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likeabxrdinflight · 2 months

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Naturally I have a lot of thoughts about Azula's role in the live action adaptation. I'd say about 95% of them are positive thoughts.

First of all, I love that she is this baby-faced, squishy-cheeked kid (I know her actress is a little older than the character but that's okay.) At Elizabeth Yu's age, I also easily passed for 14-15, she just has a young-looking face and clearly hasn't lost all her baby fat. And that is perfect, actually. I've criticized the sharpness and angularity of the animated Azula many times over, she has always looked far too old for her canonical age. I've said it before and I'll say it again- it's a problem that so many people watched the original cartoon and thought Azula was older than Zuko. I can't even blame them for it, she's drawn to look 20 or older. So it is wonderful to see a version of Azula who looks closer to her canonical age. I think it really drives home the point.

That said, this Azula is definitely different than her animated counterpart in other ways. The animated Azula was (almost) always perfectly in control. She could become angry and snap at people- but it was fairly rare, Azula always seemed the image of perfect calm, control, and precision. She was deadly precisely because she was so cool and collected and did not get easily rankled. This was also part of what made her breakdown so shocking.

The thing is, the breakdown is not especially foreshadowed prior to season three. There are a few moments that show the chinks in Azula's armor, but most of them don't come until "The Beach," and then after Mai and Ty Lee's betrayal. I've always believed that betrayal was the real inciting incident for her eventual psychotic break- I've argued before that it sent Azula into what's called a prodromal state, which is like a sort of "pre-psychosis."

More on the animated version's mental state here

Point being, there's really only one instance in season two that suggests any flaws to Azula's cool exterior, and it's one of her very first scenes. You know the one: "almost isn't good enough." It makes for a very subtle build-up to the breakdown and her eventual fall. But it comes at the cost of depicting her predominantly as a capital-V Villain prior to it. You're not really supposed to sympathize with Azula until "The Beach," arguably not until "Into the Inferno." For most of the animated show's run, you're supposed to find her scary and threatening.

And this is done effectively- almost too effectively. She's an obvious foil to Zuko, and serves as such a good primary antagonist that they had to neutralize her in the finale by giving her the breakdown. It's like they knew there was no way a healthy Azula was going to be beatable during Sozin's Comet. She appeared to be an effortlessly talented fire bender, a brilliant strategist, and a more dangerous opponent than even Ozai.

Live action Azula does not have this same feeling to her. There is still something "scary" about her- we see her watching people being burned alive with little to no reaction, and her face is quite blank at Zuko's Agni Kai. She's still cunning and still willing to manipulate things to her advantage- we see this in how she plays Zhao. So if this version gets a season two I have no doubt that this Azula will still serve as a dangerous antagonist to the Gaang and I don't doubt this is still an Azula capable of bringing down Ba Sing Se.

But she's not quite the calm, collected character she first seemed in the animated version. This Azula is a little less hinged. She has more moments of snapping and losing some of that perfect control. She's more frustrated and feels more at the mercy of her father. She reads far more like the Azula we saw in "The Phoenix King," the one who talked back and protested that her father couldn't treat her like Zuko. That Azula, however, was about one bad night's sleep away from a psychotic break. This Azula, presumably, isn't there yet.

I can agree that something of her original character gets lost when you essentially start foreshadowing the breakdown from the jump. It's not gonna be a surprise to any new audiences. She's not gonna be quite the same. But it does humanize her much sooner than the original show did, and it asks the audience to consider her circumstances from the jump- is this a sympathetic character or not? I obviously think she is in the original, and I do think in the end she was meant to be. But it's much more of a debate. The live action show unequivocally says "yes" and does not make it a debate at all.

I'd be tempted to say it's not trusting the audience to read between the lines, but given all the Azula discourse...they might be right to take this more direct approach.

Anyways. Live action Azula also feels more like a real teenager. She's petty, she's irritable, she's desperate to remain in her father's favor and beat her brother in the artificial competition her father has set up between them and will go to any lengths to do so- lengths she probably wouldn't have in the cartoon. She has a strong drive to prove herself and to protect the image she constructs about herself as the "perfect daughter." But that image also feels far more fragile than it did in the animated version.

This Azula doesn't say that "almost [perfect] isn't good enough." She says that "it [perfect] isn't good enough." It's a subtle but meaningful difference.

(Side note- I think the reason this Azula is fine shooting lightning in the direction of her father, seemingly in defiance of his orders, is a direct result of the change to the Agni Kai- she watched as Ozai berated and burned Zuko for not giving him his all, versus in the original where Zuko's sin was in not fighting back period. So here she's showing Ozai her "all", she's giving him everything she has to prove she's capable of doing more than Zuko running drills and smoking out resistance rings.)

I like this change. I like this more desperate, more grounded take on Azula. She feels like a real girl in a horrendous home environment. This Azula was raised in a family where it's expected you be cool with setting people on fire in the throne room and where there's a tangible symbol of Daddy's love sitting beneath him at all times. This Azula was forged in the fires of competition and manipulation that's more subtle than the animated Ozai ever seemed capable of. (More on Ozai later, but he's a much more subtle character than his animated counterpart despite still being...pretty blatantly Evil). So I think it makes sense that she's not quite as calm and controlled and perfect as the animated version.

I don't know yet which version I'll prefer when all is said and done- she was ultimately a minor role in this season. Animated Azula is iconic and always will be, but there's a lot I've always been critical of about how she was depicted in the original show. I think a lot of us that love and empathize with Azula do so despite the way she was written, not because of it. This version might change things a little.

But it also might make it seem infinitely more cruel if she isn't given some kind of redemptive ending (or at least one that implies some hope for her.) The bleak ending of the original show might feel really bad for this more sympathetic version of Azula. So if they stick with that...I dunno. It could hit or miss.

For now, I like what I'm seeing. And Elizabeth Yu understood the assignment.

#natla spoilers #natla #azula #hopefully mai and ty lee get more development in season two #they were kinda just...there in season one #also I strongly suspect this adaptation will cut azula's recruitment of them in season two and just have them with her from the jump

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sirenalpha · 2 days

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I'm not gonna get into it on the actual post because I don't want to start shit after how Aang posts have gone down and it's not like I saw it cuz it was tagged wrong or something

but it is wild to see someone say Azula's downfall was well written in atla and then also say what Zuko should have done and implying he was morally obligated to do so was not fight her and instead offer her love and support so he's in the wrong for accepting the agni kai challenge and fighting her

this blatantly ignores that Azula has manipulated and abused Zuko since childhood even though they also admit that Azula tried to kill him twice recently as a defense of Zuko's actions which is definitely some cognitive dissonance, but it's another instance I've seen of someone acting as if Zuko is incorrect or blinded by his father or otherwise mistaken when he says things like 'Azula always lies' despite the show demonstrating that actually Zuko is seeing her extremely clearly as she can even successfully manipulate him using the truth

Zuko does not owe Azula love and support just because they are blood relatives anymore than he owes Ozai especially not any time before the war has ended and she is still a threat to his personal safety and also to his goal of achieving peace seeing as she tried to kill Zuko twice leading up to the finale and she also came up with the plan to raze the Earth Kingdom

Giving her a hug isn't gonna fix that situation exactly the same as it wouldn't with Aang when it comes to Ozai

except this person thought Aang v Ozai was ultimately a triumph of pacifism over imperialism whereas the love and support vs fear and isolation of Zuko vs Azula is only pure tragedy not a victory of one ideology over another and I really have to wonder how this person came to that conclusion

Aang v Ozai is also a man to man battle same as Zuko v Azula and Katara v Azula which is not exactly pacifism

Aang doesn't kill Ozai in the end, and neither does Zuko or Katara kill Azula (instead she nearly kills Zuko) so again no different on the pacifism front

The major differences between these battles are that Zuko and Katara earned their abilities to defeat Azula whereas Aang relies on two deus ex machina and Zuko and Katara leave Azula upset but a pretty physically healthy state whereas Aang spiritually mutilates Ozai by removing his bending

in order for this interpretation to work that Aang v Ozai is a triumph of one ideology over another and Zuko v Azula is not, you have to ignore the massive narrative flaws in the Aang and Ozai fight that do not exist in the Zuko v Azula fight

There is a reason people still argue about whether or not Aang should have killed Ozai but even this person who argues Zuko did the wrong thing by Azula doesn't actually disagree with the text of the show, they still seem to want this agni kai to have happened exactly as it did where Zuko did show that love and support worked better than fear and isolation as he had Katara to tag in to finish the fight as well as other concepts like continuing to improve and learn after failure which eventually gave Zuko stability working better than genius perfectionism which caused Azula to spiral

another major facet this person relied on to argue for this position that Zuko was wrong to accept the agni kai was that Zuko could not see beyond the narrow worldview his father imposed on him through the golden child/scape goat dynamic he put upon Azula and Zuko

but the whole point of the show and having Zuko confront his father and leave to join the Avatar was to show exactly that, Zuko is the one character whose horizons broaden the most over the course of the show and only because Iroh's happens pre-series, it is insane to argue that Zuko cannot see past the abuse he suffered or outside the Fire Nation worldview after he has left the Fire Nation for the gaang

This person also claims that Zuko is so single minded about his goals that he even forgets empathy for others despite in season one somehow managing not to burn off Zhao's face in an agni kai and he even tries to rescue him from the ocean spirit despite fighting him literally the moment before so what character are you talking about because it's not Zuko

and then from this, they claim he cannot understand the tragedy of having to fight his own sister

this part is obviously up to more reader interpretation but you can take Zuko suggesting to Iroh in s2 that he forgive Azula is actually stemming from his genuine desire to not have to fight Azula given how quickly and vehemently Iroh shoots this down and that he does express genuine concern for Azula's fall in the southern raiders before she gets herself to the cliffside

I personally would say between the two of them, Zuko is more aware of the tragedy and genuinely sad about it, he is not portrayed as happy or gleeful when it's over whereas Azula has only been expecting this fight so she can secure her position on the thrown because she's second born and female and outright gloats after she's shot him with lightning

I see Zuko as resigned to this fight and trying to keep Katara safely out of it when he notices that Azula is slipping and takes the agni kai

what is not reader interpretation is to claim Zuko is being unfair and cruel to Azula to accept her agni kai challenge, Azula has always been the aggressor in their relationship and Zuko always the loser until the southern raiders where they have drawn even with each other, and as it has already been pointed out, Azula has recently tried to kill him twice!!

where is Azula's moral obligation to not try to mortally wound or manipulate her older brother? how is she not cruel and unfair for treating him this way and following in the footsteps of their father?

then there's an insane bit where they claim Zuko and Katara have a more simplistic view of morality than Aang who lost his shit on Katara in southern raiders who in the end didn't forgive Yon Rha and also didn't kill him and Zuko was there supporting her for the whole thing for her emotional benefit and closure regarding her mother like he had in his confrontation against Ozai whom he also didn't kill and Aang wasn't involved, Katara even tells him he was wrong

this part is just objectively untrue, Aang has the far more simplistic view on morality

this person also goes on to a lot of reader interpretation for Azula's motives for bringing Zuko back to the Fire Nation, and I do agree I think that on some level Azula does care for Zuko, where I don't agree is that if the result is still harm for Zuko which is what returning to the Fire Nation was for him as it puts him back under the thumb of their abuser, it's still ultiamtely not good or kind to Zuko

Azula's actions are not made better by presuming she had good intentions born out of care for Zuko

The thing that really got me though was this quote:

"he allows himself to stoop to her level, and in fact only redeems himself through his sacrifice for katara"

again, Azula is the aggressor in their relationship and the one who issues the challenge in this instance

Zuko does not stoop to her level trying to stop her via agni kai because a hug is not gonna work, and it is arguably noble of him to try to protect Katara by accepting the challenge and trying to remove her as a target

But it doesn't work because Azula breaks the agni kai by attacking Katara who is a bystander and not a combatant which is never a level Zuko stoops to, it's a rat move Azula takes when she's put on her back foot and realizes she can't win a fair fight and can't goad Zuko into an emotional outburst

But the worst part is reframing Zuko's sacrifice as redemptive in terms of his relationship to Azula or as if he has done something wrong in accepting the agni kai or while fighting it

He hasn't, the poster argues that Zuko betrayed Azula in leaving the Fire Nation which I think you can argue for, but I do not believe that the show has Azula react as if she has been harmed by this action when she is shown as far more offended by Mai and Ty Lee's betrayal and again seems gleeful to be able to attack Zuko in the boiling rock, southern raiders, and finale and therefore could reasonably be interpreted to have expected this

His redemption isn't towards Azula or anything she represents like Fire Nation imperialism, Ozai's abuse, perfectionism

It's a heroic sacrifice for Katara as a person he harmed personally in the s2 finale and as a victim of the Fire Nation's war by the Fire Nation's prince

It's an utter and blatant misread of the show to demonize Zuko to uplift Azula and replace Katara as a victim of Fire Nation imperialism which Azula is straightforwardly not and removes those themes from the Zuko v Azula fight which this person praised in the more flawed Aang v Ozai fight

I am with and agree with anyone claiming Azula is a victim of abuse, she is, it is the direct cause of her breakdown

but it's straight up cognitive dissonance to act as if Zuko has done something grossly wrong in terms of ending the cycle of violence by participating in the agni kai with Azula but Aang v Ozai is a narrative master stroke for pacifism and ending violence when they both use the exact same amount of violence to achieve their ends: man to man combat, and Aang actually delivers the worse punishment to Ozai

and you strip away half of Azula's character if you ignore the real and blatant harm she caused Zuko and the rest of the gaang and try to pretend they are all equally victims of the same man because they are not

#atla #long post #anti azula #azula critical #anti aang #aang critical #zuko #I don't think this is actually anti azula or aang but people go literally batshit over any accurate character analysis #Zuko has flaws #him calling Azula a liar is just him being accurate and not a flaw #please stop acting like Azula manipulating him is fine and dandy normal sibling relationship behavior #she is literally not good to or for Zuko

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azure-firecracker · 2 months

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ATLA Live Action Episode 7: Overall Thoughts.

