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#i think this is honestly one of my favorite scenes
allthingsbucktommy · 3 days
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Before the poll ends, I want to talk about one of my favorite scenes (the cafe meeting). So, in the first date, the thing about Tommy saying "I don't think you're ready" isn't just because Buck makes the "hot chicks" comment, or doesn't want to tell Eddie at that moment that, yeah, they're on a date.
It's also because Buck is tense, looking everywhere, (kind of) more focused on what's around them than on his date (which is understandable when you're in that phase of not fully understanding your feelings), the "I'm an ally/pride flag on my IG" comment, how he uses words like "dude" and "bro", how he gets defensive about the "stop lying about who I am" comment, and basically all his body language.
The beautiful thing is how Buck changes all that when they meet at the cafe. He speaks with much more self-confidence, he shows Tommy that he wants to show this new self with him, and Tommy at first doesn't know very well how to react (Buck inviting him to Madney's wedding as his date means everyone will know they're together, and it's a VERY important step), but he agrees knowing what's probably going to happen (I mean, Buck's parents will be there, and that could end badly) and at the same time shows Buck that he will be supportive and is sure of their relationship.
Honestly, it's a very important moment for me as a queer person, and I have a lot of things to say about that scene, but yeah.
What do you think?
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knifefightandchill · 6 months
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RESIDENT EVIL 4 (2023)
Why do you reject serenity? When you need only to accept the sacred gift? like... she did
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front-facing-pokemon · 2 months
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shebsart · 1 year
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The X Files' iconic "I want to believe" line is generally about wanting to believe in the unknown -whether it be extraterrestrial life, god/faith, a reason- and keeping an open mind to possibilities
but when you remember the context those words were spoken in for the first time in the show by Mulder, it was him in a hypnotic therapy session saying he doesn't know if he believes, but wants to believe that his missing sister is still alive out there somewhere.
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moeblob · 8 months
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Demyx (my beloved)
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magicandmundane · 18 days
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Thinking about season two, specifically the very first scene, and I like to imagine there was a conversation in the writers’ room that went like—
“Seeing as we’re going to have everyone crying by the end of this, what’s the funniest, most chaotic way we can open the season?”
“Beach heist?”
“Beach heist.”
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celestialrealms · 10 months
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ngl it’s such a pet peeve of mine when people just... no nuance, no thought praise the so-called “slow burn” barbatos and mc have
because YES. the idea of it is good. but solmare not giving him any screen time means it is handled HORRIBLY. mc and barbatos should have twenty times the amount of relationship development and interaction than they do now, even if the romantic progression was still just as slow, to deserve even a fraction of the praise it gets?
idk it just frustrates me. imo Barbatos is the most interesting character in obm and my favorite... and he deserves just as much care and attention put into his “slow burn” arc as lucifer got. we shouldn’t have spent all three seasons he was a romance option getting nothing but scraps while people praise solmare for the incompetent writing  🤷‍♂️ 🤷‍♂️
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pyrriax · 3 months
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6, 12, 30 for the writing asks ^_^
6. What’s the last line you wrote?
Shaking its head in what seems like disbelief before meeting his eyes again, almost like it wants to say something before it makes a noise like a growl, "oh, you're one of those seraphs, aren't you. A star-eater. No wonder you act like you've lost your mind."
(ignore that that's a couple sentences, the Thought is important)
12. Do you outline your fics?  If yes, how detailed are your outlines?  How far do you stray from them?
Oh yes! I outline my fics thoroughly. Though, I do allowed myself to deviate as much from the outline as I feel like when things go off the rails. Some snippets of planning from a couple fics & concepts:
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My outlines are very... One for one. With some exceptions. I tend to basically write a very brief version of the fic and try to get the feelings and words right before I actually write it. This is... Also why it can and will take me a month to write a oneshot. I try to get things Right.
