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leclerc-s · 5 months

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paint the town red - bonus part

series masterlist

EPISODE 10 - AN UNEXPECTED PURCHASE

charles stands with max, before their final press conference of the season, when lance approaches them. he greets both of them before turning to charles, "what happened? twitter is losing it's mind."

charles laughs, max also looks visibly confused, "oh mate, the craziest thing happened."

"STARK!" lando is heard shouting before he appears in the camera's view. he crashes into charles, gripping his shoulders, "TONY FUCKING STARK JUST BOUGHT THE TEAM?"

"what?" max questioned, "who bought what team? and what are you doing here, you're supposed to be in the media pen?"

"TONY STARK JUST BOUGHT FERRARI MAX!"

"oh," lance said, "that's why twitter is losing it."

"losing it?" lando questioned, "twitter is in shambles lance. it's not everyday a fucking avenger buys an f1 team."

"correct me if i'm wrong," daniel says, approaching the group, "but didn't tony stark get attacked at the monaco grand prix ages ago?

"you should ask fernando about that," charles told lance. the canadian looked confused before realization hit him, "right, fernando's been driving as long as oscar's been alive."

"we are completely and utterly fucked if tony stark just bought ferrari. you think the red bull dominance was bad, ferrari is about to completely annihilate us," lando complained.

daniel laughed, "well, i'm sure you guys will enjoy fighting for that p3. my tractor and i will enjoy fighting for points."

will buxton sits in front of the camera, "there's not many times when the world of formula one falls silent. in 1994, it fell silent to mourn the death of ayrton senna, then again in 2014 to mourn jules bianchi. zhou's nearly fatal crash and romain's near death experience rendered it silent for a moment before it all went back to normal. but this, this is one of those moments where it all falls silent before exploding. no one saw this coming, that's how unexpected this was. we never thought we'd hear the news that a billionaire had purchased the oldest standing team in formula one. let alone an avenger."

we now see christian horner in front of the camera, “i think i’m more so upset about the fact that ferrari will now be able to steal the championship from us. if there’s one thing i know about tony stark is that he is one competitive son of a bitch. there will be no more half-assed pit stops and strategies from ferrari, that you can count on. and with his daughter as one of the race engineers and a lead engineer, that car is going to be a rocket ship. it just means the rest of us will have up our game.”

toto wolff sits in front of the camera, replacing christian horner, “this is not the first time someone has purchased a formula one team. i do not know why they are acting like this is a first. yes, ferrari will be difficult to beat next year. they will know what they are doing, but we will not give up without a fight. next year will be an interesting year for us all.”

in front of the camera now sits tony stark, his signature blue tinted glasses sit on his face. he smiles at someone off camera, before turning to the producer, "need me to take off the glasses?"

"if you would," the producer answered, "name and title please."

tony looks at the camera, "my name is tony stark and i am the new owner of scuderia ferrari's formula one team. oh! and i am iron man!"

"mr. stark, what led you to purchase the team?"

tony clears his throat, "my mother was italian and a big tifosi, she bled rosso corsa proudly. she never got the opportunity to see michael schumacher lead the team to the greatness he did. i kept up with the team in her memory, and in recent years the team hadn't been performing as well as a fan would've liked. i knew the current drivers, charles and carlos, were championship material. that much was obvious to me when sainz became the only non red bull driver to win a race in the 2023 season. for leclerc, well, there's a reason they call him il predestinato right? he won monza his maiden year with ferrari, that alone put him into the tifosi's good books. speaking of, i knew they were furious and after austin, i knew something had to be done. and if nobody else was going to do it, i was, so i bought the team."

"how confident are you that you can restore ferrari's old glory?"

"i trust my drivers and i trust my team, i think that says enough."

in front of the camera now sits an old face. sebastian vettel smiles brightly at the producer. the last time they had seen him he was in a green shirt and he looked tired, but the time away did him some good. he's happier now and back in ferrari red, back where he had started when the show first began.

"did you ever think you'd be back here?" the producer asked him. sebastian smiled, "honestly, no. i had left this all behind and i told myself i was never going to return to this sport. but when an opportunity like this comes around, you don't say no."

"are you happy with this new position or would prefer to be back in the car?"

"i'm happy with my job now."

“do you think you can help restore ferrari to its old glory?”

“yes,” sebastian quickly answers, “in the past ferrari had been stuck dwelling too much on its history. being stuck in the past for so long leads to no results. it leads to people demanding your first driver leave the team after constantly getting screwed over. we want the championship back in maranello and we will take it back. next year ferrari will put up one hell of a fight.”

“you’ve got a great team mr. vettel.”

“i know, i don’t plan on wasting it.”

charles smiles brightly at the camera, “hello.”

“hi charles,” the producer replies, “do you mind telling us what your first thought were when you heard the team had been bought? how did you find out?”

“i found out on twitter along with everyone else,” charles replied, “my first reaction was to text carlos to see if he knew, he was just as shocked as i was. no one had informed us the team had been bought much less who it had been bought by.”

“and how did you find out the team had been bought by tony stark?”

“when there was an emergency meeting called at maranello right before abu ahabi. carlos and i walked in to the factory and it felt like a different environment, people were excited and whispering to each other. you can imagine our surprise when we walked in to that meeting to see seb sitting with tony stark of all people.”

“i imagine it was a big shock?”

“yes,” charles answered, “mr. stark explained to us what he had done and told us that we should be expecting a whole new team when we arrived back from the final race of the season. it is exciting to know that things are changing.”

"is change a good thing?"

"in this case, it is. things needed to change if ferrari wants to be a championship contender once again. and this will be good for my friendship with carlos."

"are things strained between you two?"

"the truth? yes," charles replied, "it is difficult to go online and see people saying that you don't deserve your seat or that your teammate is better simply because he won a race when you haven't been able to do that this season. it places a sort of- tension? is that the word?" he looks at someone off camera, the person must nod because he turns to face the camera again, "carlos and i are good drivers, there is a reason we are formula one drivers. but the team, it has- it pit us against each other, that was what strained our friendship."

"what are your wishes for this upcoming season?"

"to win the championship." charles laughs.

carlos looks at someone off camera, nodding at whatever they're saying, before turning to look at the producer, "hello," carlos greeted.

"hello carlos," the producer greeted, "can you tell us what your initial reaction was to learning the team had been bought?"

"i was shocked, i did not think it was possible for someone to buy the team, it's ferrari. but i also felt a bit relieved? i hope maybe things will change and we can have a decent shot at the championship."

"relieved? i don't think i've heard that one yet."

carlos chuckled, "my friendship with charles was strained after this season. i hope that with mr. stark as an owner we are able to put aside our work and our friendship to achieve the goal we have in common. to bring the championship back to ferrari."

