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#hexagons are just good shapes
thebaddestbean · 1 year
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"I know this place. They built it for me."
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youngblood-valkyrie · 2 months
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Prepare... for unforseen consequences...
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abstractgart · 1 year
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"knockout!", Thursday, ‎14 ‎July ‎2022, ‏‎11:29PM
now you might look at this and think "this is just a bunch of shapes made using the Ms Paint shapes tool!" and you would be correct. that is what this is. however i dunno i still like it, i mean sure it's just shapes in black and white but there's something about it. like wow. those Sure Are shapes Huh. it's titled knockout! because it reminded me of the way cartoon characters see stars flying around their heads when they get dizzy, except if that cartoon character had just been put in the femur breaker or something. also had the cuphead voice clip stuck in my head i think.
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wanghedi · 2 years
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serious discussion on nct logo design and why wayv has the best one by far .  after 14 years of knowing my brother we have finally found a common interest. please clap
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fortheloveofleon · 6 months
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So, what if reader as spider person do smth WRONG like bad wrong, miguel got pissed (an understatement) and they run from miguel, they manage to hide from miguel for a good while but miguel eventually catch them, some fight happens and miguel has had enough he broke some bones and made sure the other spider person also couldn't do anything (the venom thing). The rest is up to you!
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WICKED GAMES
⊱ Pairing: Yandere!Miguel x Spider!Reader
⊱ Summary: You decided to test Miguel’s limits and took something that didn’t belong to you. So, what’s the obvious response when the most terrifying Spiderman finds out? You hide. Unfortunately for you, Miguel enjoys the “seek” part a bit too much.
⊱ Contents: 18+, Yandere!Miguel, Dark Content, Scary? Content, Jealousy, Dub-Con, Non-Con, Dom!Miguel, Hate-Fucking, Face Slapping, Orgasm (M+F), Primal Kink, Biting, Creampie, Choking, Man-Handling, Hair Pulling.
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Heavy footsteps fall to the concrete with each stride you take, lunging forward in a panicked haste. Soft breaths tremble in your lungs. The tightness in your chest grows and grows as you head further through streets.
Iridescent lights flicker above your head, and the smell of metal is making your eyes glass over. Even whilst slinking through these dingy streets and crooked alleys, you still haven’t entirely made out where you actually are.
And it’s all your fault.
Is it that bad you wanted to be treated like an adult?
You’re a grown woman. A Spider.
But Miguel refused to see you as such, always keeping an eye on you “just in case.”
You were sick of feeling like glass, and you were determined to prove yourself, so you made a wrong decision that just felt so right at the time;
You stole a portal watch from his lab.
Your naïve belief of thinking Miguel wouldn’t find out only made matters worse, and made him fucking livid when he did.
Thanks to a tip from Hobie back at Headquarters, you’ve managed to get a head start. So here you are, jumping from universe to universe, world to world, trying to escape the consequences.
After what seems like hours of running, you’ve arrived in some sort of warehouse, dead and silent. Dripping pipes and crunching glass are the only sounds accompanying your heaving breaths.
But just when you thought you’re safe, a sudden whirring noise rings through the air, echoing around you.
There’s a hovering gash, pulsing and glowing, omitting a flurry of blue particles. A burst of sparks, red and orange, rip open this cosmic, hexagonal wound to reveal a vacuum of time and space.
You make out a burly shape slipping out of it.
The portal leaves as quickly as it came, disappearing in a flash of light. A masked figure stands on the deserted warehouse floor, unmoving.
Using your webs, you pull yourself up to the beams of the roof, hiding and looking down.
You already know who it is.
Pulling the navy mask from his face, wavy hair ruffled and eyes dark, Miguel looks around the seemingly vacant room — you’re nowhere to be seen.
“I know you’re in here,” he drawls out, voice heavy. “It’ll be a lot quicker for me, and easier on you, if you just come out now.”
You say nothing, waiting with bated breath.
So does he.
He clicks his tongue, eyes rolling in irritation.
“Fucking…fine!” the brunette tuts, teeth gnashing together, chest heaving as he sighs. “You want to play a little hide-and-seek? Be my guest.”
Right now, you’re barely paying attention to his rambling; your gaze remains locked on a chance of escape.
Embedded in a wall across the room, is a vent.
You might get to it. If you’re quick enough.
Doing your best to stay quiet, perched on the balls on your feet, you slink across the metal beam, using only the webs of your palms to move with haste.
Shuddery breaths slip through your lips as you pull yourself closer to freedom.
“Oh, I forgot to mention one thing,” Miguel‘s voice echoes out from somewhere down below.
But, stupidly, you pause.
You take the chance to peek down, and the sight makes your heart fall — Miguel is stood by a light switch, one sharp finger resting against the button.
He’s looking straight at you, eyes crinkled in a humourless smile.
“We’re playing by my rules.”
And suddenly, the room flickers into a sea of black.
You manage to bury your scream somewhere between your chest and throat. One hand remains slapped over your mouth, tears pouring silently. You cling to the rafter, pressing your whole body down, swallowing wordless pleas.
Cold metal grunts beneath your nails. The sounds of creaking and shuffling echo around you, calling out in the dark.
Then, it’s eerily silent.
Hallowed breaths shake from your ribs. Your throat burns, and you blink rapidly, trying to find some sense of direction in this surrounding inky abyss.
But it’s no use; you need to get out here now.
You muster up the courage to drop to the floor, perching on the balls of your feet. Droplets of water splash around you, and force back a squeal, fists clenched, adrenaline rushing.
You swivel around, waiting for the reach of a clawed hand.
Still, nothing.
Unbeknownst to you, Miguel’s fighting back to urge to pounce on you right now, forcing his hand away from his crotch. But the look of pure anguish on your face has his cock harder than ever.
You’re pivoting on your feet every second, trying to make out where he can be.
It’s like he’s everywhere.
“Y’know, I had to force LYLA to show me your location on the Quantum Map?” his voice travels.
Gasping, you turn, swinging at the dark. White, hot thrill pulses through veins, pulsing through your body, tempting you with a high you can’t find anywhere else.
“Threatened to dismantle her software,” Miguel chuckles. You can hear the smirk in his tone. “It was funny, you should’ve heard her beg.”
“See?” you breathe out, head swivelling. “Even your personal AI knows you’re a fucking psycho,”
“That’s a pretty ballsy thing to say for someone who’s scared of me,” the dark calls out. The sound of deep laughter chimes around.
You swallow hard, blinking — it’s not a secret.
You are scared of him.
A majority of people, in the Spider Society or not, are scared of Miguel. He’s used to the looks of agitation, the fleeting glances, the scurrying.
But for some reason, he takes great pride knowing he can make you twitch.
“Do I scare you?” he whispers, humming your name. He sounds so close, words brushing your ear.
Behind you, a heavy claw reaches out of the dark, running gently up your spine — a warning.
The movement has you rushing forward, scrambling away, hiccuping out a scream.
You start to run, panicked.
Where to, you don’t know, but you’re running, fast and blindly.
