🐢

Killed my fursona again, now they're haunting me by giving me dead mice and birds

Also I had an idea for a combat trick and I decided to make it a monster hunter card

Conner Luthor goes to National City High.

I have!! Big feelings about Conner's Smallville arc and how I wish it went deeper into teenage superhero angst and relationships,,, so have more moody clone stuff.

Thinking about how dca would always feel incomplete. How tech always gets old and impractical and needs to be upgraded again and again and again, because the world around is changing all the time but they don't.

You also change.

They feel a weird combination of pride and jealousy. You change on your own. You, a human being, something so fragile and breakable in their eyes, can change however you want. Whenever you want.

It's in your nature.

They, on the other hand, are created by your folk's hands. Their only nature is to obey those hands. To rust until you say otherwise.

Do you even realise how much unpronounced power you have over someone like them? They think you don't.

Yes, they're made to be stronger. Maybe more durable in some ways. If anything, something like them may kill the humanity one day.

But then they'll rust. But not in a physical sense of this word.

The world around them will change. But they will stay the same.

Because unlike you, something that they deem to be as fascinating as it is terrifying,

they cannot adapt.

everyday is a fruk day here but today is especially so 🥳

[Start ID. A redraw of the official icons of the ten named slugcats from Rain World, arranged in two rows: Survivor, Monk, Hunter, Nightcat, and Gourmand in the first, Artificer, Rivulet, Spearmaster, Saint and Enot/Inv in the second. Each is drawn in roughly the same pose as in the original art and fitted with speculative interpretations of their biology, and the second image is a “dead” version of this. For example, all ten have slug-like rhinophores in place of ears, cuttlefish-like colorful eyes with strangely-shaped pupils, cephalopod-like beak "teeth", expressive barbels or oral tentacles at the corners of mouths, spiny radulas, and the frilly mantle fringes of sea slugs, though otherwise their faces are squishy, simple and mammalian-shaped.

Cream-colored Survivor and yellow Monk both share triangular, bicolored spots matching their eyes (which are tan and brown, and two shades of blue, respectively), small, bumpy fringes, and relatively neutral looks on their faces. Defensive-looking Hunter is mostly a dull orange-pink, though their blobby fringe is a more violent red and their back is purple and marred with lumps. Nightcat is navy blue and flecked with dots of yellow and teal, their rolled rhinophores are a lighter blue, and their shading fractures into stars in some places. Gourmand is almost uniformly tan, their wide, very ruffly white mantle fringe bordered by a spray of white spots, and their beak sticks out from either corner of their smile. Primarily red Artificer, snarling, has yellow markings of multiple sorts, a prominent yellow dewlap and their characteristic dark scar taking out a chunk of its face. Rivulet is a darker blue than usual, with long barbels, red gills and rings, countershading, and a cheerful expression, sticking out their radula. Spearmaster is purple with orange accents, eyes and spots, a large fringe and spines down their back. Saint’s green caryophyllidia are marked by small, yellow diamonds, and their long, thin radula extends far below them. Enot is decorated with mottled red stripes, blue patches, yellow stars, and an uneven and almost cartoonish imitation of blush, though generally the same deep blue as Nightcat, a passive or almost slightly smug look on their face and their rolled rhinophores out to either side.

In the second image, nine of the slugcats’ eyes are crossed out, indicating that these are death icons. They look fairly the same, with mostly expression differences. Survivor is caught in the beginning of a threat display, a karma flower sprouts from Monk’s side, Hunter is burdened with overgrowing, purple and blue rot, Nightcat’s rhinophores are pinned back, and Gourmand looks mildly disheartened. For the final row, Artificer bites its radula between small plumes of smoke, Rivulet drops their expression, Spearmaster looks very startled, Saint looks almost entirely the same besides half-open eyes and their markings greater in number, and Enot grins confusedly. End ID]

If you'll excuse the unusually lengthy ID: the arena meme introduced by @pansear-doodles at long last after a nearly year-long wip status (or, rather, finished a month ago today to honor my own first time playing it!)

Design notes and shout-outs under cut! :]

The following people are some of those who’ve inspired my designs most since I started this eight months ago (or just inspired me to get a little weirder with slugcat biology), among many others for sure, and I thank them for it–but this is simply to bring attention to artists I find cool, and in no way an obligation to interact or anything :]

> @saturncoyote , @carpsoup , @charseraph , @gallusgalluss , @bitsbug , @dopscratch , and @0hmanit (and a special mention to dddeerbo and hunterlonglegs, who’ve since deactivated)!

