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ceilidho · 2 days

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take me home, country road

[ao3]

You have nothing on your person apart from a hastily packed suitcase and the dress you came into town wearing, on the run from trouble back home. Too bad John's missing a bride that matches your description. Or: the 1800s (mistaken) mail order bride au (chapter 12) [note: trigger warning for a pretty rough spanking scene with a belt and minimal aftercare. if you need to, you can skip to the midway point (there's a line between the first half and second).]

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He keeps your hands tied behind your back on the ride home.

All that does is confirm the fact that he must know. Graves must have tracked him down or perhaps he was approached by someone who did consider your sudden arrival in town suspicious. Why else would the sheriff chase you all the way into the mountains on horseback and then take you back with him? He would’ve within his rights to leave your thieving self to wander alone in the woods and succumb to the elements.

John doesn’t say a word the first hour of the ride back. You can feel the anger emanating from him though. He almost shakes with it. His anger somehow upsets you more than whatever is left to come.

“Anytime you wanna start talkin’, I’m all ears,” John finally says, breaking the silence.

You keep your lips pressed together, stubbornly silent. There’s no use giving yourself away before you’ve learned how much he knows. You haven’t built this life of yours with loose lips.

“I don’t know what in the Sam Hill has gotten into you,” he continues, and his voice is cobblestone tread rough in the night. “Running off all by yourself. There ain’t nothing out in these parts except outlaws and highwaymen. There are men out here that’d love to get their hands on a woman like you—not even a knife to defend yourself with. You haven’t even got a scrap of food on you, never mind water. You’d’ve been dead in a week if the men out here hadn’t picked you off themselves.”

His words make your stomach ache. You know that there are worse things out there. A thousand gruesome ways to die. You’re less of a lady than John might think—you’ve heard stories. You’ve brushed close to that reality yourself. You wonder how he’d take it if you were to tell him about what had happened back east.

Maybe running away this time hadn’t been your smartest idea, but it had been your only. You can’t fault yourself for the instinct to survive.

“I know,” you mumble, dropping your chin to your chest.

“You gonna explain to me why you stole my horse and ran off in the first place?” he asks.

It’s the strangest interrogation you’ve ever heard of—sitting on the same horse with your back to the man questioning you and your hands tied together at the wrists. You wonder if you leaned back whether you’d feel his heart beating furiously in his chest.

You remain mulishly silent though, reticent to answer the question.

“Maybe I’ve been spoiling you,” he continues, trying to rationalize it to himself. “After the fuss you put up those first few days, I thought a bit of structure and discipline would do you well, and it did. Giving you a bit of slack was my mistake.”

You frown at that. Those don’t sound like the words of a man with any knowledge of the circumstances leading to you running off. He might not even have come across Graves at all in the hours since the man made his appearance in the general store. Otherwise, you can’t imagine how he wouldn’t make the connection.

Still, you can’t make yourself come right out and say it, even though every iota of your being aches to let the truth out. Call it nerves overpowering the need to be truthful and good. You vacillate between honesty and self-preservation, but each avenue feels like being dropped into a nest of vipers.

But he doesn’t know. He doesn’t know. If he knew, he wouldn’t question you like this. It’s a boon you can’t give up, not yet. Not when the thought of his inevitable righteous fury fills you with dread and self-loathing.

“I don’t have to explain myself,” you spit out suddenly, and it’s not you saying those words but something ugly and sad in you. “You’re not my owner.”

“I damn sure am your husband though,” John growls, winding his free hand around your hair to tug you back into his chest. “And I know these parts far better than you, little miss. Beyond running off on me for no good reason when I thought we put your reticence behind us, you went and put yourself in danger the likes of which you couldn’t even fathom.”

“I’m not an idiot,” you snap. “I know what men are like.”

“You’re telling me you pulled that stunt knowing what kinda danger is out there in the woods?”

“I wasn’t thinking!”

“I know you weren’t,” John grunts. “That’s the issue.”

The rest of the ride home is uncomfortably quiet. John keeps one hand clamped on your waist while the other holds the reins of both horses, the two walking alongside each other back down the trail towards the house. The ride home is a lot longer than the ride out into the woods since John refuses to let either of them go faster than a slow trot while your hands are tied behind your back.

He snorts in derision at your suggestion to undo your binds. “That eager for your punishment?”

That gets you to zip your lips.

