slowly gotten to the point where he's comfortable inviting Vox in on occasion.

Alastor's opinion tends to matter more between the two of them as far as location is concerned, so it's mostly down to that, plus occasionally me thinking, "Hm, this episode would be cool to do in blue shark tank mood lighting," hahaha.

Wyll taking Halsin to the Wilden Oak after observing how much he was struggling to adapt to the City, thinking it would cheer him up *and* be special enough that maybe he can work up the nerve to ask him something important. Telling him about how he used to daydream about the stories it could tell him, and how it brought him comfort - how it may bring him comfort as well. And maybe he thinks he's talking too much, too fast, but it all pours out of him with heart-aching sincerity.

Halsin listening thoughtfully to Wyll's fanciful dreams of dragons and the Weave, and chuckling fondly at how eager he is; how whimsical he makes everything sound. Bubbling over with how happy it makes him to hear Wyll so beautifully matching the splendor of this tree with such fanciful tales, admiring it for what it is.

Wyll's face heating up, thinking he must be laughing at his stories, and ah, hells, he's gone and fumbled this, of course an Archdruid would think fairytales of trees to be foolish and childish. Mumbling it must sound silly to him.

Halsin frowning then, brought out of his affectionate thoughts. "Oh, no, not at all. I think it's wonderful. Here, let me show you something."

Halsin bringing Wyll's hand up to the bark of the tree and pressing it beneath his own to the ridges and grooves, encouraging him to listen closely again as he had as a boy. Telling him that trees speak to those who care to hear them, even if they cannot understand them. Wyll closing his eyes, flustered at how close they are, but - after a moment of quiet - hearing the barest tendrils of something touching the edges of his mind. Nothing he is able to understand, but he swears he feels it; more than he ever has before.

Halsin himself listening and catching the discernable memories the oak is able to give him amidst the transfer - the tiniest glimpses of generations and magic long past. Perhaps even a dragon cutting its lightning path through the sky, eons ago. He passes anything translatable gently off to Wyll, who listens, enraptured.

The Wilden reveals other things - other terrible things. Other sad things and tragic things, no where near the fairytales that Wyll spins. Halsin does not pass these memories on, but judging by the frown on Wyll's face, he senses it.

But there is something else - something closer to the heart - it calls Wyll "tree friend" - flashes of Wyll as a young boy, collecting its leaves from the ground. Of an older Wyll curled in on himself in the tangle of its roots, heartbroken; an even older Wyll turning his face to the dappled sun and smiling, little golden bands sparkling in his hair.

Halsin taking Wyll by the hand and bringing him deeper into the forest, scouting a good spot to plant the tiny wishing acorn Wyll had pressed bashfully into his palm with stories of his mother. Burying the seed deep into the ground so its roots may grow anew, just as glorious as its parent - waiting to bring joy to another a century down the line. Just as their lives have taken root within one another, tangled and new, but full of life.

i have too many thoughts on the deleted jackienat scene for a girl who's supposed to be enjoying her birthday lol. i think at the root of it all, it's highly likely that when the actresses breathed life into the characters, and scenes got improvised, some things just stopped making sense for characters to do. including good things, like with jackie's 'i love you' to shauna! and i think this is the case for natalie looking at jackie with hatred before leaving her out in the cold. maybe at one point in her early stages of characterization it made sense, but clearly the people on the show didn't think that way anymore at some point, hence the cut. also ngl people taking this deleted scene, which for all we know didn't even make it into the final script, as some sort of 'gotchu' for jackienat enjoyers ( romantic or otherwise ) is weird as hell to me. like, it was removed for a reason.

Thinking about how Pony almost died at 14 (fourteen). Google says Bob and Randy were 18 (eighteen) and I’m guessing they probably hung around with people their age. These 18 (eighteen) year olds almost drowned someone who hadn’t even been 14 (fourteen) for, what, 2 (two) months? He was literally a child, I can’t do this

it's always funny to me when people misunderstand akechi's main/only motivation/plan to be like. just killing his father because dude if that Was his plan everyone would be in a much better position. like everyone would be way better off. Instead,

Jack: Every night when I was a kid, my dad would come home at 5:15 exactly. And my brother and me… we'd be playing, uh, blocks, baseball… whatever, just happy as clams, and… about 5:00, my heart would just start pounding.

Rebecca: Mm.

Jack: And then I'd hear my dad slam his car door, and all the air would get sucked out of the room. He was so unhappy just to be around us. He-He'd have a Scotch in his hand before he'd even say hello. He needed it just to be in the same house with us. Hmm.

Rebecca: You are not gonna be that kind of dad.

Jack: I don't know. I worry.

Rebecca: You don't suck the air out of the room. You are the air.

— 5x09, This Is Us

two very different kinds of siblings

i think that if i had a tv show and loads of really annoying people started liking a character and getting weird about it in the not fun way i would literally kill that character off zero hesitation

similarly, if loads of annoying people hated a character, well .. more screen time for them, baby !

When your maladaptive daydreaming has been so intense again for a while, that your brain tricks you into missing things that literally never happened in the first place 🗿👍

Just had that and was like "🥺🥺😪😔...🤨🤔😀❓❓"

sorry for being that guy but absolving a character of any and all flaws or accountability and ignoring the parts of canon that are proof that this character is (thankfully) complex and human aka capable of making mistakes and doing good and being smart in some ways and dumb in others and so on and so forth is just like. sorry but i always imagined that to be the most boring way to enjoy a character and yet.........................

Did you mean your right as my lover?

If that's what you meant, you have that since a long time ago.

hm. i think i will ignore the last 8 episodes of arc v