Survivor: Surprisingly the hardest to pin down the colors for, since nothing with its sibling's palette seemed to match up right (I did have to add in a little blue somewhere for Monk, the beginning of making it clear how much I’m simply going based off of vibes for the colors of scug innards). I consider them, Monk and Gourmand to be part of the same gene pool of slugcats, and even possibly the same colony even if the latter isn't really related, so took a bit of Gourmand's coloring and fit them in with their inspiration: Goniobranchus verrieri. They serve as a bit of an introduction to my ideas of scug traits (i find it really fun how many people have thought to add so many silly sluglike fixtures of biology completely independent of me, buuut here I’m mostly talking about species variation), and like in-game they’re pretty average! They, Monk and Hunter have a couple scars sourced from a piece of Joar's concept art that I'm failing to find, those across the bridge of the nose, under the eyes, and across the rhinophores, respectively, and my Survivor interpretation features many on the back of the neck, as a result of survived lizard bites.

Monk: Their coloring is primarily based off the fact that I associate them with blue fruits, honestly, a bit because I was compelled to establish a familiarity with Rivulet, and lastly inspired by the spots of Goniobranchus kuniei (and geminus, less important to me as one of my characters is a kuniei instead, but more fitting). Between the yellow + blue and the circular marking in the center of their face, they’re meant to bear a little resemblance to an iterator that shares similarities with the characterization I’ve given them, and similar coding of her sibling can be seen on Survivor’s markings around the eyes. As both a “default” slugcat and one whose campaign I haven’t played, though, I can’t say I have much more to point out about em.

Hunter: The whole rot thing made for a really fun time drawing them, and while the color change on their back is a result of this, it’s also an excuse to relate them to Babakina festiva, arguably my favorite sea slug (mostly for sentimental purposes). And to Spearmaster, a fellow messenger slugcat, and it serves as a gradient between Hunter’s pink and the “traditional” color of Rot seen in the DLLs. Aside from their affliction, they’d actually be the plainest in terms of design, as they don’t have any patterns or quirks of body type, just the red + purple and strange lumps + possible malnutrition. I can’t remember if NSH had created them in particular or just...caught + released or something, but it probably wouldn’t be strange for a lab-grown slugcat to be simple like that.

Gourmand: Like the two above, they’re rather plain in terms of coloring and adaptation, and like the two above, I find that fun. I decided it would be nice to avert the “all slugcats being of the same body type, and Gourmand’s out of place as the exception” thing by just...adding more fat to all of them, really. I did want to emphasize their sheer bulk even so, both fat and muscular (not like I couldn’t have still gone further with it, of course, but slugcat anatomy can be a little obfuscating sometimes, and they were intended to look rather plush considering personal size headcanons and therefore the lack of proper gravity), and the thick and flounced mantle looked like a good addition, as per their sea slug Glossodoris hikuerensis. Unlike Survivor and Monk, I didn’t attempt to hold their resemblance to any particular other character (which means a little less to balance out the “default gene pool” thing), so those are all the design notes I have for em.

Artificer: The second slugcat I’ve ever played, or finished the campaign of, my favorite for at least a long time, and the first thing I did was give them yellow accents, the shape of which have troubled me slightly (not quite like the spots or stripes of the others). They’re both a little more appealing and more explosive-looking to me, and considering how early on I played Arti, actually present in some of my older art. It does give them a little resemblance to Saint (completely intentional, two slugcats with strange relations to karma), as well as the fact that its radula is green for familiarity with one of its children (at some point it was going to have all-green markings, even!). I’m generous with their scars, partly because it was fun to overemphasize the one on their face and partly because it does seem like a reckless slugcat, on top of the dangers of its explosive abilities–I’ll probably just keep adding more forever. Mostly-red sea slugs aren’t too common, but Hexabranchus sanguineus works for sure. The ridged, yellow dewlap can expand for combustion purposes, or something along those lines. Arti’s where I began experimenting with a lot of the mildly-offkilter features seen in my interpretation of slugcats, as they’ve once again been a favorite from the start.