30. How much do you edit your fics?  Do you edit as you write or wait until you finish the first draft?
So! I edit them a bit? I edit while I work, but often I don't really touch anything I've already written unless it's something longer that might be taking a few months to get through. I think the fic I've edited the most is the prologue of Artificial Stars, which was originally a quickly written 2k oneshot into about 5k of actually decent fic.
Usually I don't edit to make something shorter/more concise, since I tend to only come up with more ways to bridge concepts when I go back to it. Also to be fair... There's usually no difference between first draft and final product. I cannot be asked to edit my fics after I write them, I just release them to the birds and pray for the best. (Unless I actually decide to show it to my beta reader in full instead of just sharing snippets as I... usually do.)
Conclusion: Rarely, those thangs are being given to the world as-is unless something is horrifically wrong with them
#ask a ghost#asker: solxr-planet#ask game#i get a little silly sometimes but also uhhhHH!! welcome to several things i havent posted about before#grey notes is an oc thing that will never be finished but i still have the line-by-line dialogue between two characters that is.#kind of how i plan dialogue? at least how i outline it.#i'm super picky with it and i plan stuff so much that you can usually tell pretty quickly when something isn't planned#ALSO!#scene titles!#nobody sees them ever but theyre there for me and me alone#usually theyre song lyrics or something i think is important to the concept but also other times theyre just kind of silly#“all the candy you can eat” is a song title from one of my favorite albums.#honestly i think this is the first time i've shared anything of my writing that is even remotely roshambo-centric#i am still learning how i want to write & characterize him so its a bit funky#haunted bookshelf#purely for the random stuff that's in there#also! i started breaking things up into scenes rather than just chapters and it helped a hell of a lot with my process#since it's easier to divide when there's a lot potentially happening in a chapter of something#or even just in a oneshot#my process is. definitely made for the way i write. i don't think i would ever recommend anybody do what i do with my fics#also yes i could actually just edit my plans and call that a fic because really that is the effort i put into them.#theoretically you could call my outline my first draft because really that is the way that it is
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roobylavender · 1 year
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do you believe Bruce is emotionally abusive? ik fans prioritise physical abuse and ultimately ignore emotional abuse tactics like parentification etc because it’s not “that bad”. I don’t believe Dick ever resents Bruce for letting him be robin (he’s grateful for it) , but in ntt he mostly resents him for being emotionally closed off, and rejecting him as a partner. Bruce worries for his kids safety so he pushes the whole “if you’re not perfect you’re dead” mentality onto Dick which ultimately is harmful to him. He’ll never regret being a hero but the rift between the two isn’t just a “we want different things” scenario but more that they’re incapable of giving the other what they want.
bruce being emotionally closed off from dick is what’s revisionist about that version of canon though. i think bruce can be bad at communicating sometimes esp when he’s deeply pained (like in knightfall, for example) but for the most part he and dick are shown to have great communication for decades before new teen titans and the adjacent post crisis starlin canon starts to rewrite that dynamic into something else entirely. per that version of canon i do believe he’s emotionally abusive but it’s not a version of canon i particularly appreciate bc it requires overriding the dynamic they had previously where they could certainly be prone to disagree at times but bruce was nonetheless willing to have an open and understanding conversation with dick about whatever the disagreement was. even the whole idea that bruce is responsible for dick believing that he has to be perfect or he has to be dead is one that new teen titans cements (or that issue of batman where bruce makes dick quit and jason is introduced thereafter)
