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thrumbolt · 1 year

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So, in November my girlfriend gifted my all the Dragon Age games because our DnD sessions were cancelled. 'Go date some elves there!' - and so I did. I went in completely blind, knew basically nothing about the series (except that you could date elves). So now, a month after finishing the last one, I feel my thoughts have rested enough to voice an opinion™. I'll drop my personal ratings here and elaborate under the cut.

Dragon Age: Origins 8/10

Dragon Age Awakening 6/10

Dragon Age 2 9/10

Dragon Age: Inquisition 4/10

Dragon Age: Trespasser 7/10

In short, I thought DA:O was pretty dope. Very solid adventure rpg fantasy dating sim. The characters are very fun and mostly lovable and the lore is interesting enough even if the art direction was pretty generic fantasy.

I was really surprised just how much they crammed into this game. The several different origins was a huge surprise and very nice incentive to replay the game, though so far I only played as a melf (mage elf). The storyline was engaging enough for me to follow and it makes you travel to all the different origin places, so everyone gets to connect with something in the main plot - smart!

I have to add however that I played as a male character - as I usually do - and I am very glad I did because despite the promise that men and women are equal (and the dominant religion being female centric) the writers did not really manage to capture that as it seems haha. I would've probably given the game a lower rating if I wouldn't have played as a dude as I'm a sensitive snowflake that way. And not even because of the rape as plot device or the brood mothers, but more the casual 'wow a woman with sword wow' stuff. I'll excuse it as 'it was a different time' kinda, but still would ruin my immersion.

Awakening I mention separately as it's kind of a sequel rather than just a DLC. I liked it. It's a nice extra adventure for your Warden character and the companions are very good (though I could've done without Oghren, sorry Oghren fans). I especially liked the Legion of the dead dwarf, she was adorable - and Anders, of course. You can give him a kitty!

So why am I rating it so low? They changed how shit works, don't tell you about it and it makes you miss half the game lol. Idk, it just pissed me off you had to click on background shit to talk to your companions and I didn't notice it until I was already halfway done. It's such a stupid idea, too. Click on this tree to talk to Nathaniel?? Weird tbh. It's especially bad for me, as I am not playing a lot of games (I am a filthy casual) and am not a completionist - also I already know who Andraste is, so why would I click her statue?

So yeah, that's my personal gripe with Awakening. At least it's short enough to replay, so hopefully I will catch all the stuff next time haha.

Dragon Age 2....ahh, I was very surprised to hear that it was so unpopular, several of my friends said they had not played it at all because they heard it was so bad. And I am very confused, because it is my favorite. I can see how it got flack for being on a smaller scale, the dungeons and areas repeat - but honestly, I didn't care much. I enjoyed the smaller scale and the more personal story greatly. I feel it makes more sense for a 'choice' based game anyway, as it lets you tell more stories without problems. And in this instance, a story about a refugee family and a bigger focus on social justice issues just vibed well with me. I can see how it's not everyone's cake I guess, but it's definitely worth playing! I think it has the best companions in all the games. They're all great fun and the dating options are amazing. I personally prefer when everyone is date-able by either gender - it makes me not having to worry and research ahead of time on what character to make (looking at you inquisition) and I can just headcanon for myself who is queer, straight, whatever. Yes, I might still be upset I wasn't able to date Alistair haha in DA:O.

I loved the 3 act structure and longer time period. I liked how people you meet/help in your side quests write you letters or get updates. I just loved how personal it was.

My only gripes with DA2 is the rushed Act 3 (can't even give everyone another gift ;_; ) and how the ending was handled. Chosing between templars and mages - sure, fun. But when you choose the mages, how come 80% of the people you are fighting are mages? Why is Orsino turning into an abomination and attacking *you*? It makes no sense. Poor Orsino. They did him dirty.

But otherwise I had great fun. Needless to say this game cemented my chantry hate lol. Doesn't help I live in a pretty gay oppressing catholic country now, but it felt fucking personal. I cheered when that fucking building blew up. It was cathartic. So I was hyped for the next game!

Which leads me to Inquisition. By the rating you can already see: I didn't like this game. For many reasons. The church dick riding was definitely one of them. But I mean, if you write it well I probably wouldn't have minded to get a different viewpoint (and there was still plenty of critical content in this game like with the former Inquisitor and all), sadly though, for me it didn't work in so many ways.

First of all I had to restart the game after 30 minutes because my girlfriend told me I can only date the elves if I'm a girl. Gee, good to know, or my tripple elf combo would've been ruined.

And I have to say: I liked how un-segregated the whole gender selection screen was. I got to make a pretty boyish looking twink even by choosing female, up to the point I was forgetting I was playing a girl until someone called me LADY Lavellan and ruined my immersion, so....props to that. I also liked the art design? Like all the little character cards, all the artworks just felt like they finally found their own style, kinda. (This was already started in DA2, which I really liked, I feel this series needs it's own, distinct look in some way, so it was nice to see they were trying to). Anyway, nice looks.

But the gameplay immediately felt weird and sluggish to me. It was way too hard even on the easiest setting. Enemies take FOREVER to die, even a stupid wolf or bear takes a gazillion hits. It wasn't fun. Not for me anyway, just tedious.

And the story....I just didn't feel it. It didn't help that you don't even have a proper origin (for a good while you have amnesia even). It made it difficult to even understand my own motivations imho. Playing it as an elf was definitely a bad choice as well, as this whole plot was clearly written with a human in mind. Pretty wild a DALISH elf is even an option. If they kept you as a prisoner, it would've made sense, maybe? But it just feels off to put this random Dalish immediately on top of your organization and calling them the herald of Andraste even though you keep insisting you don't even believe in that stuff haha. A wild ride indeed. Also I screamed at the whole 'Dalish only have 3 mages per clan and just YEET THE EXTRA CHILDREN INTO THE FOREST TO DIE' retcon. It absolutely makes zero sense with how the Dalish were described up to that point (as people who greatly care for their own and also really want to honor and learn about their roots. They know the elves were all originally magical. Why would they have a fucking mage limit. Why would they yeet a child out to die when they already suffer from diminishing numbers? What the FUCK Inquisition?).

The maps were too big, the game is sooo bloated and the main plot for the larger part completely disconnected from everything else (and also, pretty short in theory). Because of this, the pacing was kind of off. The war table....the WAR table. I did not like it. So many things that got shoved there should've been quests, while many of the actual quests should've just been deleted. And apparently my whole clan can just die in a small war table side thing and no one will care. lol

I also did not vibe with most of the companions that much. I liked Dorian a lot, but other than that most were just a lot of missed opportunities. Like, they were ok, but not as great as any of the other games.

Though I feel nothing quite shows the pacing issues of this game like Solas' romance haha. I still can't believe he breaks up with you immediately after kissing you and offering to take your vallaslin. It would've made so much more sense if he left during the ending party ceremony. What were they thinking?

Generally my issue was how a lot of characters just talk at you, not so much with you. You ask them questions, but they hardly ever ask you questions back, even though it would've been a great way to learn more about your characters backstory as well. I think Josephine was one of the only characters who ever asks how you're holding up. In the other games, it is way more interactive.

This resulted in me just never really connecting as much in Inquisition. Felt more like hanging with coworkers than friends. It was also weird how everyone acts like you're achieving great things, when really, none of it is something you do. The inquisition itself, the army, it already exists. Solas literally just points at Skyhold (you do not even have to fight anything to get it) and so on.

I hated that you have an animated main plot cut scene where your Dalish elf asks a human who Mythal is. And of course I really disliked how the mage rebellion was handled. Why do I have to choose between templars and mages AGAIN when, in this game at least, being able to recruit both would've kinda made more sense? Unite against a bigger enemy, bla. I wouldn't have super liked it as a resolution for the mage oppression issue, but at least it would've given that conflict SOME form of resolution.

So yeah. Did not enjoy it that much. Was very surprised to learn how many did and that it won game of the year. Maybe it would've been more enjoyable just on its own, without context, but coming in right after DA2 it was quite the clash in my opinion.

There was definitely potential for a good game. It had good elements. I think they fixed a bunch of issues in Trespasser, which I quite enjoyed. But I kind of am not looking AS much forward to the 4th installment. I'll play it for sure, but I feel the writers just want to do something different with this series than what I enjoy about it.

Overall though I still had great fun! I like Dragon Age. Seeing everyone's oc's is so cute and I will definitely keep on enjoying that no matter what.

#I want to remind everyone that all this is just my opinion #Of course some people will completely disagree with me #and that's ok!#so don't feel bad if I say something negative about something you liked #im glad u got something out of it #Dragon Age #dragon age: inquisition critical #? i guess #this is a very long post oh god #also yes I have a mage and elf bias I AM SORRY

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valkyrieandstrangeridingaragorn · 1 year

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Hey! Don't know if you've seen the latest article from The Direct, but it says Marvel Studios reveals that Sylvie is not genderfluid like Loki.

Well, according to the Loki series writers and director, Loki himself isn't genderfluid either! Oh excuse me, I mean the other Lokis "haven't got there yet". 🙄

You know why I think they're erasing genderfluidity from Loki's identity? Because they want the fact that Sylvie is female, the only female Loki, the only "good" Loki, to be what makes her so superior and special. That's it. That's all they've got. Oh, and the fact that she has the most tragicest backstory that a team of writers have ever made up as they went along, and that somehow gives her an element of "specialness" that dumb ol' inferior Loki could only dream of achieving.

I wish with all my heart that they had just let Loki be genderfluid, instead of forcing this poorly written, slapshod "original character" to be the most special thing ever, just because she's female. I honestly wish that Sylvie just didn't exist. I don't know if it's because they think Loki is just a shit character, and that's why they need Sylvie to be so special, and created her with a mix of Enchantress and Sylvie Lushton because being just Loki or just Lady Loki isn't enough? I don't understand why but I don't think I've ever despised a character more than I do Sylvie.

Of course I don't mean this in a misogynistic way. They want us to think that what they're doing is feminism and that it's empowering to girls but it's really not. It's a patronizing pat on the head. It's insulting. The whole "oh baby you're so superior" thing is crap, and it's costing us dearly. It's costing us the characters we love, and it's ruining the potential of other characters.

Anyway, thanks for reading. I just needed to unload after seeing that this morninng.

Hey that's alright. I understand the frustration, believe me 😉

And please, don't worry about the so-called "misogyny". You can dislike as many female characters as you want, in fact, if anything that's what is truly feminist here: to like or dislike fictional characters without a care in the world as to whether they're men or women or everything in between.

I hate the "she's superior because she's a woman" trope too. There's nothing empowering about that, quite the opposite, and I couldn't agree more with you when you call it patronizing.

They give us a woman, tell us she's perfect and she's the only woman that matters (wow, that is so feminist, huh 🙄) and of course she has a tragic backstory because they want her to be complex but they won't ever put in the effort to write that complexity, so the easiest way to go about it is to claim she has a rough past.

And of course, in these cases the woman needs to be compared to a man because no matter how much they try to tell us the woman is the most perfect creature in existence, she still needs to be evaluated against a man so that she can earn her place in the story (you never see this with men). So she's superior to the male lead in absolutely everything -- but she's not going to show that (we know the writers don't really give a damn about her to write her as complex) so that superiority will be spoken, said by those around her and especially the male lead, who will do everything in his power to remind the audience time and time again of how perfect she is -- lest we think a woman has any value until a man decrees it. What of all this doesn't sound feminist...?! 🤦‍♀️

They were never going to have Loki as genderfluid because the entire purpose of the series was to 1) belittle him and abuse him, 2) retcon him to be the most palatable, basic and normative character of all. Genderfluidness would have ruined that. Just look at what they did with his bisexuality: he comes out, Sylvie says not a single one of his relationships were ever real, he falls in love with her and he's then beaten in the time cell. That's what you get for coming out in Disney.

But what can we expect from people who do this...

LaufeySON for a woman (they changed that in the series so bonus points for that, I guess) and they write her race is Asgardian but her birthplace is "unknown". She's the spawn of Laufey, she confirmed she was adopted, how the fuck is her birthplace unknown?!

#loki negativity #she could have been a great character... too bad they didn't give a fuck about her

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limeade-l3sbian · 1 year

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you're correct about ozai. i only loosely remember the comics, but the additional context there is pretty much that ursa was the grandchild of roku (whose family went into hiding precisely to avoid being roped into fire nation politics), that she already had a lover when ozai's father found her and set her up to be married to ozai (presumed to be zuko's actual father), and that ozai treated ursa as basically a trophy wife, going as far as to tell her that their wedding was the last time she would see her own family because she's "his." the man has a very solid background to be a misogynist, and they just didn't touch on it at all in the show, except to imply he was a bad husband (which...no shit).

i kind of respect the attempts to make more rounded female characters, including a female long-term villain, but i think they dropped the ball when considering misogyny and female oppression as topics (even though the writers clearly had it in mind at some points, they could never seem to commit or go all the way; it was better than a lot of other media, but it was FAR from perfect). i'm not necessarily against fully evil female characters, though i'm not very into wholly evil characters in general, and i'm mostly bothered by the fact that the younger girl sibling was irredeemably evil when the older male sibling was fully redeemable. also, i lowkey think that azulas traits play into some misogynistic tropes (as a little sister who was always accused of being a liar who faked her emotions to "get her way" (but was also "overly emotional," as well??) and was seemingly assumed not to care about anyone or anything else other than herself and her own self-satisfaction, her depiction stung to see quite a bit).

even though the writers clearly had it in mind at some points, they could never seem to commit or go all the way

YES

They wanted the credit of having these themes but were unwilling to give them the full depth that makes people truly appreciate them. While I think Azula's slip of mind was horrifying in a good way, I think it was rushed entirely too much. I think the earliest we see this "slip" is Boiling Rock when she's "betrayed" by Ty Lee and Mai. There's definitely a shock in her expression when Mai basically tells her "you haven't been controlling me with fear the way you think you've been".

But we should have see more. You can't provide to me this calculated queen of battle and then three episodes before the finale be like "oh but naw, she's losing it". Like, why would she be losing it over some bullshit like her hair was fucked up or she JUST started thinking about her mother? She just got everything she's been hounding for!

If you want me to think she's losing it over her new position as firelord (by the way, I love the genderless title of the throne. Kind of like Pharaoh), have her flashback to the betrayal of Ty Lee and Mai. Show me how she's looking around and putting on unnecessary acts of force to keep intact this method of control she's used her whole life. Show me an example of her thinking she's got everyone in the palace under her control of fear but its somehow revealed that they only really follow her because they're more afraid of Ozai.

That is a problem with this franchise in general. If you're gonna do it? DO IT.

I LOVE the ending of Amon's season. There was no redemption! And his brother knew that so he KILLED THEM BOTH. And we don't know what that tear was! Was he crying because he was happy to be reunited with his brother? Was he crying because he, the master blood bender, could sense what his brother was doing? I personally love that ending because they followed through. This guy was indoctrinated by his father but rebelled too far and overall, was just too far gone.

I do not think at any point Azula was too far gone. Yet, that's what they kept trying to sell to me.

Azula wouldn't be some compulsive liar. She would be so brazened in her fear tactics that there would be no need to lie. She'd say "I only lie when I'm afraid, and what do I have to be afraid of?"

They have a better show of female rep, but like you said, I hope people don't hail it as perfect.