Shoes hitting the floor with each step, you stumble and drag yourself forward, staggering through this maze of black, feeling the walls for any sign of exit.
Miguel follows your movements, waiting for his moment to strike, hard and true.
He watches the way you pull the mask from your face, breathing heavily in frustration, nimble hands tugging at the bolted doors and windows.
He smiles, seeing the panic settle in on your features when you realise you’ve run out of web fluid, leaving you stranded on this warehouse floor.
Suddenly, he hears nails scratching the concrete. He watches on as you grope the floor blindly, feeling out for something.
“No,” you whisper to yourself. “S-shit, fucking shit!”
Then, it clicks. Finally, the last domino has fallen.
Miguel grins in the shadows, eyes resting on the puddle by his feet. A soft glow shimmers against the water, revealing something digital and sunken.
You’ve dropped your portal watch.
How could you have lost it? It was just on your wrist. How could have been so careless, so stupid? Now, you’re trapped.
No longer relying on your silence, you begin to kick hard at the chained doors, grunting and groaning as the iron jangles.
Right now, you don’t have the time to fucking critique yourself, you need to leave.
“Fucking. Open!” you breathe out, booting at the metal. The head of the lock begins to bend, the doors shaking under the weight of your blow.
But just as hope begins to beam, a sudden crackling thud booms above you.
You turn.
The end of the warehouse is flooded in light, fluorescents humming. As you peer down, a tall figure crouches, and stands, facing you.
Miguel’s grinning hard, fangs and claws on show.
Your stare, eyes wide, and begin to kick harder at the door.
Bang.
The second light follows, illuminating the ground with a musky yellow. That figure in the distance grows closer and closer.
You can hear his feet pounding against the floor.
Bang.
Just as the third light shines down, the door shatters out, and a scream crawls up from your throat.
Miguel lunges at you, fangs bared, tackling you to the ground.
Heavy hands wrap around your throat, crumpling your shrieks to mere cries as the pair of you topple.
You’re cursing, kicking, flailing as much as you could, pummelling at his chest, arms, anything you can reach.
The larger man has settled himself between your legs, pinning you to the floor.
“C’mon, tú zorra, keep hitting me,” he grunts, goading you with a grin. “Fucking see what happens.”
In the tussle, you manage to punch him hard in his ribs, releasing an audible crack.
Miguel sucks in a breath, cold through the teeth as his brows . His jaw is set, tense and square. Rich brown eyes growing ever darker.
Before you can even think, a fist locked in the tresses of your hair, yanking hard. Pain burns at your scalp as Miguel tugs your head to the side, exposing the flesh of your neck.
A flash of teeth, a shining wink of a blood-tinged fang. Then he bites down.
Hard.
The world blurs for a quick second.
You feel flesh tear, and the smell of hot, wet metal fills the air. Miguel is almost growling against you. Canines shift beneath your skin.
Something, warm and sticky, is dripping down your neck. The room feels so clammy all of a sudden.
Vision softening, everything is a wave of colours and sounds. You can barely slur out your confusion as Miguel’s hands run along the shape of you, ghosting your clothed cunt.
“Y’wanna act like a bitch, huh?” Miguel hisses — you feel fabric tearing, pulling against your skin. Goosebumps decorate your body as you lay half naked on the ground.
“Looks like I’ve gotta remind who fucking owns you.”
Two fingers push against your mouth, and you’re too weak to fight against them. Saliva escapes from the corners of your lips and covers your chin as Miguel’s digits press against your tongue.
He tastes like blood and salt.
Your eyes flutter shut as you moan around his fingers, blinking out tears.
“You pathetic little slut,” Miguel’s huffing out a laugh, grasping your face, thrusting his middle and forefinger back and forth, grinning as you choke.
Miguel feels your fingers careening against the stiff muscle of his forearm creeping along his shoulders to find home in his hair, ready to pull again.
He jolts, moving quick to pin them against the floor with one heavy hand— despite the Rapture flowing through your bloodstream right now, he wasn’t dumb to let you even attempt to get a hold on him.
He tears his fingers from your mouth, slamming his lips to yours, tongue pushing past your teeth.
You couldn’t even find the strength to fight back right now — all you can feel is him. His body on you, hands groping, his mouth melding against yours.
Miguel finds your futile efforts quite cute. But your struggling isn’t helping you at all, and it’s only turning him on.
He’s grinning against your skin, pressing soft kisses against your jaw, down your neck. The sudden switch has you tense, wary, like a deer in headlights.
“Turn over.” The sentence wasn’t a request, but a demand.
One that he wasn’t patient enough to wait for.
Within a second, he’s got you flipped over, face pressed against the cold flood, arms pinned behind your back. Your bare ass sticks up in the air, and Miguel strikes the skin hard.
Choked pleas fall from your lips, but that doesn’t stop him. One, two, three more times you feel the roughness of his palms against your ass.
Your skin is singing in pain, every nerve set aflame at each swat.
“Ngh, God! I’m sorry! ” you squeal out, “I’m sorry!”
Miguel’s jaw is set once more, eyes steely as he stares straight at your glistening cunt.
“Oh, you’re sorry?” he breathes out, each word dripping in ridicule. A rough finger presses against the hot wetness building between your legs, sticky and sweet.
“No, you’re not. Not yet.”
A loud cry escapes you as Miguel plunges his cock, swollen and hard, deep in the sweltering heat of your cunt. Sharp pain throbs within you for a brief second, pulsing between your leg.
Fangs bared, Miguel groans at your grip. “Fucking hell.”
Tears drip down your face, darkening the concrete as each drop falls with every surge of his hips, the fat of your behind smashing against his abdomen.
“Oh, my G-God,” you stutter out sacrilege, nails biting in your palms. “Fuck, Miguel.”
As much as you want to hate this, hate him, you can’t control how your body feels. Your hips appear to have a mind of their own, pushing back in his grip. The tip of his cock kisses your cervix with each move, walls hugging his length with a tightness he’s never felt before.
There’s a sweltering mix of pain and pleasure, sweetness and salt, swirling inside of you as he’s hitting every goddam spot. Right now, you’re in limbo, on edge, just waiting for that one moment to push you into bliss.
And Miguel knows it. He can feel it. Smell it. Taste it, practically.
Yet, he’s seething.
How dare you enjoy yourself after making go to all this trouble? How do you have the fucking gall to find joy in this?
Heavy grunts escaping through his gritted teeth as his stray hand releases abandon your clasped wrists, only to grip at the back of your neck and push your face further into the ground.
“Dumb. Little. Slut,” he spits, emphasising on each word with a further thrust of his cock, drilling faster, harder, in the hot, wet mess of your cunt. “‘Course y’fuckin’ enjoying this. Never known a girl more hungry f’dick than you.”
You could only hiccup out small pleas as the taller man berates you with scorching insults, accompanied with a mocking laugh that melts into a moan.
Miguel wants to last longer - truly, he does. Nothing is more a sight for sore eyes than the pleading, whimpering mess you are.
