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#i want to put him under a microscope and study him
dear-ao3 · 1 day
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Question for the mods....
HOW IN THE FUCK DID YOU MEET???
Like what???
How??
I am so god damn curious about you two. I wanna study yall under a microscope lol
Also ngl kinda envious of how close of friends you two seem to be. (Being an introverted shy af mofo sucks lmao)
I would actually probably read a whole ass book or watch a sitcom or something of the seemingly ever present weird-ass shit that seems to happen on a day-by-day basis.
/gen /lh /nf /pos
2018 newsies fandom. we weren't overly close but we bonded over race and albert a little and then katya dropped off the face of the earth for about a year.
during 2020 lockdown we both independently got into the witcher fandom and somehow ran into eachother again and had the fingers pointing OH MY GOD Y O U !!! moment in our dms. we bonded over hating jaskier. during this time we realized we were both dancers and katya was looking at dance colleges, i was already in college for dance and since it was lockdown and we couldn't go anywhere i told katya my experience auditioning at places to give him a good idea of places. and then i broke every internet safety rule known to man and said hey what if you had applied to my college but didnt know it?? and then one thing led to another and i dished out all the tea on my school. (only After that did we face reveal and give eachother our names lol) and then katya applied. mostly as a joke. until it wasnt a joke because that school gave katya a shit load of money and actually had stuff katya wanted to do. katya ended up coming to one of my zoom ballet classes and it took everything we had to not loose our shit on camera.
during this time we mostly kept eachother sane in lockdown writing witcher fanfic, and sending eachother awful thirst traps on instagram to pitbull music. one of our awful bits was using the dilf filter to make bad frat boy edits.
come august of 2021 we both moved into college. the same college. in the same building. it was wild. i pinched myself several times in shock. we went on a walk around campus with some worms on strings and were like what the hell how did we get here.
we continued to hang out and did weird insane things together. we took a class on the french revolution together where i had to put up with katya and fennec awkwardly flirting (read: making finger guns at eachother).
and then, since i was 2 years older, i was graduating and was going to stay in the area for a job and was like hey. what if we got an apartment together? and then we did. several adults agreed to this. idk why they let us. but now we live together in a real life apartment and we haven't even killed eachother yet. neither of our parents know that we met online. each of them have a different fake story as to how we know eachother and we really just hope they are never in the same room long enough to ask eachother about it. but its insane. 12/10 would recommend.
katya wanted me to include old tumblr screenshots of us talking, heres what i found from circa 2020:
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we've always been like this lol
and heres some ancient greatest hits from instagram, i dont have context and trust me you dont want it:
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every now and then the two of us look at eachother and go. how the fuck did we end up here??? (we have no idea)
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lucem-stellarum · 6 months
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So this is what, the 3rd time Porter has been decked by a character because of his attitude? At minimum?
Under the cut for long and rambling character and literary analysis
We have the initial fight 4-5 years ago between Porter and Vincent
We have Lovely getting him during their "Switzerland" talk before the Summit
Now we have Asher at the Summit (part II electric boogaloo)
At this point, I'm starting to wonder if we're even supposed to like him as a character. Sure, he's charismatic. Porter got Treasure wrapped around his finger in less than an hour. But Mr. Redacted is usually pretty clear about delineating between who is intended to be the characters we're supposed to be supporting (with enough moral grayness to make them complex and interesting). So many of his characters are a great example of the difference between the narrative 'protagonist' and the narrative 'hero'. Going back to the more technical literary term, a protagonist* is the character the story is about, but they're not necessarily the same as the hero of the story. Yandere!Ivan was a great protagonist, but he's very obviously the villain of that plotline. If you want a classic example, Michael Corleone (The Godfather) is a villain protagonist.
*I'll point out that depending on what exact definition you're using for "protagonist" that you can argue that the listener character is supposed to be the main character. I don't think that fits because in many of Redacted's cases the listener falls into the "sexy lamp" trope, where by design they have few if any character traits of their own so we as listeners can project on them. To me, they're the point of view character, which though usually is not always the same as the protagonist. IMO, a protagonist should play a more active role in the story. Overall it's a fascinating way of capitalizing on the limitations of Mr. Redacted's chosen medium, and I'd love to hear other people's thoughts on this phenomenon.
