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#hope and gideon in the future
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Gideon: Hope Alice Jones, will you marry me? Hope *to Zeus*: Thank you. Hope *to Gideon*: Yes, Gideon Gold, I will marry you.
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kazoosandfannypacks · 2 months
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There's approximately one (1) user who cares about this au and she doesn't know any of the other shows and movies I'm about to mention, but my Cygnet Scholar Superhero AU feels like if Skylar and Oliver [Mighty Med] were simultaneously Keeley and Phil [Phil of the Future] which is overall giving the vibes of Sam and Mike [Secret Society of Second Born Royals] and as a grown-up Disney Channel kid I am loving it.
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girlscience · 9 months
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I finished Nona the Ninth and.... I was going to make a whole post outlining everything that confused and frustrated me about the book (because there is A Lot) but actually I think I can sum it up much faster. This is a story mostly focused on characters and people, and I often do not care about characters and people. I far prefer worldbuilding to nearly everything else and I think the worldbuilding is there, but it is not really being explained. There is a war happening, and I understand absolutely none of it. I don't understand the sides/factions, I don't understand the politicking happening, I don't understand the goals, I don't know who is leading what or why or where they are etc etc etc. And I don't know if that's a fault on my part as a reader or that it's simply not being explained well. In relation to that, everything is unreliable narrators. And I think I am coming to the conclusion I don't like that. It means I don't know what's actually happening ever and it is beginning to really frustrate me.
#tlt#I like the characters! I do! But I am really only attached to Gideon#I liked all the characters in Nona... but they arent very important to me#I like the making of Paul and thought that was very interesting and well written and moving#but that was pretty much the only character based piece of this story I really loved#Idk. I am going to finish the series.... but I don't understand anything#I think I will have to reread everything but even then idk if I'll pick up all the pieces#I also have opinions about the fact all of it feels like it's happening on post apocalyptic earth....#but it's supposed to be on alien planets and 10000 years in the future. I feel like it should feel far more alien#I did like getting John's backstory and explaination. but I also think he may be an unreliable narrator so I don't trust what he said#and I don't get why everything that happened in his story happened... and like I guess that piece doesn't matter so much cause 10000 years#but it bothers me#AND AGAIN MY GIRL GIDEON WAS BARELY IN THE BOOK#idk. I just want to know who is fighting. why are the fighting. what do they all want. WHERE are they fighting. how are they fighting.#what all science is there. what space travel is there. how does the space travel work.#better explainations of the magic. and the river. what was the tower in the river. (i think some of that will be addressed later)#(or at least i fucking hope so)#idk. I feel like some of this is explained and I just missed it... but I think some of it is absolutely glossed over#and I don't hate open ended worldbuilding entirely but I want better scaffolding#I DONT KNOW. I feel like I'm being mean and so I feel bad#like it's a good book and so many people like them#and I liked them at the beginning!!! but now I'm just confused and frustrated#and I don't know if it's my fault and I'm just too stupid to pick on things and context and hints and stuff#or if it actually was all that poorly explained
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personinthepalace · 2 years
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Timeship - Future Favorite
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Once upon a time, someone asked me to make a timeship video set to this song. Coincidentally, I became obsessed with the song yesterday haha. Happy birthday @incendiaglacies!!! Hope you had a great day!! 💜
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beroebluejeans · 4 months
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I am constantly thinking about a review of Harrow the Ninth where the reviewer disliked a lot about the book but specifically complained how it wasn’t sci-fi-y enough for something set 10,000 years in the future. He complained it was unrealistic they were eating ginger biscuits and smoking cigarettes and I’m like … THAT’S INTENTIONAL! IT’S THEMATICALLY SIGNIFICANT!! TAMSYN MUIR IS MAKING A POINT ABOUT HOW CLINGING TO A GLORIFIED PAST WILL DESTROY YOU!!
John Gaius tells us (well, Harrow) in Nona the Ninth that he always hated change, but even in Harrow the Ninth it’s clear—he and his lyctors are stagnating and have been for millennia. They’re constantly talking about how great things used to be (sexy parties, Cassiopeia’s cooking, etc.). They have no hope for the future. John has a spaceship full of bodies in cryosleep—literally frozen in time and undying but also unable to grow or live. He is the Emperor Undying.
The theme becomes more explicit in Nona the Ninth: we see John (and arguably BOE) stuck on this 10,000-year-old grudge and unable to move past it. He thought he could keep Alecto in stasis in a tomb what, forever? He makes Gideon into a non-living preserved version of herself.
Meanwhile the characters who are living and growing are changing, even when it’s sometimes awful, because it’s how they keep doing what needs to be done. Palamedes and Camilla say before they become Paul that it wasn’t inevitable, but it is the best thing they can do now: they will make this imperfect irreversible change because that’s how they keep living and protecting the people they love. On the trip to the Ninth, Nona considers it might be better to just die, instead of continue this uncertain journey forward, but ultimately accepts irrevocable, painful change because NOODLE. And because “You can’t take loved away”: change doesn’t destroy the past or invalidate the good that existed there. Living requires change, but change doesn’t require forgetting.
Anyway, thank you to that reviewer who was so annoyed by the ginger biscuits in Harrow the Ninth that he illuminated a major theme in the series for me.
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ithebookhoarder · 9 days
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Hello hi ! 🤗
Can you do a "bau reacts" when they are undercover in public and about to be found out so the reader just starts making out with them to pretend they are just a couple?
(BAU Headcanons) Making out Undercover
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A/N: Mwahaha. Oh, this is a good prompt. Thanks for making me daydream all afternoon. Enjoy my lovelies 😉 Also, as a note, I'm writing the main BAU where I'm at watching it (season 13) plus Luke as he was requested previously 💕
Warnings: Mentions of threat, mentions of weapons, alcohol references, sexual references, implied cases / unsubs. (Let me know if I missed any)
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Aaron Hotchner
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We know Aaron doesn’t go undercover for most cases, so this would have to be a big case to get him into the field. 
This man would be in shock. Let’s be real. He would freeze in place and try to argue for a split second until he realises what you’re trying to do and why - even if you were already together. 
As soon as they’re gone though, you’d glance up and see his usual steely glare that tells you you’re in for a scolding once this is over. 
However, you’d have to be blind to miss the way he lingers for a moment, holding you close for half a second longer than necessary. 
“I feel I should remind you that we are in the field, and whilst it may have worked, I can’t endorse it as a tactic in future. Understood?” 
“So I’m hearing that we’re leaving this off of our case report then?” 
“Agreed. I don’t need to give Strauss anything else to use to go after us and the team.”
He would roll his eyes and take off after the Unsub, but you’d have to be blind to miss the way he smirks as he goes. 
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David Rossi 
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He’d be a little embarrassed but mostly quite smug about the whole thing, even if you were supposed to be undercover. 
“Well, I can safely say in all my years in this field I don’t think that’s ever happened to me before.” 
He’d also refuse to let you apologise for your actions afterwards either. 
One, because he’s kind of flattered. 
Two, because he’s been around the block a few times and knows that sometimes you have to do what it takes to solve a case or protect yourselves. 
Three, you were supposed to be a couple and kissing is what couples do. He’s only sour because if anything he would have liked to be the one who kissed you. 
“Relax about it, would you? I won’t tell you some of the things Gideon and I had to do back in the old days. That was before all this new paperwork and guidelines, so that’s all I’ll say on the matter.” 
You make a point of remembering to ask him about that at your next night off over drinks. 
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Derek Morgan
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Derek is always up for anything so I feel like he’d be pretty relaxed about being undercover with you, even if you weren't together romantically. He has no issue playing your pretend boyfriend for one night, and is quick to wrap his arm around you. 
Which is why it would be such a surprise to him when it’s you who initiated the kiss. 
Derek would freeze for like a second, but only out of shock. However, you know he wouldn’t fight you on it. 
The second his brain catches up to his body he would be kissing you back, doing everything in his power to match your energy and sell this kiss. 
If anything, you’re going to have to be the one to break away once the coast is clear and remind him you’re still technically in the field and that your team is probably wondering where the hell you are right now - and why you stopped responding to your comms. 
“I’m just saying, if we get to do that then we need to be partnered up more often.” 
“Yeah yeah, Morgan. Let’s just hope Penelope didn’t see that else we’ll never be hearing the end of it.” 