#ask

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prosecutingfairy · 1 year

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g r e e t i n g s

i'm clyde and i thought i had to do this post even thought it would be cringey

i speak turkish(mother language),english(fluently),and some german but not really fluent

im both an artist and a writer,so double the creativity and the pain

im aceflux and panplatonic (idk if that term exists or not,i feel platonic attraction but make it pan) and i use they/she. im still a cis female though,i still prefer they/she.

here is some useless info about me/getting to know about me:

im an infj 7w6

i went to...skopje,ohrid,prishtina and prizren (basically macedonia and kosovo)

im interested in law and willing to be a prosecutor?( i might turn into franziska or edgeworth.)

possibly neurodivergent.

i will possibly say sorry to everything? everyone says i shouldn't but idk i think im standoffish and an asshole sometimes.

anyways.

fandoms

jujutsu kaisen,the study case of vanitas,ace attorney,ENA,dumb ways to die (if it counts),deltarune,undertale,honestly idk

things i like(bands,hyperfixations and shit)

so...im going to ramble some shit out so you can skip this)

nirvana,pink floyd,guns n roses,foster the people,penelope scott (some of her songs),jack off jill,some turkish rock (i normally cant stand turkish music even it is my own countrys,but there is some specific bands like maNga,yüzyüzeyken konuşuruz etc. but idk much.),pinkshift,law,my ocs,writing,drawing,my ocs,my blanket,frogs,cats,astronomy,science,simple affection,colorful things,love letters,flowers,gardening,shopping,rambling,anyone listening to me,my fandoms...but yeah lets go on

projects

1. harper to the end of the world(dünyanın sonuna harper in turkish)

trigger warning: cringy,maybe some trauma,edgy teenager,narcissism,kind of venting and ranting,some spoilers?

harper is my kind of self-insert oc,when most people ask i say "a character based off me." so yeah my life is like shit and most people judge me for whateverthefuck i do. homever stabbing them is illegal and prohibited in Islam. i always wanted to control them and make them be sorry for what they did. i cant mention their irl name tho,i will get in trouble.(our advisory teacher and the counselor are such jerks,i don't like them.) and then harper gets the ability to...control them?

i admit i was trying to drag attention to myself in 6th grade,but that was the literal past and as my dear friend(i don't know if he still sees me as a friend.) mr. nobody,"the desire to drag attention to yourself comes from the lack of attention you are having." i couldn't agree more. i was a loner back then but i found some people that arent assholes but i don't know if they like me or not. theyre cool though. im a standoffish and attention addict girl as the girls gossip in my classroom but they talk about wanting a "big boy" or a "starboy" like wtf aren't those songs 💀 AND THEY LIKE A BOY WHO LITERALLY PULLED OFF A GIRLS HIJAB AND THERE IS RUMORS THAT HE LIKES ME 💀💀💀

but, what if there was someone who actually gave a fuck about me? yep,here comes my ocs. i get dragged into another universe where harper's and my other oc's dreams actually happens,but they have to fight with monsters and evil people etc. harper becomes a fairy and gets frogs and other pretty animals 🩷

2. interworld(dünyalar arası in turkish)

so,these characters.im going to write their name in english and turkish.most of the names have to do nothing with their original turkish names,but it suits them.

trigger warning!!

a good-looking teenage model,which is actually very nice,but doesn't want to model because the influence he gives on people,and doesn't want any bitches.also being verbally @b#s#d by his brother,the ceo of the big fashion company. xavier,our protagonist. (his name is Yıldırım.yep,thats his name.btw his mom dies after she gives birth to yağmur,her younger sister.)

a government agent,who just wants to live her teenage life. she was really depressed after her mom got fired and had to leave her for good.. has to go on murdering sprees sometimes. an ultimate spy,depressed(has tried...some things,i don't want to trigger people.) but dresses really cute. "monika" jenny. monika is her spy name,and she has a fake id for good. our protagonists best friend and lover.the turkish name doesn't change

xavier's stupid but nice,also a great listener cousin,getting emotionally neglected and verbally @b#s#d by his parents,again. He likes science and psychology. also looks like and almost is apollo justice.elliot,the protagonist's cousin.(şimşek in turkish.there is also a side character called fırtına[hurricane] and my friends call it "a weather forecast")

a standoffish but emotional and awkward fairy which is a selfish asshole to herself but actually a real mess? she either does a manspread or turns into a cat. thinks everyone is judging her of her apparence or hyperfixating. yes,thats harper,the "not ladylike" girl. i will explain the dynamics between stories later. she screams or meows often,when she doesn't want to talk/can't talk.

a monster/demon boy,that is awkward but really nice,stupid but smart,introvert but extrovert,shy but confident,basically complicated.likes to tease people .also says sorry really often. more gentle than the others but cant control himself when he's scared.he got @$$ault3d by his aunt.asterix,the fairy's lover. he will also send you shrek memes to make you smile at 3 AM. he likes cats.

a poc girlboss trying to dress like the kidcore/indie kid aesthetics? she is also a cancer survivor and she grew some hair too. but she used to get bullied by some bitches that were the complete opposite of kidcore,so she wants to dress like that way and she likes the aesthetic- marble,the confident one along with xavier. she likes makeup and still watches barbie movies.(she goes with "mermer" [marble] in the book)

these traumatized humans form a team with a void+man thing which gives them powers,and fights the evil. in the other universe. if you want to read it or have any questions,you can ask.

xavier x monika,asterix x clyde and marble x elliot looks good but xavier and asterix are gay so yeah xavier could fuck anyone honestly(he is bi).but since its going to be published in a homophobic country,theyre all straight because i need a shelter.

so uhm,this is the end.

sorry for the long post,i like introducing myself,and you don't have to read it all so...

yeah im sorry. im not trying to be edgy or attention seeking.

#writers on tumblr #oc #arrists on tumblr #introducing post #introducing myself #idk what im doing

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dcviline · 1 year

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notes on big canon divergences with the new muses

Lexi & Anna: Still working this out bc I haven't actually gotten to watch the arc with the ghosts at the beginning of s3 play out yet BUT basically my canon divergence is at some point when things are going haywire, they both actually fully cross back over instead of staying ghosts.

All GOT muses: I ignore all of season 8 and most of season 7. I'm not here for the character assassination. (Also @ book based peeps, I'm book friendly but I've only read the first book and around 1/4 of the second but that was YEARS ago, so bear with me as my book knowledge is on the level of a confused sloth.)

Daenerys: I basically ignore everything that happens after Dany arrives in Westeros. Some events beyond that point can be included with plotting, but my Dany is typically (unless writing earlier in the timeline) freshly landed on Dragonstone and her arc from that point onward will be different. I'm not here for the "Mad Queen" shit they pulled in s8 in the slightest. Also sidenote, I'm not down with romantic Jonerys if the R+L=J plot is followed as canon for obvious reasons.

Margaery: I don't have much that's canon divergent about Margaery (at the moment but this may change as my rewatch continues). I will have a verse where Margaery managed to escape the sept and get far enough away to survive the explosion just because I do love giving dead characters alternate endings, but it is an AU.

Sansa: Ok so. Listen. I'm not a fan of male writers putting female characters through unnecessary torture p*rn and r*pe plots as if that is somehow required to "make them stronger", and that whole spiel about Sansa basically saying she's grateful that she went through shit bc of how it changed her or whatever the hell they were trying to say?? Absolutely not. D&D are forever on my shit list especially because of this plotline, one that wasn't even originally Sansa's in the books. So while I will follow that yes, she was engaged to Ramsay and he was cruel to her, they did not marry before she fled and [redacted] did not happen. Also, my Sansa absolutely told Jon about her plan with the Knights of the Vale. I see no reason why she would keep that information from him at all, D&D tried to force a *Girlboss* moment and ended up making both her and Jon look stupid for it, and I hate that. So that's being tossed out the window besties.

#᯽ ooc. ⊱ ── ❝ 𝘖𝘩 𝘯𝘰 𝘪𝘵'𝘴 𝘔𝘢𝘳𝘪. ❞#s*xual assault mention tw #this is all I can think of atm but yeah #d&d can eat shit is the gist of it

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fucktheroyals · 4 years

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You know after reading and reading and reading peoples theories and the meta from before the spn finale aired and the meta writers reactions to the finale I think I have a theory of my own. We don't have any answers tho, so this is pure speculation. If you wanna add something to support or discredit any of this that's cool but there's too many things floating around. Know I dont have proof for this conclusion at all. A lot of what I say is just guesses based on previous facts.

This all came together in my head when I realized how much this finale REEKS of the original producers and who the show was originally for. It REEKS of Robert Singer. Like if the execs started saying they didn't want it, Robert Singer was the one pushing that the story was about the brothers. That kinda thing.

Then, I was thinking of the problems in this episode and it struck me these are all of Supernatural biggest issues and to be honest all of it feels completely deliberate.

Take the sexism for example, Supernatural in it's later seasons largely out grew this, we have Jody, Rowena, Donna, Charlie, Mary, Claire (and even a wayward sisters pilot with MORE women/girls) all making regular appearances. They're mainly good characters and mostly aren't there to hurt our boys. Rowena, of course, is the one outlier being very about herself but it's clear she still cares for them, I mean its part of her development. But they're all real, with character flaws just like everyone else. (And we have Death too and she was POC 😭 THANK GOD)

Now look at the earlier half of Spn, we have Ellen and Jo, who's appearances were far in between. There's Bela in season 3, recurring for quite a bit (5 eps), but she is a character that is only there for herself, definitely not found family (unlike Ellen & Jo), and she's got more episodes in season 3 than Ellen and Jo in season 2 who aren't seen again til season 5. The "fans" send in hate mail after hate mail to try to get these characters off, and eventually they are. Then there's Ruby who's character stayed for a whole two seasons and was a largely recurring character. Why does she get to say so long? She's a plot device. She's supposed to be there to betray Sam. She has to stay (plus Jared obviously likes her). But she's not just a character the writers like writing about. Same with Lilith. Obviously not as recurring but still a plot device. Did they get hate mail tho? You can bet on it. Why? because tHeY'rE gOnNa PuSh ThE bOyS (Dean and Sam) aPaRt ThE sHoW iS aBoUt ThE bOyS oNlY. Without even thinking about the hate mail, just notice how large the difference is from how women are seen in the earlier seasons to the later seasons. Misha got tons of hate mail too for being a character that could split up the boys (probably only being allowed to say because he a man, thanks sexist producers and execs).

Only after Castiel was killed off and then Castiel fans successfully (thank you guys) got him back on the show did the hate mail largely simmer, which means female character's were allowed to stay! Which has lead us to a show with a good amount of female characters. But can you imagine having to kill characters off time and time again because people keep complaining that the show is "only about the boys." Fun times really.

So now we get to this final and we see sexism. But it wasn't just the plain old regular sexism you find in the earlier days of spn. Because now, there ARE women to talk about, talk to. But this episode was DESOLATE women wise, unless they were used for plot (which is also sexist!). Small scenes, they're barely there. Women gets her tongue cut out. Random women from s1 gets killed. Sam doesn't SPEAK of Eileen. Nothing. No mention of any female characters from the boys mouths unless they were from/in this episode itself. That's WIERD. I know we've all said it. But that goes beyond forgetting about characters. I mean its SAM'S GIRLFRIEND for Christ's sake. There is NO REASON they couldn't have said Eileen's name. Notice how Sam's wife is just... faceless. This is literally an age old sexist trope. Like... one of the things about bringing Mary back to life for s12+ is that it takes this trope... of basically a generic mother, and gives her life and feelings, whether you like them or not, they're real feelings. They said Mary isn't just a mom she's a person. Mary's existence in the later half of spn is to fix this kind of female tropes that fall upon her character, to not let these her stay a 2 dimensional character. They said we should know she's more than just the mom who tried to save her kid. Do that is the exact opposite of Sam getting a nameless, faceless wife. The sexism of the old spn wasn't just brought back, it was completely amplified. It wasn't just accidental or some exec "fixing" the story it was DELIBRATE. Whoever wrote that, didn't do ALL OF THAT by accident. Because an exec or a producer who doesn't see the flaws in old supernatural isn't going to write it that deliberately.

Let's bring it back to s10 when Charlie was killed (singer was mainly to blame). Dead in the bathtub, age old classic of burying ur gays. If you were here you know people never let Supernatural live that down. THEY KNOW what bury ur gays means. Hell, Robbie Thompson left because of Charlie's death and you think the writers don't know what it means? I mean both Bobo Berens (especially) and Steve Yockey's careers are centered around LGBT+ storytelling and you think they don't know? They know. They know.

And Dean wasn't just apart of the bury your gays trope, it is so far BEYOND that. Dean being killed on a rusty nail/screw, the tongues ripped out, things that seemed to be meant for other people. Jensen's acting in the last two episodes was giving us "DEAN RECIPROCATES" but no one ever actually saying it. I think it's clear that Dean was killed for being Bi. They didn't address it for a reason, they just silenced him. His narrative was supposed to be about letting him be HIM for the first time, to say what his feelings are instead of having them miscommunicated, and instead of doing that, they just silenced him. And the more we look at this scene the more horrific it gets. The more it's a complete slap in the face and it's supposed to be. Some guy who knows nothing about the LGBT can't write a scene this horrific.

Some guy who knows nothing about Dean couldn't write a scene that deconstructs all of Dean's character development and gives Dean his worst nightmare. I MEAN DEAN WANTED TO LIVE HIS LIFE! THEY DIDNT HIDE THAT JOB APPLICATION (or whatever job related thing that was) IN THERE FOR SHITS AND GIGGLES THEY WANT YOU TO KNOW THIS IS THE ABSOLUTE WORST SITUATION. Dean isn't Barney from HIMYM. If you watched HIMYM then you'll know Barney went from being a stereotypical ladies man and treating women terribly to being in love with a women and treating her right and working hard for it. The last episode of HIMYM (why its so bad) Barney's character development is thrown out and he's back to being a stereotypical ladies man. You don't need to know Barney's character very much to do that.

To kill Dean during a hunt his father never finished, to not have anyone at his funeral, to have Dean die young like his life didn't matter. Those are Dean's worst fears and you'd only truly know that if you watched the gin episode in s3, where they are basically laid out for you. You HAVE to know Dean's character to tear him apart like this.

This episode took all the core elements of the show and did a complete 180° the name of the episode itself is "Carry on" and Dean and Sam very much did not carry on. Sam grieving his entire life so that he good get to heaven and see Dean again. Dean being ready to live his life, despite the enormous pitfalls and learning to love himself only to be killed. "Family don't end with blood." Um.... it did in that episode either literally with Dean's death or you know BECAUSE NONE OF THEIR FOUND FAMILY WAS THERE. Not Jack, Not Cas, Not Eileen, Not Donna, Not Charlie, Not Jody, Not Claire... on and on we go. No one was there, nobody was even mentioned. Dean's funeral, no one even called that we know of. It was just Sam and Dean. Sam and Dean. And Bobby. Don't forget Bobby. But yeah Sam and Dean.

That's what the show is about right, the brothers.

Except it's not anymore. It hasn't been for years.

Cas not being there was deafening but it brought us to a major point. Becky. Becky's telling us about the terrible ending.

And many of us are wondering why would they literally tell us this is the worst ending and then... make it the ending.

Now before we move on, it very apparent many of you think Dabb doesn't ship Deancas. And Dabb doesn't care about the characters.

Say what you will about any plot holes in his writing, the point he is VERY GOOD at writing the characters, and giving us good ones.

Why do we know Dabb ships Deancas? (ill say when its cowrote, other wise its not) cowrote ep 8.02 - purgatory "I prayed to you, Cas, every night" "Cas, Buddy, I need you." "I have a price on my head, and I've been trying to stay one step ahead of them, to – to keep them away from you." 8.08 Hunteri Heroici - Cas helps them hunt! 😊❤ Dean & Cas have a serious convo about why Cas doesn't want to see/go to heaven. 8.22 Dean's mad at Cas. Sam's explanation of why Dean should be easy on Cas: "It's Cas." Dean then points out how he'd knife anybody else if they did what Cas did. 9.10 - Cas comforts Dean when Dean can't take seeing Sam (Gadreel) being tortured anymore. Also tons of Cas. 9.20 (bloodlines) - Canonical couple parallel "I was there, where were you" 9.22 The angels make Cas choose between them and killing Dean and he "gave up an entire army for one guy" 10.09 Claire's reintroduction. Cas heavy ep. DeanCas date. 10.22 THE PRISONER - u know the ep where Dean beats the shit out of Cas but loves him enough to not kill him.

We COULD keep going but I think I've made my point. If Robert Singer is the guy that is like "the show is about Sam and Dean only" Andrew Dabb is the DeanCas shipper. And you could even say a Cas stan.

Notice! How in s13 for SEVEN episodes we have a story that revolves around Dean's grief about losing Cas. Notice! How often the stories in all these seasons have a focus on their relationship. THAT is Andrew Dabb. If it weren't for him doing that, we wouldn't be able to easily say after Dean's lack of a response to Cas' confession, that Dean reciprocates.

To me, when I was (binge) watching s12 for the first time, I thought damn this is really got a lot of DeanCas. So I went to look at who was in charge, who was writing. I saw Andrew Dabb, associated him with Deancas episodes, saw all the new writers, Bobo, and then I saw that Yockey is known for same sex stories and it clicked. Dabb assembled a team to give us Destiel. THAT WAS IN SEASON 12!!!!!!!!

The amount of people saying he's homophobic flabbergast me. Open your eyes! That isn't what's going on.

Imagine making a show and trying to right all the wrongs of Supernatural. Imagine trying to write the greatest love story ever told and you have the entire season planned out for it to end off beautifully, it may possibly be your greatest achievement when it's done and then boom. someone comes in and tells you you aren't allowed to make Dean bi or make destiel endgame, after he was most probably already given the go ahead.

Sure. You could imply he's bi or into cas still in a way. Still make nice-ish ending. just give everyone what the kinda want.