Most characters fall into either the 'hero' or 'villain' category. Characters like David, Asher, Vincent, Elliott, Guy, Ollie, and Gavin are all clearly hero protagonists**. Their respective stories revolve around their interactions with the listener character, they're the good, upstanding citizens that we want to support. They've got flaws, sure, but for the most part they're meant to be appealing characters that we agree with. Characters like Marcus, Yandere!Ivan, and Regulus are clearly the villain protagonists; they're the "bad guys", we want them to fail in whatever terrible thing they're trying to do. (Which isn't to say you can't enjoy their particular brand of twisted. Dark characters and themes are important and have their place).
**with the caveat that different focal length of a particular story can change who is the technical 'protagonist' and 'antagonist'. Kody, in his Water Elemental videos, is a 'villain protagonist'; when you look at the DAMN series overall he's better classified an antagonist of season 1. The fact that there's so many perspective changes across Mr. Redacted's overall work means that a lot of these terms can get muddied depending on which specific set of videos you're referring to.
Which brings me to the 3rd type of protagonist, the anti-hero. The anti-hero is a protagonist that the reader/listener wants to succeed, but generally lacks the traditional/universal moral traits that usually define the classic hero protagonist. Examples of an anti-hero protagonist include: Deadpool, Walter White (Breaking Bad), Huckleberry Finn. In particular, the mark of a well-written antihero protagonist is the fact that it can be difficult to distinguish them from a villain protagonist. Vega is a good example of this; in the Sadism's Hold/DAMN S1 series he's an antagonist for Freelancer and Yandere!Ivan. He graduates to a villain protagonist in early Carpe Deus, and with his stated goal of preventing another Cacophony he's morphing into an anti-hero in the more recent videos. I'm sure you can get hyper-specific if you start going through all the TVTropes pages to find the perfect flavor for individual characters, but most major protagonists can be classified as one of those three groups (with eternal, ongoing debates on where specifically you draw those particular lines based on your particular morals).
Bringing it back to Porter, I'm not sure that he's meant to be an anti-hero. He's charming, intelligent, capable, and likeable (to those not biased by his history like Vincent and Sam). But I don't think we're supposed to support him as a character overall. We've had too many "hero" characters come to conflict with him; Vincent, Asher, and Lovely explicitly. Even without getting into the fine distinctions between a protagonist/supporting character/POV character that's an awful lot of animosity from some very well established people. We might not know all of his goals/motives yet because they haven't been revealed to us (Porter wants to support William, wants to gain 'power', but why? What history drives him? What is his specific end goal with that power?) but his manipulation of other people, ruthlessness, and his own acknowledged boot-licking to increase his own social power disqualify him from a traditional "hero protagonist" role. An anti-hero is one we still are intended by the author to want to support, a character we want to see succeed. But because Mr. Redacted keeps putting Porter into direct conflict with more traditional protagonists it sets him up to be an opposing force; by definition he is an antagonist to our established hero protagonists.
I've talked a lot about the different types of protagonists and some of the minute distinctions between the different types of protagonists. Antagonists can be even more variable; you have your classic Devil, Sauron, and Darth Vader trying to kill your protagonist heroes. Technically speaking, antagonists don't necessarily have to be characters, either, they can be forces or concepts. An antagonist is just someone or something that opposes the protagonist. I won't divert into the different types of conflict in a story, but I'll point out how much more variety there is for your villains than your heroes based on their particular blend of moral alignment and narrative framing. (It's a lot easier to make things go wrong than it is to make things go well). You can also have sympathetic antagonists, where the villain has acceptable motives even if their methods are objectionable and cement their status as villains. Think the Wicked Witch of the West; Dorothy killed her sister, revenge is an entirely reasonable motive even if we're not supposed to be on her side. Adam and Quinn are the clearest unsympathetic antagonist villain characters in Redacted-verse. Blake is a sympathetic antagonist, vacillating between a villain and an anti-hero depending on whether we're looking at him from Sunshine or Bestie's POV.