i get that it’s easy to take new teen titans as gospel bc it is in essence the textbook source for dick but i think there should be some awareness too of how it twists that relationship between them and not necessarily for the better. i’m not opposed to bruce having faults he has to answer for. i absolutely agree he’s not cognizant enough of the complexes dick develops as a result of wanting to be seen as an equal, and thereby can’t realize the effect it has on dick for him to still be protective and fearful even if it’s ultimately out of goodwill and love. and there’s also the fact that even if he gives dick the space he desires to lead his own life it doesn’t mean he should be hesitant to reach out bc he’s afraid he’ll overstep by doing so, as a parent he should reaffirm his love for dick regularly regardless of knowing he might get some pushback bc dick is growing into his own (again, knightfall is a really superb example of this). but i also think those are tensions you can wholeheartedly explore without rendering bruce into a controlling and abusive figure, and i’m not sure who it benefits to write bruce as such in the long run
some of dick’s problems have to be his own, and he’ll never escape bruce’s shadow if the only source point of issues in his life is his relationship with bruce. that’s something i would actually apply to the robins at large. hardly any of them are allowed to explore problems entirely unique to themselves and i think that’s in large part bc writers simultaneously portray a mildly to explicitly abusive bruce at their leisure while refusing to ever actually address the elephant in the room that is literally of their own creation. a lot of people believe the bruce shouldn’t be an abuser argument is framed entirely as a resistance to bruce’s character assassination and for me i can admit that’s part of it, but a more pertinent part of it should also be the fact that bruce being written as an abuser is what truly chains his children to him forever to the point that they can never grow beyond that abuse bc writers refuse to allow them to. imagine the problems the robins could be addressing individually in their lives if not everything came down to them being fucked up bc that’s the way bruce raised them or failed to thereby. there’s a lot about the robins as individuals that’s deeply interesting and i think it’s not just a disservice to bruce but to them as well to write the relationships this way bc it obscures their own agency and ability to be explored for more than a haunted legacy narrative
#sry this is so very long. please know it is not me venting at you i simply have many thoughts 😭#but yeah like i think something that gets lost in translation is like. i absolutely do think those portrayals of bruce are abusive#i simply don’t think he should have been portrayed as such to begin with#starlin era bruce is very bewildering for me in all honesty i dislike it deeply#the issue where dick meets jason is one of my least favorite for the way it portrays bruce it feels so out of character for me#considering bruce was more than happy for dick to go off to college or to find his own place with the titans#and even with that famous issue where dick meets bruce after learning jason has died the writing is quite odd to me#i think bruce is very much someone who directs blame and frustration inward as opposed to outward#he’ll let himself get dog walked if he thinks he deserves it. which i think knightfall illustrates fabulously#the beginning of no man’s land as well#what i don’t think he would ever do is lash out at others when he knows the blame lies with himself. bruce is very self critical#so honestly that whole scene in the cave with him and dick. doesn’t exist to me i would literally rewrite it 😭#and i think it is very significant that wolfman chose to recreate that slap three times if memory serves while every other write in bat#editorial at the time straight up ignored it and acted like it never happened. like idk that plus the way bruce was characterized during#knightfall to me says a lot about how that was not supposed to be the status quo at all#anyway. sorry this has devolved into a whole other rant please do not mind me 😔#outbox
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enneaisapenguin · 1 year
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Winter or Summer ?
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lorillee · 1 year
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i dont like to get pretentious about media in a "i understand her (the media) better than you" way but i absolutely will get pretentious about your lie in april. its not about the romance. it was never about the romance. its about the piano and its about music !!!!
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mattodore · 1 year
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i switched from gray-blue to ice-blue eyes on matthias and his gaze feels so much more impactful to me now
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housepilled · 26 days
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wisconsin is so quiet at night. sometimes when i get homesick, i hum the mister softee song.
you making any friends?
there's a claims adjuster at the insurance agency where i work...and we've been seeing each other. he's a good man. he thinks i'm from tulsa. and when we're in bed together at night, he whispers my name. emily.
it's hard to be someone that you're not.
