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#i haven't even seen stranger things
sneak-a-cat · 1 year
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The wlw characters i ship always have about 0 chances of becoming canon and i was all fine and good and accepting of this (fanfiction exists i could survive) until like 3 of them fucking became canon, so now i am staring at my other ships expecting them to do this same, like no bestie, my guy, those were the outliers, those were not the beginning of the gay revolution you so desperately want, i would go feral if they do and i am going feral as they do not, this is my villain origin story
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firefirevampire · 2 years
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As a goth gf I do not want a golden retriever bf I want an 80s metal head bf
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alleiwentcrazy · 1 year
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Now with a part two!
There’s a guy that comes to the cafe Eddie’s working at. Every other day, he comes to the counter, smiles at Eddie and gives him a post-it with “hi, an americano with two sugars please :)” written on it. He has a different color of post-it assigned for every day. Eddie smiles back and makes the americano, trying to keep his heart from jumping out of his chest. 
Needless to say, the guy is insanely cute. He has swoopy chestnut hair, droopy, almost puppy-like eyes, and two moles on his neck that make him look like he’s been bitten by a vampire. Eddie’s not sure if he finds it more adorable or sexy; either way, he’s definitely developed a crush. And now, after months of trying to gather up his courage to say hi, after months of pining and staring from afar... He’s still nowhere near ready to talk to him. And Chrissy’s not letting him live it down. 
“You’re insufferable,” she whispers to him frantically when the guy comes through the door on the first Monday of December. “Do something more than smile dumbly or I’ll fire you.”
“You can’t fire me,” Eddie hisses back as he tries to dust pastry crumbs off of his shirt. 
“I’m the manager. I can do whatever I want,” she chirps back and goes on to cleaning the machines that don’t need to be cleaned, because Eddie did that twenty minutes ago. 
The guy comes to the counter. There are snowflakes in his hair, big and soft. Eddie thinks that they compliment his eyes—then he realizes that it’s a weird thing to notice about a stranger. 
The stranger smiles. Eddie smiles back. Today’s post-it is light purple.
Eddie makes the americano. It’s muscle memory at this point, he’s not even thinking about what he’s doing until he has to force a lid onto the cup and serve it to his customer. Hell, whatever. He grabs a sharpie and bends down to drabble something on the cup, trying not to spill the coffee. He manages to draw an ugly looking snake that was supposed to be a dragon, cringes, writes “Have a nice day!” underneath it and prays that it isn’t too weird.
Of course it is. But, miraculously, the guy looks at it, huffs a tiny laugh and smiles right at Eddie and – yeah, whatever, curse him – the whole room lights up. Yes, it’s sappy. Sue him. He could be sappy for this guy—if the guy wanted it.
He takes his coffee and leaves, but before he crosses the threshold, he turns back and waves at Eddie, using only three fingers. It’s a small wave, but a wave nonetheless, so Eddie sends him his best grin and waves back.
When he’s finally out, Eddie bends over the counter and groans. Chrissy pats him between the shoulderblades, mocking sympathy. “You’re on probation,” she whispers. Eddie groans once again. This is hell.
***
He has to call in sick on Wednesday. Now that he’s thinking about it, he kind of knew that the mayo smelled funny and it wasn’t good anymore. But he’s a broke college student and he had a choice: stale bread with mayo and a slice of tomato, or just stale bread with a slice of tomato. These weren’t even real choices. It was suffering or suffering.
Apparently, he’d chosen double suffering, and he had a whole night of hurling to prove it. Good thing he doesn’t have to send Chrissy any photos of what he had to deal with – when he calls, she cuts him off with “Just take my afternoon shift tomorrow and we’re even. You’ll miss out on your cutie, it’s a punishment in and of itself,” and goes on with her day.
Eddie’s so grateful for Chrissy. He wouldn’t get anywhere without her. 
***
Eddie doesn’t expect his guy to come on Thursday, it isn’t his regular schedule, so he’s in for a surprise when his morning shift ends and turns into Chrissy’s afternoon shift, and then, some time later, his guy comes in—and he’s not alone.
He’s with a girl. With a pretty, pretty girl, who has beautifully curly brown hair, inquisitive eyes and kind but determined expression on her face. There’s something quite unique about her; Eddie thinks, briefly, that she looks like she’s from another era. Like if they were living in the 80s, she would have a perm, wear bold lipstick and have a whole wall of degrees and certificates in her office. She seems to be destined for great things. She’s a badass.
Eddie’s nothing like her. He tries to swallow down the jealousy as they near the counter. His – his? – guy looks surprised, but smiles either way, his eyes lighting up in a matter of seconds.