As far as my initial claim that we're not supposed to like Porter, we have to consider which lens we're looking at him through. From Vincent's perspective he's an unredeemable asshole. William, however, clearly sees something in him. Other characters we trust that don't have that skewed perspective because of baggage, like Asher, don't like him either. While Porter is the protagonist of his own videos (you are the main character inside your own head) he's not being cast as a classical hero. Morality wise, even in his own story he's an anti-hero at best (he wasn't honestly trying to warn Treasure off, he was luring them in to SkySide). He's got the potential to be sympathetic (at least, according to Sam and William) but he's outnumbered in the narrative of protagonists (at the very least, by Vincent, Lovely, Asher, and there's evidence for Milo and David because of what he put Sweetheart up to) who consider him an antagonist, causing them problems or otherwise being obstructive. Considering the weight of numbers and length of existence in the overall story Mr Redacted is telling, Porter so far is generally being portrayed as an antagonist to our hero protagonists but not necessarily as a villain (like Vincent wants him to be) of Close Knit's caliber. So, this leaves him in a very interesting position on the morality/perspective spectrum. Essentially:
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[Photo ID: a graph running from Villain to Hero along the horizontal axis and Protagonist to Antagonist along the vertical axis. Gavin, Lasko, Guy, Ollie, Caelum, David, Asher, Milo, Vincent (post-Adam) are in the Hero-Protagonist Corner. Regulus, Yandere!Ivan, Kody, Vega (DAMN S1) are in the Villain-Antagonist Corner. Vega (early) is in the Villain Protagonist Corner. Vincent (early) and Vega (later) are in the Protagonist Antihero area. Porter is in the Antagonist Antihero area. /end ID]
Because of these mostly negative relationships to our established characters I don't think he's meant to be "supportable". There's too many reasons someone could write him off as unredeemable, based off of his history, his current actions, and his morals. Mr Redacted obviously intended us to be pitted against certain characters like Adam, Kody, and Yandere!Ivan in the same way the author intends us to like and support wholesome characters like David, Huxley, and Guy. I think Porter was written in such a way that we're supposed to disapprove of him despite his likeability in the same way we're "supposed to" disapprove of most of the Imperium characters or Alexis. There's a glimmer of "redemption" deep down for how good they could be if the universe was a little kinder towards them and they didn't have to resort to morally questionable (at best) actions and perspectives, but harsh circumstances left them protecting themselves with sharp edges designed to make anyone who gets too close bleed. Character complexity is attractive, but that's not the same thing as being sympathetic.
After all of this I have to say, death of the author is 100% valid as a concept. At least half of a story is determined by the reader themselves, and this in particular is just my interpretation of these particular facts and classifications. Depending on how you want to weight certain factors and perspectives you can come to a completely different conclusion. By trying to define a particular character the act of applying a definition means you have to be reductive; making a decision on which box to put them in flattens out their complexities. You don't have to APPROVE of a character to LIKE them. There's also a difference between a morally GOOD character and a COMPELLING character. Not every character has to be redeemed, it's not a prerequisite for finding them interesting. Just because Mr Redacted wants us to hate certain characters doesn't mean everyone is obligated to; you're entitled to your own opinion.
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musikat18 · 2 years
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What’s your favorite thing about orm/ what drew you to him as a character? (I am going to misspell his name if I attempt to spell it all out so I have shortened it. Lol)
*claps hands together*
First of all. I love Sad Little Men. So there's that.
I feel like ultimately what makes me love Orm's character so much, and the New 52/DCEU version specifically is the Futility of his character. There are so many things he wants. In the DCEU, he wants the throne (kind of) and his worldview based on the trauma of losing his mother (& the abuse of Orvax but we probably won't get more information on that until TLK hopefully) validated (mostly). In the comics, he wants a relationship with his brother and to have the best for the people of Atlantis, and for a time a relationship with Erin as his love and Tommy as his son.