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margridarnauds · 4 months
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The way that Mallathalra started off as being incredibly unscrupulous and ruthless, started sleeping with Lae'zel during Act 1, kept Lae'zel loyal to Vlaakith (because to someone who's lived under Lolth their whole life, there's no such thing as salvation, there's only appeasing your terrifying goddess queen and hoping that she'll ignore you -- the status quo will never change, so snuff the rebellion out early and MAYBE you can scrounge some freedom for yourself out of her sight), only to start turning around with Minthara (and, outside of her run, Kitrye). Starting to think that, maybe, a little defiance would be worth it, that it might work. Helping Shadowheart break free of Shar, freeing Minthara from Moonrise, an apostate who she should have dragged back to Menzoberranzan for a bounty, which is her literal job, but didn't. Couldn't. Releasing Shadowheart's parents and realizing, for the first time in her life, that it's possible for parents to actually selflessly love their children. Stopping the Ascension ritual because she felt a twinge of pity for the Spawn, even if it meant losing a tactical advantage and having to kill her former companion.
Only to have to stab Lae'zel in the back in the finale because, despite all her growth, she couldn't save Lae'zel from what she'd done to her, what she'd convinced her to be, and she couldn't let her go through with killing Orpheus.
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Firstly, thanks so much for your patience with my ramblings haha, it's always an absolute pleasure to read your responses even if I get more unhinged with each one of mine! Of course, I'll continue to do my best with the wiki! (Actually, I think it's because of you that I noticed Daigo's age(s) were a year off haha, so thank you for that as well.)
I think you hit the nail on the head, and I adore how his relationships were executed in Y7 as well! I was initially a little bit apprehensive when trailers for 7 were coming out since RGGJo (and Mine, of course) were my favorite antagonists, and Jo is by far the character who's changed the most between games, but I can safely say both… Joes… are right up there for me.
I think a strong early subversion/conversion/something is that RGGJo really does just go and shoot up a rival office for attacking Arakawa (even though Arakawa was fine?). With Y7Jo, even though he's covering for Masato, the fact that's still the story Ichi gets told and he doesn't question it sort of speaks to Y7Jo having a similarly "protective" streak even if it's not actually what happened in that instance. That's also demonstrated in The Eye Scene as you mention later.
Like, I think that story is fairly clearly something he and Arakawa discussed. Masato got in contact with Jo first, and the mess Ichi tries to clear up when he comes in the morning after is indicative of a very long, stressful conversation between two people. Given Masato absolutely should not be smoking, process of elimination would suggest it's Jo. And it's a story they would've aimed to make as believable as possible, so the fact it is believable (Ichi being a bit gullible notwithstanding) says something to me.
For two characters who hardly even speak to each other onscreen (criminal btw), there's a lot to dig into when it comes to Arakawa and Sawashiro's relationship. That aside, I'm super excited to see you analyse Jo's psyche, and I can't wait to read it! I've been reading Japanese psychology texts myself and noticing a number of concepts that apply to Mine, but may apply to the Arakawas as well. There's a great deal I want to share once I get my thoughts in order.
I totally agree Mine's influence on RGGJo was the strongest of the three! I mean, y'know, that's why I acquired brainworms for RGGJo/Mine specifically. (Still 1000% going to commission you by the way when I've got my refs together + am not in danger of being unable to afford Gaiden and 8 lol). Sort of like with Masato and Daigo, I think characters who are clearly based on each other work quite well together even if it's seen as crack. You can come up with pretty compelling ideas trying to rationalize those similarities from a Watsonian perspective.
The devotion is absolutely the strongest point (having the exact same relationship tag for Arakawa and Daigo respectively + similar wording for it in the 15th anniversary book is a nice touch), but for me it's also what's done with it in terms of presentation. For both Mine and RGGJo you're supposed to believe they're actively working against Daigo and Arakawa's interests for most of the story.
And they probably kind of are, but they're convinced the pros outweigh the cons (as with the resort gambit, which you're remembering correctly!) Though it may not have the same effect nowadays for various reasons (spoilers, plot points becoming predictable on account of other games, etc), the devotion was originally supposed to be a twist.
There are other things, of course; they're both the "treasurers" of their respective organizations, they're both third-in-command of the Tojo and Omi, they're both talented people who possess overwhelming strength and influence and are regarded as geniuses (despite scenes to the contrary). If I wanted to reach design-wise, they've got mirrored ahoges, and Mine's "Legend" costume is probably based on characters like RGGJo and Nishiki. Their first cards were even officially stated to have synergy on account of their very similar skillset.
