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#how is it possible that you're THIS attached to a fictional character
myangelscrimson · 2 years
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I feel so much happiness and comfort in having emotional attachments to things like fictional characters and my heating pad. Although I cried before for having to replace them 😍🥰
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skaruresonic · 7 months
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The common rebuttal to "this reads like fanfic (derogatory)" is "read better fanfic," which is true in certain cases, but on the other hand, there is some grain of truth to the idea that you can tell when someone's primary mode of literary analysis is fanfic instead of... well... literally anything else. It's okay to like or even prefer fanfic, but if you want to take your craft seriously you also need to read books, dude. Published books will teach you a lot of stuff fanfic doesn't, like proper dialogue formatting and how to introduce your reader to unfamiliar characters. Even the crappiest book (well, if it's not After or 50 Shades, which started off as fanfic to begin with lol) will have been subjected to some sort of editing process to ensure at least the appearance of proper grammar. That's not a guarantee with your average fanfic, and hence why you can't always take all your writing cues from fanfic because it's "so much better" than commercially published original fiction or whatever. Frankly, fic writers tend to peddle some absolutist and downright bad takes sometimes. "Said is dead" is a terrible rule, though not because said is invisible and a perfectly serviceable tag; that's just part of it. Dialogue tags are a garnish, not a main dish that can be swapped out for more ostentatious words. If your characters murmur and mutter instead of simply saying stuff, your readers are going to wonder why nobody speaks up. "'I'm explaining some very plot-important shit right now lol,' she elaborated," likewise, is a form of telling. Instead of letting the reader extrapolate that "she elaborated" via the contents of the dialogue itself, you're telling them what to think about it. And that's why it's distracting: your authorial hand is showing. Writing is an act of camouflage. You, as the writer, need to make your presence as invisible as possible so as to not intrude on the reader's suspension of disbelief. That's the driving reason behind "show, don't tell." And overall, everyone could stand to cut down on the frequency of their dialogue tags anyway. Not every exchange needs "he said" or "she whispered" attached as long as you establish who is doing the talking before the exchange. Some people will complain of confusion if you go on for too long without a dialogue tag, and that definitely is a risk, but at some point you also need to resist the temptation of holding the reader's hand. If they can't follow a conversation between two people, chances are they weren't meeting you halfway and paying that much attention in the first place. In fact, you don't even necessarily need action beats in between every piece of dialogue, as Tumblr writing advice posts will often suggest as a fix. Pruning things often cleans them up just fine.
Another fanfic-influenced trend in writing is, I guess, beige prose? A heavy focus on internal narration with lots of telling. It's not a style I can concretely describe, but every time I click on a non-mutual's writing, I feel like it always has, like. This "samey" voice to it. There's no real attempt to experiment and use unique or provocative language, or even imagery half the time. It's almost a dry recital of narration that doesn't leave much room for subtext. I see this style most often in fanfic where you can meander and wax poetic about how the characters feel without ever really getting around to the plot. And it's like. DO something.
Other tells that the author is taking their cues from fanfic mores rather than books: >>too much minute description of eyes, especially their color and their movement >>doesn't leave much room for subtext (has a character speak their every thought aloud instead of letting the reader infer what they're thinking via action or implication) >>too much stage action ("X looked at Y. Y moved to push their seat in. X took a deep breath and stepped toward Y with a determined look on his face. 'We need to talk,' he said.") >>tells instead of shows, even when the example is about showing instead of telling ("he clenched his teeth in agony" instead of just "he clenched his teeth") >>has improper dialogue tag formatting, especially with putting full stops where there should be commas ("'Lol and lmao.' she said" instead of "'Lol and lmao,' she said." This one drives me up a wall) >>uses too many dialogue tags >>"em dashes, semi-colons and commas, my beloved" - I get the appeal but full stops are your friends. Too much alternate punctuation makes your writing seem stilted and choppy. >>"he's all tousled brown hair and hard muscle" and "she's all smiles and long legs." This turn of phrase is so cliche, it drives me up a wall. Find less trite ways of describing your characters pls. >>"X released a breath he didn't know he'd been holding" >>every fucking Hot Guy ever is described as lean and sinewy >>sobbing. why is everyone sobbing. some restraint, pls >>Tumblr in general tends to think a truism counts as good writing if you make the most melodramatic statement possible (bonus: if it's written in a faux-archaic way), garnish it with a hint of egotism, and toss in allusions to the Christian God, afterlife, or death. ("I will stare God in the face and walk backwards into hell," "What is a god to a nonbeliever?") It's indicative of emotional immaturity imo, that every emotional truth need be expressed That Intensely in order to resonate with people. >>pushes the "Oh." moment as the pinnacle of Romantic Epiphany >>Therapy Speak dialogue. why is this emotionally constipated forty-something man who drinks himself stupid every morning to escape gruesome war memories speaking about his trauma like a clinical psychologist >>"this well-established kuudere should Show More Emoshun. I want him to break down crying on his love interest's shoulder from all his repressed trauma" - I am begging u. stop >>"why don't the characters just talk to each other?" "why can't we have healthy relationships?" I don't know, maybe because fiction is not supposed to be a model for reality and perfect communication makes for boring drama?
>>improperly using actions as dialogue tags ("'Looks like we're going hunting,' he grinned") >>why is everyone muttering and murmuring. speak up >>too many adverbs, especially "weakly" and "shakily." use stronger verbs. ("trembled" instead of "shook weakly") >>too many epithets ("the younger man" or "the brunette detective") >>too many filter words ("he felt," "she thought," "I remembered")
>>no, Tumblr, first-person POV is not the devil; you're just using way too many filter words (see above) and not enough sentence variation to make it flow well enough. First-person POV is an actually pretty good POV (not just for unreliable and self-aware narrators) if you know what you're doing and a lot of fun crafting an engaging character voice. Tumblr's hatred of first-person baffles me, and all I can think is you would only hate it if your only frame of reference was, like, My Immortal. Have you tried reading A Book? First-person POV is just another tool in your toolbox, and like all tools, it can be used properly or improperly. But it's not inherently a marker of bad writing. The disdain surrounding it strikes me as about as sensical as making fun of the concept of characters. Oh, your work has characters in it? Ew, I automatically click off a fic if it has characters in it. like what.
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levmada · 4 months
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PLEASE write about Levi’s mental state, i’m begging you
He’s faced death and precarious situations since he was born, yet he’s still standing strong and hopeful, WHAT THE HELL I LOVE MY SHORT KING
IT'S FINALLY HERE😭im sorry anon i hope you're around to see this and if u are i hope i dont disappoint
the tone in this analysis is so weird because i kept getting caught between 'this is an apa paper no contractions, academic language, double spacing -' and 'this is a tumblr post about a fictional blorbo wtf r u on'
i also use some scientific language i try my best to explain but if this turns anyone off i don't blame them because im unhealthily obsessed
*i'm a third-year undergraduate psychology student w/ a concentration in psychopathology
tw/cw: discussion of childhood exposure to sex (not assault)
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Foreword
I’ve been putting this off for a while (I’m forgetful and this topic is intimidating what can I say), but being a year out from graduating with my bachelor’s to become a mental health professional, and being a Levi scholar(/hj), I wanted to give this a shot. 
I wanted to dissect and examine Levi Ackerman’s mental health “currently” (as in general canon), and explain as thoroughly but as simply as possible how and why he thinks and acts the way he does.
Seeing how AOT is pretty renowned for leaving out the ‘insignificant’ details, especially character details, a good majority of my assertions and even details of his life are built off of correlations and “signs and symptoms”; meaning some things could be an aspect of Levi’s personality, or a symptom of psychopathology. 
 I will examine his childhood (especially his childhood), adolescence, young adulthood, and “present” adulthood, with a short summary at the end of where he might be mentally after the war.
*Lastly, I don’t like it when things I say about a series or character are taken as fact or make it implied that someone else’s thoughts are “wrong”. This is partly built on headcanons anyway, which are influenced by my own experiences. Don’t take away from this that this is me telling you what to think.*
Childhood
The most important period of development occurs in infancy and childhood, especially from the ages of 3-6. This is when a child learns where to find security, love, and basic skills, gaining stability as they develop.
Well, Kuchel died when Levi was 4.
Maternal Love / Learning Empathy / Anxious Attachment Style
Levi was born into deep poverty within a violent unwelcoming environment. Basic physical needs must have been very hard to meet (i.e., consistently fed enough, a clean environment, no physical threats). And where Levi was born is like the dictionary definition of a bad environment for a small child, excluding only his mother’s care and love.
As it’s generally understood in canon (and suggested from Levi’s special backstory manga so far) she was a caring parental figure early in Levi’s life that loved him unconditionally. We can conclude that Kuchel did everything within her power to compensate for both parenting Levi alone and shielding him the best she could from his horrible surroundings, teaching the kindness, goodness, and love that Levi would internalize and go on to strive for for his entire life. 
As far as we know, no other children lived in the brothel. Socialization is just as important for a young child as receiving love. With this isolation, it’s extremely difficult to learn how to connect to other people, or pick up on social cues. Levi would’ve never learned how to interact properly with his peers—aside from use of aggression and violence which Kenny would go on to instill in him.
With the danger/anxiety imposed by strangers, mostly if not entirely men, he would turn to his mother for comfort all. The. Time. 
And she would give him that support and affection of course. This early motherly affection is integral to child development: a child who receives empathy and affection is subliminally taught how to feel and express empathy towards others. 
While Levi’s surroundings were dangerous, lonely, and chaotic—traumatizing enough for a toddler or young child—Kuchel provided a safety net from that, so I think that Levi developed an anxious attachment as a child: exhibiting clinginess, excessive fear of abandonment, and an excessive need for security and/or reassurance.
Paternal Trauma / Potential Androphobia
Born and living in a brothel, we can assume that Levi was probably seen as a burden and a mistake by others, especially by men (both the likely majority of her customers and her boss).
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AOT ch69; Before the Fall, ch34
This is likely in contrast to the women (those living and working in the brothel like Kuchel). They should know Kuchel if not as friends, then acquaintances who could empathize for her and her son. 
There’s an obvious trend here. If Levi is going to feel fear/danger/anxiety because of men, he should have a general aversion to men and-or the behavior of men who he encountered as a child. This is impossible to know for sure or in meaningful detail, but it seemed to be resolved by the time he became an adult if so.
Although Kenny in his words was no more than Levi's teacher, Levi did see him as a father figure.
The subject of Kenny will be expanded on later, but it's clear Kenny in no way resembled a father, who also would go on to abandon Levi (at the age of 11 or so). Children without father figures tend to struggle more emotionally, psychologically, and socially. Specifically, (especially boys) tend to exhibit intimidating/aggressive personas to compensate for resentment, fear, and unhappiness. 