“Hi,” the girl says. Her own smile is so nice and warm Eddie can’t stay mopey for too long. “I’ll have a latte with two shots of espresso, and…”
She turns to the guy beside her, but Eddie doesn’t have to know the answer. “An americano with two sugars. On it.”
Their eyes lock for a second. The guy seems a bit shy, but he’s still smiling. Eddie counts that as a win. But he’s still quick with their coffees. He can sense the staring contest they’re having even while he has his back turned to them. He kinda wants them gone, but they didn’t ask for to go, so he just tries to stay calm. Focused. Sharp.
Fortunately, he doesn’t spill anything. They get their order and sit in a corner. It doesn’t look like a date, they pull out books and notes, scribble and sign from time to time. The girl clearly knows more than just the basics of ASL, unlike Eddie. Since the guy started showing up, he’s been trying to learn more about it, but now he makes a mental note to enroll on a course. It’s time to commit – to what, exactly, he’s not sure. But he’s gonna make it happen.
Hours pass, but they stay in the same position. Eddie steals a glance every now and then, trying not to let his jealousy get to the surface again, but it’s hard. The guy is cute, the girl is smart and beautiful. He decides to call Chrissy on his way home – if he has to pine, she’ll suffer with him.
The end of his shift is nearing when he hears a giggle from the godforsaken corner. He looks up from the cups he’s been rearranging and sees that it’s his guy’s girl who’s laughing. She’s laughing at yet another girl, who’s standing outside and drawing hearts on the dirty window. She has a goofy grin on her face, one that makes her eyes and her prominent cheekbones pop even more, and it’s the same grin that the girl inside is wearing at the moment.
Now, Eddie doesn’t know a lot about love, but he definitely recognizes heart eyes when he sees them. He smiles to himself – don’t judge a book by its cover, huh?
His guy looks exasperated about being completely ignored, so he taps the glass a few times. The girl outside looks at him, shocked, like she’s only just seen him now, sticks out her tongue at him, and goes back to blowing kisses at her girlfriend. The guy looks truly wounded. Eddie snorts; the dynamic here is immaculate.
In the meantime, the not-his-guy's girl has gathered her things and prepared to leave. She kisses his cheek on her way out, but the guy stays put, bending over his papers again. Eddie thinks it’s quite interesting. Then, he makes a plan.
When he’s done with work, his guy is still there. Which is perfect. Eddie fixes his hair one last time, trying to gauge whether his outfit is metal enough (it is) for the occasion, and grabs the americano with two sugars he’s made.
It’s alright. Everything’s alright.
His wildly beating heart isn’t so sure about that.
When he gets to his guy’s table, he sets the piece of paper on it first. “Looks like you’re swamped – it’s on the house,” it says. The guy looks up, surprised, his mouth opened in a tiny oh. His eyes go wide for a moment and then he smiles. Something warm settles inside Eddie’s chest.
The guy picks up a pen and writes “Thank you!!!” on Eddie’s piece of paper, but before giving it back, he changes his mind. “I’m Steve,” he scribbles, and then gives it back with a flash of smile.
He smiles a lot. It’s an amazing sight.
“Hello, Steve. I’m Eddie. Nice to meet you,” Eddie replies. “What are you working on?” he adds after a second, because he’s feeling bold and he really doesn’t want to go yet.
The guy – Steve – sighs. He makes some room on the loveseat he’s occupying and pushes his books to the middle. Eddie takes it as a cue to sit down. Their knees bump, Eddie gets goosebumps, but he doesn’t move away. Neither does Steve.
“I’ve got an assignment on modern fantasy and its mythological origins, but I’m not as nerdy as my friends so I’m struggling a bit. Nance helped, but she’s not an expert either and my other nerdy friends went for a trip. Maybe you have any experience?”
Eddie’s eyes open wide and he bounces with excitement, nodding his head along the way. “YES,” he writes, all caps, and Steve huffs another laugh. They look at each other then, Eddie all hyped and ready, Steve—soft? There’s no other way to describe it. His gaze is gentle, almost caring. Eddie can feel his cheeks warm up.
His phone buzzes aggressively in his pocket. He checks it – it’s Chrissy. She’s got her period and she’s out of tampons.
“Shit,” he mumbles. Steve bumps their shoulders.
“What’s up?” he asks.
Eddie picks up the pen. “Tiny emergency, I’m sorry. Tomorrow?”
He knows that his hopeful stare must seem desperate, but Steve reads his reply, looks up and smiles, nodding. Eddie wants to scream victory, but he only nods back and gets up instead. When he’s about to turn and leave, he feels fingers wrap around his hand, delicate but firm. Slowly, Steve opens up his hand and writes something on it.
