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#i should probably rewatch it because i haven't watched it in years so i'm sure there are a lot of scenes i didn't catch or understand
annie-himym · 2 years
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thank u. Godzilla '98 was my fav movie as a kid too. Everyone I've told that to thought I have horrid taste but now I know am right
A lot of people think that but i don't get it, it's such a good movie!! I'll admit that my opinion might be skewed because it's the only godzilla movie i've ever watched but i loved it so much!
My favorite part was when the eggs start hatching & the "baby godzillas" start eating people. Like, the scene where they take the elevator and when the doors open they've accidentally ended up in a floor full of godzillas? The scene where they throw all the bouncy balls on the floor and the godzillas start slipping? It was funny & scary and that's all i care about honestly.
Also Nick Tatopoulos was so cute :D
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I had coffee my thoughts are all over the place it's not gonna make sense and I'm probably gonna change my mind about some of the things I said later but here's my ramble.
I'm so mad right now. There's so many things that piss me off with Peter B. I keep thinking about all the mess he keeps pulling throughout the first and the second movie. The fact that he betrayed Miles not once but twice BUT THREE TIMES (typing Miles up in ITSV, not telling him about the Spider Society or that he was an anomaly, CALLING HQ ON HIM BECAUSE HE WANTED TO SAVE HIS FATHER. Technically that's 4 but moving on.)
He refuses to acknowledge Miles as a fellow spider(which is probably why he didn't feel bad about finding Miles was an anomaly now he has a reason to not take Miles seriously.) And he keeps trying to insert himself into a mentor role when he's yet to do a whole lot of mentoring. What also throws me here is how he had the audacity to say the trauma builds character while being a mentor to help guide Miles into becoming Spiderman so Miles' could avoid the mistakes that Peter made.
I WILL NEVER BE OVER THAT CHAIR SCENE IN ITSV. How is it you as a grown man. A grown white man no less took a black teenage boy who you viewed as so much of a liability that you had to tie him up. And I know multiple people have talked about everything that's wrong with this scene but there's still something so haunting about watching him just nonchalantly be tied up kicking and screaming about how he wants to be let go that bothers me so much. And I find it hard to believe that this was just a scene we're supposed to just move on from. Did they do this on purpose? Was this supposed to showcase something about Peter's character that I'm not picking up on? Because I find it so hard to believe that the writers who made sure to explicitly show how Gwen's Peter is Christian because he later turns into a lizard wouldn't understand the implications of this scene.
I also don't think he's a strategic as he thinks he is. What do you think was going to happen when you forcefully tied this boy to a chair? You thought he was going to sit still? Also would you think the boy who's trying to save his father was going to do? Actually listen to your words? Sit back and be like, oh you're right I should just let my father die. (This is me going off my reasoning that he didn't plan out that one scene in ATSV. I think that he thought that because he's Miles' "mentor" he could get through to him in a way others can't. Which pretentious much?) His actions do more harm than good and it just works out for him somehow. (For instance Miles saving them in ITSV because he came late.)
These are my thoughts do with this what you will. All the stars decided to align today ig because I haven't been able to come up with coherent thoughts like this in a minute.
(I really need to rewatch itsv. So if there's anything here that I'm wrong about regarding itsv it's been like 5 years since I've seen it.)
I GET THISS SOOO HARD (I waited until I had coffee to answer this lol)
BUT YESSSSS Because like I can understanding giving Peter the benefit of the doubt, it makes plausible sense for a movie to have a certain amount of wiggle room plot wise.
But with writers who clearly understood punk enough to accurately show it in Hobie's arc, repeatedly put in the work to respect Cockney and Puerto Rican culture, who wrote every one of Hobie's lines with PERCISION - would just overlook the glaring hole in their story that is Peter.
Because we as a viewer are continually told we SHOULD look up to him and we SHOULD trust him - but in doing so they accidentally make him the exact opposite. Like.. It doesn't make sense to me.
The Focus on Jess & The Absence of Peter:
aka GODDAMN I hate Peter B. Parker [yet another rant about 'bad' writing, plotholes, and Peter not showing up for Miles or Gwen.
For example,
Jess is Gwen's mentor, and we see her mentor style is extremely different from Peter's and that's suppose to be a contrasting dynamic between them and the relationship between Miles and Peter. Okay, makes sense.
But by NOT having Peter be Gwen's mentor, the writers are implying that he didn't step up as an emotional mentor when all this given - HE SHOULD. Because he's the only adult that she knows, and she a freshly homeless teen who needs to be around people she trusts, rather than working at a society with an auditorium of adults.
But by trying to show off how much we should judge Jess, the writers have inadvertently given us a Peter who just..didn't take responsibility. That's what they're implying - that Hobie and Jess were the ones who came to get aid. And we're suppose to look the other way. I... can't do that, sir.
"Look at how mean Jess is, why not blame her-" Jess is doing her job. Where's the adult she actually knows and trusts. Can we get some dialogue about what he did for her? Or did he just do nothing?
Did they just forget to include that, or did Peter just forget to help?
For me, that's two points in the bucket. Not housing Gwen, and not being her mentor. He could've done one, the other or both.
But because he didn't, we're left asking "What WAS he doing in the Society?"
Missions, I assume. Cause he wasn't mentoring her, so he must have been off putting in legit work for Miguel, I assume.
If we're looking at the characters as full-rounded - which I would hope they are considering the depth of Gwen, Miles and Hobie, it's not a large jump to ask 'How involved was Peter in Gwen's time at the Society? Why is he not her mentor, or why is she not living with him?"
Gwen..should be staying with him. If you're an adult who knows a teen and they become homeless, and it is within your means - yeah, I do think it's a moral obligation to open your home to them, at least temporarily. If you care about them. But that aside, let's extend the benefit of the doubt. Maybe Gwen didn't want to see him.
But then the ratting Miles out thing. This, I can't get around-
Some may say that it was simply for plot development and that Lyla spoke suddenly as a mistake on her part.
And I gotta call bullshit.
Firstly, because this is the same movie where we're shown Hobie stealing parts prior to learning what the parts are for. The same film that literally animated a fight accurately to Bushwick down to the very street. Let's cut it some slack here.
And moreso - I could understand the justification that it was a mistake on Lyla's part.
If Lyla was human. She's not.
She's an AI, and a very sophisticated one at that. Lyla runs on protocol, because that's AI's do. She's made to do things the way that is mathematically most effective, based on her analysis and her code.
It's easy to see Lyla as just an avatar, and a comedic one at that - but Lyla is literally one of - if not the - smartest 'person' in the multiverse. She's the only one who can track Spot in real time. If Jess and Miguel need aid on a mission or with Spot, they call Lyla. And she's handled every Society mission prior to the chase.
Her speaking out of turn suddenly and giving Peter away is an understandable plot mistake, if she was subjected to human mistakes.
So far, Lyla isn't. It doesn't make sense, based on what Lyla is.
I think Lyla would know better than to give Peter away suddenly by detecting Miles' presence and still speaking out loud.
A lot ask 'What motive does Peter have for ratting Miles out?', but we also should also ask "What motive does Lyla have for ratting herself out?'
It's her goal to find Miles no matter what. She doesn't care, she kinda can't - she's an AI. She just has to find him and send Miles' location to Miguel. Her objective.
So her locating Peter without his knowledge and then giving herself away to him doesn't make sense - especially if Lyla knew Miles was that close, from a human standpoint and definitely from the standpoint of the most sophisticated AI in existence.
So I was under the assumption that - like you mentioned now, that before when he gets Miles alone, he may genuinely be trying to convince him still, but by the time they get into that space, I think that's around the time that it becomes a 'Okay, let's just get Miles back to HQ and talk about this' situation.
He genuinely ratted Miles out. In my eyes.
Because at this point, Miguel hasn't assaulted Miles. That comes later. So realistically speaking, his goal was probably to calm Miles down, and get him back to HQ however he could, and talk to him there.
Peter could've helped WAYYYY earlier.
People give Peter credit like 'Oh but he came over to Miles' side at the end-'
NO. YOU DO NOT GET A COOKIE.
Peter could've helped SO much earlier, and if anything, he was THE ONLY ONE in a position of helping.
Gwen can't do anything, like they physically restrain her when she tries to. And there's no point after they come to HQ that Gwen has the chance to turn around and help Peter.
Gwen doesn't get that chance. Peter DOES.
Had Peter helped Miles HERE, IMMEDIATELY, Miles would've gotten away without being assaulted by Peter.
If Peter had turned around and changed course in this moment, Miles would have been better off.
Fuck Peter B. Fuckkkkk hiiiimmmmm. NAWWWWWW
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If Peter had let him go here, or helped him escape - Miles wouldn't have been taking hits up on that train. That's crazzzy.
But he wasn't trying to help Miles escape. If he wanted to, he would've. He could've just said "Matter of fact Miles, I think setting the WHOLE Society on you is a bizarre move and you should probably get out of here until Miguel can calm down and I can talk to him."
But he was like 'Nah, hold my baby. Matter of fact lemme tell you story in this pivotal moment when you're actively in danger. Here, look at me. What do you mean - I'm not stalling? I didn't rat him out on purpose.
Like either you did. And even if you didn't you didn't help him when you were literally the only person in the universe who could. In fact, he got away slower because of you. Lovely.
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Peter is a grown man. He's not an idiot.
He knows Miles is in active danger. Why would an adult turn the conversation in that direction - about his baby - KNOWING Miles has no time.
As soon as Miles got his hands on MayDay, Peter is trying to change the conversation. Suddenly he's joking and laughing.
Even though Miles is freaking out. Why is Peter joking? He knows this isn't a joking situation. But here he is wasting Miles time, either accidentally or intentionally.
Because that'd be some good ass stalling.
There was nothing stopping Peter from helping him leave. But Peter was still on The Society's side, so he didn't. If he was on Miles' side, he would've helped him. He should've, but he was still for Miguel, because at this point Miguel hadn't assaulted Peter yet.
Congrats, Peter. Big L. Humbling Reality Spider-man everyone.
Like combine all this. AND THEN THE SCENE IN ITSV.
LITERALLY AND PHYSICALLY PETER IS ALWAYS HOLDING MILES BACK.
You cannot expect me to believe that the writers of a movie I can write 10k+ words about, just so happened to leave these two glaring plot holes for ONE character.
That I'm just suppose to ignore that Peter restrained Miles, a black boy, in ITSV. That he betrayed Miles for months, wasn't very active in Gwen's time at the Society, and he actively hinders Miles escape - if not actively ratting him out.
It baffles my mind.
It doesn't make sense, that these writers can write Hobie, Jessica, Miguel, Officer Stacy, Rio, and Jeff as fully rounded, well-thought characters. But for some reason, when it comes SPECIFICALLY to Peter B. - they just forget how to write. They just stop thinking about him the second they don't look at him.