Right so this episode was a mixed bag for me. On paper I should have loved it: it’s two big moments are Azula/Katara scenes and they parallel each other. Those are my two favorite characters and I love exploring how they mirror one another. But the actual execution of some of the scenes was…lacking.

Okay I legitimately forgot that Zhao tried to blow up Zuko’s boat in the original and it was funny bc I was reacting like it was something new this show did…nope lmao. Speaking of Zhao, I feel like this show can’t really decide what they want him to be. In the OG it was pretty clear: he was an asshole with lots of resources and therefore a threat, but he was also cocky and delusional and not very good at his job. Here I feel like this show is flip flopping between having him be legitimately threatening or a delusional idiot. Both are fine choices individually and honestly I don’t really care what they do since it’s not like he was a main character in the OG, but they do need to pick one. Like, objectively, from a writing standpoint.

I know some people disliked the changes to Yue and Sokka’s relationship, but I thought they were cute. I liked that they used the extended time at the North Pole pre-attack to flesh out their relationship more and give them some more bonding moments. It makes me buy into them more (I was never a love at first sight girlie). I agree that Yue’s character in the original was a really well written example of the good and bad things that come with being as loyal/dutiful as she is and that is missing here. But unlike our main cast, if you look at her without the lens of the original, she’s still a fleshed out, decently written character. I think she works (except for her hair of course).

Sokka on the other hand…I like that they’re allowing him to express his insecurities and trying to give him an arc, but I didn’t like Yue saying his heart was the most important thing about him. It’s such a generic line, and out of all of our main cast, it seems to suit him the least. It made it feel like they’re trying to give the whole main trio the same arc, which I…did not appreciate. But he does have good chemistry with Yue.

Speaking of generic arcs for the main trio…dear god I hate what they’re doing with Aang. It’s not offensive but it’s so overdone. Every fantasy protagonist in history has this conflict, and while it works for an episode of a cartoon, it does not work as Aang’s central conflict. Gordon’s doing his best with his lines, but I get bored watching his scenes. Also I didn’t love the stuff with Kuruk. Stay away from the Korra Spirit World stuff. Y’all can’t handle the material you have.

Okay onto my main girlies:

Azula’s arc definitely goes into the “it’s a different choice from the original but it works on its own category.” If you don’t compare her to OG Azula, these writing choices make sense. They work, and they go hand in hand with how this new Ozai is different from OG Ozai. OG Ozai really didn’t seem to care about his kids. They were tools in his play for power. We never got the sense that he’d really thought about either of them succeeding him, and or that he’d ever thought about his own death. This Ozai seems to be trying to turn both Azula and Zuko into younger versions of him (as we saw in the Agni Kai last episode), and he brings up the “heir to the throne” title a lot. This means he wants his kids to have a fighting spirit, a drive. It makes Azula’s defiance all the more twisted because it’s supposed to be this empowering moment for her…but really it’s exactly what Ozai wants. It’s objectively really good writing, and both Lizzy Yu and Daniel Dae Kim do a great job acting it out. At the same time, I feel a little loss of OG Azula. OG Azula was so busy fighting for Ozai’s love, being perfect, that she never had time to think about what she wanted because she was so stifled in the “golden child” role. That’s a type of abuse we don’t see depicted a lot in media, and I do wish the live action show had taken up that challenge. On the other hand, the arc we got was objectively good and I’m not sure they could have handled that subtlety. Overall, my feelings on these scenes are mostly good with some doubts in there. It does make me wonder what they’re going to do now that we know we’re getting a Book 3. Azula’s original Book 3 stuff with Ozai really wouldn’t work now that she’s already become so defiant.

Okay my girl Katara: FINALLY she got an episode to shine rather than being a side piece for Aang or Sokka’s arcs! Funny that all the filler episodes they cut were the Katara centric ones…but I digress. I understand not wanting to cut the stuff with NWT sexism, and I DON’T THINK THEY SHOULD HAVE. But with all their worries about Sokka’s sexism not translating well to a live action, they should have considered the fact that such heavy handed sexism might come off as cartoonish in a live action format. Most real sexism is more subtle, albeit just as frustrating and wrong, and I’m sad the show passed up their opportunity to portray that. I did like that Katara finally got to show both her anger and her hope. I felt like this was the first episode where she really felt in character. While some characters work while being different from the original (mostly FN characters), Katara’s changes made her an objectively more hollow character, so seeing sparks of OG Katara was awesome! She still felt a little flat, but it’s definitely a HUGE step in the right direction. (And Kiawentiio did awesome. Glad she’s finally getting to showcase her range). The end of the Katara/Pakku fight was a little weird but I’ll let it slide because she had that AWESOME line to Aang where she was like (I’m not going to get this exactly) “Fighting is my decision, not you or Pakku’s or anyone else’s.” I was CHEERING! This is the Katara we need more of.

I know I was largely critical in this review, but I really enjoyed this episode. This episode really solidified my belief that you have to think of these characters as totally new people. Different choices are being made, and that’s okay as long as they’re still good characters with ties to the original. Sometimes it works (Azula, Yue) and sometimes it doesn’t (main trio) but if you can enjoy it when it works, you’ll enjoy the whole show a lot more.

I’ll give this one an 8.5/10. Kind of the opposite of the last episode. With that one, there weren’t any great new choices they made (most of the best moments were straight out of the cartoon), but there was also nothing I really disliked. This episode made some great new choices that I thought were interesting and took some steps towards fixing some of the characters they butchered, but there was some stuff in here that I actively disliked (namely Aang and Zhao).

#atla #avatar the last airbender #atla live action #natla #netflix atla #atla stream of consciousness #azula #katara #zhao #yue #sokka #aang #kuruk #yuekka #master pakku

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snorlaxlovesme · 2 months

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thoughts and feelings about the Netflix's Live Action Avatar, now that I've finished:

overall, net positive! as i said in my previous post about the first 3 episodes [x], i'm someone who goes into adaptations with minimal expectations, treating it more like fanfiction, so I can spend more time enjoying myself than being a butthurt baby, so with that in mind i can say that I enjoyed myself a lot! there are episodes that i'm actually really excited to rewatch (5 and 6 are bangers and i won't be told otherwise)

i'm not going to lie and claim that any of the actors will be winning Daytime Emmys, but there were a few standout performances for me at least:

-Zuko was incredible. i love the way this version leaned into Zuko's desperation to capture the Avatar, because now he finally had a real chance of being able to come home after all these years. his acting pre- and post-Agni Kai in the flashbacks felt so sincere. his optimism was adorable before the war meeting and his shattered expression after Ozai banished him was fucking heartbreaking.

-i really loved the boy who played Aang. he was so charming and cute! and i think as the episodes went along he gradually got better at displaying more subtle emotion. for such a young child actor i thought he was doing amazing

-Sokka's actor was putting in work in the back half! i was impressed! the first half of the show I was pretty neutral about Sokka's acting but the more development he got the more I appreciated what his actor was bringing to the table. i think he just needed to be paired with the right acting partners in a scene to bring out the best of his abilities. Katara didn't give him much to work off of, but his scenes with Sai and Yue really hit

-Zhao was great too! they really re-worked his character to be a lot more important from the jump and i loved seeing how underhanded he was being during all of Zuko's quest. normally seeing Zhao on-screen just annoys me but i loved this version and how patronizing he was to Zuko

-idk man every time Gyatso was on screen I was crying. that's just how it is. every time i saw his face it felt like a warm hug

i think the weird part of this adaptation is that the parts that were adapted were pretty mid (or sometimes just bad) in a lot of cases, but whenever they added in their own original ideas it really shined! i feel like that's not the case with a lot of adaptation, people want to see what they know, but honestly if they added in more of their own original writing in s2 I would not be mad because i loved what these writers were bringing to the table (for the most part)

-i've already said that the way they structured ep 1 to include the start of the war was awesome. that was a cool change to show the audience from the jump that they weren't planning on boring everyone with a one-to-one(but worse) adaptation. it also set the tone really well bc my GOD do firebenders be setting people on fire in this show

-big fan of the early inclusion of Kyoshi and the idea that Aang can only convene with past Avatars at their temples. that was not a Hard Rule in the original and it always felt weird to me that sometimes he needed to be at a certain place on a certain day to communicate with his past lives but then in the finale he just had to meditate wherever he was. but yeah, they used Kyoshi lore from the novels and did indeed lose my mind about it

-Zuko and the 41st division. that was SUCH a cool storyline that was woven in starting at episode ONE and i was genuinely impressed with how hard it hit. i didn't see that coming and it had me CRYINGGGG. so yeah, BIG thumbs up for that original storyline. and also they inclusion of the post-Agni Kai Zuko recovering in the hospital and getting banished for claiming that maybe the weak just need the opportunity to get strong. heartbreaking, devastating on its own (Zuko's actor truly was killing me, i loved him so much) but once we see Zuko and Azula start going toe-to-toe next season that line will hurt me even more

-the bonding moment about calligraphy between Aang and Zuko was a really good bait and switch. in the original Blue Spirit episode Zuko didn't talk to Aang at all before firing at him. i like that i was expecting it to play out the same way as before but instead they had a moment of connection before Aang triggered Zuko and all potential for empathy was lost.

-which seems like a good time to address Zuko's character. i want to be clear when i say that i liked something because it was different from the original, it doesn't mean that i like it BETTER than the original. i simply think the new version is fun fanfiction that was written better than i expected. so when i say i like how they dealt with Zuko's obsession with honor, i'm in no way implying it's superior to the original. simply a good different

-anyways. in the original, Zuko's obsession with honor is fully connected to his need to be wanted by his father again. OZAI is the only one who can restore it, and it can only be restored by completing an impossible task for him. in the Netflix version it almost seems like Zuko's honor is tied to the disillusion that the Fire Nation itself is honorable. the bit about Lieutenant...Yi? sorry i'm getting his name wrong, but Lieutenant Yi gossiping about a superior officer, Zuko's disbelief that the Fire Nation would ever use such underhanded tactics like planting spies in Omashu, it was clear to me that Zuko bought into a rigid sense of morality and honor when it came to the Fire Nation. i hope we see more of that in s2 so that we can see Zuko's world truly rocked when he and Iroh become refugees

-Katara being hailed as a master was very sweet! i wish she would have gotten SOME training from Paku (could still happen at the start of book 2) but I did enjoy that during the Siege of the North that she got her own little battalion to command bc she was seen as worth warrior

-OH and I love how they explored Sokka's character. again, them taking out Sokka's blatant sexism didn't bother me, so i was happy to see that in taking that out they DID work hard to make Sokka's character motivations rich and meaningful. having him have the same complex about being a lacking warrior as the original cartoon but with the added twist of overhearing his dad's harsh words about his abilities really added something to Sokka's insecurities. i loved the inclusion of Sai encouraging Sokka to become an engineer because it was clear how much that meant to him. considering in the cartoon he does become a pretty badass warrior (while still being mainly an Idea Guy) i wonder how this storyline will play out later. if he'll try harder to fit into the warrior box he thinks he belongs in or if he'll blatantly begin to reject that role for himself and identify more heavily with his engineer side

-the cave of two lovers had me worried for a second because Sokka and Katara were paired together for that and im like UMMM so i thought it was pretty funny how they reinterpreted "love is brightest in the dark" in that scene. not as good as the original, obviously, but a funny reinterpretation that i didn't hate

i probably have more to say on the additions but this is getting long so i think it's time to get to some criticisms. this show was not perfect by any means and i have several gripes with it so i might as well get that out now

-WAIT first i must say that a lot of the bending looked phenomenal. particularly Zuko and Aang's bending. both actors (and their stunt doubles) were great martial artists and the fire effects and air effects were done really well. i was really worried about how they'd adapt airbending (since air is invisible) and they did a great job adding in dust cloud effects and making sure the props in the scene moved they like would if they were blasted by air