When you get drowsy, John tips your head back and makes you sip from his waterskin. His hand fits carefully around your throat to hold your head in place, his fingers curling around to just graze the nape of your neck. Your throat pulses under his palm when you swallow. It’s far too intimate for how restless you feel, damn near shaking out of your skin, but it briefly shushes the voice in your head until he pulls his hand away.

A shadow under the doorway of the house startles you at first before it takes a step into the faint light of the setting sun and you recognize the bristly blond of Simon’s shorn head and the red bandana shrouding the bottom half of his face. The tension ebbs back into you when you realize with creeping humiliation that the black horse you rode home on must belong to him.

He watches the two of you approach with predictable disinterest, his eyes betraying nothing. The shame is excruciating.

John brings the horse to a halt some feet from Simon, not bothering to greet him. You wonder if it’s the anger choking him or if this is just routine, men trading favors in silence lest a word in gratitude break the spell. After dismounting himself, John helps you down, all but picking you up and lifting you off the horse.

Simon doesn’t say a word to either of you when he takes the reins from John’s hands, giving him only a curt nod and you a cursory glance before leading his horse away to mount. He doesn’t spare you a backwards glance before taking off back towards town. You watch him over your shoulder while John guides you up the porch steps and into the house, until the shape of him disappears into the horizon. Then the door shuts behind you.

Alone now, your attention turns back to John. He stares down at you consideringly, a hand planted on the door he just shut until he lets it fall to his side. You can see the gears turning in his mind, weighing something out.

It wouldn’t be right to call it anticipation; it’s not quite dread either.

“I don’t make idle threats, you know,” he says, apropos of nothing.

His words make you frown until you glance down to find him undoing his belt. Your blood turns to ice. He tugs the thick strap until it comes sliding out of each loop around his waist. The buckle rests heavy in his palm, thick fingers curling around it, and when he bends the belt in two, you already know that he intends to follow through with his threat from earlier, the one you said you’d gut him for.

“I’ll scream,” you warn, heart in your throat. It almost chokes you. “I mean it. I’ll scream like the devil.”

“Don’t go makin’ no empty threats now, darlin’,” he says in a low voice, almost taunting. You can hear the hard edge in his voice though. It’s not something he craves, but he’ll take it.

“You touch me with that thing and I’ll never forgive you.”

John’s eyes go hard. “I’ll just have to take that chance.”

And then he’s on you.

He hooks an arm around your waist when you try to rush past him back out the door and it forces the breath out of you.

You struggle as best you can with your hands tied behind your back, trying to wriggle out of his hold even as he heaves you up into his arms and climbs the staircase towards the bedroom. The steps creak under the added weight of you in his arms. The screams come tearing from your throat, ripping your vocal cords and nearly sending you into a coughing fit.

“Let—me—go—” you shriek, kicking out wildly, hoping to catch something that’ll make him lose his balance.

“All that squirmin’ ain’t making me feel more merciful,” he growls.

John kicks the bedroom door open with his foot when he reaches the top of the staircase. The room looks ominous without the oil lamp lit, the shadows growing in the corners swallowing up the end table. The bed is just as you made it this morning, the sheets pressed tight and neat, and you only get a second to take that in before he marches towards the bed and throws you down onto it.

You hit the bed hard, bouncing slightly. He sits down heavily enough to jostle you and when you try to roll away on instinct, a hand catches you by the bicep and pulls you back. He hauls you across the bulk of his thighs this time, far different from your first meeting back in the sheriff’s office all those weeks ago. Your feet don’t even touch the floor this time around, dangling in the air and flailing for purchase.

“You brute—you bastard!” you screech.

“I’m not gonna be as charitable this time,” John says, yanking your dress up and your drawers down until your bare bottom is exposed. You gasp at the cold air, murmuring something like please, please, please under your breath. “Even if I knew why it was you decided to run off, that doesn’t excuse the fact that you did. You coulda been hurt or worse out there, darlin’, and I’d never have forgiven myself. I’m gonna make sure the lesson sinks in this time.”

He folds the leather belt to hold it in one hand, leaving the other to pin you down over his thighs, making sure you don’t wriggle out. The leather is cool at first when he drags it over your butt. It makes your breathing pick up. It’s so gentle that you can almost trick yourself into thinking that it’s all he intends to do.

The first lash comes so quick that you barely register it. The second knocks the wind out of you, and then the pain sets in.