Rivulet: I've obviously given other slugcats spots, deeply enjoy the bubbly-soda markings of other peoples' slugcats, and thought seal riv would be cute. Despite not too closely resembling it, they've been government-assigned Hypselodoris bennetti, for color reasons and for a couple sentimental ones. Originally, the colors of every scug were meant to match up with the custom colors I gave them at the beginning of their campaigns, (though Arti, Gourm and Spearmy are the only three who actually apply here, since I've only played through half the slugcats: I gave arti the yellow as mentioned above, gourm brown eyes and spearmy light pink spears, furthered by the outskirts pearl accompanying me and that palette all the way to moon. Tolerance training for eternity in hell cause I already knew about the maroon pearl quest). I initially gave them the colors of the bi flag for fun... but with the limited palette of this image, I was left without pink for a while and decided to see how they'd look in red. I then realized how they now wonderfully matched Moon, and besides, red's a sort of camouflage in deep water! As a side-note, the difference between their eyes and those of others always bothered me a little for anatomical purposes, and the cephalopod eyes were probably influenced by this!

Spearmaster: Inspired as much as possible by @notyourfunnyman ’s wonderful spearmy: designed in a way that helps it fit in with scavengers, at least between the long sensory tentacles, big ruff, back spines and slightly thin/distended anatomy, a form of defensive mimicry. I always had annulate rhinophores in mind, for a little diversity sure, but mostly because the shape reminds me of radio antennae and communication towers (seems fitting for the comms array and being a messenger slugcat)! I started searching for a real-life slug to give them just by looking up their rhinophore shape...and was met immediately and coincidentally with annulate-topped nudibranchs that fit them more perfectly than I could've imagined: Flabellina and surrounding clades, I think Paraflabellina ischitana works very nicely. The orange was completely unplanned, but there wasn’t a place for light pink among the other slugcats’ palettes, and importantly it likens them to both Hunter and Seven Red Suns a little more.

Saint: I am very much a non-furred slugcat enjoyer, with respect to those who aren’t, so figuring out the only visibly furred slugcat was an interesting challenge. I’ve decided that they likely have other, milder adaptations for help in the cold, mainly just more efficient fat storage, and what looks vaguely like fur is instead a bunch of tubercles (called caryophillia, for the second reminder out of three). Their inspiration doesn’t have these, however, Miamira sinuata’s numerous yellow and blue spots (not to mention...whatever’s going on with that shape) and general effect of being the only really green nudibranch I could find were probably perfect for a strange green echo. Not pictured, but their beak-teeth are tiny and flat to make a surface for grinding soft food against with the lack of a functioning radula, which is tipped with a specialized spiny “grapple-hook” for better traction/grip (not to mention the numerous little teeth running down the whole thing).

(Best part of hiding this under a readmore means edits will be seen by all reblogs, I'm mostly sure, because I completely forgot to mention! The spots on their forehead are simple eyes. Their camera eyes appear closed in-game, I like to believe their complex eyesight is rather poor anyways or otherwise reason that they aren't seeing out of those, and while this was far from her REASON for attunement with the world, it does help compensate for mainly viewing it through a canvas of simple light and dark. This, and the fact that their swapped-out "fur" is not only to commit to a lack of hairs but contributes to sensory input!)

Nightcat/Enot: I guess you could say I found the “these two are technically the same person” compelling. (E.g. similar colors, both very strange and enigmatic, and Enot/Inv/Sofanthiel’s remark during the dating sim about getting removed from Arena Mode.) I doubt they’re the only two slugcats in their body, considering humans with DID tend to have more than a few (and I find it very funny that a slugcat bearing resemblance to Nightcat appears in Gourmand’s ending. They’re allowed in the colony and Enot isn’t </3), and I have to credit @faelingdraws ’s art for being what convinced me on it! Their design inspirations come down to trying to balance a few different ideas: making the patterns and palettes of both look oddly similar (special mention to the stars, since those are fun to draw), basing them off of Felimare sechurana and juliae respectively, using blocks of color with the same placement as in Enot’s official art, and specifically making Enot look...biologically reasonable and imperfect, whilst also clearly trying to imitate human displays of emotion (what with...the eyes and blush on that one piece of official art).

Lastly, here’s just a lineup with notes on body shape and size. Most of the nicknames (existing to give a little more space, that’s all) are obvious, and while I can’t remember why I shortened Nightcat to Nox, it is in honor of my friend by the same nickname :]

i think it's time for fandom to accept that some AUs are simply A Bad Idea. your lilo and stitch au with two white dudes is a bad idea. your portrait of a lady on fire au with men is a bad idea. your encanto au with a white family is a bad idea. culture and gender and race *matter* in many source texts, and erasing or appropriating that in order to see your two favourite white guys hug is, you guessed it, a bad fucking idea.

do you ever think about the tragic fact that odasaku's dying words to dazai were to become a good man, to be on the side that saves people.....which leads to the creation of the beast universe as dazai, in his grief and denial, finds the book and alters reality with the mentality "then....that means saving you too, right?"