"is it difficult to separate work and life off the track?"

"sometimes, yes. after singapore was when our friendship truly hit rock bottom. i think it was difficult for us to accept that only one of us was the 1st driver. everyone knows that it's charles, it has been since 2021, but i think after a while it was difficult for me to accept that. he's- charles is loved by the tifosi, he's loved by everyone because he's charles leclerc. sometimes it is difficult to be his teammate knowing people will always see me as second best."

"i see."

"i love the kid, trust me, i do. i value his friendship very much, but sometimes it is difficult. with stark as the owner, and sebastian as the new team principal, i am hoping things will change. even if charles is still first driver, i hope i am not treated as second best by my own team. sometimes change is good, this time i think it is."

"what are your wishes for this upcoming season?"

"to win the championship." carlos answers.

will buxton is in front of the camera once again, "it will certainly be entertaining to see what ferrari manage to do next season. the lingering question that remains is, will the starks live up to the hype surrounding this purchase? i guess we'll just have to wait and see."

series taglist: @celesteblack08 @be-your-coffee-pot @evans-dejong @elliegrey2803 @bingewatche @arkhammaid @sunflower-golden-vol6 @lorarri @melanier7 @ironspdy @mypage-myfandoms @vellicora @you-bleed-just-toknowyouarealive @enchantedthoughts @stopeatread @hobiismyhopeu @lilsiz @alessioayla @niniluvsainz @au-ghosttype @fulla02 @cowboylikemets1989 @six-call @embrosegraves @justtprachisblog @bionic-donut @rmeddar123 @nichmeddar @landonorizzz @unluckyyoshi @raizelchrysanderoctavius @burningcupcakefire @spilled-coffee-cup @jamie-selwyn @cool-ultra-nerd @kami10471633 @int3rnetgf @fernandoswarcrimes @skynel09 @arieltwvdtohamflash @mimolovescookies @brekkers-whore @camdensreg @mycenterfold @dear-fifi @chiliwhore @tygecjjd @nothaqks @nataliambc @formulaa1d @prongsvault @kaa212 @julesbabey1 @julesbabey @georgeparisole

strikethrough means i couldn't tag you

¡leclerc-s speaks! once again, merry christmas to those of you celebrate and a very wonderfully normal day to those of you who don't. either way, my gift to you is this bonus episode for paint the town red, i hope you enjoyed it. it is a pain figuring out how to write netflix style, it's over 1.7k words, although it may not look like it.

¡disclaimer! this is in no way making assumptions about the people involved in this story, this is all fake. it is a fanfiction please don't take any of what is said seriously. this is all for entertainment purposes and as a creative outlet for me. enjoy!

#leclerc-s #paint the town red series #f1 instagram au #f1 x oc #f1 oc #f1 smau #f1 social media au #f1 #formula one #f1 fic #formula 1 fic #f1 x female oc #charles leclerc x female oc #marvel social media au #f1 x marvel crossover

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centrally-unplanned · 7 months

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Since I am discussing anime academia today, I was reading another paper that was equally frustrating, along a different axis:

“Do female anime fans exist?” The impact of women-exclusionary discourses on rec.arts.anime

This as a premise is a good concept; someone mining the 90's Usenet anime communities for how the fandom saw female fans back then (the article title is quoting one such thread). So of course, the opening line of this article about the anime fandom in the 90's is....sigh....a reference to Donald Trump:

Commenting on the 2016 American presidential elections, multiple news reporters noted that a relationship could be found between Donald Trump supporters and online anime fans

It of course goes on to discuss Gamergate, 8chan, online right-wing radicalization, references to the "Fascist" themes of Attack on Titan, and on and on. The obvious problem with this is that it is irrelevant; the "methodology" section involves this aside about how they pulled this data from Google Archives but Google is an advertising firm and not a replacement for a real archive and we need to Fight The System and buddy my dude that is not germane to your sample size!!! But more importantly, it is backwards. I don't need to explain the argument here in detail; the article is positing a throughline from 90's anime discourse to modern right-wing internet politics through a sort of 'lock-in' effect of built culture norms around misogyny. Which is fine, you can make that argument - but why is all this future stuff in the first section? You haven't really presented the argument yet! This isn't a book, its not the intro chapter - literally 30% of the text of this article is stating a conclusion upfront, justified not through the text itself but citations to other articles about its truth.

This is something media studies pulled from traditional science - traditional science states "established facts" up front that the paper is building on. But that is because - a thousand caveats aside - in chemistry those facts are....facts. They may be wrong facts, but they can, ostensibly, be objective descriptors. This paper cites "anime is still synonymous with far-right ideologies of white and male supremacy, and events of anti-Blackness" like its citing the covalent bond count of carbon. That is not and never will be a fact one can cite, that is an argument; and its not one that is important for understanding this analysis of Usenet groups. This structure is pulled from other sciences, but it flourishes because it lets you pad the citation count of your peers. Its embarrassing how often you can skip the first 1/3rd of a paper in this field - really the worst possible thing to copy from economics (ding!)

This paper also does the insane thing of jumping between citations from 1992 and events in the 2010's like anime culture is continuous between those time periods. Its an extremely bold claim it just does in the background... but lets set that aside.

This hyper-politicization & hyper-theorizing leads to the second issue of extreme under-analysis. This is the actual value-add of this paper:

From this search, I was able to find the discussion threads “How many females read r.a.a.?” (135 messages; opened on July 13, 1993), “Question: Girls on r.a.a?” (23 messages; opened on February 25, 1994), “Female Otakus” (221 messages; opened on June 25, 1994), “Women watching anime” (72 messages; opened on October 4, 1994), and “Female fans - Do they exist?” (61 messages; opened on October 26, 1995). While these discussions may seem like they were spaces for marginalized users to discuss their experiences, they were often started and overwhelmingly occupied by identified male users. In total, I extracted 252 messages from 1992 to 1996 that were relevant to the gendering of anime fandom, and among those, I classified them as 7 kinds of negative networking discursive practices: (e.g. Table 1. Negative networking practices on rec.arts.anime).

252 messages, five threads - later on it will name other threads, so its more than this, but you get it. It has a bunch of data. And from that data, the article quotes...less than half a dozen examples. There are no quantitative metrics, no threads are presented or discussed in detail from this data set. Some other event is discussed in detail, but again it quotes essentially one person once. The provided "Table 1", the only Table, is a list of the author's categorizations of the data; the data itself is not present. Its file format is a CSV, presumably to mock me for clicking it.