It’s a phone number. “In case you get sick again :)”
Eddie can’t hold back his dopey smile any longer. When he looks at Steve, the corners of his lips quirk up too. He’s lovely.
Eddie can’t wait for tomorrow.
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gayofthefae · 3 months
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Wait you guys......
Mike and Will are in love
No because like they're just...they're just a wholesome childhood friends to lovers slowburn I'm gonna rewatch like "aww you don't know yet".
Like....
Mike and Will are in love.
They fell in love from ages 12-16(?). That's so cute. What the hell. I just randomly starting thinking about it like it's just some show I just heard about or something and I'm like "aw cute trope". What a cute trope wtf. That's adorable. Two twelve year old boys in the 80s and they fall in love over the course of many years as they grapple with internalized homophobia and homophobia in their small town? That sounds like a GREAT show where can I watch it? That's adorable.
Mike and Will are in love. And...that's just the premise. That's just the premise of their plot. If you came up to me after you watched episode 1 for spoilers and you were like "What happens to Lucas? Dustin? Mike? That girl they found? The kid who went missing?" I could just be like "Dustin gains confidence and becomes besties with Mike's sister's boyfriend after they break up, Lucas meets this girl who's introduced next season and they're really good for each other, the girl gets adopted by the police chief and then into the Byers and has a great found family and independence arc, and the boy who went missing survives and he and Mike fall in love!"
And that'd just be like...right. I'd just be telling you what happens.
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strawberryicemoon · 21 days
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Why I can't watch the Ducktales Finale
I'm not the kind of person who struggles to watch the last episode of something. I love to finish a show, and let it sit in my brain. I'm the kind of person who often enjoys spoilers because it adds to my understanding of the media. I love to view the media in their entirety just as much as I love a journey to get there.
But I can't get past the first few minutes of Ducktales 2017, The Last Adventure. And it's because of spoilers that I couldn't deal with. I don't like them, and even years later after I've had time to digest, and have seen so many finale clips, that I still can't just sit down and watch it. And I've made attempts. I've looked through the summary of the episode to prepare. But I can't.
And there's... a couple of things that rub me the wrong way about the Finale that keep me from being able to just watch it.
1. Webby is Scrooge's Clone Daughter
2. Webby is April, of April May and June
3. Donald and Daisy are going on vacation.
Now, I don't actually hate any of these... conceptually. And I'm well aware that Frank Angones has stated the Webby twist was planned from very early on. And usually I am completely down for whatever a finale is, as long as I can tell that this was something the creator really believed in.
I'm a fan of such "controversial" endings as, Amphibia and Digimon Adventure 02, because I know exactly why they ended like that. It's written in the themes. Even if it took me time to understand Adventure's ending, I've grown to understand it and love it once I learned more about the original Japanese version and the shows production (and also grew up myself). Amphibia ended exactly as I expected based on one of the very earliest things I heard about the show from Matt Braly: "an ode to past friendships". Even if I think there are things they messed up I GET IT. I wouldn't want them ending any other way.
So I understand WHY the decision is made. Conceptually it does make sense. Webby exists as a composite character of April May and June, and I believe shares the same name as April in one language. Webby being Scrooge's clone daughter is an effective way of full-circling her relationship with him. Strangers in each other's home to father and daughter. She's family not BECAUSE of Blood, but because of Love. She still loves her Granny, it's just the non blood relationship wasn't the one she thought it was. And Donald deserves a vacation, and to have the more down to earth life experiences he wanted, especially after raising his sisters kids alone for 10 years.
But they still twist me up inside.
And I think it comes down to three reasons: 1. Lack of Continuity between episodes 2. An over-focusing on Scrooge 3. Handling of Word of God
1. Lack of Continuity between episodes Part of what got me to fall in love with Ducktales was S1 and the continuity of the Spear of Selene subplot. We got hints at a semi-regular pace, but it successfully overhung the entire series. It was what separated Scrooge and Donald. It was why Della was gone. The subject matter was of course not something that needed to be overstated, as most of it was being kept hush hush. Sure it was a mystery, but not an urgent one. Dewey had never had his mom, so it wasn't like he couldn't focus on anything else for a while
But in S2 I started noticing that the show stopped explaining or foreshadowing things. Maybe it always did, I haven't re watched it properly. But I definitely noticed something off about the storytelling then. But it was definitely a problem throughout the show.
Webby never brought up Lena after her sacrifice until the relevant episode.