But the sounds you’re making and the feeling of your walls tightening in on him, pulls him closer and closer to release quick than he intends.
He can’t help himself.
“Take it, hah, you…fuck…mi corazón.”
You whimper, eyes slinking shut as you breathe out a choked, “A-anything for you.”
With those last three brazen words, Miguel gives one final thrust, leaning over you to bite down on the curve of your neck as he comes — you’re both seeing stars.
It feels like you’re melting, from the inside out.
You can barely comprehend anything but these ebbing waves of sweet pleasure humming from between your twitching legs as you come, your plumped lips caught between your teeth so hard, you can taste blood.
Miguel’s rolling his hips in time with yours, panting, whimpering in your ear as he rides out this high for as long as he can, whispering sweet nothings and broken promises against your body.
You can feel this white mess sticking to your thighs, smeared against your abdomen, dripping with small plinks onto the cold concrete.
Miguel presses open-mouthed kisses down your back, running his tongue over the indents his fangs left in your skin.
“Don’t think I’m done with you yet.” A hand returns to the nape of your neck, clutching at your hair.
A familiar wave of dread washes over you.
“Just wait till we get back to the lab.”
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babanasaur · 1 month
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Hello!
How do you draw anthro faces? I’ve been trying to learn and struggling with the mouths and eyes in particular
Ahhh, generally I don't have a "way" to draw any specific face or feature. Anthros are so varied and different with the beaks and the fangs and such. I personally suggest to try breaking stuff down into simple 3D shapes (emphasis on the 3D) and then combining that with real photo refs. Here is a video on breaking down simple and complex shapes, I don't think it is entirely helpful but it's a good start.
Here is a little demo of what I do for anthro canine heads. It's kinda just a lot of liquify and repositioning, especially with the eyes. I actually wouldn't call myself an expert with face shapes cause I really just wing it. People may feel like my anatomy is super accurate because I shade in 3D shapes. I draw a sphere, I place a hexagonal cylinder for the snout, add the nose and then and that boomerang triangle slope to blend the bridge of the nose into the face. I make rounded or hexagonal shapes for the jowls on the muzzle. All these harsh edges get blended into the sphere head. (hopefully this helps)
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whyse7vn · 5 months
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NIGHTMARE BLUNT ROTATION-
[ot7 x reader]
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JIN DAY ☠️
8 participants - 8 online
———————————
hobi: jin lit one up for you at exactly 12 am 🙏🏻
namjoon: you have a problem
hobi: ok but so did everyone???
y/n: we said we were smoking at 12 pm not am…
hobi: but that’s now??
yoongi: exactly
hobi: so i’ve been high by myself this whole time
what the hell guys ☹️☹️☹️☹️☹️☹️☹️
jimin: jungkooks so gone
tae: rip 💓
jk: i cabt feel my face
but did i even have a face to begin with
tae: bro
jk: bro
jimin: watching the weed corrupt the youth in real time
this is crazy
jin: i’m seeing shapes
jimin: and the seniors
jk: are you born with the face or is the face born with you??
yoongi: one minute in and almost half of you have lost ur minds
yikes
tae: glass half full or half empty??
jk: is there even a glass
tae: omg…
y/n: happy birthday jin 💜💯‼️
jin: what the fuck????????????????
so you used the 100 emoji for what
do you think ur funny
cuz i’m telling you ur not
you’ve never been funny
not one bit
not a big bit
not a small bit
and definitely not a huge bit
y/n: ok….
jin: shapes
jimin: namjoon did you fr smoke???
y/n: HE DID
isn’t he a good boy
just like we told him to
did i have to hold his hand? maybe but he did it and i’m so proud
tae: so did i
am i a good boy
am i?
am i?
am i?
am i?
am i?
am i?
am i?
am i?
am i?
am i?
yoongi: shut up
namjoon: yeah i did
it’s not a big deal
i’ve done this before
jimin: yeah but not with US
this is going down in history 💜💜
namjoon: ur saying that like we’re all together rn
if anything i’m getting high with y/n not all of you
jimin: we are together in spirit
jk: or are we spirit in together
hobi: tomorrow x together
y/n: soobin’s birthday tomorrow
yoongi: fuck soobin
tae: am i a good boy?
jin: hexagon
hobi: i’m not even that high rn
jimin: that’s what happens when ur an addict i think
hobi: i’m not an addict
y/n: name a day you haven’t been high go
jk: 10th november 1412
hobi: ok just cuz i can’t think rn doesn’t mean ur right
jimin: gws addict
hobi: ur mad i can smoke you all out if i wanted to
jimin: yeah yeah whatever
tae: good boy am i?
yoongi: jin 31
y/n: crazy
jk: happy 21st
jin: thank you jungkook ❤️
jk: but when we say thank you who are we really thanking is it YOU or is it the you in thank you
hobi: did you do coke again be honest
jimin: where is namjoon gone
y/n: he’s on the floor staring at the ceiling rn
yoongi: is he dying?
y/n: maybe idk
hobi: just give him like 5 minutes
he’ll be fine
tae: good boy?
jk: tears of children
do you hear the children
jin: 25th birthday bash
y/n: what happened to 21st
jin: just turned 25
jimin: 250 😭😭😭😭😭😭
jk: dont cry jimin
don’t cry
do not
tae: @y/n
@everyone @all @bts @superjunior @yeontan @minions
jimin: wow this weed crazy
starting to feel hit
yoongi: weak
tae: can somebody comfort me i’m crying
jk: children are being held
some aren’t
the bigger issue is that we have no water
tae: thanks guys
namjoon: holy shit
hobi: welcome back bro
jin: i could run 427 marathons right now
yoongi: are you all fr…
hobi: be honest yoongi did you actually smoke cuz ur killing the vibe rn
yoongi: i’m not killing the vibe
hobi: u are
yoongi: not
hobi: y/n
y/n: leave me alone
hobi: y/n tell him he’s killing the vibe
yoongi: y/n tell him i’m not
namjoon: y/n kiss me
jin: y/n run
jk: what do we mean when we say run
jimin: run bts idk
jin: run over bts
namjoon: kiss bts
yoongi: kill bts
tae: crocodile bts
y/n: what
hobi: bts
tae: bello
minion langue
bello is minion for hello
am i a good boy
yoongi: you need therapy
tae: NO
jin: the government is coming for us
tae: say sike rn
i’ll cry
please say sike
oh please
jk: meow meow meow
namjoon: its like been reborn
jk: happy birth ❤️
jin: it’s my birthday
hobi: what about soobin
y/n: that’s tomorrow
jimin: who is soobin
yoongi: ugly
tae: he’s not good boy
jk: what is space
jin: big
jimin: LOL
space is so you
jin: whale
jimin: don’t talk about urself like that
ur beautiful
sorry i’m lying
ur pretty mid
namjoon: mid??
what’s mid?
yoongi: idk
jimin: jin
jin: are you calling me middle class rn
jk: fell in the middle of class once
was so sad
people laughed
but what does it mean to laugh
to fall
to conquest
hobi: conquest????