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Emily Prentiss
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She’s been undercover plenty of times in her life and spent a whole chunk of time actually fake-married to Doyle for an op, so she’d be the most comfortable and understanding if you grabbed her for a kiss - especially if you were meant to be a fake couple. 
She’d work it out pretty quickly and would respond in kind, pressing herself against you and running her hands all over you. 
“Quick thinking with the kiss,” she’d whisper as she brushed a kiss against your neck. 
She’d also know exactly where the Unsub is afterwards too, having kept watch in her peripheral vision. 
She wouldn’t even have to break eye contact with you before she informed you, “3 o’clock. He just left out the fire exit.” 
With that, she’d be off. 
She also probably wouldn’t even bring it up again until you’re both back on the jet. Then she’d be smirking at you across the top of her drink and chuckling to herself. 
“Normally I’d insist dinner first but given that we caught that bastard I think we’re even.” 
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JJ
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JJ knows about going undercover and it takes a lot to rattle her. She would probably go along with the action, even if she’d stay kind of stiff for a good minute or so. 
However, she’s a good agent and knows about maintaining a cover so quickly catches on when you pull her in. 
She’d return the kiss, shooting glances out the corner of her eye when she thinks it might be safe to check on their target. If it doesn’t look like they’re buying it, she’ll turn things up a notch and spin you around so that she could take control. 
“My gun is under my jacket. Reach for it slowly if he comes any closer,” she’d warn, but thankfully you don’t need it. Eventually they leave, distracted by something else, leaving you and JJ to recover.
After catching your breath, you both take off in the direction your target just left in. You can tell JJ is trying not to laugh about what just happened, choosing to make it funny rather than uncomfortable if you weren't together romantically.  
Which means you know she’d enjoy teasing you about it in front of the others, making your cheeks burn as she announces on the jet: “For the record, even though it was a ‘cover kiss’ it was pretty good. Just saying. Maybe you should give Morgan some tips. That way he might get a girl to call him back after a first date.” 
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Luke Alvez
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It doesn’t matter if he’s ex-army or whatever. Undercover is not really Luke’s thing and even then, he is more used to infiltrating gangs than playing house. 
Basically, he would be surprised by your actions, despite being undercover together. Like, I can see his eyebrows hitting his hairline so fast, bless him. He’d look like a deer in headlights. 
“Woah, sweetheart, slow your roll-“ 
“- Luke. Shut up and kiss me. Now.” 
“I - ok.” 
Just like that, he’d take control, turning and pressing you against the nearest wall in an attempt to shield you from whoever was watching. He’d also be such a gentleman about it if you weren't already together romantically, keeping his hands on your waist and pulling away the minute he’s sure the danger has passed. 
Even then, he’d wait a minute before letting the two of you move from your position, just in case they come back. He’s your partner and he’s returning the favour for you keeping him safe, even if in an unsuspected manner.
“You good?”
“Luke. Shouldn’t I be asking you that? I was the one who planted myself on you.” 
“Potato, po-tah-to. Are they still over there?”
“No. They just left out the back.”
“Then let’s go, partner. Let’s catch this freak.” 
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Penelope Garcia 
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If Penelope is in the field then you know she is already hella nervous and out of her element. It doesn’t matter if there was a reason she was needed for this particular assignment, she would just take that as added pressure not to let everyone down.
Which is why I’m sure you’d feel worse about planting one on her - even if it does also help distract her from worrying for a minute.  
All I can imagine is her giving her trademark squeal of confusion and surprise, even if you gave her a hasty warning - and apology - about what you were going to do.
She’d be stunned at what was happening and probably takes a minute to realise she should probably try and kiss you back, or at least look less visibly startled about it. 
“I feel I should point out how unfair it is that this is permitted as ‘suitable workplace behaviour’ as we’re undercover, yet my flirtatious texts with Agent Morgan are not? I will be writing a strongly worded email when we get back, telling HR they can go shove their-”
“Pen? Hey, focus here. Unsub still watching us.” 
“Oh, right. Sorry! Ahem… as you were?”  
Also, you know that like a day or so later, once it’s all over, she sends you an email informing you that your new username on the BAU system is now ‘smoochykins’ and she will not change it until it becomes not-funny for her… which will probably be never. After all, Morgan has been ‘Chocolate Thunder’ for the last two years and is still going strong.  
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Dr Spencer Reid
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Spencer has been undercover before and is usually quite calm about it, even if it is faking a date or maintaining a story. Still, despite having to do your jobs, you’d hate to make him uncomfortable, knowing how he feels about any kind of physical contact - especially if you're not together. 
As he says, with the amount of bacteria shared by shaking hands you’d be safer kissing … guess it was time to take it literally. 
He’d be blushing like a tomato as you grab his jacket lapels and pull him close. And honestly? it’s kind of adorable. As is the way he tries to kiss you back, even if he still takes a minute to remember how to even move his body. 
I’m just picturing the Lila kiss in season one and how he eased into that and how stunned / embarrassed he seemed afterwards. He would pretty much be like that, but with a fake smile on his face as he rambled in your ear. 
“What was that?”
“I was covering our asses. We’re undercover, remember? We’re supposed to be a couple and couples kiss. Also, I’d thought you know, genius, that kissing and displays of public affection make people extremely uncomfortable.”
“No kidding… Morgan can never find out about this.”
“You don’t have to tell me twice. You got a deal, pretty boy. This is between us.” 
Masterlist
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wrongcog · 29 days
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I'm so sorry to have kept you all waiting on the requests, however I hope that now you see what I've been working on, you might understand why it took some time!! Especially when I've been working on this only in the evening, and while trying to keep my tiny human alive!
When I started this, it was originally a combination of requests/characters I really like! and somehow I ended up with 62 of them!! I'm hoping maybe in the future Ill revisit this, maybe try get 100?! But for now I'm glad to be able to take a break and start on other projects!!
This was really a labor of love, and I really hope you all like it as well! I did try my hardest to get as many details as I could, but I did take a few uniform liberty's here and there!! I hid a few little movie and game Easter eggs in there as well, let me know if you spot any!
And for those interested… Gryfindor - 12 Hufflepuff - 12 Ravenclaw - 15 Slytherin - 23
BOTTOM ROW (Left to right) Millie Claire @the-ozzie Lyla Estaris @kerimcberry Faustine Daemon @faustinio27 Matty Ambrose @girl-named-matty Philip Brown @endeavour12345 Siobhan Moriarty @wrongcog Courtney Brookson @CourtneyB22 Clora @choccy-milky Noelle Kasper @noelles-legacy Jamie Ambrose @rypnami
2ND ROW Gideon Smith @betheckart Sally Salamander @siboom777 Ida Ullson @limonnitsa Mara Ambrose @boxdstars Lamie Boo @lamieboo Pearl Castellar @vienguinn William Abbott @lil-grem-draws
3RD ROW Aphrodite Macbeath @venomousvio Lorrain Morgana @lorrainmorgan Eden Mars @juicegarrethfizzy Bear Whiteclaw @wit-grizzly Lucien Morningstar @ronlong6969 Amelia Goldstein @ameliathefatcat Elizabeth Philbrick @operation-pez
4TH ROW Hellendil Melinae @theravenchild Ester Merigold @icarus-wing5 Rohan Mac Uáid @ariparri Siyana Devonshire @dat-silvers-girl Ren Aries @localravenclaw Lady Primrose Gray @endlessly-cursed Evelyn Caddel @celestial--sapphic Jess Burke @serpentsillusion Oriona Blackshire @enotracoon
5TH ROW Aida Morgenstern @queen-of-stoneharts Lydia Parkinson @esolean Kate Mayflower @sunnyrealist Wisteria Ashworth @the-ashworths Aishwarya Merha @hogwarts9 Ariadne Enberg @necromary Eric Schall @yunaatay
6TH ROW Stella Taposok @a-florable Astarion Danar @kipthealien Alyssabeth Edwards @silvyadrakkon Winter Blackstone @moonstruckmoony Marvin Jerry @runicxraven Ruth Senet @phinik Karina Angeline Mayadytha @raraaf6
7TH ROW April Miller @lynnsartsworld Inger Eve Nilsdott @ethniee Morana Dimm @coffeeandmagicaltales Evelyne Lavandin @libellule-ao3 Julia Wright @superconductivebean Kanan McGarry @theguythatdraws Willow Rose Hawthorne @seb-sallow-girl Anwen Elmstone @serpensortiamaxima
8TH ROW Lou Brooke @m0mmat0rtle Layla Stark @marvelxlevram Zorro Del Toro @zorro-d-t Deirdre Neylan @cordidy Rydian Black @rydian-black Isaac Cooper @slytherin-paramour Cherise Sallow @thatslytherinqueen
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genericnam · 8 months
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Why, out of GF, Amphibia, and TOH, only Luz didn't have to leave her new world behind:
I've seen people complain about Amphibia and to a lesser extent, Gravity Falls, for having their series end with a goodbye; the main characters having to leave their found families and this world they've grown to love and return to regular life. But the thing is, the three shows all have MASSIVELY different morals, that each fit in with how the goodbyes (or lack thereof) work into the finales.