Or you could scrap the last season, nothing close to a canonical bisexual Dean Winchester or Deancas endgame in site. People can be done with it be happy with the show, continue to live their lives in ignorance as to how close they were to Canon destiel.

OR you can lead everyone to the very closest you can get them to what you were aiming for and then show everyone the ugly truth and reality. Light it all on fire. Burn the show to the ground in your wake. Try your darnedest to making these people's (the people saying no) pockets suffer. Show us, the audience, what happened. Show us what this show really is.

I've seen people talk about the ending being changed during covid but I dont think that happened. I think what happened was Dabb already had this season planned out before it even started. Obviously the details were wobbly but it was all lead up to this ending. Destiel endgame, Canon Bisexual Dean, whatever it was. They were ready to write the greatest love story ever told and then someone shut it down.

Imagine the pain that must have caused them to be told no when they already said yes. They must have been so excited to give this to us.

I think someone (some producers) told him what this show is "really" about. The brothers. Can you imagine, after being told no, some kinda bullshit like this is said to you: "Why aren't you bringing it back to the brothers, Andrew? that's what the shows about. What with all this homosexual stuff, you know the audience won't like that. Not really." Imagine the original producers pushing this kind of view on you. "You know when we started it was Sam and Dean. It should end with Sam and Dean." That kinda sounds like someone huh? huh.

So why give us a nice acceptable finale, when you can take every problem Supernatural's had either up front or behind the scenes and create a finale so incredibly bad that people don't want to watch it anymore.

Someone made a good point about how Sam was originally supposed to be the main focus (this isn't to put any hate on Sam or Jared). Dean and Sam are the main characters but Sam was supposed to be the focus and for Dean to have become the focus, must have annoyed the producers because... well here we are. They wouldn't listen to Jensen. The producers liked this ending. Jensen's opinion didn't matter to them.

In some ways, if this is really what happened, it can be seen as childish from Dabb. To hurt all of us like that. Yes, he's hurting the producers, the execs, the cw. But to hurt us? Yeah it stings.

But in other ways, if this is really what happened, this is Dabb showing us the muck and gunk under the shiny surface. The hate for Misha. The hidden hate for Jensen. The underlying sexism. The underlying homophobia. The people REALLY in charge don't care about us, they just want our money. He needed to open our eyes and free us, at least free the people that he was writing for. The people he sees that care about this show.

This is the ending the powers that be wanted and its a big fuck you for a reason. I dont think this is Dabb spitting in our faces for loving this show, I think this is him trying to get revenge for us.

But from here, you can see it how u want it. If this is really what happened, I'm not in charge of your emotions, if you wanna be mad be mad if you wanna be grateful be grateful. And you don't have to believe me either I said this is speculation.

Also, as for all of the rumors like there being shots to the confession scene that we didn't see, which Jensen himself implied, I think that might have been a last ditch effort to canonized DeanCas but obviously it was cut. Like the name change was pretty clear. As for Misha possibly having shot some stuff for 20 I dont know what to tell you. If it's true I dont know where the blame would lie.

I do think however, that if all this was the case, the writers were prepared to become villians here. I mean they told us the writers were villians with Chuck right? So. Who knows what went down so they could give us such a vile ending. It could've been the producers or the writers, who truly knows. I do think tho that people we "trust" did some pretty shitty things to push the narrative in certain directions so now one would see this as the actual ending that was coming.

So again do with my SPECULATION what you will. This was in no way meant to put Dabb on a pedestal or anything. Just meant to give a bit of perspective.

(Also Jensen didn't unfollow Dabb recently he was already unfollowed for years)

#15x20 wank #spn finale wank #spn finale meta #15x20 meta #Andrew Dabb #spn #supernatural #castiel #dean winchester #destiel #deancas #misha collins #jensen ackles #long post #sorry im on mobile #this is the longest post i have ever writen

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arty-e · 3 years

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My Tudors series ‘review

Y’all asked for this so here comes my rant review about the Tudors:

TW: Rape mentions

First things first let’s address the biggest elephant in the room and that is the costumes. Holy shit series 1 was fucking painful with the costumes. At least they got the basic dress shape for the women but other than that the women costumes were painful to look at. The headdresses were the biggest crime of them all. There were no French hoods, at least no accurate French hoods. Also why were there so many sequences! What was going on with all that glitter!! Don’t get me started on the hair! One lady in waiting (Joan Bulmer) had a fucking bob! A bob! The men costumes weren’t great at the beginning but as the series went on they did improve quite a lot. I’m gonna give credit where credit is due and say it did improve as the series went on as a whole (but not by a lot).

Now that we’ve got the costumes complaints out the way lets actually talk about the ‘contents’ of the series. First of all why the fuck was Charles Brandon such a big deal in this?! He wasn’t as important as the series implied him to be. I feel they only added him so that there was a consistent character through out the show and who was at least a little likeable (tbf on Tudors the main people who played a part in actual Tudor history were often executed or removed at some point).

On the subject of Charles Brandon they did get one thing right; he did marry one of Henry’s sisters, Mary Tudor. However in the series he married Margaret Tudor which made no sense at all! It appears to me that they merged the two sisters together and merge I mean they had the Mary Tudor history then gave them Margret’s name. In actual history Mary Tudor married the old sickly King of France and when he died she then married Charles Brandon. However in the tudors she marries the old sickly king of Portugal???? And because she doesn’t want to remain married to him kills him????? I know why they did this because they had already showed the king of France (Francis) who was young at Field of Cloth and Gold episode so it would make little to no sense to have her marry him. But that leads into my next complaint, the timeline.

Several things in this show don’t make sense with historical context because it’s all jumbled up. A couple of examples here are Henry Fitzroy, they killed him off when he was six in this, he died when he was 17 just before Edward was born. Along with that they also made claim that the Act of Succession (the act allowed Mary and Elizabeth to become Queens after Edward) was passed before Henry had married parr. The whole reason the Act of Succession ever came to be was because Parr had helped reconcile Henry and his two daughters and pushed for him to legitimise them and be added to the line of succession after their brother. Those are just a couple of examples that stood out to me when it came to the timeline.

Also the way they Jane portrayed as an innocent type and a ‘perfect’ woman was also painful. She acts all sweet to Elizabeth when the real Jane only payed attention to Mary and called Elizabeth the Bastard.

Now for my biggest complaint; the heinous misogyny in this thing. The way they treated the female character in this was (in my opinion) worst than actual Tudor history. Women in this show were constantly objectified and the amount of sex scenes in this thing is fucking painful! Did nobody have anything better to do!? In series one they took away Anne Boleyn’s agency and made her a complete puppet of her uncle and father. Anne was a very intelligent and charismatic woman and you don’t see this at all. To be fair on Natalie Dormer she fought with the writers for Anne to be more than sex object for series 2 because she had done her own research on her and fought for Anne. By Series 2 Anne got a bit more agency but they made her somewhat cruel and failed to really show her charisma. Now alone with Anne they were unspeakably cruel for what they did to Katherine Howard. They literally called her prostitute and even an episode synopsis they out right call her prostitute. She was an abused child and they decided to do that. Along with that they also make it look like that her claim that Francis Dereham raped her was a lie and that she was only saying to save herself. It was truly disgusting. I do appreciate them trying to strongly tell the audience that Katherine was just a child (act all excitable, have dancing around the place) but the rest of her story was handled extremely poorly.

Catherine Parr is my next big complaint. They practically stripped her of everything that made interesting and took away all achievements while married to Henry. Ive already talked about the Act of Succession so I won’t go into that again. They only briefly show her being Queen Regent while Henry is away fighting in France (they were much more focused on Henry’s war), also when she discovers that there is an arrest warrant after her she sits in her room and cries for ages until Henry comes in asking what its wrong. They took away her going to him and winning back her life from him. When Henry does forgive her he is asked by one of his servants if they shoulda top the warrant but he tells them not to all because he wants to catch Gardiner out! What bullshit is that!? They took away Catherine’s indolence and replaced with Henry out smarting his evil bishop!? Henry was too fucking thick to do!

So overall I found this so frustrating to watch from costume and historical inaccuracies to the misogynistic choices to strip the few of the most important women in English history of their agency and independence. It wasn’t the worst thing in the world but still it was really annoying. My advice is for you to watch Game of Thrones instead because then you don’t have to complain about inaccuracies because it’s all fantasy and doesn’t claim to be a historical drama. (Also Natalie Dormer is also in this)

also if you want a good Tudor drama then watch wolf hall. Costumes are amazing and its very well done (only complaint Cromwell is painted too well in it)

(Also Elizabeth needed WAY more screen time)

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buddiebeginz · 3 years

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So I finally got to watch 4x08 and I have a lot of thoughts so be prepared for a long rant.

For starters I literally groaned out loud when I saw they brought back Taylor Kelly. I know that some would make the argument well the only reason you don’t like her is because you want Buck with Eddie. If Eddie didn’t even exist I still wouldn’t like her and I definitely wouldn’t want her anywhere near Buck. She’s incredibly self centered doesn’t care who she hurts at times and can be really manipulative too. Like how she went out of her way to hurt Buck in front of Albert and Veronica for no reason. I get it if she didn’t totally understand why Buck asked her there but she could have said that to him privately. She could have left without turning it into a whole big spectacle to make Buck look like a dick.

Then the stuff she said to him in the hallway was just totally messed up. Buck called her because he got roped into the stupid double date thing and didn’t want to look like a loser in front of Albert and Veronica but also it’s clear he’s been feeling lonely for a while and didn’t want to be the third wheel. He should have communicated more to Taylor what was going on with the dinner but nothing about what he was doing was malicious or manipulative to me, Buck can just be kind of clueless at times.

When they were in the hallway Taylor made it seem like Buck used her. That he basically wanted people to see him with “famous” Taylor Kelly the reporter. The thing is when Taylor got to the apartment she thought that her and Buck were going to have dinner and hook up. She was clearly planning on using Buck for sex like she has before, yet she accuses him of using her.

She called him needy and said that he can’t stand the idea of someone not liking him. To which he ends up apologizing. Watching this I’m like WTAF are you apologizing for Buck? This woman is trashing the shit out of you and you’re standing there apologizing?! I mean this is what I’m talking about when I say she’s manipulative. Like I said before Buck should have communicated better what was going on that night but it’s also not his fault that Taylor assumed he was calling her over for a hook up. I also don’t think Buck called her because she’s sort of famous and he wanted to look good or to use her, I think he didn’t want to look like he’s all alone when everyone around him has someone. He had seen her recently and talked to her about things he’d been dealing with so I think she was the first person he could think of to help him and likely the only one really.

Even after Buck tried to explain some of this to her and tried to be vulnerable about how he was feeling what does she do? She laughs at him then basically calls him a liar and tells him that he treats his friends shitty and his issues with Albert are his fault. Never mind the fact that Buck had opened up to her about feeling uncomfortable about his roommate dating a woman he dated and bringing her home to their house. Never mind the fact that Taylor knows nothing about Buck and his relationships.

I mean she says something earlier in the episode “your life is nothing but meaningful relationships” (talking about the 118) but that’s pretty obvious to anyone who meets them so I don’t give her much credit for that. Not to mention a while back she spent time in the firehouse filming so that was easy enough to see then. But the fact that she could spend time with Buck and he could open up to her the way he has multiple times through out the show and she could still make the kind of snap judgments she does about him or use him the way she does is just awful.

By the end of the episode the shows tries to make Taylor look like this poor sad woman who is dealing with so much and I think they were even trying to make the connection that she was also feeling alone like Buck feels alone. They also try to make it seem like she just wants to help people, again I think trying to connect her to Buck and his innate desire to help everyone around him but I don’t think she’s anything like Buck and I still can’t stand her.

I really hope people haven’t forgotten that this was the same fame hungry woman that was ready to air footage of Bobby (calling out to his dead daughter) and almost jumping off the roof when he had eaten laced brownies. She made it clear when we met her when kind of a person she is. That she was the kind of person who would probably sell her own mother if it meant furthering her career. The thing is I definitely believe characters who make mistakes or who start out as villainous or problematic should be allowed to grow and change (I mean some of my favorite characters are ones that have started out awful) but this doesn’t feel like a character that has changed. At all. The way she went out of her way to try and humiliate Buck in front of Albert and Veronica and the things she said in the hallway prove that. I’ll be utterly disgusted if they try to pair her up with Buck.

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I’m just really tired of how the show seems to treat Buck. I have no problem with characters going through hard times, dealing with others being awful to them, or even abuse. These are all things that happen in real life and can make for great storylines. But if you’re going to show a character repeatedly going through something it should serve a purpose, it should be leading towards something and I’m not sure if the 911 writers get that. I love the show but sometimes I feel like they’re just putting Buck through stuff for the hell of it.

Like we’ve repeatably seen women treating Buck awful which in an of itself isn’t a problem if it’s going somewhere. Like the show could use that as way to say Buck is always picking the wrong people and has problems with speaking up for his needs (likely because of his family). There’s a lot the show could explore with Buck’s relationships especially with him seeing a therapist. Unfortunately though we haven’t been seeing him talking to the therapist and especially after this recent episode where it feels like the same old same old (i.e. a woman treats Buck like crap and Buck apologizes) it just doesn’t feel like there’s a good enough reason they keep writing Buck’s storylines like this.

First there was Abby who I feel like used Buck in some ways to jump start her life back up and then ghosted him when she didn’t need him anymore. Then she didn’t even take responsibility for that when she saw him again nor did the show really let Buck call her out on how she made him feel really. Then there was Ali who knew how dangerous Buck’s job was when she got involved with him and did anyway then chose to drop him when he was going through one of the toughest times of his life. The show didn’t even do Buck the dignity of really talking about what happened with that relationship she just was gone by the next season.

There was Taylor who just used Buck for sex and for her career and who the show tried to paint as being like the female version of Buck which I thought was kind of bullshit. Buck has made plenty of mistakes in his life and he certainly was all about sex when we first met him in season 1 but in the first place Buck would have never sunk to the kind of lows Taylor has just for his career. Being a firefighter is everything to Buck but the 118 are like his family and he wants to be a firefighter to help people not just for fame or glory. There was the lawsuit but Buck didn’t even realize how much that asshole lawyer was going to go after the 118 and I’m pretty sure if he did he wouldn’t have done it. You can tell when Buck talks about it to Eddie how much he still regrets it. As for all the sex Buck was having it’s clear he was looking for a more meaningful connection and just hadn’t learned yet that wasn’t where he was going to get it. Not to mention it seemed like a lot of the women he was sleeping with were just using him to an extent like the therapist who slept with him. Buck is very different from Taylor who in my eyes is not a very empathetic or emotional person and seems much more about herself than anyone else. So the shows need to compare them really gets on my nerves.

Then there was his date with Veronica which was just ridiculous. My problem wasn’t that they had her be some strawman SJW feminist who got offended by everything it was the way they had Buck respond. As usual he wasn’t allowed to stand up for himself and just had to sit there and take the mistreatment.

It hasn’t just been in romantic relationships either we saw what Buck went through with his family and the show just kind of closed that off with Buck forgiving them for a lifetime of abuse.

I don’t get why the show constantly lets Buck get treated like crap by so many people around him and without standing up for himself no less. Like I was so angry about that scene in the hallway with him and Taylor. It would have been one thing if Taylor had lashed out at him (maybe taking her own issues out on him something she could have explained later) but the show still should have had Buck push back against some of the bs she was spewing. I’m tired of Buck having to hear how much of a failure he is. I’m tired of seeing Buck hurt by people he tries to let in. Buck would literally die for the people he loves. He almost has numerous times. So to hear someone like Taylor trashing him and telling him he wasn’t a good friend was so infuriating.

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I mean it’s not that everything with Buck is handled bad. I love the relationships he has with the 118 and especially with Bobby and Athena. Her and Bobby are almost like parents to Buck especially when it feels like Buck never really had the family he deserved and I love them for that. There’s also Maddie who has always been there for Buck and their relationship is so important. But the best relationship Buck has is obviously with Eddie. He’s the one who gets Buck the most and who Buck is the most himself with. Buck doesn’t have to hide or hold back with Eddie and neither one of them are afraid to call each other out when necessary.

I love the relationship Buck has with Eddie and I really want them to just get together already, though I know there’s no guarantee that will happen. But if the plan isn’t for Buddie to happen I wish that the show would stop dangling that relationship around every episode as a way to pull viewers in because it’s clear they know how popular they are. I especially wish that the show would be clearer about what they plan to do with Buck’s sexuality. I feel like there’s been so many hints since the beginning that Buck could be bi and I don’t know where the show is going with it.