you mean conquer
tae: conker
jimin: what
y/n: what’s wrong with being middle class?
jin: nothing
i’m just not that
tae: ok like we get it you have money shut the hell up
good boy not u i’ll tell you that
namjoon: did that sentence make sense or am i just that high rn
jk: do fish have water inside their bodies
like cuz we have air inside ours
so do they have water in theirs
cuz water is their air
hobi: wait
yoongi: one conversation at a time pls
i fr can’t even comprehend this rn
hobi: the real question is when we go in the bath does water like go inside our bodies or not
jk: omg………..
does it????????!
tae: are we fish
jin: fishing
let’s do that
super tuna all the good stuff
namjoon: i like tuna
y/n: tuna is gross
jin: did you like my song about it
y/n: super tuna over the astronaut any day of the week
the astronaut a flop lowkey
jin: ok i didn’t ask for all of that
tf is ur problem it’s my birthday
tae: ok but if she said ur song flopped it flopped
jin: ok??? but at lest i wrote my song
i didn’t see ur name in ANY of the layover credits
yoongi: woah
namjoon: that’s crazy actually
tae: look here you old FUCK
y/n: hehe
tae: ur 31 years of age
31.
you have bigger problems rn
stop arguing with young people cuz ur sad ur turning into dust with every step
maybe instead of being a jealous bitch
you can go on a self healing journey and maybe you’ll finally find happiness in ur extremely long life
that or you kill your self
pick one cuz i’m sick of you
y/n: LMAO old fuck was crazy
jk: are we fish
hobi: octopus
jimin: octopussy
namjoon: ew
jin: WHAT THE FUCK IS WRONG WITH YOU
jimin: too pretty 😓
jin: you just weight
wiat
wait
y/n: wait by dino
jimin: jin friends with dinos
y/n: he is?????
wait whose dinos
i’m talking about dino
jimin: me 2
y/n: lee chan
jimin: what
y/n: ?
lee chan
jimin: bangchan?
y/n: bangchan?
LEE chan
hobi: australian
naurrrr
yoongi: isn’t that the ninjas guy?
y/n: lee chan? no??
jimin: what
y/n: pls don’t tell me wait
him
jk: pls don’t tell me wait is a long name
is he american?
namjoon: so whose austialian then?
hobi: naur it’s me mate
howdy
jin: howdy?
are you a cowboy?
hobi: turn on the bbq jin mate
oh naur where my brolly gone mate
tae: ninjas
i like ninjas
lego ninjago
kai 😍
y/n: kai?
pretty girl you like peaches kai?
tae: not a girl but thank youu 🫶🏼
jin: i don’t know dino
i don’t fuck with seventeen like that the hell
their like ew
why would i talk to a bitch called dino
that’s stupid
jimin: seventeen???
who the hell talking about seventeen rn??
y/n: us
jimin: bangchan is in seventeen???
y/n: no?
jimin: ??
y/n: i’m taking about LEE CHAN
jimin: tf is lee chan?
y/n: dino
jimin: dino?
dinosaur
what
hobi: g’day mate
jk: no i can’t feel my toes rn 😞
tae: sorry for ur loss
jk: but is it a loss or a gain
have i gained the ability not to feel my toes or have i lost it
jin: the hexagon is back and bigger
jimin: ur bigger
y/n: sighs
namjoon: she smells so good
yoongi: ?
jin: can you guys sing happy birthday to me please
tae: happy birthday to you
hobi: oy wahnna sie hahppy buhthdie t' yah
jk: birthday birthday day birthday song
y/n: birthday by ten??
or by somi !!!
or happy birthday to you by nayeon
or the one by joy
yoongi: isn’t then ten one about sex?
jin: sing that one
yoongi: ew no
jin: why the fuck would i be talking to you
yoongi: ???
tf is that supposed to mean
jin: that i wouldn’t fuck you
yoongi: ok??
jin: ok
yoongi: why would i fuck YOU
jin: i’m hot
yoongi: you’re you…
jin: exactly
yoongi: no
jin: ?
what are you trying to say rn
cuz it can’t be that you think i’m ugly
yoongi: u make me want to throw up
jk: when ten said got no self control cuz i want it all so ima make you feel like tonight’s ur birthday
what did he really mean
tae: maybe he meant that hes got no self control cuz he wants it all so he’s gonna make you feel like tonight’s ur birthday
hobi: oy croy on moy buhthdie
he wants me to croy
fucking bugger mate
well pissed
y/n: what the fuck are you saying
tae: is ten 10 cuz if he is why is he singing about sex
jimin: ben 10
jk: he’s singing about a birthday
yoongi: birthday sex
y/n: by jeremih
hobi: crikey she thinks she’s me mate
she bloody not
jin: square
namjoon: square up
y/n: come at me
namjoon: hits you
(with my lips)
(on your lips)
(gently)
y/n: wow
jimin: um
tae: i love when you rp joon
jk: what is rp
jin: real pussy
hobi: love a cheeky bit of puss mate 😝
yoongi: never say that again
ever
like i’m fr
hobi: puss
cheeky fucking puss mate
yoongi: ur so lucky i can’t drive rn
hobi: cheeky mate xxx
naur the weeds getting to ya hey?
can drive the old tin can anymore?? right shame mate rigjt shame
jin: what langue is this i’m so confused
tae: with great power comes a cold heart
y/n: that is not the quote
tae: says who
y/n: facts
tae: requesting a fact check not by nct haha !!!!!
get it lol
fact check nct
LOOOOOOOOL
heh
wait
nct.
nct….
it’s not funny anymore
i hate nct
FUCK nct
i’ll kill nct
nct count ur days
namjoon: i’m so horny rn 😭
jimin: okay!!!!!!!
jin: ??
y/n: oh
tae: good boy
yoongi: getting high with you all has actually been the worst experience ever
jk: did we get high or did the high get us
jin: the high definitely got you
tae: ok but ur the one whose seeing shapes the end of the day not jungkook
jin: i’d rather see shapes lthan lose my mind at the end of the day
y/n: you have lost ur mind tho?
jimin: so have you?
y/n: and YOU think you’re any better rn
jimin: yeah…
yoongi: you all can’t handle weed how about you shut up now
hobi: idk why ur acting like you’ve not been effected mate
i knaur for a fact mate if we were all together rn ur hands would be all over a certain someone haha lol wink mate
and mate i definitely knaur you can’t even stand up right rn daunt act like ur better i see straight through ya mate
yoongi: you know nothing
and look at you
talking in that annoying “australian” accent
ur just as high
hobi: mate i would talk like this bloody sober
and i think ya knaur that don’t ya?