-AND i must emphasize that i was not mad at them chopping up storylines and mixing them together. the Mechanist/Jet plotlines had similar themes of seemingly Good People doing unethical things for what they believed to be a good cause, so putting them in the same episode made sense to me. and having Sokka and Katara getting spirited away and caught up in that mist (a fun LOK reference that time, i loved the easter eggs) and then captured by Koh was a good way to separate them from Aang the Blue Spirit arc could take place. that also made sense to me. people who get mad about the re-shuffling of episodes frustrate me to no end.

okay, now onto critique:

-unfortunately, Iroh was a giant flop. i don't know how else to say it. i didn't really like any part of him, from his costuming to his writing to his acting. something about him felt like he was plucked out of a campy low-budget stage play and just thrown into this show while only know his campy stage play lines. both Zuko and Zhao give pretty grounded, emotional performances and Iroh is SO jarring by comparison when he's in the same room as them acting like a caricature of himself for no reason. his wig was terrible, i wish they had made it more flowy because it stayed the same shape and position the whole time, he used the WEIRDEST announcer voice the whole time (like why are you using a voice?? no one else is using a voice??), and his robes seemed out of place when everyone else was wearing leather armor. and they had a moment in episode 4 where an Earth Kingdom soldier really laid into him because back when Iroh was a general he was responsible for the death of Earth Kingdom soldier's brother. i was interested to see this bc we BARELY get to see Iroh's Bad Side in the cartoon and i was curious to see where the live action would go with it. but it ended with Earth Kingdom soldier slugging Iroh or slapping his face or something and Iroh made some snoody remark about how war changes people, and he WASN'T talking about himself. like bro this man just told you you COOKED his brother alive he has earned the right to slug you, what are you talking about! i was expecting remorse, or at the very least a solemn look of guilt over the person Iroh once was, but nothing. it was bad. obviously having the iconic Uncle Iroh be so terrible is a huge mark against the show. i simply cannot defend that

-circling back to Iroh's wig. well. the hair and make-up department went out of their way to make important characters look like their cartoon counterparts and that was not always beneficial. why did Yue look like she was from Whoville. who okayed that.

-many people have already pointed it out, but it was weird in ep 1 that Aang's decision to leave was because he needed to clear his head, not because he was running away from his responsibilities. i have no idea why they made this change, unless the reason was to have every single person (including past Avatars) dog on Aang for not being around during the past 100 years. but even that doesn't hit the same bc it truly wasn't his fault! he went for a drive and got caught in a storm! he intended to be back in a few hours! idk that change didn't make sense to me. i know Aang felt guilt regardless but the guilt was supposed to be from the intentionality of Aang running away

-the way Katara broke Aang out of the iceberg was weird?? she wasn't angry at Sokka for his sexism, but she could have been angry at him for SOMETHING that caused her bending to grow out of control. or at the very least when she was bending the canoe towards her she could have done a sharp pulling motion towards her that ended with her arms behind her, therefore forming the cracks in the ice (kind of a callback to how in the pilot Katara could really only waterbend backwards at first). instead her hands were fully facing forward and she was gently bending in front of her and that led to the ice sphere exploding behind her. its been bothering me. whyyy

-character-wise, Katara was pretty one-note. like the addition of her guilt for getting her mom killed with her subpar waterbending, while not bad, didn't make up for how much she DIDN'T have going on. it felt like they toned down a lot of Katara's character strengths AND flaws to give Sokka more room to arc, then shoved all of Katara's development into the last 2 episodes. they didn't show much of her resilient hope in the face of adversity or rage towards injustice or how petty she could be. part of this could be her actor, who i won't dog on because she is a child actor who will get better with time, but i don't think the flimsy writing of her did her any favors

-score wasn't nearly as good as Jeremy Zuckerman/The Track Team's. remixing some of the A:TLA's score doesn't make up for the fact that all the original scoring in this adaptation was flat by comparison

-Bumi's whole thing was....weird. i didn't mind at first that they speedran through his reveal because i don't think there's a point to try and surprise the three people who haven't seen the original. 99% of the audience knew the King was Bumi, so I didn't see any problem with that. but the set-up flashback of Bumi lasted like 10 seconds and basically just showed him snort. it didn't give you a reason to get attached to him as Aang's past friend. and his current actions didn't help at all. the acting was very Michael Meyer's Cat in the Hat-esque. so. uh. SCARY AND OFFPUTTING. was not a fan of that all. and having him do a few random goofy tests for Aang AFTER already knowing his identity felt...weird? like what's the point of these now? and then having the reveal that he's NOT kooky, he genuinely IS pissed at Aang for being gone, well. hmm. it's not a bad idea in theory. i liked the concept of having someone FROM THIS TIMELINE (looking at you, Kyoshi, Roku, and Kuruk, and your unjustified rage toward Aang) be upset at Aang for leaving the world in such a state of imbalance. having Bumi be like DO YOU KNOW ALL THE SHIT I'VE HAD TO DEAL WITH SINCE THE WORLD HAS HAD NO AVATAR, was an interesting line of thought i could have rocked with, butttt.....idk man. it's BUMI. he's supposed to be a living memory of Aang's past to give him comfort and wisdom! it hurt to see this version be so cruel to Aang and basically force him to try to kill him just to prove a point. i would have rather had them write out Bumi altogether and use that episode for something else than to smear his name like that

-i'm tentatively alright with Azula's plotline right now. the Zuko line "Azula was born lucky, I was lucky to be born" is really essential to how their rivalry worked in the cartoon. Azula was a cold-hearted prodigy while Zuko was compassionate boy but average bender. i liked the idea of showing how Ozai intentionally pitted his children against each other. i liked seeing Azula's moment of defiance where she claims she's DONE being tested because she know how good her abilities are. i liked seeing the origin of her lighting bending. all of those were cool fanfiction. the thing that worries me is that we, the audience, have already seen Azula's doubt in herself, something we weren't privy to until the very end of the series. plus showing how hard Azula trains kind of undercuts the fact that Zuko is supposed to think he can't measure up to her because of her natural abilities that he DOESN'T have. they DID plant the seed to Zuko that Azula was the one backing Zhao the whole time, so we do have some of their rivalry primed to go. but the rivalry in the original is extremely one-sided. it will be odd to see Azula fighting just as hard to earn Ozai's affection, because intrinsically she should think that game was won a long time ago. so yeah. i'm not mad about it YET, just interested to see how it plays out

and then there are little nitpicks that could be resolved in season 2, should it get picked up again

-Aang not learning any waterbending or burning Katara with firebending can be woven into the early eps of season 2 before Toph's introduction

-the gaang's chemistry will only grow stronger with time. as the cast becomes better friends, as the kids become better actors with age, and considering they don't separate much in s2, i have faith that will iron itself out naturally

-tbh im sure there are more but this is so long i'm fizzling out. i'm fading. i must stop.

but yeah! good and bad! there's lots to unpack but in general i think it was fun. i'm excited for more.

#netflix avatar #long post #i am. exhausted.#writing this took so long

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bluespiritshonour · 3 months

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IDK why Azula stans hate acknowledging the fact that Azula is both abused and an abuser? Do you know why?

Okay. I gotta make one thing clear: I really like Azula. Is she terrible? Yeah. Is she iconic? Uh... Also yeah.

I really like Azula and I have no problem acknowledging that she's a terrible, terrible person. And a villain.

This is not aimed at you for asking the question, anon. I just wanted to clarify that I absolutely love both Azula and Zuko. 😅

And for that I've often had people come at me for posts that slightly favoured one over the other like—guys, I like them both? They both also have flaws? They both also did horrible things and committed war crimes?

The only difference is that Zuko got a redemption arc while Azula didn't. But... Pointing out one's mistakes in one post doesn't mean I'm trashing them.

Azula did abuse Zuko. She was also abused by Ozai. She and Zuko were both abused by Ozai and in some ways, Zuko had a support system that she didn't.

They both also suffered. But in different ways. Azula had her father's approval but never his love. Her abuse was psychological. While Zuko's was physical and psychological. They're both children abused by a terrible father.

After Zuko breaks free of his need for his father's approval you see that he doesn't hate Azula anymore. Pre-redemption Zuko would've rejoiced winning an Agni Kai against her.

(Which he would've never won because pre-redemption Zuko would also never have accepted Katara's help and she's technically the one who defeated Azula).

But Zuko that has matured simply feels bad for her because no one knows better than him what growing up with their father is like.

Azula looks out for him too. Like, when she knows he's visiting Iroh in prison and doesn't rat him out. She warns him to be careful. She's a lot more brainwashed than he is—but she's also younger!

It's just... complicated.

As someone who loved Azula because she was efficient—and who also loves Zuko because of everything!—like, damn that kid faced the consequences of his actions, didn't he?—well, it doesn't have to be a fight?

To answer your question, I've seen both Azula stans and Zuko stans that do not want any sort of nuance.

I think it has to do with internet extremism and purity culture. People no longer think “I don't like it”—they have to put a “this is morally wrong” spin on it.

I like Azula and she's a terrible person. Doesn't mean she's irredeemable though. I'd love to see an Azula-redemption arc. Since she's a kid and she deserves to heal.

But I can also say that Azula and her war crimes are fictional, I think she's cool. What she does is wrong. People forget that you're allowed to like villains. You're allowed to like grey characters. And most of all, people really need to learn to distinguish between fiction and reality and where what is acceptable.

Which is why a present day piece of media can never pull off a redemption arc like Zuko's. Because of internet purity culture. Like, fuck it, people can barely handle Taigen!

It's okay to like Azula. You don't have to justify her actions for it. You're not a coloniser sympathiser for liking her as long as you realise what she did was wrong and accept it.

—Yours Sincerely,

A citizen of a formerly colonised country who's very painfully aware of the harms of imperialism.

Trying to use her abuse as an excuse isn't the way to go. Same for Zuko! I love ATLA because when Zuko apologies to the gaang, he doesn't once bring up his tragic past. It's not an excuse!

Anyways, anon. Thanks for the ask. I really needed to rant. Sorry it became this behemoth though. Haha.

TLDR: the reason is internet purity culture. People feel guilty for liking a villain. Trust me, liking a fictional bad guy—or a morally grey—or complicated guy—does not make you a bad guy. People need to learn to distinguish between fiction and reality.

And even then, in real life you need to learn what makes criminals if you're to stop crime. For example: how poverty leads to crime and eliminating poverty would go a long way in stopping crime than incarceration does. Like, how probably education and societal change where rape is as unthinkable as cannibalism would do more to prevent rapes than purity culture would. If you get what I mean.

#atla #zuko #azula #avatar the last airbender #anonymous letters #rape mention #for those who might want to filter the tag

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burst-of-iridescent · 2 years

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1, 15 and 30!

1. What made you start shipping Zutara?

the first moment i noticed something between them was "i'll save you from the pirates", but i didn't think that much of it until the siege of the north and the iconic "you rise with the moon, i rise with the sun" line. that entire fight made me realize how similar zuko and katara were, and the amazing symbolism they had. and when the crystal catacombs scene happened, it was so goddamn intimate and emotional that i really thought holy shit they're actually going there they’re going to be canon and the rest of book 3 up until literally 10 minutes before the ending just made me more and more certain i was right (poor 2021 ana really had so much hope lmfao).

so looking back on it i would say the waterbending scroll was the first spark but their fight in the siege of the north is probably the moment i started shipping them, and then the crystal catacombs absolutely solidified them as a ship for me.

15. What do you think would have happened if Katara and Zuko hadn't been interrupted in the catacombs?

a lot of kissing no i wish, lol. realistically speaking? zuko would have stopped katara before she actually began to heal him, probably a little frantic because now that he's confronted with the reality of actually losing the scar, he doesn't know if he wants to, or who he'll be without it.

his reaction would probably clue katara into the fact that the scar is more than just the nasty consequence of some everyday training accident, and she'd gently try to probe, maybe asking what the scar means to zuko. given the time, i can even see zuko opening up to her about the agni kai, and why he chased the avatar for so long.

the betrayal still happens, partly because i think that’s what solidifies zutara as such a narratively significant and emotional ship, and also because i think this betrayal would add more complexity to both katara and zuko. in canon, i doubt that katara understood why zuko betrayed them, but in this alternate version she might actually see why zuko does what he does (though she'd still be rightfully pissed at him for it) which would add more depth to her anger.

and as for zuko, as much as katara's compassion would touch him, he likely still wasn't at the stage to accept that his father was abusive and didn't actually love him. talking about the agni kai would probably have made it even more of a raw wound, and when azula offered the chance to earn ozai's love, it would've hit too close to home for him to refuse.