Lena living with the Sabrewings was something never brought up until episodes later we saw her with them.
We had Della talking about the boys with their "Uncles" setting up the pain of not knowing how things fell apart after her departure, only to get no payoff.
We didn't get ANYTHING about Webby's parentage until the final episode, and barely a hint in 1 season 3 episode.
Almost every finale episode changes the status quo in some way. The question is how much. Lots of final episodes kind of have things going back to the way they were before plot kicked off but better (like with new friends or a new government). Sometimes someone dies.
Webby being Scrooge's clone is paradigm shifting. And that kind of thing needs to be set up. You CANNOT catch your audience off guard with something like that.
In Digimon Adventure 02 the series ends with everyone on earth with a digimon partner which is controversial but at least built up throughout the series at hints of other digidestined until an arc near the end showcased many international digidestined. Hilda ends with the reveal that Hilda's mother is half-fairy, and despite not being present throughout the first two seasons, it was hinted at through the third season, and contextualized some of the few things we did know before about Johanna's childhood. The Hollow's first season ends with you finding out it was all a game, but it had been hinted at before with the video game nature of the world. Sure Avatar didn't hint at Aang getting the power to take away bending, but we knew he was a pacifist who didn't want to kill so was looking for a solution, getting the power to remove bending (ie power over others) works thematically, in the same way Anne using the power of the stones and getting brought back to life by a god like being worked. Sure, Scratch turning out to be a wraith at the end of The Ghost and Molly McGee was rather sudden, but people had been theorizing that Todd was Scratch's body for a long time, so it wasn't like there weren't any hints, and while the show was cut short and had to rush to end, the build up of Scratch's memories at least gave some sort of foreshadowing link to what was going on.
There's a reason people rarely throw in new characters at the very end of a show. It can absolutely work. Amphibia and The Owl House threw in "God" at the end, but that gets a pass for being the kind of figure they meet once and then move on with their lives. On the other side, you can sometimes have secret big bads that were pulling the strings the whole time too. I can't speak for the finale of Ducktales (because again, can't bring myself to watch it), but adding two new characters on top of changing the entire dynamic of how the family is set up at the very end of the show does not sit well with me. We won't get to see how this change in status quo effects the characters. We saw how learning about their mom affected the boys relationship with Scrooge, her return and having to build a relationship with her and her presence conflicting with Launchpad's. But we don't get that with Scrooge and Webby? Basically too many status quo shifts in the finale all at once.
All we got was Beakley was a spy, was overprotective of Webby, and a few episodes before the end it was revealed Beakley was lying to her. Webby didn't seem to care about her parents. And this was a girl who was very dedicated to unraveling the secrets of clan mcduck. Couldn't they have had one hint at some point in the show where it was unclear if it was the boys or Webby who were recognized as a McDuck? Some offhand mention where the boys ask her about HER parents, because she helped them with her mom?
You couldn't tell what was or was not going be important in the way they dropped. It's very hard to set your expectations when you had no clue what to expect. And while there is something to be said for unexpected surprises and twists in a story, an audience really needs to know what is or is important or they're going to go on wild goose chases and get disappointed when they build up hype for something the show then refuses to address.
In HINDSIGHT, I find it extremely odd that Huey and Louie, prior to finding out about Dewey's investigations, did not pry at ALL into the fact that hey: if Donald was an adventurer with Scrooge, then he had to know their mom. Like that’s weird right?
2. An over-focusing on Scrooge Scrooge is the Center of the Universe.
I'm not a Disney Ducks fan. Aside from 2017, and pop culture osmosis, I know very little. But the thing is I am someone whose first inclination once I become a fan of something is to check out the wiki pages for information. Find about what longstanding fan mysteries there are. I understand the importance of cross continuity callbacks. I'm a fan of other longstanding series and have rubbed elbows with several others. I get really long franchises with several iterations.
Which is to say that I, despite not having a horse in this race, understand how this works and how it should work.
Now a bit of this is the fact Ducktales is ABOUT Scrooge. But Scrooge isn't the center of the Duck universe. Something I find pretty interesting is the fact that Donald has reasonably fleshed out family trees on both sides of his family. That's cool. That's how real people work, a meeting point of the stories of those who came before. But Ducktales doesn't care, the only adult the show cares about is him. I get that to a certain extent it was the show execs insisting on focusing on the kids. And again, he's kind of the main character. But you brought back Donald, and Della. There are other characters here with rich lives, he doesn't need to take over everything.