There is, from top to bottom, a complete lack of engagement with the data in question. This would fail an intro anthropology seminar; the conclusion is simply presumed from 1% of the sample size while the rest of the messages are left on read. I just don't think there is any value in that, a handful of messages from 1996 divorced from their context and stapled onto modern politics as a wrap-up. What did the people on this Usenet value? How did they think of women collectively? As anime fans, as outsiders, as romantic partners, as friends? What subfactions existed? Questions like those would presumably be the point of this investigation, but they are treated as distractions.

And this article was, in anime academic circles, a pretty well-trumpeted one. I'm not cherry-picking a bad one here, it was the "hot paper" of the month when it came out. Its just that the standards can be so low, its a field that simply lacks rigor. Which doesn't stop a ton of great work from being done btw, that isn't my point at all. My point is that the great work is not selected for; it goes unrewarded, bogged down by academic standards divorced from discovering real insights.

(I do not think the question "why are they misogynist" ever crossed the author's mind. That should be your literal thesis, and its a ghost. Just ugh.)

#anime academia

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radioactive-earthshine · 11 months

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Hi, I know you already addressed a lot of the mischaracterization of Kon and Clark's relationship, but I was under the impression that Kon actually means 'abomination' in Kryptonian, and that Clark giving him that name was a rejection in itself. I am not very well versed in comics, so I apologize if this is just a fanon concept.

Hello!

You're not alone in being misled, as this concept has stretched far and wide and it is a very common theme in fandom works like fanfic.

The concept of Kon-El meaning "abomination" is canon, not fanon, but its source is from the New 52 reboot.

Some fans have in an attempt to create more angst for Kon adopted the concept that Clark gave Kon this name knowing full well what it meant as a way of rejecting him - this is incorrect - and it is blending versions together to make something that just never actually happened with Clark.

There are two versions of Kon getting his name in a main continuity - one in the 1994 comics, and the other in the New 52 Superboy comics.

To best answer your question, I am going to talk about the New 52 version first where "Kon-El" means abomination.

Also, it is important to remember that this Kon-El, isn't even actually Conner Kent (that's another post for another day comics are weird).

Anyway, in the New 52 reboot Superboy is 'called' Kon-El not by Clark, but by Kara!

Superboy v.6 (2011-2014) #6

In this iteration, Kara has some extreme prejudiced bigotry towards "Kon" for being a clone due to the disastrous history Krypton had involving clones. It prompted her to attempt to kill "Kon" the moment she found out he was a clone after more or less calling him a slur.

Superboy v.6 (2011-2014) #6

You can blame Scott Lobdell for this particular evisceration of Kara's character and for the name Kon-El warping into 'abomination' henceforth.

This particular run and story is no longer relevant to main continuity and it is not attached to Conner Kent because this did not happen to Conner Kent, but it did in fact happen and Krypton's disastrous history involving clones is still canon as well. Kon is still facing varying degrees of discrimination from Kryptonian-based ideology (Eradicator) because he is a clone.

Now let's talk about Clark and Kon and where Kon-El first came from and put a stop to the slander.

Where the name "Kon-El" originally came from was from Conner's 1994 solo series where Clark offered it to him from a place of affection.

Superboy (1994) #59

The original moment of Kon obtaining his name from Clark was profound because up until this point he did not have a proper name. He was just "Superboy" or "Kid" or "Pup" (derogatory) so when Clark offers this Kon is so happy he starts crying.

Superboy (1994) #59

At this point in time in comic history Kon-El did not mean abomination, "Kon" was a real Kryptonian name, and in the original run Clark did not even have any resentment towards Kon or negative feelings about his existence at all. He trusted him, felt he was worthy of the S-shield as a representative of hope, and at this point he wanted him to be part of his family.

This is Clark adopting Kon into his family right here in this moment - because Superman is the tale of the immigrant, the refugee and of love in family where blood does not equal family. That is what he is saying right here in this issue.

It is also important to note that at this point Geoff Johns' making Kon a 'clone' of Lex AND Clark is not canon and Kon is not even supposed to be blood related to Clark.

In closing...

Clark's relationship to Kon/Conner Kent in the main comic continuity is not hostile or rejection-based.

In their comic origins they had a nebulous relationship which over time evolved to being firmly brothers with a huge age gap and now in current continuity they are again brothers but with a different perspective.

Action Comics #1028

Current continuity Clark who doesn't remember Kon at all knows him for less than a week and claims him and he is actually distraught he doesn't remember him.

Fandom is transformative and angst/hostility/rejection will always be a major theme people will love to create and consume - but it is also important to recognize that some details are simply not canon and should be regarded as transformative works to tell a story.

I hope this clears some things up from the comics side of DC.

#superfam #kon el #kon-el #conner kent #clark kent #kara #i am so sorry kara for the way scott did you wrong #dc comics #i feel like i am forgetting something else but tumblr ATE half of this post when i was typing it when i tried to erase something

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doodle-boy · 2 months

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Ok so I am buzzed on an weird cocktail of ollipop orange soda, bourbon and peach snaps. I'm exhausted from work and just thsi whole week I've been just like out of it and kinda forgot how to person. I'm a cocktail of things drinkin a cocktail of things.

But do any of yall fuckin remember REAL STEEL??

Man that is unironically one of my favorite robot movies and ain't nobody talkin about it!! Like first of all it's got boxing in it, which is always dope as someone who is a big fan of that sport. It's got ROBOTS (duh) and their all really cool designs too. Like you got to see a broad spectrum of different designs and materials used. From ones make like a they a jaguar car with shiny paint and sleep anrodymanic designs. To robots that looked like they were made out of you're old 1994 ford trucks, rusted and banged up. All of them felt like they were inspired by rock'em sock'em robots. with built in headgears and gloves. Some of them even had their neck pop up like the toy did i swear I saw that in a scene in the movie, I'm like 89% sure they made that visual gag at some point. LIKE IT'S SUCH GOOD ROBOT DESIGNS.

Also the fucking animation was really good too??? Like if you go watch a clip of it right now. you will be impressed at how good the lighting is on these robots. And they got DARING with the lighting, day time, night time, during a storm with flashing lightening, back lit by different things, in a dingy hallway, in a professional boxing ring. They did not hesitate to put the models and shaders thew their fuckin paces. Not to mention they put in the effort of adding motion blur and camera blur and close ups and far away shots. And honestly it still fucking holds up, like it legitimately looks good enough that you're brain can very easily accept it into the reality of the world their in.

And this bitch was made in 2011

I've seen movies from the last three years that looked worse than a nobody film about boxing robots.

Think about that.

Also animation aside the story is really nice too. Is it like a super stereotypical 'rookie makes it too the top' type story that is very similar to Rocky? Yes. But you just walked into a fucking boxing movie what did you expect??? Plus that's not the whole picture. It's more than just about a robot who boxes, it about a human man finding his self worth again. About finally connecting to people and himself. It'll make you cry man. It made me cry. I'm crying right now oh my god.