30. If you could rewrite one episode of A:TLA, which would it be?

i would happily throw half of book 3 out the window lmao, especially the finale (only the zutara moments have rights). but since it's a four parter, i'm going to go with the headband instead.

what an absolutely wasted episode. this was the perfect opportunity to actually show us the fire nation before the war, and kuzon and aang's friendship, but instead we got a dance party in a cave. i would've rewritten this episode to be similar to the king of omashu, cutting between multiple flashbacks to pre war fire nation with kuzon and aang, and the present fire nation to juxtapose what the war has done to the fire nation civilians.

this also would've been a great episode to introduce both opposition to the war within the fire nation, and the idea that the air nomads weren't entirely exterminated. aang still goes to school, eagerly looking forward to it because he remembers how much fun it was with kuzon, and is shocked to see how much it has changed.

he meets kuzon's great grandchildren and is invited to their home, where he overhears their parents quietly grumble about fire lord ozai sending more troops to the front lines. when he returns to school the next day, the history lesson proceeds as it did in canon, except this time aang learns that the general in charge of wiping out much of the air nomads was kuzon's father, and that kuzon grew up to become a decorated military general just like him.

shocked and grieved, aang runs off. he approaches one of the spots he used to go to with kuzon and begins to cry. there is a flashback to kuzon and aang at the same spot, mere weeks before the fire nation launches its attack and shortly after aang learns he's the avatar. he sobs to kuzon about how he doesn't know how to do this, and kuzon hugs him and promises that he will always be there for him.

cut back to the present, where kuzon's great grandson approaches aang just like his grandfather did so long ago. he tries to comfort aang, and admits quietly that he always feels sad when he hears about the air nomads too, because he used to hear stories of them from his granddad. then, so casually that it's clear he doesn't think it's important, he mentions the one and only time kuzon brought up aang. how kuzon whispered on his deathbed, almost delirious, that aang would come back and someone had to tell him he wasn't alone.

aang, incredibly confused, asks what kuzon meant by that. but they're interrupted then and brought back to class (the dance party can still be held here, cutting the awkward scene of katara dressing up as aang's mother, and the weird kat/aang dance). as the gaang flies off at the end, we pan back to kuzon's family's house. the camera catches on his granddaughter, who has grey eyes and tucks a necklace suspiciously similar to aang's back beneath her shirt.

#asks #ask game #zutara asks #zutara #oops that rewrite got entirely too long #but seriously WHY DID WE GET SO LITTLE OF PRE WAR FIRE NATION #we spent the entire goddamn season there and got barely any worldbuilding for the fire nation #compared to the earth kingdom and water tribes #it's a travesty i tell you

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gettingovershame · 2 years

Text

Fire Nation Royal Academy/Fire Cousins Headcanons:

In no particular order…

The Fire Nation Royal Academy for Boys (and likewise the Academy for Girls) completes primary schooling at “Year 8”. After that, the young nobles either become scholars by pursuing specialized secondary schooling, or become apprentices to their H.O.H. to take over the family business.

Classes will often have a little age-range depending on when a child begins (some people hold out for their child being a super late-blooming bender… and sometimes children will have to try more than once on the entry exam) (the gate-keeping only really happens for less influential noble houses/nouveau-rich families).

Zuko - by a miracle of Agni - begins school at the “typical time appropriate for a Royal” (Age 6) and was known by the older students as “Prince Lu-Ten’s cousin” for the first five years… even though Lu-Ten had graduated 2 years prior.

Lu-Ten was popular for being second in line for the throne, of course, but he was also a charming kid and an extraordinary bender… teachers and peers alike loved him.

Azula, being prodigious, was sent off to school “a year earlier than usual” at age 5. (Which is why Ozai f*cks up her age in “The Search Part 2” — younger siblings/little kids are usually proud when people think that they’re older than they are but in hindsight Azula HAS to be like “WTF!?! He doesn’t know how old I am?!”)

Instead of a long Summer Vacation, they have a long Winter Vacation because the days are shorter (and less sunlight = less life-force for the bending students… bending supremacy is a systemic issue).

Cousin Lu-Ten was 10 years older than Zuko and 12 years older than Azula.

Winters used to be the best when Zuko was pre-K aged and Azula was a toddler and Lu-Ten was in school … because when he was home for Winter Vacation he’d play with them. Zuko would be especially happy because Iroh would come back from overseas to spend time with him too…

Also during the Winter Break, the Fire Nights Festival would happen the week leading up to the longest night of the year as a harbinger of lengthening daylight… so it was mostly good times all around.

Winters started to suck a little more after Lu-Ten graduated, he became a lot busier on the war effort with Iroh — less time to play and more time abroad. But they had some time together…

After Zuko struggled through his first year at the academy Ozai started to go more H.A.A.M. with Zuko & even 4yr old Azula’s training… especially in Winter time.

Little pre-K Azula would have to try hard to retain a decidedly grumpy demeanour and resist laughing at the way Lu-Ten would PERFECTLY IMITATE Li & Lo when she was tantrumy/experiencing “after-practice restraint collapse” — because those two miserable old bat-bears used to be his tutors, too. She’d threaten to tell on him. He’d always pretend to be scared and agree to “be her servant” for the rest of the day in exchange for her silence.

It gets harder and harder for Lu-Ten to connect with her after she starts school… she begins to sound more and more like creepy Uncle Ozai…

Prince Lu-Ten died at age 21 when Zuko was 11 and Azula 9… then Grandfather died… and Iroh abdicates and goes MIA for a little bit… and mother is banished… and though Azula had been a bit more prepared (as the designated sounding-board to her father’s murmurs and monologues/a sneaky rascal who eavesdrops) the changes happen overnight… Zuko and Azula wake up in a world where they are the next-two in line for the throne and they only have Ozai and each other left.

Zuko is burned and banished at 13 just before finishing his last year of school… he never got to graduate… he was - even by cultural standards - a child.

Azula - at 11 - must work extra hard to Save Face enough for 2 generations of shame. “Her Uncle retreated at Ba Sing Se… He wasn’t even injured!” “I heard that Iroh deserted but Lord Ozai forgave him.” “Her brother got exiled after losing an Agni Kai to the Fire Lord.” “I heard he flunked out of the Boys’ Academy” “But Azula’s still not Crown Princess, though.” “Her mother’s banished - not exiled - banished!” “It’s because she killed Fire Lord Azulon.” “The Princess will probably challenge her Dad to an Agni Kai, too… or maybe she’ll just kill the Fire Lord like her Mom did…” Azula has to be perfect.

The murmurs continue behind Azula’s back … but to her face everyone suddenly wants to suck up to the “second in line for the throne” even more than before… However, Azula only entertains the friends that she had BEFORE the power shift: the two non-benders Mai & Ty Lee. Yet the dynamics between them begin to change as Azula begins to change… and not for the better.

Azula graduates alongside her friends at 12. Then Mai moves away with her family and Ty Lee runs away from her family… Azula does not have the luxury of either option. Ozai is responsible for the former, but the latter… Azula convinces herself it’s because she allowed it. That she could have stopped it if she wanted to and that she could call Ty Lee back to her at any time. It’s how she copes, and it’s part of the reason she was such an arse when recruiting Ty Lee from the circus.

#lu ten atla #fire nation royal family #fire siblings #princess azula #prince lu ten #prince zuko #atla headcanons #fire nation siblings #fire nation #royal fire nation academy #dangerous ladies #azula analysis #let azula be happy.#cousin Lu Ten #azula character study

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muffinlance · 3 years

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I am sorry you can ignore this question if it has a to big answer. But do you have a theory why the white lotus wasn't really active before aang apared? Or do you have an idea how the organisation could have been used better?

Most likely the script writers didn't come up with them until later in the show. The White Lotus not yet existing in the writers' minds in Season One would explain Iroh's very weird canon depiction of "loving Uncle, who is simultaneously engaged in activities out of the Wani that would get him, Zuko, and the entire crew executed for high treason if Ozai caught even a single whiff". Would also be more consistent with Pakku saying "screw other cultures and united world progress, I'm going to throw hands over a fourteen year old who wants to learn techniques that in her tribe would have been considered totally appropriate for her."

Either that, or they just really, really had no idea how to handle them in a regularly meaningful way. But as an author who knows the signs of "didn't think of this until later and can't back-revise now", I'm pretty sure they just didn't think of them (or didn't think through their implications) in time for Season One, and were arguably still figuring out their role during Season Two.

Same with the "Dragon of the West" title: we're given two (and arguably implied a third) meaning--the fire breathing trick, title from killing dragons, and the implied one is "it's a nickname he earned during his conquering days, likely given to him by his enemies". The "title from killing dragons" meaning we get in Season Three doesn't jive with the Seasons One and Two mentions of the title.

This isn't a complaint against the writing team--these sorts of things happen to some degree in any work that evolves as it's written without the opportunity for revision. The show we got was AMAZING, it's just clear that every single background detail wasn't known from the start. Which. Normal.

In conclusion: there ain't always a good, coherent, satisfying in-universe answer for things. Sometimes it's just "writers be like that."

As for how the organization could be used better: that would lead to an extreme canon re-write starting from whatever point the writer chooses to say they gained such influential members. They have the rightful heir to the Fire Nation throne as one of their leaders, they could have ended the war years before Aang woke.

Since I dislike extreme pre-canon stories and would want to keep Zuko and the Gaang nominally plot-relevant, if I wrote this I'd probably choose the point of divergence to be right around Zuko's Agni Kai, and have Iroh recruited around then (instead of already being a high-ranking member, as he probably was in canon). All his background treasoning could then solely be for the sake of stopping his brother from further hurting their family and the world, which would be a very acceptable reason to treason all over the Wani.

#and this is why Towards the Sun Iroh #is stuck looking like a dick over the treasoning-while-on-the-Wani issue #do I think an Iroh with his nephew's best interests as his primary motivation would risk Zuko's life like that?#no #do I think the Grand Lotus could take a three year vacation in his already sketchy when-did-he-even-join-this-organisation timeline?#also no #in most of my stories I either ignore these artificially conflicting character traits #or play them for laughs to lampshade them #but Towards the Sun is gonna use the White Lotus as a major political player #so it's necessary to have Grand Lotus Iroh be accountable for his Grand Lotusing #analysis stuff

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stonesparrow · 3 years

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For the dr.stone x atla crossover I feel that even if Hyoga is or was a soldier in the fire army he wouldn’t have liked the idea of a nations worth of centuries of knowledge pasted down through generations being wiped of the face of the earth.

I just had a thought Hyoga could be a soldier in the fire army but he could also be a master instructor at his own dojo he inherited from his master kinda like master Piandao. He’s still a fire bender though.

Also I think I would be a cute and funny plot twist if he has a daughter who is still young but old enough to help fight and strong enough to thanks her dad training her. I think he’d be the same tough and cold character he is but he’s surprisingly tender, caring, gental, and kind to her in his own way that would just make the characters in the dr.stone universe jaws hit the floor lol.

Ah, you do have a point with Hyoga likely being disappointed that the knowledge of airbending was lost to genocide - all those ancient techniques would probably be really fascinating to him as a martial artist. Though I can also see him buying into the Fire Nation’s imperialist message of “we are the strongest nation, so we should rule over all the weaker nations.”

I like your idea that Hyoga is a fighting instructor, with his values he’d probably be something like Zuko in skillset - he puts a lot of effort into firebending, but also into spearfighting since he deeply respects the nonbender master who taught it to him. At the same time he has no time for people who either don’t take it seriously or are too weak to make a difference.

(More under the cut because this got long)

Him having a kid is an interesting plot twist and while it’s more twisty than I’d expect, I’m kind of intrigued by the potential it has. Though that also brings up the question of who the kid’s mom is, and when the kid was born (I estimate Hyoga’s age in DCST to be around 20-22). Homura maybe? Like...perhaps Hyoga and Homura were both fairly high class and had an arranged marriage, but while Homura fell in love with him as they grew up together Hyoga only respected her as a friend and fellow fighter.

And then if they had a daughter (maybe pressured by both their parents to produce an heir of some sort) it could make them both more complex characters. If the kid was really strong though I’d lean more towards an Ozai-Azula like dynamic with Hyoga impressing his values of “only the strong and skilled deserve to live,” onto her. Plus if we’re keeping relative canon ages then I’d estimate Homura to be 20, Hyoga to be 22, and their daughter to be 2 by the time Team Avatar shows up in the Fire Nation to do their thing.

However...I can see some potential with the kid turning out physically weak, and that throwing Hyoga’s values into wack.

Let’s say the toddler was born healthy and strong and an assessment by some Fire Sages said that she’d become an extremely powerful bender - this pleases Hyoga, since he can’t imagine having fathered a weak child with him and Homura’s combined firebending ability. And indeed, by the time the kid is two she shows signs of firebending power well beyond her age group, with Hyoga planning to train her into an extraordinarily strong warrior.