You end up noticing a lot of things like that if you're clinically insane like I am, but the one thing that's really stuck with me is that the render used for RGGJo's office is specifically a new render the Hakuho Clan office. It's missing the stuff that's supposed to be missing, the stuff Kanda broke, but only that. Mine's art collection, which is very personal to him as is also revealed in RGGO, is preserved in full.
There are a number of newly-rendered locations in RGGO and they could've just done that, or they could've picked any location that's not (imo) one of the most iconic, but I don't know why they didn't. And I don't know whether it was just convenience, whether it's simply meant to be reflective of them having similar tastes without being the same office, or whether it's just honest to God the same office. I mean, it's not like there's any reason to acknowledge it in-game.
But I think, in a weird way, that this is one of the things that carried over to Y7Jo alongside the devotion and The Eye Scene. A lot of people don't notice because there's so much going on in Y7's finale, but the Arakawa Family office the finale takes place in is specifically Y7Jo's office. And if you examine the Hakuho Clan office and the Arakawa Family office as spaces Mine and Y7Jo have created for themselves, there are very few aesthetic similarities other than being pretty tasteful two-storey offices, but both are, in their own ways, designed for companionship.
There is the obvious fully-stocked bar and main seating area in both, but that's sort of whatever, that's entertainment and hospitality. What really catches my eye, at least on the first floor, is that every piece of gym equipment in Mine's office comes in pairs; similarly, there's the pair of armchairs that are just by themselves behind Y7Jo's desk.
The second floor of Mine's office basically consists of only a TV, a table, and a set of couches, but I think the second floor of of 7Jo's is the more telling of the two. You walk upstairs from this very snazzy, richly decorated first floor (btw, like Mine's gym equipment and art, I would like to think the fact it's decked from top to bottom with books isn't just for show) to a second floor that consists of… absolutely nothing.
Nothing except another pair of armchairs, echoing those on the first floor, facing out into this gorgeous (RGGJou would--and has--said "romantic") view of Kamurocho. Maybe it's just to have this dramatic, spacious arena for the very last fight, but I just think that visual is potentially such a strong bit of storytelling via set dressing.
I also think with RGGJo being split into Y7Jo and Masato, some of the Mine influence kind of ended up with Masato too, specifically as Aoki. At least insofar as all the catastrophizing about not truly being cared-for despite evidence to the contrary, and I kind of felt like the moment where he shoots at and narrowly misses Ichi's head, then throws his gun away for a good ol' fistfight was Something.
Completely agree on your assessment of the link to Nishiki as well! There's the surface level design similarities with young RGGJo back when he had long hair and accessorized less, but yeah, no notes. I definitely think Y7Arakawa's line applies perfectly to the dynamic they were going for, too.
I thought the implication was that Masato wouldn't have survived at all in RGGO on account of Arakawa being unable to open the locker, but it's super interesting to think about how things might've turned out otherwise! A Masato who's Just A Guy and treated sort of like RGGO Mitsu's offscreen wife and kid is such a concept.
I really do hope there's a continuation to the story; as it stands, it literally ends with Jo in a coma lol. But I'm grateful RGGO is still accessible and actively updated, in comparison to the previous mobile titles, which also had original stories that are all gone now.
Jo was actually in a very recent event, even. The event spent its whole runtime talking about how cats are sensitive to smell, and evidently, according to the ending, Jo is incredibly sensitive to smell himself. I'm not sure which Jo it was even supposed to be since he was offscreen, but uh, catboy confirmed? Nyawashiro…? It's fun trivia.
Mentioning Arakawa's "sons" line in such close proximity to talking about Tsutsumi reminds me! There was this Y7 interview with all three actors (that has since been privated and that I kick myself every day for archiving) where Nakai and Tsutsumi were talking about how they usually play father and son.