It stings something fierce. Where his palm hurt that first time he bent you over his desk and spanked you, the belt burns. It goes deep and it lingers when he pulls the leather away from your stinging bottom.

“Hurts like the dickens, don’t it?” John asks, not bothering to wait for confirmation before bringing the belt down again. “You’re lucky it’s only ten this time.”

You howl into the bedsheets, eyes tearing up and spilling down your cheeks. When you try to cover your ass with your bound hands, John grabs them and pins them to the small of your back.

“What’ll you never do again?” he growls.

“I—I’ll—”

“Say it, darlin’: I’ll never run off on my own again.”

“I’ll—n-never gonna—oh, it hurts, John—please—”

At some point, you must say the words he’s looking for. You lose count of how many times his belt has struck across your ass. Like thunder coming after lightning, you feel it and then you hear it. The sharp snap comes as a second wave of agony in and of itself.

Your throat is stripped raw by the time it’s over. The aftermath finds you with a puddle of drool under your cheek, hair matted to your face. Sweat slicks the backs of your thighs and down your spine. Even the gentlest brush of John’s hand over your backside, the belt deposited off the side of the bed, makes you flinch, the skin there tender to the touch. You’ll surely feel it deep in your bones come sunrise.

Too exhausted for anger, all you can do is lie there. It sits heavy in your stomach though, a pit at the center of you. You want to say, who gave you the right? The answer burns a ring around your finger though. You want to say, you don’t understand, it had nothing to do with you. It has everything to do with him and you.

You can tell he wants to say something. It gets choked in his throat, but you can hear it in the way his breath draws in, like he’s trying to coax it from his chest but it simply won’t come out.

“Stay right there,” John rumbles instead, shifting you onto the bed to let you lie on your belly.

You moan in pain when he moves you, sniffling into your arms. The crook of your elbow is sticky with your tears and snot.

The bed dips under his weight when he comes back. You flinch violently when he draws the skirt of your dress up again and smooths his hand over the tender cheeks of your backside, spreading a cool salve over your skin. The first touch of his hand makes you hiss, tears beading in the corners of your eyes again, but then the cool sinks in, alleviating the ache.

He does that for another few minutes in silence. Gentle, tentative touches, only stopping when the salve has been spread evenly over your bottom. He’s quiet when he shifts you up the bed until your feet are no longer dangling off the end. You’re distantly aware of him taking off your shoes and tucking you into bed, but the events of the day have finally gotten the better of you. It would be easier to push a boulder up a hill than crack even one of your eyelids open.

Time passes slowly; sluggishly. Your thoughts can’t quite catch up with it, either too quick or too slow. You’re stuck in thoughts of the desert, caught in a sandstorm that manifests too suddenly for you to take cover. All you can do is close your eyes and wait it out.

Morning comes like a brutal summoning into the waking world.

It hurts, but you expected that. Before your eyes even open, you’re aware of a throbbing pain coming from your backside. You wince when you shift to your side, squeezing your eyes tight. You contemplate rolling over and taking your chances with John’s temper. The thought isn’t as appealing in the light of day though.

It takes some time to get out of bed and when you do, you have to step tentatively from floorboard to floorboard, the ache making it decidedly uncomfortable. You can’t imagine what sitting down will be like. Riding a horse is just out of the question.

From the bedroom window, you see John standing in front of the house with Simon, back again not even twelve hours later. With the window closed, you can’t hear their conversation, nor can you read their lips. Their exchange doesn’t last long though. After another minute or so, and a nod goodbye, Simon walks back over to his horse standing nearby and lifts himself up and over onto the saddle, taking off towards town.

When John turns back towards the house, you see him glance up towards the bedroom window where you stand. The circles beneath his eyes are dark, pronounced. On another day, you might’ve ducked out of sight or jumped away from the window, but now you hold his gaze.

He breaks your stare first this time, heading back inside. It’s less satisfying than you thought it’d be.

You spend the day resting in bed and avoiding John for the most part. He spends the majority of the day out of the house. You hear him downstairs in the kitchen around midday, fixing himself up something to eat, and you listen attentively to the scrape of the chair across the floor and the pan on the stovetop. Like the day he brought you home, he brings you up a tray only to leave it at the door, rapping the door with his knuckles to let you know before heading back downstairs.