I’ve seen people saying that Buddie isn’t going to happen and it doesn’t need to happen because there’s already other lgbtq characters on 911 and there’s a main lgbtq ship on Lone Star but I disagree. Buddie could still happen but even if it doesn’t the show could definitely still explore Buck’s sexuality. It would be so important to have a main male character who has been straight presenting on a popular prime time show come out as bi. There’s this misconception that representation in media for lgbtq isn’t that big of a deal anymore because there are so many lgbtq characters now but it is still a big deal and many shows still don’t feature lgbtq characters and storylines prominently nor do their stories justice. They definitely don’t when it comes to bi characters especially bi men.

To have a character like Buck have a storyline that would explore his sexuality would be huge. It would be even more huge if it was about him coming out as bisexual. Biphobia is a big problem not just from straight people but within the lgbtq community maybe even more so in some ways. Popular media rarely shows accurate good depictions of bi storylines. Even when there are bi characters on shows or movies we usually don’t get to see their journey like we have in media through the years with other lgbtq characters. We rarely get to see what it’s like to figure out you’re bi and to live as a bi person. As someone who is bi myself I really want this to change.

The show has made many hints to Buck’s sexuality and it’s something that they could easily explore. If they aren’t planning on going that route though I don’t get why they keep hinting at it. I don’t get why they’ve had multiple instances where people have commented on Buck’s sexuality or being with Eddie and he never corrects them. I mean once would be enough but what is the point of the show doing it over and over? I mean the Lone Star moment was just crazy to me if they don’t plan on doing anything. It didn’t just feel like a throw away joke moment especially since Buck didn’t deny it and Eddie came around the corner it felt like the show was saying something.

If the show isn’t planning on having Buck come out or putting Eddie and him together why does it feel like Buck and Eddie behave almost like a married couple? I mean they connect and know each other almost more than some of the actual married couples on the show. It feels like Buck is Chris’ other dad. I mean we saw Eddie going out with Ana but at the same time it almost felt like it did with Shannon like Eddie just trying to do right by Christopher and make sure he has mom. After the date the one Eddie comes home to is Buck. When Chris is upset the one he runs to is Buck.

If Eddie and Buck and Chris aren’t meant to be a family was does the show keep making it seem like they are each other’s safe space? It’s clear that the connection Buck and Eddie have goes beyond just being friends. It’s just unclear why the show has developed them this way and what they plan on doing with them now.

One last thing in this giant ramble. This episode was called “Breaking Point” but I feel like we didn’t see Buck’s breaking point. I’m hoping that all these bread crumbs are leading somewhere in exploring Buck’s sexuality maybe this episode title was a clue that Buck’s breaking point is coming. We’ve had lots of hints about his sexuality throughout the course of the show and this season in particular there’s been a lot of talk about how lonely he feels and how disconnected he seems to feel from everyone. So maybe we’ll get to see him talking to his therapist and exploring some of these feelings. Maybe if Eddie continues to see Ana Buck will end up feeling jealous and this will bring up feelings he hasn’t wanted to confront yet, about himself and about Eddie. Guess we’ll just have to wait and see.

#thanks for reading if you made it to the end #sorry these are always so long #911 fox #evan buckley #buddie #911 4x08 #911!#buck s4 #long post #911fan #taylor kelly*

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johannas-motivational-insults · 4 years

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“Friendship” in the Horde

Season 4 raised some interesting questions about how people who grew up in the Horde define friendship. Kyle claimed that his squadmates were his friends, despite how we've seen them bully him, and Scorpia admitted she didn’t even know how to be a good friend. We also saw further developments in Catra and Lonnie’s dynamic that have some interesting implications about their bond, both past and present. However, while these themes became more explicit this season, they are hardly new. The Horde worldbuilding is really quite brilliant, as the writers have been laying the foundation for these revelations by showcasing certain patterns since season one.

This got a little lengthy on me, but there was a lot to consider. The lack of healthy emotional expression and relationship modelling is one obvious problem in the Horde, but the hostile environment has also led to some very specific power dynamics and social structures. These structures, while potentially helpful in hostile environments, are maladaptive in terms of fostering healthy relationships. Ultimately, every character who grew up in the Horde is emotionally crippled. (I’m not even going into Adora, an excellent example, because her repression and communication problems are well-documented and I wanted to focus on characters still in this environment.)

Scorpia

Let’s start with Scorpia. Her revelation that she doesn’t understand what friendship is was a big moment for her, but for those of us who have been watching closely, it’s no big surprise. Scorpia was so desperate for a meaningful connection that she latched onto the first person who showed any signs of considering her a friend, ignoring all the red flags indicating that the relationship was not healthy. Actually, she didn’t ignore them so much as not recognize them, because she didn’t even know what a healthy relationship looks like. To her, the fact that Catra invited her to her room and chose her to accompany her on a mission was enough for her to dub them the Superpal Duo.

Of course, we all know how that went for her. She continued to support Catra unconditionally despite the latter’s tendency to use Scorpia as her emotional punching bag. They did settle into a somewhat more reciprocal and caring relationship after Scorpia saved Catra against her orders during 2x05, proving that Catra was more important to her than the mission (even if that wasn’t what Catra thought she wanted). It’s sad when you think about it, because that was probably the first time Catra ever experienced her wellbeing being prioritized above all else.

Unfortunately, the revelation that Shadow Weaver had gone running back to Adora after betraying her triggered a trauma response and made her clam up again, lashing out at Scorpia and shutting her out even though she had done nothing to betray her trust. It took Catra blatantly attacking and insulting Scorpia when she failed to bring back Entrapta’s recordings (and some well timed reality checks from Emily) for Scorpia to realize that Catra was being a bad friend and she couldn’t win her over by being a good friend.

And actually, Scorpia’s confession in 4x10 that she “thought” she was being a good friend to Catra implies that she had since realized that she wasn’t actually being a good friend to Catra either. She knows the scorpions were a loyal people and she ascribes to that ideal, and she has so much love to give and always tries so hard to be positive, but not setting boundaries with people or demanding a measure of basic respect does nothing for them or you. Also, you can’t ignore the fact that Scorpia forced her affections on Catra, inserting herself into Catra’s life in a way that made her uncomfortable, and continued to ignore Catra’s attempts at setting boundaries with her (which is also very disrespectful). While Catra was certainly the aggressor, she was not the only one who failed in this partnership.

Let’s go back for a moment to Scorpia’s earliest indication that Catra might want to be her friend, when she confides in her and enlists her help coming up with and then executing a plan. Being chosen as Catra’s wingman seems to be important here, and perhaps she was wilfully ignoring how she was the only person who could make Catra’s plan work, but being confided in and trusted was huge to her. And since Horde soldiers are so used to being used, they don’t see it as a red flag. Catra actually flat out said Scorpia was the only person she could trust. How could a lonely gay not interpret that as a sign of being special to someone?

The squad

The importance of trust also becomes evident when considering the interactions among the main squad. Loyalty seems to be paramount in the Horde, not just the scorpion kingdom. Adora defecting to the Rebellion and leaving her squad behind was seen as a huge betrayal, and not just by Catra. Did anyone else want to cry when Lonnie struck back at Adora with “we were your friends” in 1x09? Lonnie was deeply hurt by Adora’s abandonment, feeding into her disillusionment with the Horde. Similarly, when Double Trouble revealed they had double-crossed Catra, her devastated reaction was not that her plans were ruined, but that they had betrayed her. That no doubt was also related to her previous betrayals, but also serves to highlight the importance of loyalty in their subculture.

While all the Horde characters were interesting to watch this season when it came to the themes of friendship, the arc was most pronounced in Lonnie. As I’ve mentioned previously, Scorpia had a short arc over one episode where her rosy worldview was destroyed, causing her to leave (much like Adora), while Lonnie was already a cynic who was aware of the Horde’s imperfections and had to go through more extreme hardships to detach from this unhappy but familiar environment (much like Catra, we hope).

Though she and the boys didn’t leave the Horde until the finale, her disillusionment was already evident in her first episode this season. After Catra berated them for something that wasn’t their fault and demanded they risk their lives to fix it (big Hordak energy), she had her first big revelation: “Catra doesn’t care about us, Adora left us. Everything they taught us in the Horde about loyalty is meaningless. It’s everyone for themselves.” In the next episode, she was frustrated by Scorpia’s naïve enthusiasm and trust in Catra, but it took a big blow up between her and Catra for her to finally decide she was done with her, done with the Horde in general.

Kyle represents a sort of middle ground between Lonnie and Scorpia in terms of outlook. He was not treated well in the Horde, but still believed in the ideals of loyalty and squad unity. He wanted to believe Catra had sent them out on a mission into the Whispering Woods because she trusted them and wanted it to be a team-building exercise. His take on it was: “She may be mean, but we’ve always had each other’s backs. Ever since we were kids.” He saw the squad as his family, including Catra (and previously Adora). It took Catra baring her claws and threatening to attack Lonnie outside of a battle sim for him to lose faith in her.

Bullying, the pecking order, and squad unity

As is clear by this point, the Horde defections this season were driven by Catra mistreating the others, but we can’t lose sight of how mistreatment is a fact of daily life in the Horde. And as I mentioned above with Lonnie, it’s those who were most aware of and desensitized to the mistreatment who had the hardest time naming it and leaving the toxic environment. Call it Stockholm Syndrome, call it the sunk cost fallacy, but either way once you’ve submitted to a system that dehumanizes you, it’s hard to admit that that system is wrong and leave it for a better life. Scorpia and Adora grew up somewhat privileged in the Horde in that they were destined for greatness, so they were never abused overtly and they had a level of protection from power-hungry cadets looking to claw their way to the top of the heap. They were already at the top and couldn’t be taken down, so they didn’t have to bully or be bullied.

The importance of pecking order is much more evident when considering people like Kyle, Catra, and Lonnie. Within their squad, Kyle is obviously the omega of the gang (get your heads out of the gutter, that is not what I mean), the one who gets blamed for everything that goes wrong and is constantly getting picked on. Lonnie shits on him, Catra shits on him, and even Rogelio gives him shit and goes along with the blame game. Despite all this, Kyle considers them his friends, his family.

This starts to make sense when you consider it in terms of intra vs. extra squad relations. Maybe the squad didn’t show Kyle any respect or treat him with kindness, but they did protect him in battle sims (sometimes lol) and rescue him from the spore storm. You also kind of get the impression that although they bullied him and asserted their dominance on the regs, they would protect him if other people tried to hurt him. You might say he’s the pet of the gang – he has no power within the structure and it may not be pleasant, but the structure still offers advantages. Having allies was still good for him even if he was at the bottom of the pecking order within the alliance.

Through a sociology lens, you might say the squad (and the Horde in general, given it’s a military society) follows the stereotypical male model of friend groups with clear pecking orders that everyone buys into (with exceptions for blatant power struggles), as opposed to the stereotypical female model that appears less hostile and more cooperative outwardly but involves a lot of underhanded infighting. (Obviously those are broad generalizations and it can be argued how much of it is nature vs. nurture, but they are observable patterns that boys and girls are socialized into in many human societies.) This ties in interestingly to @jaelav3‘s observations about masculinity equating to strength and femininity equating to power in the Horde (a meta she really needs to write, because it’s brilliant). The hostility of the Horde forces soldiers into these rigid pecking orders in order to find protection in a dangerous place. When everyone knows and accepts their role, it is easier for the squad to function in a unified manner and protect each other, even if it’s at the cost of their mental and emotional health.

Now, when not everybody buys into the pecking order or it’s ambiguous, and/or if there’s a sudden power vacuum, that’s when things get interesting…

Catra and Lonnie, the perfect case study

Catra also suffered a lot of bullying and abuse in the Horde, but in a very different way than Kyle. She was in a unique and kind of contradictory position where she was somewhat protected by her close friendship with Adora, but she was also Shadow Weaver’s favourite chew toy and everyone knew it, which made her a target as well. If Shadow Weaver abused her, she wasn’t going to care if the other cadets abused her as well. Catra’s defensive body language and general distrustfulness and hostility gives the impression that she was bullied behind Adora’s back and Shadow Weaver turned a blind eye, perhaps even encouraged it.

This was all illustrated in 1x03, when Catra and Lonnie butted heads and Catra was forced to back down when two other cadets backed up Lonnie, then Lonnie told her to watch it because Adora wasn’t around to protect her anymore. That one line alone told so much of their story. This was also one of the few times we saw cadets using people from other squads to affect their own squad’s dynamics, as – like I said – that seems to be kept mostly in-house. It may have had something to do with Lonnie’s overall standing among the cadets or how Kyle and Rogelio rank lower in their little hierarchy and seem uninterested in getting involved with the power politics, but I digress.

The argument itself was meaningless, really - the whole thing was a pissing contest, an attempt to assert dominance within their squad’s sudden power vacuum. Lonnie fancied herself the new leader of the squad, and she ended up getting her wish in a backwards way when Catra was promoted out of the squad and given official power over her. Catra, of course, took every opportunity to rub this in Lonnie’s face, perpetuating the cycle of abuse she’d fallen victim to.

The reason they had a power struggle in the first place wasn’t just because Adora left, it was because their pecking order was previously unclear. Catra wasn’t very cooperative and tended to go rogue, so she didn’t slot nicely into the power structure. She was also perceived as lazy, as she had adopted an air of nonchalance once she realized she’d never get the recognition or praise so easily heaped on Adora. (Why try when failing hurts so much?) That being said, she was Adora’s best friend and basically her sidekick, so in a way that made her second-in-command of the squad.

On the other hand, Lonnie was devoted to the squad and was always around to provide tangible support, so she was also kind of Adora’s second-in-command. Combined with her harder work ethic, this also gave her a very legitimate claim to the throne. She was obviously pissed when her teammate she saw as a lazy asshat got promoted, but to her credit she lived up to her own personal ethics, buying in and not pushing back against Catra’s authority until late in season 4.

Despite the power struggle, however, Catra and Lonnie do seem to have a bond. Even if they don’t like each other, they have a certain level of trust in each other. When the princesses invaded the Fright Zone in 3x04 and shit started to go sideways, the first person Catra was looking for to try to get support and/or answers was Lonnie. Then in 4x10 when she was starting to lose her mind amid a lack of sleep and Scorpia’s defection, she pulled Lonnie aside and demanded to know what was going on among the soldiers, what they thought of her.

This was an incredibly interesting scene with some deep implications. Because while it was on one hand an expression of trust in Lonnie, it was also an acknowledgement that Lonnie was one of her bullies and held clout among the people who have demeaned and abused her in the past. It also showed that Catra still has social anxiety and her sense of social power (as opposed to power in terms of rank) is very fragile, which is extremely characteristic of a bullying victim. Also, the fact that Catra said, “Just leave. Like everybody else.” implied that Lonnie leaving would hurt her emotionally, which is rather illuminating.

As for Lonnie, her loyalty meant she bought into the system and expected to Catra to do her job running the place, taking care of the Horde. And Catra certainly succeeded early on, taking territory and increasing productivity. In return, Lonnie was a loyal and obedient soldier, even if she never hesitated to give Catra a bit of attitude. But she became frustrated in season 4 when Catra went on her sunk cost fallacy spiral and ended up making things worse for everyone else as well as herself. This failure was a huge betrayal to Lonnie, and it’s important to note that she wouldn’t feel betrayed or disappointed if she had expected nothing of Catra in the first place. It’s one thing to be kind of a dick about your superior rank, another entirely to endanger your squad/friends (or anyone you are responsible for, really) and run them into the ground as a remedy for your own anxiety.

The breaking point of course was the scene in the locker room in 4x12, when a lonely Catra tried to be “friends” with the squad again and was briefly successful in mending fences a little until she snapped at Kyle and then at Lonnie, calling them pathetic. This prompted Lonnie to shove her, which in turn made Catra bare her claws and rush Lonnie. There was really no coming back from that, even though Kyle intervened before anyone got hurt.

As an aside, Kyle stepping up in this scene was amazing - this season in general was everything I wanted for him. And it’s important that it was him who intervened, because he was really the only one who could ask Catra, “We used to be your friends, why are you treating us like this?” It makes perfect sense for Catra to push back at Lonnie given their history, but Kyle doesn’t have a history of bullying Catra (quite the opposite). And wow, it had an impact on Catra. You could just see the confusion and regret on her face before she brings back the façade of anger and kicks them out.

When the squad left the Horde, Lonnie said that they were done protecting Catra. This assertion is interesting, given their checkered past – since when was anyone protecting Catra? Lonnie bullied her, and none of them protected Catra from Shadow Weaver, not even Adora (though bless her heart, she tried). But this does make some sense when you consider how much of the idea of friendship is based on loyalty, and how important that adherence to the structure is for protection. In Lonnie’s mind, even if Catra was now their commander, they were still a unit in a way. And she saw standing by and obeying Catra to be a form of protection, helping her stay respected and carry out her plans. Lonnie is a good support person, and by removing her support, she was in a way removing her protection as well.