Anyways. peeps need to watch this movie and I need to go lie down.

i'm blazing this because reasons.

lol

#rant #random thoughts #tw drinking #tw drunk #i just love robots man #and i love boxing #i love it #best film #10/10 #real steel #boxing movie #robot movie #movies

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leclercarchive · 5 months

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Charles Leclerc, the Ferrari driver tells his story: «I feel good only with the helmet on my head»

At 26, the young Monegasque has already entered the legend of Formula 1. Thanks to his cold blood and the audacity of a driving style that does not contemplate fear, Charles Leclerc has become "The predestined" for his fans. Since he was a child he loved red cars and with Ferrari he fulfilled his dream…

Almost 130 Grands Prix in Formula 1, 28 podiums, 22 pole positions and five victories: at 26, Charles Leclerc is already making history. His favorite driver is Ayrton Senna but «there are many I admire: Prost, Lauda, James Hunt, Michael Schumacher and Lewis Hamilton. However, Ayrton Senna (the Brazilian champion who died in a tragic accident at Imola in 1994, ed.), is my all-time idol. From what I was able to see in the documentaries that tell his story and by speaking with those who knew him in life, I discovered that he was a special person to say the least, not only behind the wheel - he was perhaps the best driver in history - but also as a human being." Leclerc's childhood is marked by a deep bond with his father Hervé (he bears his name on his helmet) who was also a pilot - «dad was my number 1 fan» – and by his untimely death in 2017. «I was four years old, I told my father that I wasn't feeling very well and didn't want to go to school. Of course I was pretending like all kids do. However, I don't know why, he indulged me and took me to the go-kart track of his best friend, Philippe Bianchi. Seeing other children running on the track, I wanted to try it too. For my first car I chose the color red. And I think I fell in love with this sport after just three laps." On that go-kart track Leclerc lives his dream of one day becoming a Formula 1 driver and there he meets his lifelong friend, Jules Bianchi, Philippe's son. In karting, Charles Leclerc collected one victory after another, also because "I didn't know the concept of braking". At 17 years old in 2014, he entered the “Formula Renault 2.0” with the Fortec Motorsports team. He took seven podiums and collected two victories, earning second place in the championship. In 2015 he moved to Formula 3 and, despite an accident on the Zandvoort circuit (Holland), which compromised the final position in the standings, and the death of his friend Jules Bianchi in July, after the accident at Suzuka on 5 October 2014, Leclerc he doesn't lose the desire to compete. «Formula 1 killed people I loved, but I can't help it», he declared some time later.

What was your first ever Grand Prix? «Macau in 2015. But I like to remember the first time I saw one. I was still a child, I had a friend whose apartment had a balcony overlooking the Monte Carlo circuit. Obviously I was already rooting for the red cars, even though I didn't yet know that they were Ferrari. It was simply my favorite color." In the 2016 GP3 season he won the title with the "ART Grand Prix" team, even if, during the last championship race in Abu Dhabi, he chose to retire. Does a pilot ever feel afraid? «I am a human being, even if I run at 300 kilometers per hour. Beautiful moments alternate with very difficult ones, I'm not a superhero. It was in 2017, when I thought I wouldn't be able to become a Formula 1 driver, that I felt a real feeling of fear." But it is precisely in 2017 that the turning point arrives. A year earlier Leclerc had taken part in the Ferrari Driver Academy. With the first free practice session of the British Grand Prix in 2016, he began his experience as a test driver for Haas and then for Ferrari. Over the course of the following year he became increasingly noticed, thanks to a series of victories - among them that of the FIA Formula 2 championship - and multiple tests of skill at the wheel of his car. In the 2017 championship he participated in four free practice sessions with Sauber, the first of which in the pouring rain on the Sepang circuit (Malaysia), and it was with the Swiss team that he became a Formula 1 driver. On board the Sauber C37, despite some difficulties, Leclerc demonstrates consistency and ends the 2018 season in 13th place in the drivers' standings with 39 points, voted "rookie" of the year. But what happens before a Formula 1 race? «Before running, a lot of tension builds up. I have been doing breathing exercises since I was a boy. They help me stay calm, so I can achieve a level of concentration that maximizes my potential. Preparation is 90% of the total work in a race." Before getting into the car there is also space for a ritual moment. «I only feel good when I wear the helmet and everyone comes out of the pit lane», he says, «the cockpit is like a nest, I don't feel any sensations, zero tension. There I relax while waiting for the race."

In September 2018, Scuderia Ferrari announced that the Monegasque driver would replace Kimi Räikkönen, alongside Sebastian Vettel. «I was on a boat in Monaco. I had put the phone on silent mode, I find the call from Maurizio Arrivabene (head of the Ferrari team ed.). I told the friend I was with to turn off the engines, that the head of Ferrari had called me and I wasn't hearing well. I understand that he wouldn't have taken me to Ferrari. It seemed a little strange that he called me to tell me, I was disappointed. Fifteen seconds later he called me back and told me he was joking. I attacked and dived into the sea, it all seemed so surreal. Me in Ferrari…". Even though his first time in Maranello dates back to a few years earlier as he reveals in the book “Le prodige” written by Rémi Boudoul: «I was 11 years old, but I didn't enter. I sat in the parking lot and imagined a structure similar to the one seen in “The Chocolate Factory”. With the Oompa Loompas running around." In 2018 his first race of the season in Australia ended with a fifth place, but the real affirmation came with the Bahrain Grand Prix, where he won his first pole position and finished the race in third place. The season continues with ups and downs. After a first victory in Belgium came the triumph on the Monza Circuit, in front of the delirious Scuderia Ferrari home crowd. Leclerc also arrived in pole position in Singapore and Russia, and ended the season in fourth place with 264 points, consolidating his reputation among the most promising talents in Formula 1. 2020 began with a second place in Austria. However, the Ferrari SF1000 demonstrates some limitations in subsequent races. Leclerc retires in Styria and ends up outside the points in Hungary. A bad accident in Monza, from which he emerged unscathed, represents a critical moment in that unspectacular year, which ended in eighth place in the drivers' standings.