it’s ourkay to admit ur a little off ur head righ nour mate its okay mate
we won’t judge
yoongi: shut up
hobi: you see
sorry forgot the mate
you see mate
i knaur you all like the back of my bloody hand ok
joon the horny high
kook the stupid bloody questions and logic high
tae the sensitive and kinda a freak high
jin is like a paranoid
yoongi touchy and all muscles seem to stop working in your body high
jimin dumb ass bitch high
y/n my sweet silly giggly high
yoongi: ur wrong
hobi: yoongi mate
it’s natural to feel exposed when you’re this type of information mate
don’t think about it too much
just breathe
yoongi: i am breathing fuck off
jimin: IM NOT DUMB HIGH WHAT THE HELL
y/n: do i giggle???
namjoon: a lot baby
been giggling this whole time
goes straight to my dick
hobi deleted a message
hobi: ok namjoon stop taking!!! go take a nap
you WILL regret this
made me stop don’t my accent and everything
sighs it’s hard being the only REAL smoker in this world
namjoon: yolo
jk: is yolo yo low
or yeow loh
tae: hugs and kisses are needed on nights like these
jimin: am i dumb high fr…
i could name all 17 us states rn
don’t play
yoongi: 17?
y/n: seventeen
jin: fbi is coming for us
hobi: how about everyone goes and takes a nap!!
that’s such a real and cool idea
wow well done hoseok
thank u hoseok ur really cool
aw thx u too!!!!!
jimin: ur the dumb one you weed addict
hobi: yess so real so true
got to sleep jimin!!!
jimin: whatever kys i’m going out
hobi: harsh
but i don’t think that’s actually a good idea you should like stay inside lol
y/n ur still and joons house right?
y/n: YEAHHH
we are laying on the floor together i do think he fell asleep tho
hobi: yeah ok i’m omw
everyone drink some water take a nap sober up
next time we will definitely be smoking together irl geez who knew you were this weak ☠️☠️☠️
will save me the stress
cant even enjoy my high anymore sighs is this what joon feels like sober
this is kinda hell idk
tae: am i a good boy?
hobi: GO TO BED
tags: @piw6n @92jinnies @birdie-vhs @kooksmilitarywife @hob3loveofmylife @jujubiism @bloopkook @ratchetpizza1 @myntalks @arloo00 @watamotee33 @y2kcy3brz @taiwan0618 @indigobsessed @freyadanvers @gguksbeloved @raetf @bbsantc @winuvs @medicinemybish @bxnnyhime @leleluvsbts @baetukki @zyaaaszn @thelilbutifulthings @jazminethecreator @k4ngelz @jmnscutie @sopebubbles-replies
i have things to say but i won’t say anything whyse7vn self love era im trying i really am
251 notes · View notes
fainting-is-punk · 7 months
Text
I wish people would stop dismissing how hard it is for autistic people to make friends by saying to just make friends with other autistic people. They act like it's just that easy.
Internalized and expressed ableism, clashing sensory issues, stimming, routines/schedules, and additional disabilities/disorders can put up some hurdles that are hard to deal with or will put us in situations that aren't good for us.
I've had a friend that I couldn't see because their stims would set off tic fits. I've had a friend who couldn't hear me speak because the noises I made sometimes were overstimulating for them and would take most of their spoons for the day. I've had friends where black-and-white thinking meant we couldn't stand to be around each other.
I'm not saying this to discourage anyone. I know this isn't their fault, nor is it mine. We're just not compatible. I just wish it would be acknowledged that "just make friends with autism" isn't the fix that allistics seems to think it is. It's rarely a perfect fit. Just like allistic friendships.
We're not a monolith. Stop treating us like one. Just because a square and a hexagon have corners doesn't mean they're the same shape. Nor does it mean they'll fit in the same hole.
153 notes · View notes
m1d-45 · 10 months
Text
the rule of threes
summary: “subject two” was created in the image of a god he could never fulfill. how does that turn out for him? (spoilers, not well.)
word count: 3.4k
-> warnings: major spoilers for albedo lore, rhine is Not A Good Person, uh ig allusions to gore but nothing bad, incoherency in General
-> gn reader (you/yours)
taglist: @samarill || @thenyxsky || @valeriele3 || @shizunxie || @boba-is-a-soup || @yuus3n || @esthelily || @turningfrogsgay || @cupandtea24 || @genshin-impacts-me || @chaoticfivesworld || @raaawwwr
< masterlist >
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“have you ever tried to create life from nothing?”
for a woman of science, rhinedottir was acting rather scatterbrained, frantically pulling bottles from shelves. each of them was twisted, and eventually returned to their place, the small plate above them marked with red.
“to sprout a seed with no water, to make a flower bloom within your hand?” it was a wonder she was still talking to him, crazed eyes always searching for his. did she think he’d run off? it wasn’t as if he could, with the doors bolted shut. “impossible. impossible. the slightest of changes in the ley lines ruins everything- have not one of these survived?”
that was new. he’d thought the lab was low enough no elements flowed, or at the very least the rest of the city blocked it. that’s what he’d always believed, as it was the only solution for his failure.
or was it him that was the problem? he didn’t know. he may have been her first success, but he was also her first failure.
bottles stopped returning to shelves, glass shattering on the floor and sending thick sludge all over the floor. fragile bones cracked on impact, half formed bodies crumpling with splats that made him cringe.
it wasn’t rare to see her so angry, but it was rare for her to take it out on her work. still, he did his best to ignore her, bringing his legs onto his chair and twiddling a pen between his fingers. it didn’t make it easier to block out the sound, but he did feel better when he could focus on tracing a square over and over, trying to keep the lines as thin as possible.
“stupid, stupid stupid stupid! i told them this would be revolutionary, but all they think about is their god-“ their what? “-and they don’t even try to listen to me! of course they didn’t, because what do i know? i’m only the-… the…”
he did look up, then, seeing her staring at a bright bottle. at least a hundred shattered bottles lay at her feet, yet she didn’t seem to notice, transfixed by the single flask in her hand.
“the greatest alchemist in the world,” she whispered.
all at once, she turned to him, boots crunching over flesh and bone as if it were nothing. he winced back slightly when the squish of her boot made some of the sludge splash up, landing halfway up the leg of his chair.
“look.” he didn’t want to. her eyes were wide and crazed and he was terrified. the bottle itself was harmless, the organism inside curled underneath and far from consciousness, but she.. “he lived.”
he gripped his pen tightly, forcing a nod.
“he’ll be perfect.” that’s unrealistic. “i just know it. look at him.” you’re being irrational. “he needs a name.” you don’t even know if he’ll survive.
she walked away and began to pace, seemingly not noticing the tens of half-formed corpses beneath her feet. “a name, a name…”
what a sight. for someone so set on creating life, she disrespected so many.
he looked back down to his paper, continuing his exercises. around the square, then the other way, then the hexagon. the lines grew thicker as the amount of sides increased, his pen slipping on the page. still, he kept his hand as steady as possible, breathing slowly. he could just ignore her. it’s not like she’d ask for his input, so he can just focus on the shapes, keeping each angle as sharp-
“hey!” his pen slipped as his shoulders jumped, dark ink soaking through the page. he turned, and found her frowning at him, bottle clutched in her hand. “pay attention. this could be groundbreaking; whatever you’re doing doesn’t matter in the face of perfect alchemy.”
he was doing as he was told. practicing his lines, slowly taming the tremors in his hands, stopping every half hour to train with the ball she’d given him for that exact purpose. ten squeezes with one hand, ten with the other, ten between the palms, and a quick massage of the muscles. as he was asked.