It's especially egregious ANY time the McDuck clan gets involved. Could Matilda be the youngest child now? Sure. But that's a really arbitrary change, that they don't use for anything. And even if that was purposeful, the fact is that the first thing they established is Donald's mom is still Scrooge's sister, so Donald is the grandson of Fergus and Downy McDuck. Not nephew? Surely they could recognize him? But where is Hortense and Quackmore? They brought them up in the first episode, and then they never made any appearances aside from references. Why were Donald and Della staying with Scrooge for Christmas? Never clarified. Fans (reasonably) assumed they were dead. Scrooge called Donald his ward (admittedly when he also called him Fergus and Downy’s nephew rather than grandson). I mean where else would they be when their DAUGHTER DISAPPEARED. Would they not want to meet their grandchildren? But that was never clarified. And I've seen some fans alternatively interpret them as bad parents, which I think is just really unfair. Scrooge gets to be the good parent? It's once again Scrooge to the rescue. The CAPITALIST? I mean it's also a little bit just a family issue in general: It's Uncle Gladstone and Cousin Fethry when they are theoretically the same: technically cousins but old enough to be honorary uncles. It's fair enough. But really that brings us to the Duck family in general.
Grandma Duck? What about Gladstone and Fethry's parents? Gus Goose? Are they all dead? Does Fethry have any siblings? Do the boys not know or not care about the Duck side of the family? They know Gladstone but no one else? I mean Scrooge's parents, who should be dead, were magically kept alive but nothing for the duck family. Speaking of which, they constantly bring up how old Scrooge and occasionally refer to the causes of his supernatural age, but that does not explain how young Donald and Della are compared to him. Overall, we get nothing on the Duck family except for its existence at least, so even removed from the context of Disney Ducks legacy its weird to introduce a side of the family and just gloss over it.
The one episode about the Duck family legacy is a Webby episode. Which, fine, she's not a Duck, but she's part of the family. Except wait. She's Scrooge's daughter/clone, and you gave her the focus on the one episode about the Duck family not the McDuck's? You couldn't leave Scrooge out of anything?
So for Webby's great twist in the finale, was taking not just one, but two characters NOT related to Scrooge (April and Webby), and tying them to Scrooge. I think I could deal with Webby being April, and (HUGE MAYBE) Webby being Scrooge’s clone or April being Scrooge’s clone but not both. Not to mention April, May and June are DAISY's nieces... not random three girls who are her boyfriends uncles clone and and boyfriends uncles clones clone? It doesn't sit right with me that a character who I thought was supposed to be learning that he was sometimes in the wrong, and not the center of morality (see how he made Glomgold a villain through his own ego), continue to be made the center of the universe in ways he simply shouldn't be.
He's literally an old rich guy. Like there is historical context for why this character is like this, but why does the world revolve around him in this show.
3. Word of God Word of God is useful. As are interviews and statements made by the creator. It helps to provide insight into the themes. I love seeing the person behind the art.
But here's the thing. Word of God is clarification, insight into how you should look at the work to set expectations. It's supplementary. It doesn't replace text.
This is a little bit difficult to really talk about now that I'm several years removed from the experience, so grain of salt and all, but I really think the way Word of God was handled did the show a disservice.
Back to Lena becoming a Sabrewing, we didn't get that in show. Lena just dropped off the face of the earth, not until S3’s premier we got a clarification on that in show.
We never got Della's reaction to learning that Donald and Scrooge were estranged, she just suddenly stopped speaking under that assumption.
So Word of God became an essential part of understanding the text, because a lot of necessary information was left unexplained by the canon its a huge problem. And Word of God is often fluid. It can be changed later if during the writing process something changes. (We should probably cover this topic in show and want to do it a bit differently, I have a great Idea of what we can do to turn that error into foreshadowing, I was lying to the fans to keep a secret).
But when word of god is necessary, word of god becomes essential for tempering expectations about the show.
This is probably going to be less of an issue for people who come and watch the show later. Sure, things are still unexplained, but when you can binge the show Lena's unexplained absence is less obvious, you're so busy moving on to other things that Della's change in understanding about the situation is clearly unimportant and you can move on.
But what ended up happening is that Frank Angones struggled to balance clarifications, keeping show secrets, and a sometimes changing story. Which sometimes left characters completely sure on where the story was sitting, only for it to be ripped out from under them. Also, tying back to the first point, of plot points being dropped until the episode where they where they were relevant made it VERY difficult to tell what was or wasn’t going to be relevant, and what emotional beats to get emotionally invested in.