When he comes up for bed, you’re already lying down with your back to the door, the oil lamp left unlit. John doesn’t say anything to you as he changes into his nightwear. He smells fresh when he climbs into bed, like he bathed in the creek out in the woods. You breathe in deeply, trying to keep your breath quiet enough to not disturb the silence. The pillow under your head is saturated with his scent. You turn your nose into it when he lies down on his back instead of curling into you like he usually does.

Your chest aches at that simple denial. There’s a wall between the two of you and you know where it came from. Any trust that you’d built lies in ruins now.

Perhaps that’s not quite right though. It’s a romantic notion that you’ve been building something together all this time, but it doesn’t feel right now that you have the wherewithal to look back and reflect. All this time, whenever you’ve touched, you’ve held him steadfast and at an arm's length away, stopping two degrees short of intimacy.

Deliberately effusive; and worse, you’ve called it affection.

The tenderness in your heart is the worst of it. There’s a bruise there, and it’s been there awhile. It’s only grown with your recent troubles. You tell yourself every year that you’ll air it out come spring, but then the winter comes and it freezes over again.

The pillow under your chest grows damp with your tears.

Your dress the next morning is cornflower blue. The wheatfields are golden stalks swaying in the breeze. It’s a pleasanter day than how you feel.

The ride into town is as painful as you thought it might be. You wince with every stride, your bottom still tender as a rose. John’s arm tightens around your waist when you squirm, like you might slide off the saddle and try to flee again, and you bite your lip to hold back the urge to snap.

The little bit of independence you’d grown to enjoy is snatched away from you. You expected that as well, but that loss of privilege comes with a biting ache. You fight the urge to gnash your teeth and bark at him that you’re not a child when he grips you under the arm and leads you down the road. It wouldn’t do you any good.

When John leaves you off at the general store, you’re surprised to find Kate back, hale and hearty. She looks up when the chime over the door jingles and raises her eyebrows in greeting. The sound makes you flinch, memories coming back unbidden.

You look over your shoulder to say something to John before he leaves, but the door is already closing behind him by the time you turn around. Your lips are pursed on a word that dissolves in your mouth. It has a bitter aftertaste.

“Thought you wouldn’t be back for a few more days,” you say instead, turning back to Kate. There’s already a chair pulled up for you by the wall and you make yourself comfortable there, grimacing at first when your sore backside touches the wood before settling in.

She shrugs. “Plans changed. Gaz and I made it back late last night.”

You frown. “Gaz?”

“Kyle Garrick. Sorry—slip of the tongue. You’ve met him already. He used to go by Gaz way back when.”

“Way back when?”

“Not my story to tell. You should ask one of them, if you’re curious.”

You are, but not enough to ask. “Maybe.”

The two of you lapse into silence after that exchange. Before leaving the house, you remembered to bring with you some needles and wool to pass the time. They’re not as familiar in your hands as you’d like them to be, but you suppose, barring the possibility of Graves or another bounty hunter showing up in town to cart you off, you’ll have time to learn.

The thought leaves you anxious. It feels distinctly more possible now.

“You met Miles while I was away?” Kate asks, out of the blue.

Your head comes up at her question. “Miles?”

“He was minding the store for me while I was away. Said you came in the other day.”

You swallow reflexively. “Oh. Yes, I suppose I did meet him. I didn’t stay long, since you were gone and all.”

She hums and looks back down at the book in front of her. You feel nervous all of a sudden.

“He said you were very helpful,” she says abruptly, breaking the silence. You flinch. “Told me some gentleman came by with a warrant for a murder back east and you were kind enough to take it to your husband for him so he could keep minding the shop.”

Your throat constricts. She pins you under her gaze, unblinking eyes staring into yours but not looking for anything. Wispy blonde bangs brush along her forehead when she tilts her head ever so slightly.

You nod instead of answering.

“Did you give it to him?” she asks.

“I didn’t have a chance to. The day got away from me,” you say tersely.

“I heard something about that. Kyle said John had to borrow Simon’s horse the other day. Said something about him taking off in a hurry.”

Again, you don’t answer. It feels like without knowing it, you’ve crossed over a threshold.

“Do you still have it?” Kate prompts when again you don’t respond. You don’t tell her that you don’t because in all the fuss the other day, it must have slipped out of your pocket and drifted off into the wind. “The warrant?”

“No,” you whisper, shaking your head.

“That’s alright. I have a good enough idea about what it might’ve said.”

Sweat beads on your upper lip. She all but says it outloud. You’re as still as a ferrotype under her gaze, imprinted in place, unable to move so much as a muscle or force a word past your stiff lips.