Except with such a strong fire at such a young age, the little girl suddenly falls terribly ill, having raging fevers and struggling to breathe. Hyoga’s ideals would tell him that such an ill child will die, and that’s that, the weak and ill perish while the strong survive. But he finds himself insisting that the kid will survive, because she’s strong, she has to survive. She’ll recover and become the strongest firebender this side of the Nation, not die a weakling.

Some time later, the Gaang shows up to Hyoga’s town to resupply. Pre-Zuko joining but maybe somewhere between meeting Piandao and encountering Combustion Man? Aang decides to visit the local firebending dojo (rip Sokka’s nerves) because hey, he wants to see some firebending techniques from actual benders, and he can tooooootally handle staying low key this time, honest! He encounters Hyoga and gets a fair bit intimidated by him, though Hyoga seems to approve of “Kuzon’s” highly adaptive martial arts style.

At some point, a messenger comes and Hyoga slips away. Being nosy, Aang follows them and catches enough of the conversation to determine that there’s a sick kid living in that fancy mansion, and relays his concerns to the Gaang. Katara immediately wants to investigate further - Sokka is again very stressed but understands that he can’t stop his sister once she’s made a decision (plus this is post Painted Lady and Katara is even more determined not to let children suffer if she can do anything about it). But when she tries the front entrance, the guards won’t let her in, even when she says she’s a healer. In fact, they deny that there’s a sick child at all, while Aang insists he didn’t hear wrong.

So Aang and Katara, ever the problem solvers, break into the mansion (airbending is super useful!) and find the kid’s bedroom. Katara assesses the patient - she determines that even with her waterbending, the kid will likely suffer from complications her whole life due to the damage she’s already sustained. Hyoga suddenly appears, asking them how they got into his house (he’s actually very curious, since they seemed to enter silently and without alerting anyone). When Katara excuses herself and says she’s a healer from the colonies (Aang’s explanation for how Katara has “special healing techniques unlike any other”) and just wanted to help, Hyoga says that he doesn’t need a healer, and that the girl will recover soon. Katara starts to argue and Hyoga starts insinuating that he could easily beat her in combat, when Homura shows up, pleading with Katara to save her daughter.

Hyoga and Homura start arguing, with Homura saying this may be their last chance and Hyoga saying that a true daughter of his would be able to fight off the sickness alone. Homura eventually asks if he’d rather have a dead daughter than a weak one, which makes him go quiet (Aang and Katara are standing there awkwardly watching all of this). Hyoga then calmly says that since they seem to be at a standstill, the reasonable course of action is an Agni Kai (Aang goes pale at this, while Katara doesn’t actually know what that is).

In the courtyard the Gaang watches anxiously as Hyoga and Homura begin their duel, which results in quite a few impressive displays of firebending. Homura however seems to be holding back slightly, more on the run than attacking. At one point Homura gets thrown on her back and nearly burnt, but Katara calls out to her, saying she has to win for the kid. She gets back up and starts attacking Hyoga with renewed resolve, and even Hyoga is surprised.

Hyoga realizes that as loyal as Homura is to him, she really is doing her best to win, even coming at him with direct shots of flame now. And since this is still Hyoga, he respects that deeply - she’s doing things “properly,” even though she doesn’t want to. He even respects that Katara was so dedicated to her role as a healer that she broke into his house just on the mere mention that there was a sick child there.

And in the very bottom of his heart, despite all the talk of strength and weakness and who deserves to live, he has a hard time realizing that he doesn’t want his daughter to die, even if it means she’ll be weak and reliant on others her whole life. This might be a little OOC for canon Hyoga, but hey, it’s an au and maybe if canon Hyoga did have something small and weak to protect, he’d be less of an ass to Senku and company.

So at a key moment in the battle, Hyoga pauses for a split second instead of dodging a blast from Homura and allows himself to be grazed on the chin, reminiscent of his revival scars in canon. It’s not a bad burn, and those watching closely realize that he let her win. Hyoga turns to leave, only saying that Katara will be compensated for her healing services and that they truly did things “properly.”

Katara heals the girl, saying that the fever is gone but her lungs are damaged and she’ll have breathing problems from now on. She’s paid a small sack of gold by a servant that she initially refuses, but takes in the end since it’d probably be good to have extra Fire Nation currency on hand. The Gaang leaves the mansion feeling...a little conflicted about the experience, honestly.

Meanwhile as Homura sits by the girl’s bedside Hyoga appears in the doorway, having treated his burn from the duel. An awkwardly long silence passes before Hyoga says he’s been thinking about the skills that "Kuzon” and “Sapphire” displayed, and that he’s considering buying a home in the colonies so he can learn about those types of skills (since Aang claimed they were from the colonies). He turns to leave, but not before offhandedly saying that the seaside air in the colonies he’s looked at might be good for their daughter’s lungs.

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crashingmeteorz · 4 years

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rich kid runaways (ft. yuexzukoxtoph friendship)

for my 100 Followers Celebration - credit to @aroacebitchboi for this amazing idea!

zuko faces his father in the agni kai, and when he is told what he must do in order to be welcome in his homeland again, he just says “fuck this” and runs away.

he’s not sure where he’s gonna go, just that he has to get out, and fast, because his dad’s gonna kill him. like. for real. so he stows away on a fire navy ship headed Literally Anywhere Else (and maybe the soldiers don’t care! because he’s 13 and hurting children is a disgrace! maybe they sneak him food and blankets idk!)

yue, meanwhile, in the north pole, has just been told she is going to enter an arranged marriage for the good of her people when she turns 16. respectfully, she asks her father what exactly this marriage will do, politically speaking. the north isn’t at war with itself, in fact they’re more united than ever. maybe if it were a southern water tribe boy, sure, but no, it’s going to be a northern boy.

her father just tells her it’s imperative to the stability of the tribe that they uphold tradition. yue, realizing this is bullshit, even at the tender age of 13, says “fuck this”, and runs away.

she is all but screwed without waterbending or any practical survival knowledge - except, she’s been chosen by the moon spirit. when she steals a boat and heads south, the moon takes pity on its ward and keeps her safe, at least on her waterbound journey. once she lands on the northern shores of the earth kingdom, yue depends on the kindness of strangers to survive.

zuko, meanwhile, is angry and mistrustful and afraid when he ends up on the western shores of the earth kingdom, and he depends entirely on his determination to survive. he learns to live off the land the hard way, and avoids major cities and towns for fear of being found out as a firebender. of course, if he’s ever spotted, he’s regarded with pity and empathy because of the festering burn on his face, but zuko doesn’t realize that.

yue never stays in one place too long, bouncing from family to family and learning more skills in a few months than she was ever taught in her whole life up north. she cooks and cleans and sews, yes, but she also farms and skins hunted animals and does house repairs. she is happily taken into homes because of her ability to heal - though never a waterbender, yue still learned basic healing with the other northern women, and can manage even bad wounds all on her own.

afraid she’ll be recognized by her vibrant hair, however, yue continues her journey south, considering running to the south pole for sanctuary. she wonders how their women are treated. zuko, meanwhile, lives alone in the wilderness most of the time, and moves very slowly up the west coast.

they’re 14 when their paths cross. three fire nation soldiers harass yue while she’s journeying along a rural road, asking her for a made-up toll. usually trading in work, yue has no money to speak of. the soldiers threaten violence, and, though he is afraid of being caught by his countrymen, zuko was never one to let bullies have power over the innocent.

he emerges from the forest, swords in hand, attacking the soldiers. at first it seems like he has the upper hand - and then he stumbles, and the soldiers laugh and pull him up to beat him. zuko panics and relies on instinct - firebending at the soldiers and burning them badly. they run away yelling, and zuko panics, certain that he’ll be caught out. he goes to run, but yue stops him.

“you’re hurt,” she says, pointing to where he’d been cut by the soldiers’ swords. “please, let me help you. it’s the least i can do.”

“you’re not scared of me?” zuko asks in confusion, looking around wildly, afraid his father will pop out of the trees and strike him down.

“you saved me,” yue says, just as confused, because between the rescue and the obvious burn mark, she doesn’t really think this boy would have any reason to hurt her. also he’s kinda shrimpy, and yue, who has built up some strength through hard work, is pretty sure she could take him. “come on, i have some herbs. is there clean water nearby?”

shocked that anyone in the earth kingdom wouldn’t call for zuko’s arrest on the spot, zuko leads yue to a stream in the forest. yue silently patches his wounds, and then eventually asks if she can get a look at his eye. apart from the initial work of the fire nation healers, zuko hadn’t really done much to treat his eye, and it’s so badly crusted he can barely see out of it. when yue reaches for him, he jerks away.

“i don’t need your help!” he snaps, standing and shaking himself off. “if it weren’t for you, i wouldn’t be in this situation to begin with.”

“excuse me.” says yue, standing as well, because who is he to talk to her that way? “i didn’t ask you for help, you chose to do that. and you’re mad at those soldiers, not me, so why don’t you try being a little nicer?”

they stare at each other furiously for a moment. then yue sighs and says “i think i can help you with your eye, so that you can see. let me do that and i’ll leave you alone.”

it’s painful, and a very slow process, but with water warmed by zuko’s bending (”just heat up the water.” “someone could see!” “we’re in the middle of a literal forest! who’s spying! the frogs???”) and a few medicinal herbs, yue manages to clear away most of the crust and dead skin over zuko’s eye. when he finally opens it again, he’s shocked to find that he can see.

“well, i won’t bother you anymore,” yue says huffily, moving to leave the forest. as she does, she realizes she doesn’t know where the heck she is. zuko’s still marveling at how different the world looks with two eyes.

“umm, which way is out?” yue asks him. zuko snaps back to reality and says “oh, um. i’ll show you.” because he is, admittedly, grateful.

of course, when they try to leave the forest, they run into bandits and barely escape. then yue reccomends they take a country road, and zuko reluctantly agrees, except they run into more bandits. after the fourth round of bandits in two weeks, they’re convinced they’ve been cursed with bad luck.

“can we just go to a town or a city?” yue asks, panting from their desperate escape. “we’re not having much luck living in the wild.”

“i was fine until you showed up!” zuko retorts, panting as well. “fine! then i’ll leave!” yue yells back.

“wait,” zuko says, and yue turns, tapping her foot impatiently. “i’m sorry,” zuko says, to yue’s shock, because if her few weeks with this kid who calls himself lee has taught her anything, it’s that he does not apologize. “i don’t really...understand, um, local people and-“

“let me do the talking,” yue says, gentle as always, reaching for zuko’s arm. he smiles at her, a real, happy smile, and they make their way to the nearest earth kingdom town.

after that, yue and zuko are inseparable. they argue a lot, naturally, but they become good friends, too. yue says she always wanted a sibling, zuko says he always wanted a different sibling, so it’s nice, to have each other. without going into too much detail, they bond over their shared experiences of pre-determined destinies and overbearing parental figures (“my father said i have to get married for the good of the people! what does that even mean?” “tell me about it, my father got mad that i talked out of turn, so he tried to kill me.” “...he what?” “hahaha just kidding that’s not a normal thing that happens.”) no matter how scary it gets, they agree, the earth kingdom makes them feel freer than they ever have before.

does the food they cook suck because they’ve never had to cook in their lives? yes. do they sometimes put all four feet in their mouths because of how they speak to the poor people of the earth kingdom? yes. have they ticked off a lot of fellow teenagers for acting bratty? yes. (“what, so, you don’t have palaces around here?” yue asks. “yeah, where are the royal gardens?” zuko asks. “leave before we rock your shit.” says Every Teenager They Meet.) but at the end of the day, they’re happy.

at 15 they reach a city called gaoling. by now they can both do enough odd jobs that they always have some pocket money on them, although yue still struggles to behave in a way that isn’t dainty and delicate, and zuko still struggles with basic social skills.

they’re getting ready to move along, when they’re stopped by a girl. she’s young, about 11, and entirely blind. she’s being chased by a loud crowd, who seem to be just around the corner.

“please!” the girl says. “help hide me! they’re after me! i think they’re going to kidnap me!” yue and zuko, who are the captains of the child-protection-squad, immediately move to protect the girl.

“this way!” zuko says, and the three of them run down narrow streets and alleyways, in and around shops, until they’re stopped at the city gate by the mob going after the girl.

“alright, kid,” the leader, a tall, buff man with long greasy hair says. “you’ve stolen from us for the last time.”

“how many time do i have to tell you?” the girl bellows, much different than her sweet and innocent pleas from before. “i won fair and square! you’re just mad because you got your butt kicked by a little girl!”

before zuko and yue can even react, the girl pummels the mob of men with an avalanche of rocks, and then launches the earth they’re standing on into the air, landing them far outside of the city limits in a dizzying display.

“woo! that was awesome!” the girl says gleefully pumping her arms. zuko and yue are both trying to wrap their heads around what just happened. “thanks for the help. not that i needed it, i just didn’t want my parents’ guards to see me bending...i wasn’t really planning on running away, but, i mean, i doubt they’ll even notice i’m gone-”

“just a second,” yue says, collecting herself. zuko’s jaw is still hanging open. “who are you?”

the girl grins smugly. “name’s toph. who are you?”

i cannot fully express how much i love this idea. top-notch. god-tier. thank you again!