Gravity Falls has a large theme of temporary goodbyes and reconciling. Stan and Ford being the primary example. But there are others: Soos and Melony, Wendy and Robbie, even Dipper and Mabel to an extent. The show builds upon this with Gravity Falls being a VACATION, they aren't trapped there, they could theoretically go home at any time. Episodes such as Summerween and Dipper and Mabel Vs. The Future also build on the tone, telling that it's okay to both grow up and move on, but you don't have to leave behind what you once loved in doing so.
The final conflicts (Wierdmaggedon) are caused because of characters not being able to let go. Stan couldn't let go of Ford, Mabel couldn't let go of Gravity Falls, Gideon couldn't let go of Mabel.
Gravity Falls teaches the viewer that even if you love something, you have to let it go, and eventually it will return. In the words of Bill Cipher: "We'l meet again. Don't know where, don't know when. I just knew we'll meet again, some sunny day."
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Amphibia has a similar theme of Gravity Falls, but it takes it further. Amphibia tells you that if you don't let go, sometimes things will only get worse. The primary example for this is the show's catalyst event: Marcy getting Anne to steal the Music Box. Marcy chose to go to Amphibia, rather than move away, and she dragged her friends into it with her. Instead of having a long distance friendship with Sasha and Anne, she took them to an alternate dimension in order to spend eternity on a massive adventure, and it got her killed. Marcy and Anne died and Sasha tried to kill herself.
And that's only Marcy. Sasha was a control freak that bordered on yandere at the height of her villain arc. Sasha couldn't accept that Anne was beginning to move on from the toxic friendship that the Calamity Trio had locked themselves into.
The trio were horrible to eachother, pre-character arcs, and they needed to focus on self improvement before they could even hope to be good friends. In the time between 'All In' and the epilog, the Calamity Trio would not have actually been able to be good for eachtoher. They say they forgive eachother, but that was forgiveness given during a WAR. Post show, the real feelings would start to bubble up. Anne's resentment for the betrayals, Marcy’s abandonment issues, Sasha's definite self hatred. The trio HAD to split up to have any semblance of a friendship.
Amphibia tells its audience that not all good things can last, and if you obsess and force it to stay, it can destroy you.
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The Owl House has a completely opposite moral. It tells you to find your people, and fight for them.
Luz lived in the Human Realm, but it was never her home. Her home was with Camila and Manny, but when Manny died, Camila and Luz's relationship began to falter. That world wasn't her home. When Luz found the Boiling Isles, she was always supposed to be able to leave. This wasn't a summer trip she didn't want at first, or a one way portal. The Boiling Isles was HER choice.
Luz picked Bonesburrow. Luz picked Hexside. Luz picked The Owl House. Her home was always meant to be The Boiling Isles. She only started trying to find a way back to Earth because the choice was taken from her. Luz no longer had the choice to go back to the Human Realm. In fact, the only time Luz chose Humans over Isles was when she was PUNISHING herself for helping Belos.
Luz got to stay in the Boiling Isles because TOH tells its audience that where you start isn't where you should always stay. Find your place and find your people. And when you do, hold it dear and never let go. "Us weirdos have to stick together."
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ckret2 · 3 months
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Chapter 41 of human Bill Cipher being really sick of being the Mystery Shack's prisoner: after absolutely terrorizing Gideon for projecting used car ads into Bill's dreams, tries to blackmail Gideon into working for him again.
But not before showing some unexpected sympathy for the plight of a child psychic on whose shoulders the family's financial future rests.
####
Dipper and Mabel were in the middle of a race on a roller coaster track when Bill wandered back downstairs. He sat on the couch armrest next to Mabel and precariously balanced as he crossed his legs. "So I've been thinking over this whole thing," Bill said. "I think I should apologize to Gideon."
"Work that out all by yourself?" Dipper glanced at the clock. "Wow. And it only took you half an hour."
Mabel finished a lap. While the roller coaster track slowly lifted her car to the top of the hill to start the next lap, she turned to give Bill an appraising look, ready to assess his work. "Apologize for what?"
"For terrorizing him! Is this a trick question?"
She nodded slowly—a little skeptical, but so far so good—but had to look away as she regained control of her car. "What's your angle?"
"I'm equilateral, work it out."
"Shut uuup, I'm serious."
"Why do I need to have an angle? Maybe I want to practice some of the apology lessons they're teaching on Color Critters! Aren't you the one who wanted me to be a decent person? You should be thrilled. You are thrilled."
"Bill."
"Okay fine, I want you to stop looking at me like I'm evil incarnate over a silly little prank letter." He nudged Mabel's head with his elbow. She smacked his arm away. "Isn't that the only reason anyone apologizes? To stop people from getting mad at them?" He lifted his eyepatch and squinted at the screen. "Goose in the left barrel."
Mabel swerved left. "Yes! Eat tail feathers, Dipper!"
"No no no no—!" His anguished groan mingled with angry honks. He tossed down his controller as Mabel sailed past his disabled car. "I'm not playing with Bill in the room."
Mabel laughed. "You're a sore loser!"
"I'll be out of your matted hair in a few minutes," Bill said. "You're cranky, go get a juice."
Dipper stomped from the room, grumbling. "Whatever, I'm getting a snack." He pointed at Bill, "Not because you told me to! I'm just hungry! It's got nothing to do with you!"
"Sure." Bill nudged Mabel again. "C'mon, let me use my training. Don't think I haven't noticed you're trying to mold me into a model citizen. Why bother if I never get a chance to act like one?"
Mabel looked at him thoughtfully. "You know what? Okay. I guess not wanting people to be mad at you is a good enough reason to apologize." She'd been hoping he'd land on genuine remorse, but she'd take what she could get.
"Great! Fisherman's out, Questiony's working, Sixer's gonna be in his cave til dinner, Dolores doesn't care—" Bill gestured toward the door, "so let's get the bracelets and get to the kid's house while the adults are distracted."
Mabel grimaced. "Oough. Right. We have to actually visit him."
"Unless you want me to mail an apology letter—"
"Definitely not." She sighed. "Well, if it's for the greater good... put on something other than a hoodie and let's go."
"You got it." Bill hopped off the couch and swung with one hand around the doorframe as he headed to the stairs.
####
Dipper tried to protest, but he'd missed his window to talk Mabel out of it; and so Bill and Mabel headed out, with Bill in a loose smiley face-covered Hawaiian shirt—Mabel approved of the friendly message—an undershirt, the leggings that looked like jeans, and his dress shoes. In other words, about as disarmingly unthreateningly un-Bill-like as he could get. He seemed to get bouncier and more energetic the longer they walked outside, until by the time they were turning onto Gideon's street he was cartwheeling up the sidewalk.
Bill waited for Mabel to open the gate in front of Gideon's house; but while Bill blithely passed through, Mabel lingered behind a few steps. Bill paused and glanced back. "Hey. All good, star girl?"
"Yeah." Mabel laughed nervously and caught up. "Just... haven't been to his house since before he got weird. Kinda gives me the willies now."
"Can't blame you. This is the guy who agreed to be my sheriff in exchange for custody of your bubble key."
Mabel cringed. "Did he really?"
"Oh yeah. Think he was planning to visit you in there until he wooed you? I never asked him. I didn't want the details."
"Ugh." Mabel shuddered.
Bill paused. "Maybe I shouldn't have mentioned that ten feet from his front door."
"It's... it's fine." She took a deep breath and slowly exhaled. "Greater good. Right?"
He didn't answer immediately, tapping a foot as he thought. "Listen. Once we're in there, do you want me to go somewhere private to talk with him? So you don't have to worry about him leering at you the whole time?"