“You’re under no obligation to tell me or anyone,” Kate says, and her voice is suddenly gentle, softer than you’ve ever heard it before. “I’m sure you had your reasons. I won’t be telling John, if that’s what you’re worried about.”

“Oh. Thank you,” you breathe, throat so tight that the words almost don’t come out.

It’s the closest you’ve come to admitting to it, tangentially or not, and even now it’s spoken only out of the corner of your mouth. You don’t think you have it in you to recite the events sequentially. Even in the privacy of your memory, it comes piecemeal, in fragmented images that flicker across your mind because maybe to remember it whole would be too much.

You don’t say much more after that, and neither does Kate. That wasn’t the point of bringing it up, you think. You'd know if it was.

When John comes to fetch you at the end of the day, you leave without saying goodbye to Kate. Only a stiff smile before heading out on your way. If she returns your smile, you don’t notice it. To John, you simply duck your head and follow him out the door, letting him help you up onto the horse without a word.

If it bothers him that you refuse to speak to him, he doesn’t show it.

It’s so many steps back that you might as well be back where you started. Maybe even further back, a voyage gone so wrong that when you look over your shoulder, you can’t make heads or tails of where you came from. The trees from the other side of the trail never look quite the same.

If you could open your mouth and say it, you would. If you knew he’d listen. But you don’t think John is that kind of man. Against the gold of the setting sun, he cuts a figure from times of yore. He speaks plain while you tend to speak in fricatives and bilabial stops, incapable of enunciating the words.

You feel like a wound on the world. Getting it wrong again and again.

It’s an old pain, one that started back when you were too small to hold it all. Now, you’ve grown large enough to hold it, though it holds you back in turn. You remember your parents studiously ignoring first creation like some noxious cloud billowing from the chimney. There’d been too many children for them to care about the runt. Shipped off to your aunt’s and uncle’s just for the cycle to repeat itself.

It’s an old grief, this one, friendly because it nudges at your hips when you brush by, striking in the blue-green. And when it burns, it burns.

“John, I—” you say when he helps you down back at the house.

He stares down at you, waiting you out. Your mouth goes dry, the truth beyond your grasp again. Your heart aches when his brows furrow and the lines around his eyes crease again, frustration welling beneath the surface.

You understand. It sits under your skin too.

"Go inside," he says instead when you don't go on. "I'll bring in the horses and start supper."

Your God sits at the edge of the bed, wholly lacking praise. It’s not His fault that it’s been awhile. These days, you can hardly muster up the energy to say hello. You gargle saltwater before you bathe and scrub your skin free of blood, waiting for the next morning to come.

And you think, lying on your side while John sleeps on the other side of the bed, wouldn’t it be lovely to get it right now, rather than in retrospect?

#ceil writing #cod mw2 #cod x reader #john price x reader #price x you #price x y/n #price x reader #price/reader #john price/reader #captain john price

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latenightdaydreams · 2 days

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Can you write about Viking!Konig who's the leader of his clan. One time he raids a random village and meets fem!reader, who's beautiful with her hazel eyes and round breasts. Then he takes her as his wife!!!!! Ahhhhh I'm crazy about this. I'm sorry for asking too much 😭😭😭 BTW thank you for accepting my previous request ❤❤❤ love ya so muchhhhh

König is 100000% a boobie man and I will die on that hill😮‍💨 lmao, I LOVE this!!!! Don't ever feel bad for requesting. I'm having a bit of a writers block and this story helped me find my flow again🩷. I hope you're well and taking care of yourself🥰🥰

Viking!König x Reader (fem)

MDNI🔞

Master List

>cw: fem/afab, violence, naughty thoughts

1.0k word count

You wake up from your slumber hearing the screams from your neighbors in the small village you live in. You rush past your family who is now also scrambling to their feet, your husband rushing to gather himself as your children panic. You open your door slightly to see rooftops on fire and dead bodies lying in the roads.

Quickly, you close the door and turn to your husband with wide eyes, “Callum, it’s Vikings…” Your voice shakes with fear. You’ve heard stories from other villages about their attacks, leaving nothing but death and sorrow in their paths.

“We have to run, grab the children!” Callum whispers loudly as you stand there feeling overwhelmed with emotions. Everyone always assumed this village would be safe, untouchable, but this proved them all wrong.