Sexual Trauma (Tangent, Probably)
This is unconfirmed but a likely trauma Levi went through: exposure to sex as a child. There’s no way to confirm what he experienced, so I’ll function on ‘probably’s’ and ‘most likely’s’. 
Because Levi and Kuchel only lived in one room, other rooms in the brothel should have belonged to other women, and he was at the oldest four, I wager that he was babysat by women who Kuchel knew and/or was made to hide somewhere while she worked, such as in a cabinet.
(for reference)
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AOT ch69
The odds are high that he was exposed to the aftermath of sexual violence (i.e., marks seen on his mother), and the sound or smells that have to do with it. That young, he wouldn’t know what it was, but he should have realized later as an adolescent.
In general, children regardless of gender exposed to sexual content usually experience early puberty (which is just as likely for impoverished children, or children who experience chronic high-stress in general); issues with intimacy; become desensitized to high-risk behavior; negative/inaccurate expectations about sex and relationships in the future; influence inappropriate behavior with other children or adults; sex addiction.
This is especially relevant to Levi’s fear of closeness/intimacy in the future. Exposure to sexual situations—possibly not including CSA in his case—very early in life inflicts on a child emotions and stress they don’t have the intellect or reasoning to process or understand. An extreme aversion to interpersonal relationships, especially physical ones, results.
This stress Levi must have felt, being powerless to this happening to his mother, is a different beast. Children aren’t capable of handling high levels of stress, and so the brain will automatically create coping mechanisms: dissociation (a severe form of “zoning out”; observing the self “from the third person”; numbness; the feeling of living in a dream), excessive daydreaming/overactive imagination, symptoms of PTSD (nightmares and terrors; flashbacks; spontaneous activation of fight-flight-freeze associated with anxiety; excessive worrying/fear; loneliness/self isolation). PTSD will also be prevalent in Levi’s later life, which I’ll delve into later.
Inappropriate behavior and sex addiction are also highlights for me because they shouldn’t exist in him based on Levi's personality and behavior throughout the series. In my opinion, Levi ought to associate sex with pain, shame, and violence; he does see it as an ordinary job—a means to an end. He should be desensitized to sex as a concept, but associates it personally with shame, sadness, and pain, possibly feeling disgust towards it. So it is highly likely that Levi in every stage of life following this experienced sexual repulsion (usually associated with high anxiety towards sex), a low libido, or a lack of sexual desire entirely. 
From a trauma perspective, he could avoid sexual topics of conversation, sexual settings (i.e., brothels), or an array of things which are sexually suggestive or he as a child possibly associated with sex (i.e., cleavage, panties, specific touch). Similarly, he might avoid direct reminders or have a post-traumatic reaction to them, such as anxiety or flashbacks (i.e., the sound of a bed creaking, the sight of wet clothes).
Importantly, it can be concluded that sexual violence was often exhibited, and the idea would be ingrained in him that sex, like everything else besides his relationship with his mother, is “give-and-take”, “victim-and-attacker”, and learn to be repulsed by intimacy. This impacts his willingness for later friendships and relationships as we’ll see later. 
Early Abandonment & Early Exposure to Death
As Kuchel’s health deteriorated, Levi’s sense of security would break down. Availability of shelter, food, and emotional support would be even less secure than before. He might have been providing for Kuchel for some time, even, as it can be gathered that he received little to no help from those around him while she was sick. To whatever length he had to take responsibility and both fear for Kuchel, this would cement a sense of responsibility and guilt in him from the age of just four years old.
He will fail to save her—regardless of the fact that that’s not his responsibility in the first place; a child wouldn’t understand that—and then lose her with nothing he could do to even cushion the blow.
How powerless he must’ve felt. How hopeless. How likely is it that Levi found comfort in joining her? A child his age wouldn’t be able to comprehend death, basing our understanding on Piaget’s theory of cognitive development. To summarize, at the age of six or seven, children aren’t capable of complex, abstract thought like death or the finality of it. But Levi had to learn early. 
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AOT ch69
This will be center in his “clean-freak” tendencies later.
Adolescence
Most of this section is going to be rather vague again, but we already got the bulk of that over with in childhood!
Emotional Train Wreck / Lack of Identity 
It’s hard to notice if you’re not paying attention, but in every scene we’re shown with Levi after his mother dies but before Kenny leaves, he’s wearing some variation of his mother’s one dress styled into a shirt. He loves her endlessly, even or especially in death. And part of cherishing her memory, to him, should’ve been taking after her as much as he could.
That’s how to explain why he didn’t become a cruel person (Kenny for instance) as he grew into a teenager, even though much of Levi’s outlook and behaviors come from him (ch57).
The more pertinent question is how extreme violence, reinforcement of the idea that that violence is power, and Kenny’s total (or most likely total) lack of communicated emotional connection affected him.
Levi would still desperately want that connection deep down, especially with his mother gone. This is a major reason why Levi sought to get stronger to please Kenny. For chronically abandoned people, that continues into adulthood and even beyond. A hole inside which can't be filled.
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AOT ch69
Chronic loneliness—like I explained before—basically explains his aloof nature and awkward disposition. It’s not that Levi feels as detached as he looks, but he doesn’t know how to express himself or open up. He wouldn’t learn how to process his emotions, let alone talk about them. He’s basically emotionally stunted and immature in impersonal relationships (between friends and especially in regards to intimacy).
The Underground’s environment also makes him socially awkward, rude, of course stoic/not very expressive, and blunt. Levi was forced to become extremely observant of people to suss out their intentions, remaining vigilant of his surroundings at all times.
Levi doesn’t even get affection in any sense anymore. He doesn’t get a hug or a pat on the back, and he certainly doesn’t get a shoulder to cry on.
If anything, Kenny would punish him for showing weakness. Vulnerability is weakness; weakness is death.
What results is a continuous and boundless sense of emptiness inside that can’t be filled. He’s plagued by a chronic sense of unbelonging and loneliness. There’s no time or opportunity to develop “normally” as an adolescent. Socialization is limited at best; thinking of his place in the world is irrelevant when his one and only most pressing goal is survival; he doesn’t get to explore hobbies or interests.
OCD Propensity
One “interest” Levi is passionate about is cleaning, at least. Disease is what caused his mother to die. The easiest cause to point to would be their disgusting surroundings (although, Kuchel was infected by a customer). It is canon that Levi’s love of cleaning comes from "his personal experiences". In that interview, Levi first specifically references the important of fighting disease.
In other words, his "clean freak" nature comes, primarily, from the death of his mother: Filth -> disease -> death, and abandonment by extension.
His mother would’ve encouraged him to keep their room clean. There were times he or she had to have come down with something and dirtiness was the cause. On top of Kenny’s enforcement to keep up “clean” appearances to garner respect from everyone else in the Underground. 
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This in particular is extremely relevant to his mental health. When someone feels out of control of what is happening to them, especially in a recurring way, and especially as a child who doesn't yet know how to feel stable in an unstable environment, they look for something to control. It can be weight, bodily functions (blinking, breathing, etc), dominance over others, or cleaning, for instance.
Fear of disease, the urgent need to have control, and the basic need for stability makes it obvious that Levi would become obsessed with cleaning. And moreover, developing OCD (Obsessive Compulsive Disorder). I’ll go deeper into this diagnosis later.
Lack of Self Worth
Despite the acknowledgment throughout canon that he trusts in his own strength, it wasn’t always that way.
Canonically, Levi sought praise from Kenny by showing his strength because that was the only thing he received praise for. The conclusion Levi came to once Kenny left him was that he wasn’t strong enough (wasn’t good enough) to warrant staying with him.
In conjunction, Levi’s first conclusion was that he did something wrong, not that Kenny possibly had some obligation that forced him to leave the Underground, pointing again to his own lack of self-worth.
This scenario created a complex in him, the very root cause of Levi’s pain, the very foundation of what Levi would go on to prioritize in adulthood. If he isn’t useful to those he wants not to abandon him, he’s worthless. He’s only useful when he shows his strength. Every other aspect of him like his interests is either irrelevant or bland by default in his eyes.
He would go on to make it his mission to try his best to be good enough in order to save and protect the lives of others, but foremost those he cares about.
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Young Adulthood
Our first exposure to Levi as an adult is in A Choice with No Regrets, his OVA/backstory.
(By the way, I’ll be basing this analysis off a mix of the manga and the OVA.)
Emotional Immaturity/Affective Dysregulation
Generally, Levi’s defining negative character trait as a young adult is his emotional immaturity/anti-social behavior. Yes he’s grumpy and rude which is always indicative of him, but he’s very quick to anger, too. He cursed at the Squad Leader who offended him (by assuming that because he, Isabel, and Farlan are from the Underground, they’d be dirty), and argued furiously with Farlan that he would kill Erwin—not because it was required for the job, but because he disrespected him—for a few examples. 
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ACWNR ch2
He tended to be arrogant, too. Such as when he ultimately called a Scout who had experience with the Titans stupid for telling Levi to hold his swords in a certain way. He spoke to every officer the same as he would anyone on the street, having a remarkable lack of basic respect for authority. He was insistent on distancing himself from the entire setting and structure of the Scouts as much as possible, both to not get attached, and he found their mission childish/foolish. 
He’s rather selfish. There is nothing Levi cares about genuinely more than Isabel’s and Farlan’s lives and the job that will set them up with a good future. Farlan’s advice is the only one’s he takes and the only judgment outside himself that he considers, such as when Farlan asks him to not cause trouble with authority to keep a low profile, but even then he acts stubborn. Levi trusts nobody wholeheartedly except himself (until later in ACWNR).
There’s a cognitive dissonance in him. Growing up, and still as a young adult, Levi’s headspace is marked by fear and uncertainty, with his power as his source of confidence. The first time he kills a Titan (with Isabel and Farlan), he uses too much gas because he refuses to potentially risk his friends’ lives; when the expedition is upcoming, he abruptly tells Farlan and Isabel to find a reason to stay back, and that he’ll complete the dangerous part of the job on his own. 
Levi is full of repressed fear and uncertainty. He hides and/or buries all of it for the sake of self-preservation both emotionally and physically.
Antisocial Personality…?
It’s extremely interesting how a character as selfless, heroic, and empathetic as Levi exhibits antisocial symptoms. I’d even argue that if his childhood was spent entirely without his mother figure, then he might be a dictionary definition of ASPD (Antisocial Personality Disorder).
People with this disorder live day-to-day under the constant assumption that whoever is around them is “out to get them”/searching for a weakness to exploit. Humanity is made up of only prey and predators; morals are completely subjective, perpetuated by the society that surrounds them. This constant need to defend oneself, the effect of the exact trauma the potential sociopath experienced, combined with a muted emotional spectrum, results in a complete disregard of everything, including people outside of themself. They might believe they’re entitled to comfort or admiration, but overall, they’re intensely self-serving, often aggressive, and ruthless. 