Prior to the finale there was a bit of a community of Webby/Triplet shippers. Personally, I see that as a complete dismissal of the themes of the show and a bit heteronormative. I avoided all such content. But at the same time, shipping doesn't hurt anyone. At the end of the day, the boys and Webby were not related by blood, and hadn't even met until age 10. There wasn't... really a reason you couldn't ship them. There are TONS of shows out there with 10 year old characters and love interests. Just off the top of my head: Any Ship with Ash Ketchum, Sprigivy, Phinabella, Kenyako, Sorato. Even if they don't get together at 10, (or at all) the fact of the matter is 10 year olds getting shipped is old news. I'm still attached to Pokeshipping and Takari to this day, even if I tend to see them more as platonic relationships these days. So I avoided all shipping with them, but I understood why people (particularly younger people) were shipping them. Until the finale hit, and the ships that people thought never going to be canon, but were safe, weren't. To a certain extent, that's the game you play with shipping clearly noncanonical ships. But I feel that the way questions about shipping were answered didn't help, because iirc he tended to say the show wouldn't focus on that more than he explicitly stated the kids were family. He called Webby/Triplet shipping highly unlikely for example, giving it more legitimacy than a no, which leant to it being taken as a solid fact prior to the finale that Webby was definitely not related to the boys, because a lot of what else was said was solid fact.
4. (Bonus): of course, I do also feel it kind of isn't enough to justify breaking the found family. So much of Webby's arc was being accepted into the family. Becoming the 4th triplet. So for her to have been blood all along is a little cheap. Sure it doesn't break the becoming family despite blood before. But, having meta-knowledge of Launchpad probably finding family with Gosalyn and Drake Mallard, it's just Beakley whose left as not blood related (and she's technically the help...). And yeah, there's the Granny/Grandaughter adopted relationship. But....
Webby is one of four kids. Again, she became one of the kids. So yeah. I'm happy that she became one of the kids. Able to call him uncle scrooge. But it feels weird to me that she, the kid who already lived in the manor with Scrooge even if they kept their distance, displaced the triplets as Scrooge's natural heirs. The uncle relationships in this show being parental/grandparental was already good. Not all families look the same, some people parent their siblings' kids for one reason or another. Scrooge's presumed "heirs' ' was his sister's descendants, not his, but he loved them like his own. That's good. So to not only break the "not blood related at all" to "actually daughter", kind of ALSO meant a "my niblings are my legacy" got overtaken with "my daughter is my legacy".
And maybe I'd feel less sour about it if we had more time after the show. But on a fundamental level it didn't just alter Webby's place in the family, but her grandmother's, and the Duck Twins and Triplets. Again, especially with the triplets. I wanted the four of them to become functional equals. The 4th triplet. But for her to have a secret Scrooge connection that overtakes the one she was jealous of the triplets of having doesn't sit right to say the least.
I feel I could get over this one, especially maybe if they gave us more time. But it just didn't make it worth it to me.
5. (Bonus Bonus): Now I don't use the term Mary Sue lightly. But what I do think of canon Mary Sueism is a tendency to make female characters on predominately male casts "special" in some way to justify their presence. They have to be the level headed smart ones and the ones with . They have to be likable so they're robbed of character. I wouldn't say Webby is a particularly bad example of this, and it's not like Ducktales lacks other flawed female characters (Della my beloved).
But the way Webby is treated reminds me of April from TMNT 2012, and Allura from Voltron Legendary Defender (and kinda Larmina from Voltron Force). All are 80s characters in shows that had a predominately male cast of characters, and who were both an outsider, and defined by being a girl. And then the reboot both doubled down on making them special, integrating them into the group more, but also making them generally tougher the boys in some way, and also sometimes more in the know about things. Webby is aged up to match the boys age rather than aged down to match the boys age like April but the effect is still the same.
The girl is now a peer to the boys, 4th triplet, rather than a little sister. Webby is more capable and well-read than any of the boys. And at the start of the series she's socially awkward enough it feels like it will work. And I'm not saying Webby isn't flawed, she is. But when it comes to the things the family finds important: adventuring, she doesn't have any obvious shortcomings. Louie quits easily and isn't as coordinated, Dewey is reckless and generally uneducated, and Huey isn't flexible. And Webby... used to be socially awkward???
It’s kinda trading 1 sexist trope for another. And yeah, all shows do have OTHER female characters who kind of avert this. But it doesn’t change the fact the leading lady is more “special” than the boys. Like being a girl has to be special.
In short, at the end of the day Webby being Scrooge's daughter doesn't help her character, her grandmothers, or the rest of the family. It kinda helps Scrooge’s character, but while I haven’t seen the episode myself, I’m not sure there would be enough time for it to be meaningful. And again, I think a lot of the characterization and worldbuilding of other characters were already sacrificed for Scrooge’s sake in the show already.