I’ve mentioned this elsewhere but it feels relevant again in light of the most recent episode. Something that’s really fascinating to me about Orym’s grief in comparison to the rest of the hells’ grief is that his is the youngest/most fresh and because of that tends to be the most volatile when it is triggered (aside from FCG, who was two and obviously The Most volatile when triggered.)

As in: prior to the attack on Zephrah, Orym was leading a normal, happy, casual life! with family who loved him and still do! Grief was something that was inflicted upon him via Ludinus’ machinations, whereas with characters like Imogen or Ashton, grief has been the background tapestry of their entire lives. And I think that shows in how the rest of them are largely able to, if not see past completely (Imogen/Laudna/Chetney) then at least temper/direct their vitriol or grief (Ashton/Fearne/Chetney again) to where it is most effective. (There is a glaring reason, for example, that Imogen scolded Orym for the way he reacted to Liliana and not Ashton. Because Ashton’s anger was directed in a way that was ultimately protective of Imogen—most effective—and Orym’s was founded solely in his personal grief.)

He wants Imogen to have her mom and he wants Lilliana to be salvageable for Imogen because he loves Imogen. But his love for the people in his present actively and consistently tend to conflict with the love he has for the people in his past. They are in a constant battle and Orym—he cannot fathom losing either of them.

(Or, to that point, recognize that allowing empathy to take root in him for the enemy isn't losing one of them.)

It is deeply poignant, then, that Orym’s grief is symbolized by both a sword and shield. It is something he wields as a blade when he feels his philosophy being threatened by certain conversational threads (as he believes it is one of the only things he has left of Will and Derrig, and is therefore desperately clinging onto with both bloody hands even if it makes him, occasionally, a hypocrite), but also something he can use in defense of the people he presently loves—if that provocative, blade-grief side of him does not push them—or himself—away first.

(it won’t—he is as loved by the hells as he loves them. he just needs to—as laudna so beautifully said—say and hear it more often.)

to be clear, I think Rose Tyler being an often-selfish character is great. I think it's great because real women are selfish. Real women get petty. Real women hear their ex boyfriend say he's going out with a mutual acquaintance and get unfairly jealous and real women then say things like "she's a bit big" when they shouldn't and they have no right. Real women can be monsters, and Rose Tyler is relatable and I love how she is written and I love her, thanks for listening

Gem’s bloodlust is genuinely scary and unsettling and I adore it and her so much

… I hit tag limit on this and I’m not even close to done spilling my thoughts in the tags so I’m going to post so I can copy my tags into real text and keep writing them

Okay hear me out. Imagine a story where a scientist is leading a tour of kids through his lab, showing off all the inventions that will hopefully one day help humanity! In this tour is his son, who is very excited to be with his dad at his job, while also technically going to school? Win Win!! His dad has been a bit overprotective of him, but he sort of enjoys the attention. Although he isn’t too keen on his classmates who bully (perhaps one of the bullies is his brother or something) him for it, still poking and teasing him during the tour.

After awhile the dad shows off a portal machine which can open a portal to a whole new world, or at least that’s what they think it leads to anyway. The lab hasn’t fully tested it and is making a robot to send in first. The kids all ask if they can see it and the science team agrees as long as no one goes over the rails towards the portal, cause it seems to have a suction. (You can see where this is going I bet) The science team flips on the machine and the portal lights up, and while everyone is distracted the bully decides to have some fun, whispering into the Scientist kid’s ear something like “Maybe you’ll see your mom over there” or “Perhaps I should just take out trash like you. You’re just wasting dad’s time anyway” before the kid can really process what happens he is pushed over the rail into the portal, disappearing. The machine shuts off with a clunk and the dad is pissed. He is shouting at the bully about how stupid that was and how they have no idea if it’s even life sustainable on the other side! A guard nearby says that the kid is in real serious trouble for so many reasons, only for the dad to chime in that the bully better hope his kid is alive cause if he isn’t, he’ll get a murder charge. The bully explains he didn’t mean to only for most of the class saying that the bully always does this and one student even repeats what he said before he pushed the kid in. They decide to end the tour early and send everyone home, while the bully is escorted out by the guards and won’t be going home soon.