(After the series is over I might just go all out and do a huge-ass meta about Catra and Lonnie through the seasons. I am absolutely fascinated by this relationship, if you can’t tell.)

Allyship

Overall, you can’t help but get the impression that the Horde’s version of friendship is more akin to allyship. It’s protection, unity, loyalty. However, that doesn’t mean they don’t get emotionally attached, it’s more that how you feel about someone is less important than what that relationship can do for you. That’s why Scorpia doesn’t even understand what friendship is. That’s why Catra tolerates “friends” who annoy her, because they’re useful to her (not that she doesn’t get attached in time, but that’s not why she tolerates them in the first place).

Catra’s one of the few people in the Horde who has experienced real friendship, as her bond with Adora was much more emotional than practical (even if it was both). And that explains why she eventually lashed out at Scorpia and said they were not friends when clearly they were by the Horde’s definition. Her and Adora really had taken the friends thing to a different level, and she was missing that dearly.

It will be interesting to watch the interactions between the Horde characters when they are thrown back together in new circumstances, out of the Horde’s rigid power structure. Honestly, the redefining of these alliances and friendships is one of the things I am most looking forward to in the final season.

#spop #she-ra #she ra #meta #the horde #catralonnie #scorptra #catradora #horde squad #catra #scorpia #lonnie #kyle #rogelio #adora #bullying #abuse #sociology

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contradictions-of-iron-and-lace · 4 years

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So on my old blog, I would occasionally give my unsolicited thoughts and opinions on shows or movies (usually ones that either had a lot of hype or were just straight up bad). I just watched "365 Dni" aka "365 Days" because I had a couple hours to kill so be prepared for mental spewage because it's my blog and I do what I want.

Wait I thought this was a romantic thriller. They're talking about human trafficking. This is already gross.

Michele Morrone is very good looking though and I've been obsessed with his face for the last few weeks.

This whole conversation about these girls getting trafficked is gross.

Yes. Let's be extra pervy during a pervy business meeting and check out the girl on the beach with our binoculars.

Hold up. Why did they get shot?

I don't know what's going on. Freaking Italian mob, man.

This song about being addicted to someone that's playing while people are bleeding out on the ground seems tonally inappropriate.

So far we've seen Italy, San Francisco, and Warsaw. I didn't know we were globetrotting.

And we switched from Italian to Polish to English. Sure.

Yeah. Michele Morrone could get it. Also he survived being shot.

Is that the same girl from the beach? Probably. Why not.

They do a lot of spinning shots and it's making me dizzy.

So far this is a very expensive foreign Lifetime movie.

Yes. Because everyone takes boob shots in the back of their Uber while sober.

Homegirl's boyfriend looks like they picked him out of a burly henchman catalogue.

Yup. Michele Morrone is stupid hot. Even just sitting down he's hot.

Oh good. We've transitioned from potential human trafficking to cocaine.

Well damn. This is fairly explicit for a "mainstream" film.

Cool. I share a name with the female lead.

Still don't know the male lead's name yet.

Everybody in this movie is either stupid hot or stupid ugly. There is no middle ground.

Yes, Michele. Creeping up on this girl on a darkly lit path saying "Are you lost, little girl?" is definitely going to win you all the points.

I don't understand why writers insist on putting powerful women with schlubby dudes. It's tired and cliched and inevitably leads to annoying arguments.

Yes. Let's wander around Sicily at night all alone. That's totally safe.

And my point is proven.

I hope if I ever get kidnapped and holed up in some random ass castle in Sicily my makeup looks as good as Laura's.

So this just turned into a horror movie.

Called it about Laura being the girl on the beach.

Yeah, that's not creepy at all, dude. Let's obsess over a girl we might have hallucinated for five years and then kidnap her and give her a year to fall in love with you. Solid plan.

This is literally making my skin crawl.

Ah yes. "I won't do anything without your permission" he says as he literally grabs and sexually assaults her.

So basically this is trying to be "erotic thriller, Beauty and the Beast style".

Her pulling a gun on him has been the best thing so far.

I'm so confuuuuuused.

That's nothing new though. I live in a state of perpetual confusion.

Why the hell is there a man chained to a rock in this dude's basement.

I have many concerns.

Also his name is Massimo so that's good to know.

Besides the man chained in his basement his house is pretty cool.

Just kidding the man is no longer chained in the basement since he now has a bullet in his head.

I'm only 30 minutes in and this has been a wild ride.

"I'm not a bag of potatoes you can move without my permission!" is very Polish and as somebody who's family is Polish I'm living for it.

I'm going to need him to stop laying hands on her.

Whoever chose the music made some odd choices.

He keeps watching her sleep and it's creepy.

And there he goes grabbing her again.

I do like that she's giving him a lot of attitude and isn't putting up with his shit but you know that's going to change 🙄

Yes. Go spend all his money, honey.

He is disrespectful as hell.

I don't care how hot he is, he's creepy and abusive and I don't like it.

"I am not the monster you think I am." You would be incorrect, my dude.

Like, she went on vacation with her boyfriend and friends, and I can't for the life of me figure out why they aren't looking for her unless they explained it and I missed it.

Pierogi. The most romantic of Polish foods.

"I do business." He's a drug trafficker, honey. Run away. Run far, far away.

Honestly I would turn this off if I wasn't so far in it already.

I feel like I have to see this trainwreck through to the end.

"I would like you to show me how to be gentle for you" would be more appealing if HE LITERALLY HAD NOT KIDNAPPED, ABUSED, AND ASSAULTED HER.

Ew. Did he sneak in her bed while she slept?

One good dinner and now she's all "let's gently touch him in bed and take a shower in front of him" 🙄

Why is this bathroom set up like a communal shower? It's weird.

Although to be fair if he hopped in the shower with me I'd check him out too 🤷

They tied her to the seat in the plane. What the hell.

I'm so uncomfortable.

Ugh. Why. Why is this a thing.

So far this has been creepier than 50 Shades and 50 Shades is creepy as hell.

Hold on. I thought they were at a hotel. Why does he have a giant ass portrait of himself hanging up in his room?

I. Am. Uncomfortable.

Oh man. He has a nice butt.

Don't get distracted by the pretty man, Laura.

Onscreen Laura too.

He asked her to teach him how to be gentle, then handcuffs her to the bed and makes her watch while he hooks up with another woman.

Yup. Doing a great job there, Massimo.

Cool I'm back to being confused.

She can't walk in her heels and I'm dying laughing. Same, girl, same.

"What are you wearing?" "A couple thousand euro of yours." GET HIM.

Now we've entered the Scarface phase of the movie because there was just a copious amount of cocaine snorted.

Where did he pull two guns from??

So I don't know how long she's been with him at this point. I feel like that's something that needs to be clarified.

And she fell off the boat.

Of course she did.

Oh man. Why's he gotta be so cute with his fluffy curls and stubble and tattoos?

Also I'm pretty sure he only owns like two shirts because he's walked around shirtless for most of this movie.

We are now in the part of the movie where we've screamed awful things at each other and now we're going to bone it out.

All over the boat. Like every surface of the boat they have now banged on.

If y'all were dissatisfied with the raunchiness of the 50 Shades series, this is the movie for you because it far surpasses that.

Of course they're going to a ball. They always do in these rich people movies.

Makeover montage because why not.

Oh no. He's hot in a tux.

It always cracks me up in movies when people just automatically know how to ballroom dance like professionals without any training.

Every time I think this movie can't get more cliched, it does.

Why do I do this to myself? Why do I subject myself to bad movies?

I take it back. I know why I did it this time. The reason is 6'2" and looks damn good in a button up shirt.

"I thought you were kidnapped!" She was. You were a good friend for thinking that.

The switching between languages is giving me whiplash. It's very jarring going from Italian to Polish to English to Polish to Italian.

Her friend seeing through her bullshit is giving me life.

Also loving the fact that she's acknowledging she has Stockholm Syndrome. But because it's a movie it won't change anything.

Another makeover montage? So soon?

Also her friend keeps calling Massimo Mozzarella and it's hilarious.

That wig looks like it's about to crawl off her head.

Of course the ex shows up.

Honestly just knee him in the nuts and be done with it.

Why does Massimo think it's okay to break into her apartment and wait in the dark for her?

I don't know who thought using a blue light for her apartment was a good idea but it just looks like they're in a giant tanning booth.

"I don't need 365 days... Because I love you." GIRL NO.

I mean it was inevitable but it's still gross.

Yup. That's normal. Let's marry our kidnapper.

I want to snatch that wig off her head.

"What are your intentions with our daughter?" You don't want to know what his intentions are with your daughter, sir.

I will say that I love all her clothes in this movie.

Also she's pregnant. Calling it right now.

Called it.

Also good to know they've only known each other two months and they're going to get married and have a baby 👀

Her best friend is my favorite character and is the only likeable person in this whole movie.

Plot twist. Shocker.

This is so dramatic.

I will give them credit for the ending because that was unexpected.

In summary, this movie is trash and while the "love" scenes are pretty hot, it's not worth the time or effort that I clearly put into this.

#laura's unsolicited thoughts and opinions #i just kept watching this with increasing horror #365 dni #365 days

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postmodernmulticoloredcloak · 4 years

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Some thoughts about SteveBucky (and why it was deliberate in the CATFA and CATWS narrative)

As you might know, nowadays my approach to the MCU canon is pretty much on the lines of, the movies are Kevin Feige’s shitty fanfiction of a concept that could have been good and was attempted at intervals at the beginning at various levels but not executed, and the story and the characters are just suggestions I can play with in my mental sandbox.

But occasionally I like to listen to the Captain America: The Winter Soldier soundtrack to remember how it felt to be in love with that movie, and today that got me in the kind of mood where I am actually convinced that bisexual Steve and SteveBucky as a romantic dynamic were in fact written deliberately into the narrative, or, better, are structural elements of the narrative, because the emotional narrative is structurally made of parallels between the relationship between Steve and Peggy - the relationship of the past - and the relationship between Steve and Bucky - the relationship of the future - and it’s all too architectural in the narrative to not be deliberate.

In particular today I’ve been thinking about pictures. There’s the obvious parallel between the way the 40s story in CATFA and the body of CATWS end, one with Peggy looking at a picture of Steve before his transformation from a SSR file, while Howard tries to help by going looking for Steve, one with Steve looking at a picture of Bucky before his transformation from a Hydra file, while Sam offers to help go looking for him. But I’ve also been thinking about the scene in the Smithsonian in CATWS, and what the infamous picture of Peggy in the compass was about in that scene.

We assume that the compass was the only relevant object Steve had on himself when he crashed the plane and this was found; someone from Shield must have been, here we found this on you, take it back. Basically, it’s Steve’s only belonging in his new life. But here’s the irony: it’s a picture of a person (the only person of Steve’s smallest circle of people close to him) who is actually still alive.

The movie juxtaposes Steve’s visit to Peggy, alive and changed by time, to Steve’s visit to the secular altar to Bucky in the exhibition, crystallized in the past. It’s in fact an interesting detail that, in the museum scene, we only see pictures or wordless footage of Bucky, while we see footage of Peggy where she speaks; she has a voice in both the museum and real life, while Bucky doesn’t have a voice--we literally meet him masked and muted. (Peggy’s responsibility in what happened to Bucky, as the director of the organization Hydra flourished as a parasite of, is a potential the third Captain America movie could have tapped into, if they’d actually decided to make a third Captain America movie. RIP Captain America 3, we’ll never forget you. But this is is not relevant to this post.)

So, Peggy has lived - she has grown older, she physically carries the signs of the time she’s lived through, and even the footage in the museum shows her slightly older than we left her in the first movie, and in color, a deliberate emphasis that the footage was taken later than the time Steve left; Bucky, on the other hand, is unchanged, both in the museum and in real life. In the museum, assumed dead, he’s “frozen” in images from the past (in black and white); in real life, he’s literally been frozen to the point he’s not aged much.

Steve carries a black and white picture of Peggy with him, inside his compass, and the scene compares it with the footage - from a later time, in color, in motion, where Peggy has a voice. That Peggy from the compass is dead to Steve, and he mourns her just like he mourns the man whose black and white images are shown at the museum.

Except that the picture in the compass is something he can mourn privately; it’s, as we said, his only belonging. In fact, it’s ironic that he now has a picture of Peggy, and no one else. In the first movie, we see why: Steve and the Howling Commandoes went on missions on the frontlines of the war, Peggy belonged with the strategic command of the army. So Steve would keep a picture of her to remember her by as they were apart - it would make no sense for him to keep a picture of Bucky, because Bucky was there with him. It’s ironic because Bucky sees the picture and is jealous, but the point is that Steve doesn’t need a picture to remember him by when they’re together.

Of course, Bucky’s presumed death parts them. And Steve finds himself with no pictures of Bucky with him, and needs to visit the museum to mourn him in front of images of him. And this is an interesting point because Steve can mourn past Peggy privately - as he owns the compass with her picture, something that belongs to him and no one else has access to - but he cannot mourn Bucky privately, because he owns no object that connect him to Bucky, so he needs to go to a public place to be able to see an image of him.

In order to mourn Bucky properly, in front of a memorial of him, he is forced to do it in a place that not only is public, but is actually a place where his personal history is treated like a museum curiosity to put on display for everyone to consume.

There’s something deeply poignant in the fact that he hides, that he pretends to be someone else, in order to mourn his deceased male companion - the scene emphasizes that Steve does not want to be recognized, and the metaphor of him hiding his real identity to have an emotional moment regarding Bucky is not so subtle. (Yes, there is material of Peggy in the Smithsonian scene but the scene contains Steve’s visit to Bucky in parallel to Steve’s visit to Peggy in person, so I feel authorized to read the scene as mostly a visit to Bucky, especially since at the end of the movie Bucky also visits his own memorial there, emphasizing the cruciality of that picture in the narrative.)

In fact, the whole hidden identity to visit Bucky thing is not accidental because later, when he needs to confront Bucky, he steals his old uniform from the same exhibition: before finding out about Bucky, he wears incognito clothes to hide his identity, after finding out about Bucky, he reclaims a powerful sign of that identity - the uniform he wore when he fought alongside Bucky - basically breaking it out of the closet. It’s not a coincidence that earlier in the movie he wears a monochrome uniform meant to be unseen, either: the movie plays a lot on secrecy and openness regarding Steve’s identity, and the pivotal element in this narrative is Bucky. Steve reclaims his identity in parallel to trying to give Bucky’s identity back to him. It is a movie about identity and closets after all.

To go back to something I mentioned earlier, you have the contrast of the black-and-white picture of Peggy in the compass with the in-color, speaking, living Peggy; and that contrast highlights the deep difference between the two, because Peggy has lived a long life and grown older and changed. And then you have the contrast between the black-and-white picture of Bucky in the museum with the living Bucky, and in this case the parallel shows how little Bucky has actually been allowed to change, he’s been frozen in time, allowed no voice, allowed no change, no motion.

Steve, unlike Peggy, hasn’t gotten to live his life, but has been frozen in time, like Bucky. Shared life experience and all that jazz...

These fuckers (writers? directors? I don’t know) had the idea of writing two love interests for the titular character and framing the m/f relationship as the relationship of the past, and the m/m relationship as the relationship of the future, as one does, and built the emotional narrative on parallels between the two, and everything was fun and games until Disney Marvel ruined it all because they realized, I suppose. I mean, no, not everything was fun and games because things could have been written a lot better especially in regards of *gasp* female characters, that rarely work in the hands of misogynistic writers, but the two movies, with varying degrees of success, did something interesting (the theme of masculinity in CATFA is so fascinating) that was nice as long as it lasted. At least I’ll be thinking this until I get enraged at some shit they said and change my mind again. #saladforbucky

As always you’re welcome to share thoughts, questions, comments, whatever.

#my mcu thoughts #catfa #catws #steve x peggy #steve x bucky #stucky #stevebucky #idek #mcu

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willowistic22 · 3 years

Text

Famous!newsies

Ok so here are my famous!newsies headcanons from an a modern au i thought of if newsies were celebrities/famous yknow bcs I couldn’t get this idea out of my head and idk what to do with it other than making a headcanon list nabsnzbsvsnsbz anyways hope yall validate me after not posting any original content for like…. awhile now hehe

btw it got longer than expected. And I mean r e a l l y long. So if yall wanna read this better sit down and buckle up!

Jack

He’s an artist on youtube

Like a modern day bob ross ig??