Because Levi for instance learned to rely on violence both for “love” and survival, then he might fall on violence to manipulate a person or situation into serving himself. I see reason to believe that Levi could have grown into worse than Kenny’s image if it weren’t for his mother’s influence.
However, the greatest cause for deniability is Levi’s wide emotional spectrum (especially including empathy and shame), while a lack of shame is the most significant marker of ASPD . (It is arguably one of many testaments to his strength that a victim of so much suffering, violence, and cruelty could become a man as empathetic as him.) 
However, these tendencies may still be relevant: A sense of arrogance—both to the way Levi thinks of some who he perceives as weak and live without good morals—lacking issue with using deceit or violence to attain a goal, and living outside the rule of authority.
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I go into more detail about this idea here.
Conclusion
As is true in general, there’s very little to say of mental development once someone has reached their early–mid-twenties. What we know of Levi’s young adulthood does reinforce his fear of abandonment, but he finds a cause where his strength and compassion can be “put to good use” and give to him a life that is worth living.
Conclusion: the ‘Present’/Diagnoses Overview
C-PTSD (Complex Post-Traumatic Stress Disorder)
Levi’s emotional dysregulation (i.e., inability to sit with and process negative emotions), his difficulties in relationships, insomnia, negative worldview, absent sense of self, and finally, his persistent sense of unworthiness/worthlessness are all indicative of C-PTSD. It’s distinct from PTSD in that he didn’t endure one short-term traumatizing event, but he grew up surrounded by trauma and saw it as normal (e.g., gang violence, extreme poverty, death of a parent, (more presumably) physically and emotionally abusive parental figure). Levi as a child developed no understanding of a nurturing, secure environment. 
Negative/Absent Sense of Self
I’ve talked about this at length already, but it’s worth noting how Levi’s perception of himself must have changed when it was revealed that he is extremely strong physically not from his own efforts as much, but because he’s an Ackerman. 
His self-confidence and self-worth have always been built on the foundation of his strength. He’s useful if he’s strong, so he’s worthy if he’s strong. Along with the extreme high pressure his goal to kill Zeke put on him in season four, he might have gone to extreme measures to compensate for his strength he might have felt was “unearned” (such as excessive exercise for example). This is an aside, but it was a blow to him for sure.
Emotional Dysregulation
The causes of emotional dysregulation generally which he experienced are as follows: early childhood trauma, feelings ignored, judged, or invalidated at a young age, and physical and emotional child neglect. Beyond his first four years of life with his mother, Levi experienced all these things (early exposure to sex and likely exposure to domestic violence aside). 
It’s important to focus on emotional neglect specifically, when any and all perceived “weakness”, no matter how small, is unacceptable to Levi. He will never ask for help (being independent to a fault), he can’t define or process his emotions, and it doesn’t occur to him—and it could be a shock—when he learns that his friends care about him, not him insofar as how useful he is. 
As an adult, Levi appears to be emotionally mature, but I argue that this isn’t the case. It’s more accurate to say that he has better control over his emotions (in that he buries them or ignores them) with a mature outlook because of all his experiences with suffering.
Similarly, he’s not outwardly emotional not because he’s antisocial (as related to ASPD, not introversion), but because he’s so “emotionally constipated” that he’s numbed the vast majority of the time.
Relationship Issues + Fear of Abandonment
Because of his fear of abandonment and impaired emotional intelligence in close relational conflict, he’s extremely passive and/or passive aggressive. In order to avoid potential abandonment, he doesn’t go out of his way to win major arguments—such as threatening to break Erwin’s legs if he didn’t stay away from the expedition in season three, but ultimately giving in. He’s also more likely to sneak petty insults into arguments, give “silent treatment”, slam doors, etc. His kindness and exceptional empathy shouldn’t let him be physically or overly violent.
These are likely additions to why Levi doesn’t foster many close relationships.
Fittingly, as a child I thought that Levi might have had an anxious attachment style (clingy, excessive need for security), but as this possibility for security was removed entirely, and he was taught to not rely on others, he would develop more of an overt avoidant attachment in adulthood in combination (fearful-avoidant): making very few emotional demands—even though he has needs—withdrawing when there’s conflict, acting aloof yet fearing abandonment, having difficulty expressing emotions he feels intensely, and fear of depending on someone else.
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Anxiety
His cool-headedness even in the heat of battle/war (other factors like experience aside) is exactly what you would expect from someone diagnosed with C-PTSD; he’s accustomed to chronic high-stress. But small stressors (i.e., a change of plans) are overwhelming and make him quick to anger/excessive annoyance.
OCD
Emotional dysregulation is also closely associated with OCD.
OCD is much much more than being concerned with keeping clean or organized. OCD is an anxiety disorder composed of anxiety-related obsessions and compulsions, such as frequent and disturbing thoughts or images (intrusive thoughts). These attempt to be managed through rituals (i.e., handwashing, counting in patterns). Although symptoms will fluctuate with anxiety, OCD at its baseline is a distressing disorder.
Since he was young, Levi should have had an incessant need to be in control at all times. A shining example of this is his mother’s death, an incident he couldn’t control but included dirtiness/disease as a cause he could pinpoint, so this anxiety with dirtiness becomes a major obsession, and the compulsion is cleaning. (Putting aside the fact that Levi enjoys cleaning by itself too.)
It’s a widely-held belief that if Levi has OCD, it’s contamination OCD, as it specifically has to do with an obsession with dirtiness and a compulsion in cleaning (i.e., damaging handwashing, ritualized bathing that may take hours). However, based on the multitude of times Levi was covered in blood and remained unbothered by it (Titan and human), and in fact the obsession’s lack of relevance entirely during urgent missions/situations, contamination OCD is simply not plausible. Instead, it’s general OCD.
There’s no way to know for sure, but I don’t see his OCD as mild or severe. Levi is an extremely orderly and balanced person, so it can be concluded he must have things done a certain way, routinely, organizational, or planned; when the dirtiness is “negative” (i.e., Titan blood, blood on a knife he used to kill Isabel’s attackers), he is never more rigid with cleanliness; it’s probable he suffers intrusive thoughts (likely of the violent nature), a fear of contamination, and/or counting ritualistically, but the most obvious compulsion is cleaning. He might have sensory issues, such as disgust if he happens to brush shoulders with a stranger; aversion to particularly bright lights, irrational rage towards “mouth sounds” (i.e., chewing, coughing, swallowing), etc.
EDNOS (Eating Disorder Not Otherwise Specified)
Levi should have a complicated relationship with food to say the least. 
In the realm of eating disorders, EDNOS is sort of a catch-all term when an individual doesn’t qualify for the diagnostic criteria of anorexia or bulimia, and it encompasses lesser-known eating disorders like Pica. It’s the most common diagnosis for clinical eating disorders.
I already covered how integral the early years of life are, and beginning at a young age, if children aren’t given a basic need like food, and they must seek out food on their own, it becomes an anxiety deeply rooted in the brain regardless of how well-fed they are when they’re older. There will always be an urge to have food available. Levi’s years in the Underground were spent either actively starving, or going about every single day having acquiring food as top priority. He was a young adult when he left, so it’s impossible to unlearn this (without extensive therapy, which Levi doesn’t seek). It’s similar to compulsions found in OCD: even though he logically knows that there will be a dinner after lunch, it’s impossible to put aside this worry. 
That may mean always having food stashed, eating too much—especially in his early years Aboveground when he’d eat as much food in a day than he’d eat in a week Underground— stealing food, or eating way too quickly (as someone who lived in a place where food was considered something of a luxury resource and threatened being stolen at any time).
The latter factor contributes to Levi’s suggested preference to only eat alone—joining the fact that Levi only eats with Erwin after expeditions. Eating in front of others should be considered a weakness to him.
As time passes with this easy access to food, combined with his extremely narrow sense of what makes him “good enough”, his relationship with eating may become toxic. Especially when the stakes of his worthiness are so high—literally life and death. He may think that he’s privileged to eat at all, and when he feels worthless, he restricts himself from that “privilege”. 
He may be so accustomed to the feeling of hunger, that it doesn’t immediately register with his mind when he is hungry.
Lastly, he may have a generally low appetite. This is often associated with depression, but depression is comorbid with C-PTSD.
Misc.
Some tangents/miscellaneous speculation about Levi’s psychology:
Queer?
Sexuality is formed and shifts due to a wide variety of factors, which most if not all are terribly understudied: genetics, hormones, and your environment/experiences. So again, my speculation.
With his fear of close relationships and negative experiences with sex, I think he should land somewhere on the queer spectrum, specifically under the asexual or aromantic umbrella (i.e., pansexuality/being panromantic (attraction to personality) and demisexuality/being demiromantic (attraction only to those he has an emotional connection to)).
MDD
The odds of Levi having MDD (major depressive disorder/clinical depression) are iffy. Most if not all of the symptoms are comorbid with childhood trauma and C-PTSD: Such as persistent apathy, guilt, and/or discontent; sleeping too much or too little; lack of energy; reduced or heightened appetite; irritability. 
Oftentimes, depression, C-/PTSD, and related mental illnesses cause unexplained physical pain, such as back pain and occasional tension headaches. “Stress hormones” like adrenaline are built-up in the body, and usually persist without physical therapy and-or medication (Disclaimer this mention is based on nothing more than Levi always standing with at least one hand on his hip).
Body Language
Similar can be said of his body language from a cognitive perspective. The vast majority of the time, Levi has himself closed-off in some way, usually by crossing his arms to protect his chest; a subconscious barrier between oneself and another person.
Also see this official art of Levi asleep.
Afterword
We’ve known it’s not just Levi’s physical strength and skill that makes him the strongest, right? It should take immense mental strength to make it day-by-day dealing with the trauma and issues that he does, but not only has he survived and continues to, but he lives heroically, selflessly, with the wellbeing of everyone around him as a top priority. He buries all of his pain by moving forward always and without exception regardless of how painful the present is. Living with “no regrets” should in mental respects be a guise for pushing his trauma down, too; there’s just no words that can properly do Levi’s resilience justice.
Part of me wants to go into detail about his later adulthood, but given how very little we know (right now), I think it’d be too speculative.
However, based on what we have seen at the ending of AOT, it’s comforting to know and plain to see that Levi wasn’t defeated when he “lost” the reason to be so strong, and even his strength itself; he didn’t lose his love for his friends nor of life. 
In middle age, based on Erikson’s psychosocial stages, the conflict that should enter Levi’s life is the idea of generativity versus stagnation. He seems satisfied with his life despite the negative effects of all he went through—grief, physical disability, inevitable mental scarring—and he’s still concerned with helping others, especially the younger generation in a world after the overwhelming devastation that was the Rumbling.