"Would you?" Mabel's shoulders slumped as a little tension eased up, relief obvious on her face. "But how will I know if you've apologized properly?"
"That little tattle will tell you if I do an awful job." Bill laughed. "Come on! I don't need you grading me on a rubric! Gimme a chance to prove I can say 'I'm sorry' without my life coach telling me how to behave."
"Thanks, Bill." She gave him a quick hug.
"Sure, any time kid. I'm not about to let any creeps get to you on my watch." Bill stretched his arms out, fingers laced together. "Ready?" When Mabel nodded, Bill knocked on the door.
After a long moment, a worried-looking, gray-haired woman opened the door. "Hello?"
"Good afternoon, Mrs. Gleeful!" Bill offered a partial bow. "We're here to visit Gideon, he should be expecting us. Would you let him know we're here?"
"Oh. Yes, of course." Her voice was a hushed murmur, as though she were talking to herself—or perpetually concerned about being overheard. She didn't raise her voice much as she called into the house, "Gideon? You have visitors."
Voice muffled, Gideon shouted from upstairs, "Who is it!"
Joy glanced over Bill and Mabel, but her gaze lingered on Mabel's face. "Oh. Aren't you that girl he...?"
"It's Mabel."
Joy said, "It's Mabel, and—"
Gideon let out an alarmed squawk. "Ohmygoodness. JUST A MINUUUTE! Where did I leave my cologne—"
Joy watched the ceiling nervously, listening to the subtle thuds.
Bill glanced her up and down, as though sizing up what he had to work with; and then he smiled brightly and said, "Well, I'm sure the little star's preparing a big entrance! Shall we wait inside?"
Joy started a little. "Oh—yes, of course. Please, come in." She pulled the door open wider and gestured to the sitting area.
Bill and Mabel took a seat on the couch. Bill crossed one ankle over his knee in a casual figure 4, and gestured to the armchair as though he were the host giving his guest permission to sit. Joy hesitated, but took the seat, sitting straight up without touching the back of the seat, feet together and hands laced over her knees.
"And how has Gideon been lately?" Bill asked. "We haven't had a chance to catch up since last summer!"
"Oh—I'm sure he's probably fine," Joy said, eyes darting around—to the clean carpet, to the framed pictures hanging straight on the wall, to the doorway into the kitchen.
"'Probably'?" Bill echoed.
"Well. He's really closer to his father, you see..."
"Nonsense." Bill lowered his voice conspiratorially. "I trust a woman's intuition on this sort of thing." He paused. "I'd wink here, but uh..." He gestured at his eye patch and shrugged with a helpless grin.
Joy curled her lips into her mouth and, for the first time since she'd opened the door, for a fraction of a second, nearly almost smiled. But it faded quickly; and when she spoke, her voice was low enough that Mabel had to lean halfway across the coffee table to hear her. (Bill didn't even move.) "You should probably know before you see him: he... has seemed a little bit cranky, recently."
"Oh?" Bill prompted.
(Mabel mumbled, "'Recently'?" and Bill nudged her.)
"Nothing like he was when he—" Joy faltered and quickly course corrected, "before his arrest. But, a bit. But then he's going through so much—reintegrating into life on the outside, trying to make friends at school..."
"Say, that's nice to hear! Has he made many?"
Joy hesitated. "He's always been... such a precocious child. It makes it hard for him to relate to other... And honestly, I think most of the children are jealous of his talents."
Bill nodded sympathetically. "I'm sure they are. Kids can be so cruel when they notice someone special. The nail that sticks out gets hammered down."
Joy nodded. "Yes—exactly. And he's so... sensitive."
Bill gave Mabel a warning glance. She pursed her lips tightly and puffed out her cheeks. Satisfied she wasn't about to weigh in on why Gideon wasn't making friends, Bill turned back to Joy. "Do you think that's what's been bothering him lately?"
"Well, yes, there's that."
Voice a tad lower, Bill prompted, "And...?"
Joy paused. She twisted her hands together. "And—I think he might be concerned about his father's business."
"Oh, the auto dealership?" Bill sat up a little. "I hope it hasn't been struggling lately?"
"It's... been a slow few months," Joy said. "It must be weighing on him—"
"He doesn't feel responsible, does he?"
Joy quickly shook her head. "Of course not. It isn't his fault. But he's just a little boy, there's not much he can do to help. Besides perform in a commercial, maybe—and he doesn't like that, we don't make him do that anymore—or..." She trailed off. "Well. Not knowing how to help or what to do... I can imagine he must feel... guilty." She stared down at her hands as she spoke.
Bill's gaze never wavered from her face. He nodded slowly. "I'm sure the business must be weighing on the whole family. It can't be easy for you, Joy—keeping a household running during such a difficult time." He gave her a reassuring smile. "I'll see what I can do to help you all."
Joy stared at his face, eyes shining. "I'm, sorry—did I catch your name?"
"Mr. Locke is fine, thanks. I was in business talks with your son before his incarceration."
Mabel leaned against Bill and whispered, "You mean he hired you to invade my grunkle's brain—"
Bill elbowed her.
Footsteps scurried down the stairs. "I'm coming!" Gideon rushed into the room, tugging his sleeves down his wrists, all gussied up and reeking of three separate hair products. "Hi Mabel my honey pie! What a pleasant surprise, what brings you by so s—" His gaze fixed on Bill, and his sweet smile twisted into fury. "You!"
Joy quickly stood up. "I should be—vacuuming the dining room." She hurried from the room, giving Gideon a wide berth as she went. The sound of vacuuming quickly filled the house.
Gideon never looked away from Bill. "Just what do you think y—"
Bill was on his feet and sweeping across the room before Gideon could get more out. "Hello again! I don't think we were properly introduced. The name's Goldie Locke." He blinked. "Wink."
Gideon grimaced. "You serious? Goldilocks? That's the best you could do?"
"I thought it was funny!"
Mabel scooted up onto the arm of the sofa, took a leap off, and landed next to Bill. "I came up with it!"
Gideon smiled uncomfortably. "Oh—sure, sure. Real cute."
"We came by so Goldie here," Mabel poked Bill's arm with both hands, "could give you a proper apology for his... 'prank.'" She got behind Bill and poked him in the back, directing him toward the stairs. "So you two go off somewhere private and do that! Go! Go on!"
"Wh— private?" Gideon leaned around Bill to give Mabel a pleading look. "M-Mabel, aren't you coming too?"
Mabel laughed nervously. "No, definitely not. I'm staying right here."
"But—but—"
"It's fine! If he tries any—" her voice dropped to a whisper, "—weird space demon magic—you can just scream. But he's basically harmless! I promise."
"But... I don't wanna be alone with..."
Bill put a hand on Gideon's back, turned him around, and practically dragged him toward the stairs. "And she doesn't want to be alone with you, and I'm going to respect her wishes."
Gideon hissed at Bill. He wasn't quite sure what to do when Bill hissed back. No one had ever done that before.
"You've got nothing to worry about," Bill said, giving Gideon a very worrying smile. "I just want an opportunity to show you the sincerity of my remorse. A little heart-to-heart! And anyway, you and I have a lot of catching up to do."
####
The moment Gideon's bedroom door shut, Bill said, in an exaggeratedly innocent golly-gee-whiz voice, "'Well, Mabel, the thing is, I was just cranky because I haven't gotten a decent night's sleep in days, because Gideon's been broadcasting mind control dreams to the town multiple times a week! Yeah, you know how you've been waking up feeling hypnotically compelled to buy a car? Good ol' Gideon! But you're right, bullying isn't the solution! I should have just asked him to cast his brainwashing spell a little further from the Mystery Shack—'" Bill cut off with a laugh. "I take it you get the picture! Your flesh is as white as your hair! It's—it's creepy. Stop it."
Gideon was already on the far side of the room, holding a floating arm desk lamp toward Bill like a sword. Voice shaking, he asked, "How do you know about that spell? H-how are you even alive? And here like... like this?"
"Does it matter?" Bill meandered around the room, looking at Gideon's matching nightstands, his TV, the floppy teddy bear on his bed. "Here's the only important question: what's it worth to you for me not to spill the beans to your sweetheart?"
Gideon swallowed hard.
As Bill rounded the bed, Gideon backed away from him until his back was pressed against the wall between his vanity and his dresser. Bill leaned over to look under the bed and nudged a rolled-up tarp with his foot. It unrolled across the floor, revealing Gideon's magic circle. "Uh-huh."