If yall know zhc on youtube just imagine that but not so rich (I don’t watch zhc btw but i do know that he does custom art on iphones and stuff and that is definitely not jack kelly)

Anyways Jack simply goes by Jack Kelly.

So jack does art challenges. Like does the weirdest requests from his fans left in his comment section and stuff

Or maybe challenging himself to make art from a specific theme or a specific media

Sometimes he vlogs too but his art videos are what his fans like the most

His merch is amazing because he designed the pattern/drawing/whatever yknow. It’s printed/sewed/whatever on the clothing and it’s good quality. It’s pretty lowkey for a youtuber’s merch bcs jack doesn’t like those merch that just smacks his logo on a hoodie

Davey

He’s a fantasy, YA, romance writer (he mixes it wisely ok?)

And goes by David Jacobs

Listen he’s a hopeless romantic and i’m pretty sure yall agree too

He wanted to stick to YA romance. The classic high school lovers yknow

But he wanted to challenge himself since he’s been writing about high school lovers since he was in high school

Thus the fantasy genre came in mind

So yeah he likes creating love in his own universe

Whether it’d be different worlds, universe, species, time periods, whatever.

He wanted to direct the movies based on his books, but he’s actually lowkey terrible at leading on his own. But he did stick to being the script writer and co-director (look idk how it works in the film industry i’m just making shit up)

Crutchie

He’s a solo jazz singer

Crutchie gives off Michael Buble and Jason Mraz vibes tho

And maybe a bit of frank sinatra? Yknow ‘cause he sings jazz

Also he riffs thank you very much :)

He goes by Crutchie Morris to everyone

He usually plays the acoustic guitar or piano on stage

Ok but he’s like really good with the piano

Makes the best jokes on stage too. Some are just sarcastic comments.

Crutchie asking through the microphone : “Oh, straight?”

A fan he’s talking to from the crowd : “Uhh… no, gay”

Crutchie : “no not you, the vodka”

Everyone at the concert : *laughs*

Crutchie, jokingly : “Oh, you’re drinking vodka! Straight? No gay”

(yes that was indeed inspired by that one video of Harry Styles and a fan in one of his concerts yall can’t stop me)

Kathrine

She’s a crime mystery writer

Think like the modern day Agatha Christie

Okok but she goes by Kathrine Plumber on her books :D

She chooses that genre bcs she’s a huge fan of Agatha Christie

Her favorite book from Agatha is Murder on the Orient Express

Oh and her books are sometime very gruesome alkjsfhakjsfb

Nobody check her browsing history, she’ll look like a murderer

Ok but I feel like she also has a youtube channel about books and stuff and sometimes like to vlog

She also has a writing tips series on her channel where she shares tips on some of the frequently asked questions about writing or her fans leave a specific question in the comment section and thought she could expand more to it in a full length video

Also she likes to vlog while she’s in a book convention

Her books are also turned into movies and she has done a great job directing it

Race

Yall would be lying to me if you don’t think this kid would end up being a twitch streamer and youtuber (like vlogging yknow. I feel like his gaming stuff would strictly be on twitch)

And ik it’s widely agreed by everyone in the fandom that he’s a dancer of some sort so yeah he’s also simultaneously a dancer

I don’t think I need to explain any further bcs it’s just so in character

He goes by Racetrack Higgins

Ok so he likes to vlog on his youtube channel

Sometimes does stupid challenges

Maybe he’d drag Albert to do a challenge which he always says no

“I’ll just be your cameraman dude, dw”

Race : *angery*

Since Al and Smalls are the skateboard peeps™ race is the rollerblade dude™ bcs I say so

He has three cats named Racecat Higgins, Spot Clawlon, and Romeow (i’ve mentioned it before and I will mention it again hehe) and his fans loves them endlessly

Albert

You don’t think this kid would also end up being a twitch streamer and youtuber like his bestie up there?? Lmao you thought wrong (again, gaming is strictly on his twitch)

He just goes by Albert DaSilva on the internet

And yes he’s also a dancer because I say so

On his Youtube channel he also vlogs

Half of his vlogs starts with him riding his skateboard

“Hey, guys! Welcome back to another vlog-” *falls off his skateboard for not paying attention to a curb*

It happens way more often than he’d like to admit let’s be real. His fans make a compilation of it and memes on reddit

Always wear a snapback

Snapbacks are an important element to him so his merch store is really boosting his snapbacks

And just for the wormsie discord server he has one with the word ranga on it after it being born from a stupid inside joke he, race, and both of their fanbases combined share (@ my wormsie fam thank me later)

Oh yeah, his youtube besties are Race and Smalls just so we’re clear here :) (I’ll get to Smalls in a bit)

So I always headcanon Albert having two big dobermans. So his fans always want to see a doggy update because Zara and Zoey are everything to them.

Doggo vlogs are fun. It’s usually Albert taking the two good girls to Central Park for playtime or teaching them new tricks

Spot

He’s a solo rock singer

Is an amazing singer like wow none of the newsies expected him to have that sort of pipes to reach high notes

And he does it amazingly with no sweat

Also his instrument is the electric guitar to go with his amazing singing ajsfhasjfhajhf

Anyways he goes by Spot Conlon still

And his songs are very lyrical. Like very.

A lot of metaphors. No one knows what most of his songs means.

So basically Taylor Swift songs if it switched genres to rock. And not even like songs from speak now or red. But like if evermore and folklore songs were to turn into rock songs with a little bit of reputation vibes sprinkled on top. And his concerts has the reputation era vibes but make it spot conlon (hey non swiftie fans reading this i’m so sorry i’m pretty sure yall don’t understand wtf i’m talking abt)

That is also the only way i know to describe his vibe i’m sorry but i don’t really listen to a lot of rock alkjhfasjk

Anyways it’s a known fact that he wears tank tops daily that it becomes his signature look. And also an inside joke among his fanbase

Now just picture the merch booth from one of his shows and there’s like endless tank top designs for his fans to pick and choose

He’s also crowned to be the King of Brooklyn bcs of obvious reasons

But the joke is he’s a pretty tough hardcore guy that’s a cat person

Sarah

She’s a badass female solo singer

Mostly does pop but the badass type of pop

Yes, she does go by Sarah Jacobs

Fans were really surprised Davey and Sarah are related

Because one is a hopeless romantic while the other is a total badass

Anyways she gives off Little mix, Ariana Grande, Taylor Swift, and Selena Gomez vibes

That is literally the only way I can describe it

She’s very lyrical, with a lot of metaphors

When she dances on stage, she d a n c e s

All while holding a mic to sing. And she hits all those high notes like it’s no ones business (a literal queen i tell you)

She and Spot are besties and has been known to have done a few collabs together

Their fans were hesitant about their collabs since their genre is pretty different from the other but they make it work and it slAPS

And among all her boppy songs with full choreography and backup singers, she always have a few songs she sings while only being accompanied by piano or guitar (Either electric or acoustic) which she plays on her own

Finch

He’s an indie pop artist with his trusted acoustic guitar by his side

Just think of music by Wallows and Lewis Capaldi were to be blended in together and Conan Gray for the cherry on top

But it has a little bit of Ed sheeran, Lorde, and Lauv vibes to it too

His concerts are simple but his songs are mostly very boppy so his fans still have fun either way

And it’s usually in small venues but there are times where he had a concert in a huge stadium

He goes by FINCH (yeah all caps btw)

Finches are a very on brand thing for him obviously

Has been known to collab with Crutchie and they actually make a very good team

Somehow was able to combined both genres to produce a few boppy songs

Ok ok but Finch and Crutchie have made a collaborative album (and maybe they went on tour????)

Specs

He’s a history fiction writer

Yes this is inspired by the fact that he’s 100% a history nerd (no one change my mind i love this headcanon aight)

And he explores a lot of different histories from different parts of the world

He actually helps a lot of students understand history even further for school through his novels

Anyways he goes by Specs because I say so

No one knows why that’s his pseudonym and Specs isn’t interested in explaining either. No one other than the newsies need to know it was born from a stupid nickname the newsies gave him :)

His research mostly comes from history books because of his genre which wouldn’t be a problem since he has loads and will voluntarily buy more if needed

Also yeah he makes a great director for the movies taken from his books

Mush

He’s a chef on youtube

Goes by Mush Meyers

So think if Gordon Ramsey and his youtube channel but make it mush

Yeah that’s it really

Ok but Mush is a jolly and friendly person

Other than just food vlogging he does cooking challenges and cooking tips too

Sometimes he does the cooking challenges with a friend (mostly henry but i’ll get to him later on in the list)

But he also vlogs his life

Which isn’t really often but he likes to sometimes

He’s that big of a foodie he has a food blog too

And also a seafood restaurant so that’s cool :D

Henry

Like Mush, he’s a chef on youtube

Goes by Henry on the internet and in general

Ajkfhajfjska I’m thinking about how ppl would address him as Chef Henry kajhfkjlashfjklasfjklsf

He mostly does the same thing like Mush actually

Food vlogging and cooking challenges (they do it together so) sometimes cooking tips

But Henry vlogs his life a lot

And instead of a food instagram he has a food blog

He has a sandwich restaurant

Yeah it is inspired by his pastrami on rye with a sour pickle line from KONY get mad about it why don’t ya (well if i’m not mistaken henry was the one that said it but idk i have horrible memory)

Blink

He’s a youtuber

Ok so I have a specific headcanon that Blink majored in psychology but didn’t end up being a psychologist

So instead he becomes a psychologist on youtube

Who often vlogs jhgasjlfhs

The guy looks like he could cut you but his sense of humor once you get him talking is just *chef’s kiss* amazing

Which is why he also has a podcast because he’s also secretly great at talking

He just thinks mental health is very important, okay?

Romeo

He’s an actor

Mostly on Broadway but has worked with Hollywood before

He’s usually a supporting character but has been known to understudy for main characters

Ok ik these bullet points are getting shorter and shorter but these are mostly bcs some of these stuff are pretty self explanatory since it’s very in character

Like are you telling me a kid named Romeo isn’t gonna be in some way very dramatic and end up turning that personality trait into his career?? Plus he’s very good at that?

Yeah you’re lying to me

Also he’s a pretty frequent vlogger on youtube

Look he’s a fun guy, what did you expect?

Just goes by Romeo on youtube

Elmer

He’s an actor

Has done his fair share in Broadway and Hollywood but started in Broadway

He can dance but thinks he’s pretty average in it yknow

Which his fans has no idea what he’s talking about because on stage he can do flips and turns like it’s no ones business yknow

But he can sing really good and takes pride in it

Elmer would play characters that is really far off from his own personality that fans couldn’t believe that Elmer played that character

He has done his fair share in main characters and supporting characters on Broadway

In Hollywood he usually does indie and rom-com movies

Buttons

He’s a fashion youtuber and basically an influencer

Let’s be real this boy is a fashion icon

He’s not really a model but more like a fashion influencer and also kind of a fashion designer

His clothing line is very *chefs kiss* amazing

He designed it all and sometimes likes to design for his friends as well

He also does fashion tips on his youtube channel

His instagram game is god tier level (along with Tommy Boy and Sniper I’ll get to them in a bit)

But yeah he also vlogs

And goes by Buttons Davenport

Jojo

He’s an actor

Mostly on Broadway but has done a few movies in Hollywood

He radiates main character energy and he does become the main character most of the time (on hollywood at least)

On Broadway he mostly enjoys being apart of the ensemble because this boy loves dancing

But he does play a few supporting characters

He has released one or two albums too because his singing is top tier

But isn’t interested in doing a lot of live concerts with his albums

Since no one has the time to say Josephino Jorgelino De La Guerra he turned it into Jojo De La Guerra (so much for ‘a special nickname only for friends and family’)

Mike and Ike

They’re a pop boy band and bcs of my lack of creativity it’s called Mike and Ike

At the start of their career :

“My name goes first because I’m older than you!” - Mike

“You’re only older than me by 13 minutes, holy shit!” - Ike

But Ike slowly accepts the fact that it’ll be like this yknow

Anyways they’re pretty great singers

They have one direction and new hope club vibes

Tho unlike one direction they can dance (i love the boys alright but i really think it’s funny that they can’t dancelkhjjlh)

They like to switch from the guitar (electric and/or acoustic) to the piano

The amount of times their name is confused by the candy is too many

But they like it like that lol

Anyways i’ve mentioned a headcanon where Mike has tattoos (not like from head to toe but it’s fairly noticeable to everyone) and Ike has piercings

So the only way their fans tell them apart is by that

But there are times where Mike has his tattoos covered or Ike took his piercings off in public alone. A fan mistakens them for the other twin but they still respond to the other name because they don’t feel like there’s a need to correct them since they’re mostly known by Mike and Ike anyways. When the fan posts it on instagram and tags the twin they thought it was the twin that was tagged would comment “wrong twin but nice pic you two”

Happens wayyyyy too many times. Their fans are officially scared to approach one of the two in public alone without their differentiating indicators on which is which

And yes it is widely known that they argue a lot when it comes to writing songs

Nothing out of the ordinary sibling squabble yknow but it’s a lot

But they do end up finding a solution to the topic of their argument and make a good team at the end of the day

Hotshot

He’s an actor

On Broadway, he’s one of those actor’s that is mostly good in just the acting and singing

He can’t dance to save his life sjdfghaf

So Jeremy Jordan yknow asj;oghajshf

No not really. He can dance a little bit

So he’s mostly the main character

But he’s widely known for his works in Hollywood

He does a lot of drama. Think stuff like Elite and Designated Survivor. Yeah those kinds of heavy drama (well idk i think those two are pretty heavy)

He wants to release his own music because he’s a pretty good singer but he can’t write songs to save his life either jgnjafjasf

And all the demo songs he was suggested by producers isn’t his cup of tea

So he’s no singer ladies and gents ://

The name Hotshot is used to name his social media platforms. He always adds a description in his bio’s that Hotshot is a nickname his friends and family use so his fans and the media refer to him with his name

I headcanon Hotshot’s real name is Tyler or some sort. No don’t ask me what’s his last name is because idk either lol

Sniper

She’s a model, beauty and fashion youtuber (I’m pretty sure those are two different things tho idk i don’t watch youtube religiously anymore), and just an influencer in general

Instagram game on p o i n t

I know most beauty youtubers go by their names but uhh… i don’t think i’ve ever thought of a first name for Sniper but I really think she really would just go by Sniper Wah on the internet (Idk she seems like an Ashley in my head but feel free to recommend headcanon names to me)

Anyways she’s very fashionable

Tommy Boy (i’ll get to him just wait aight?) and Buttons are her fashion besties

The three of them pretty much appear in each other’s Youtube video not Tommy’s tho bcs he doesn’t have one lol

Sniper’s brand are huge sun hats

I have no idea how or why but that girl has sun hats vibes I can’t explain any further I’m sorry

Doesn’t have a clothing line but does have a make up brand of her own. She calls it Sniper. Yeah that’s it akjfhjf

Smalls

She’s a twitch streamer and youtuber like race and albert

They’re a youtube trio everyone loves it

And yes she does go by Smalls

Oh and she also dances like her two stupid besties thanks for asking

Bubblegum is her brand (idk how to explain she just has the vibe)

She is skateboard chick

I’m imagining a video collab of her and Al on a skatepark doing stupid challenges

It’s her most viewed video

Tommy Boy

Ok ok he’s a model, influencer, and dancer

So think a male version of Gigi Hadid that dances

No he doesn’t have a youtube channel but frequently has made an appearance on Buttons’ and Sniper’s videos

Yes his instagram feed is also very amazing

He goes by Tommy Boy

People genuinely thinking ‘Boy’ is actually his last name and kinda think it’s strange but doesn’t complain

Tommy literally didn’t think people would think it was his last name. But they did anyways

Les

Let’s just get straight to the point : he’s a famous tiktoker

And yes, ppl are surprised at the fact that him, Davey, and Sarah are related to each other

To the people that made it through this entire list. Congratulations and thank you for your validation. Have a wonderful evening and stay hydrated

i will write at least one oneshot out of this au i promise!!

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time-to-write-and-suffer · 3 years

Note

I wouldn't mind that post on VNs!

So I was gonna write three different lists, but then after writing the first part I realized this is very long and takes a while to write and nobody cares anyway so I’ll just post my recommended list only. Well, I mean, you asked, but I doubt you wanted all this lol. Thank you for giving me an excuse to talk about this stuff, though. Hope you enjoy my ramblings!

An explanation for what this list is: Sometimes I know a game isn't perfect in many aspects but I still had a genuinely good time playing it, hence why I'm recommending it. Also I should mention that I could talk for hours about some of these games so if anyone’s curious about more of my thoughts, let me know.

Alright, now that that's out of the way ...