“i’ve decided on a name, if you care.” she turned back to the bottle, all traces of anger dissipating. she smiled at the bottle, carefully twisting it in her hands. “he will be nigredo.. the first stage of my magnum opus.”
his eyes flicked to the bottle, a small ember of resentment burning in his chest.
“as you wish, master.”
‘nigredo’ didn’t last long. within a month or so, his bottle blackened, eventually cracking altogether. he was there when she came back, finding the bottle leaking on her desk. she’d panicked, frightened, her concern eventually bubbling into anger.
the bottle had hit the wall just beside his head. something soft trickled down his cheek, landing on his paper. he lifted his hand, feeling dust fall from a small slit in his skin. he looked over to rhinedottir in shock, but she wasn’t looking. she was pacing angrily, glaring at the paperwork on the desks around her like it would be the next thing thrown. he didn’t want to bother her, he didn’t, but whatever sand was pouring through his skin was making him panic.
a breath in, a breath out. she didn’t seem any less upset than the last time he looked.
“..master?”
his hands flinched tighter when she whipped to look at him, his pen skidding across the page again.
“what?”
“my.. my cheek.” he took his hand away from it, but the dust continued to fall. “the bottle hit me.”
she stared, confused. “what bottle?”
“nigredo’s.” his chest burned, bitter, but he pushed aside his feelings. “i.. don’t believe this is normal, is it?”
another stretch of silence, her eyes flicking between his and the wound on his cheek.
“why would i do that?”
“i’m not suggesting you’d hit me on purpose-“
“why would i throw him? no, i.. i was going to fix him. i wouldn’t do that.”
it was his turn to stare, shocked. “but… you did.”
the dust hitting his page was the only sound in the room, neither of them moving.
“don’t be ridiculous,” she eventually said. “i wouldn’t hurt him like that. i have no reason. why would i waste so much of my time like that? all my effort into imitating the div-….”
“…you were angry. people say and do uninthings when they’re-“
“and what would you know about people?”
that was cruel.
his synthetic heart beat in his ribs like it wanted to flee, the dust continuing to pour from his skin in a stark reminder of his inhumanity.
“…master-“
“i’m leaving. i expect this place to be clean when i come back.”
he didn’t even flinch when she slammed the door. such things were regular occurrences.
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“…what’s this, master?”
“he has a name. durin.”
another one with a name. when would he earn his?
“i see. my apologies.”
“whatever. go say hello.”
“pardon?”
“you heard me.”
sand was still trickling from his cheek, a brief wave coming quicker when he frowned. “master, i don’t think-“
“he doesn’t bite, it’s fine.”
and to her credit, he hadn’t.
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(“rhinedottir! what have you done?”)
(“i’ve done many things. could you clarify?”)
(“w-what’s this?” his body was dead, but he still felt the way durin grumbled and hissed. “what have you made? we’re willing to look past a lot of your experiments, but this-!”
(“watch your tone. he’s perfect.”)
(“rhine-“)
(“why can’t you all just trust me? you act like i’m touting myself around like a god-“)
(“you are. your hubris will get you killed-“)
(“by who? what? who’ll dare to touch me? …nobody. exactly. nobody, not even that thing in the sky that calls itself the creator.”)
(“rhine-!”)
(“no. get out. you’re disrupting my work.”)
(“you know how celestia is, they’ve already started approaching the gates-“)
(“then let them come. you’ve seen my work. we’ll survive the battle.”)
(“what of the innocents? what of the kids and the elderly, those that did nothing wrong? do they deserve to die for you?”)
(“…if i deserve to die, then nobody deserves to live.”)
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in his opinion, there’s only one thing worse than dying: figuring out you hadn’t.
the constant beat of a dragon’s heart had finally dulled, and with it his uncertain stasis ended. he was brought back to life, surrounded by bones that weren’t his, unsure which way was up.
the bones were tough to break, but a small sliver off the end made it easier to cut through flesh. he didn’t know why he was alive, or how, all he knew was the red blood oozing around his hands and a drive in his chest that told him to survive. his skin was hot, his clothes clinging to him and adding to the feeling of being trapped, the sludge around him unrelenting in its quest to keep him there, inside, stuck in the chest of this beast-
the air was cold. his heart was colder. the ground was hard where he fell, humming with energy from the core he just escaped. he looked up at the heart, his own beating frantically, and watched the space that he had carved for himself seal up, as if he was never there to begin with. the blood and flesh left on his clothes—he was still wearing the same thing from that day, torn and flimsy—soaked into the ground, making the earth burn a vibrant red.
durin had died too, just as nigredo had. he was the only one left. the only one left of rhinedottir’s creations, accused of killing the first and nearly dying to the second.
or…
well, he certainly wouldn’t be surprised if she’d kept her other projects quiet. he was hardly allowed to leave the lab, let alone the palace, so who knew what she was up to? it could be any number of things, knowing her.
he pushed himself up on shaky limbs, uncharacteristic anger fueling his thoughts. he never hated rhinedottir before, but now that he was betrayed, what point did he have to try and care for her? she never gave him her love, so why did she deserve his?
with a hand on the wall—flesh melded into stone, he didn’t think about how long durin had been sitting here lest he be paralyzed by time—he began to stumble toward the exit of the cave, his legs stiff. he felt like when he was first created, shaking and confused, except now he knew that he was weak due to muscle atrophy and not his nerves struggling to fire.
(“there you are,” she had smiled. “let me help you down, i’m sure it’ll be hard on your own.”)
(it was. he clung to her as his lifeline, hands shaking and knees wobbling. the room was bright, loud, his mind pinging from object to object as he reached for anything he recognized. how strange, to be formed fully conscious and yet without any knowledge of the world around you. no words to describe the softness of the cot she sat him on, no name for her eyes as she gently picked up his hand, tracing the tremors.)
(“are you scared?” he didn’t know what that was. the lab was confusing, emotions he didn’t know how to handle bubbling and overflowing. “i’ll take care of you, it’s okay.” a hand to her chest, a soft call of her name, the first word he ever knew one that belonged to her.)
(he’d done his best to learn to say it, but he was imperfect. his hands quaked, his tongue was stiff, and by the time he’d managed to say it in full she had corrected him to ‘master.’ he only learned the concept of time when he was told he was using too much of hers, sequestered to a corner of the room where she didn’t have to look at him.)
(maybe that was why he wasn’t given a name. why would he have one when he couldn’t even recite it?)
with a shake of his head the memory was cleared, mind once again centered on the cave. perhaps he should sit, try to clear the fog over his head… the air was getting colder the further he went from the heart, white dust flickering in the air. ash? no, too bright…
he lowered himself to the ground carefully, leaning against stone. already he was tired, and he’d barely made it halfway out. how long was he… not asleep, perhaps unconscious? he didn’t know.
something was—howling? calling? what was the word? was all that time spent with a dictionary was for naught?—loud, crying out and filling the whole cave. maybe whatever was moving the white… what was it? it looked soft where it piled on the ground, yet to survive in the cold air… all of it melted before it reached him, but he wanted to know what it was.