Oh and the Donald/Daisy thing.
The reason Daisy/Donald's trip doesn't sit right with me is we barely got any Donald and Della having to coparent. Get used to each other again. We barely got any of them and we're heading back into separation. It doesn’t feel cathartic when we still have unanswered questions from this stage in their life. And even if the trip is well, a trip. It feels weird.
It feels kind of unexpectedly "conventional family", even if it's still really unconventional. Donald is going to go be happy with his love interest, away from the boys he raised who aren't actually his sons (and yes, I know he takes May and June with him but still, knowing that May and June are by default Daisy's nieces kind of has "new kids with new wife" implications to me but that's neither here nor there). Adding this to "Webby being Scrooge's daughter is a good plot point for him" and it's just really weird, and kind of feels like the final nail in the nontraditional family dynamics coffin. If feel only way they could have buried it more is if Beakley died or something.
I was already kinda uncomfortable with the “Daisy being the only one to understand him” thing because like. That’s sweet. His soulmate is the only one who really hears him. But also that’s a fucking speech impediment Donald has. Are you telling me that no one in his family cared enough to effectively communicate with him despite his disability? Like if it is REALLY that much a problem he should have an effective communication method. Sign-language for example?
The triplets he raised don’t always understand him. His twin sister doesn’t always understand him? But this random woman does? I am all for Daisy and Donald being basically soulmates. But uh? This feels both ableist and allonormative in a show that really wasn’t those things before. (well okay it was kinda ableist about Donald but it felt less weird to me when there wasn’t one person who could magically understand Donald). And Daisy understanding him still could be a big thing? The first person who understood him without getting to know him first/wasn’t literally raising him/raised with/raised by him?
I want to like Daisy so much, but she just feels a bit like Webby does: a legacy female character they are trying to make too cool, who gets some of their coolness incidentally defined by a male character, rather than a full-fledged character on their own. (For instance if we saw Daisy with anyone other than Donald, her overbearing boss and… whatever Storkules is). 
I feel some of these may have been resolved with more time. But some of these problems had their seeds planted as early as S1. That said I think if the quality of S1 was maintained they would have been fine. Overall, I think Ducktales is a good reboot, and a good show, but it really could have been better. Was so close to being better.
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rotisseries · 1 year
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mike and will stayed up until midnight last night for the legend of zelda tears of the kingdom release and they were planning on pulling an all nighter but they passed out a few hours into it because they're too old for that now. trust me I was there
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chirpsythismorning · 1 year
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Thinking about how we didn't get one scene of Mike in his basement in s4, though we got almost everyone else in the party down there (Lucas, Max, Dustin, Steve, Robin, Nancy).
At the start of s4, we got Mike in his room and in the kitchen getting pop-tarts out of the pantry (near the phone on the main floor), but nothing of him in his 'sanctuary'.
Considering Mike and Will and that damn basement metaphor, it makes me wonder if that was entirely intentional.
Because although there is a phone in the kitchen, I highly doubt that's where Mike made all his calls to Will since the Byers moved, most of which went unanswered. That's very likely the kind of thing he would do in the basement...
Makes you think they're saving Mike in his basement again for the last season, bc what we'll see is something that'll definitely shock the average viewer... something the Duffers had to wait until the end to reveal.
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palettehao · 2 years
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'What if Steve dies, what if Johnathan dies'
Okay but what if Nancy dies trying to stop the vision Vecna showed her about her entire family dying?
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eddie munson is what happens when you make a non-canonically-queer character so queer that all the queer kids launch onto him for representation
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evil-ontheinside · 2 years
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Ok so I haven't seen a single episode of stranger things (this has been fixed in the future shdhhd) but I'm invested so I'm gonna share my idea on Mike getting vecna'd. Buckle up this might be a bit longer.
So I saw a post where Mike's song and seeing all those memories doesn't actually help him but makes things worse. I would love that a lot because he sees all those memories and it works at first, he's reminded of the people he loves and how much he loves them and is just so lucky to have them in his life but then there's vecna telling him something like "imagine if they knew you lied to them all this time. They would be disgusted by you." not only focusing on him being gay but also on the whole 'friends don't lie' aspect and that's when all those memories turn painful.
Instead of helping Mike get out, they make him want to give up. They make him hate himself even more because yes, he lied to them this whole time and every single of those memories might as well not have existed if they knew about him. How can he be their leader, their friend if all he ever did was lie to them and deceive them about who he actually is?