Rushing to your children, you quickly squat down, “We are going to have to run, as fast as you can, okay?”

The children nod their heads crying, your oldest trying to be brave for you. Just then you all jump as the door is flung open. Screaming, you turn to see three big men and an equally large woman enter your home. An even bigger man, ducks to enter your home. Your eyes go wide seeing him, you’ve heard of the giant Viking man, but you assumed he was more of a myth to instill fear in people.

Using your body to shield your children as you step in front of them, you look to your husband. Callum seems to be frozen in fear, unable to even breathe. There’s a moment where no one moves and it’s quiet other than the sounds of your children crying.

The large man has a mask covering his face, his pale blue eyes are the only part of his face that is visible in the low light in the home. He has an aura about him that could strike fear in any warrior’s heart.

“P-please leave us, we don’t have much.” You speak up, your voice trembling.

The leader turns to two of the other Vikings and speaks to them in a language that you’ve never heard before. They nod and move to my husband, restraining him. He screams and the woman hits him, making you fear for your lives more. You look up wide eyed as the tall man begins to approach you.

König sees the family before him, a man frozen in fear, three children cowering behind their mother, and then their mother… you. A small but brave woman, brave enough to speak up when her husband couldn’t. It makes him impressed, wondering what type of woman could be so bold.

König approaches you with a hungry look in his eyes. His gaze drops down to the way the thin fabric of your nightgown clings to your body. Your breasts are massive and perfectly round, nipples hard and poking through the fabric. König has always loved a woman with large breasts and a little extra. Your breasts looking so perfectly full, his mind begins to wonder if you are still feeding your youngest. Your body is simply perfect for him.

“Name?” König asks in a low voice.

“Leave her alone!” Your husband shouts, trying to protect you. He gets hit by one of the people restraining him.

“I- I’m y/n.” You respond trying to be brave.

The closer he got the more his true size became obvious. The smell of his clothes-stained copper from the blood and his natural musk filled your nostrils. You feel small as he towers over you. His eyes are still wandering your body.

“I’m König.” He says finally.

He feels himself getting lost in your eyes as he takes in the beautiful color. You gaze up at him with the most stunning sage green eyes speckled with golden brown. The most beautiful hazel eyes he has ever seen. Gently he raises a hand to your face and caresses it, leaving a streak of blood behind. Your skin is so soft to his large and rough hand. He can only imagine the rest of you is this soft.

“Is this your husband?” He points to Callum.

“Yes, and these are our children. Please, we are simply farmers. We don’t have much.”

“Hm, I see.” König takes a deep breath and looks down at your breasts again. “Are you still feeding the youngest?”

“Y-yes…” You answer hesitantly wondering what type of question is that.

That is exactly what he wanted to hear. You are not only bold, daring, and beautiful; but also soft, desirable, and can create children for him. This is what he’s been looking for, and he finds you here. Wasting your milk on a weak man’s offspring.

“Perfect, you’ll be coming with me.”

Your jaw drops stunned as you look up at him shaking your head no, “I- I can’t leave my family. My husband-”

“That man? He’s not worthy of you. You deserve more, and I intend on giving it to you. Now please Liebling, don’t fight.”

König steps to you and grabs your arm to pull you away from your children. Your husband begins to yell at König, saying that he can’t do this. He can’t just take you. Your children stand confused, not understanding the whole situation completely while the youngest cries.

“Please, don’t.” You whimper, looking back at your family as he drags you away.

“You’ll be happy with me. You aren’t a farmer's wife, you’re a queen. My queen. Now come.” König scoops you up into his arms bridal style, his fingers digging into the supple flesh of your thighs as he carries you away from your small home.

“Don’t worry, my people will let your family live.” König whispers to you as he walks. His eyes are drifting down your body. He feels the anticipation rising as he begins to walk you back to his clan’s ship on the coast near your village. He wants you in his home, in his bed, undressed where he can enjoy you and gaze into your eyes as he makes you cum. Soon.

#konig #konig x reader #konig x y/n #könig #konig cod #könig x reader #konig smut #könig smut #könig cod #könig mw2 #konig x you #konig x reader smut #könig call of duty #könig x y/n #könig x you #viking könig

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bymarara · 13 hours

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Will and the Boys Don't Cry.

Remember the picture when we were first shown Will on his birthday? In case anyone hasn't noticed, there were headphones in the picture and let's think, who else was wearing headphones and under what circumstances? Uh, Max! Max wore them so that she wouldn't fall under the full influence of Vecna and become his victim, music helped her so called survival.