IN BOTH MOVIES?
I don't buy it.
To have every other character be thoroughly thought through but have one of, if not these most iconic character full of plot holes...
I think the likely answer is they wrote him that way on purpose and he's just a bad person.
I'm sorry, and I'm laughing while writing this but like.
Either Peter is the ONE singular character who has a series of emotional plotholes - or he's just a bad mentor. It's one or the other. And it's open to interpretation.
But I wanna cut the writers some slack and say, No - they thought it through. And No, Lyla did not just randomly speak out of turn, he contacted her first off-screen before she replied to him.
And by waiting till the very end to come around, waiting until the person who looks up to you is deeply wounded to finally turn around - that's the same arc Officer Stacy goes through.
And we're not supposed to clap for him. It's lovely, but he doesn't get an award. And neither does Peter, not at all.
Maybe if had helped Miles escape in that moment. Maybe if he was Gwen's mentor or he housed her.
But as far as we know he spent those months of Gwen in the Society doing fuck all. We've seen no sign of his contribution anywhere.
And in a story about mentorship, that says something.
Anyway. This is long. Again fiosfgihrgirturetuier I'm SORRY
Once again, Fuck Peter B. All my Hobies hate Peter B. (not a typo)
He's worse than Jess.
And he's not worse than Miguel but I like Miguel more and it's not because of the ass that's just a bonus Miguel is cool (but also very wrong. but like personality wise we're cool).
Ummm I feel like I got off track here. Oh well!!
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Damn he be doing Miles dirty. SMH
Bye.
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bunnakit · 5 months
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last twilight ep 5 thoughts feelings etc.
eyy actually watched this earlier and rewatching it, so things should be a little less feral and unhinged. actually took notes my first watch through as well (wtf am i doing)
once again i love how stories are our constant companions in this show. i love how they keep playing with the parallels between worlds, it's one of my absolute favorite things in storytelling.
i love the fact that day is now 'invisible' in the world of badminton but he can still experience all of the joy of the game by supporting his friends. badminton was such a big part of his life and he doesn't have to leave it all behind, he just experiences it a little differently now.
film is so fucking pretty even covered in 'sweat.' i do love the show let her be 'sweaty' and disheveled instead of having perfect hair and make up after what was clearly a hard game. GIVE ME SWEATY WOMEN. (god im so gay)
so i said it last week but the only time we've ever seen mhok be violent is when he's been protecting the people close to him. (his garage bro, porjai x 2, etc) and we see him ready to do it again when august confronts day. there is no doubt in my mind that mhok was fully prepared to bury that bitch for even daring to make day the slightest bit afraid.
and god how scary does that have to be? you can't see, you're already nervous to be here, and suddenly someone is shouting at you - and maybe you don't recognize them at first because you haven't heard their voice in over a year but all you know is they're coming closer and they're so angry. i can't imagine anything scarier than that.
ahh, a broken picture frame representing a broken bond, an absolute classic metaphor. an oldie but a goodie.
once again i love that we see day's rage. anger really is such a big part of coming to terms with being disabled. i got some bad news a few weeks ago about my own disease and i've spent the last few weeks so angry and frustrated and then just sad. it's such a complex journey and the show is doing an absolutely brilliant job of showing that.
i do owe day's family a small smidgen of an apology since day is the one that asked it to be kept a secret, HOWEVER, i do think that conversation should have been revisited after a fucking year. how long were they just going to let him live in isolation? like cool for respecting his agency, not cool for letting him waste away in a tomb of his own making.
FINALLY WE GET MHOK OPENING UP.
so here's the thing with mhok. i love him. no - the real thing is i see so much of myself in him. my friends and family constantly get frustrated with me because i will never tell them when something is wrong or when i'm shouldering a lot of emotions about something. when i got the bad news about my disease i hid in my office and cried at my desk and then cleaned myself up and pretended nothing happened. fuck, i feel like i understand mhok on such a deep level.
not to get too into it but my own habits stem from neglect in my formative years, and i have to wonder if mhok's behavior maybe stems from his isolation in prison? oftentimes people with these behavior patterns will self isolate, either deal with or bury their emotions, and then emerge back into their friend group as if nothing happened. (am i talking about myself again? shhh.) mhok didn't really have a choice - sure you can write letters, have visitors, but a large part of his day was probably handling his grief in solitude. he's probably gotten so good at "handling it" and pushing everything down and dealing with everything in silence that he doesn't know how to handle it any other way now.
to make things worse, it happened over a year ago. he probably feels like he should be "over it" and not make it a big deal. maybe i'm projecting just a smidge (just a lot) but i do think it's something interesting to keep in mind. either way, him finally talking about rung to day is fucking MASSIVE, both for their relationship and mhok's emotional wellbeing.
august is fucking king of mixed signals and i don't super like that he looked for mhok's permission to lead day through the court. why the fuck are you looking at mhok when you could just ask day? if you look closely, as mhok is letting go day curls his fingers around the hand that mhok uses to remove his hand from his arm.
i do love we see mhok pushing day a little more out of his comfort zone as he did in earlier episodes.
porjai is so fucking pretty. is there anything more attractive than a woman in shorts and an oversized band tee? no. no there is not.
and again we see how much time and effort mhok has put into being day's caretaker - and his friend. he did research and learned methods that would make dining out easier for day. i love him so much! i don't know how day could still be thinking about august after that adorable little date.
UGH OKAY SO. HERE'S WHERE WE GET INTO MY BIG FEELINGS.
in my opinion, the theme of this episode has been "being late." here's why.
the boys were very nearly, or were, late to gee's badminton game
you could consider mhok 'late' to tell day about rung
day thinks he's too late to confess to august
mhok realizes he's come into day's life too late to receive his affection
and then we have august's literal late arrival (i still dont know what fucking game this jackass is playing)
this also ties in to a little trend i've been noticing in regards to mhok that oftentimes he's too late in life.
he was too late to save rung, and learned of her death late
he was too late to receive the mechanic job as it had 'already been given to someone else'
he was a late arrival to the interview to become day's caretaker
and again, he's entered day's life too late to receive his affection (or so he thinks)
i genuinely don't know if this is intentional, but i think it's something interesting to draw connections to.
anyway, again, i dont know what the fuck august's deal is but i can tell you if i was day i'd be getting over my feelings for him real fucking quick. i don't super like that august shows up, hears about day's feelings, and asks mhok to keep his being there a secret - but i do understand it and i do understand mhok's side of things. i don't think he does it out of his own selfishness, i think rather he realizes august likely doesn't return day's affection and letting him think august didn't show up is possibly the kinder of the two scenarios. (my only hope is we don't see august return and try to woo day or something later with this knowledge)
i do love that mhok stayed. he was concerned and it might seem a little overbearing but day was clearly nervous for this outing and all in all it's good that he stayed. and then he made sure to salvage the evening for day and take him out on a proper date. maybe it's not the date day wanted but it looks like he had a great time (perhaps even a better time) spending a day with someone he could relax and be himself around.
flowers have so many different meanings across cultures and tbh i'm far to tired to dig into the thai meaning of hydrangeas (if there are any) but i do think hydrangeas are neat. this is prob common knowledge but the color of hydrangea petals is determined by the ph balance in the soil they're grown in. (blue hydrangeas grow in soil with a ph balance of 5.2-5.5, far more in the base range than red hydrangeas that grow in a ph balance of 6.0-6.2, and once the soil reaches acidic levels it tends to produce pink flowers) i guess maybe if you wanted you could draw a connection to how malleable mhok is becoming and how his environment is changing him.
scientifically, sunflowers are also an interesting flower because they are often used to heal damaged and irradiated soil. they're so fucking resilient and help heal the world around them. i think there's a lot of connections we can make there with both mhok and day, regardless of flower symbolism and going purely on science.
anyway sorry to be a science nerd.
that's all ive really got for this episode, i say, as if i have not written you all a novel. this show continues to make me feel so much and tickle my brain in such a delightful way. between this and moonlight chicken p'aof has definitely made me a fan for life.
tag loves: @benkaaoi | @callipigio | @lookwhatihave (once again pls always feel free to lmk if you want to be added or removed)
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eriexplosion · 2 months
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I might be able to finish tonight so I'm doing The Summit. We're getting closer to The Episode.
I haven't rewatched this episode since it aired so this should be interesting knowing the ending of it.
I'm curious about Echo's contact specifically that apparently knows what Hemlock is doing but doesn't know where Hemlock's base is.
The thing is that I didn't realize at the time obviously but this whole thing is a complete side mission, it doesn't need to happen in order to move the plot. They don't manage to complete the mission, so it didn't need to happen to find Mt Tantiss, it literally is a two episode side trip dedicated entirely to dropping Tech off a tram car and injuring Omega, so the whole 'there had to be consequences!' simply doesn't hold up to me.
Also I just don't think we're going to validate Hunter's opinion that they simply shouldn't go
Love how aggressively NOTHING gets resolved by this moment with Phee and Tech. If they had spoken to each other about their feelings and decided that they felt something and wanted to explore it when he gets back that is evidence that he would be doomed immediately.
"Don't run off with any pirates or smugglers while you're gone" come on this feels like the most heavy handed foreshadowing ever. But the way that they had a full bit to... NOT resolve the narrative line they started with him is insane to me.
Also still remembering how much people lost it over this extremely tame scene because no one can just be normal about Phee.
"Just like old times" Wrecker it's been probably a couple months not 5 years
Every part of Eriadu that we actually see the ground of is covered in trees, so it's probably similar wherever Tech landed - notable mostly because we saw that Hunter slowed down significantly when he fell due to the tree cover.
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This is I think our only glimpse through the clouds and most of what's directly underneath them is obscured by... more clouds. Looks rockier down there but they could have some further trees down there.
"We must be precise" *EVERYONE LOOKS AT WRECKER* I love when some of the most devastating plots have the funniest moments.
Love to see them infiltrate when they know there are no clone troopers because suddenly they begin to MURDER INTENTLY.
GOD I HATE HEMLOCK. HATE. THE WAY HE TALKS ABOUT CLONES.
I admit it is a little harder to watch this episode knowing all they accomplish is tossing Tech off a tram car.
LOVE ECHO'S IDEA OF A DIVERSION and also Wrecker stomping that poor mouse droid
Saw time!
One thing I find interesting is in Aftermath the only two that Saw talks with directly are Hunter and Tech, and here Saw only encounters the two of them. I really am growing more and more attached to the idea that Saw somehow found and got a hold of Tech, leading to Hemlock only finding the glasses. Saw challenges their viewpoints, but Tech could challenge him back I think.
Interesting that Saw's view is 'sacrifices are necessary for the greater good' too given what Tech does shortly after. Literally I want to see Saw and Tech throw things back and forth without the imminent risk of death or capture.