So there's this very, very long history of them co-starring (as I'm sure you're aware lol), like from way back when Tsutsumi's voice was actually higher. And I think the casting choices absolutely are informed by the history and context there, both as individuals and as co-stars, both in terms of filmography as you say and not.
One particular anecdote that just Gets Me is that this was Tsutsumi's first time voice-acting, and he honestly wasn't even sure he'd take the role, but he accepted once he heard Nakai was on board. And he went on to actually enjoy it so much he read the rest of the (gargantuan) script, far beyond his own dialogue, and ended up forgetting the lines to the play he was doing at the time.
He also went on to voice-act a second time in The Deer King, where he plays… another iintimidating man with a violent reputation and a "soft"/deeper side (who is of course a reluctant father), actually. I actually have seen most of his other roles, and Jo really is almost one-of-a-kind. Though it's hard to find any one character he's "like," I can absolutely see what you mean with regard to Oda Nobunaga and Kanda.
I think that actually really works with regard to audiences having an idea of what to expect from his character and to an extent from Y7 if you look Jo as more of a culmination of Tsutsumi's career up to that point. In addition to what you've mentioned already, I also detect a lot of Koda (Good Luck!!) and Ogata (SP)'s themes with regret and making amends and vengeance in particular.
There's a little bit of Appare (Kagerou Touge) and Shibata (Keiho) too, I think, in terms of presenting yourself as worse than you actually are. And I think Tsutsumi's own struggles with mental health lend a lot of gravitas to characters like Ishigami (Suspect X) and Jo, who you can't really argue Isn't Depressed, especially at present.
And of course, y'know, he's played yakuza (to great effect), he's played dads (to great effect; btw, I would say the worst fathers/father figures he's played are probably in Fable II and My Blood & Bones in a Flowing Galaxy, Jo somehow doesn't even compare lol). Also, pretty much every Tsutsumi character either ends up dead or in jail, being a villain in an RGG game notwithstanding. There are often very strong critiques of police and politics present in his work as well, Y7 being no exception.
It's similar with Nakai, maybe to an even greater extent than with Tsutsumi, since Y7 borrows more heavily from his works and his personal life aligns surprisingly well with Arakawa's. They're both actors who are sons of actors, lost their fathers at a young age, were raised by abusive mothers, and ended up with a sort of unlikely father figure in adulthood. So I think it's sweet that Nakai ended up enjoying Arakawa as much as Tsutsumi did Jo. It's kind of funny being more or less typecast as a dad without actually having any children (unlike Tsutsumi), though.
I touched on it a tiny bit before but that's a really insightful take on RGGJo's splintering, as well! And you're most welcome. I've always found it fascinating just how closely their backgrounds tie in to who they end up being. I completely agree having his dad around did a lot for Arakawa in terms of having the confidence to stick to his guns.
But yeah, you know, it's just tragic. I think it's also one of the less talked-about ways abuse can perpetuate itself. Because Jo treating Ichi the way his father may have treated him is sort of the tip of the iceberg when it comes to the topic, but Jo's learned avoidance also goes on to make Arakawa a scapegoat for Aoki's abuse.
I'm always a fan of your takes and insights, so I don't mind the wait: thank you so much for writing as much as you have, it's really wonderful being able to discuss Jo and RGGO v. Y7 as a whole! (I have to be embarrassed about the Daigo's-Age bit though: I'm glad I was able to help point it out, but I remember being so sassy and rude in the post where I mentioned it 😭)
It's great that despite their differences, both Jo's are still incredibly enjoyable; the roles each Jo fulfills, although different, are still executed in ways that keep the character in a close beat with each other, but of course effectively fill out their new purposes in new interesting ways!