My speculated psychopathologies/diagnoses of Levi:
C-PTSD (insomnia prevalent)
OCD (contamination obsessions)
EDNOS
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jedi-enthusiast · 5 months
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Genuine question as to why you feel so passionate about being pro-jedi? I definitely wouldn't say I'm anti-jedi, but I think there are some decent criticisms that can be made about them. But overall I'm just interested to understand the dedication to being pro-jedi, cause it is a fictional organisation at the end of the day. Isn't it more fulfilling to look at them from different perspectives so we can get the most out of the story as possible?
Before I answer, I'm going to ask you a question in turn, would you ever ask this question to someone who was anti-Jedi? Would you ever imply that they need to change their view on the Jedi because they're "not getting the most out of the story?"
Now, I'm going to preface this answer by saying that I'm not angry with you, I'm just very passionate about this topic---so don't take any of this personally. You seem like you're genuinely asking, and I appreciate that.
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Personally, for me, there aren't really any criticisms that can be made about the Jedi- (keep in mind, I primarily adhere to Lucas Canon, everything else is just an add on depending whether I like it or not). Everything that people criticize the Jedi for or accuse them of falls into one of three categories:
Not true- (the Jedi are a cult, the Jedi repress their emotions, the Jedi were mean to Anakin, etc.)
Done for a reason because the other option would be worse/it was their only real option in a bad situation- (the Jedi shouldn't have fought in the war, the Jedi should've defended Ahsoka, the Jedi are slavers because of the clones, etc.)
Or it's something that's an Eastern concept/practice but people refuse to look at it as such and instead project their Western viewpoint/religious trauma onto them- (literally the entire thing about attachment)
I've never seen any criticism of the Jedi that doesn't fall into one of these categories, so why should I be inclined to "hear people out" or "look at the Jedi from other perspectives" when there's...really nothing else to look at?
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Another thing to consider is that, while the Jedi are fictional characters, George Lucas based them heavily on very real religions and groups---particularly Jews and Buddhists.
So when people say things like- "the Jedi weren't allowed to care/love/have emotions because of Attachment™️" -they're spreading harmful misinformation and basically saying that Buddhists can't love/care/have emotions because of their rule against attachment, since the philosophy of non-attachment is literally taken verbatim from Buddhism.
And when people usually pair the above rhetoric with- "-and that's why the Jedi deserved what they got/caused their own downfall" -it's...a very concerning mindset for people to perpetuate---especially when George Lucas based the genocide of the Jedi and the rise of the Empire off of the Holocaust and Nazi Germany.
When you strip away the fictional aspects of it, a lot of what people say about the Jedi is literally Nazi/antisemitic/Holocaust denial rhetoric. To take an example of something that has actually been said on one of my posts:
"The destruction of the Jedi Order was less a genocide and more of a religious conflict that the Jedi lost. The Jedi Order is a sect of the collective religious culture of 'Force Users,' and their destruction cannot really be considered genocide as the cultural group of 'Force Users' still exists albeit heavily restricted and controlled by the Sith during the Empire Era." - @/ironwoodarl01
And, as @zarohk pointed out:
It’s depressing how so many “Jedi critical” talking points are pretty much antisemitism and Holocaust denial/justification: The destruction of the Jedi Order was less a genocide and more of a religious conflict that the Jedi lost. "The Jedi Order religion of Judaism is a sect of the collective religious culture of 'Force Users Abrahamic faiths, and their destruction cannot really be considered genocide as the cultural group of Force Users Abrahamic faiths still exists…" Similar thinly-veiled antisemitism in the Star Wars fandom also frequently includes supersessionism, the Christian idea that during the (Roman) Republic era, the Jedi Jews had become corrupt and lost their way, and and so finally a divinely created person was sent to show them new path. This is why attempts to read Star Wars where Anakin is a Christ figure or correct where the Jedi have failed (ignoring the fact that he wrecked the lives of most people he was involved with, including himself, and the Darth Vader was never happy) are not just incorrect, but generally have a thick underlayer of antisemitism.
So, while Star Wars is fictional, it's important for people to analyze why they feel the way they do about the Jedi and be critical of the ways in which they talk about/criticize the Jedi---because, like it or not, the Jedi and their genocide are based on real people/things and so your reaction to them/what happened to them can be very telling.
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Finally, being critical of the good guys or trying to view everything through a morally grey lens doesn't make the story inherently more interesting, nor does it inherently add anything to the story---so I'm not "missing" anything.
If believing that no one can actually just be good, and everyone has to have some agenda, and "the good guys were the REAL bad guys all along" adds something to Star Wars for you...by all means, go ahead and believe what you want.
But my view of Star Wars isn't "lesser" or "missing something" just because I don't share that view and actually like the good guys and believe in what they taught/did.
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I'm passionate about being pro-Jedi because of everything I outlined above and because they were truly good people who tried their best to help the galaxy---they were brought down, not because of anything they did, but because of one man's selfish stupid actions.
There might've been a time when I was willing to hear people out when they criticized the Jedi---because hey! maybe I was wrong---but that time has long passed because nothing anyone has ever criticized the Jedi for has held up to scrutiny, and anti-Jedi people won't just keep the fuck off my page and leave me alone.
So, frankly, this is my blog and I'm allowed to be as passionate as I want to be---and I'm not gonna stop, or start viewing the Jedi as "wrong" or "bad" or whatever, just because you- (and other people, I'm sure) -think I'm missing something by being strictly pro-Jedi
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wayfayrr · 5 months
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Hello! If I may, I’d like to make a request.
When I was little (between 4 and 8), my brother and I played Ocarina of Time constantly. It was our go-to game when hanging out. We replayed it and found all secrets and stuff. I was wondering if you could do a platonic self aware OOT!Link one shot? One where Link considers the player to be like a sibling to him since they grew up together in a way?
Thank you so much! I really enjoy your work ❤️
you're very welcome anon! this was such a sweet request to write!! I went with the post timeskip link for this seeing as I've already written one for Majora's mask link and I thought it would be more interesting to have that difference between the two pieces <3 I hope you'll enjoy this
[masterlist]
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“Hey, I’ve been wanting to ask for a while… do you still have that old copy of Ocarina of time we used to play together? I’ve been kinda wanting to replay it. It’s a bit of a pain to get a new one or an emulator though so…”
“Uh? I think so, I can check in my attic later and drop it around your place tomorrow if I can?”
“That sounds perfect, thanks for the favour man.”
That was a fairly productive phone call, now I hopefully won’t have to mess about with an emulator or shell out for the subscription to play it again. Seeing as Nintendo doesn’t want to make their old catalogue accessible. All I need to do on my end is to wait and possibly google how to set up an N64 in the meantime.
Turns out that we did still have the old thing, and that it isn’t all that hard to set up either so it’s not like it takes too long for me to hear the calmingly melancholic tones of the game’s opening theme. Our old save file is still there too, although some of the stats on the file seem to have gotten a little bit corrupted because I’m convinced we completed it fully. Although it’s been what like 10 years or more since I would’ve last played, it makes sense that I might just be misremembering things. No harm in seeing where we left off though is there?
Well even though the file says otherwise, looking through Link’s inventory really wants to disprove that - there’s something with the same sprite as Zelda’s letter where it should just be an empty slot. It’s not got a name, if I hover over it it simply brings up a missing value error and the button prompt me to read it. It’s not like there’s any issue if I did open it, it’s an old save file so even if it does corrupt I won’t lose anything. 
Nothing happened, just a fade to blank before it glitched out and the inventory screen popped back up so that I could close it and have a look around…
How did Link turn around as I was paused in the inventory and how did his face get so close to the screen?
“[Name]? I knew you’d be back at some point! I knew you wouldn’t just leave your older brother for good… you wouldn’t would you?”
“...How do you know my name..?”
I know that Ai has gotten incredibly good recently but this is an N64, an unmodded one at that, so whatever the hell is happening right now can’t be due to that. This feels like it could be the start to a creepypasta though with everything going on right now - is this like a real life ben drowned - no it can’t be, he’d be crying blood if it were the case and he wouldn’t be as friendly either. 
“Because you told me it all those years ago when you first played through the game? You always spoke to me like I was a real person, like you saw me as your older brother, so it’s only natural that I started to see you like a little sibling right? Then when you disappeared I got so worried, It’s been so long but you’ve gotten so much older! Did you pull the mastersword yourself, because this much time can’t have really passed can it?... Can it?”
He looks almost like he’s about to cry, I should be caref- why am I so worried about hurting the feelings of a fictional character? Is it cause he sees me like a sibling, a younger one; because he knows me from when I was younger; or because he seems so attached to me already? Maybe I should just… turn it off so I don’t have to deal with it.
“I don’t remember how long it’s been, a good few years at least, Since I’ve played it. I wasn’t exactly planning to-”
“Is that what you used to control me!? I’ve never been able to get a good look at it before. Would you mind bringing it closer?”
“...Yeah I can bring it closer.”
The way he interrupted me was so so sad, he’s forcing himself to be cheery when he looks like he’s about to break down, like how an older brother would act. He really sees himself as my older brother doesn’t he? I have to admit that the way he’s leaning against the screen like an excited kid is also pretty cute I won’t lie to myself, if it weren’t for how insane the situation is I don’t think I’d mind him being my younger brother. He’s younger than me now anyway so that makes far more sense. 
Is the screen cracking beneath him? 
It’s definitely cracking under his weight, there are seconds left before it shatters.
“It’s so simple and yet it was the reason that you were able to-”
Glass can only last so long. And now he’s out, lying on my floor in a shocked heap with glass shards surrounding and covering him. After a couple of seconds of neither of us knowing what to do, we both snap into action at the same time, while I try to help him up and check for any serious wounds… he’s just laughing with the widest goofiest smile on his face, grabbing at my arms like I’m nothing but a wisp of a dream. 
“I - wow I - I could never have imagined that I could - that this - that this was even an option for me…”
“But I can be your brother in person now can’t I?”
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Any tips on how to avoid making your OC a copy of a canon character when writing fanfiction? Not as in appearance and doesn't have to be personality I think but more so to their beliefs, backstory, goals, etc. Whenever I try to brainstorm creating an OC with a unique perspective from a certain fiction for them to be included, there's always going to be another canon character to already take that place and I end up stuck to how the hell can I do something different that won't make my readers asleep.
Fan-Fiction: Coming Up with Original OC
I would start by making a quick reference document that has the attributes you're concerned about (beliefs, backstory, goals, etc.) for the canon characters you want to avoid copying.
Next, look at each of the attributes you want to come up with and brainstorm possibilities. You might even Google each attribute "how to come up with character beliefs" or "how to come up with character backstory" for pointers and guides on coming up with those specific attributes. I'll put in some of my general character development guides, too, in case they'll be helpful.