How to Take Off Your Mask / How to Fool a Liar King / How to Sing to Open Your Heart (f/m): This is a trilogy of smaller, single-RO games where you can take one of two routes depending on how you act, and they’re all interconnected where you get to meet and interact with the previous games’ characters in the sequel games. I went into this expecting very little but what I got blew me away with how funny, charming and cute the games were. They don’t take themselves too seriously, at one point an angsty male character monologues deeply about some shit, and another one just slides into frame and starts mocking him. It was so fucking funny, holy shit. Also, a central theme is literally racism against catgirls? Which is monumentally stupid, and probably the games’ main flaw, especially in the final game where it pairs up a catgirl with a catgirl racist, but that one still ends with a literal bisexual queen literally making a man her malewife because she fell in love with his cooking, so like ... It speaks for itself. My favorite game of the three is the second one, where you get to play a punchy fake catgirl and romance a pink-haired prince. And honestly, all the female protags in these games are lovely and a breath of fresh air, and the male characters are fun and not abusive assholes either. There’s full Japanese voice acting, and two out of three female protags are literal catgirls who pepper in “nya” and “mya” into their dialogue, and it’s just treated as a quirk of their catgirl race. I AM NOT KIDDING. Yet somehow it never comes off as cringe, because it doesn’t take it self too seriously. These games are just cozy. That’s the only way I can describe them. Cozy and hilarious. Play them yesterday. Dream Daddy (m/m): Man tumblr did this game dirty. This is just a cute, wholesome daddy dating simulator with gorgeous art. Coming out on Top (m/m): So you know Dream Daddy? What if it was EXTREMELY, MAJORLY NSFW? Though I realize how bad the comparison really is, the only thing these games have in common is that they’re gay dating sims and don’t have an anime art style and oh, yeah, they’re both really well-written. Or at least, extremely funny. COOT (heh) is DDADDS’ horny older cousin, and I first encountered the game on a lesbian letsplayer’s YouTube channel. Yes I watched a lesbian play a gay porn game and it was GOOD. I was there for the cringe and fun and got surprised by how genuinely funny and sometimes actually touching the game was. I can’t give it my universal endorsement because it’s not a game for everyone, as I said, it’s extremely NSFW and the menu theme literally includes the singers screaming “SEX SEX” at the top of their lungs. There’s more to this game than the porn, but there’s just so much porn. It can be censored in the settings but it’s unavoidable. However, I still think it’s worth a look just because of how funny it is and how charming the characters are. If you don’t want to play it yourself, at least watch Anima’s playthrough of it. It hasn’t aged super well in some spots but I still go back to it every now and then. Akash: Path of the Five (f/m): This game markets itself as a more “professionally produced” western dating sim, and that’s accurate in some superficial aspects. The game is pretty poorly written, but it’s absolutely gorgeous and has really good English voice acting by actual professional voice actors. The premise is quite self-indulgent, but I genuinely respect that about it. You play as the only female elemental in a village with only men, and all five of your classmates want a piece of you. It’s clear the writers have put some thought into the lore and worldbuilding of this world, but barely any of it comes through in the actual writing and plot, which is basically just a vehicle for you to get together with your boy of choice. The ROs aren’t very well-developed either, and the plot is the same in every route with only minor variations depending on which guy you pick, up to the point where the protag has the same voice lines in some parts regardless of which guy she’s talking about. It also has one extra half-route that’s so bad and pointless I genuinely wonder why they wasted resources on making it instead of spending a bit more on the writing/adding some variations to the main plot. So why am I recommending this game? Well, it’s pretty, and it sounds nice. This game is a himbo, gorgeous but dumb as rocks. Enjoy it for what it is. I know I did. Get it when it’s on sale, I think if I hadn’t gotten it at half-price I would’ve felt a bit more cranky about it. Also Rocco is bae. Mystic Destinies: Serendipity of Aeons (f/m): Yes that’s the full title, no I don’t know what it means either. You may have noticed how most of the games so far I’ve enjoyed because they don’t take themselves too seriously? Well, this one does. It takes itself SO FUCKING SERIOUSLY. Like, way too seriously. It’s a little embarrassing at points because baby, you’re an urban fantasy dating sim. Calm down. But the game has gorgeous art and 3 out of 5 routes are very good. The last route, the one with your teacher, is both the most problematic yet somehow the one that breaks down the very concept of a dating sim within its own narrative (yes, this shit gets fucking META) and it got so wild at the end that 1) I still listen to the soundtrack for that route and 2) I still remember it to this day despite finishing it ages ago. My favorite route is Shou, he’s a sweetheart, but the mindfuck route is so buckwild that I think the game is worth playing just for that. There’s also a route that’s like a neo-noir mystery? I Do Not Know. This game is many, many things and it does them so sincerely and tries so hard, you can’t help but respect it. It doesn’t always stick the landing but man, just let this thing take your hand and wax poetic at you for a bit. Also get this one at a sale because it’s very expensive to get the full version. I got it for 9 bucks on itch.io and I felt that was a fair enough price, I’d say I wouldn’t have minded paying more for it because there’s a lot of content to enjoy and/or be baffled by. Arcade Spirits: This one’s a bit more weird from what I recall, and I honestly couldn’t tell you much about it, but I remember having a very good time with it and recommending it to a friend when she was going through some tough times and she said it made her feel better. I remember it making me feel better, as well. This is a VN about an arcade and the ROs are wonderfully diverse, with very real human conflicts that get explored in each of their routes. It can get quite existential and heavy at times, but in the end it’s a kindhearted game that I think everyone can enjoy. The main character was also, how you say, mood. It’s a game about getting possessed by a video game and then learning self-love. Ebon Light (f/m): This one’s free/name your own price on itch.io so go play it. It’s a weird plot where you play as a girl who ate an elven relic? And then the elves kidnap you because you’re the relic now. All the ROs are extremely pasty (like, literally white, as in literally the color white) dark-haired elves, except for one, who’s an extremely pasty blond elf, so ... diversity? I honestly don’t know what this game is aside from unique. I used to be a bit put off by the art style but now I think it contributes to the general atmosphere. It’s a weird game that technically doesn’t do anything groundbreaking but still left an impression of “huh. weird” in my mind and I think more people should play it. The ROs are all pretty generic dating sim archetypes but done well, with bonus points to Duliae who’s just a massive creep and I love him, and also Vadeyn who’s the only bitch in this house I respect. The worldbuilding is honestly a bit buckwild and I can’t give enough credit for how unique the elves’ culture is in this game. Definitely give it a go. Hakuoki: Kyoto Winds / Hakuoki: Edo Blossoms (f/m): These two are newer releases of an older Japanese visual novel. I wouldn’t call it a dating sim, it’s ... it’s more of a super depressing historical fantasy epic with some minor romance aspects awkwardly wedged in. It’s seriously some of the heaviest and most grimdark shit I’ve ever played in a VN/otome. I don’t understand why it’s a dating sim, it doesn’t read like one, it’s just historical fantasy based on real world events with characters based on real people, and they kill and they die and they grieve and they suffer. The games are literally about the downfall of the Shinsengumi, there’s no way of avoiding everything going to shit and you get to watch and be in the middle of it all as they struggle to stay alive and relevant in a world that doesn’t need them anymore. And there’s the protag in the middle of it all, being useless and submissive and bland just the way the usual otome protag is. I don’t think these games are necessarily fun, and the romance is certainly a lot more downplayed and deeply problematic just based on the age differences alone with some of the men, but the sheer amount of horror and sadness in these games make them stand out above its peers. It’s like watching a war movie. Since most of the characters are based on real people, they feel like real people instead of the usual otome archetypes, and they are so, SO flawed, it’s interesting to just watch them deal with the shit the world throws at them. It’s an Experience, and if you’re up for it, I think it’s worth the time. Cinderella Phenomenon (f/m): This game is free on Steam so go get it. You play as a really, genuinely shitty princess who gets cursed to be poor and forgotten and she has to help one of the ROs break his fairy tale curse so that she can learn about being a good person herself and return to her normal life. This game doesn’t look like much, but it has a genuinely well-written main character who’s actually at the center of each of the stories and in the overarching plot instead of just being around to make eyes at the real protagonists, aka the love interests. Aside from the main character, my favorite part of this game’s writing is how each route slowly but very smoothly expands upon the overarching intrigue. If you play them in a certain order, you get more and more info revealed to you that you didn’t see in other routes, gaps are filled in as you find out more about what actually happened and why, but every route also stands on its own as a full experience and none is more canon than the rest. There’s also some really heavy emotional parental abuse explored, which I found quite potent at times. The romances themselves were alright, I think Karma and Waltz were my faves.

#eff plays

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takerfoxx · 3 years

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In response to JK Rowling and Joss Whedon, my (former) idols

I really didn’t want to have to do this.

So in addition to…=gestures vaguely=…all of that, the last few months have been kind of sucky when it comes to learning some really unpleasant things about artists that I looked up to, admired, and was in fact inspired by. I’ve already spoken about the Speaking Out movement revealing a lot of ugly behavior from various wrestlers, some of which I was big fans of, and then later we got Chris Jericho being a full-on MAGA. Yeah, that all sucked. But those were just performers whose work I enjoyed watching. The one that really hurt were writers who I deeply admired, whose stories I love, and who I was heavily influenced by.

The first, of course, was finding out that JK Rowling, the author of perhaps the single biggest YA fantasy series of all time Harry Potter, is a TERF. This really sucked for a number of reasons. Firstly, I really like Harry Potter! I mean, I’m not a super fan or anything. I came into it when things were kind of dying down, like the whole book series had already been released and there were only a few movies left, but I still really enjoyed it, have all the books and movies and a fair amount of merchandise swag, including a nifty wand I got at Universal Studios. Shit, I got two replicas of the Sword of Griffyindor, thanks to them screwing up my order in my favor and sending me a duplicate! They’re on my wall right across from me as I type this!

But in addition to writing a book series I really liked, JK Rowling was supposed to be one the good guys. She’s been vocally progressive, often openly comes down on British right-wing nonsense, has supported various persecuted minorities, and is on record as being one of the few self-made billionaires to actually stop being a billionaire for a time because she donated so much money to charity. And while we mock it now, her revealing Dumbledore as gay was a huge deal at the time. Plus, she cultivated this reputation as Auntie Jo, that cool, supportive aunt we all wanted.

But for a while her stock has been dropping. Her preference for confirming “representation” via tweets instead of explicitly putting it in the text of her stories has raised the question of queer-baiting, especially with a whole-ass movie with a young Dumbledore and Grindelwald to make their relationship explicit but failing to do so. The whole Nagini thing from the latest Fantastic Beasts movie was pretty gross. And re-examination of various problematic elements from the original novels has rubbed a lot of people the wrong way. Now, none of these really looked to be intentionally malicious, of course. Just about everyone’s early work will have problematic elements; that’s just how people work. And the later stuff smacked more of ignorance than anything. But after all this time, it’s like, c’mon. You should know better by now.

But the biggie came when her transphobic views finally came to light. Now, this one had been brewing for a while, due to some questionable likes and statements on her twitter. But then she decided to just go public and published what essentially amounts to a TERF manifesto, one with a very “love the sinner, hate the sin” condescending attitude and had a real persecution complex air to it.

Now, I’m not going to go into detail about what the manifesto was about, what the circumstances surrounding it were, or how wrong it was. It’s already been raked over the coals, dissected, answered, and debunked in detail by people far more qualified than me, so odds are, you’re already well aware of its contents and the subsequent rebuttals. But the gist of it comes down to her basically believing that transwomen are actually cis men claiming to be trans so as to infiltrate and invade female-only spaces.

Yeah.

Okay, that’s gross, but…why? Why is someone so noted for being progressive and wanting to foster an inclusive environment making this the hill of exclusion that she wants to die on?

Well, that’s where things get tricky. She mentions that prior to Harry Potter, her first marriage was highly physically and sexually abusive, and when she escaped from that, she had no place to go, leading her to be homeless for a time.

Oh.

Well, that makes sense. Someone goes through a highly traumatic experience with a member of the opposite sex, has no support structure when she escapes it, is left to fend for herself, only to suddenly get rocketed into fame, fortune, and influence, which in turn leads to a Never Again mentality. She was hurt, no one was there to help her, and now she’s afraid of men invading women-only spaces to victimize others like she was victimized. So…literally transphobic. Literally a Trans Exclusionary Radical Feminist.

Guys, this is so fucked up. Like, how do you even approach something like this? She’s a victim in every sense of the word, so of course she’s going to have physiological damage and a warped view of things. I mean, if I found out that a close friend of mine went through the same thing and had the same prejudices, I would be nothing but sympathetic! I mean, I’d still do what I can to convince her to overcome those prejudices, but I’d still show sympathy and support for what she went through.

Abuse warps people. There’s a reason why so many abusers are abuse survivors themselves. It makes you terrified of being hurt again and often causes people to adopt toxic behaviors, beliefs, and reactions to protect themselves. I’ve already talked about it at length while discussing She-Ra and its own handling of the cycle of abuse, which included franks discussions of Catra’s horrible behavior, why she was the way she was, while never losing sympathy for her and rooting for her to overcome it. So if JK Rowling is an abuse survivor, is it really right to come down on her for having warped views because of that abuse?

But that’s the problem. See, she isn’t your troubled friend that you’re trying to help. She isn’t your cousin Leslie who’s a really sweet person but unfortunately adopted some bad ideals due to trauma suffered. She JK freakin’ ROWLING, one of the most famous, wealthy, and influential women in the world. She has a platform of millions, if not billions, which means her voice lends credibility to her bigoted beliefs. Alt-righters and other TERFs have already swooped upon this for giving validation to their awful beliefs, which puts trans people even more at risk. And as horrible as Rowling’s experiences might have been, the trans community is often the victim of far worse, and they don’t have a mountain of money and an army of defenders to protect them like she does. I’ve said it time and time again: just because you’re a victim, that doesn’t give you the right to victimize others! And bringing things back to Catra, as much as I loved her redemption in the final season, she was still a TERRIBLE PERSON for a huge chunk of the show, one that needed to be stood up to and stopped.

So yeah. That’s the messiness that is JK Rowling.

Now, let’s talk about the one that really hurts. Let’s talk about Joss Whedon.

I’ve made no secret of what a huge Whedon fan I am. Unlike Rowling, I was a HUUUUUGE superfan. Seeing Serenity for the first time in theaters was akin to a religious awakening to me as a storyteller, making it one of my top three movies of all time. Firefly is my favorite show ever. And I adored Buffy, Angel, and Dollhouse as well. I love Cabin in the Woods and The Avengers. The very first fanfic I ever wrote was a Firefly fanfic that disappeared along with my old laptop. I know his style isn’t for everyone, but I cannot understate how much of a personal inspiration he is to me as a writer.

And like Rowling, Joss was supposed to be one of the good guys! Buffy was monumental in pushing the needle when it came to female empowerment. Will and Tara were groundbreaking as a gay couple. He’s been outspoken for years about his feminist views and beliefs and was seen as one of the most prominent and influential feminist voices in Hollywood!

And then things started to go bad.

One day he was on top of the world, the mastermind behind the first two Avenger movies. And the next, it seemed like he was in freefall. It’s hard to really pinpoint exactly when the change took place. Some would say him being brought in as a last-minute substitute for Zack Snyder to take over on Justice League after Snyder had to leave due to family tragedy, and the subsequent awful critical reception to that film tarnishing his image, even if those were very unique circumstances that couldn’t really be blamed on him. Others might point to Age of Ultron’s less than stellar reception, as well as criticism of some questionable jokes and certain creative decisions regarding the character of Black Widow, which then led to a more critical examination of how Whedon continues to write female characters, as while his work might have been revolutionary in the 90’s, his failure to evolve with the times had meant that many of his portrayals are now woefully outdated and problematic, with his vision for a Batgirl movie getting hit with a lot of backlash as a result.

Again, I’m not going to go into too much detail, as this is all public knowledge and can be easily looked up, but overall it seemed that Whedon entered into a period where he was getting criticized more than he was celebrated, and his image of a guaranteed hit maker was now in doubt.

But all of this wasn’t the big problem. All creators go through rises and slumps, and everyone hits points where they get hit with a barrage of criticism; that’s just part of being a public creative figure, especially a progressive one. And had nothing happened after, it would have probably faded, got forgotten, and Whedon would have moved onto the next project with no fuss.

But as it turned out, it wasn’t just a minor slump in his career. Instead, it was the priming of the pump.