Human shield is fine but again, can't show Tech's body, because kids, sure.
We do see Saw blow the place from the shuttle but I don't think we see where the shuttle goes from there, not in this episode at least.
It's getting late so I guess I'm actually doing Plan 99 right after work tomorrow, which is probably a good thing I do need to sleep tonight.
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funforahermit · 1 day
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i want to seriously start watching things from my watchlist - do you think it would be a good idea to marathon through all of these (or some of these) simultaneously? the list currently includes:
Warehouse 13 wanted to watch it for ages, finally started a couple years ago but got stuck again somewhere early in season 2 for unknown reasons. has become a little bit urgent now because a tumblr user i follow is gonna watch it for the first time soon and will probably blog about it.
The Dragon Prince i used to love it so much, but somehow still haven't seen season 4 or 5, and at this point have probably forgotten a lot from the first three seasons as well, so i would start at the beginning again.
Game of Thrones listen i know it has major problems, but my interest has awakened anew since one of my favourite reaction channels on youtube has started watching it. i don't even really remember when i stopped watching the first time around (around season 4 or 5 maybe??) i would like to rewatch it and maybe finish it this time, just out of curiosity. and maybe check some fandom wikis or something to find out which things are different in the books.
Avatar the Last Airbender i always put this one off because it feels so important and i want to do it justice. i'm not sure if i should mix it with something else.
any thoughts would be appreciated!
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your-name-is-jim · 2 years
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My Favorite Kirk/Spock Fanvids on YouTube
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There are some fanvids that I rewatch a lot on YouTube, so I decided to make a list of Kirk/Spock fanvid recs for anyone interested!
Of course, this list is based on my personal preferences, so I should probably let you know that my favorite videos always have at least a little bit of Old Married Spirk. I just love them in TOS movies so much!
Anyway, I'll start with the least "famous" ones and end with the most popular, so I hope you'll find something you haven't seen before!
Bring me to life by thesadchicken. Based on The Search for Spock, you can imagine why. The song is probably an obvious choice but it's perfect. :) It's always good to see underrated scenes in K/S fanvids like Kirk fighting Klingons.
Landslide by RhaegalKS. The real OMS! Focused on The Undiscovered Country era mixed with flashbacks from the original series and the previous movies. Very nostalgic.
The Wrath of Khan (Slash Trailer) by EimeoMoon. Just amazing! The creator called it "slash trailer" because it's a fan trailer focused on Kirk and Spock's relationship, but seriously… where is the lie? :)
Kirk/Spock: A Love Story by EimeoMoon. If you want to be emotionally compromised, that's it, that's the right fanvid. No singing, just the music and the characters' voices telling Kirk/Spock story from the very start of TOS to Spock Prime (just a cameo, there aren't AOS characters). Also no Generations because what's Generations? :D Kirk and Spock had a happy life together and it makes me cry.
A Thousand Years by bellizaria. Another great fanvid for K/S fans who want to be emotionally compromised, this time with some AOS too. It shows Kirk/Spock relationship through the years and the universes (again, no Generations). The song gets stuck in my head every time I rewatch this video, so I end up thinking about Kirk/Spock a lot and I have feelings, okay? :(
HAPPY BONUS:
Rock N Roll by xxLornyTunesxx. This is not labeled as Kirk/Spock so I didn't put it on the K/S list, but I'm sure shippers can enjoy it anyway! It's a tribute to TOS movies, so obviously Kirk and Spock's relationship is there among the other things. I wanted to end on a happy note and this video is perfect for that. I don't know what it is that works for me, if it's the combo Avril Lavigne + Star Trek or something else, but this is my comfort fanvid. I rewatch it every time I want to cheer myself up, so I hope it'll work for you too!
Well, that's all. :) Thank you for reading my list! I'd love to know if there are fanvids here that you liked! Did you already know some of them? Did you find something good to watch? I'm curious! :D
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ro994art · 1 month
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A very specific nitpick I have with 'Megamind vs. The Doom Syndicate'
I don't do text posts here very often. This feels odd, let's just get on with it.
I was originally going to write down a full-on review expressing my utter disappointment and disgust dislike towards the horrible and cheap "sequel" to my favorite Dreamworks movie, Megamind. A sequel which, by now, we all know was nothing but a glorified extended pilot for a Peacock series that I have not watched, but it honestly looks just as mediocre, so I have no current plans to.
Hoooowever, I have since seen many reviews of this "movie", most of which have been able to express my feelings and thoughts pretty well. So it felt like I didn't have much else to contribute to the discourse.
Except for one thing that I have not seen anyone talk about (or maybe they have talked about it and I just haven't seen it), and it was one of the things that bothered me most about the film. So this post's entire purpose is to publicly point it out.
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No, I'm not talking about Keiko herself (although yes, she was my least favorite character and completely ruined the movie and this franchise for me thanks for asking). It's more the purpose of her character.
You see, and allow me to put my cranky old lady pants for just a moment, I believe most people have been able to guess that the entire reason this character was put into the movie was to be a target audience insert. So the 8 to 12 year-olds watching can go "Hey! This character is around my age and has the same interest as me! I'll keep watching for her!" (Do no ask me how well that's going because I personally do not find the excecution of it all that great, but I digress). And although, as a more mature viewer and long-time follower of the franchise, this does feel a bit annoying, having this kind of character when you're trying to appeal to a new audience is, technically speaking, not a bad thing in itself. And when executed well, this can totally work.
But here's the problem.
It makes no sense for a character like this to form part of Megamind's story.
You see, my friends, for those of you who have not seen this movie (which, for your own good, I sincerely hope is the majority of people who are reading this), "Megamind vs. The Doom Syndicate" is VERY explicitly supposed to take place two days after the events of the first movie.
Just two days.
This is explicitly said at least two or three times in the first act of the movie alone (I value my sanity too much to rewatch the film to double-check that fact, but I'm fairly confident in that).
If you all remember, the masterpiece known as the original Megamind movie came out in 2010. Therefore, the most logical thing to assume is that the events of the film itself also take place in 2010, if not before that, right? It's never explicitly stated, but since there is nothing that confirms or denies this, I think it's the default assumption we as an audience should make.
Now, I did not own my first cellphone until the year 2012 when I turned 13 (don't make fun of me for that fact), so, correct me if I'm wrong. But I don't think in 2010, we were seeing thing such as:
Smartphones like the one Keiko has throughout the film,
People using said smartphones to make livestreams in which people leave likes and comments in real time,
Kids who are content creators gaining half a million subscribers in TWO LITERAL DAYS (I cannot stress this enough) by getting information and newsflashes from goodness-knows-where,
App equivalents to TikTok and Instagram with as much popularity as we saw in this,
And overall, just social media getting the same treatment and functioning the same in 2010 as it does in 2024.
I mean yes, in 2010, things such as the ones I listed above were probably beginning to take popularity and to become a thing. But they surely weren't as well-established as they're being presented to us in Megamind "2".
This cheapquel "sequel" is suppossed to be only two days after the first one, and yet, everything that revolves around THIS KID'S existence suggests to us that we're in the 2020's era of internet, influencers, and social media. Heck, the earliest I could buy any of this believably happening is like, 2018. 2015 as a stretch.
We went from 2010 to (at least) 2015 in two stinkin' days.
No sense whatsoever.
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Logically speaking, there's no way TikTok Childstar Keiko was even born in the year the first Megamind took place. Like, her birth year is 2011 at the earliest, and you can't convince me otherwise. Why do you even exist two days after Megamind was renowned as the hero of Metrocity? Please go back to the womb.
(That got personal, sorry. This kid gets too much on my nerves)
"Well, TECHNICALLY since it's never stated when the first Megamind took place, nothing's stopping them from making it so that it's been 2024 all along"
If that seriously does not sound like gaslighting your audience in order to force "hip" references that resonate with the kids watching almost a decade and a half after the original film came out to you, then I don't know what does. I don't even care if "you're not suppossed to think too hard about it" (which is a lame excuse for lazy writing btw), just watching both movies back-to-back, the tonal differences and any chronological references just clash way too much for me to buy this as a legitimate follow-up taking place in the same universe, same city, and even same week.
So yes, "Megamind vs The Doom Syndicate" sucks, and the inclusion of this character and this anachronistic plotline, for me, is a huge reason why. It's insulting to the audience and a clearly desperate attempt to appeal to a new generation of kids that frankly, if Megamind had gotten a genuinely good sequel, they would've liked it all the same, even if it didn't include a 12-year-old TikTok influencer with a half-baked personality and forced role in the story. Because seriously, don't even get me STARTED on how forced her joining the gang felt, holy crap. 😓 But that's a tangent for another day. Maybe. Maybe not. Maybe I'll just leave this meme here and move on.
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This was, of course, only one of many flaws this movie had, but I feel like other people have ranted enough about how the writing, character portrayals, poor animation, bad humor, and lame attempts at world-building did the original Megamind dirty.
Here's hoping one day Dreamworks wakes up, thinks smart, and decides to give us the Megamind 2 we deserve, so we can all happily toss this... project, into the realm of non-canon media, where it belongs.
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zonedelicious · 29 days
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Defending Ben 10 Alien Force Season 3 With My Life!
(An analysis of Ben's character and why I find it consistent up to this point)
This essay thingy is part one of a bigger project where I rewatch all of Ben 10 and look back on the series. A sort of retrospective.
Originally I wanted to watch all the shows, and then write one big post. But I decided to do it in parts to make it easier. And since the final season of alien force is largely hated, I thought I should focus on it specifically (since I have very different opinions than everyone on this).
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Now when starting I did expect to see Ben's character be inconsistent, going from classic, to alien force, to season 3 of alien force. That is the popular opinion online and the one I had as a kid. Ben goes from childish kid, to mature teen, to an even more childish kid.
So I'm sure a lot of people are going to be shocked when I say that not only do I completely disagree with this perspective, I found Ben's character strangely consistent through both shows and I think he only becomes more nuanced and interesting by the end.
First I think most people who say Ben is either childish, or mature, or a psychopath, don't really know what these words mean, or don't even understand how Ben's character traits work.
(the psycho thing we'll get to in the next post since we haven't gotten to ultimate alien yet)
Does being mature mean you can't be petty or selfish sometimes? Does having negative traits automatically make you a child? This is the kind of flaw in ben 10 discussion I have noticed with this rewatch, we associate bad traits with regression and good traits with development. But that is very shallow way to look at fiction. Characters can have more than one trait, they can even have conflicting traits. And character development can also include negative development.
I think Ben's maturity is something that's greatly overstated, because his personality in Alien Force is a trait he has shown in the classic series many times. And by boiling him down to childish and mature Ben, it takes away a lot of the nuance he has as a character.
So enough about that, let's go back to the beginning.