(curiosity.)
the ground was rocky, but he had plenty of practice in pulling himself where his legs could not take him. across the lab, into a chair, to the shelf when his master was too busy to get it herself. he guided himself around a sharp stone, stopping a few inches away from the substance. already some of it was beginning to land on his clothes, settling into the creases as he pulled his legs up to his side to sit more comfortably. he lifted his hand, watching as a few of the particles landed in his palm. they were small, details too fine for him to fully pick out. they melted slowly in his hand, fading away, but many more soon took their place. they were cold, but he hardly felt the chill anymore, transfixed by the sight. they had to have a name, right? something soft, to adequately describe the gentle fall when they weren’t whipped around by whatever force lay outside the cave, had to…
“have you never seen snow before?”
snow. snow. ah, that was a nice word for it.
“i haven’t.”
he looks up, finally, and sees another man standing there. he has light hair and a blue shirt, a white lab coat overtop. an odd orange crystal sits at his collar, just below a diamond shaped mark on his skin in the same color.
“who are you?”
they both ask the question at the same time, and he’s surprised by how hollow he feels when asked. he doesn’t have a name, not even a designation or title. anger began to spark in him again, but was cut short by the other man putting a hand to his chest.
“i am the chief alchemist of the knights of favonius, here to determine any changes resulting from the uncharacteristic ley line activity recently.” an alchemist… his master was an alchemist, wasn’t she? was she still alive? maybe she knew this man- could he see her again? would she remember? maybe him being eaten by durin was a fluke, maybe she’d say sorry and maybe his survival was enough proof of his worth that he’d get what he’d longed for for so long.
“my name is albedo. what is yours?”
the world stopped turning. the snow stopped falling. everything froze, his world sharpening to a pin, his breath pausing as he looked into the eyes of the man with a name.
the creation with a name. albedo.
“…her magnum opus.”
albedo blinked, but didn’t seem all that surprised. “so you are another of master’s students.”
‘student.’ he was lucky she afforded him a spare pen, but he was taught?
(what did he know? he wanted to know too. what did his master do? what else was there to learn? how many books of knowledge existed beyond the four walls he’d grown to hate? could he finally put the sights to the names? what was the sun and how did it rise, what was a day and how did it end, what was the world and how did it work?)
(curiosity.)
“how interesting. she told me of a few trials before me, but i didn’t expect you to be-“
“were you created too?”
say no. say no and tell him he wasn’t the only one. say no and say it wasn’t his fault. say no and say he wasn’t a failure.
“…yes. i was.”
anger was bubbling and beginning to rise, irrational and yet uncontrollable. he shouldn’t be angry at albedo, he’d done nothing wrong, but his heart refused to obey.
“did she speak of me?”
“i don’t know. she spoke about durin, sometimes, and mentioned one of my predecessors. are you nigredo?”
nigredo died. nigredo died, and yet he was worth more of her time.
how?
what made him so imperfect? what was wrong with him being a first attempt? that didn’t mean failed. first didn’t mean failed, it meant first.
he was the first. had she not completed what she set out to do? synthetic life, an abiotic creation, proof of her knowledge and ability, proof it could be done at all. what part of him made him so inherently worthless? why did she want perfection? why couldn’t he be perfection?
albedo walked closer, more details coming into focus. the buckles on his coat—not a lab coat, then, or perhaps an altered one?—and the lines on his boots clear enough he could see them. when he crouched in front of him, he could see the gem on his collar sway slightly, the spikes on its inlay now visible. he leaned away, one hand tightening into a fist where he’d set it in the snow, the cold sinking into his palm. it rushed up his arm and into his chest, settling right next to the burn of his anger.
“when did you get your name?”
“when i was first able to ask for it.” albedo took his hand despite how he tried to pull it away, easily overpowering him. “interesting. you don’t appear to have any body heat of your own, and yet are shivering.”
(anger.)
“are you scared?”
(rage.)
“has she sent you? is that why you’re here?”
“not at all.” he let his hand fall, idly swiping a bit of snow from his shirt. his hand was warm. “i came here to inspect durin’s heart. did you come from there?”
(righteous fury.)
the snow in his hand packed together, the swirl of flaming anger and frigid resentment making his chest heaven as he took in air he didn’t need.
“i was eaten by him.”
“you survived being eaten by a dragon? a commendable feat. did you dig your way out?”
with hands that shook and eyes that couldn’t cry, supported on weakened legs and with bones barely able to keep me up. were you fed as often as i was? you look much less wiry.
“is that why your hands are shaky? perhaps i should take you to my lab…”
yes, the lab, take me there and fix everything that’s wrong with me, give me writing exercises and assure me it’ll pass, that i’m something broken, that you know better, that i was never and would never be what you wanted or strived for. tell me often enough and i’ll believe it, i’ll believe you when you say i’m wrong, believe you when you say it won’t hurt, believe you when you promised it would be okay, for you were the master and i were the slave-
a string that wasn’t his snapped, another’s anger channeled through him. all he could see was red, a chalk heart in his ears demanding he hit before it was returned. who, he didn’t know, nor why, a torrent of thoughts released through him, years of anger melting the ice around them.
albedo didn’t deserve his anger, not really. but his master did, and he was the closest thing.