The following year, the new Ferrari SF21 proved to be more competitive, allowing Leclerc - now at the Prancing Horse with Carlos Sainz Jr. - to achieve good results, including fourth places in Imola and Spain. In Monaco, he takes pole position but retires due to damage to the car before the race. His only podium came in Great Britain, finishing the season in seventh place in the drivers' standings. 2022 is more than positive. He wins the Bahrain Grand Prix, followed by a second place in Saudi Arabia and victories in Australia and Austria. He finishes in second place among the drivers, behind Max Verstappen. In 2023, with his SF23 single-seater, he achieved the second podium of the season in Austria, while in Great Britain he finished ninth. In Belgium, after some changes to the car, he gets pole and finishes third. In the Italian Grand Prix, in Monza, he started on pole and finished fourth. Beyond the races, twenty-six-year-old Charles Leclerc, just appointed ambassador of the Monegasque jewelery brand APM Monaco, tries to spend as much time as possible with his friends. «Ricardo, Alex, Thomas, Guillaume, Nico, Hugo, Joris. I'm happy with them, we go to the beach, to the restaurant, we play five-a-side football, we're all sporty and we train together. However, we have different lives, while they study, I live my passion. But I love racing, I love Ferrari." Ferrari which is not only synonymous with engines but also with fashion and Leclerc is a proud ambassador of the brand led by Rocco Iannone. «I often wear items from the Ferrari line, they are aerodynamic and the materials range from the more technical ones - which I am used to wearing every day in my work - to the more refined ones. I like that couture feel and above all the color that dominates in the Ferrari collections, a color that I don't think I need to specify...>>

#charles leclerc #article #l'officiel italy 2023

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glux2 · 6 months

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Musing: Emotional connection

Recently a very close person to me suggested i binge watch "Angel Hare", before that day my only exposure to that project was a fan game that had a very funny punchline in lampooning the "cursed videogame" genre.

So i watched the whole thing and it was great.

This scene right here made me feel more feelings than most of the media i have watched/played/read in like the last 5 years or so.

So it made my mind wonder, like, "hold on, when was the last time i felt this strongly about a piece of entertainment?"

Sure, if you know me, i felt strongly about the ongoing plotline for Noelle on Deltarune, so one would think "2021 when chapter two came out", right? but no, i got very invested but it wasn't it.

The last time i felt so strongly about a piece of media was actually Deltarune's predecesor, Undertale in 2015.

I finished Undertale in tears, i got in a very bad funk when i found out about the genocide ending, it truly made me feel emotions.

So i began to ponder, just what really moves me?

Full disclosure: I don't cry at movies. This is not a "look at me i am a badass who is not beheld by feelings" statement, no, i kinda just dont connect emotionally with movies as easily as other people.

I have talked about this, many times actually, Toy Story 3 did not make me cry, it always bothers me how people at the time were like "if TS3 didn't make you cry, you have no soul" and shit like that, so let me repeat something i have said many times before:

Toy Story 3 was a movie i went to see the day doctors had informed me my mother had entered terminal phase of cancer.

My friends took me to see TS3 when i felt the greatest sadness i have ever felt in my entire life. And im glad TS3 was a pretty funny movie that managed to distract me from what i was going through. TS3 uplifted me when i had a very real reason to cry.

So what im getting at is, i rarely connect emotionally with what conventionally makes people emotionally connected, not that i havent felt strong emotions from movies, but as we'll get to later, it's just not the stuff you would expect, when we get back to movies you'll be thinking, "what the fuck, Toy story 3 did not make you emotional but THIS THING DID?!"

So, if traditional "emotional things" rarely have moved me i began to think to myself, "what are things that have made me feel this strongly?"

I realized it's the damn weirdest things.

I'll try to list things that i can remember making me feel this emotional.

Now i'll be upfront, im not a very cultured person, so you'll notice most of this is...not very high brow.

Also, obviously spoilers for all this stuff im about to talk about.

Before we begin: Honorable mention goes to me finding out i had repressed memories of being traumatized as a kid by being show an animated adaptation of "Pilgrim's progress" by an aunt, which disturbed me greatly towards the end as the main character dies and before it the souls of two people he met are condemned to eternal damnation from making MISTAKES, not sins, not evil, but THE FUCKING MISTAKE of exploring alternate routes before them.

-Yoshi's Island, 1994 When i was a wee one Yoshi was one of my fave videogame characters, so of course i was beyond hype when a game where you play as yoshi came out, the ending is one of the greatest moments in videogame history, the beautiful music, the journey of the stork, and finally the classic Mario fan fare playing as baby mario and baby luigi being held by their parents with the words "Heroes are born", it's such a powerful moment. To this day i still cannot listen to that credits music without tearing up.

Sequel? Retcon?! I DON'T KNOW WHAT YOU ARE TALKING ABOUT, SHUT UP, THIS IS THE PERFECT ENDING AND NOTHING ELSE HAPPENED AFTER IT!

-The bicentennial man, 1999 The bicentennial man is one of the biggest examples of a movie being fucking mischaracterized in the marketing, this movie is based on Isaac Asimov's short story and later novel, it stars Robin Williams, so all marketing was presenting the movie as Robin Williams comedy movie, IT. IS. NOT. The bicentennial man is a scifi drama about the existential search for meaning and the nature of what truly is to be alive. You get invested on the quest of this robot trying to find humanity for 200 years, and the punchline to this movie is, in his quest for humanity he forgoes the immortality being a machine provides him as he had developed the way to turn himself biological, still artificial but biological, and he dies peacefully on his sleep before he can be told that humanity had declared him, legally, a human being. To me it was such a powerful moment, he found true meaning to his life, became human, yet died before knowing so.

-Courage the cowardly dog, "The Mask", 2002 This is a legendary episode of an already great show that has a lot of very good emotional moments, some may cite episodes like "the giving tree" or "the last star maker", but for me it's this one. For those who have never experienced this episode, it revolves around a cat girl named Kitty who one day shows up at Courage's farm and she's wearing an upsetting mask, she abuses courage because she believes all dogs are bad. The mask serves 2 purposes, one is metaphorical, "her inability to face reality", the second is to hide her identity as she believes she is in danger. The thing is, she is on the run because her lover best friend Bunny is trapped in an abusive relationship with a gangster dog who threatened to kill her if she was seen near Bunny ever again, the episode coats the whole situation with a ton of goofiness, but it's actually very fucking dark: A young lesbian is trapped against her will on an abusive relationship with a toxic, violent man who threatened to kill her girlfriend if she refused to date him. Courage, being a good little dog ventures to save Bunny and have her reunite with Kitty because, despite how bad Kitty was to him, he recognizes that Kitty is a victim and she and Bunny deserve better, leading to Courage letting them escape away together, to live happy and free. I don't think it's just me, but the final image of Kitty and Bunny hugging as the train takes them to freedom felt so powerful to me.