The science team asks what they’re gonna do and the dad says they’re gonna make something. Perhaps a suit or vehicle so that he can go into the portal and find his son. The team nods and quickly gets to work, they know it’ll take more than a few weeks, but maybe if they are lucky the kid will be okay, and maybe they can get it done faster.

Meanwhile, the kid flies through the portal and lands on a soft ground. Panicking he sits up and looks around, only to notice he’s on a huge bed. The portal sent him to a world that was way bigger than his own. Fear strikes him as he realizes where there is a big bed, there’s a big person. He’s right when he looks over across the room and sees a huge person sitting at a desk mumbling to themself. He’s frozen in fear and can’t move, even when the person swings around from their chair and walks over to their bed only to pause and stare at him.

The giant just stared at him, confused as to why there is a tiny child in their bed. They swear they didn’t put them there and are about to say something when the kid just burst out crying and the giant panicked. They quickly kneel by their bed and try to hush the child and tell them that it’s okay. The child keeps sobbing and soft hiccups can be heard, but eventually the kid quiets down a bit. The giant carefully asks how the kid got there, and the boy answers between sobs. The giant listens and the boy eventually bursts into tears again, crying out that they want their dad. The giant gently scoops them up, and holds them close saying “hey, hey, it’s going to be alright. You said your dad was a scientist…sooo he must have seen you get pushed in. I bet he’s trying to get back to you, he just has to figure out how to.” The kid sniffles and asks if the giant really believes that and they nod. They then reassure the kid that they won’t hurt them and that they’ll watch and care for them, until their dad comes to save them. The boy nods and the giant pauses and asks if he likes movies. The boy says yes and that he likes action like movies. The giant then decides that maybe they could watch a movie, to help the boy calm down, they’ll even let the kid choose the movie. He gets a little excited over this and the two of them go and do exactly that. Through this we learn that the worlds are almost identical, but some things are changed like Superman is Aceman, and Ice Cream is Frost Gel. All still the same thing, just named differently, which both the giant and boy find amusing.

The boy stays with the giant for little over a week, getting used to the large surroundings and the movements of the giant. The giant provides a small house to the boy, made of a box and Legos, which the boy had fun playing with and designing that part of the little home. In the other world the dad and his team finally finished the suit. It was built to survive space, acid, lava, and other possibilities. It had a backpack built into the back that held food rations, weapons, tools, and other things for survival. There was also the case, which contained all the parts for a small return portal back home. Which had been tested multiple times….just not cross dimensionally. The suit also had a built in camera that would send live video feed back to the team while the dad, who wanted to be the one who went through, was over there looking for his son. He’d also do some science stuff, like take samples and explore a bit.

The day finally arrives and the dad walks through the portal. He finds himself behind a large plush wall, and he starts to walk around it when he hears booming voices. Meanwhile the giant is laying in bed scrolling through their phone. The kid is sleeping in their little house for a quick nap. Then out of the corner of their eye they see something move out from behind their pillow. The dad looks up and catches the giant’s eye glancing at him. He freezes, and then grabs a weapon from the bag. This causes the giant to freak out and quickly flop out of their bed and onto the floor. The dad runs over and, using the mic in his suit, shouts “WHERE IS HE?!?!?” The giant, confused as hell, asks that the “crazy living action figure dude” please put down the weapon, while also asking what he means. The dad just shouts “IF YOU DID ANYTHING TO HIM I SWEAR I’LL..” the threat falls from his lips as the giant rises above him and cautiously walks over to the little house. They open the top and reach in, carefully waking the boy up and whispering that they have a surprise. The dad, still in a fighting stance, watches as the giant approaches with something in their hands. He’s about to fight, when the giant opens their hands and reveals his son, causing him to freeze. The boy pauses, not recognizing him cause of the suit, but once the dad rips the helmet off, the kid jumps off the giants hand and rushes to embrace his dad.

Both the kid and the dad just tightly hold onto each other as the giant just smiles softly, watching them. They then comment how much of a strong and loving dad the kid has and how the dad has such a brave and smart son. They both look up at the giant, who gives them a sweet smile. The dad explains they can go back home and the son is excited to tell his dad everything he learned about the place. The giant asks if there is anything they can do to help, which the dad asks if there is a safe place to setup a portal device somewhere that isn’t, well, a bed. The giant nods, and offers their hand to the pair. The son quickly hops on and the dad, carefully steps on after a bit of encouragement from his son. The giant takes them to their desk and says they can set it up in the free space near the wall.