In 2016, Whedon divorced his wife of sixteen years, Kai Cole, and in an open letter, Kai Cole accused him of being a serial cheater, who would have affairs with a great many women, from co-workers, to actresses, to friends, to even his fans. And in addition to raising questions of him possibly abusing his position as showrunner to elicit sex from those working on his projects, there also is the ugly question of how could someone who speaks so highly of women then go and backstab the person who was supposed to be the most important woman in his life, as well as lying to her and denying her the autonomy of deciding whether or not she even wanted to continue to have a relationship with him?

Furthermore, Whedon himself has not explicitly denied these accusations, and comments made by him seem only to confirm them.

Now if you’ll recall, I reacted publicly to this news, and despite my admiration of Whedon’s work, I came down on Kai Cole’s side, and stated that while things like marriage issues and infidelity were no one’s business but that of the couple’s, it did raise a lot of uncomfortable questions about how Whedon treated the women in his life and he really needed to get his shit in order.

But hey, a messy private life and a guy falling into temptation isn’t that big of a deal, right? Plenty of creators also go through multiple marriages and have problems staying faithful and still continue making great art. We’re all human, it’s a stressful job, and this shit just happens, right? Sure, it’s gross and a shitty thing to do, but ain’t no business of ours, right?

In late 2020, actor Ray Fisher, who played the role of Cyborg in Justice League, openly accused Joss Whedon of fostering a hostile work environment, claiming that the director’s behavior was abusive and unprofessional, and that Whedon in turn was protected by DC executives.

DC and Warner Bros. came down against Fisher, claiming they had done an internal investigation that turned up no evidence of wrongdoing (yeah, sure they did), and soon Fisher was out as Cyborg, apparently for rocking the boat.

But then Charisma Carpenter, noted for her important role as Cordelia Chase in both Buffy the Vampire Slayer and Angel, then spoke up, claiming to be inspired by Fisher in doing so. She described Whedon did indeed foster a hostile work environment on his projects, that his often acted in a toxic manner, from asking incredibly invasive and inappropriate questions regarding her pregnancy to insulting her on set. She said that she made excuses for him for years, but after undergoing a lot of therapy and reading what Ray Fisher had to say, she felt compelled to speak out.

And this just open the floodgates. Other actors and actresses also came forward, some with stories of their own, others to offer support. Even Buffy herself, Sarah Michelle Gellar, confirmed Carpenter’s stories and said that she no longer wanted to be associated with Whedon. Michelle Trachtenberg, who played the character of Dawn, stated that she also experienced toxic treatment from Whedon despite her being a minor at the time, and says that the set had a rule that Whedon wasn’t allowed to be alone with her again, which really raises some sickening questions of what happened the first time. Even male stars have spoken out, from words of support and apologies for not speaking up earlier from Anthony Stewart Head and David Boreanaz, to an earlier interview with James Marsters, in which he described being terrified of Whedon, mainly due to an instance when Whedon was frustrated with the popularity of Marsters’s character of Spike messing with his plans and physically and verbally taking it out on the actor. There have been many corroborating stories of Whedon being casually cruel on set, on seemingly taking delight in making his fellow show writers cry, and even the man himself admitting to enjoying fostering a hostile work environment during his director commentary of the Avengers. We’ve joked about Whedon’s supposed sadism for years, but that was in regards to how he treated the characters in his stories, not the people helping him make them!

So yeah. That’s the problem with Joss Whedon.

So, do I think that Joss Whedon is somehow some kind of sociopath who lied about his feminist principles and deliberately put on a progressive façade specifically to get into a position of power so he could torment people? No, of course not. I think he was sincere about his beliefs, and I do think he didn’t realize the wrongness of his behavior. But that’s kind of the problem. See, it’s one thing to have kind of a trollishness to your nature, a sort of sadistic side. No one can help that. But when someone with that quality gets put into a position of power in which they are protected by both the higher-ups and their legions of fans, they are allowed to mistreat and continue to mistreat people. And by never suffering any consequences, that sort of toxic behavior becomes internalized, becomes a habit, becomes their moda operandi. And when you’re constantly getting praised as a creative genius and a wonderful feminist voice, any self-criticism just gets wiped away, and you think yourself above reproach, leading to what Joss Whedon became and went on being.

And you know what scares me the most about this particular issue? It’s not that I am a fan of his stories. It’s that I can so easily see myself turning out the same way.

Look, I’ll be upfront about it: I’m kind of a sadist myself. You’ve seen it in my stories, you’ve seen me gloating after a particularly dark plot twist makes my readers freak out. That sort of stuff is fun to me. There’s a reason why I have a much easier time in the dark and violent scenes, because I’m channeling something ugly within me. We all have a dark side, and this is mine.

But UNLIKE Whedon, that doesn’t carry over to how I treat people in real life (unless Monopoly or Mario Party are involved, then it’s fair game). Maybe it’s because I wasn’t given the sort of power and praise he did so early, and I was always taught to be considerate of other people’s feelings, but if I ever find out that I hurt another person or went too fair, I feel TERRIBLE, and it just throws me off all day until I apologize. Even if I don’t notice right away that what I said or did wasn’t cool (autistic, remember?), when it’s pointed out to me and I have some time to think on it, yeah, the guilt is on and I make a point to apologize to whoever I’ve hurt. I’ve even made a point to apologize to members of my family for inconsiderate stuff I said years ago as a little punk kid because it wouldn’t stop bugging me.

So maybe Whedon got too big, too fast. Maybe putting people on these sorts of pedestals, especially progressive ones, is ultimately a bad thing.

So where does this leave us? How are we to treat JK Rowling and Joss Whedon, one who developed a lot of transphobia due to abuse suffered while the other became a toxic individual due to unchecked control and a lack of consequences? Can we still enjoy their stories despite them now being colored by their creators’ falls from grace? Can we separate the art from the artist, or do we have to do a clean split?

Honestly, I feel that has to come down to the individual. I can’t remove the influence Rowling and Whedon have had on me as a storyteller, and I still highly respect both of their talents despite taking major issue with their problems as people. And I’m not going go throw away all of my Harry Potter or Firefly stuff. Because that’s my stuff. It has value to me, it doesn’t represent the issues with their creators, and a lot of it was gifts from people who are dear to me. Though I do think it’ll be a long time before I return to either of their work, as I just don’t have the stomach for it now.

But I will be avoiding any projects they have in the future. I don’t want to put money in their pockets that might go on to support their toxic beliefs or behavior. And as for royalties for their past work that would also support the cast and crew of the Harry Potter films or those who worked on Whedon’s shows who do not deserve to lose money because we don’t want any of that money going to the creators? Er, that question is a little above my paygrade. I don’t know. You’ll have to all decide for yourselves. As for me, I still have a lot of thinking to do.

Regardless though, if I or anyone else is still able to enjoy their work, then it’s important to not divorce what these people said or did from the art they created, even if it makes enjoying that art less fun. It’s important to be critical about what we enjoy, to acknowledge the bad aspects along with the good, and open up discussion of those elements, because that’s what mature adults are supposed to do.

And as for JK Rowling and Joss Whedon, whose stories I love, whose talent I admire, and whose past good work I’ll happily acknowledge, I do hope they both experience some sort of realization and enter into a period of self-examination that leads to them getting help for their issues, for Rowling to get help in coming to terms with her trauma and realizing that she’s wrong about the trans community and a full apology, and for Whedon to also come to terms with his toxic behavior and how he treats people, for him to make no excuse for what he did and sincerely apologize to those he hurt and work on bettering himself, as well as them both examining some of the more problematic tropes still present in their works. Because despite everything, I do feel that they can still be a creative force of good, and it would be a shame if they let themselves self-destruct.

But if not, then if it comes down to choosing between Rowling and the protecting the trans community, if it comes down between choosing between letting Whedon continue to make shows and protecting actors and writers from his abusive behavior, then I know who I’m siding with, and it ain’t the two individuals this whole essay is about. No story, no matter how good, no matter how creative, is worth letting sacrificing vulnerable people in order for it to be made.

#jk rowling #joss whedon #harry potter #Buffy The Vampire Slayer #angel #firefly #justice league #ray fisher #charisma carpenter #kai cole #transphobia tw #abuse tw #toxicity tw #TERF tw #rant #TERFs don't interact I do not want to talk to you #same for abuse apologists

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yarrowleef · 4 years

Text

Read Darkness Within all in one sitting last night and then passed out so here are my scattered thoughts i wrote down as i read, (afterthoughts in parenthesis)

Darkness Within Spoilers, obv

UGH GOD THE SECOND HAND EMBARRESMENT FROM SQUIRREL FAKE FLIRTING WITH ASHFUR IT HURTS

Just remembered Sandynose died and got a small boost of happiness (will Hawkwing and Plumwillow ever be allowed to talk again now? I mean probly not b/c they aren’t protags and non-protags don’t rly have friends but I can hope. Sorry, Hawkwhing and Plumwillow’s short-lived friendship in Hawkwings Journey was one of the last times I felt something)

Ghost fleas lol

Mothwing: i’m rude now. (but more importantly, Fuck Tigerheartstar for forcing his son to be around the cat that hurt him so badly, like he HAS to know how upset everyone is regarding Shadowsight and his accidentally helping the imposter, and he’s making him be the sole one to tend to him??? There is NO REASON Puddleshine couldn’t have done it. You think Puddleshine is going to try and murder someone?? )

Oh no don't make this a traveling book, and a ROOTBRISTLE traveling book this is going to be insufferable

BACON AND EGGS

Lightleap Is Good (Hey didn’t Shadowsight have another sister? lets be real we all knew Pouncekit was going to end up as the forgettable 3rd one)

Bristlefrost’s crush continues to feel unnatural to me. It’s like she’s grasping at straws romanticizing the most generic things.....wow....I love how ur just so...bare minimum competent....being polite to the loner we came all this way to ask for help like any somewhat reasonable person would....How admirable...I love the way you just *clenches fist* exhibit some basic traits of loyalty and skill that literally every warrior has (I s2g I’m this close to head canon-ing Bristle as a clueless aromantic who doesn't understand what romance is actually suppose to feel like so she just looks at feelings of low-bar admiration and assumes “oh I guess this is that “romantic attraction” everyone’s always talking about? guess I must be in love???” because both her crushes have felt out of nowhere and like. Idk fake/forced sounding like she’s just telling me that that she’s In Love Now while I continue to not actually feel it at all from her end. I know it’s just that I hate the way Erin’s write female characters in love but this head-canon makes me laugh)

Got scared because I thought they were going to villainize Spotfur for not wanting kits for a minute, but also excited at the concept of maybe exploring a female character that doesn’t want to be a mother, but it turns out she was just pulling a Sparkpelt and actually DID want the kits all along and was only hesitant because she’s sad. Shrug oh well. (the only female character in warriors that was distinctly upset about pregnancy and motherhood was Lizardstripe and as we all know she was eeeeeevil and abusive and “overly ambitious” because why else would you not come around to being happy about motherhood?? YES I’M STILL SALTY ABOUT YELLOWFANG’S SECRET, BAD BOOK) Whatever it’s fine so long as Spot doesn’t lose her rebel leader spirit forever and default to “soft mom” personality for the rest of her life, I gotta have hope because I actually like Bristle and Spot’s current relationship. Also I am actually very grateful they never made Bristle resentful at Spot for getting with her crush, as lots of middle grade/YA media has a very bad habit of demonizing female romantic “competition” and its super gross, so I rly do like that Bristlefrost is so protective and caring towards her instead. )

This series is trying to tell me that Rootspring is actually Big but I refuse to accept that. he has dumb scrawny bitch energy and we all know it

Sunrise: “Thunderclan may be better with a new leader” lol go off (i mean........they right tho...It’s unfortunate that the tension in this whole plot is a bit dampened by the fact that i DO in fact want bramble to die v badly. I don’t even have special hatred for him, I’m just bored of him.)

Yes Lionblaze beat the shit out of Ashfur

*HOLY SHIT THAT’S FUCKED!!!! (I wrote this in reference to the ghost summoning scene, this was all I could manage at the time, that scene was WILD and I am VIBING WITH THE HORROR OF IT ALL)

* Brashfur: Oh yeah? Could Ashfur fake THIS? *stands up with slightly better posture* Shadowsight: oh damn you got me there...... (asdfhhfhhgh im sorry that was really funny, how did that prove anything?? ONLY A ~REAL~ WARRIOR COULD STAND UP STRAIGHT WE ALL KNOW ASHFUR IS INCAPABLE OF GOOD POSTURE!)

End of the book: *LAUGHING NERVOUSLY* WHAT THE FUCK??? (I thought he was just gonna kill Squirrelflight right there holy shit can you imagine the RIOTS that would ensue in the wake of all this Squirrel/Bramble discourse I was so scared for a second.

But it’s fine, she just....went to super hell instead......Warriors has come so far lmao WHAT IS HAPPENING

Final Notes:

*On Mothwing, I don’t think her behavior struck me as “CHARACTER BUTCHERING” as much as it did for other people? I mean.....Warriors fans will say that literally any time a character does ANYTHING less then perfectly nice I think her actions just seemed that much harsher because we are reading from Shadowsight’s POV, and Shadowsight is taking everything 10x more personally right now (understandably so, but Mothwing isn’t inside his head) she wasn’t trying to hurt him. Also... like... Shadowsight DID get his name too early. It’s not Mothwing’s job to put his feelings above everything else, she’s not even his mentor, Puddleshine on the other hand, as his main mentor, I don’t understand what his deal is ignoring Shadowsight, that’s not how you help an apprentice but I suppose I chalk many of his mistakes up to also not being the most experienced medicine cat (he barely even had his own mentor.) Maybe he’s distant because he feels guilty and actually blames himself for not guiding Shadowsight better?? the two of them haven’t communicated about it yet so idk

any way I give Mothwing a pass to be a little short tempered right now as a cat who has had her abilities periodically questioned all her life no matter how hard she works or how much experience she has, just because she doesn’t vibe with the spiritual cult side of the clans, I can understand why she’s a bit defensive of being questioned and frustrated watching so much hurt happen Yet Again due to reliance on StarClan visions over common sense, and I for one still stan her for slandering StarClan and refusing to accept Mistystar’s bullshit banishing like everyone else. Sometimes a character is at the end of their rope and can’t manage to be 100% nice 24/7 and that’s maybe not inherently bad writing? idk just my hot take. At a certain point we all gotta reckon with the fact that our perception of most popular supporting characters in heavily colored by fanon and we can’t always get mad at the authors for not adhering to it

*The sisters magic shit is my fav worldbuilding warriors has had in AGES, I love the way it’s described and it actually feels like it adds something to this world. I love this horror imagery with the ghosts, very excited for that.

*still won’t be thrilled if Ashfur is working alone, because his motive doesn’t make sense right now. I mean the trying to get Squilf thing, sure, whatever, but the “I will make everyone pay for what they did to me”???? cause like?? Who??? they didn’t do anything to him?? Ashfur’s grievance was very specifically JUST Squilf. He has no other cause for revenge, he had no other beef or complaints about the clans to my knowledge? The cat that killed him is dead, and she’s like, the only other one that I could see as having “wronged” him?? I guess he also didn’t like Firestar much according to Graystripe’s Vow (and on account of how willing he was to kill him w/ Hawkfrost) but Firestar is ALSO dead. I don’t understand his angle. Will have to see last 2 books to judge i suppose.

*All in all I am interested to see where this is going!! but also the pacing as I feared is becoming a major issue. It’s better then ending the main conflict on book 3 like Vision of Shadows did, but omg. Hardly anything happened in all these pages. I realized I was over half way through and nothing about the situation had actually CHANGED or advanced at all in all that time. Similar to the past 2 books which I believe could have been combined, this plot felt like it should have been the first half of a book. Discussing whether or not to kill the imposter isn’t much of a standalone plot, it’s just the set up to a plot. Finding the sisters didn’t need to be a whole long thing, the debates about the Imposters fate didn’t need to be repeated 10 times, all those chapters illustrating that “Shadowsight is sad” were also drawn out, repetitive, and interchangeable, we probably only needed 2 or so chapters showing his struggles to get the necessary information across. It felt like a lot of padding, it was really slow and I did a lot of skimming. I am still very interested in the overarching plot and mystery behind the ghosts so that kept me reading but man this “will they won’t they kill him” plot did not justify it’s own whole book. Alas this is a persisting issue that will never be resolved while they continue to force 6 books into 1 series that doesn’t need 6 books. I’m sure the writers are doing the best they can with these unfortunate constraints but still, it’s a wonder this slow padding isn’t more of a detriment to their younger readers that the books are supposed to be marketed to.

#warrior cats #the broken code #darkness within #the darkness within #darkness within spoilers #wc tbc #tbc #is that enough tags #yarrow speaks #wc criticism #long post #the broken code spoilers #warrior cats spoilers

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