Once you have your OC planned out, go through each attribute and check it against the quick reference document. It's ok to have one or two similarities with each character, but if you see more than that or see things that are too similar, immediately think of a way to tweak it for your character so it's not so similar.
Here are some character development posts that might help:
5 Tips for Getting Attached to Your Characters Character Design Sheet: The Necessary Stuff Character Arc Tips Recognizing a Flat Character Important Points of Character Personality Making Personalities Unique and Keeping Them Straight Giving Your Characters a Unique Voice Choosing the Traits That Define a Character Fleshing Out Characters Writing Realistic Characters Character Flaws the Right Way Understanding Goals and Conflict
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swashbucklery · 7 months
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Out of curiosity why do you ship sabine and shin ?
Okay anon so I am trying to figure out how to approach this ask because I know that this fandom has a real problem with bad-faith actors looking to troll Wolfwren shippers and I do not have the patience to deal with that, but also I do want to talk about them because they're lovely.
So. If you are asking because you're a troll, the answer is that I'm a big mean lesbian who likes ruining Star Wars and gets off on making innocent fanboys cry, #sorrynotsorry, it's part of my Terrible Queer Ruining Agenda and I am going to be doing it every second Tuesday until society as you know it has crumbled into gay dust.
If you're not a troll: because they hit this very particular combination of Trope Buttons that makes me ever so happy, anon!
Because it's about - like, there are ships that I love because they are a type of loving partnership that entrances me, where I see myself or see the type of love that speaks to my soul and want to enjoy the process of rolling around in it like a cat in nip. Then there are ships that I love because I'm attached to a particular character where like - this blorbo deserves the world and that includes a healing love, a warm love, a love that cultivates a space for them to rest after the harsh world around them has bruised them ever so.
THEN there are ships where - the dynamic fascinates me and I want to dig deeper into it. Where it's not about cultivating love as much as it is taking what's on screen to its gayest and most extreme possible endpoint, and that's where Sabine/Shin really gets me.
It's about the deep obsession of nemeses and the way that can feel inherently queer. It's about the ways that they are both mirrors and opposites. The way that Sabine carries so much anger and self-loathing and shame and guilt in her little heart and constantly pretends that she doesn't. The way that limits her throughout the series is riveting to me.
It's the idea of Shin, who in may ways is a more successful Jedi but in other ways is a sad, lonely little weirdo who has no community except for this weird old man and pretends that she's fine with it but can't be.
The way that they are both successes and failures in ways that mirror each other, the way that they orbit each other as nemeses and fight constantly but in their darkest moments have a weird little glimmer of - not love, but the beginnings of compassion.
And I have seen lots of writers and artists who look at that glimmer and see it as the beginning of a 200k slowburn story where they bicker and argue and slowly tenderize each other into being people who can be vulnerable, who learn to soften their prickly edges to fit around each other. And that's wonderful, and that's a beautiful way to ship Sabine & Shin.
For me, it's more about digging into that weird, fucked up little place of what if they didn't. What if they stayed fucked up and didn't soften but those orbits got closer and closer together. What if it wasn't toweringly romantic what if the orbit was the path of a comet colliding with a moon. What if that was somehow what each of them needed even though they both hated needing it. What does it feel like to confront the fact that sometimes our desires and what we want our desires to be don't align? What would it be like to envelop that in the complex ten-dimensional web of denial that both of them embody; desiring but pretending not to desire, indulging but pretending not to indulge. How far could that go before it hit a crisis point? What would that crisis point be?
There are so many stories there and that's fascinating and a thing that I find fun to explore in fiction, anon. If that's not for you, that's totally alright but there might be other dimensions that I described above where they ping with your interests more.
Or, they might just not be for you, and that's also okay.
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nightcolorz · 2 months
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I must confess something, I do not understand white Vox lol is it just his VA? He may be just a TV with a body but his eyes seem to be drawn as east asian and thats his most prominent human feature. Majority of the time I see people draw him as a human they actually erase his real eye shape to (I assume) make him look more white. There's no real canon so people can hc whatever but I am so intrigued by how people are interpreting him white. I promise there are nasty tech/media ceos that overwork their employees all over the world... maybe im reading too much into it because the show is otherwise verrrry western-centric. Just curious how you view it, you're definitely in the majority and i realize people like me are the outliers but just saw your post and had to ask (if you didnt mind sharing).
Anon is referring to this post btw for context: https://www.tumblr.com/nightcolorz/746235899544813568/my-hot-take-is-that-i-think-that-a-vox-human?source=share
Anon ur hella polite and ik u got good intentions so I was stressing a little over how to respond without invalidating ur headcanon cuz like, I never want to be the guy saying “this character is white and u can’t headcanon them as a racial minority” cuz that’s pretty shitty no matter what. We definitely have different takes but when I’m explaining my interpretation I don’t wanna sound like I’m trying to boss ppl around and say there’s only one way u can see these characters. This is just my personal interpretation and I was being funny in my og post implying that my interpretation is the “correct” way. But since u asked I’ll explain my reasoning why I (and prob other ppl) see Vox as extremely white lol.
I don’t take Vox’s physical appearance into account at all when thinking about his ethnicity cuz in a show were everyone is pretty racially ambiguous design wise Vox is one of the most ambiguously humanoid characters, like my guy literally has a tv for a head with eyes and a mouth, and that’s it. I don’t see ur point about his eyes at all tbh, to me Vox’s vaguely slanted eyes have always come off more like a devious squint than an ethnic feature. Even still I don’t read slanted eyes as Asian automatically so it never occurred to me.
I don’t read as Vox as white bcus of his VA being white or him being a tech bro billionaire (but ig they play a part). I read Vox as white mostly bcus I see his background as a former religious extremist/cult leader from the 50s with a skill in life and in death for male manipulating ppl and using them for his own gain as very white and western. (I got this info from his official reference sheet for auditioning va’s, here that is)
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His capitalistic ideals and business practices r meant to mirror (extremely white) billionaires like Musk and Bezos, which adds to my perception of him. Of course being a billionaire tech guy is not a western white man exclusive thing, but I feel that if we were meant to perceive Vox as someone not from America that would definitely be coded or in some way communicated. And I say this with as little ill will as possible, but for me I wouldn’t want to perceive Vox as an East Asian tech bro billionaire specifically bcus there r negative stereotypes and connotations attached there. East Asian men have a history of being negatively stereotyped as corrupt tech business owners. I don’t think u are trying to imply those stereotypes with ur head canon (frankly it’s hard to avoid negative stereotypes in fiction a lot of the time bcus stereotypes encompass such a vast range of things that its hard to take them all into account). But regardless, it’s smth we should try to be conscious of.
Anyways, I also usually take these character’s personalities and values, self image, etc into account when im thinking about race, bcus race is more then color, and especially for characters with lives and personalities based in much less tolerant time periods, it’s significant to consider how race would play a role in forming the way they navigate the world. Based on how Vox behaves I can’t see him as being racially marginalized. I’m gonna compare Vox to alastor a little cuz alastor is canonically creole and I think he serves as a good reference for someone I perceive as not white in comparison to Vox and how I think he differs and contradicts the experiences of a racial minority.
Vox to me comes off as someone who thinks he is entitled to power, respect, privilege, etc, which is a very standard type of attitude for a white man who was alive in the 1950s to have. He’s very emotionally immature and volatile, doesn’t seem to concern much over his public image beyond petty dick measuring contests with alastor (he regularly publicly has angry tantrums and doesn’t break a sweat over how this will affect his status). He obviously cares about it (scolding Valentino for embarrassing him and such) but he doesn’t seem to worry about loss of reputation in any sort of real way. I get the impression that Vox has always had at least a standard amount of social standing and privilege and can’t see a life for himself without the fundamental privilege he feels owed there to support him. He’s basically a man baby, a man baby who still manages to garner power and respect effortlessly (it comes naturally to him) while remaining whiny and insecure. Very white man of him! White man behavior!
in comparison, Alastor, (who I do not read as white) is always frantically clinging to his composed self image and his power as if it will slip away from him if he loosens his grasp at all. He has an extremely firm grip on his composure to the point where he never allows anyone to see him slip at all, let alone frown (despite his mental health and emotional well being being equally fragile as Vox’s). Alastor understands deeply how little the world owes him and how difficult and unreliable his acquiring of status actually is. He is borderline neurotic about retaining his power and staying on top. Despite the smile, Alastor is always defensive and fearful, picking fights with anyone he thinks might be a threat like a small dog or a prey animal would. Meanwhile, Vox conducts himself like a man with nothing to loose. I feel like Vox grew up with money and doesn’t know poverty or a lack of privilege in any intimate way that would drive him to guard it in anyway beyond flippant. To Vox power, status, and privilege are inherent. Same can’t be said for alastor.
tldr in conclusion Vox’s brand of bad feels very specific to a white man, alongside his emotional immaturity and his attitude, mindset, and behavior. This is why I see him as white asf, but I don’t think there’s anything wrong or it’s in anyway less correct to headcanon him as a different race. That’s just how I see him. Thank u for sending the ask anon it was pretty interesting to write! Have a good day! (btw i love Vox he’s one of my fav character lol me calling him a white as shit privileged entitled man baby douchebag is out of love and all I find interesting and fun about him)
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sleepy-symphony · 15 days
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Finally finished TMA s4, and here are my final thoughts! Thoughts are under the cut because I have A Lot to say.
This season was so hard to get through. Not because I didn't like it (I loved it), but because it was so stressful. When it comes to fictional characters, I'm very empathetic, and I literally felt like I was feeling stress alongside them
Elias and Peter are my favorite homophobes frfr. First, Elias roasts the fuck out of Martin for liking Jon and then Peter isolates him from Jon. Honestly, I think Elias should've called Martin a homophobic slur at least once, but you can't have everything ig
Georgie continues to slay AND she likes women. I need her
I'm sorry, but Basira started to piss me off a little. Like, I get that she's gay for Daisy or whatever, but that doesn't mean she gets to be hypocritical about the whole avatar-feeding situation. How come it's fine for Daisy to straight up KILL people but not for Jon to traumatize them? Like, both are bad, but I feel as though this should be an both-or-none situation.
I got really attached to Adelard Dekker for some reason and then got really sad when we found out he was dead :(
I'm going to have to make a whole post about Jon and Martin, but goddamn did I love their dynamic in this season!!! Like, they didn't interact much for obvious reasons, but the way their relationship was... it scratched my brain.
And Martin!!! He continues to be my absolute favorite character. Also, I find it funny that the character I happen to find very relatable gets affected by The Lonely. Like, damn, thanks for calling me out. Anyway, I love his character growth (and decline, possibly) and I'm excited to see him more in s5!!!