Ben 10 (the original show)
The start of the series shows us that Ben is a kid who just wants to sit back and enjoy life, but hates bullies and wants to help others. And also he really loves his grandpa (this is a clue that will help us later).
Throughout the first season Ben struggles with being a hero. He struggles to differentiate helping people selflessly, and helping people because he gets a kick out of it. For a 10 year old his behavior is very realistic. Of course he wants to be seen as a big shot and be validated for his actions.
It isn't until Max is hospitalized that Ben finally realises the dangers of the world he's in. That's when we see Ben drop the hero act and turn into a scared kid. We see him at his most vulnerable. The first look at the real Ben.
Ben and Max fight a lot in the original show, but despite that Max is probably the most important person in Ben's life. Even more than his parents. And I think it's largely because Ben wishes he can be more free like his grandpa. Living in an rv and going wherever you want. So losing Max for 10 year old Ben is the worst thing that can happen to him. He not only looks up to grandpa Max, he idolises him and wants to follow in his footsteps. Which becomes more obvious once Ben finds out about the Plumbers. And now season 2 is about Ben becoming an even bigger hero.
The first season definitely has the most consistent narrative of the classic series. I think Ben doesn't really learn much until the movie. He does learn to be closer with his family, but there's no real challenge for him like the first season. People will say this is the show recycling his character arc, which I sort of get, but it's not the same to me. Ben isn't being challenged on the same level, he's just going through episodic cartoon plots. A lot of it isn't serious so Ben isn't really being serious. To him he's the cool alien with a badass grandfather and can solve any problem. It's all a fun adventure to him.
Even when he meets his future self the message is that Ben being a kid and having fun is what makes him Ben. It's future Ben who has to learn to have fun and be a kid again. A clever twist on the time travel trope.
Despite that Ben is shown to be more responsible with the hero stuff. He tries to help others not just by literally saving their lives, but also talking to them, or standing up to villains. Kevin being the best example. Ben tries to befriend him many times, but will also risk his own life to stop Kevin from hurting Gwen. Which at the moment Ben didn't even have the Omnitrix at the end of season 2. We see that despite being a kid he's also gotten braver.
Another note, Gwen and Ben have a pretty good relationship from the start. While they do fight it's never anything serious, they're just being kids and fooling around. The kind of childish arguments you forget in an hour. Yet they're very close and love goofing around together. You can tell that they care for each other despite the petty banter.
Of course once we get to the secret of the Omnitrix (the true ending of the first show imo) Ben's character is finally given its conclusion for the classic series. Here Max's role is swapped with Tetrax, Ben looks up to Tetrax in a similar way, and while Tetrax is friendly, he's also the guy who really knows how to get Ben to reflect on his actions. Once Ben thinks he has lost Gwen he is back to the scared vulnerable kid. We see all his aggression, how he blames himself, how all that weight is really hard for him to process at such a young age.
What's even better about this is how the movie starts with Ben causing trouble for Gwen and they get in a fight. But Gwen still sneaks into Tetrax's ship to help Ben. So losing Gwen is not only him losing his cousin. Ben's losing someone he felt responsible for. He's failing Gwen, himself, and grandpa Max all at the same time.
Of course Gwen is alive but it doesn't change that Ben has finally opened up about his insecurities and we finally get a full look into his inner self. Which brings us to...
Alien Force, the show that made Ben mature (or did it?)
Now remember everything I said about his character? Now think about the plot of alien force. Ben realises his grandfather is missing, there's an alien conspiracy that his grandfather entrusted him to solve, and even an old foe is there he needs to ally with.
Ben is essentially forced to take up the role of grandpa Max in the story. And for a 15 year old that's a lot of pressure to take.
I'd say Ben's character shift for Alien Force is not only organic, it's the natural follow up to his character arc in the classic show. As someone who's always seeking validation now finally being put in a position where he has to be the person he always looked up to. Sure the stakes were high in classic, but Max (and Tetrax) was always there to help and give Ben motivation.
There's an aura of tension early on as Ben still doesn't even trust Kevin. He doesn't understand the new Omnitrix or the new aliens. He has to watch max die and still keep his cool. Because he was trusted this role and can't let Max down.
I don't think Ben matured, he was forced into a role of being the mature adult at 15.
Even Ben's parents are mad at him for doing all this. As they should because Ben is still a kid. He shouldn't be risking his life. He should literally be at the club. The first thing he does before he puts on the Omnitrix again is talk to Gwen. Because he needs her help. And Kevin. Later from other plumber kids too. He isn't doing it all by himself, and he understands that he can't do it alone to an extent. But despite that there's still that urge to be the leader. The one who has to be in charge all the time. He wants to prove himself after all.
Ben's ability to befriend others, is ultimately his strongest trait in the first 2 seasons. It's what ends up saving the universe after all. Something that wasn't all that present in the original show, but can be seen through characters like Kevin, who Ben tried to help many times. And now he's his best ally.
A lot of this is very subtle, and some of it might even be my own interpretation of the story. I don't know if the writers intended all this nuance I'm describing. It is only interesting to look back and analyse it.
The mystery and the slow lumin threat of the highbreed is a good plot for Ben's arc of taking up responsibility. It's something he can't directly solve as easily as in the classic show. Where in the classic show any problem he faced was over in 1 or 2 episodes. All mystery was behind the scenes with him not being aware.
But now it's different. The mystery comes crashing into him. He literally got a football medal the same day he found out his grandfather has went missing because of a secret alien invasion that's been going on for a long time. Again the pressure he's put under comes at him suddenly and he has to adjust to it all in the moment. He's 15 years old.
And despite all odds Ben comes through and stops the invasion, saving the entire galaxy. With the help of all the people he befriended of course. Ben finally proved himself to his grandfather and to the entire universe that he is worthy of being a hero. In the classic series he showed he was a hero, but was still a kid who had learning to do. But now he proved he can stand on his own as a man at age 15.
So naturally Ben took a break.
The part where I shamelessly defend season 3 with my life
The shift for season 3 is off (especially when the first episode starts with an argument we have no context for) and I understand some of this was a mandate, yet I love it. It's a strange shift at first until you start to think what is actually going on in Ben's head.
He finally did what he always wanted to achieve. Become a great hero like his grandfather. The galaxy loves him. And all that validation is more than enough to tell him to relax for now.
Ben had to take a break after all the pressure that was placed on him. He needed a break. He needed to be a teenager again who watches cartoons and has fun. It's important for his mental health after all.
Of course this is a cartoon and he isn't real. But this analysis isn't about that, it's about trying to understand what kind of person Ben is.
Still i do not see how Ben is stupid or childish in these episodes. Relaxed and silly yeah, but in a teenager way, not a 10 year old Ben way. With the gold poop episode for instance I went in expecting to hate it, but now I love it. It's a decent mystery, and Ben's chill attitude makes sense for the situation. It's a celebration and Ben loves to party. Of course he'd be silly with the little aliens.
What I have noticed however is despite Ben being relaxed he's still pretty clever and mature throughout season 3. His quick thinking is actually a major part of this season. With it being directly referenced and even being how he saves the day at the end of the season. I did not expect the show to directly point out Ben's most useful trait and then focus on it durring what's basically his downfall arc.
To reference a few times Ben does this in this season:
In the vreedle episode, Julie emergency calls Ben and Ben shows up seconds later. He didn't wait to think, he arrived as fast as possible once finding out she's in danger.
In the episode where Ben is trapped in the null void without the Omnitrix, we see him actually surviving and doing smart things like covering himself in mud so he won't get spotted.
In the plumber kids episode, Ben is playing the role of the villain mastermind and he has to quickly adapt to the situation and train these kids while not breaking character.
In Charmcaster's debut episode, Ben calls out Kevin for not trusting Gwen. Ben being the mature one in this situation.
We see Ben hasn't changed at all from previous seasons. Season 3 having some of his best moments even. What has changed is the context and circumstances of his actions. He's trying to stay cool and simple because he wants to live his childhood stress free, even if the universe keeps calling him back over and over again, he wants to stay a kid. And that's interesting. We haven't seen that in ben yet. In the classic show he was trying to be a big hero. But now he's tired of all that weight on his shoulders.
Unfortunately the universe keeps calling for his return. The moment Ben tries to relax Vilgax is back. He has taken over 10 planets. And has killed the galactic enforcers trio (they are 100% dead he literally killed 3 side characters just like that). And Ben of course does the reasonable thing and tries to hack the Omnitrix yet again. With horrible results.
People try to use this as an example of Ben being dumb but you gotta realise he's panicking and not thinking straight, and the result is him causing a mess for himself and Kevin. The show is aware Ben is in the wrong here and his actions have consequences. The rest of the season will spend its time exploring Ben's actions and how his quick thinking is both his strongest weapon, as well as his biggest flaw.
Anyway the fight with Vilgax is brilliant and really shows how much Ben had grown. With the return of Diamondhead being both nostalgic and a great way to show his growth. As well as giving Ben another victory that increases his huge ego.
But I must also mention the visuals being beautiful themselves. Season 3 of Alien Force has a subtle upgrade in visuals that I never see mentioned. Everything is more colorful, backgrounds more interesting, the animation more smooth, and the storyboarding is simply wonderful. Don't know why people never talk about this. I guess it will ruin the narrative this is the worst season ever made because of like 4 boring episodes. But I digress.
Still apparently people hate this fight too and claim this scene RUINED Vilgax. How? The only argument I see is he got defeated too easily which.. Have you watched the classic show? Vilgax gets defeated in one single episode by a 10 year old. Vilgax is actually stronger in Alien Force if anything. I don't get how this ruined him at all.
Don't get me wrong. I also prefer his original design and personality. I think this was a poor choice to change him so drastically when the point was bringing back an old foe. But that doesn't mean he's weak. He's clearly stronger. He does a good job fighting Ben. And has even killed 3 characters that you'd expect wouldn't die considering they showed up in a ben 10k episode.
(remember when I said I will be fighting for my life here? I wasn't kidding)
The rest of Season 3 is very episodic ,which is an interesting shift from the previous 2 seasons since they didn't have to make it like this. They had more episodes this time too and cartoon network wasn't against plot or lore. So I'd say this was more of a creative choice than a mandate. Ben's more relaxed so we go back to less world ending threats. Which is good imo because the best standalone episodes are in this season.
Notably Gwen and Kevin get a good focus here (even Julie who should have been the 4th member). With Gwen's best episode so far is in this season. We get more character development for the other 3 protags. And it's very much needed.
Gwen I think didn't get much in the first 2 seasons. She did feel a bit of a downgrade from her classic self. Now however her rivalry with Charmcaster is back, she has her magic, and she has one of the best episodes in the season. The time travel episode is beautiful both visually and naratively, not to mention it's basically writen like a Doctor Who episode, and you gotta love that. But what I love more is how we see Gwen making a huge mistake. Gwen so far hasn't been writen with flaws, unlike Ben and Kevin she isn't given as much depth. So to have an episode that gives Gwen time to make a mistake and fix it, while showing all the effort she'd go through to help Kevin. It was very much needed. Her character deserves more moments like this.