#rich kid runaways #100 follower celebration #zuko #yue #toph #atla #avatar the last airbender #life happens wherever queue are

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hella1975 · 3 years

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I'll be Good

First of all - I accidentally unfollowed you when I was trying to find a way to submit a post on the desktop version. This place is a mess.

Second of all - I don’t know if this song is on the TAOB playlist but?! it needs to be.

Third of all, and the original reason why I’m here–I’m going to analyze a song. I’ll be going by verse because…otherwise this would get way too long. (Also, I may get some details about TAOB wrong. I’ve just…never reread it because ~emotional damage~) (I’m also sorry about my rambling thoughts)

I thought I saw the devil this morning / Looking in the mirror, drop of rum on my tongue / With the warning to help me see myself clearer / I never meant to start a fire / I never meant to make you bleed / I’ll be a better man today.

Cool…okay, no I’m not okay. Zuko, at multiple points during canon-verse and TAOB is angry at himself, right? He sees the destruction of the Fire Nation, the ruin that they have caused for others. In a way, he sees himself as a devil. He’s angry with the person who he was born as and how he acted for the first…sixteen? years of his life.

The “drop of rum on my tongue” just reminds me of Zuko and Tom Nook breaking into the rum supply but–it could also be a way to forget? Alcohol is generally had when people want to forget their problems…or to party as you do. So…Zuko wanting to forget he’s a devil?

A warning–from Hakoda and the Water Tribe, basically. Hakoda basically told Zuko at the beginning that if he didn’t get his shit together, there would be consequences. With these warnings, Zuko toed the line and eventually won the hearts of the Water Tribe and, saw himself clearer (until Book 2…)

“Never meant to start a fire” (looks like I really am going line by line…whoops. Apologies, this will be long) Zuko ended up burning Tomkin on accident, started a fire in the Water Tribe’s hearts (passion = fire), and ended up burning down the library. He’s terribly sorry about burning Tomkin, he thought the Water Tribe had forgotten about him in prison (thus being sorry that he gave some kind of hope to him ever changing), and was forced into the decision of killing Fong so Fong could never hurt anybody else again.

“Never meant to make you bleed” - he killed Fong. He meant to make him bleed, yes. Meant to kill him but it still scarred the boy (nightmares in chapter 29). Not only that, but leaving had hurt the Water Tribe and Azula, and, in a way, made them bleed from leaving.

“I’ll be a better man today” - Zuko wants (wanted? He’s kinda lost hope for himself in Chapter 29) to be a better person. He enjoyed his life with the WT. And, in a way, he’s begging, pleading, that he could be a better man, that he would change for them…We all know Zuko is reunited with the WT, eventually, he’ll be a better man for them then :3 (THIS IS NON-NEGOTIABLE, HELLA)

I’ll be good, I’ll be good / And I’ll love the world, like I should / Yeah, I’ll be good, I’ll be good / For all the times that I never could

Again, Zuko is stating that he’ll be good.

“I’ll love the world, like I should.” - he had been raised into the Fire Nation royalty; he harbored nationalism, contempt for the other nations, but once he understood the destruction the Fire Nation had caused, he understood that other nations (and thus, the world) should be loved…until fucking Fong. I don’t care if he’s dead, I’m killing him again.

“For all the times that I never could” - …The meeting before the Agni Kai, anybody? He tried to be good then, to save the lives they were sacrificing, and was scarred in return. After, he had been relentlessly searching for the Avatar with an attitude only a teenager could have…but about 20 times worse. And then, in my mind, this is pre Fong murder (kinda still in that range because he was telling himself he would kill Fong for Zi Se…being good for Zi Se but not Fong…but he also left Zi Se) but post the South Pole visit. After that, he ended up catching lightning and begrudgingly accepting friendship from the WT.

My past has tasted bitter for years now / So I wield an iron fist / Grace is just a weakness / Or so I’ve been told / I’ve been cold, I’ve been merciless / But the blood on my hands, scares me to death / Maybe I’m waking up today

SO MUCH IN THIS VERSE NFJKLHDSKANBKL

“My past has tasted bitter for years now” - “You were lucky to be born”, Agni Kai, scar, relentless searching for the Avatar, his mother leaving, watching Azula grow from an innocent child into what she had turned into. Huh…I wonder what in Zuko’s past could ever taste so bitter. And in recent moments, FONG

“So I wield an iron fist” - he keeps his emotions and thoughts buried under a rock, not letting just about anybody see them. He kept secrets–him liking boys, the scar, etc.–taking extra care to keep them hidden. Care…like an iron fist? Huh, interesting.

“Grace is just a weakness / Or so I’ve been told” - Grace, I believe in this line, represents the mercy that Hakoda and the WT shared. Zuko had told them to kill him where he stood and after that had thought Hakoda and them were being weak…in a sense. That’s what I remember happening. He also thought that if Azula had been in that situation, she would have already rescued herself–mercy was a weakness, he should’ve died. It would be a better sign to his father that he died still believing in the Fire Nation that to be shown mercy/grace from the Water Tribe Savages… or so he had been told. His mind had changed, obviously, but yeah.

“I’ve been cold, I’ve been merciless / But the blood on my hands, scares me to death” - Two people…two things. One - Fong, obviously. He was cold and merciless when he killed him and yet, he also scared himself. It was something that had to be done but now he’s more traumatized than he had been. Two - Lee. He may not have outright killed Lee but for a while he had believed it was his fault…he may still believe it is his fault because Zuko is Zuko and Bad at Feelings. It was his actions that had caused Lee to be killed, and that makes him regretful, scared in a way.

“Maybe I’m waking up, today” - His nightmare about Fong, about that moment. But also at the end of chapter 29, he realises he needs to get out of the Fire Nation, therefore waking up. He knows the Fire Nation is bad already, but now he realises he needs to escape.

For all the lights I’ve shut out / For all the innocent things that I doubt / For all the bruises that I’ve caused and the tears / For all the things that I’ve done all these years / For all of the sparks that I’ve stamped out / For all the perfect things that I doubt

Lights = good things, yeah? How many good things has Zuko refused for himself? In this fic and in canon or other fics? Ma'am, I don’t have enough time to explain this. He effectively denied himself happiness all the FUCKING TIME. Fucking Hell, Zuko. I…don’t know what to do with you.

“Innocent things that I doubt” - how much pain has this child gone through? He’s probably start to see enemies in anything and everything (the doctor at the White Lotus camp, as one example. He was innocent enough, just wanting to help). Zi Se’s been through some shit, that kid ain’t innocent anymore. Zuko knows that Zi Se’s innocence had been tainted but he still wanted to protect whatever was left. And fucking Azula. Azula had once been an innocent child, and now she has grown up exclusively raised by Ozai. Her innocence has been tainted.

“For all the bruises that I’ve caused, and the tears” - Zuko has hurt people, whether he was trying to do the good thing or not. He fought, other people felt sorry for him (not pity. But there were still tears), he probably caused a bruise to Sokka or others when he was searcing for the Avatar.

“For all the things that I’ve done all these years” - He’s…done a lot throughout the years. We don’t know what exactly he did. He had never killed, but he had probably done something he regrets.

“For all of the sparks that I’ve stamped out” - He…stamped out his own sparks, his own fire. He dropped the tea leaves and tried to save the Water Tribe and this moral dilemma caused the absence of his fire.

“For all of the perfect things that I doubt” - I–there’s nothing perfect about this world or the next. But…there’s so much happiness he has doubted, so much good in the world that Zuko has thrown away.

And through all of this…he now wants to be good…and he will be. We know that’s how TAOB will end.

Anyway, this turned our really long, sorry about that. This song came on and I was listening to lyrics and I just about died.

(Also, I spent about an hour on this. This better not disappear in your inbox.)

#i am once again having to confine my response to the tags #but HELLO???#I LOVE THIS??#i actually adoreee this song and it never fails to smack me across the face #but it's one of those typical angst songs that winds up in character playlists and i wanted the taob playlists to be more of my own genres #if that makes sense #but that is literally the only thing stopping this being in them #because as you said here BEAUTIFULLY #this song fits so so so fucking well #like every damn lyric does #and just after EVERYTHING how zuko wants and has always wanted and his character boils down #to just this desire to be GOOD #to be gentle and kind and loving and enough #no matter what he goes through #it's something that can actually be so personal #im not crying my eyes are sweating fuck off #music tings #taob analysis #submission

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lesbianavatarverseimagines · 4 years

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You Left Me - Part 1 of 2

Pre-Redeemed!Princess Azula x Reader

Anon Asked:

Could you do an AzulaxReader where the reader grew up with both of the royal children and always kept them in place, especially Azula, knowing that she had mommy issues? As they get older and grow closer, the reader is suddenly declared dead after her war ship is blown up before Azula is named Firelord, which is the last strike to Azula losing her mind during the final battle? Thanks AJ!

The events will be stretched out so that I can make them older during the canon events!

(A/N: I’m kind of surprised by the requests I got overnight, but I love it! Thank you everyone! I love you guys! The next one will either by Mai, Kyoshi, or Rangi! If I’m up to the task, I may even do all three haha - AJ)

***

It all started with my parents selling baby me to Fire Lord Azulon. Apparently they needed money that bad and wanted me to have a 'better life' knowing damn well I would probably become a palace servant. However, the Fire Lord seemed to take pity on me after learning that I was a firebender at the young age of 2, when I started learning to cook. After I impressively firebreathed at my caretaker, who refused to give me a chili pepper, he immediately heard of the incident and placed me in the care of General Iroh, who was to train and teach me the arts of firebending.

At the impressive age of 5, I’d mastered fire using non-conventional forms. I studied waterbending and airbending forms and used those to make me more effective as a master of the arts. I also took great pride in Iroh’s teachings of the mind, body, and soul. It opened my eyes to the great things I could accomplish if I had the ambition. I was also introduced to Prince Zuko and Princess Azula, the royalty that I'd be personally guarding once my training was finished. They both latched onto to me very quickly, as I had that playful charm, but a powerful aura that made them feel safe.

***

By the time I hit 8, I was made the personal guard of the prince and princess.

“You are to guard them with your life and keep them in line, behaviorally and training-wise, Private L/n. They are to respect you as they would me. You know what to do if they do not.” Fire Lord Azulon had told me during my official inducting ceremony. I bowed, honored to have been given a position that thousands of so-called 'masters' fought so vehemently for.

As soon as I was dismissed, I ran to the courtyard where Azula and Ty Lee were doing somersaults. Mai was sitting against a tree fiddling with her fingers while Zuko walked with his mother, Ursa. As I walked over to the three girls to tell them the news, I watched Azula fail to stick her landing. As a result, she retaliated when Ty Lee landed perfectly by pushing her to the ground. I stopped walking once I reached them and gave Azula a stern look.

“Azula, you need to stop being mean to your friends. Just because you’re a princess doesn’t mean that your behavior is acceptable.” I grunted out. She stopped laughing after seeing that I was completely serious and helped Ty Lee from the ground, apologizing after. Azula then skipped over to me and gave me a hug before waving her friend over.

We huddled together for a second before she whispered, “Watch this.” She skipped over to Ursa and urged her to let Zuko play with us. Once he came over, Azula demonstrated the ‘game’ that we would be playing. “We have to try to knock the apple off the other person’s head, like this!”

She shot an orange flame at Mai’s head and caught the apple on fire, prompting Zuko to panic and save Mai from catching on fire. However, he ended up tackling her into a water fountain that was behind them. Azula, Ty Lee, and I laughed and started cooing them until they walked away in embarrassment.

***

At the age of 11, we all learned that General Iroh’s son had passed away during battle and that Iroh was coming home. It hit home for me, as Lu Ten acted as my older brother after I was taken in as Iroh’s pupil. Time seemed to pass by very fast until I was suddenly in the throne room of the palace with Prince Ozai, Prince Zuko, Princess Ursa, Princess Azula. Ozai had requested an audience with Fire Lord Azulon to show the advancement of his children’s skills.

As usual, Azula excelled like a master in the making, but Zuko wasn’t at the same level yet. In the end of it, Azulon ordered me to escort the kids out of the room for a private discussion with Ozai.

While we walked out, Azula grabbed my hand and we all snuck back in to listen. I didn’t really pay attention to the heated conversation between father and son, as I was solely focused on the princess’ hand in mine. At some point, a frightened Zuko ran out, but Azula and I stayed until the discussion was over.

We ended up walking to my room, which was between theirs. After I closed the door, I sunk to the floor. I never got to express my grief about Lu Ten’s death because I was constantly expected to never show deep emotion. I forgot that Azula had come in with me, so she watched as I quietly broke down in sobs. It almost surprised me when she sat next to me and cradled my shoulders in comfort, knowing that I was going through a hard time. She didn’t say anything even after I was done and helped me out of my armor and into bed.