But he is constantly getting in his own way. It's a very poetic thing, a very Greek kind of downfall by hamartia. His fatal flaw of adhering to Atlantean order and duty to the throne above all else kind of gets in the way of everything he wants. His worldview and values are in constant conflict with his wants and ideals, and there's something about that that just drives me up a wall wanting to dissect it and discuss it and I will in fact never shut up about it.
But you already knew that lmaooooo
(Sleepover Party!)
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bread-that-draws · 1 year
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Flowey’s so funny and has me so fucked up like he’s a talking flower. He tries to kill you upon your first interaction. He is ten years old. He is damaged beyond repair. He’s a flower named Flowey. He’s become friends with every single character. He’s killed all of them countless times. He knows everything about everyone. He doesn’t care anymore. He takes care of his mom when she can’t take care of herself. He’s killed her before. He doesn’t care if you kill her. He thinks she’s trying to replace him. He just wants to be himself again. He wants to destroy everything. He hates you. You’re the only one who understands him. He wants his best friend back. He’s terrified of them. He believes in kill or be killed because he died by giving mercy to the wrong person. He believes himself to be the wrong person. He doesn’t understand when you show him that kindness he showed others, even when you know he could kill you for it. He’s tried every route. He asks you if you have anything better to do when you try to do the same. He’s a direct reflection of the player. He’s a fucking talking flower named flowey and his only voice line is by Ronald McDonald and his officially licensed plush does a little dance for you
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boinky-doinky · 7 months
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Just some doodles of blue scout cause I think he’s neat 🙏
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jenna-louise-jamie · 2 months
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real talk, yassen is insane for only sleeping 4 hours every 24 hours. baby that is not enough sleep. i know you're like peak health or whatever but that's only enough sleep to live, not thrive. how are you awake and alert everyday. whats wrong with you.
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lu-is-not-ok · 10 months
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This fucking guy.
Anyway have some of my incoherent ramblings about this man under the read more because I have a lot to say about him.
Alright, let me split this into three sections because otherwise this ramble will be even more of a mess than it already is.
I'm gonna discuss Yi Sang in the mirror, or Sang Yi, under a couple of different lights.
One, how he relates to the concept of being the opposite reflection to Yi Sang. Two, how he ties back to Yi Sang's wife from "The Wings". And three, some of my thoughts about how he might fit into the wider scope of the plot and world of Limbus Company.
Strap in lads.
Sang Yi as a "left-handed" reflection
Something that becomes increasingly clear as we're shown interactions between Yi Sang and Sang Yi, and what is directly spelled out by the latter at the end of Canto IV's dungeon, is that Sang Yi is effectively the antithesis of much that makes Yi Sang, well... Yi Sang.
Yi Sang, at the core of everything, is a very sentimental and kind man. He cares a lot about the people around him, even if he doesn't always show it outwardly, and struggles to move on from whatever losses he experiences. Though he may claim otherwise, he's also constantly thinking about everything he's going through, which is what eventually leads him to the Mirror as a form of escapism from his curel reality.
Sang Yi on the other hand... is none of that.
Most of the 'comforting' words or advice Sang Yi offers to Yi Sang can be boiled down to "Stop caring or thinking about every little thing.", a sentiment that's directly in opposition of who Yi Sang is as a person.
Sang Yi finds the idea of feeling joy or despair over the past pointless. He thinks Yi Sang shouldn't feel guilty about his technology being used to exploit others because he already knew what he was getting himself into. He doesn't understand why Yi Sang would have trouble moving on if he were to lose Sang Yi.
Whereas Yi Sang is caring and emotionally-driven, Sang Yi is... I don't want to say uncaring, since he does seem to care about Yi Sang to some degree, but at the very least he is rather distant and logically-driven.
I think the moment that exemplifies that the most is when Yi Sang tells him Gubo doesn't care about him beyond using him as an accessory to prop himself up in the limelight, to which Sang Yi responds that it doesn't matter, that Yi Sang should use this as an opportunity to be in that limelight as well.