"Please stop looking around my room."
"Relax, I just want to see what's changed! This is hardly the first time I've seen your room." He glanced down at the subtle depiction of his face woven into the pattern on Gideon's carpet. "I've had eyes in here since you were a baby." 
He leaned over Gideon's bed, studying his knit zodiac blanket. "Although this eye is new. You went with red, white, and blue? How patriotic." He tugged at the blanket's edges, straightening it out. "Lots of pilling on the yarn, this thing's been very well loved. Does it still smell like Shooting Star, you cretin?"
"You keep your hands off of Mabel's blanket, you—!" Gideon swung his lamp toward Bill. It missed by a foot.
Bill didn't even flinch. "You're very lucky that you missed." For a moment, his voice was inhumanly low.
Gideon's blood ran cold. He clutched the lamp against his chest. "W-what do you want from me? I'm sorry I disturbed your sleep, all right? Is that what you want to hear?!"
"It's a good start!" Bill sat on Gideon's bed and made himself comfortable, propping himself up on his elbows, ankles crossed casually, resting in the center of his own zodiac. "Now, promise you'll stop advertising in people's dreams, and everything's forgiven!"
"I..." Gideon bit his lip.
Bill grinned a little wider. "What's the problem, kid? It's not like your daddy needs you running his advertising campaign! The family finances aren't resting on your shoulders!" He laughed.
Gideon just bit his lip harder. 
"Oh wait. Maybe they are. Are they?"
He looked down at the tarp. "Mrrng."
Bill sat up, leaning forward until he caught Gideon's gaze again. "So sorry, Star Boy! I didn't realize how serious your situation is!" His wicked smile said otherwise. "Wow, that must be so hard for you—the family breadwinner, at such a young age. Knowing your family needs you to keep them afloat. And it's not like you can just go out and get a job! So what can you do, except... well, whatever it is you already know how to do? Putting on a good show, right?"
"It's not like that," Gideon snapped, ignoring the weight in the pit of his stomach. He looked down at his lamp weapon and tugged anxiously at one of his sleeves. "It—it's not as though we're broke! We just... might have to tighten our belts a little bit, that's all. It's normal, most businesses have their ups and downs."
"Of course. Just no big shopping trips for a while! Pity you're about to need a whole new wardrobe, though."  Bill casually pushed himself off Gideon's bed, taking a step closer. "Hey, wanna know when your next growth spurt starts?"
Gideon shrank down. "No."
"It costs a lot to keep a growing kid clothed. And fed, and stocked with school supplies... If father asks for a little help, how can you refuse? If you don't, you could lose the business, lose your house, lose everything... all that, plus knowing it'd be your fault for not doing what you can? It's heartbreaking."
Bill leaned over Gideon, propping himself up with a hand on his dresser, trapping him in his shadow. Gideon cringed; but Bill asked, voice unexpectedly low and almost gentle, "You're so important. There's a helplessness that comes from wielding that kind of power, isn't there?"
The weight in Gideon's stomach grew heavier. Bill must have been watching his life ever since last fall; that was the only way he could have understood what Gideon was feeling so well. And yet—hearing someone else put it into words was a strange relief. He'd cut to the bleeding core of the issue. Gideon was the only one with the power to do anything, so he had to do something. It was a helplessness.
"Yeah." Gideon put his lamp back on his dresser, defeated. "Yeah, there is."
Bill crouched in front of Gideon, meeting him at eye level. "It just so happens that I'm sympathetic to your situation, kid. I get it." It was hard to read the mood in Bill's alien gaze; but for a moment, Gideon was sure he really did see a glimmer of sympathy in his slit pupil. "So how about this: I could help you out. Make some calls, pull some strings... give the family business a little boost," he said. "If you do me a couple small favors first."
Outraged, Gideon shouted, "You're blackmailing me into working for you again?! You—!" With a furious grunt, Gideon shoved Bill away from him.
To his surprise (and immediate horror), Bill lost balance, toppling onto his back with a yelp. But he just rolled onto his side and hopped back to his feet, laughing. "No no no! I'm blackmailing you into knocking off the annoying dream spell. That's all! Cut it out, or I'm telling Mabel. And—heck, how about the police while I'm at it?"
"You wouldn't—"
"I am pals with the sheriff and the mayor. Mind control happens to already be illegal in Gravity Falls, you can thank Quentin Trembley for that—such a forward thinker! I don't think there are any state-level laws yet, but I bet they'll wriiite ooone just for yoo-oou." The last sentence came out as a singsong taunt. "Anyway: drop the mind control. That's all I'm asking for. Okay?"
Gideon had circled around Bill to his bed, where he pulled off his zodiac blanket and bundled it against his chest. He wasn't sure which sounded worse. Prison probably should, but the thought of giving Mabel a fresh reason to hate him... He looked down at the blanket, and heaved a shaky sigh. "Okay."
"So? We're agreed? No more dream advertisements?"
"No more dream advertisements. You win."
"Great!" Bill beamed at Gideon. "But then, completely separately, if you want help saving the family business... well, offer's on the table! In fact, I'd happily offer to help without asking anything in return—"
"—you should, it's mostly your fault—"
"—except that, with my own situation being like it is, what with the limited access to my usual resources... I need you to help me help you." He spread his hands apologetically. "Nothing I can do about it."
Gideon pressed his lips together, looking down at his zodiac blanket. A fold in the fabric displayed part of the ripped heart. Gideon plucked out the blanket until he could glimpse the top of the shooting star.
He swallowed hard. "No. Absolutely not."
Bill blinked. "'Scuse me?"
"I can't accept your help," Gideon said. "I lead a support group of ex-cons—the very same ones I stupidly led into battle for you—and what would they say if they heard I was working for you again?"
The indulgent smile on Bill's face vanished. Rage flashed in his eye. "What would they say if they learned you're the first among them to reoffend?" He pointed at Gideon's magic circle. "Wouldn't they be disappointed. Aren't they your followers these days?"
Gideon squirmed under Bill's glare, backing away until he bumped into one of his nightstands. "F... 'followers'?"
"Your devotees—now that your Tent of Telepathy audience has abandoned you." The new smile that twisted across Bill's face now was hard and cruel, and his eye fixed like a prison searchlight on Gideon made Bill seem much closer than he was. "Isn't being worshiped sublime, Star Boy? That unconditional love? A worshiper will always be more reliable than some girl's fickle heart. But even the most 'unconditional' love always comes with fine print. How far are you willing to go to remain worthy of their love?"
Bill pulled a folded piece of paper out of his back pocket and waved it in the air. "We both know you'll help your daddy's business. The only question is if you'll do it your way, or mine." He placed the paper on Gideon's dresser and tapped it with his finger. "My way doesn't even involve breaking the law."
Gideon shook his head. "I won't..."
"I'll leave it with you anyway."
Bill strolled around the bed. "Well! I think we're finished here, how about you?" He stopped in front of the door.
He turned back. "Gideon, you're gonna have to get the door, I can't..."
"What?" Gideon asked. "Y'can't what?"
Bill huffed. "I'm sort of under this curse? So. If you could just—"
Gideon burst out laughing in disbelief. "The Amnesia Limina curse? You can't open doors?! Are you kidding me!"
"I can still ruin the rest of your embarrassingly short mortal life, you twit. Just—just get over here—"
Still laughing, Gideon crossed the room and got the door.
"Yeah. Thanks. Great."
As they came downstairs, Mabel hopped off the sofa. "Sooo? How'd the apology go?"
"Great!" Bill got in front before Gideon had a chance to speak. "I think we really understand each other better. Isn't that right, Gideon?"
Gideon grumped, "I think it's the worst 'apology' I've ever heard."
Bill gave him a dirty look powerful enough to kill a skittish horse; but he flinched under the weight of Mabel's disappointed frown. He laughed nervously, "Okay, so I still need some practice with my delivery! Human tones are finicky." He stared at Gideon. "But you accept the overall content of it, right?"
Bill was giving Gideon the creepiest smile he'd ever seen. But Mabel, on the other hand, was giving him this hopeful look—like she wanted this to go well so badly, and only Gideon could make or ruin her day. There's a helplessness that comes with wielding that kind of power.
In the world Gideon had been raised in, if someone who has transgressed against you apologizes, you don't have the right to withhold their forgiveness—it makes you as bad as the transgressor. The only way he could refuse was if he told Mabel he hadn't even gotten any apology; but there was no way to say that without admitting what they'd really discussed. "Yeah," Gideon muttered at his shoes. "I s'pose I accept it."