“Get some sleep, Y/n. A lot of things are going to be happening tomorrow.” She said as she walked out and closed the door.

***

At the age of 13, Fire Lord Ozai challenged Zuko to an Agni Kai, making me jump up during the war council to object, as it was my sole duty to defend the prince, no matter who it was to. “No! As my duties pertain, I am the one who will participate in this Agni Kai! The prince shall not be harmed, my Lord!”

Fire Lord Ozai widened his eyes for a split second, surprised that one his most trusted and obedient guards was speaking out against him, during a war meeting nonetheless.

He fumed. “It may be your duty to protect Prince Zuko, but he needs to learn discipline! I will give you a day to train him before the challenge, but that is the only mercy I will give. Now, take him and get out of my sight, Private L/n!”

I grabbed Zuko by the upper arm and pulled him up. I then dragged him out of the throne room that had noticeably grown hotter in temperature.

Once we were far away enough, I led him to the training grounds and punched a purple fireball at him, catching him off-guard. He yelled and dropped flat on the ground, narrowly avoiding the flames. “What are you doing?!”

I angrily got into my stance. I bent my arm to where my right elbow was next to my ear with my fist parallel to the side of my face. My left arm stuck out like a punch, except my hand was opened rather than in a fist. It matched Zuko’s stance since he took inspiration from me and wanted us to have an identical fighting style.

“Fight me.” I growled angrily. “Iroh and I warned you not to speak up during the council, yet you did! Show me what you’ll do during the Agni Kai, Zuko!”

He shakily got up, realizing how angry he’d made me. He got into his stance and sent weak firelashes toward me, not putting enough momentum behind his strikes. I cut through the fire in a rage, not caring that it was burning my skin. How dare he be so weak when he had an Agni Kai tomorrow!

I firebreathed at him with what sounded close to a dragon roar. The flames spread everywhere as my anger only rose. “Y/N!” Solid arms wrapped around me, cooling me down a little bit. Azula yelled through the roaring, “Y/N, STOP! YOU’RE HANDS ARE BLEEDING!”

I listened to her on command and realized that I had obliterated most of the training equipment. Zuko was lying on the pavement again, cowering in fear while Azula held me in place. Wetness ran down my face uncontrollably. My brother would be no match for the general he was to face and I wouldn’t be able to protect him. Another person I care about would die tomorrow along with my honor.

How dare he?!

***

At the age of 16, I was promoted to captain and given my own ship to command. By this age, I'd begun to hate Fire Lord Ozai with a passion.

A while ago, during the Agni Kai, everyone was surprised when they found out that Zuko would be fighting his father rather than the general he spoke out against. When Zuko bowed and started begging for his life as Ozai approached him, I’d gotten up and almost ran on stage until the same solid pair of arms wrapped around me and held me in place again.

“I’m sorry, Y/n, but he has to do this on his own.” Azula had said. As much as I’d grown to love her, I had to disagree. He couldn’t do this on his own. He was a child, as were we.

I flinched away from the memory, focusing on my current mission at hand. I was to find Zuko and bring him back to the capital, as he and Iroh were both apparently traitors. Honestly though, how surprising. You give him a huge scar and then banish him, expecting him to remain loyal to you?!

I scoffed in contempt. Once I completed that task, we were to find and retrieve the Avatar, dead or alive, which was something I was wholeheartedly against.

I sighed and rubbed my forehead as a familiar voice spoke out from behind me.

“Are you just going to sit in here and sulk all day, or are you going to train with me?” I heard Azula say from the doorway of my room. I chuckled and turned around to see her giving me that signature smirk.

Azula was to be the successor of Ozai instead of Zuko, as she was the promising prodigy. Ozai tried turning her into a monster, but I was the line that he couldn’t cross. Part of the reason why he promoted me was to get me away from her so that he could turn her, but she always found a way to be at my side and get my advice. I knew she was a ticking time bomb due to the level of her father's abuse, but I loved her too much to leave her on her own. I wouldn’t let her turn into her father so long as I was alive. And that was what I worried about these days.

I smiled and bowed, to which she snorted. “Of course, O’Princess Azula. We shall duel!”

She came over and kissed my cheek before grabbing my hand to lead me away from my thinking. “I am glad that you think of me so highly, Captain Y/n.”

***

After I’d turned 19, Sozin’s comet was nearly here. I was to participate in the raid on all of the nations and burn it all to the ground. I, of course, wasn't going to do that and had joined Team Avatar to stop Ozai.

Azula didn’t know that I switched sides, as her father sent me away a couple months ago on a ‘scouting mission’ before declaring her Fire Lord and then declaring himself Phoenix King. I knew that she would be stressed under the weight of the title without me there, so I tried my damndest to go back to her and convince her to switch sides. However, fate decided differently.

An explosion rocked my ship and soon sent me spiraling into blackness.

I’ll find my way back to you, Azula. Before it’s too late for you.

***

(3rd POV)

As soon as Azula learned of your death, she broke. Her mental state completely broke into pieces right before her.

She banished everyone from the palace and went into a frenzied state, seeing you and her mother everywhere she looked. She’d just got done cutting her hair when she looked in the mirror and saw you smiling. Illusion!You didn’t even have to say anything for her to start crying uncontrollably. Why did the fates have to be so cruel? You should be here ruling at her side!

When she blinked, it was her mother, Ursa, standing in your place, telling her that she was loved. A brush was thrown at the mirror and shattered the glass on impact.

After Azula got dressed and went outside for her coronation, the ceremony was stopped by her annoying brother, Zuko, and Katara, the Water Tribe peasant.

"You want to be Fire Lord? Fine, let's settle this. Just you and me, brother, the showdown that was always meant to be; Agni Kai!"

Zuko agrees to the challenge after seeing that something was off about her.

"I'm sorry it has to end this way, brother." Azula growls out.

"No you're not."

***

Once the battle was over and Azula was in chains, she started thrashing around while screaming and crying. "Y/N!" She sobs. "WHY?!"

Why did you have to leave me?

***

End of Part 1.

(A/N: I hope you enjoyed!! I actually cried a little bit with this one. Azula deserves a redemption, so I'm gonna give her one since they did her dirty in the comics ;). Azula is 18 at the end of this but will be 19 in the next part, while you'll be 20. Part 2 will most likely be uploaded later today 8/15/20!)

As always, REQUESTS ARE OPEN.

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maiselous · 4 years

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Observations and love notes from my Avatar re-watch:

Katara is the glue. I’m not gonna list off everything she does for people bc that would take forever but she is the reason everyone arrives anywhere (North Pole, Ba Sing Se) in one piece. She’s also the reason why. She got the boy out of the iceberg. She was Aang’s impetus.

That being said, something I love about Kataang is that just because Katara is maternal and Aang is a goofball doesn’t mean she has to actively take care of him. He’s not like “lol I’m so inept what would I do without you”. They’re functional humans is all I mean.

This is not to take anything away from Sokka. He is my favorite person who is not Aang and those memes about how the story would be like 1/10 the length if Sokka had more power are TRU. That being said, he can’t sew.

“You have to master the four elements to defeat Firelord Ozai. And when you do, I hope you think like a mad genius!” -Bumi in s01.05 Me, has seen Aang energybend: UGHHHHHH

The older I get the more I discover the levels of almost Tolkien-esque attention to detail. This applies to the lore to the world-building with very specific real-world inspirations to the music. Y’all heard the Cave of Two Lovers theme sewn into that last tune before Aang and Katara kissed? Taiko drums used in cultural motifs partly inspired by pre-Meiji Japan? Oh yeah.

Fucking Jet. What a charmer. What a troubled child. I love him. I love the Freedom Fighters. I love their little Lord of the Flies society and their ends-justify-the-means ideology. They’re a microcosm of a world ravaged by war and hate and the fact that these are basically child soldiers and gangs??? I mean, thanks Nickelodeon??

Yeah you know what? Disney would never, and that’s why all they’re shows and movies are milquetoast as fuck.

Why the hell do people dislike the Cave of Two Lovers. It’s literally one of the funniest episodes on the season and the story of Oma and Shu is gorgeous???? Even if you’re not into Kataang this episode is lovely dammit.

I also appreciate how earthbending, the roughest toughest element, was started by a romance.

I like Toph a lot more now than I used to... what was wrong with me back then? (I sound like Katara.)

It’s actually really really interesting to me that most people refer to Aang’s people as the Air Nation while Aang, who is one of them, calls them Air Nomads. Yes it speaks to the general perception of Air Nomads, but “nation” and “nomads” are basically contradictory and is an extremely reductive way to look at them.

Iroh was clearly never meant to be Firelord because there’s not “z” in his name lol

Hector Elizondo as Wan Shi Tong. That is all.

Notice how Azula always fights dishonorably. For all of Zuko’s obsession with honor and integrity, Azula has no problem with it. She literally didn’t hesitate to kill the Avatar from behind while in the Avatar State, and purposefully tried to kill a bystander during an agni kai.

Book 2 is the best. Book 3 was great and the final 4 eps elevates the show to literal god-tier but the first half was kinda meandering until Black Sun.

This fandom resurgence is fucking fascinating. I’m looking at returning fans as well as newcomers and it seems like Zuko is the fave. It’s absolutely for good reason, but I can’t help but wonder if part of it is because so many of us see ourselves in him? I dunno. Zuko--at the beginning--is angry, lost, and desperate. I can connect with that on some level. I’m just curious why it’s almost unanimous (right now at least). Let me know, honestly.

If this show is about balance, then it’s explored through all kinds and all levels of friction: - individual vs. community will (i.e. Katara vs. Northern Water Tribe) - subtle friction between Buddhist and Confucian ideals (”you must learn to let her go” vs “power and perfection are overrated”) - Pacifism vs. Justice-by-any-means (This is a tough one to unravel. Like, I’m definitely not qualified to get into these philosophical weeds but you guys have met Jet and seen Book 3 so you know what I mean.) - This all speaks to the overall friction between Aang’s identity as the Avatar and his identity as The Last Airbender. It’s gorgeous. (God I have a lot to say here, more to come.)

I think a big part of what makes this show satisfying is the fact that all the plants have reasonable payoffs. Everything in the finale feels like a culmination of everything we’ve seen leading up to it. Nothing feels out-of-left-field; Azula’s descent, Aang and Katara’s relationship, Zuko’s rise. Even the energybending. (more on that too, later) Other showrunners and writers take notes.

#i know I have a lot more thoughts this is just what came out rn #please comment i wanna hear your thoughts #i'm absolutely on this shit rn #avatar #avatar the last airbender #a:tla #atla #aang #katara #sokka #zuko #azula #ozai #toph #avatar aang #avatar rewatch

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geraniumsandheliotropes · 3 years

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Fic recs

God knows I depend on these lists like crazy so here

ATLA

For Hearth And Home by Haicrescendo

[There’s a child underneath Fire Lord Zuko’s desk.

He doesn’t realize this until he sits down and tiny hands wrap themselves around his ankles, and Fire Lord Zuko definitely does not shriek and backpedal away at the unexpected touch.

He definitely does do that but Gou, the single guard he’s agreed to let shadow him, is kind enough not to mention it.]

Or,

In which Fire Lord Zuko is a total mess and somehow people manage to love him for it anyway.

tuesday, 2pm, the tui and la cafe by lesmiserablol

Zuko spends the whole walk to the local cafe reminding himself that he loves his Uncle Iroh and he would do anything for him.

Including going on a blind date to get him to stop nagging Zuko about his love life.

Now with a companion fic: the tui and la cafe, 2pm, tuesday

One Coffee Please by Phantoms_Echo

“H-hey-!”

The person squeaked as they fumbled with their phone.

“Sorry, I’m really sorry! But I need you to pretend to be my girlfriend. My sister is bringing my ex with her in a surprise ambush and I really don’t have another choice,” Zuko explained quickly, eyes on his coffee. “I will pay you. Just, please go along with this?”

“… I can’t,” the person said.

“What?” The answer brought Zuko up short. In the face of money, most people never said no. Keyword being ‘most’. “Why not?”

“Um…” the person wavered. “I’m a guy?”

All I Want Is Ice Cream by Trying_for_Sunshine

All Zuko wants is iced cream. And if he uses some Blue-Spirit sneaking skills to get to iced cream, well, that’s better than the entire palace waking up just because their Firelord had a midnight craving (better for him, less awkward for him, at least, in theory). Rated T for swear words.

Legacies by WildInkling

Long after the events of Avatar: The Last Airbender, a lone historian finds the personal journal of Prince Zuko. Little does she know that he was also the mysterious anonymous author who took the world by storm. The world will never be the same. Inspired by and directly links to aloneintherain's Writer Zuko AU.