And, actually, speaking about that. Sang Yi doesn't really seem to think things through nearly as much as Yi Sang does. Or, at the very least, he doesn't care to look deeper than the surface level.
Sang Yi sees Gubo's attempts at connecting with Yi Sang as genuinely caring about him, whereas Yi Sang is able to see through them and realize Gubo is being entirely selfish here. Sang Yi sees the new League of Nine as something worth joining, while Yi Sang notices that it is nothing but a mockery of the old League. When Sang Yi learns of the new League's plan to destroy mirror worlds, his only reaction is that of mild curiosity without even a sign of concern.
All that being said, the biggest example of this might just be the fact that Sang Yi did not even realize just how badly Yi Sang was feeling until Yi Sang straight up told him there was nothing left for him in this world outside of Sang Yi.
Though we can't know for sure what exactly Sang Yi was feeling at the time, as all that we know about him is colored by Yi Sang's own bias towards him, I think it's fair to say that was the moment where it finally hit Sang Yi just how badly he fucked up by keeping Yi Sang stuck there all to himself.
Which, now that I think about it, transitions nicely to the other angle I want to look at.
Sang Yi as Yeongsim / Yi Sang's wife
First of all, just to lay it out there in the open, as fucking hilarious out of context as it sounds to say Yi Sang was his own wife all along, it's... actually not all that far off.
Beyond the fact that the Mirror is directly named after his wife in "The Wings", there's some other obvious signs that point to it. If you were to take the letters Yi Sang was writing to Sang Yi out of context, you could absolutely mistake them for something one would write to a lover too far away to be easily reachable. Plus, the way Yi Sang's first reaction to seeing Sang Yi is to call him "beautiful" in his mind?
Yeah, there's something to that.
And, of course, there's something to be said about the similarities between Sang Yi's role in Yi Sang's life, and the role Yi Sang's wife played in "The Wings".
That being the way both of them end up isolating Yi Sang, how both of them actively withhold information from him, and how Yi Sang sees them as perfect and without a fault even as they're hurting him.
I don't feel like talking about "The Wings" in depth right now as it's almost 5 am and I want to actually finish writing this fucking post at some point, but if you want to know what I'm comparing Sang Yi to, it's a short read that's easy to find a free pdf online for.
The fact that Sang Yi was trying to keep Yi Sang inside is probably the most spelled out one out of everything I'm talking about in this post. Not only does Sang Yi directly tell Yi Sang to stay with him (mind you he doesn't even ask), but Ishmael, as an outside observer, notes how Sang Yi was trying to keep Yi Sang in the room by making him afraid of the outside.
Actually, looking at when he finally offers Yi Sang the choice to leave, it's in a... very interesting way, shall we say?
Not only does Sang Yi try to make the option of staying sound as appealing as possible by bringing up that Yi Sang will be able to continue doing what he loves (or at least what Sang Yi believes Yi Sang loves), like continue working on the Mirror and keep talking to him.
On the other hand, Sang Yi is reluctant to even bring up the option that Yi Sang can leave, and when Yi Sang shows interest (note that Yi Sang's immediate reaction isn't a "I don't want to leave", it's a "I don't think I can leave"), he continues to make the option sound as unappealing as possible, while still making it clear that it is possible.
How Yi Sang doesn't need to be able to fly to leave, but he will struggle endlessly if he does. How Yi Sang can eventually find somewhere to call his home, but he will have to walk until his feet hurt and will have to settle for wherever or whatever he ends up resting at.
I don't know about you, but that doesn't seem like the kind of encouragement or advice someone who had a person's best interest in mind would make.
Now, let's make some other facts clear while we're at it.
Sang Yi knew that Yi Sang had wings as well, after all, he calls that fact 'obvious' when he finally mentions it. However, he never directly told him he does, even as Yi Sang lamented to him about how (in his eyes) he himself had no wings. He only brings it up when Yi Sang is truly at his lowest.