Speaking of s5... wtf was up with the last episode of s4?? Like, you're telling me that everything was just one big set-up? And that all of the work that went into stopping the Unknowing was all for nothing? OUCH
So, fun fact, but when Jon started reading that chant that started the apocalypse or whatever is happening, I said "No, babygirl!" out loud. I am not ashamed of this in the slightest
ANYWAYS, that was Very Long. I'm gonna wait a few days until I jump into s5. But I'll probably make a post or two yapping about stuff that went down in s4, because it's been a wild ride.
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i would like to be in and foster an online environment in which discussions abt controversial topics can be handled civilly without ppl ganging up and sending an influx of anon hate. i think internet in general is a space where ppl love to be outraged and i want to challenge that. that's partially why i wrote this fic. i am tired of purity culture and of fandom/online hivemind. in a fandom where a lot of ppl clearly enjoy age gap ships, i say, what makes one better and more "morally correct" than another? what makes a sugar mommy au better than a college student x teacher fic? so many fics featuring dark themes are popular in this fandom (don't wanna name any names bc i don't wanna get anyone involved), but THIS is the one ppl are upset about?
i wanna ask a question -- is it possible to write a fic where ppl are NOT morally pure but still somehow manage to live and find happiness? why is it forbidden to explore those themes in fiction? when you look at ppl in real life and how weirdly their lives shape up, and how ppl are flawed and make mistakes and live unconventionally or sometimes immorally or unhealthily, doesn't that interest you? in a sense that you would like to read about it? explore what goes on in the minds of these ppl/characters?
ppl forget exploring a theme in fiction doesn't equate to condoning it in real life. each individual has to use their own best judgement when consuming a piece of fiction. i assume everyone reading my fic is an adult (as i write fics intended for adult audiences) and can form their own opinion.
i would like it if people could use their reading comprehension and critical thinking skills when reading my fiction, without me having to put up exact and specific 1826372929392 word disclaimers, so ppl's fragile feelings wouldn't get hurt. would it really be okay if i wrote in all caps before the story WEDNESDAY IS 22? you could have read the first paragraph and figured that out. i tagged it as teacher-student bc it's playing with the concept, even if they are not a student/teacher in the timeline of the story. i use implied underage sex as a tag bc in the 2nd chapter, and repeatedly throughout the story i reference larissa and morticia's relationship, that has occurred when they were underage. i mention that they engaged in sex. it is only mentioned, and not explicitly described. do you need me to write all of that out under the title in order not to send anon hate and clutch your pearls in disgust? or can you just read the story and decide if it's for you or not?
i implore you to read all of my works as a story, without attaching a moral judgement to characters' actions. if and when you do attach a moral judgement and form an opinion, pls remember those are fictional characters, and i am an author exploring certain themes bc i can and it interests me to do so. i want to write unconventional stories, controversial stories, romantic stories, funny stories, horror stories, i want to explore everything. everybody who reads is invited to look at them as a piece of fiction they can enjoy or not enjoy, and nothing more. i hope to take you on a journey that leaves you with something to remember, good or bad, but impactful.
from now on, i will probably write longer works and venture into darker themes (next thing i'm planning is murder mystery/thriller). there will still be fluffy pieces, but i just want to push myself out of my comfort zone. i would like to associate with fandom ppl who are open-minded and can read a piece of fiction without going ballistic. if you look at things black and white, you likely won't like my fiction -- and that's okay.
however, if for any reason you want to send me hate, you will absolutely be blocked. i am a person, and i do not deserve insults and rudeness in my inbox. it's easy to feel empowered and feel like you're fighting for A Cause (TM) and attach the Bad Guy etiquette to a single person. that can feel like you're solving something. esp when ppl accuse me of promoting actual p3dophilia -- that's a cause everyone can get behind. banish the evil p3do apologist!
i am a victim of child sexual abuse, that went on all throughout my formative years, and into my adult age, simply because i thought that's how it must be. that experience has scarred me beyond belief. i don't want to share the details. it's not smth i'm sharing for pity points, nor do i need anyone's sympathy. however, it is an experience that has shaped who i am, and perhaps for that reason, combined with other things, is why i'm drawn to certain themes in fiction. i don't owe anybody an explanation as to why i choose certain topics, but since there have been idiots in my inbox who have accused me of harming victims of minor sexual abuse, i feel compelled to say something. fuck you for using a group of suffering ppl to support your own flimsy arguments born out of puritanism and inability to cope with heavy themes in fiction.
you are absolutely welcome to CIVILLY discuss your opinions about the fic with me -- off anon, exclusively. but i know nobody will, bc this isn't about the actual contents of my fic, this is about the delicious morally righteous thrill of a witch hunt.
enjoy the fic. i will post next wednesday.
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jasper-the-menace · 3 months
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Hey, since you're interested in scorpion biology, I thought you'd be interested in the idea of... intersex Chima scorpions! Well, sort of.
There's a specific character that's been bugging me a bit. Scutter is kind of the scorpion equivalent of a centaur; he has two torsos, one anthropomorphic, and another of the scorpion body. With scorpion anatomy in mind, it's easy to reach the conclusion that Scutter's reproductive organ would be heavily altered because of his body, making him intersex to a certain extent.
I hope this makes sense. I'm trying to look for possible trans rep in Chima characters (like in this example). What do you think of this idea?
Oh friend, you don't know the essay you just inspired.
You Opened This Can Of Worms, Now Lie In It
Some important bulletpoints before I get going, just to get all of my followers on the same page:
Disclaimer: I am a transgender nonbinary perisex individual. This means I am not intersexed (to my knowledge), I don't identify with the gender I was assigned at birth, and I don't identify as male or female. The closest thing to describing my gender is literally "no".
I am a strong advocate for making as many characters transgender as possible, regardless of "realism". That's why, in my own writing, half of the Scorpions are retroactively transgender (though they don't understand gender on the whole and most of them would probably be nonbinary if someone took fifteen minutes to explain gender, variable social constructs, and the concept of genitalia tying to gender roles) and also Razar is too on account of I said so.
Being intersexed does not inherently mean being transgender. There is a lot of discussion and individual choice between intersexed people about whether or not they're part of the queer community. It's a very individual thing, and I am not part of those discussions on account of not being intersex myself.
When it comes to humans and other beings with a level of sentience and sapience, the term "hermaphrodite" and its derivates are considered slurs. When talking about animals, hermaphrodite and its derivates are scientific terms. So in something like the Legends of Chima series and other humanoid-animal media, the proper term is "intersexed". (I noticed you used the term "intersex" in your ask, and I appreciate it!)
I know too much about scorpion mating and birth.
We're talking way too much about genitalia and gender tonight in regards to fictional characters.
I am genuinely delighted that you decided to drop in here to discuss this, because boy howdy do I have a lot of thoughts about transgender headcanons/representation and scorpions specifically! Scorpions are just. So damn cool.
Note for my fellow arachnophobes: There are no images attached to this post, but it's really easy to find videos of scorpions doing various things on YouTube, which is actually how I've been studying them.
Scorpion Sex, Mating, and Genitalia
Scorpions of both "genders" have genital opercula (singular: genital operculum), and their asses run up into their tails. In order to mate, they don't just do like horses. No no, buddy, they have a really weird, specific method!
In order to start wooing his potential mate, the male scorpion will lock chelae (pincers) with the female scorpion, and they will start to "dance". The male scorpion will drop a sperm packet onto the ground and lead the female scorpion over it. If the female scorpion is down, she'll basically squat and absorb the sperm packet into her body, which is then followed by a "mating plug" to keep it in while it does the fertilization thing.
(It's important to note that the courting process also contains "juddering", aka the male scorpion doing the dance that the stickbug meme did, and may also contain clerchical "kisses". Honestly, pretty romantic for an arachnid. And possibly tail-rubbing and sexual stinging. Scorpions are very kinky!)
(It's also important to note that some species of scorpions have been reported, though not reliably, to reproduce through parthogenesis.)
Post-coitus cannibalism has not been scientifically seen in scorpions, so the male scorpion is generally safe as long as he scadoodles.
Gestation in some scorpion species can last over a year, and different species can have anywhere from 2 to 100 little scorplings - the physical size of the scorpion is not necessarily tied to how many babies they'll have.
Also, scorpions give live birth!
The baby scorpion is essentially folded like a Fedex package and launched out of the womb. It will then unfold and climb on top of the mother to make way for its next sibling. These will hang onto the mother until their first molt, which happens as a group and launches them into the juvenile stage. After this, they will still stay with their mothers until their carapace finishes hardening and gaining color, at which point they hunt prey on their own and will wander off on their own terms.
Hey, Jasper, That's Pretty Fucked Up, But How Does This Tie Into Chima?
I'm getting there, hold your centaur scorpions!
This is where we get into the worldbuilding of the Legends of Chima series, the Character Encyclopedia, and our poor boy Scutter.
See, the Legends of Chima as a series is very much a product of its time. There is some rife ableism and questionable word choices in regards to the Crawlers (and Sir Fangar, but this isn't about him). According to the Character Encyclopedia, Scutter is "less evolved". There's a looong history of racism in using phrases like "evolution" in regards to other humans, so taking that and applying it to an animal world leaves us with some very strange dissonance, because it's used in Chima to mean animals turned into a more humanoid form by the Chi.
Because really, what is the Chi? It's a magical substance that, depending on how you read it, could be the animist spirit of the land (I say, as an animist myself), or it could be drugs. Or it could be any number of other things! I know one person who writes Chi as the blood of dead gods, which is metal as fuck!
Ultimately, it depends on how one is writing the Chi that makes the usage of phrases like "less evolved" more or less questionable than it was intended. We're all dragging around the corpse of a Lego theme across our writing desks anyway. And the way I go about answering the question of "what is Chi" is definitely different from others. (Again, see the dead god blood part.)
The question of whether or not the Scorpion Tribe, namely Scutter, would count as intersexed relies on 1) defining intersexuality in regards to genitalia arrangement (scorpions don't have penises and vaginas by default; and the Wikipedia article on scorpions just uses "genital orfice" or "genital opercula"); 2) determining if the Chi has magically changed how genitalia works for Scorpions (admittedly, I do this because I didn't want to have to use the term "genital opercula" over and over); 3) determining the humanization extent of the Scorpion Tribe as you write them (I lean more towards human than you do, just from what I've seen of your work); and 4) deciding if such terminology even exists in Chima.
But looking at Scutter and going with the assumption that the back end is fully scorpion... No, I wouldn't count him as intersex by default. Intersex implies landing between the two human biological extremes (which, as we all know, is not as cut-and-dry as high school biology taught us), when really he's kind of a secret third thing (a Scorpion who probably doesn't have either a penis or a vagina).