On the other side, everyone is trying to safe Mike of course, and I'd love if Eddie is the one who realised that Mike is gay before everyone else (maybe there were comments in school, and Mike's little crush on him, and the fact that he won't shut up about Will, (his natural gaydar as a fellow fruit) etc.) And he and Mike had a conversation about music and when Mike said he liked small town boy (or whatever other song you imagine would work for him) he teased him a little and Mike immediately denied liking the song so Eddie got suspicious. So it was his idea to use the song and it works! (just not how it should)
And while Mike is about to die, something else is going on and someone attacks the rest of the group and through his little window Mike can see them panic and THAT'S what gets him to fight back. He sees his friends, his family is in danger and can only think about how he has to protect them, how he can't be a burden to them right now.
He fights his way out of vecna's grip and joins his friends back in the world of the living. And someone is like "so the song did work!" and Mike just smiles and nods and everyone moves on but then there's Nancy. She looks at her brother and sees the lies because she knows him. They might not be the closest of siblings but she know when he's lying but right now they have other things to worry about.
They escape the attack (maybe the angry mob or other monsters you decide) and when everything calms down a little, Nancy confronts him. Not in private but also not in front of everyone. They're in the same room as everyone else but she drags him to the side and corners him (literally).
"You lied. The song didn't work. What happened?" and Mike, of course, gets defensive. He insists that the song worked just as it did for everyone else but Nancy stares at him until he just caves (it's been a long day, the boy is tired, give him a break please). "It did work Nancy. Just not how it should have" (just like I'm not how I should be). And he admits that he did see those memories but they just made things worse.
Nancy is confused because for her, those memories were everything she needed. "but that doesn't make any sense. Those were your best memories Mike, how could they make things worse?" And Mike gets angry, mostly at himself for being different, for being wrong and because he's reminded that he lies to everyone he knows. And his voice gets louder for the next part. When he tells her that he lied to everyone and that if they knew this about him, they would hate him and all those memories are build on lies and how is that supposed to make anything better?
Nancy is stunned, just like everyone else in the room who heard what Mike said. His friends are confused, what do they not know about their best friend? What did he never tell them that would make them hate him? And they want to reassure him that, 'no Mike, me wouldn't hate you' (especially Will who hasn't made a big secret of him being gay but still hasn't told any of them even though he's pretty sure everyone knows) but before any of them can say something, it's Eddie who steps forward.
He grabs Mike's shoulder and tells him that he knows. He's known for months and that he isn't disgusted by him, that it's ok, that it's not his fault that society thinks of them as less and wrong. And Mike has never heard that before (not because his friends wouldn't tell him the same thing, but because he couldn't imagine anyone being ok with it, with just accepting him without everything changing) and he just starts crying, which he hasn't before and Eddie hugs him and tells him that he's fine, that he doesn't need to be fixed, and fuck everyone else if they don't accept him for who he is and.
Yeah. That's all I have for now. He probably has a talk with Will later who might have caught on during Eddie's little speech and Robin definitely understood as well so she talks to Mike too and it ends in byler being happy and that's it
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musicalchaos07 · 1 year
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I don't think you understand if Jonathan d words in s5, even if it's a fake out, I will close my laptop, throw it at the wall, and never finish the series
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spectrumspace · 8 months
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staff: *makes awful decisions* users: maybe if we all give staff tons money for making awful decisions, they'll stop making awful decisions! staff: *receives tons of money* staff: *continues to make awful decisions* users:
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dinneratgrannys · 2 years
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i have a mile-long list of shows i need to watch but without fail every time autumn approaches i am always tempted to rewatch ouat
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myblacknightworld · 9 months
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every female character in recent history (not animated) tries to be Marguerite Krux (multidimentional, allowed to be a real person with real feelings and reactions and, most importantly, flawed, imperfect, and allowed to make mistakes and learn) so hard and yet they miss the target by half the distance between here and the sun, when everyone in studios should just understand that perfect doesn't mean better, quite the contrary
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gayofthefae · 4 months
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Why do I not just go back to these playlists more every time I wonder what Mike's inner monologue has been over the course of the show it's literally right there. Like once this is all over I might just listen through to it when I don't wanna time commit to rewatching the whole show.
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Coming form Тeen Wolf fandom, I'm very tempted to combine my ships and let Robin be accidentally turned into a werewolf, so Steve is her funny sidekick, and then in s5 ahem a bunch of scientists comes over with their traveling lab and they bring Billy with them as one of the three of their successful experiments (with Henry and Jane being the other two, but Henry has long since gone rogue), and initially they plan to use the kids for evil to lure more kids, but Billy and Jane end up running away too<3
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