As a bit of an aside, I've always been curious and nosy about the full details about New Years Day, 2001 and what happened after that. Anything I can say about the night tiptoes more into theory territory than anything solid, but if we're to go off the notion Masato really did head straight home afterwards, then it is fair to assume Jo had to have met with Arakawa that same night not long after the call in order for Arakawa to be ready to talk to Ichi the same morning (it must have been the biggest shock afterwards for Masato to hear he's gotta run to America if the three of them didn't talk about it together- which I'm assuming is what happened since, as you said, Masato shouldn't be anywhere near cigarettes, and the ash tray is definitely indicative of a stressful discussion). BUT Jo's preexisting devotion to Arakawa (plus the nod to/rework of RGGJo actually attacking a rival gang) nonetheless definitely helped in making their story digestible to the people they had to tell.
The fact Jo and Arakawa interact so little on screen really is unfortunate, even if it's understandable as to why. At the very least, I'm grateful there's so many bits of context clues through the game/s that can at least offer a peak into their dynamic! Segwaying away from that though, I can't lie I was already thinking of some bullet points regarding Jo's brain as I was falling asleep, so it's definitely something I want to put to paper when I get to: I'm glad to hear I have your interest on it when I write it! In that same vein, I'd be more than happy as well to hear about these notes you've seen that can apply not only to Mine, but to the Arakawa family. As you note later on, Mine and Aoki share similar philosophies, so I'd love to see your full take on that if you get to it!
About Mine though, it was really hard for me not to joke about the two being similar whenever the chance arose: I mean, two men who lose their fathers (admittedly, Jo chose to leave his dad but Dad Lost is still a bullet point on the venn diagram... that now I actually feel like taking the time to make later...) turn out to become their respective clan's most trusted asset (and handler of assets) who are volatile when it comes to the ones they care about (I don't have to clarify Mine, but as for Jo, aside from The Eye Scene and even the book wording, he definitely overreacts to Ichi having Masato's money. Of course, part of his anger could be due to his belief in the honor of being a yakuza, but I wouldn't say it's a reach to also assume that the idea of Ichi pestering Masato- if not assuming the worst for whatever reason from Ichiban of all people- might have irked him) and ironically act out in ways that would go against what the ones they care about want (more so strictly about RGGJo, of course)- it's hard not to see the notes borrowed from Mine to make Jo. In that, I do really enjoy their devotions being twists; even if that twist might not work nowadays as efficiently, I'll still enjoy it for what it's able to provide and how it can deepen a character.
To continue on to visual similarities, I actually did notice RGGJo's office being the same as Mine's (I stopped reading for a bit just to make a mini thread about it on my private Twitter)! Whether it was intentional or a simple reuse of assets, it's a great nod to Mine's influence on his character.
As for Y7Jo's office in comparison to Mine's- if I may accidentally go on a bit of an analytical rant- it's a little funny how different they are despite being tangential in wanting a space for companionship (like you mentioned for Jo's case, it might have been for dramatic purposes, but it wouldn't hurt to try and examine the room at face value for a second).
Mine's office is comparatively brighter and more apparently inviting, and it's not just due to the nighttime setting of Jo's office as his office's walls are painted black- but at the same time, the contrast almost feels intentional. Mine's apartment, even if spacious, has the social pieces close to each other, especially in relation to his personal desk. On the flip side, Jo's desk is considerably isolated away from the grand table in the side of the room. In these differences, I think it does lead to a great representation of their relationships with people and what they wanted out of life: with Mine, despite wanting people to be close to him and in his proximity, he's ultimately alone and by himself. On the contrary, Jo appears satisfied with- at least- only having Masato in his life, the second chair undoubtedly being honorary to Arakawa in a similar vein. He isn't too concerned with getting close to anyone else, thus no need for his table set to be so nearby. I could just be talking about nothing though- yet I think these differences is a great way to show how despite inspiration from Mine, they divide off into different characters still (honestly I might steal from this ask and make a separate post about this because now I've gotten myself invested in set design- it can go in the same post as my venn diagram I guess lmao).