Julie's relationship with Ben is given a bit of drama but in a way where they do communicate and aren't in anyway toxic. I hear this is when their relationship fell off but I don't see it. Their arguments are something Gwen and Kevin often have too and are only there to strengthen their bond. Julie definitely needs to be characterized outside being Ben's girlfriend though, but she's never in a position where she's just Ben's girlfriend. If anything her friendship with Gwen is given more spotlight. Her last appearance for the season being her hanging out with Gwen. Julie definitely deserved to be more than just a side character.
On the other end Kevin gets a huge upgrade with his story line being imo significantly better than what they originally had planned. Originally the story was going to have Kevin turn evil and I am grateful they saved that story line for a later season while this one builds up to it more organically. Here we see how desperate and insecure Kevin is. He even goes back to his more evil self at times. But never too much. His badness is due to his circumstances. He wants to turn back to human. He gets angry. He doesn't trust Gwen. He teams up with villains. But all because he's being pushed into being vulnerable rather than him turning evil suddenly. It's a good small arc that builds up to something bigger later.
As you can see I value character flaws as much as their positive traits. To me a character is less interesting if the story avoids giving them a human element. That's why the character assassination of Ben Tennyson that people talk about to me is one of the best things to ever happen to him.
One episode I HATED as a kid, but now love is the one where the gang go to an alien planet to solve a conflict between 2 identical armies. Kid me hated this because Ben kept messing up and there was no solution in the end. Now however I see the political genius that it is.
While I think this was meant to parody the political system of the US (one group being red and one blue doesn't make it all that subtle), i think the other message I got from it is showing the problems with white saviorism. Ben comes to a planet he has zero political understanding of, and decides he knows how to solve all their problems and can save the day in like 3 hours. Of course he won't and of course he'd end up making things worse.
If you're expecting things to actually be solved and characters to make logical and satisfying actions then this episode is definitely one of the bad ones. But for me, someone who likes to see how characters mess up and the story to collapse on them I really found this episode enjoyable. It's also just very funny. Ben comes off as very comedic to me in his attempt to be helpful and reasonable. He's not being immature but he's being very self centered and too up his own ass to notice that he's coming off as a dick.
I think that's what this season is focusing on. Not Ben becoming immature or childish as like a singular character trait he switches to. No, what the season is telling us is despite Ben being a great hero and a quick thinker, he's also easily able to fall into the arrogant asshole type if he doesn't control himself.
In the ghostfreak episode we even see how despite being his quick thinking self, he doesn't trust Gwen and Kevin as much as before. His ego is getting to him and others are taking notice.
Ben's behavior to me comes off as very realistic. I cannot hate a character who's flawed in a way that a real person is flawed. I don't see a switch in personality. I see one person displaying their traits in different ways depending on the scenario they are in.
So why people hate this season so much I will never understand.
Anyway let's talk about the worst episode in alien force.
Primus
Okay people you're right about this one. Primus sucks. It's bad. It's meaningless. It's confusing. And it's counterproductive for what it's trying to do. Honestly it feels like a rough draft of an episode before they actually start writing it.
Ignoring the fact that the concept itself is flawed, there's no time given to even show us Primus or make us understand it. And it ruins Vilgax's arc by giving him the Omnitrix WAY TOO EARLY. It kind of ruins the finale too since Ben giving the Omnitrix away is part of the climax of this season. Both Vilgax and Azmuth are pretty dumb this episode and it's weird watching them here. Vilgax is a bit better until he gets the Omnitrix and becomes dumb for no reason. Couldn't they just make it so Ben is the one with the key to activate the Omnitrix? Azmuth also what do you mean you turned into Rath to fight Vilgax instead of like way big? Ben isn't dumb in this one though. His trick to get back the Omnitrix is smart even though the way it was written is dumb. And we do get to see him vulnerable after losing the Omnitrix. Still this episode should have been replaced with something better and the show would have been better off for it.
This episode is brought up often because it is the weakest and if it was your impression of the season you'd think it's bad too. I don't even think Vilgax is bad this season but he definitely is poorly writen here.
So yeah this episode is very bad. Like couldn't they have replaced this with an extra Tetrax episode? That man deserves it.
Oh right Tetrax
Tetrax episode is peak fiction and I don't care about the haters. I'd argue it's one of the best episodes in the series and the fact we never got a follow up is baffling.
For starters Tetrax is Ben's real dad. Let's be real. He fills the same role as grandpa Max and so Ben has the urge to prove himself to him. That's why watching Ben fulfill the propercy of the diamondhead people and save Tetrax's planet is one of the most satisfying moments in the series for me. Tetrax destroyed his planet. He made a huge mistake that Ben could have easily made if he didn't have a mentor figure. And now once he sees he has an opportunity to bring everyone back he goes straight to shattering Ben into pieces with no explanation. (Tetrax pretty much is Ben without grandpa Max if you think about it)
This episode is a meme for the Jesus bits. but it works. It's good lore. And it's a great conclusion to a character arc and storyline.
The fact this episode is a follow up to Tetrax origin and incorporates a new alien into it is really smart. Obviously they didn't plan this at first so it's great when things work out like that.
It works as a Vilgax episode too because we see how big of a threat he is. Everyone's struggling to fight him, even Tetrax and Ben. He's not some pushover as people claim.
But more importantly Ben redeems Tetrax by saving the diamond people and that's something he wouldn't be able to do if he's some dumb kid. Ben is a true hero again in this episode. He sees what the threat is and he solves it with his quick thinking and courage. And I think it's thanks to Tetrax's presence that Ben is back to the more serious role, because he wants to prove himself to him.
(if only Tetrax had a bigger presence)
And now the ending
The ending is what made me want to take a different look at this season before rewatching because I remember how cool the Azmuth and Ben scene was. On a rewatch i was not disappointed.
For starters animation was really good and the fights with Albedo specifically were choreographed well. Kevin and Gwen were even using their powers in a unique way.
Then we have Vilgax weakening Ben by taking away Gwen and Kevin. Seems simple at first, but when you think of the narrative of this season you realise it's about making Ben vulnerable both physically and mentally.
And once Ben loses the Omnitrix he has a full mental breakdown and this entire sequence is one of the best moments in Ben 10 ever. The way he runs off into the forest. The small chat with Gwen. How he begs Azmuth for help. The little mutual understanding at the end of their argument. It's peak fiction at its most peak fictionest.
For the entire season Ben tried to relax, he tried to be more straight forward, not looking for others for help. But now he's back at being the vulnerable kid he was at the start of the entire series. And I think it's not just that he lost his powers that's hurting him, but that he's also taking out all the pressure he had building up inside. And now he's asking for others to help him.
This moment makes this season work for me. We see a deconstruction of sorts of the kind of person Ben is. Not mature or immature. But this kid who wanted validation until the pressure was too much for him. He tried to act cool like nothing happens. But then he messes up and he's the one who needed to be saved.
This emotional moment was what Ben needed to come up with a genius plan. Go to Vilgax's ship and activate the self destruct feature of the Omnitrix. Honestly I forgot about this part on my rewatch so it came out of nowhere for me. Ben making a bomb threat as his great 4d chest move? You just gotta love that. Remember he's got nothing on Vilgax right now. Vilgax can easily kill him. So for Ben to confidently come in and threaten to blow up the Omnitrix, that he cares about too, it takes courage.
If there's one thing I'd change about the ending it's bringing back Tetrax. He seemed like he would be a part of this and it would have probably mad the mental breakdown of Ben Tennyson more impactful if Tetrax was there too. Or maybe I love this minor character a bit too much. Maybe way too much I admit.
Conclusion
For me what sells season 3 of Alien Force is Ben's character downfall that builds up to this ending. It's not just that he becomes dumb and then is told to stop being dumb. It's that he's struggling in the role of hero. He's struggling to be both the serious badass and a goofy kid. And letting go of the responsibility and trying to act normal only created a different kind of pressure.
Ben for me is a character who was forced into a role he wasn't prepared for and we get to watch how that affects him. Naturally he will have shifts in how he acts. His environment will affect his behavior. That's just life. That's what being a teenager is like. You're always gonna be screwing up in one way or another. Ben's flaws in season 3 aren't about him being childish. He's not dumb or less mature. Ben still does smart things and is shown to care about Gwen, Kevin, Julie, Tetrax, and everyone that comes to his aid.
And of course his ideas and actions aren't always good. They can be stupid or selfish. And that's also fine. Because he's only human. And his humanity is what makes him Ben. Take that away and he'd grow up to become the Ben 10k who refused to transform back to human.
Most of this is my interpretation of events. Other people watching will have different takes. And that is fine. I'm fine with knowing I'm like one of 10 people who loves season 3 of alien force. I'm just here to write a different perspective and hopefully it will encourage more deeper readings of Ben 10 as a series. But mostly I'm fine knowing someone else read all this. So thanks for getting this far.
See you next time when I will be breaking down the neoliberalism of shadow the hedgehog the video game.
/jk
/or am I?
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thefrogdalorian · 4 months
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It's New Year's Eve and I just wanted to share some mushy thoughts about life and Mando and Din and how this year has been overall for me!!
If you don't want to read below the cut I just wanted to wish you a Happy New Year!! I hope you have a wonderful time, whatever you do to celebrate. I'm currently on a trip so I may not be terribly active, but if you're struggling and the emotions of the day are a little too much, please do message me. I've been there plenty of times. You're not alone. NYE should really be about looking to the future rather than dwelling on the past, but I know how easy it is to get caught up in that depressive loop of thinking.
But if you do want to keep reading, then strap in for some Oversharing Online and gushing about how much Mando means to me:
I first started watching Mando during the pandemic in 2020, I think the first episode released like 2 days after the UK went into lockdown or something. 2020 was an awful year for me, as I'm sure it was for so many of you. A lot of things happened to me that I'm still trying to process but I hope to start therapy in the new year and go some way to addressing it.
Anyway, The Mandalorian came to me at a time I dearly needed it. It was welcome relief from The Horrors I was experiencing. I was hooked pretty much straight away, who was this mysterious man? What were his intentions? Was he good or bad? OH WOW THAT WALK. THAT VOICE!!! I loved it, but it wasn't until The Believer that everything changed for me. It went from enjoyment to full-blown obsession. I couldn't wait until Season 3 aired, and I think the expectations I had built up in my head could never have lived up to the reality of what I felt upon watching it for the first time. I was pretty disappointed most weeks, but I feel so differently now.
This year has been pretty strange for me. I had some amazing highs (like being able to go to Star Wars Celebration where I got to see so many amazing Din and Mandalorian cosplays which was an INSANE experience and I still kind of haven't properly processed yet??) and also some difficult lows.