"Yes!" Mabel pumped a fist in the air so enthusiastically she lifted a few inches off the floor. "Great work! Happy face stickers for everybody!" She smacked a sticker on Bill's shirt and Gideon's lapel.
They tugged out their clothes to inspect their stickers. Bill's had a giant yellow smiley face over the words "Good job!" Gideon's had a smiling whale surrounded by the words "WHALE DONE". They were both disproportionately elated by their prizes.
"So can we go now?" Mabel whispered, "I feel like Mr. Gleeful's new clown painting is staring at me."
"Just one second. I should have a word with the missus of the house." Bill waved back at the kids as he trotted from the room. "Be right back!"
Mabel eyed Gideon warily.
Gideon smiled winningly. "So, Mabel. As long as you're already over here, would you like to stay for dinner—?"
"Nuh-uh." She turned and headed for the door. "Goodbye forever!"
"Aw."
Bill followed the sound of vacuuming through the kitchen into the dining room, and rapped on the doorframe. "Knock knock."
Joy flinched and spun around. "Oh." She turned off her vacuum. "Yes, Mr. Locke?"
"Just wanted to thank you for your hospitality before we leave!"
"Oh—yes, of course. You're welcome."
He lowered his voice, "And I also wanted to tell you not to worry about a thing. I'm sure everything will turn out fine for your family—and for you." He flashed her a winning smile.
She hesitantly nodded. "Thank you."
####
As they walked to the gate around the Gleeful property, Mabel said, "You weren't just all talk with Gideon's mom, were you? You actually are planning to help her."
Bill gave her a surprised look. "Something like that. How'd you know?"
"You told her to call you Mister. That means you mean business!"
A crooked smile stretched across his face. "Hey! No fair, you know too much. You're figuring out all my secrets."
Out on the sidewalk, Bill did a cartwheel, attempted to turn it into a handstand, and fell on the sidewalk. He brushed off a scraped elbow with a grumble and got back up. Well, it matched his burn on the other side.
"4 out of 10."
"I didn't ask."
Mabel snickered. "You know—your conversation with Gideon might not have gone perfectly. But you realized you did something wrong, you apologized for it, and you're gonna do better." She patted his arm. "I'm really proud of you, Bill. That's some serious growth."
"Really?"
"Really."
He beamed. He couldn't remember the last time anyone had been proud of him. (Granted, he didn't generally tolerate relationships in which somebody felt like they had enough superiority over him to feel "pride" toward his actions. Generally "awe" or "admiration" were more common.) He was basking in the praise. He was over the moon. He was euphoric. He was the best person to ever exist.
The fact that the praise was horribly misplaced didn't faze him in the least.
####
Gideon had spent the past minute picking peas out of his pot pie and scooting them to the edge of his plate.
Bud cleared his throat. "Son, you really ought to eat your vegetables. And they'll taste better mixed in with the rest of your food than all by themselves."
"I don't want my peas."
"But they're good for you! Don't you want to grow up big and strong—?"
Gideon flinched. He pounded the table. "I said I don't WANT my peas!"
"All right, okay, that's fine! Just thought I'd suggest it."
Gideon grumpily scooped up a forkful of chicken, carrots, and corn, eyed the carrots skeptically, and took a bite. It was fine. "So, father. How was work?"
Bud sighed. "Oh, it would've made more sense just to close for the day. At least then I wouldn't be wasting money on air conditioning the office."
"Oh." Gideon stabbed at a lone piece of corn with his fork. "Maybe we oughta... stop with the nighttime ads. It doesn't sound like they're helping."
"Ahh, you might be right."
Gideon heaved a sigh of relief.
"I just don't know what else to try." Bud shook his head. "I've tried newspaper ads, TV ads, radio ads, billboards, fliers, sales, cutting brake lines..." He settled his hand near Gideon's spot at the table. "Son, you know I know you're doing the best you can to help our family, and it means more to me than I can say. But, if there's anything else you can think of...?"
Gideon tried to avoid his father's gaze—and instead, spotted his mother. She usually kept to herself during dinner, wholly focused on her own plate when she wasn't setting out dishes or cleaning them up. But tonight, she was looking right at Gideon. Like she expected something out of him, too.
He shrank into his seat. "Well. I've got one other idea I could try."
####
Gideon shut the door to his room—and, just to be safe, stuck his chair under the doorknob. Then he gingerly picked up the paper on the dresser and unfolded it.
The same tall, thin handwriting as on the letter he'd received—but even more cramped, cramming as much text on one torn-out book page as possible. A terse paragraph of instructions, a phone number, a numbered list of questions, a prepared statement.
Gideon got his mobile phone and a notebook, set up to take notes at his vanity, took a deep breath, let it out, and dialed the number. As the phone rang, he looked at himself in the mirror and muttered, "Heaven help me if I'm facilitating the start of Armageddon."
Then someone picked up, and he held the phone up to his ear. "Hello? Oh, right, er—" He read off the paper Bill had given him, "'But rises gold over the pyramid.' ... Yes. Mhm, I'm calling on behalf of... of Bill Cipher. ... My name's not important, I'm just the messenger—oh, oh you recognize my voice! Haha!" He mopped his forehead with the back of his sleeve. "A-always nice to meet a fan! Yeah, we know each other. Small world. N... no, he didn't give me my... I was—was psychic before I met him, actually. Sorry, I didn't catch your name—who'm I speaking to?"
Gideon looked at Bill's list of questions, wrote a 1. in his notebook, and beside it wrote "Sue Blime." One question down. "I have a message to pass on."
####
He pushed harder.
Her skin fractured and peeled off, strand after strand. It filled the spaces between his fingertips, wrapped up his arms. He could shut his eye but he still saw it through his eyelid, still felt it tickling at the corners of his mouth. He let out an angry, hysterical, broken laugh.
And then he laughed louder, and louder—higher, shriller, echoing all the way to the distant stars. "What am I doing?" He opened his eye and looked at his hands, tangled with gold threads and soaked in blood. He laughed again, gleeful. "What am I doing! None of this is real! This is a dream! We're in my dreamscape. None of this matters! I control all of you!"
Bill controlled all of them.
He effortlessly peeled his arm off the plane of his dimension into the third, still tangled in gore, and spun his finger. The golden shreds of skin let go of his hand, rotating around his hand in a loose tornado. Cackling again, he rose up into space, looping like a paper airplane on a breeze, telekinetically twirling the countless golden shreds with him like he was doing a ribbon dance. And wasn't it beautiful? He was changing their color—yellow green blue violet red orange yellow—he was melting them down to floating drops of liquid gold, he was making them vanish into thin air. There was no blood on his hands. There never had been. He had never killed. His mother did not exist.
He glanced toward the stars. "Am I gonna have any meddling from you? Want to sell me any cars tonight?"
The stars didn't answer. Good. He didn't want his show interrupted by a commercial break.
"I control you," Bill announced to the crowd of assembled worshipers below, numb and thoughtless and unmoving while the god of this dream had no use for them to live. "You answer to me!" He jabbed his thumb against his golden face—not the internal organs exposed to the third dimension the rest of the shapes had, but the exoskeleton he wouldn't start wearing until centuries after this memory. "The only life you have is in my head! All of you, all of you have been burned away for a trillion years!" He paused, then flashed two finger guns at a red hexagon in the crowd. "All except you, Hect. Always great to see a long-time fan!"
In the field of frozen shapes, Bill's memory of Hectorgon hesitantly waved.
"But..." Beneath Bill, still as aghast as he'd been so many eons ago, still playing his part to move this dream along, his father said, "But... what are we going to tell your followers?"
"Ugh, you're such a downer. Give it a rest, you old square!" Bill did something no prisoner of the second dimension had ever been capable of doing: he snapped his fingers. His father silently dissolved into origami butterflies and fluttered into space. "You barely even liked her."
He floated back down to the plane, lacing his fingers together to stretch his arms in front of him. "I don't need you," he muttered. "I've got this handled. I've always been the one who had this handled. Now let's end this dream the right way."
Time to sucker his suckers.