-Twisted Metal Head-on, 2002 This is one of the weirdest things i have ever gotten emotionally invested, but honestly? i love when some shitposting franchise suddenly manages to pull this off, specially given the set up for this whole thing im going to describe starts in an early game as a fucking joke. So to contextualize this, the first two Twisted metal games were helmed by the og creators of the franchise, TM 3, 4 and small brawl were made by different developers when the creators lost the rights, but during the PS2 era when the og developers came back and created TM: Black, and TM: Head-on, Black was a reboot, Head-on was a retcon sequel to TM 2 that eliminated TM3 from the timeline, but not TM 4. Still with me? Okay so TM2 had this character, Krista Sparks, who was the revealed to be the daughter of the main antagonist of the game, Calypso, but hold on? wasn't Calypso's backstory that his family died in a tragic accident which lead him to become evil? So turns out, the FBI retrieved his daughter's corpse, turned it into a robot with a bomb with the intend to make her get close to Calypso and blow him up. The ending ends comically with a message reading "The FBI wishes to thank you for putting an end to Twisted metal". Stil Still with me?!?!?! ok! so Head on! In this game Krista is back, as a ghost, her ending consists on her confronting her dad, who has now brought up so much pain, misery and death to the world, Calypso tries to explain that the nature of his powers mean he has to do this otherwise he cannot use his powers, and his plan was for Krista to win so he could bring her back and her mom to life, but Krista is so horrified with what has happened that she refuses and blurts "I wish the accident that killed me and mom never happened" the intention being impeding Calypso from becoming this evil super natural villian, but as per all endings, it's always a monkey paw affair and Calypso knows it, looking saddened he grants the wish because he has no option, his powers force him to. Briefly Krista has a vision of her childhood with her dad before he became evil as they share a sweet moment playing on a swing set. HARD CUT TO A HOSPITAL, Krista is on a bed in coma, Calypso is there and whispers to her something along the lines of "Sleep tight my dear, may you finally find peace", as Calypso is leaving the hospital you can hear 2 doctors talking, mentioning that Krista had been in coma for more than a decade and apparently Calypso just had found out. Excuse me Twisted Metal, but WHAT THE FUCK? You are a dumb fucking edgy car combat game, how dare you make me feel these things?

-Mother 3, 2006 (translation on 2008) Mother 3 hopefully needs no introduction, or maybe it does, because many people have reduced it to a joke due to how nintendo stubbornly refuses to give us an official release, but also many of you must know this franchise is the spark that ignited the flame of the absolute Juggernaut Undertale would become, as well as many other games influenced by it. The Mother/Earthbound games were known for being quirky and deviating from the standard conventions of the game, notably for the modern day setting and unorthodox choices of how you deal with the villians, they were always billed as emotional, but i feel they did not live up to that...until 3. The general narrative to Mother 3 is about how greed is destroying the world, the main villian corrupting what we see of the world (a paradise little town where everybody is nice) by introducing luxury, money and status....and also stomping everything with his fascist army and cyborg mutants. Mother 3 is a game about how the worst traits of humanity are destroying the world and upsetting nature. Mother 3 is also the story of 2 twin brothers who suffer tragedy after tragedy after tragedy that ultimately pits them one against the other with the fate of the world at stake. Mother 3 punches you almost immediately by killing the mother character (which i might mention you're encouraged to name after your own mother) at the end of the first chapter and how this affects her surviving family. one of the Twins, Claus, is so disturbed that he decides to on on his own to try to kill the monster that took his mom, while the other, Lucas, was too afraid and weak to stop his brother, resulting on Claus dying as well...but the badguys take his corpse and reanimate it into a cold, emotionless cyborg who follow's the big bad's order and is using him to try to cause the end of the world. In the climax of the story Lucas is force to confront Claus, clause is a brain washed cyborg, his master is out of the picture and all he can do is fight, you can't reason with him...and then.... Lucas and Claus begin to hear a voice, a familiar voice, it's their mother, reaching for them from beyond the grave, pleading for them to stop fighting, suddenly Lucas and Claus both have a flash back to when they were babies, overhearing their parents talk about the hopes they have for them, the many things they will be able to achieve together, this makes Clause snap out of his brain washing, removing the helmet that had been hiding his face since he was resurrected, Lucas and him have a moment as they are finally reunited, Claus realizes all the bad things he has done while under control of the bad guy and realizes he must atone for his crimes, he prepares a lightning attack he knows cannot hurt Lucas and cause HIM to die. "Im sorry for all the problems i caused" he says as he is dying on his dad's arm, "I must go to where mom is now", as he passes away he can hear his mother calling for him, "You just be so tired" she says. Now i know it will sound insane for people to hear a videogame of all things can make one so emotional, but damn, just recollecting these scenes for this dumb post has made me start to cry, the emotional punch of this scene is very strong, it demolished me when i played the game back in the day, but now? After my own mother passed away? I have been scared of playing this game again. I mot sure if im emotionally prepare to go though that again, even 10+ years later. That's how powerful this scene was to me.

-Elite Beat Agents, 2007 If you have played this game, you know were im going, for those who dont, EBA is a silly rhythm game about secret agent cheer leaders that are dispatched around the world to help people in need by raising their spirit and allow them to overcome adversity, the game is insanely wacky and have scenarios like helping a ninja car salesman prevent a company from stealing his company's secrets, helping a washed up baseball star fight a lava spitting golem rampaging on an amusement park and traveling back in time to help davinci paint the mona lisa. EBA is also the second game in the Ouendan series, and there is something you need to know about this series: They all include tearjerker levels to contrast with all the goofiness. "A christmas Wish" is a christmas themed level set to Chicago's "You are the inspiration" and the story to this level is positively DEVASTATING: A few months before christmas a business man tells his daughter and wife he has to go on a business trip but he promises he'll be back just in time for christmas, the girl asks him to bring back a "girlfriend" for her teddy bear. The father dies on a plane crash. When the mother breaks the news to the little girl she gets angry, crying to the skies that her dad promised he would be back for christmas. The backdrop of the stage is set the girl and the mom doing things to remember the dad, like looking through a photo album and baking a cake for his birthday, it's very sweet, but...this is EBA, if you're doing poorly you see the "bad" versions of these scenes, and in this one, one is very devastating, the little girl is having a dream where she's chasing the spirit of her dad, if you're doing well she calls for him and for a brief moment the dad stops and starts turning towards her, if you're doing bad the spirit fades away and the girl wakes up in tears. Dear goodness. But of course, if you beat the level you get this sequence of the ghost of the dad showing up on chrismas morning to fullfil his promise, giving the little girl the teddy bear he promised and having the chance to say good bye to his family.

This punches you really fucking hard in the gut. I am incapable of doing this level without ending in tears. For a time i could not even listen to this song without tearing up until, i shit you now, the deadpool movie used it on a comedy scene.