(Of course, there's also what you said, paraphrased to my own wording: the Chi may have just decided to fuck up this poor man's genital situation and do a half-ass job.)
That's not to say he can't be trans. I mean, I made Scorm and about half of the Scorpion Tribe trans already. That's also not to say they're not all trans by default, considering scorpions without the ability to think wouldn't have the concepts of genders anyway.
Okay Jasper, So How Do You Write Him?
So, here's the thing. I'm aromantic-asexual, and I also write smut and, to a lesser extent, romance, which means I think about fictional character genitalia too much. But thinking about Scutter has left me utterly baffled.
On one hand, I usually write the Chi as a magical animist force of the land of Chima on the whole, and part of that is that the Chi tries to get everyone on the same playing field, physically speaking, which is how we get retroactive transgender man Scorm in my Tales of Chima series.
On the other hand, look at him. Look at him. He's a centaur arachnid. I know he can pass the Harkness Test, but I still feel weird thinking about his genitalia. If I go with my theory of the Chi giving everyone penises and vaginas at random, then I don't want to think about how much that would get in the way for the poor boy! On the other hand, his lower body is still mostly scorpion instead of, well, Scorpion, so who's to say he doesn't have a genital operculum?
Too Long, Don't Want Details About Scorpion Sex
Alright, spoilsport. Here's your TLDR:
It genuinely depends on what the Chi does in your version of the story and how bad it fucks up. It depends on how dedicated you are to scientific accuracy. It depends on how much you want to think about scorpion genitals.
And being intersex is not necessarily trans rep, unless it is, unless it isn't. I'm not intersexed, so I'm not going to say what that falls on myself. There is an intersex pride flag that was created by Morgan Carpenter in 2013.
Trans characters can exist outside of being intersexed, you don't have to conflate the two in order to have transgender representation. Just hit the characters with the Transgenderinator 5000 Beam. Fuck realism, this is a series about walking talking animal people. Who's going to stop you? The fun police? Transphobes? Eat them.
Further Reading
Start at Wikipedia and go from there through its sources for anything of particular interest:
Intersex flag (in case you're curious about it and its history, which can also launch you into further reading about humans being intersex)
Scorpion (morphology section)
Scorpion (mating subsection)
Scorpion (birth and development subsection)
So, uh, yeah! Thanks for coming to me with these questions, it's really touching that you value my thoughts this much, and I love talking about my boys and scorpions and the complicated web! I apologize for any errors or too-crass sections, because I wrote most of this in one sitting after playing wayyy too much Skyrim today.
~Jasper
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pearwaldorf · 7 months
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Unsurprisingly, I am now thinking about deaths of characters I have loved, and how many of them were sacrificed on the altar of shock value (Wash from Firefly, Tosh and Owen from Torchwood, maybe Ianto too; Natasha Romanoff, Gamora, Abbie Mills).
And then there the ones who had a story purpose but they did it in the most traumatic way possible (Donna Noble, which I will never ever forgive Davies for; Abigail Hobbs).
I haven't even touched the actual buried gays, and the anguish that reverberates through fandom whenever it happens, regardless of whether you go there or not.
To have a writing team treat a character's death with that much care and consideration, after giving him a fully realized and satisfying emotional arc? It's a good ending, and thematically appropriate. Of course it's sad, you're supposed to be sad, because you're emotionally attached!
I think grief in fiction, as it is in real life, affects us more when we know things have been left hanging. But if that character has grown and changed in meaningful ways, it does help. It's been a long time since I've felt okay letting a character go, and I'm grateful to Jenkins and the rest of the writers for that.
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reginavulturum · 4 months
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Terry's Birthday: Fandom, the Internet, and Citations
Or, a too long, too in depth essay on a fictional character's birthday
If you aren't thinking I'm a total nerd by the time you're done reading this than you didn't really read this. But, let's start at the beginning. Recently I posted a timeline I made for "Batman Beyond" and in the time since I made that post there's been something I've seen pop up in tags which I'd never heard of before. A few people were saying that Terry's birthday is August 18th. I was really interested in the source of this claim because I had no recollection of ever seeing it anywhere before now. I looked it up on google (as you do) and found this date scattered around the internet. Case closed, right? But I quickly realized there was a consistent problem on every site I came across. None of them cited a source for Terry's alleged August 18th birthday.
Just look it up yourself and you'll find that the date is ubiquitous across the internet. Yet, as far as I can tell after all my research, it's also completely unconfirmed. I mean, I may have missed something, but if I have than someone else is going to have to point it out to me. I also made a post prior to this one asking people to cite a source for Terry's birthday and no one has so far. You can have a look at that post if you want to know what I consider a good source on this subject. In any case, if this date or any other had been confirmed in any piece of media or in an interview with any DC creator involved in Batman Beyond than I think I would have found a citation for that source somewhere by now.
Right now it kind of seems like August 18th is fanon that's been recycled into "canon". This seems to have happened through a process of source-less wikipedia edits being parroted across reddit threads, sites featuring profiles of comic heroes, other wikis, etc. The less popular June 27th birthday for Terry seems to have gone through the same process. Here are links to some of these sites: 1 2 3 4 5 6 7 8 9 10 11
As my research continued I came across some possible witness testimony of the first mentions of these birthdates:
a.) In this archived thread from the DCAU wiki, in quotations below, I've copied an excerpt of an exchange between two users that I feel is most relevant to this post (emphasis mine):
"So, I've noticed lately that a lot of different sites have been stating Terry's birthday to be August 18th with various years attached to the date. The earliest mention of which I could find is an edit to his wikipedia page in 2008 (which prior to the change stated his birthday was June 27th). I don't remember a mention of when he was born on the show or tie-in comics, and the third volume of comics didn't come out until 2010, so would anyone here know where these dates originate from? -- ReachingForRevolution (talk) 17:48, September 26, 2013 (UTC)"
"I've done some extensive timeline research, and I never came across a good source for those dates. All I saw was a wikipedia edit war with those two dates, but neither is correct AFAIK. The most cited year of birth is 2023, which is speculation as well, but there's at least some foundation for that. --Tupka217 17:56, September 26, 2013 (UTC)"
b.) A similar claim was made in this thread. The relevant excerpt, written by the user "Yojimbo" on October 16, 2023, is in quotations below (emphasis mine):
"No official birth date was ever given.
There was a wikipedia edit war in the 2000s but no source was ever given for either disputed date, June 27, 2023 and August 18, 2023."
As I've travelled down this rabbit hole, I've begun to suspect I won't be able to find exactly where it began, but this is as close as I've gotten. Allegedly, sometime around 2008, there was an edit war on Terry McGinnis' wikipedia page between at least two users over the birthdates of June 27th and August 18th. Now, how or why that edit war even started, I don't know. Why those dates, I also don't know. What I do know is that August 18th is the birthdate that gained the most popularity in the end and spread across the internet.
I'm not trying to step on anyone's toes with this post or call anyone out, really. If anything, this post exists because the subject was interesting to me and I've found the journey enjoyable. If you want to say Terry's birthday is June 27th or August 18th, then please do. Fandom is about fun, not perfectly sourced and cited dissertations on fictional teenagers' birthdays...unless, of course, that sort of thing is fun for you. I know I've loved every minute researching for and writing this...because I'm a massive nerd...but I certainly don't adhere to a strict reading of the timeline myself which is something I plan on covering in an upcoming addendum to my timeline.
In summary, my own research has produced no officially confirmed birthday for Terry McGinnis. This leads me to believe that August 18th and June 27th are fanon birthdates. It may be that I've just not found the citation for one or the other of these dates so I'm open to anyone who can provide me a good source. But really, none of this matters in the grand scheme of things, although it's interesting to see the way user edited/moderated wikis can sometimes bring less clarity rather than more. I'm sure this isn't the only example of that. Assuming I'm right and these birthdates are fanon, I wouldn't consider this a cautionary tale or anything so dramatic. Instead, I'd say this was a case study in the interaction between fandom collated information about fictional works as it exists across the internet and why the adage, "cite your sources", will never die...or something like that...
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crayolacolor · 3 months
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simon infinitytrain?
send me a character and i'll list the below things about them | accepting!
HELLO ANON. i do not know if you'll ever see this because it took me ten years, but here i am, answering you.
FAVORITE THING ABOUT THEM:
fun fact: simon infinity train is the reason i have a disclaimer about me getting attached to tragic antagonists in my pinned post. so you can probably make an educated guess what i like about him.
he's just. such a well written character. i love how his negative character development was contrasted against grace's positive character development. i love how the writers did a really good job of making him infuriating and sympathetic at the same time.
i'll go more into my thoughts on him in a later section, but yeah, the tl:dr is he really just is my character type hahaha.
he's just a really complex character and imo the writers nailed that.
LEAST FAVORITE THING ABOUT THEM:
okay well, this answer changes depending on if you mean from a writing perspective or a 'him as a person' perspective. from a writing perspective, 100/10, no notes. i can't think of anything i disliked.
from a PERSON perspective. episode 6 makes me want to murder this man <3 i want to put tape over his mouth every time he speaks in that episode. it's somehow WAY worse than when he's just straightup being an over-dramatic anime villain at the end of the season.
FAVORITE LINE:
oh there are many. i need to rewatch again. but the ones that live in my brain rent free are ALL after his downward spiral begins:
"teamwork begins with two people trusting eachother. but you? you're no person." dramatic effect. extremely traumatizing for everybody who's ever watched this show. 10/10
"i liked what we had, but you made me do it! you betrayed the apex. and you betrayed me." again, dramatic effect. really gives you a feel for what's going on in his head, i think. 10/10
"why would i ever want to change if i'm always right!?" iconic. i think this is the one people remember the most from him, along with the one from ep 5.
BROTP & OTP (combining because my answer is the same for both):
grace. lol. full stop. hopefully i don't have to explain that i am VERY AWARE that their relationship was unhealthy in many, MANY ways. that is what i like about it. i'm a huge fan of messy relationships in fiction. i am a self proclaimed angst fiend.
the tragedy of it all is 100% the appeal of it for me, from either a platonic OR romantic standpoint. i love that. and yes, i do ship them to an extent- but NOT in the "i think they should have gotten together in canon" way. again, the angst is the appeal!!
i admit i do also enjoy aus where they fix their relationship, but not INSTEAD of the canon, more so in ADDITION to the canon. i think it's a fun alternate route to explore, but i deeply adore what the infinity train writers did with them in the show and that will not be changing.
NOTP:
literally any of the protags from the previous seasons. y'all, simon and grace are 18. you can't be shipping them with the 13-14 year olds. please stop. (nobody here! i mostly see this on ao3, honestly.)