Now let's get to why Will carries them around. I have two suggestions.

Everyone on the team has headphones now just in case Vecna decides to face someone.

Will is scared. Will himself realizes that he can feel Vecna's presence, in addition he will probably hear him, his voice and his thoughts, which will be very frightening to Byers. Because of the fear, he may choose his favorite song and walk around with headphones on at all times, so that if anything happens, he won't be influenced by Vekna and Vekna won't take over Will's mind. I also think that there will be a similar situation as with Lumax, that Mike will have to turn on these headphones in case of anything, I think Will will warn him alone about it all, thus trusting Mike.

Now something I've been thinking about very, very hard. Most people, and I think or thought that Will's song would be “Should I Stay or Should I Go”, but if you notice the details, you can see the poster in Will's room! “Boys don't cry”, this song references Will in a lot of ways, and if it's in season 5 in his headphones, it will be very symbolic, and will show the meaning of everything we've seen.

Let's take Max as an example. She has “Running Up That Hill” in her headphones. The lines from the song literally refer to what Max is feeling and it also shows how she feels about Billy and how she regrets what happened at the end of season 3 and how she would take it all back. The chorus from her song, literally speaks to Max's morale and what she wants. -And if I only could, I'd make a deal with God, And I'd get him to swap our places, Be running up that road, Be running up that hill, Be running up that building. If I only could, oh These lines literally refer to the fact that if Max had known what would happen, she would not have stood still, but would have tried to help her half-brother. She would have been ready even for the same death as her brother, as long as he did not die. Also, there are very interesting lines like.

“You don't want to hurt me,but see how deep the bullet lies.” which refers to their relationship while Billy was alive. The guy hurt his sister, which she hasn't forgotten, and that deep down inside of her, she wished him dead inside of her, which she now regrets.

What about Will? I know most people have already figured this out, but for those who haven't and don't know the context - this song is about the inner thoughts that guys have when they're going through an unpleasant/transitional moment in their lives. It's also popular in the LGBT+ community. Let's go through the parts that I find most interesting and start from the beginning. -I would say I'm sorry, If I thought that it would change your mind. But I know that this time, I have said too much. Somehow it reminds me a lot of Will helping Mike with his relationship with Al, while ignoring his feelings and even confessing his feelings while hiding under his sisters name. Also, I think there's a season five reference here. I mean, Will could talk about the painting and the speech, but not say what he meant about his feelings! And the lines “I would say I'm sorry if I thought that it would change your mind.” show that Mike could have left with some anger and it left a mark on Will and that he can't even apologize now, and that apologizing won't change anything. (Yes, I know I sound creepy, please.) Now let's get to the chorus. -I tried to laugh about it,

Cover it all up with lies. I tried to laugh about it, Hiding the tears in my eyes. Cause boys don't cry. Boys don't cry. Sounds like Will's confession to Mike to me. He's not showing his real feelings, he's hiding everything under the “Al” mask. and underneath the mask, he keeps his feelings hidden, not showing them. He himself, quietly crying, quietly suffering, realizing for himself that his feelings will never be reciprocated, that he will have to live with it and come to terms with it, and he buries it all by himself and tries to cope with it all by himself. -I would tell you, That I loved you, If I thought that you would stay. But I know that it's no use, That you've already, Gone away… Again he says that he has buried all his hopes and feelings, he sees Mike pulling away from him and as if he is walking away from him, so talking about feelings, about declarations of love is useless in his opinion. Literally the whole song shows Will, shows a guy who in his opinion has already missed his chance, he realizes that he can't change anything and hides himself and his feelings only deeper into himself.

I hope that Will will have this song in season 5, but I will also say that there is a possibility that in case of anything, Mike can play this song, so much in this song refers to Mike.

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olealoa · 4 months

Text

made a big compilation of Evil Morty and Morty Prime SORTA being friends (along with foreshadowed friendship). im not too keen on how tumblr works so i have no idea if any of this is gonna make sense, but just bare with me. also, for the sake of not typing the same names a billion times, EM = evil morty and MP = morty prime.

first off, just to start, this is a little frame that always stuck with me. EM is the first morty MP has actually met, so of course he’s curious about another version of himself.

and next is the BIGGG video. im not going to force you to watch it, so ill state my thoughts on it first and you can watch if you want to analyze more.