-Punch out!!, 2009 This one is one i know got me because of personal nostalgia, when i was a wee one the og NES punch out was a big part of my childhood, Punch Out!! on the wii was a masterfully crafted tribute to the franchise. To not dwell too much time on this, this game has an interesting quirk, the ending is a downer ending and it's the only ending you can get. After you beat the last opponent there is a sequence where Mac and Doc seemingly are having a disagreement, where Mac seemingly has decided that if he loses 3 times, he'll retire from boxing completely. After this you face randomly opponents from the game, the first time you lose in this mode you lose your champion title, after three loses, it's game over and the story mode becomes locked for that save file. The final cutscene is Doc walking through what seems to be a gallery with boxing memorabilia, and untold number of years later, he is alone, he spots his old bike on this gallery and rings the bell, he looks up and speak to an absent Mac, "Good job son, good job", as he leaves the camera pans to reveal he was looking at a framed photo of him and Mac on one of their training sessions. The music on this sequence is so perfect, and it was aimed at people like me, people who grew up with the franchise, the idea was making it feel like Doc was reminiscing of YOUR time with punch out when you were a kid, and to make you think about how far YOU have come since the first time you played the games in an arcade, or your nes, or snes. It's actually pretty effective and it got me.

-Regular Show, "Trucker Hall of Fame", 2012 What makes this one different from others instances of me making me emotional, it's, much like the "Angel Hare" example at the top, this one is all about WARM HAPPY FEELINGS, so for those who did not watch this episode, let me summarize it for you: One day Muscleman gets word that his dad, who was his personal hero, has passed away, and he's tasked with carrying his final wish, spread his [hat's] ashes in a place called "Trucker hall of fame", you see, Muscleman was lead to believe his dad was a legendary trucker and that earned him his admiration, but during the episode Muscleman finds out he was lied to, his dad was a forklift driver that the truckers belittled, altho feeling cheated for having been lied to he carries on with his father's wishes. Now because this is regular show, when they arrive at the trucker's hall of fame they are immediately attacked by ghost trucker for "desecrating the hall of fame" as they spread the ashes something happens: The ghost of Muscleman's dad manifests himself and saves his son, taking the chance to apologize to his son and having the chance to say his final good bye personally. Despite the inherent silliness of the show's premise, i think this episode really did a good job on expressing that sense of catharsis of making peace with the passing of a love one.

-The Final Girls, 2015 A friend suggested we watched this movie, and much like Twisted metal up there, i absolutely did not expect for this incredibly stupid comedy horror movie to hit me with any sort of emotional connection, and yet... The Final Girls opens with the main character in a car with her mom, who is an struggling C-tier actress whose biggest achievement ever was appearing on a Friday the 13th knock off movie, during this sequence they get in an accident where the mom dies and even after it's been some time since the accident the main character has not properly moved on from the passing of her mom. Her friends and some people at the college she attends are preparing this horror movie festival where the main event is they are going to play the movies from the franchise her mom was on, and they suggest she should come. Then some bullshit happens and they all end up somehow trapped in the world of the movie. A quick rundown of the rules of horror movies is explained to them, the monster cannot be defeated by fighting it, it's only the final girl who can defeat the killer, and unfortunately for them they accidentally killed the character that, in the canon of the movie, is the final girl, so they believe one of them has to become the final girl and end the movie to hopefully get out of it. The problem is, the main character is experimenting shock from interacting with her mom's character, she is not taking well to seeing her mom on the flesh and she dedicates the entire movie to "save her mom", in the climax of the movie the mom character begins to understand that she is a fictional character and the nature of her attachment to the main character, understanding that they cannot be both the final girl and if then main character wants to make it back to the real world she has to learn "To let go", choosing to sacrifice herself so there is only one final girl. It's kinda weird, that of all possible premises, this managed to make a "You need to move on" message that somehow managed to resonate with me, you might have figured out by now a running theme here, but, i was really hard for me to deal with my mother's passing even if it's been years since it happened, so it's kinda funny for me to think these are the places i have found comfort from.

-Undertale, 2015 Okay this is tumblr, i already talked about Undertale on the prologue to, whatever the fuck im doing here, you know what undertale is, you know how effective it is, Undertale is really well designed for you to grow emotionally attached to these characters, so being able to see all these characters you know have grown attached to have their happy ending on the pacifist ending does fill one with a very satisfactory warm happy feeling that can move you to tears. ...Or you can be bummed out by being a little greedy gaming bitch and taking a look at the bad ending. Because you just couldn't help yourself, could you?

-Onward, 2020 This movie did not hit me as hard as the most emotional entries on this, but it still got me, because in the end of the day the main motivation of the characters on this movie is experiencing closure, catharsis over the death of their father, for Ian it's the fact that he died before he was born so he never met him and is driven by this desire to finally see the father who he shares such a connection with on the stories everybody who knew him in life have told him, and then there is Barley, the elder brother, who did know his dad in life, but is tortured by how, as a kid, he did not properly say good bye to him because he was terrified of death and avoided being there for him in his final days. The ending for this movie is very powerful, Ian choosing to sacrifice being able to meet his dad in the flesh, even for a few minutes, in order to give Barley the chance to being able to properly make peace with his dad and properly say good bye to him. Ian doesn't even get to SEE this, he does not get to see his dad even tho it was what he wanted most of all, but he understood bringing closure to Barley was more important than his selfish desire to see his dad, someone he never knew in life.

So what have i learned from whatever the hell this trainwreck of a post is...i guess that what really gets to me, what really moves me, is when a character, maybe not even someone i can realistically relate to, gets to experience closure, catharsis and be in peace with the people who are missing on their life. The majority of these things in here, even the Angel Hare example, relate to a character being able to experience catharsis by being able to properly make pace or otherwise contact someone they lost, or their ability to move on from this world, so to speak, knowing that their affairs and in order and that their loved ones will be okay.

Things can always look dark, the world may be trying to keep you down, maybe losing someone has been specially hard for you, but it's not the end of the world, you are loved and things can get better, it always hurts and we'll never stop missing what we have lost, but the memories of happier times are there to remind us, we can be happy again, and we can move on, use those memories as your motivation, you can lead yourself to a future filled with light.

#rambling #onward #mother 3 #angel hare #twisted metal #punch out #yoshi's island #undertale #deltarune #regular show #courage the cowardly dog #EBA

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gremoria411 · 2 months

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How to get into Gundam

Because fuck it, I was gonna do one of these sooner or later anyway.

So you want to know what this Gundam thing’s about, maybe you like the mecha design, maybe you caught part of an episode one time and want to catch up, or maybe you saw a nice piece of Chamuro fanart and want to go to the source.

But there’s so many shows and timelines that it can be quite daunting on first look, so this guide is intended to give a rough overview.

I would however like to stress two four things beforehand however:

This guide is not intended as “The One True Way” or anything. There’s no harm it coming into it a different way, and these are only my own opinions.