In June I finally got my autism diagnosis, something I'd been essentially waiting for for EIGHT YEARS. It was a huge shock but also not shocking at all. As in, I knew I was autistic since being a teenager but I was absolutely not expecting to be told right there and then at my assessment. So when the psychologist looked me in the eye and told me that I was autistic it was somewhat of a gut punch. Processing it was extremely difficult but during that time I found myself drawn back to Mando and particularly to season 3. I rewatched it again and again fell in love with a season that I'd probably felt on the whole underwhelmed with at the time, until the last two episodes, which I loved instantly.
When rewatching it, I noticed things that I'd missed before, which led me to become kind of obsessed with the idea of Din and Bo together. I know not everyone enjoys that but that truly is what I love about media, that we can all watch a similar thing and interpret it differently! I don't think I'm any more correct about the way I view certain interactions than anyone else. Shipping should just be a little fun, not ruin your mental health or dictate how you treat strangers on the internet. And it especially should not lead to any real world harassment of creators and actors.
So in September an idea formed and between then and November a 182,000 word fic landed in my lap. That's the best way I can describe writing it for me, I was so fixated on finishing it and the plot just kept coming the more I wrote. It is by FAR the longest thing I've ever written and probably ever will write, but the routine of writing it and publishing it helped claw me out of a spiral I was in after my diagnosis.
And it was publishing it on AO3 that gave me the confidence to rejoin a fandom space again. It was a big step for me to put myself out there but I'm so glad that I did because that's what led me here, to discover this wonderful community who adore Din and The Mandalorian just as much as I do. I'm so happy that I finally found my way here. It was way less intimidating than I ever thought it would be!
I know that I haven't been here for the longest time, I wish I just got over my nervousness and made a tumblr earlier in the year so I could have joined in with the hype before season 3. But also considering how poorly received the season was overall, maybe it was for the best that I wasn't here.
Despite my relative newness here, I just wanted to say how welcomed I've felt and that is a truly lovely feeling. Thank you so much to everyone who has interacted with any of my posts and especially my writing in any way, big or small. It means a lot to me! I cannot wait to be around for all the buildup to Season 4, honestly. I know it seems so far but after midnight we can say it's (probably) only NEXT YEAR!
I have no idea what 2024 has in store for me. That doesn't scare me, in fact I'm quite excited about not knowing what will happen. I
Of course, I have some goals I'd like to achieve for myself but whatever happens, I know that Mando will be there to endlessly rewatch and whatever comes my way, I'll always have Din Djarin. He's the only man to ever exist! That gorgeous tin can who instantly soothes me every time I get to watch his silly little exploits with his silly little son. Where would we be without him, eh?
Anyway, whatever you're doing tonight to celebrate and even if you aren't, I wish you all the best. Stay safe, enjoy yourself and I'm sending you lots of love and light for the year. May 2024 be a healthy, happy prosperous year for you and your loved ones.
See you in 2024!
Love,
Spud 🥔🐸
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honeydewtreacle · 4 months
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Okay, I just went over the iceberg and I have found or heard of a large majority of the stuff on there. My main question is how did you discover all of this stuff he's been in?
My other question are as follows
What is "why don't we say..."?
Do you have any information on Everything is Fine? I wasn't able to find much at all besides a basic premise.
What is Love NY?
Did you find a video of him singing the national anthem? I read about it and an article from the SoR days, but I didn't find footage.
I know about everything on the third tire except "Megan"? UNLESS IT'S THAT MEGAN!!? In that case, we good 👍😳👀
Is On Your Marc the show he and Drew created that is going to show (I believe) off Broadway starting early next year ? The Life and Slimes of Marc Summers?
Wasn't able to find much on Slow Children either, so if you have any, that'd be awesome!
What is "I could use a drink" BTS? I know about Drew's show, but the BTS I'm not sure about.
BROdway? I searched it up and could find nothing.
Last I guess is how on earth did you find that Collage staging of Hair he did? That's a deep cut!
One thing to suggest be put on there if you want to add anything is Twilight in Manchego. I just found it today. Idk if you've already discovered it, but in case you haven't it's something he did in 2008 I believe. If you Google it, it should pop up. There are a few videos on YouTube and there's a Facebook page.
So happy to answer!! I found most of this just by watching interviews, he's mentioned a lot of the stuff he's done offhandedly, not all of it of course. Others I found just by googling around, theres this site that has extended credits which is helpful. But really a lot of this isn't too difficult to find, I have "I must know everything about this topic" hyperfixations if that gives any more context.
And I'll say right off the bat that I found out about Twilight in Manchego like a few days after I made the ice berg, so I'd definitely put it on there now. Another thing I'd probably add now would be the reading he did for Book of Mormon.
Okay, now onto that list!
- I meant "How come no one says.." the song by Brett Ryback, that's my bad, I consistently get the song name wrong for some reason. I added it to the list because Alex has sung it four times (thats been recorded [1, 2, 3, 4] CW for wildly ableist language) and I'm like 99.9999% sure its the song he references in this interview and I found that a bit amusing.
- For both Everything is Fine and Slow Children, I only know what Alex has said in interviews. I don't have specific links, nor the time to rewatch a bunch of stuff right now, but I believe he talks about both of them briefly in this podcast with Drew if I'm remembering correctly. (I'm super sorry if I'm wrong!!)
- Love, NY was a show he did a reading for at the New World Stages, here's a playlist of the some the performance. He plays a character named Benjamin (Benji).
- No!! I never found a national anthem video, drives me up a damn wall honestly, you'd think something like that would be documented but I've had zero luck finding anything.
- I definitely mean that Megan yes. I thought it'd be funny.
- Kinda! On Your Marc is the documentary they did about the show. It was screened at a few conventions from what I know. It's listed on Alex's imdb.
- There's this fun article about the recording of the album, including a video which is broken in the article (had to check their Flickr to find it) so here's that.
- It's just a YouTube video! But it's a bit hard to search because of the pun, so here's that.
- I found it because F mentioned it in this show, I thought it was hilarious and I immediately had to find it.
Thank you for asking!! I will answer the other one soon, but I'm out right now. ^v^
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dekaydk · 6 months
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QL/BL Series I watched in 2023
This is a ridiculously long list because
I finally discovered the existence of this genre late in 2022, and after years in the desert with only occasional gay-themed media, am drinking deeply at the oasis, and
I have basically given up on other forms of TV this year (long story mostly having to do with the crap that's out there, the networks yanking content before it's finished just to avoid paying residuals…also, I will never watch another piece of Star Trek if JJ Abrams is within 1 parsec*).
I had a long period of convalescing from a broken collarbone.
*probably an obscure TOS reference but the initiates will get it
In Progress
IFYLIA
Kiseki: Dear to Me - I love all of the characters, main and support. Writing is fun, character motivations are clear, acting is good-to-excellent, directing is solid if unadventurous. And the colors! While it's not rigorously real-life, it hits harder than most because there are actual adult choices being made, and real consequences for those choices. The comedy is always in service of the plot or the characters. The cameos are off the charts. This is also an exception to my "generally don't watch BTS until the show's over" rule: the BTS have been fun. The actors are clearly having a blast.
Dangerous Romance - uneven, but not so much that I've given up. Had potential to be more of a commentary on economic strata: though there's room for more in the coming episodes, I think they missed the boat by bascially making Kang now the MC instead of Sailom, which is disappointing. Right now I can see this going into either "okay, but meh" or "don't recommend" categories, but I doubt it's gonna be a "recommend" because they haven't got the runway for a save.
Kabe-Koji-Nekoyashiki-kun Desires to be Recognized - unexpected depths to this show. The characters are revealed gradually, the comedy is a delight, the acting's great, the staging and cinematography are terrific. Quite enthused about this show.
I Can't Reach You - these two are a delight. BTW, @lurkingteapot says that they are working on their own captions, which should be infinitely better than anything else that's out there. Going to rewatch when they do post because I think it will be a far more engaging experience. (Also, if you like Japanese BLs, you should follow them for their linguistic and cultural insights.) (Note: I have no idea how to replace captions so I have to learning ahead. 😇)
One Room Angel - unconventional; not sure where this is going but I almost don't care. These two are just plain touching to watch. Only two episodes in and I'm hooked.
Finished and Enjoyed
If It's With You - so far, this is a palate cleanser I needed. Cute, sweet, low angst, and clearly made to be a dessert course, not a hearty main dish. Actors are doing a great job. (Side note: Makeup and wardrobe are doing a good job in making them look more conventional vs. how good looking they are IRL.)
Kieta Hatsukoi - this was just fantastic. Sweet, funny, and unexpectedly poignant. I see no reason to remake it, much as I appreciate Fourth and Gemini.
My Personal Weatherman - once I figured out that they'd only been living together for a short time after graduation, it fell into place. The crippling insecurity on the one hand and the cryptic overconfidence on the other made for a really engaging dynamic.
Sing My Crush - this was one of those almost perfect shows. Just watch it.
My Beautiful Man S2 - love me my babies learning to communicate, and Kiyoi taking Hira shopping and making Hira blossom for the day was delightful. This show is so unconventional and I cannot get enough. Nobody does "your low self-esteem is crippling you in ways you don't even begin to understand and people love you anyway" like Japan.
My Dating Sim - so sweet without being corn syrup. Palate cleanser.
Semantic Error - really, really enjoyed this smart autistic bossy nerd meets semi-slacker athlete artist. One of the rare shows where the actors are pretty obviously straight (BTS kinda made that clear and in the future, I am generally gonna skip BTS until the show's over) but I nonetheless bought their characters being into each other.
Laws of Attraction - I wasn't sure about this at first until I realized rather late that (a) lakorn is a thing, and (b) "lakorn = telenovela" and all the conventions that implies. After that, I sat back and enjoyed the camp and stopped being critical. Film and Jam are fun to watch, and you cannot tell me that Film didn't enjoy every second of scene chewing. The second couple were touching as all heck. And Nawin came in and briefly stole the show. And Silvy and Organ stole it back!
Unintentional Love Story - both couples were delightful; loved the pottery/creativity as a central element (and coveting it for my own). Looking forward to more of Ho Tae and Dong Hee in S2.
DNA Says Love You - Although I kinda had the plot twist figured out early—admit it, the casting for Amber was absolutely perfect—I still loved the journey. The "witch in the woods" bit was fun, even if I'm not a fan of predestination-style plots (I prefer characters arrive at their destination without supernatural assistance). I could watch Erek all day. Slightly slow to get out of the starting blocks but worth the time.
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Color Rush - I'm not easily sold on fantasy premises but I enjoyed this one. Love interest played by Hur Hyun Jun was straight out of a manga panel (that jawline). Sadly, he withdrew from a reprise of the character in S2, I'm told because fans got weird. (Fans, learn to separate the artist from the art.)