He swooped through the open doors to speak to his assembled worshipers as effortlessly as though he'd been doing this a trillion years: "My beautiful, loving believers! I have wonderful news. Your high priestess—my mother—has passed on; but, you should be celebrating! Because she hasn't abandoned us! Her spirit's just ascended—not up, but out of our dimension and into the third, where the spirits of all departed shapes live on! Her spirit's formed a bridge from there to me, and through me to you! She's revealed the true nature of the third dimension—a sublime realm of color and life—and I'll reveal it to you, too!"
The black starry void of the third dimension above Bill mutated as he spoke; now, it was raucous colors, beams of light, and glittery gold. Faraway neon-colored shapes danced deliriously through nebulas and clouds.
"I'll teach you the secrets passed down to us from the enlightened third-dimensional spirits; I'll show you how to see it all for yourself... and if you follow me, if you devote yourself entirely to my teachings, if you trust me blindly—blindly, for I can see what others can't—then I'll guide you INTO the third dimension! I will be your teacher, your divine guide, your muse! So tell me: do you trust me?"
The worshipers cheered.
"Do you worship me?!"
The worshipers screamed.
"Do you love me!"
The worshipers howled, mad with love for Bill, ripping each other apart in a spontaneous outpouring of zealotry.
Bill's shrieking laughter rose up above the roar of his imaginary crowd.
####
For the first time since his death, Bill woke fully rested. Dawn streamed in through the attic window, shining golden on the cloud of curly hair dangling in front of his eyes. And wasn't it beautiful? He ran his fingers through his hair, smoothed it back, and pushed it into the right shape.
He checked to make sure no humans were coming for a while, slid Journal 4 out of its hiding place, and flipped to the page where he'd stuck his "Good Job!" sticker. He'd used his stolen half-dried marker to blacken the sides of the yellow smiley face, turning it from a circle into a triangle, draining the last of its ink in the process. He wasted four pages with every detail he could recollect from this dream, going on and on about how easy it had been to assert his rightful control, how effortless to control time and space. If he ever found the human who wrote that lucid dreaming guide, he was giving 'em a planet.
At the end, he wrote in English, "You'll regret turning me down as your teacher, Stanford. You can't even imagine how many people would have committed murder to get that kind of attention. But I gave it to you."
He tried to remember how that sermon had really gone.
What did he need to remember the truth for? It must have gone something like that. He wouldn't still be here if it hadn't, would he?
####
(Thanks for reading! If you enjoyed, I'd appreciate a comment!! Next week we kick off with more of Bill's history—and then start ramping up for the biggest, longest plot arc so far.)
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phaedraismyusername · 8 months
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Happy International Lesbian Day! Here's some super brief book recs to celebrate
Books dealing with love, loss, longing and abandonment
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This is How You Lose The Time War is a short but beautifully written epistolary novel between two agents on opposite sides of a time war as they slowly fall in love.
Our Wives Under the Sea is one of the most beautifully written debuts I've ever read about a woman whose wife comes home wrong after they thought she'd died at sea and how it feels to grieve the loss of someone who's still in your home.
Lucky Red is a western novel about a young girl working in a brothel who meets her first female gunslinger and falls head over heels for her, and the consequences that come with loving dangerous people.
Body horror galore
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Camp Damascus is about a young woman living in a super conservative christian town built around the worlds most successful conversion camp and the horrors that are uncovered there when praying the gay away fails.
To Be Devoured is about a woman whose fascination with the local vultures turns into obsession and the urge to know what carrion tastes like overtakes her life and leads her down stranger and stranger paths.
Chlorine is about a girl whose entire life revolves around being a competitive swimmer, and how abuse, neglect, and obsession with being the best takes its toll on the young women caught up in these destructive cycles.
Flawed character studies
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Big Swiss is about a woman who has a kitchen floor reset in her 40s, moves away and starts a new life as a transcriber for a sex therapist and becomes obsessed with one of his clients before inserting herself into this poor woman's life.
The Seep is a speculative sci-fi set in a future where there's been a quiet alien invasion that has given people the ability to make almost any changes to their own bodies and what that world feels like to someone who doesn't want to partake.
Milk Fed is about a woman in therapy who feels cut off from almost everything until she meets another woman who triggers in her a melding of sex, hunger, and religion and where that takes her. Huge trigger warnings for ED content. It gets tough, y'all.
Fantastical wlw books
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Bitterthorn is an amalgamation of fairytales retold as a slow burn sapphic love story between a sad young girl from a cursed land and the evil witch who takes her as a companion in the latest of the generational sacrifices made to appease her.
All the Bad Apples may be set in contemporary Ireland but it is a fairytale following a young girl as she travels across the country looking for a sister she refuses to believe is dead and the people she meets along the way.
Gideon the Ninth needs no introduction on this site but for the sake of formatting - lesbian necromancers in space who find themselves in an isolated murder mystery plot. It's not a romance but it is a love story and this series will change your life if you let it.
Translated novels
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Boulder is a short character study following a free spirited woman when she accidentally settles down with the woman she loves and how love and resentment can take up the same space in your chest when life doesn't turn out the way you hoped it would.
Notes of a Crocodile is a cult classic coming of age story about queer teens in Taipei in the 1980s. It was written in the 90s so please keep that in mind if you choose to read it.
Paradise Rot is about an international student studying in Australia and her growing obsession with her housemate as they share a space that allows no privacy. I've never read anything that feels stickier.
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I often think about this. ID under cut.
A comic speculating on how Harrow found Protesilaus' head. Panel 1: Harrow stalking down the corridor of Canaan House with her fist visibly clenched, thinking "I can't believe that I allowed Septimus to goad me into this challenge." Panel 2: Harrow making her way down a spiral staircase, thinking "I can't believe that I almost sacrificed the future of my house to show up Sextus." Panel 3: Harrow examining a key in her hand and thinking "I can't believe that I nearly killed my cavalier with my hubris," while a large figure is seen looming in the doorway in front of her. Panel 4: A closeup of Harrow's perturbed face, while she thinks "I can't believe that Gideon saw me naked." Panel 5: Harrow bumps into a large body, exclaiming "Fuck!" Panel 6: Harrow, looking embarrassed and apologetic, backs up while saying "Protesilaus the". Panel 7: she looks back up, saying "Seventh?" Panel 8: Harrow looking at Protesilaus' body and severed head. Panel 9: Harrow hurrying down a hall, carrying a box, with *clink clink* onomonepeia. Panel 10: Harrow looking down with her arms crossed at the box in her closet. Panel 11: Harrow places a pair of boots on top of the box. Panel 12: Harrow walks away with her hands folded, thinking "I wonder what Griddle would like for breakfast. Where does one set aside food for the bedridden, anyways?"
Hope you guys enjoyed <33
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readingslime · 9 months
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Spoilers for gtn and the first bit of htn
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this is so fucked up... Like she said “I cannot conceive of a universe without you in it.” but she can't actually die because of her responsibilities. And her guilt. So she did the next best thing and killed herself off without killing herself in the most compartmentalizing harrowhark way so she can call herself dead... Like gideon... Dead and gone like a relief but still continuing on just enough to complete her responsibilities... Even the things she actually wanted to do like be a lyctor, gain knowledge, be alive to see the body come back, she's treating like burdensome things that she doesn't want to stick around to see and do with her own eyes. Like this isn't an act of being reborn and living without the painful truth of what she did, she's literally through this letter treating herself like a puppet, planning to manipulate her future self like she once did gideon, just live by the guidelines and don't ask any questions somehow knowing that even her future self would be so weird and fucked up and self hating that she would go through with it
like there is no hope for this future version of harrowhark. That's not in her plans at all
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wifegideonnav · 6 months
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alectopause diary entry: day 451
i made a post about palamedes’s blatant lactose intolerance vibes last night. the community agrees with me, it seems. it’s been a nice distraction, but already i find my attention waning. each day that passes without news, i feel the flame of hope within me sputter a little more.
the fandom grows restless - grew restless long ago, really. already i fear what topics will drive our conversations in a week, a month, or god forbid further in the future than that. i don’t want to wake up one day and realize i am earnestly posting about whether john gaius is the type of guy to clip his toenails in the common area and just brush them into the carpet. i don’t want to have an opinion on what scenes ianthe was and wasn’t wearing underwear during. at this rate we’ll be arguing about whether coronas tits are real or necromantically augmented by new years.
i keep reminding myself to stay strong. alecto is coming, it really is. we just have to be patient, and only talk about whether mercymorns pubes are also pink a little.
really, i suppose i ought to embrace the chaos. it would certainly be more fun. maybe i’ll go make a post about gideons shoe size or something. goodnight, dear diary, i’ll write more tomorrow.