There’s nothing stopping you from just watching one show and leaving it there. You don’t have to watch every single show going, even I’ve only seen most of these, not all. Gundam typically has variations on similar themes - it’s very nice watching multiple shows because they complement one another, but it’s not necessarily required.

I am very much an insider looking out here, so let me know if there’s any details I’ve missed.

I’m not gonna recommend these on a “if you like X, then watch Y basis”, mostly because I don’t personally find genre recommendations helpful, so I’d recommend picking based on promotional material (vibes, if you will).

I’ll be using this chart, supplied by the excellent@l-crimson-l, to illustrate everything.

Gundam as a whole can principally be divided into three sections: Universal Century (or UC), the Alternate Universes (AU’s) and the Build Series.

The AU’s are below the light blue line, near the bottom of the Chart, the Build Series is within the bright green line at the top-right corner of the chart and UC is the big line in the middle. We’ll talk about each of them individually.

The AU’s

The Alternate Universes were conceived as a way to get away from the continuity-heavy nature of Universal Century and provide an easy jumping-on point for new fans. The AU’s are standalone and require no prior knowledge, and are thus an excellent place to start. Honestly, I’d recommend quickly searching some promotional materials (like posters) and just going with the one you find most appealing based on that. They are (in production order):

Mobile Fighter G Gundam (1994)

New Mobile Report Gundam Wing (1995)

After War Gundam X (1996)

Turn A Gundam (1999)

Mobile Suit Gundam SEED (2002)

Mobile Suit Gundam 00 (2007)

Mobile Suit Gundam AGE (2011)

Gundam: Reconguista in G (2014)

Mobile Suit Gundam: Iron Blooded Orphans (2015)

Mobile Suit Gundam: The Witch From Mercury (2022)

There’s side series and movies and other things besides, but these are the mainline shows, if you will. I have specific notes on a few of them:

Witch From Mercury - It’s of a shorter length than is usual for mainline shows, so consequently it’s a much smaller time investment than the others.

Mobile Fighter G Gundam - While undeniably rad as hell, I would recommend watching another AU first. G Gundam differs from its stablemates in a few key areas, and I find it helps to have a contrast to fully appreciate those differences.

Gundam AGE - is probably the only one I wouldn’t recommend. I didn’t like the art style and the technical explanations just got on my nerves, so I stopped watching.

Turn A and G-Reconguista are technically part of UC as well, but it’s not really crucial information so don’t feel like you have to watch UC first (I’m only including this detail for completionism).

I’ve found all the AU’s I’ve seen to be pretty good, so I’d say that which one you start with really just comes down to personal taste.

The Build Series

Is just kind of doing its own thing. The Build series is basically Buy Our Toys: the series. It’s got a far lighter tone, and I’ve had cause to compare it to pokemon prior. It’s also chock full of references and in-jokes to the other series.

Build Fighters and Build Fighters Try are the ones I’d recommend - they’ve got actual stakes and the fight scenes are really good.

Build Divers and Build Divers Re:rise I can’t recommend - I just find Build Divers aggressively boring. Build Divers Re:Rise is just okay - neither standout good or particularly bad. Its main flaw is that it’s a sequel to Build Divers.

The OVA’s are pretty much bad across the board - I’d particularly recommend avoiding Gundam Build Metaverse.

Universal Century

Universal Century is the big main timeline of Gundam, and is the timeline the original Mobile Suit Gundam from 1979 takes place in. There’s a tendency among certain fans to place UC as the one-above-all of Gundam, but I wouldn’t really go that far. It’s all pretty good, but I wouldnt really say one timeline is better than another (save personal preference, anyway).

Because UC is so big, it can be subdivided a couple times. The primary division is “Mainline” UC versus everything else. Basically there’s four-five shows in Universal Century from which everything else flows. As long as you know roughly what happens in these shows, then you can watch basically anything else in UC and have a good idea of what’s going on. These are (in order):

Mobile Suit Gundam (1979) - sometimes called Mobile Suit Gundam 0079.

Mobile Suit Zeta Gundam (1985)

Mobile Suit Gundam ZZ (1986)

Mobile Suit Gundam: Char’s Counterattack (1988)

With Mobile Suit Gundam Unicorn (2010) as a nominal fifth (honestly I feel like you could argue either way).

The rest of the shows are:

Mobile Suit Gundam 0080: War in the Pocket (1989 Three-Episode OVA)

Mobile Suit Gundam F91 (1991 Movie)

Mobile Suit Gundam 0083: Stardust Memory (1991 Thirteen-episode OVA)

Mobile Suit Victory Gundam (1993)

Mobile Suit Gundam: The 08th MS Team (1999 Twelve-episode OVA)

G-Saviour (2000 Live Action Movie) - nobody ever talks about or acknowledges this one, it’s just here for completionism.

Mobile Suit Gundam MS Igloo (2004-2009 Three OVA’s with three Episodes each)

Mobile Suit Gundam: The Origin (2015 Six-Episode OVA, adapted from the Manga of the same name)

Mobile Suit Gundam Thunderbolt (2015 Eight-Episode Series, adapted from the Manga of the same name)

Mobile Suit Gundam: Twilight Axis (2017 episode, adapted from a light novel of the same name. Later rereleased as Gundam Twilight Axis Red Trace, with additional footage)

Mobile Suit Gundam Narrative (2018 sequel movie to Gundam Unicorn)

Mobile Suit Gundam Hathaway (2021 ongoing movie series, very much adapted from the novel Hathaway’s Flash)

Most of the other series relate to events in the aforementioned “mainline” shows in some way, but a lot of the sidestories set during the One Year War require very little introduction (Thunderbolt, 0080 and 08th MS Team). Similarly, works set in “Late UC” (F91 and Victory Gundam) carry on from the other series thematically but don’t have any plot connections, so they can all be watched without any background knowledge of the rest of the Universal Century.

Compilation Movies

Just a quick note here - many of the Gundam series have compilation movies, where either a whole series or part of one are compressed down into a movie. While each movie compares differently, they usually boil down to this: Compilation Movies usually have worse pacing, but really nice animation.

One of the great things about Gundam is that different shows offer variations on themes, so seeing how different characters react to similar situations, or how different settings change their approaches can make it incredibly rewarding.

I haven’t seen enough of SD Gundam to make any sort of recommendations there, and Manga is something I might touch on another day.

EDIT: Oh hey also: You can watch a good chunk of these on YouTube, for free, officially. The Official Gundam.Info YouTube channel rotates the series shown on its channel periodically. I think it’s got F91 and SEED on there currently? But it’s had Wing, 00 and Witch From Mercury before. Also all of the Build Fighters series are there.

So yeah, that’s a thing.

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