After some time the portal is up and running and the dad has some samples, including a hair from the giant, and the small pair is ready to go home. The giant remarks that they’ll probably be seeing more of the tiny people, but says that they are welcome to visit. The boy hugs the giants hand and thanks them for taking care of them. The dad also thanks them for watching over his son, and says that he’s glad that the giant was the one to find his son. They take their leave and the story comes out in their world about what happens. The bully is still charged for some things, mostly messing with official government science stuff, but everything seems fine in the end. Plus the boy made an amazing friend, and the dad found someone he can trust to watch his son.

Anyway, basically what if a portal led to a giant world similar to our own, but it was discovered because some kids decided to mess with a kid. Resulting in the kid getting lost in that world, having to wait to be found or find a way back themself?

The historian in me is thinking about how tumblr blog posts might be used as first person sources/accounts for the political decline of the UK/Scottish Independence

There are going to be academic papers addressing the significance of the Star Trek meme and I hope I get to write one of them

having normal thoughts about the demon king today

Do you ever think about how sad and messed up it is to grow up in this world as a little girl who likes to read. Because you are a child, and you don't get that there's a difference in who writes the books, you read everything you like, you read the adventures and the fantasy and the mysteries and the traumatic stuff and if you're also very isolated and lonely, these books build your worldview. Because why wouldn't they? They're written by humans, so they have the attitudes, opinions, perceptions, morals and spirits of human beings in them, they're telling you what humans think and feel about things, how they go about situations, what they imagine, what they desire. What your role in all this is, or what it could potentially be.

But, since you are not capable of differentiating the material, and you just read what is available to you, you end up reading a lot of books written by m*n. You also have to go thru the required reading at school - 90% written by m*n. And so slowly, since young age, without even socializing or learning it thru interaction, you find yourself in a world shaped by minds who do not have empathy for women, especially not for little girls. You find yourself relating to the male protagonists, but you also find out that girls only play a passive role in their stories. You find that m*n problems are centered, made important, their suffering and violence critical points in the story, while women are cast aside as helpers, servants, givers, caretakers, and generally just exist in the background, not a thought given to what they are going thru.

You learn thru books written by m*n, that your experience is secondary. Even if you cast yourself as the adventuring, immensely important and struggling protagonist, even then the other women in your mind end up being just background characters, caregivers who do not need a thought spared for their suffering.

Books written by m*n, even for children, will trivialize female suffering to the point where they shape the child's mind into one that looks at the world from a male perspective. Where women either don't matter, or are capable only of giving and aiding, to be cast aside for more important matters, such as male aspirations for their own lives.

Thinking back, I understand why I felt myself unimportant and trivial in any social setting - I understood my role from the written word, and I knew adults found me trivial, secondary, only a background figure to someone else's adventure or mission. As much as I could fight it in my fantasies, and make myself the main character, it felt like a pipe dream, like something that was incredible self-indulged and selfish and would never translate to reality.

I wish it had been different. I wish I had been introduced specifically and only to books written by women, for women. I wish I had found empathy for myself in those books. I wish I had found myself standing on high ground, equal ground, with other women, our desires centered, our lives translated into tales of epic importance - because that's what they are. I wish I had been born into a world where female perspective is available from the start, not after years of growing up and finding feminist literature and having to re-write my own role in my brain, from all of those years of reading male perspective as the default.

I don't think any little girl should be exposed to literature that shape her world as a place where she doesn't matter. I don't think books written by males and shaped by their worldview should be allowed into children's literature, or teenage or for young adults. Girls should not be learning from fiction that their most important value is empathy and understanding for male problems, and their second, to be desired and/or helpful to them, all while being treated as nothing but service and background noise until you're desired for something. We need to open books and find out that we matter too. That our lives can be the center of our existence, rather than being in the service of someone else's life.

You ever just see people talk about the Percy Jackson books and know somewhere, deep in your heart, that none of these people have understood that this is a series made for middle schoolers. And that fandom will very frequently lie to them like, all the time. No, that character probably isn’t ooc, you’re just thinking of what the fandom turned them into. No, this book isn’t a horrible stain next to the others before it, literally all of them were like this. It’s Percy Jackson. It’s cheesy and occasionally makes a very questionable writing decision.

You gotta be in this for the long haul or jump ship my guys. Be cringe and free or be gone