Not Me - be gay, do crimes against the oligarchy. Gorgeous cast: Gun, Off, First, Gawin, Mond, Film; good cinematography; nice character arcs. Not perfect (Todd's character in general, and I never did get why Black got beat up in the first place; they kinda ended up at "it's just so"), but in general the show strove for a higher level. Fun fact: written by a (then-?) member of the Thai parliament.
Old Fashion Cupcake - devoted junior dogsbody doggedly digs dense dejected boss out of dumps. Okay, my alliterative talents are low today. Cute, and goes unexpectedly hard during the confession scene, and after. Thoroughly enjoyable and a bit of a rumination on how people can pigeonhole themselves to their own detriment.
To My Star and To My Star 2 - ah, these two. The sunshine man has to go hardcore to get his man to see his own value. I would rewatch this just for fun.
Takara-kun and Amagi-Kun - Oh, to be in high school with good friends who help you figure out your feelings. I will hear no criticism of this perfect little dessert.
Mr. Unlucky Has No Choice But to Kiss! - the unlucky/lucky balance gimmick could have been annoying but they made it work. Sweet, simple, seriously cute actors, very much in earnest comedy. Palate cleansing fun.
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My Engineer - main couple: okay but I've already mostly forgotten them. RamKing were different. Ram's character was absolutely coded as autistic but no one ever used the word, no one called him weird, and King figured it out and went with it, no problems. Loved that part. (King had his plant obsession so maybe he got it on one level.) Also, the way RamKing ended left a huge opportunity for the fanfic on them, much of which has been great. Sadly, there won't be an S2.
The Eclipse - writing could have been sharper (pace and motivation needed work) but Khao and First were a ton of fun to watch. Loved the junior queens being the most fearless troublemakers.
Big Dragon - went into it knowing it would be a trash-the-pub watch 😎 yet it actually ended up a little more solidly than I had expected. Plenty of heat, and now I get why people are MosBank fans. Fun fact: Jeff Satur apparently wrote the theme that Isbanky sang.
Finished and Oh Well It Was A BL
Until We Meet Again - I know it worked for lots of folks and I get why, but (a) reincarnation stories and (b) I love me some Fluke but I hate the blushing maiden trope especially when as here they hammer it into the ground with a rocket-powered pile driver. ("P'Deeeeeaaan!") I actually preferred the past couple to the present-day couple because the characters were written better. (Not the actors' fault; the stakes were higher, and you can't act your way out of a sub-par script.)
Mr. Cinderella - Vietnam's probably not got a mature industry yet so I may have excessively high expectations, but…amateurish writing, directing, cinematography and sound. Characters were all over the map. And the bad guy ex was…uuuuugly toxic. (Also, polonium? Seriously?) Attractive cast to be sure, who didn't really have much to work with so for all the audience knows they are all Shakespeareans in training. The coy screeching nurse was so very repetitive. I did want to like it and if I had a script I would totally go to town on it as an exercise. (I'm an editor, not a writer.)
Why R U? Korea - Did they…lose a hard drive with the audio? Cheap out and not hire an audio engineer? Seemingly half the dialog was looped, and often jarringly. But the real fault was the writing: the behavior of the main couple was inconsistent, especially where they parted ways and then pretty much ignored that for a while, and in the last episode with the lead saying he didn't want to work together on the thing that was extremely important to both him and his interest. I wanted to like this because I really liked the main couple and Jeon Sa Ra's Do Yeon. Best scene was Lee Won after his audition teetering on the edge of losing it when his interest ignorantly came out to tease him: just a lovely little bit of acting by Lee Jung Min, without a word being spoken.
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Seriously, this scene makes me want to learn how to gif. Lee Jung Min as Lee Won
Finished and Don't Recommend
TharnType: 7 Years of Love - the first season was objectively bad for reasons I and others have set out elsewhere (noncon sex, underage rrpe(!), sub-par acting/directing). The second season wasn't as bad, but it wasn't good either, with forced misunderstanding narratives being the most notable plot point. Seven years together and you still are that easy to convince that your man's stepping out on you? Like the first season, 7 Years also gave the sense that Mew (at least in this case) is a one-note actor, though this could have been the director's fault. Gulf had more good moments.
La Pluie - I so wanted to like a show that was gonna take a trope and upend it. And I absolutely get what lots of folks liked about it. For me the uneven pacing, sometimes blatantly contrived plot, often wooden direction, dialog and acting (with the notable exception of Suar, who was by far the best in the show and not just because he got most of the best lines) and terrible continuity did it in. (Lomfon's confession scene, though: Tien's going up on his toes for the kiss is burned into my memory.)
Started and bailed
Minato's Laundromat S2 - I so wanted to like this after S1. Instead of giving Minato a growth arc, the writers inserted a silly and ultimately pointless amnesia story. This seriously pissed me off to the point that I stopped watching. Not the actors' fault, but the writers, well, that's a paddlin' offense.
Only Friends - when certain folks start expressing concern, I listen. @bengiyo explained how this show failed its promise of showing actual queer lives. When it abandoned whatever vision its creators may have had in favor of contorting itself into something controlled by fan input, proving it was just an exercise in branding pair marketing, that confirmed it was not going to get me to return after Ep 3.
Naughty Babe - just, just, what in the Pennzoil is going on? MC, you seriously went how long without nookie and didn't talk with your man about it? And then you fake amnesia? Dude, you are not a serious person and the writers should be ashamed. I see from my Tumblr feed that they tried to redeem themselves later with the marriage and adoption bit, and good for that, but I ain't got time for incoherent messes.
Low Frequency - decorative actors, but incoherent plot where I simply couldn't see what was happening and where it was going. Couldn't motivate myself to continue after the second episode.
Step By Step - I've already posted about this. This had the potential to be wayyy above average but it kinda fell apart with the main couple, and the secondary couple simply were written so badly there was nothing to root for. I got almost all the way through this but after it became clear there wasn't going to be a late save, I gave up. The. Actors. Wuz. Robbed.
En of Love: Tossara - this felt like someone got their uncle to pull strings to get them a show. Dialog was anemic, character motivations were bland/absent, pacing was uneven. I started the second episode but I'm not sure I finished it.
If you made it this far, congratulations. Tell me what you liked or didn't agree with; I come across as opinionated but I'm always looking to learn. 😎
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paperlovesadness · 9 months
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9 people you want to get to know better tag
i was tagged by the lovely @perfectly-clear-from-here and @uhbasicallyjustmilex - Thank youuu! 🩷
fav color: this is one of those questions that makes me go into Interview-Alex-mode. It's simple. I should just throw out an answer - and yet I can't. Quickest way to say it is:
Baby/light blue is probably the main answer? Like the color of the aquamarine gem. Or lighter variations of the blue topaz gemstone. It speaks to me.
Yellow [especially neon yellow] was my favorite color for my entire childhood and I always feel a weird obligation to my old self to mention it whenever I answer this question.
Forrest/bottle green for some reasons seems very me. I identify with it.
Baby/pastel pink is also kind of my weakness. And I'm passionate about girlhood and healing your inner girl so... important.
and clothes-wise I'm not too original. I wear lots of black (but not strictly!)
Phew! (I would absolutely fail Jo Whiley's speed round of questions, that's for sure).
currently reading: “The Wonder Boy of Whistle Stop” - sequel to “Fried Green Tomatoes at the Whistle Stop Cafe” which I finally recently read after years & years of it figuring on my TBR list.
last song: “One Man Band” by the one and only Miles heartbreaker Kane of course!
last series: hm. Haven't watched anything new in a while; but one thing that's almost always true (like right now) is “Gilmore Girls” - because I'm kind of on a neverending rewatch at all times. It's my comfort show.
last movie: “Howl's Moving Castle” (@kiray1991 🙆‍♀️🩷) which is... pretty much my first Ghibli movie (I know, I know!) (I'm not counting the one I saw as a child that traumataized me and I therefore completely blocked out).
currently working on: music theory! As in I bought myself a book and I'm trying to finally grasp the basic concepts instead of just instinctively moving around this beautiful, complicated universe.
I very much am not on track with who hasn't been tagged yet - I'm doing this pretty late too. So I'll just list off a few people off the top of my head but please feel free to ignore if you don't want to and also feel very free to do this if you do want to and haven't been tagged (I'm tagging *you*)
@haemoglobinheights @inourownshadows @28-destiel-505 @homoirrealis @alexturne @mileskanex @lalaballa1977 @iamchernika @depressedraisin
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falconscales · 5 months
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pleeeease i want to hear about that cool oc of yours :D
Talon-dragonbeast you are now my favoritest mutual ever
OKAY so! Basic information to start. Animal is a very very old oc of mine. Her earliest version was like... When I was in first grade. So, lots and lots of changes between then and now.
She's kinda my... Self Insert oc that I just plonk into anything I'm interested in (I have this universe in my head that's been going on for years and that's where she's from :3)
The version of her that I kin (and the version of her I'll be talking about here) is at least three years old, maybe older, I'm not sure. This version is my Origins of Olympus oc (a Minecraft roleplay based on Percy Jackson by the group Originsmcrp)
This got very long so... readmore!
So, just a warning but she is very very cringe. Like, it's 100% on purpose and if I wasn't willing to talk about her I wouldn't have said anything. But like, she is a mary sue self insert oc who I first made when I was like 6 or 7 and this version of her I made when I was,,, about 13 (Falcon age reveal)
(also also quick warning I literally haven't watched Origins of Olympus in years. I probably should especially now that I know I kin her so I can get my memories all straight but I haven't had the time to yet.)
Okay sooo about her. She's a hybrid of two different species (drakins, an original species that at this time looked like humans w/ wings and horns and dragon ears and a tail and scales and stuff that also just adapted to anything) and a dragon (an ocean dragon to be specific)
So... I don't ever think I like... had a reason for her to appear in the Origins of Olympus world, because whoa surprise she's a universe traveler. But she did! at like... ten? or somewhere about that age.
Bryan is a pretty big part of her story, and he finds her like... passed out and super injured right outside of his house or something, about six years before the start of the series. Oh important info, Bryan is a son of Aphrodite (because, Percy Jackson inspired series). He heals her and for the next six years basically raises her. Bryan is Animal's dad :3
Sooo Bryan gets the invite to Camp Oasis, and on the way some creepy old lady gives him a sword and then he (and Animal because she was with him) forget about the lady that gave him the sword. Nothing bad will happen because of this.
So season one is, pretty much the same. Like... there wasn't a whole lot of full on canon divergence, more like... canon but slightly to the left (at least for her oc, I'm still trying to figure out kin memories and I'm not sure how close the kin memories are to the oc lore)
BUT but. So the sword is cursed, and also sentient. It's called the Seductive Rose (referred to as Rose from now on :p) and basically corrupts Bryan. Animal is just... sticking by his side this whole time, because like... that's her dad. There's not much else she can do.