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jqhotchner · 5 months
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quest
two
it’s been two years since you and aaron split. two years without his hugs, two years without his kisses, two years without a good morning, two years without a goodbye. two whole years of no aaron.
it had been hard at first. but over time you adapted to your new environment. you found you a nice little apartment back in your home state of texas. you had a decent paying job working for gucci.
you enjoyed your life. of course you missed your ex husband. emily and penelope have kept you updated on aaron and how he was doing. finding out he was a mess when you left broke you.
but you figured he’d move on and him and haley could be a family with their son.
and—well you had a secret of your own. the night emily told you about aaron you were so happy. you and aaron always wanted to have kids. and that night you found out you were pregnant with his baby. and though it was the most heartbreaking news you’ve got that day, you also had great news.
being a mom was the greatest gift ever. already getting the feel of it with jack, you finally got to know what the beginning of motherhood felt like.
and boy was it ten times harder than anything. especially finding out that you were carrying three babies at once.
emily and penny helped you out. they would fly to you and send you gifts when they weren’t around. they took care of you the best they could. your mom and dad helped out too. you stayed with them until you had enough to move to your own place.
ended up having to get a c section without aaron there felt horrible. you felt like you were already destroying the lives of your kids. your mom had to reassure you that you are a great mother.
it took you a while to believe that. but ultimately you owned it and loved the hell outta your babies, isabella rose hotchner was the first to be born.
she has the biggest heart and the most sassiest little two year old you’ve ever met. she expresses herself more than her siblings. she’s the most outgoing and will babble your ear off with the few words she knows.
next was theodore gideon hotchner. for the longest time theo didn’t have a middle name. but after finding out gideon was killed you knew the perfect name for your perfect boy. he was shy compared to his other siblings. always resting his head on your shoulders or even hiding behind you when strangers came around.
and lastly your genius little girl. aurora celeste hotchner. she was the first to walk, the first to talk, and the first to grow her teeth. she looked the most like aaron. she had his nose, eyes, chin. she even had his scowl.
you loved all your babies. they were the perfect mix of you and aaron. you made sure they knew they had a dad. letting them know he’s currently being a hero.
you knew eventually you’d have to tell aaron about your kids. but you had hoped it was in the distance future. not while you were currently being arrested for murder charges.
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short but here you all are! hope you enjoyed that cliff hanger
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incomingalbatross · 6 months
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Things that make Weirdmageddon a top-tier finale:
Every victory and ally the characters gain is essential to pursuing the next victory.
Dipper needed Wendy to reach the bubble, needed to talk down Gideon to reach Mabel, and needed to reconcile with Mabel to do anything. Then they needed to reach the Shack to get Shacktron, needed Shacktron to reach Ford, needed Ford and all their previous character development to build the Zodiac—oops! not enough character development! REVERSAL! But they still pulled out a win from having all four Pineses in the Fearamid, which wouldn't have been possible except as salvage from their previous victories.
It all builds really nicely—it's easy to get your characters running in circles to fit in enough action and/or screentime (see certain Classic Who serials), but that doesn't happen here.
Personal issues and plot problems were interwoven in a way that genuinely made resolving the former a basic step in resolving the latter.
The big problems at the start of the finale were the rift between Dipper and Mabel, the older, deeper rift between Stan and Ford, and... well, the Rift. And Bill. The finale is able to resolve all of these things together because it is, in fact, crucial that the Pineses all be able to work together; they need each other to defeat Bill. This means that, for instance, Mabel and Dipper's reconciliation is the urgent first step on every level, personal and situational (neither of them will accomplish anything until Mabel's free), and that Stan and Ford's reconciliation is a necessary condition for the last step of beating Bill. It's seamless—no one has to take time out of the plot to talk about their feelings, because the plot can only move if their feelings are being addressed.
Even more, the action works in such a way that Stan and Ford have to show character growth to defeat Bill and the way they defeat Bill then results in healing for both of them (Stan gets to be a hero while Ford gets to let go of his hero complex).
Gave time to addressing the big themes and made them structurally important, too.
This ties in to the point above, but... the fact that Dipper and Mabel's conflict (the manifestation of a much longer-running tension of "is it possible to grow up and still be happy? is it possible to be sure we'll stay in a close and healthy relationship, and not lose each other?") is given its full weight. Dipper and Mabel have the conversation they need to convince themselves, each other, and the audience that this ghost has been expelled from their futures. That's big.
And the themes continue consistently throughout the finale! They answer the questions raised by Stan and Ford's estrangement—first through Dipper and Mabel and then repeatedly through the rest of the cast—with consistent reassurance and hope for the future. It's thematically sound. That's not easy to balance with plot progression in a way that makes sense, but like. The plot can only progress to a happy ending if these themes are tested and found to be true.
Plot development and emotional impacts hinged on information the audience already had.
When the finale revealed new information (the zodiac's function, for instance), it was almost always answering specific questions the show had previously raised for fans (what's that zodiac about??). Not always true—the barrier around the town was not foreshadowed—but a very high percentage of the time.
More, the moments with a big emotional punch hinge on us realizing something at the same time as the characters and sharing their reactions to that thing, rather than reacting to their reactions. That sounds clumsy, but you know what I mean—"Grammar, Stanley." Ford pulling out the memory gun. "Get off me, Waddles!" Ford holding out the picture of the Stan O' War. The finale builds on what we already know so strongly that we can react to good or bad events alongside the characters.
(Well, except for the exact moment revealing the twin switch, I guess. We are not having the same emotional reaction as Bill Cipher there. ;P)
A fully satisfying send-off.
After the plot is resolved, and even after the eucatastrophe moment of Stan getting his memory back, we get to stick around and see for sure that everything's okay. The twins turn thirteen. Stan and Ford plan to go sailing. Soos gets the Mystery Shack. Everyone in Gravity Falls is fine. Everyone gets to say goodbye. We end on repeated reassurances that the thing the story most highlighted as crucial but uncertain will, in fact, happen—that they'll stay a family and they'll all be happy.
I'm not saying every story needs to end with a wrap party, but it was the right move for Gravity Falls, and they nailed it.
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notedchampagne · 10 months
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holds gun to your head. what are your the locked tomb gender hcs. i like your art
thank you!! in no particular order:
harrowhark: thats a Thing. being she/her is like a thing that came with being reverend daughter as a job and she refuses to acknowledge gender beyond that- but she would fucking kill it with it/its pronouns lets be real
gideon: butch. thats all. kind of that middle ground between being gnc and transgender in any direction but shes fine being a girl its moreso the focus on being a lesbian. ive seen some top surgery gideon art which i love but thats not my primary hc because i think A) she loves boobs on other girls so much it goes back around to appreciating her own B) im gay
camilla: boygirl. shes transmasc but also still a woman mostly due to nonchalance about the whole thing. shares she/he with palamedes thats my dream
palamedes: sorry i meant girlamedes. girlboy. also like if he was a girl but still a boy, but contrary to cams side its because hes both, like if you overlaid two layers at 50% opacity to make a new color. blue-green. shares she/he with camilla. quinn @thatneoncrisis once said hes soft butch which is so real i adore that
tridentarii: the twins to me are cis (dont leave yet) primarily because i think if i stick to the bit of them being cis white women everything they do is a fucking riot and it simply is the height of all humor. that aside sometimes i do get tired of the bit and corona is so trans woman to me and i know with certainty that when ianthe was in babs body she was doing drag.
naberius: i dont think about him LMFAO
second: i also dont think about the second much due to lack of substance, but i can get behind judy. nonbinary woman to me
fourth: jeannemary baby butch for SURE. thats canon. maybe a she & sir if i think about it. in modern aus gideon will babysit them and immediately clock isaac as a future he/they
fifth: t4t
seventh: dulcie has woman swag. not sure if shes cis i feel as if im intruding if i wonder about it. protesilaus is some guy
eighth: who cares
pash: worlds most beautiful trans woman ever to ME. i love her dearly there needs to be more representation of women just absolutely fucking coated in dirt and motor oil with bad manners if you offer them water. she is not fucking cis that is in the hair
nona: she just decided to be a girl because she thinks girls are pretty and she likes them. hope this makes sense <3 shed fucking adore some neos
john: karkat vantas
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