Nevertheless, RGGJo and Mine borrowing from each other design wise is also another fun bit- it's as if Yokoyama's grabbing people by the shoulders and practically begging us to realize Jo's influenced by him (don't worry Mr. Yokoyama, I see you). Ergo, Y7Jo and Masato being split from RGGJo is such an interesting take of the two characters: it not only helps highlight Jo's traits it really also heightens Mine's extended influence on Masato (their inability to shoot people standing still is probably going to be a new favorite comparison I hadn't noticed before LMAO).
Moving on though, that lost interview with Nakai and Tsutsumi's going to haunt me now: I'd love to be able to see it, I love actor interviews, especially when the actors featured are already so familiar with each other! It's so sweet how connected the two are- it's what makes it a little more unfortunate that we didn't get to see Jo and Arakawa on screen together more. On that note though, I actually had a similar conclusion that Jo was a solid representation of Tsutsumi's career thus far: his ability to play deep and sentimental characters that have a rough exterior while also possessing some action to the role that he initially sought after in his career really encapsulates his ability as an actor! All in all, I'm glad that Nakai and Tsutsumi were able to have strong connections to their characters in Y7- and I can't really argue against Nakai's dad-typecast: there's just something about him that screams 'father' to me even if, ironically as you said, he isn't a father to any kids.
#long post#fave#snap chats#i have more notes down here hi LMAO#honestly i do wonder what Just A Guy masato wouldve been like.. tho tbf before The Murder masato /was/ kind of Just A Guy#an insecure guy with issues sure but i doubt he wouldve gone on to do anything criminal/abhorrent had it not been for That Night#ah but speaking of That Night and arakawa and jo having to talk about it if always wanted to go into that on my own time#i guess more appropriately put it as portray how i imagine that scene went down but thats somethin i can think of another time#and that reminds me ! absolutely no pressure about the commission btw take all the time you need !#im excited to get to it when you are ready though i wont lie but again it's no pressure! im not going anywhere :)#honestly ill be real somehow with all of the films and movies ive seen i didnt get to catch nakai and tsutsumi together on other projects#i know they starred in Musashi together but i didnt realize their co-starship went deeper!#trying to watch japanese medias so hard sometimes because while most of it i can find easy#trying to find movies like 47 Ronin in Debt was arduous and others like Fly Daddy Fly are just impossible 😷#oh well- that just means i have to be extra grateful for the films i have access to#speaking of tsutsumi's characters' mortalities tho ngl one of my favorite roles he plays is toru from Pure (1996)#and him Spoilers dying via metal pipes still guts me it makes me laugh more than it should ☠️☠️#then there's the 'fakeout' deaths from Meishi Game and Why Don't You Play In Hell#or. at least i /think/ the latter was a fake out.... im p sure hirata's just so delusional he's imagining everyones alive#unimportant tho Again im just prattling down here LMAO#one more thing i wanna ramble on is about how jo and arakawa handle aoki's abuse- and its going back into personal anecdotes oopsie#more specifically on how arakawa becomes the main subject of aoki's anger because jo is considerably more docile#at the very least it reminds me of whenever one of my sisters would be in trouble so they'd dodge home leaving my to get yelled at LMAO#rip RGGJo hes stuck in a coma PLEAAASE truly in nature with a tsutsumi character to just. Die ☠️#and lest i neglect catboy canon sawashiro please im howling. that just reminds me of the post bout the sad and old catboy#do i sound insane i think it was the one where theyre sitting at a bar and after drinking they just knock their glass off the table#anyway poor sensitive nose jo cant take him anywhere- allergies are probably going to act up or something lmao#but im running out of tags at this point. thank you for allowing me to talk so long- and im always happy to hear from you !
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fordanoia · 2 years
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Fandom: Gravity Falls || CW: Minor mentions of Blood ��|| Stan comes to Gravity Falls, but when Ford doesn’t show up he has to go looking for him. Amidst, a strange house and a mysterious presence he tries to figure out what exactly is going on and where Ford disappeared to.
Chapter: Answers
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