Sang Yi knew what the effects of supplements Yi Sang was taking were, as he can tell exactly what will happen if Yi Sang stops taking them, or takes several at once. However, he never directly told him this until he gives Yi Sang a choice, even though he was clearly aware they were not beneficial.
Sang Yi knew that Yi Sang's room was always open, as he was confident that Yi Sang would be able to just leave on his own once the effects of the supplements cleared away. However, he never tells Yi Sang that, even when Yi Sang is making it clear he doesn't think he even can leave. It's actually one of the thing Yi Sang ends up finding out by himself.
Despite all of this... Yi Sang never stops to consider that Sang Yi might not have his best interests in mind. Sang Yi is his everything. He's perfect, flawless, the ideal self. He's the only thing Yi Sang has left.
Call me cynical, but it paints the ending of the Canto in a somewhat bittersweet light to me. After all, Sang Yi never has to apologize or even admit to anything, and Yi Sang still views him as positively as he always has.
I guess at the very least it's accurate to the book. After all, Yi Sang in "The Wings" ends up holding on to that perfect image of his wife to the very end.
Sang Yi as an entity
Okay I have no clever transition here like I did last time, but this is probably the thing about Sang Yi that's been bugging me the most.
Have you guys noticed just how much Sang Yi seems to know about Yi Sangs from different worlds? Those sweeping general statements about "All versions of Yi Sang" or "All Yi Sangs" that he makes with full confidence.
When Yi Sang assumes that Sang Yi can "be anywhere he wants" thanks to his wings, just how correct is he?
With the way Sang Yi talks about other Yi Sangs, it gives the impression that he's met a lot of them in the past. In fact, if that's true, it would recolor the meaning of Sang Yi's comment about his meeting with his particular Yi Sang "peculiar".
What's so peculiar about our Yi Sang specifically, if Sang Yi has met so many of them? Is it the method, the fact that it's through the mirror? Is it that Sang Yi finally found a Yi Sang that also had wings? Is it because our Yi Sang is the first one to contact him rather than the other way around?
And while we're on that topic, isn't the way Sang Yi talks about Yi Sangs kind of odd? It's always "All Yi Sangs" or "All versions of Yi Sang", as if he's not part of those Yi Sangs himself. It's like he's putting himself in the role of an outside observer, seperate from the concept of being a 'Yi Sang'.
Just what is Sang Yi, really? He implies he's the version of our Yi Sang that's inside the mirror, the one that "needs to be opposite, yet is quite alike" to the one outside, to explain why our Yi Sang would have wings if he saw them on Sang Yi, but like... He never directly says that's the case.
In fact, when Yi Sang asks Sang Yi about what the outside is like, Sang Yi weirdly dodges the question, saying it's all "the same tiring stuff". Another example of him withholding information aside, this all makes him seem rather fucking suspicious to me.
Just. What is he really?
God I hope we get to see him again, cause I really want to know what the fuck his actual deal is.
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blessyouhawkeye · 1 year
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this is the face of a man driven insane by jealous homosexual rage
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somebluemelodies · 8 months
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how q!Cellbit has honestly NOT completely broken down at this point is beyond me. like if he can survive wednesday and still have some level of composure i’m going to be relatively surprised
mini ramble under the cut
they took his kid. they took all the kids. one of the last exchanges he even had with Richas was a fight
q!Mike is gone. has been gone for days now
q!Forever has been fucking drugged and he’s losing it. he’s calling a rock his son. if he’s not taking those pills he’s violent and aggressive and Cucurucho literally gave him a gun. god only knows what he’s capable of
don’t even get me started on the mystery man lMao. who is supposedly just a figment of q!Cellbit’s mind and a voice in his head. i digress
and now q!Pac, who feels so useless compared to everyone, so emotionally and physically exhausted, that he’s willing to subject himself to the “medication” as a means to find a cure. bc it’s the only way he feels useful
and so many people have their eyes on q!Cellbit. “the smart one,” the problem-solver. bc if anyone can solve whatever the fuck is going on and find a way to put an end to it, it’s him, right?
q!Cellbit’s utter fear of losing control not for himself, but for the others, is probably the only thing keeping him rational and - somewhat - stable. you can’t get shit done when you’re not stable
this man for real had some good therapy before the island bc with the amount of shit he’s dealt with, and he’s still being as strong as he can? incredible. but we all saw him start to breakdown yesterday, yelling at q!Forever i can’t lose you too. finally caving in and deciding to fuck up the island a bit for the Feds to see
bc we all have a breaking point. and what happens if, or even when, q!Cellbit hits his?