During this the Rose genuinely cares about her, he keeps her safe and away from the worst stuff he does and uh oh evil sword has adopted the kid of the guy it's supposed to kill (or something like that)
Season 1 ends as it did normally, with the Rose "dying" and Bryan being fine but like... everyone hates him lol. Because he did like, straight up murder a few people. So he and Animal go back to his mom's mansion for the next year.
Season 2 starts! It takes place a year after season 1 (and I'm not sure how long season 1 lasted buttt i'm gonna say about a year, so Animal is 18 now.) there are more pantheons than just the Greek one!! Here comes Inpu!!!
Season 2 is... to be real honest I don't remember much about season 2. See what i said about the fact that I should rewatch the series. Yeah. The big important things are this. The Rose now has a body of it's own, Inpu and Bryan start dating (and get married), Inpu has a sibling named Magnus (Inpu is the son of Anubis and Magus is the child of Anubis), Riccaro is Inpu's brother (technically uncle but they are brothers To Me) and he marries Momiji who is the daughter of Inari Okami and a kitsune. I have Got to make a family tree i swear.
So Animal has three dads, zero moms, two aunts, and one uncle (at least ones that she calls that. we're... not getting into the whole family tree thing. I refuse to.)
The Rose comes back with his new body, and so... I think in canon he kills Bryan, But here he's like "hey so like I still wanna kill everyone in this camp but my daughter lives here and likes most of you so I'm good now or whatever." and Drannus (hes a villain and possesses another camper. He wasn't superrr important to Inpu's story iirc (and I watched Inpu's pov for season 2 and 3) so... anyway Drannus kills Bryan, and Bryan's soul breaks into three pieces
There's a five year timeskip between season 2 and 3, and so inbetween that Inpu is trying to figure out how to bring Bryan back to live and Bryan's soul crystal makes three kids: Lotus, Atlas, and Femi. Which are bio kids of Inpu and Bryan. no don't ask how that works. They're about... twelve physically I think, and are about 16 when season 3 starts
SO now Animal has three siblings, yay! and also only two dads, less yay.
Okay so nowww season 3! Animal is 23ish now! I think it gets very canon divergent from here because the Rose isn't evil. But also i don't... remember what he did? Idk. I watched season 1 like four times but season 2 and 3 only once lol. But the important thing is that Lotus loses one of their wings, Animal makes them a new wing because she just... knew? how? to? Don't remember why just that it Happened. Also Bryan is back yay!!
After season 3 things are like, very very chill. Animal can turn into a dragon now because she has enough magic to now? Um... I know that stuff happens after season 3 but I think those are kin memories given that they're more feelings lol, I don't think the oc had stuff happen after that Origins of Olympus wise (.its complicated)
So!!! Incomprehensible ramble about my cringe oc done!!! I love her very much and am also. so shifted rn.
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thetaoofbetty · 2 years
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Do you truly think Bughead stands a chance at getting endgame? I’ve tried to hold out hope these last two seasons. I thought once upon a time that eventually the payoff would be worth it, but the nonsense just goes on and on. I feel like BH’s get kicked in the teeth every episode and are punished for their years of devotion. And it’s not even like BA and JT are written well or have anywhere near the level of BH’s chemistry, but sometimes it feels like we’re stuck with them because RAS has disdain for his audience and is fixated on the “new” above honoring these characters and giving the show the ending it deserves. I’m sorry for being so negative. I just feel so stupid for continuing to invest anything in this show. I don’t want to discover a year from now that my time has been wasted and that the show is still trying to convince us that Betty and Jughead belong with other people and can’t even be assed to let them discuss anything not plot point related.
i've been avoiding these asks for a while because i don't want to come off like i'm telling anyone how to feel but since i keep getting asked i guess i'll try and give my honest opinion but hopefully without offending or upsetting anyone (jinxed by even saying it, i know).
bughead is not the first ship to get kicked in the teeth. they're not even the first ship to break up and have the writers ignore the fact that they dated for a good portion of time. they are not the first ship to date other people and totally act like they never dated until it's time to ramp up any drama. they are not the first ship to date, break up, date others, and then tell that new person that they love them.
and every ship i am thinking of for the above? they ended up together in the end. so yeah, i think it's possible. stories aren't told in a vacuum and shows that go on for 22 episodes or more need to drag out their narratives. these are not 8 episode netflix or hbo max shows that have limited time for their stories, they are filling a lot more air time. they have and will drag things out if they're trying to get to a certain point. yes, riverdale does this worse than others. 100%. 1000% even.
maybe it's a product of us all bingeing and watching shows with 8-10 eps a season but recently i was rewatching gilmore girls with my exchange student and i legit kept leaving the room because i felt like it was dragging on even tho i watched it when it was on week to week and was invested. there were a lot of episodes that just felt like they did nothing past fill some time. which is probably what they were doing when you need to make 22 of them in a season.
and listen, i'm not the biggest fan of anyone writing this show overall (how no one seems to know what anyone else is doing is just such a bad way to write?) but i don't think roberto actually has a disdain for the audience. ted? sure. we don't appreciate his genius and therefore suck. his arrogance is well known. evan? he wants attention. he got it. it was a dumb move. raise your hand if you're a bughead fic author who has written more interaction between betty and archie in your fics than this man (their king!) has written onscreen.
this show is badly run, written, and promoted. that's pretty obvious at this point. not a lot of people are watching, not a lot of people care anymore and i totally get why. i'm not going to tell you to continue being invested in something making you unhappy, your fictional escapes should bring you joy so taking a break when needed is always a good idea.
personally, if they're going to drag out this whole timelines mess, i don't think everything that happened will be ignored, it's just a continuation—and i'm not going to assume anything about the 50s thing, we don't even know how long it's going to last or what will happen within it. but we haven't even seen the finale yet and at the end of the day, i feel like they didn't have tabitha tell veronica it was 50/50 for the fun of it. but that's me and i think everyone should do what works for them when it comes to this show and fandom.
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derry-rain · 1 year
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For the fandom meme - H,I,Y and A 😄
HIYA! :)
H - What is your favorite source text for fandom stuff (e.g., tv shows, movies, books, anime, Western animation, etc.)
Interesting! Ordinarily I'd say "any of these", but if I really think about what I get fandomy over outwardly, I think it tends to be tv shows. The others tend to rotate more in my head, whereas there are edges of playgrounds in tv shows that I like to spend time in. There are exceptions, of course, I'm never quite able to predict what will grip me fandom-wise - I think I've been there for all of the above, except anime - but yeah, tv shows tend to be where I land.
I - Has tumblr caused you to stop liking any fandoms, if so, which and why
Hmm, yes and no. It's not a tumblr thing. Every platform I've been on has had fandoms that just get plain fucking irritating after a while. Whether it's people flocking to BNFs, ship wars of any depth at all, people insisting certain fanon interpretations are basically canon, or - and particularly badly in historical fandoms and I've been in too many of them to count - people smugly wanking on about historical fact when you're out here like "yes, I am also aware of This Knowledge but counterpoint, I'm writing fanfiction and chose not to care about it"*. I guess any time anyone puts their head up and starts thinking they're better/being treated as if they're better than anyone else. Mate, we're all in fandom and we all do it in our own way.
Uh, that is to say, yeah, I break or even dip from fandoms frequently.
* I'm not talking about people who love the history, discuss the history or share the history (I do too!), or the folks who love to incorporate research in their work, just the people who think it makes them superior in a fandom space. So no, I don't mean you.
Y - What are your secondhand fandoms (fandoms you aren’t in personally but are tangentially familiar with because your friends/people on your dash are in them)
Oooh, ok. I think a lot of you are into Supernatural in a fandom way? And also Top Gun? Which is a movie I haven't seen. And I keep promising to watch. And then. Like. I don't.
A - Your current OTP(s)/OT3(s)/OTX(s)
Hnnnngh. EOIN/PADDY from SAS: Rogue Heroes because they're perfect little furies. Also I'm sort of rotating Mike/Johnny in my mind to see if there's anything that falls out right now.
Lots of Klinger ships in in M*A*S*H, just because of the grand rewatch. Mulcahy, Blake, Soon-Lee and BJ for sure. Actually, having just watched Goodbye, Farewell and Amen, I'm gonna add BJ/Mulcahy to this.
And then there's my various babies - Tom/Greg (Succession), Keeley/Roy/Rebecca (Ted Lasso). Liebgott/Webster (Band of Brothers)... kind of dude heavy at the moment, but that's probably a reflection of my current fandoms (mostly military).
ETA: I FORGOT ALL MY TERROR SHIPS
Pilkington/Hodgson! The original lad/nerd pairing. For the most discerning. I have gotten two (2) other people to write this and I love them for it.
Little/Armitage - See next ask. I love this.
Goodsir/Gore - hot for soft bois.
Hickey/Gibson - unhinged and true.
Tozer/Irving - I don't know why this has me by the throat, but it does.
Sophia/Jopson - don't touch me don't talk to me i wrote this like... idk a year or two ago and never posted it. but they should kiss.
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Do you like any of John Hughes teenage movies, i.e Ferris Bueller, Breakfast Club, Sixteen Candles, Pretty In Pink, or even Home Alone? Do you have any commentary in regards to these movies...like was any of the script solid or the message Hughes wanted to convey through these movies. Would be interested to hear your thoughts on them🙋‍♀️
I like Ferris Bueller a lot though I've only seen it once a long time ago and should probably watch it again. I set out to watch more of Hughes' movies a couple years ago and so saw the Breakfast Club, Pretty in Pink, and Some Kind of Wonderful, but I haven't seen Sixteen Candles.
I rewatched Home Alone for the first time since I was a kid last year and it's still great. Uncle Buck I liked, but didn't love. I'm sure I've seen Planes, Trains, and Automobiles but I must have been very young because I don't remember it. John Candy is always quality, though, so I've been meaning to see it again.
I can't say I connected much with The Breakfast Club. It was fine, but it didn't strike any real chord with me the way it seems to for a lot of people. I think the message was good, but I don't know that the film really holds up as far as conveying what it wants to say. I find his characters generally a little too shallow for me to emotionally buy in as much as the film needs me to to work. Fun to see where the archetypical American High School AU fic comes from, I guess.
Pretty in Pink has some interesting dynamics but, like I said, loses me because of the altered ending completely subverting its intended character arc and screwing up its themes. Some Kind of Wonderful I just didn't care enough, I found the characters flat and boring.
I like to see movies that have a big cultural impact, so that's why I watched them, but I don't vibe with the ones that have the cult following, the 'brat pack' dramas. I'm very meh on them. I do like a lot of his scripts for family movies (I went on his imdb for this post and there's a bunch of stuff I didn't realise he'd written).
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