PART ONE aka when EM lead MP to the morty room

- to start, MP is obviously trying to make conversation

- EM is keeping that together cold, calm character probably to both not be forced to elaborate and to control evil rick

- MP states his ideas of rick, showing rebellion unlike other mortys. EM obviously took this to heart, even if he didn’t let MP leave.

- that strange stare EM gives MP

PART TWO aka when EM talks about “sellout mortys” (didn’t add the whole montage)

- EM refers to MP as a “sellout” morty, which is obviously an insult

- however he states he can’t hate him for it due to most mortys being “bred for it”

- gives MP the chance to see his issues with rick more clearly

PART THREE aka when both call rick a liar

- not much to say, just that they’re both in agreement and they jinxed eachother which is like totally a friend thing (im coping)

PART FOUR aka when EM states how MP probably relates to him

- it’s true, MP has been “evil” countless times

- EM puts enough ideas in his head where MP’s relationship with rick truly starts to get more shakey

PART FIVE aka when EM offers MP to come with

- do i even need to explain? he offers to MP that he’ll let him come, completely unmalicious

- even though EM says that second seat was a toilet, he still offered to let him come nonetheless

- MP literally calls EM cool

PART SIX aka when MP “tees up” EM

- once again not much to say, other than EM making snide remarks to rick and MP being curious as always

PART SEVEN aka MP and EM going into the same “fighting room”

- i know it’s realistically what would happen since the two mortys count as one rick in the machine, however they were still paired up so

PART EIGHT aka when EM kills nice rick

- EM could’ve literally killed MP so easily but he didnt

- kills nice rick once he admits he was just going to use the two, once again not a lot to say but EM protecting MP and himself in a way

PART NINE aka “the worst turd is a pizza”

- MP as always attempting to engage in casual conversation with EM

PART TEN aka when MP steps into EM’s portal

- there’s not a whole lot in the beginning, just EM explaining to MP stuff

- EM saying how he “doesn’t care” if MP comes or not

- the portal closing on MP, causing EM to immediately open the portal back up to once again offer to let him join

- morty explaining his dork ass reason, EM letting him come with

- although there’s probably a reason, EM acting like he doesn’t gaf and then opening up the portal 5 seconds later just to let morty enter. istg.

PART ELEVEN aka EM and MP regrouping with rick

- once again EM acting like he doesn’t really care, definitely not letting rick know he gave MP a second chance to come with

PART TWELVE aka “rick’s cheering section”

- EM stating “WE brought ourselves”

- really giving MP those free will points, defending both him and MP

PART THIRTEEN aka MP using a rick prime bot to save evil morty

- i don’t think i need to elaborate much, MP literally saves EM

- does the two fingers salute to EM, probably saying “you can trust me”

PART FOURTEEN aka EM doing a body swap thing

- we really don’t know enough about what EM actually did to figure this out

- it could be that they completely bodyswapped and EM was just in MP’s body now, but then he wouldn’t have his wires

- either way, they swapped shirts, see that in whatever way you want, friendship love, sibling love, bromantic, romantic, whatever way you view their relationship

- EM thanks MP, it’s hard to tell if it’s sarcastic or not because EM is always flat toned

PART FIFTEEN aka EM blows up the omega device

- MP, as usual, trying to engage in casual conversation

- lets EM know about the pretty visual, really trying to connect with him

- EM states “THIS didn’t make us friends”, maybe implying something like “THAT could make us friends” in a future season?

CONCLUSION

im full of cope, im practically losing it, but im so certain they’re trying to handle EM’s and MP’s relationship in a way where they aren’t purely acquaintances. and although MP makes him attempts at friendship more obvious, and EM refuses to act like they’re friends, he has almost as many “friendship” like moments on his own. i really hope we don’t have to wait for another season to pass for EM to appear again, he’s become alot more vital, especially since the main threat that we know of (prime rick) has been eliminated. i know the writers are probably gonna be kinda silly and just make EM the main villain, however these last few episodes have been purely to develop the characters rather than the plot, and EM’s and MP’s relationship has so much potential for something fun. i don’t think something like the freaky mortys theory will happen, however there is a lot of room to wiggle around in and develop their relationship, because it will ultimately develop both MP and EM which is definitely what the writers are wanting to do. anyways feel free to use this video, feel free to reblog with your own thoughts and ideas, these are just mine!!

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