Like a Baby Shirshu by mindbending

Despite the fever and the barely-healed burn scar, the boy’s fast. June avoids his blade, but still he jams his limbs into her, desperate to scratch and kick and bite off her hand…

(Just like a baby shirshu, spitting poison from behind the bars of its cage. The comparison shouldn't be so endearing.)

Or: the AU where Zuko flees the palace after his Agni Kai, running right into Nyla and June.

The Witcher

all some children do is work by some_stars

It's two children, he realizes as they slowly sit up. They look about eight or nine, not that he's much judge of children's ages. One is a girl, dark-haired, in a shabby dress. The other is a boy. His clothes aren't much better, and his hair isn't much lighter than the girl's, but his eyes—

His eyes, Jaskier realizes with a distant sense of horror, are gold like a cat's. His mind makes one more valiant effort to keep from connecting the obvious dots and recognizing them, and then it finally does.

"How in the unholy fuck," Jaskier says to no one, "did this shit happen?"

Cat and Wolf by Ledgea

Vesemir likes the peace and quiet of a summer alone at Kaer Morhen. So he's a bit annoyed when a cursed into a wolf Lambert disturbs his peace. And the Cat that is accompanying him clearly doesn't make the situation better. Cue stupid shenanigans, cuteness and some petting.

Marvel

With One More Try (Can We Start Again) by Infinite_Monkeys Loki's attempt to conquer Earth has, to his great dismay, succeeded spectacularly. When Thanos sends him to collect the Time Stone, he strikes a deal with the Stone's keeper: he'll be sent back to the beginning of the invasion, and this time, armed with knowledge about his opponents, he can lose properly.

Or: a time loop fic in which Loki does increasingly desperate things to try and get the Avengers to defeat him already.

AFTG

Best of You by just_chiara

AU where Kevin never found his mother’s letter and doesn’t know that Wymack is his father. Starts pre-series, half-way through Kevin’s freshman year at Edgar Allan and Jeremy’s sophomore year at USC.

#blease give these authors some love #theyre all so talented #fic recs #Avatar The Last Airbender #atla #the witcher #marvel #loki #all for the game #aftg #fics #mine

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mylordshesacactus · 4 years

Note

Can you share more about fake avatar guy in your AU if you’re up for it?

This one’s been sitting in my inbox until I got a chance to think about it!

Fake Avatar Guy (TM), the Firelord’s son.

The awful thing is--when you have connections, it’s so easy to fake.

This is before the White Lotus, before there was any formal system in place to identify the Avatar. Oh, the Sages, of course--but as evidenced by ATLA, even Sages can be corrupted. And this was at least a hundred years pre-Kyoshi; systems of communication and formal methods of identifying Avatar candidates, especially if the spirit reincarnates in a distant rural village, aren’t up to the level we see by Aang’s time.

It’s so easy to fake.

Especially because of the simple fact that the Avatar is not traditionally told their identity until they’re sixteen.

So...it takes some doing. I genuinely don’t think the Firelord knows about the deception, because I don’t want to make the Fire Nation the “big bad” again and because I’m so in love with the image of leaving an episode on a cliffhanger of the Firelord standing with all his guards outside Girlfriend’s house...and then they show up safe and sound, because he was never the enemy.

But also, a twelve-year-old raised by that person would not come up with a plan, on his own, to pretend to be the Avatar.

By the time we hit the series proper, the kid’s deeply invested in the scam because of the influence and false respect it earns him, but it was clearly thought up by some adult ringleader. He was clearly, at first, manipulated.

And it’s....so easy. Get extremely skilled benders from all four nations, benders who can, like Bumi, bend the elements with very small or nontraditional movements. Present them as non-bending specialists. Get your “in” at the palace--some advisor or other, a power-hungry noble, someone close to the prince--to place them as the young prince’s bodyguards.

Wait. Wait for at least six months. So that when the kid makes a movement and an element suddenly bends that isn’t fire, the change won’t be directly tied to these new guards.

And well, no need to find some SAGES to confirm his identity, not anymore. It’s pretty obvious. Look! The kid’s waterbending!

There will be sages who know the truth, of course. Who can tell that the Avatar spirit is absent here...but there are these extremely dangerous specialist guards, and these are only the handful directly assigned to the false Avatar. And it’s immediately obvious that there’s a deadly powerful spirit magician on hand, as well.

oh, you could decry the false Avatar. You could search for and seek to protect the real one.

And you would lead this extremely dangerous, well-organized small band of benders directly to the real one. Untrained, and undefended.

They choose not to. They pray, fervently, that the true Avatar knows to hide.

I think....that the final confrontation is not a boss fight. Not even full Last Agni Kai style where it’s just sad. I think that ultimately a major theme here is going to be not like, a Big Bad represented by one nation, but...the final confrontation, the final battle so to speak, the finale--it’s going to be about unity. About the community protecting itself and one another against forces trying to divide it.

I think the true Avatar is capable of understanding that the false one, while responsible for his actions...was also manipulated. And has been led to believe that he has no other value.

I don’t know whether she has to kill him. It’s possible he’s not even a bender at all and never was, and when his “guards” are taken out he can be apprehended by the airbenders without causing further harm. It’s possible she talks him down. I’ll admit, I don’t know the “plot” of this story past about mid-”season two”.

It’s possible, if so, that he’s the one who gets casually taken out during that attack on the Air Temple, a blow from his own side to silence him. It’s possible he is the one our hero is healing when she finally unlocks the Avatar State.

I’m not sure. I think his intentions have been malicious, I think he’s been an active collaborator. But in order for the deception to work, he HAS to have been indoctrinated into this from a young age. Our hero is, maybe, nineteen when the story opens. He’s by definition her age. And he has to have been firmly established as the Avatar by age sixteen in order to pull off the deception, and the fact is that a fourteen-year-old boy uncoached could not pull this off. He’s responsible for his own actions, but he--like Azula, frankly--is also a victim.

I don’t want to portray him as evil. I want to portray him as a kid who was an entitled bully, and is mad that his power has been taken away, and for most of this has absolutely been out for revenge because he just lost everything. But I want to tell a story about how there is no such thing as having gone so far in that you can’t stop and choose to do better from now on. And...frankly? I think there’s a difference between being an entitled bully, and being willing to set children on fire.

I think there’s a lot of space between being a good person and being irredeemable. And that there’s a lot of space between being irredeemable, and being forgiven.

Listen...he’ll never be Firelord after this. I think it’s very possible that, when the dust clears, especially if the true Avatar saved his life, he’s only too willing to let his younger sibling take his place and quietly disappear. Become a person.

He’s had enough of chasing a destiny. It brought no one anything but pain.

His family doesn’t...wash their hands of him. But he did some shit, y’all. At the very least, they’re gonna need some time before they welcome him back. He doesn’t like, become an Atoner. Zuko this dude is not. But there’s a place for him in the world as a human being.

You become the person you choose to be, and that person is shaped by the community you choose to be a part of.

It’s also possible that she offers him this choice, and he rejects it. That--honestly, more than anything that would put her in the mindset of “I can’t do it, I’m not a real Avatar”. That she saves the Air Temple but doesn’t feel like it was a victory, and then is narratively given a chance to realize that the Avatar is more than a weapon, that her power can be used in a way that brings her and others peace.

You become the person you choose to be. She’s going to try to talk him down. And he’s going to make a choice.

#atla thing #long post #jedimasterjaina

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liv-of-the-earthkingdom · 4 years

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azula

from early childhood, azula was already seemingly shaped for royalty, she was her fathers favourite and a fire bending “prodigy.” while no one is born “evil,” azula is a perfect example that a child can be corrupted and became evil through pressure and responsibility. it certainly seems that azula was always supposed to be fire lord and that zuko never stood a chance of becoming fire lord. more evidence backing this up, is the fact that she, not zuko, was named after the current fire lord. while she was in favour of her father, it seemed very clear that zuko was her mother’s favourite and this began to form jealous rifts between the family, which would become a plot point as sibling rivalry between azula and zuko. “my father says she was born lucky, he says i was lucky to be born.”

when we are first introduced to azula, she is a cunning, witty and ambitious leader who goes to great lengths to succeed, yet even as scary as she seems, she still seems like she is trying to constantly impress her father. our first introductory scene of her, is the scene of her practicing on the ship and even one hair our of place is enough to discredit her impressive fire bending she had just displayed as it was not “good enough.” in season two we see her join up with friends mai and ty lee, ty lee who she “uses fear to control” and to convince her to come with her and leave the circus. throughout the entirety of season two, we see her play a steady cat and mouse game with team avatar, while also going after zuko and iroh and turning the dai li against their leader. she takes down aang, proving that she is calm, level headed and extremely smart as no one else made a move to while he was going into the avatar state.

season three, we begin to see the start of azula’s downfall, especially in the boiling rock episodes. this is a huge turning point for azula, as she loses both mai and ty lee, but it is more the way she loses them that leaves a larger impact. when sokka and the rest are escaping mai betrays azula and helps them escape, or as she puts it, “saving the jerk that dumped her.” this angers azula and she asks why. mai says “i guess you just don’t know people as well as you think you do. you miscalculated.” for azula, who likes to seem calculated and self-assured a lot, finding out that she was wrong can be very harmful. it is also a parallel from earlier in the boiling rock episodes where she states: “i’m a people person.” mai continues to say: “i love zuko more than i fear you.” which many people have speculated may have been something her mother said to as a child, or may have replicated feelings that her mother displayed to her as a child. it is no wonder that this sparks a tempered, and for the first time, out burst of emotion from azula. “No! YOU miscalculated. You should have feared me more!” which is the first time we see azula lose her unnerving calm. when the girls are preparing to fight ty lee steps in and chi blocks azula. this is very different from mai’s betrayal, because mai was not chosing between azula and ty lee, she was choosing zuko (much like azula’s mother). ty lee was choosing mai. whether or not you ship ty lee and azula or not, you can agree that ty lee plaid an important role in azula’s life, as did mai and their betrayal hurt azula.

now we move on to the final episodes of the series. most importantly the scene between azula and her father. when her father declares that he is leaving alone, azula once again loses her cool. the most fascinating line is: “you can’t treat me like this! you can’t treat me like zuko!” when fire lord ozai yells “AZULA!” the fear on her face is very real and it has been confirmed that she was worried she would face the same fate as zuko, regardless of smiling when he got the punishment. when discovering that she is the new fire lord she seems happier, but not like she would have acted the season prior, almost duller. not the kind of voice that has seem to won and got everything they wanted.

in the scene where she fires the dai li, she mentions that “sooner or later they all would have betrayed her like mai and ty lee.” is this maybe a sign that she is not as nonchalant and uncaring about their betrayal then she is letting on? this scene is another scene in the same episode where azula is angry, which like afore stated wasn’t at all until boiling rock, because she is cool and unnervingly calm. even the way she’s sitting does not look like she has got what she wants, she looks defeated and empty.

now we move on to the mirror scenes. at first she “prepares her hair to meet its doom” by cutting it off with scissors, this is very far from the girl who wouldn’t have a hair out of place at her debut, considering this is her coronation.

when her mother appears, azula is very hostile.her mother says she is there to see her coronation and azula says “don’t pretend to act proud, i know what you really think of me. you think i’m a monster.” considering this is azula’s imagination, could this be reflecting how she feels about herself? when her mother points out that azula uses fear to control people, azula says “well what choice do i have? trust is for fools, fear is the only reliable way.” this could be from the fact that the two people she trusted most had betrayed her, or azula has never trusted anyone in her life at all. therefore, confirming she feels she needs to use fear to control people. “even you fear me.” “no. i love you azula, i do.” and despite seeming to want her mother’s love all her life, she smashes the mirror where her mother is standing and falls to the floor crying. which we’ve never seen her do before, and we’ve never seen her this unhinged.

finally, the final agni kai. the final agni kai, “the showdown that was always meant to be,” one azula had been anticipating her whole life. azula’s fighting type is usually calm and cool and pre-meditated. though, throughout the fight she is brash and not thinking moves through, rather just shooting fire. she is also laughing and seems to be tainting not only zuko, but herself. not to mention that going to strike katara with lightning did seem like a smart and sneaky move, but not really azula’s style, because she knew she was losing.

in the final moments of the battle, is the final time where we see the complete unhinging and downfall of azula. could this be pent up emotion from trying to be perfect her entire life? we cannot be sure, but it seems highly likely. also to be beat by a mirrored version of herself, both same age and holding considerable power, one having grown up with love, and one grown up with coldness.

azula’s story is truly devastating. but does she deserve a redemption arc? she truly seems at times to enjoy being evil, and she was born and raised with evil and the desire to rule and conquer. she can still be defeated and not need a redemption arc. she is not zuko, she is azula. in the show she grew as a charatcer differently, becoming more powerful, than redeeming. but many people support that mental instabilities reached her to this point, comapring the symptons to paranoid schizophrenia. needless to say, she was a truly broken villian.

#atla #avatar the last airbender #azula #avatar

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