RANDOM HEADCANON:
i think simon has been back to the cat multiple times in secret.
i really like the theory that he got some of the apex's tech from her. the main thing i have to support this is this line from the episode where he returns to her cabin in book 3:
"i knew you'd have something. you always do."
particularly i think there's a good chance he got the unmodified gravity boots from her (and likely modified them himself) and possibly also the number tracker.
UNPOPULAR OPINION:
oh i'm sure a lot of what i've already said has been an unpopular opinion, haha. i'm one of those people that's so in the middle in a debate that both sides of it have reasons to disagree with me.
i really like simon. he and grace are my favorite characters in the show. there are parts where i feel really bad for him, and parts where i want to yell at him and hit him over the head with a very large stick.
i see his death as a tragedy in universe, but also a really good writing choice on the part of the infinity train crew.
i don't think they secretly had a scheme to make us dislike him. i think it was written in such a way that it makes sense that some people would have a viscerally negative reaction to him, and others wouldn't. he's a very complex character and that's good writing!!!
i think the tragedy was the point, which is something both people who like him and people who hate him seem to completely overlook in a lot of cases. it's either "woohoo! simon died!" or "killing simon was bad writing he should have been redeemed >:/" not "oh this is really sad but i love it from a story perspective."
i don't think he was "irredeemable", per-say. the fact is, he was faced with a pivotal choice in episode five, and he picked the wrong one. he chose to double-down. i love that. i really do. i love the downward spiral. it's painful in the best way. i would not change the canon show for the world. again, 100/10, no notes.
but i can also see a universe where he made the right choice. i was writing a fic about that, once. (which admittedly has some characterization issues which i would fix if i tried it again.) i think it was possible. and i think that's a fun route to explore too. not a better route from a writing standpoint, but a good one.
i have so many more thoughts but this has already gotten really long, and i have two more questions to go, lol. but if you want to hear anymore you're free to send me another ask about it!
but, for now, moving on.
SONG I ASSOCIATE WITH THEM:
someone else on tumblr pointed out that "the moon will sing" by the crane wives is a good fit for simon @ grace and now i can't unhear it.
and, finally, FAVORITE PICTURE OF THEM:
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anime villain simon my beloved.
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anxiety-banana · 6 months
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Tips on Writing Realistic/Contemporary Fiction
Some of us are high fantasy people. Some dystopian, or self-help, or sci-fi. These are all such amazing genres with all their own techniques and tips and intricacies, many of which I could attempt to council you on, but above all I am best at realistic fiction.
Personally, I'm a realistic fiction girly. I love it, I eat it up in writing, in reading, in watching on TV and fantasizing when I'm going to sleep. Despite it being considered "basic," it can come with a lot of hardships and I'm here to council you on a few of them.
Problem:
It's boring to read and write; I can't find realistic and simultaneously interesting plot points.
Possible Solutions:
Unfortunately, boring comes in the description of writing realistic fiction. It's easy to get bogged down. The best tip I can give you is to emphasize boring things. Some people find joy in helping others, or can't get out of bed in the morning, or love learning or hate learning or don't know how to change the oil in their car even though their dad has taught them how six times. Finding realistic points about life and emphasizing them to a point of interest makes reasonable subplots, and plots.
Another good point is to discover your characters before you feel like you've discovered your story. Don't be afraid to let your characters evolve, change things about them until they feel right, and then worry about putting together a fully fledged plot. Knowing your characters will help you better know where you want your story to go, what is difficult for your characters to accomplish, and the kinds of problems will arise in their lives.
Problem:
My characters don't have enough at stake to accomplish the plot.
Possible Solutions:
Again with the "boring" situation. When your characters don't have the motivations to move along the plot, the obvious answer is often the best: give them better motives. It probably won't be life threatening like fantasy or sci-fi, but if you find out what motivates your character in life, you can figure out their motives in specific situations. If they're relationship oriented, make them have to choose between family and friends. If they value education, make them fail. If they need to always serve others, take that ability away from them (finances, injury, obligation etc.). If they're especially anxious, put them in situations where they have to chose between multiple anxious options. Embarrass them, hurt them, make them chose. The stakes can still be high, and it can often make your readers feel more attached to the characters, because they have more down to earth, relatable problems.
Problem:
My idea probably isn't marketable.
Possible Solutions:
Personally, screw marketability and write it anyway, but there is some practical advice to this.
First, if it's realistic/contemporary fiction, is has interesting plot points, developed writing, and good characters, it's probably marketable. The NYT Bestseller list is filled with realistic fiction, and it's a rather consumable genre. You don't need a six book series to be noticed, the books are typically shorter, they don't have to have some eye-catching brand new plot that's never been seen before, and cliches are not only accepted, but encouraged.
If you're genuinely afraid that your book isn't marketable, there are a few points that are most noticeable and marketable in realistic fiction: romance is an incredibly popular subplot/plot, and if it isn't in your book yet, it may be a good idea to add if it's missing something character-compelled. If your characters are doing fine on their own, don't add it! It's not worth forcing it in, as it will probably replace genuine plot proficiency with dulled-down spice.
Another point is a business being run by your character, a job they work, or a college they're going to. By focusing the plot around one major place or event, you're ensuring that your book isn't all over the place, and has a specific niche that will be noticed and recognized when designing covers and writing summaries.
A main and important one is relatable characters. It may sound basic, but it's crucial that your characters aren't facing any problems that aren't realistic to a majority of your readers in some capacity. Realistic fiction readers come to enjoy characters traversing and overcoming relatable problems. Your characters can still be members of congress or fishermen in the Alaska wild, while still groaning over getting up early or making small talk or having relationship problems.
Problem:
My story feels too choppy, because there isn't a large main arc.
Possibly Solutions:
This is more of a general writing tip, but the problem comes up quite a lot in realistic fiction so I feel as though it should be covered.
It's really all about honing in on one major plot point/motive. Is your character's business failing? Is an important side character pulling away? Are they worried about graduating high school with a good enough grade for the college they want? Pick one main plot point. If you're too attached to multiple, consider either dulling them down to plot bunnies/supporting side plots that help develop their journey, or even a series! The biggest reason for this problem is muddying up a story with too many basic points, and not putting the focus on one point, making it bigger and more exciting and crucial.
That's all I've got, folks! If you have any questions, DM or drop me an ask and I'd be happy to make another one of these posts! <3
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kanerallels · 11 months
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No no please I desperately want to hear your Bode opinions, I crave to know if anyone else has the same geek kind I do
Oh my stars Anon I got this ask and I am VERY pleased by it but also like. prepare for me to have an objectively wrong opinion here. It's not the, generally speaking, correct one, but it's just the one I have
Anyways I'm gonna put this under the cut because it's gonna get long and spoiler-ful but! Here are two posts that I think have amazing takes on the situation as well!
Post one
Post two
Let's start at the very beginning. It took me forever to actually get this game, and due to that fact and my lack of self control, I found out quite a few spoilers about the game. (not everything, but a lot of stuff.) This included Bode's betrayal
At first I was like, oh this random guy is gonna betray me! Guess I gotta prepare to be super ticked off for a little while since I always handle betrayal arcs in fiction like an adult (that's a lie. I do not handle betrayals in fiction well At All. Still getting over the Billy Russo situation in The Punisher and don't even get me started on season one of AOS-- both of which I also saw coming. I digress, but that was relevant)
But then. I started playing Coruscant. And Bode showed up
Logically, I was like "oh random dude who's gonna betray me-- better not get attached."
About ten or fifteen minutes later he was my (or Cal's, technically) new best friend. As you can see, it went really well (he was befriending BD too, okay???)
Okay rabbit trails aside-- I really, really liked Bode as a character. So much so that I kept forgetting that he was going to betray me, and that I shouldn't get too attached. I liked his ridiculous quips and his loyalty to Cal and the fact he kept calling him "brother" and his obvious and fierce love for his daughter and how much he shipped Merrical
So when he did turn evil... it hurt. A lot
Like I said, I don't handle these things well. And in a video game-- where I tend to project onto/pretend that I am the character-- it was just as bad, if not worse
And yet, despite all of that, despite everything he did to Cal and the crew, despite him killing Master Cordova and causing so many terrible things to happen. I couldn't really bring myself to hate him
For two reasons. Number one, if I let myself go down the road of actively hating a character like that, it will not go well. I speak from experience
And number two, Bode seemed to regret what he did. That scene right before the second Merrical kiss, on Jedha? He looked like he wanted to tell Cal, but (in his mind) knew he couldn't because he had to protect Kata above all else
On Nova Garon he called Cal his best friend, and he sounded so sad, like he knew he'd destroyed the relationship beyond repair
(we ain't touching on Bode on Tanalorr. Everything he did there was objectively terrible)
The point is... I get that Bode is supposed to be a bad guy, but I'm never gonna see him that way. I'm gonna see him as consumed by his own fear, so terrified at the idea of losing his family again (after all, the Jedi Order was his family first. Losing them, and then his wife? That's just trauma on top of trauma) that he will do LITERALLY anything and justify it with the fact that he's doing it for Kata
He's just so AFRAID. And fear leads to anger (which is a secondary emotion, as my mom likes to say. Anger never comes from nothing), which leads to the Dark side
And while there's part of me that still thinks that he was being an idiot about this whole situation (sir Tanalorr is a whole hecking planet?? Guarded by a freaking impassable nebula?? That's why you're here in the first place) the other part of me knows that when you're guided by that much fear, you're not thinking clearly
So yes, Bode did terrible things-- he killed Master Cordova. Indirectly, he caused Cere's death (which, unless I'm remembering wrong, which is totally possible, I don't think Cal blamed him for that? He seemed to blame Denvik-- but again, I could be wrong). He manipulated Cal and endangered his daughter with his rage on Tanalorr and nearly killed both Merrin and Cal and KRIFFING HIT MY BELOVED BD 1
But when I look at his motives? At first, I forgive him, because that's what I'm called to do. And at the point where he reaches no return, I just pity him
And honestly I think in the end that's where Cal ended up too? Like, he was obviously angry and hurt and going through a lot, but he did want to give him a second chance. And I think if Bode hadn't be so focused on what could happen and how he could possibly lose more family, he could have accepted that
But he didn't. Instead, he committed atrocities, and I do condemn what he did and how he handled the situation. It was wrong. But I'll always be more inclined to imagine the world where he did trust Cal, and got a second chance
But yeah, there are some of my extensive thoughts on Bode Akuna! There are a few more small things, that I may post about in the future-- but I'd LOVE to hear what your take on him is, Anon! Even if we disagree, I'm still very curious. Thank you very much for the ask, if you got this far, I appreciate you reading!
(TL;DR-- Bode Akuna did so many bad things but I do think he regretted them, no matter how much he justified them in his mind and to others. And I personally am forgiving him and imagining worlds where he made the right choice)
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