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puppyeared · 14 days
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Ouhhhh friendship I love friendship……..
#I’m reading volumes 14-16 of the ouran manga OOUGHHH MY HEART#I love this weird little friend group so much its unreal#like u have this charming sweeps you off your feet prince but he’s actually a huge lovable idiot with a kind heart and his friends#who are all misfits that he reached out to and drew in because of his kindness and own weirdness like that shits TIGHT BRO#and the trauma part where he has some deep seated issues with love bc he thinks that itll break a family apart like with his mom#how his family isnt allowed to be together because his mom and dad fell in love and how he says he wants to build a big house#so that way one day everyone will get along as a family like. all he wants is not to lose everyone and the only way to do that is#by maintaining a certain order.. he both wants a complete family so bad and doesnt want anything to sour between anyone#so he assigns each of his friends a family role based on how he sees them and YEAH its mostly played for giggles and tamakis#already weird so its his way of showing theyre close to him but. god damn this boy has LAYERS#it also feels kinda meta towards how found family tends to get thrown around to assign characters as 'siblings' or family roles instead of#using it to describe characters who are close enough to be each others family. cuz tamakis doing that EXACT THING in a way tht#ties in with his character and i have to say its fascinating using that within the story itself and its completely plausible#theres a lot of things i can say about ouran that are good bad and questionable but. god i love it when characters are niceys to each other#i remember i really liked the kyoya episode bc him and haruhi got to spend time together and their relationship isnt very close#but it was really nice to see their personalities bounce off each other. i think i also wouldve liked to see haruhi alone with kaoru#i also firmly believe all of the hosts are at least a little in love with haruhi and this can be anything like endearing romantic cuz like#who DOESNT love haruhi. kyoya i think would want to study her under a microscope like his fascination with her draws him in#but im fucking obsessed with whatever haruhi and tamaki have going on because YES hes obsessed with her YES he jumps at the chance to#put her in a cute costume but haruhi? she just fucking goes with it because she knows hes fun to be around even if hes a little wacky abt i#theyre all so. NNGGHHHH#ouran#ohshc#yapping
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paul-ster · 7 days
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The fact that Ponyboy canonically draws horses for fun scares me. Like- why??? How??? When??? It’s such a random but so specific thing for him to draw. Especially on his theme paper. I don’t know, horses in general scare me tho.
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leverage-ot3 · 1 year
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harry flirting with another man for a con: wait do I actually like this???
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sammym332 · 5 months
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as a celltw,4halo,fitpac/hideduo and guapoduo enjoyer i am having a feast tonight, thanks
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deardoomedworld · 4 months
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Still thinking about Jesper's meanness and how it's also just toxic masculinity. He's into fashion and perfume and he was a 13 y/o who didn't want to get sand on his outfit.
Which is a perfectly fine way to be!! But I think Jesper got insecure about it at some point during teenhood (like we also see him get uncomfortable with showing emotion and having his face flush as an adult) so as an adult he does what many men who're insecure about their masculinity do: compensate with being insensitive and mean, because they erroneously consider those to be masculine traits.
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gothwizardmagic · 1 year
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theres really Something about the fact that in terrorform rimmers self confidence and self worth are represented as himself in frilly flouncy pink and purple outfits, and that his self-loathing wanted him half naked and oiled up by beautiful women.......
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ghostofchaos-past · 7 months
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izzy is such an interesting character to me because like. i hate him i love him hes the worst hes in my top 5 he deserves better than what he has and he deserves to be loved but also i want to key his car. hes a repressed horrible little man and i love him so much
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