211 notes · View notes
fake-wtnv-intros · 4 months
Text
(Black screen with text; The sound of buzzing bees can be heard) According to all known laws of aviation, : there is no way a bee should be able to fly. : Its wings are too small to get its fat little body off the ground. : The bee, of course, flies anyway : because bees don't care what humans think is impossible. Yellow, black. Yellow, black. Yellow, black. Yellow, black. : Ooh, black and yellow! Let's shake it up a little. Barry! Breakfast is ready! Coming! : Hang on a second. (Barry uses his antenna like a phone) : Hello? (Through phone) - Barry? BARRY: - Adam? ADAM: - Can you believe this is happening? BARRY: - I can't. I'll pick you up. (Barry flies down the stairs) : MARTIN BENSON: Looking sharp. JANET: Use the stairs. Your father paid good money for those. BARRY: Sorry. I'm excited. MARTIN: Here's the graduate. We're very proud of you, son. : A perfect report card, all B's. JANET: Very proud. (Rubs Barry's hair) BARRY= Ma! I got a thing going here. JANET: - You got lint on your fuzz. BARRY: - Ow! That's me! JANET: - Wave to us! We'll be in row 118,000. - Bye! (Barry flies out the door) JANET: Barry, I told you, stop flying in the house! (Barry drives through the hive,and is waved at by Adam who is reading a newspaper) BARRY== - Hey, Adam. ADAM: - Hey, Barry. (Adam gets in Barry's car) : - Is that fuzz gel? BARRY: - A little. Special day, graduation. ADAM: Never thought I'd make it. (Barry pulls away from the house and continues driving) BARRY: Three days grade school, three days high school... ADAM: Those were awkward. BARRY: Three days college. I'm glad I took a day and hitchhiked around the hive. ADAM== You did come back different. (Barry and Adam pass by Artie, who is jogging) ARTIE: - Hi, Barry! BARRY: - Artie, growing a mustache? Looks good. ADAM: - Hear about Frankie? BARRY: - Yeah. ADAM== - You going to the funeral? BARRY: - No, I'm not going to his funeral. : Everybody knows, sting someone, you die. : Don't waste it on a squirrel. Such a hothead. ADAM: I guess he could have just gotten out of the way. (The car does a barrel roll on the loop-shaped bridge and lands on the highway) : I love this incorporating an amusement park into our regular day. BARRY: I guess that's why they say we don't need vacations. (Barry parallel parks the car and together they fly over the graduating students) Boy, quite a bit of pomp... under the circumstances. (Barry and Adam sit down and put on their hats) : - Well, Adam, today we are men. ADAM: - We are! BARRY= - Bee-men. =ADAM= - Amen! BARRY AND ADAM: Hallelujah! (Barry and Adam both have a happy spasm) ANNOUNCER: Students, faculty, distinguished bees, : please welcome Dean Buzzwell. DEAN BUZZWELL: Welcome, New Hive Oity graduating class of... : ...9: : That concludes our ceremonies. : And begins your career at Honex Industries! ADAM: Will we pick our job today? (Adam and Barry get into a tour bus) BARRY= I heard it's just orientation. (Tour buses rise out of the ground and the students are automatically loaded into the buses) TOUR GUIDE: Heads up! Here we go. ANNOUNCER: Keep your hands and antennas inside the tram at all times. BARRY: - Wonder what it'll be like? ADAM: - A little scary. TOUR GUIDE== Welcome to Honex, a division of Honesco : and a part of the Hexagon Group. Barry: This is it! BARRY AND ADAM: Wow. BARRY: Wow. (The bus drives down a road an on either side are the Bee's massive complicated Honey-making machines) TOUR GUIDE: We know that you, as a bee, have worked your whole life : to get to the point where you can work for your whole life. : Honey begins when our valiant Pollen Jocks bring the nectar to the hive. : Our top-secret formula : is automatically color-corrected, scent-adjusted and bubble-contoured : into this soothing sweet syrup : with its distinctive golden glow you know as... EVERYONE ON BUS: Honey! (The guide has been collecting honey into a bottle and she throws it into the crowd on the bus and it is caught by a girl in the back) ADAM: - That girl was hot. BARRY: - She's my cousin! ADAM== - She is? BARRY: - Yes, we're all cousins. ADAM: - Right. You're right. TOUR GUIDE: - At Honex, we constantly strive : to improve every aspect of bee existence. : These bees are stress-testing a new helmet technology. (The bus passes by a Bee wearing a helmet who is being smashed into the ground with fly-swatters, newspapers and boots. He lifts a thumbs up but you can hear him groan) : ADAM== - What do you think he makes? BARRY: - Not enough. TOUR GUIDE: Here we have our latest advancement, the Krelman. (They pass by a turning wheel with Bees standing on pegs, who are each wearing a finger-shaped hat) Barry: - Wow, What does that do? TOUR GUIDE: - Catches that little strand of honey : that hangs after you pour it. Saves us millions. ADAM: (Intrigued) Can anyone work on the Krelman? TOUR GUIDE: Of course. Most bee jobs are small ones. But bees know that every small job, if it's done well, means a lot. : But choose carefully : because you'll stay in the job you pick for the rest of your life. (Everyone claps except for Barry) BARRY: The same job the rest of your life? I didn't know that. ADAM: What's the difference? TOUR GUIDE: You'll be happy to know that bees, as a species, haven't had one day off : in 27 million years. BARRY: (Upset) So you'll just work us to death? : We'll sure try. (Everyone on the bus laughs except Barry. Barry and Adam are walking back home together) ADAM: Wow! That blew my mind! BARRY: "What's the difference?" How can you say that? : One job forever? That's an insane choice to have to make. ADAM: I'm relieved. Now we only have to make one decision in life. BARRY: But, Adam, how could they never have told us that? ADAM: Why would you question anything? We're bees. : We're the most perfectly functioning society on Earth. BARRY: You ever think maybe things work a little too well here? ADAM: Like what? Give me one example. (Barry and Adam stop walking and it is revealed to the audience that hundreds of cars are speeding by and narrowly missing them in perfect unison) BARRY: I don't know. But you know what I'm talking about. ANNOUNCER: Please clear the gate. Royal Nectar Force on approach. BARRY: Wait a second. Check it out. (The Pollen jocks fly in, circle around and landing in line) : - Hey, those are Pollen Jocks! ADAM: - Wow. : I've never seen them this close. BARRY: They know what it's like outside the hive. ADAM: Yeah, but some don't come back. GIRL BEES: - Hey, Jocks! - Hi, Jocks! (The Pollen Jocks hook up their backpacks to machines that pump the nectar to trucks, which drive away) LOU LO DUVA: You guys did great! : You're monsters! You're sky freaks! I love it! (Punching the Pollen Jocks in joy) I love it! ADAM: - I wonder where they were. BARRY: - I don't know. : Their day's not planned. : Outside the hive, flying who knows where, doing who knows what. : You can't just decide to be a Pollen Jock. You have to be bred for that. ADAM== Right. (Barry and Adam are covered in some pollen that floated off of the Pollen Jocks) BARRY: Look at that. That's more pollen than you and I will see in a lifetime. ADAM: It's just a status symbol. Bees make too much of it. BARRY: Perhaps. Unless you're wearing it and the ladies see you wearing it. (Barry waves at 2 girls standing a little away from them) ADAM== Those ladies? Aren't they our cousins too? BARRY: Distant. Distant. POLLEN JOCK #1: Look at these two. POLLEN JOCK #2: - Couple of Hive Harrys. POLLEN JOCK #1: - Let's have fun with them. GIRL BEE #1: It must be dangerous being a Pollen Jock. BARRY: Yeah. Once a bear pinned me against a mushroom! : He had a paw on my throat, and with the other, he was slapping me! (Slaps Adam with his hand to represent his scenario) GIRL BEE #2: - Oh, my! BARRY: - I never thought I'd knock him out. GIRL BEE #1: (Looking at Adam) What were you doing during this? ADAM: Obviously I was trying to alert the authorities. BARRY: I can autograph that. (The pollen jocks walk up to Barry and Adam, they pretend that Barry and Adam really are pollen jocks.) POLLEN JOCK #1: A little gusty out there today, wasn't it, comrades? BARRY: Yeah. Gusty. POLLEN JOCK #1: We're hitting a sunflower patch six miles from here tomorrow. BARRY: - Six miles, huh? ADAM: - Barry! POLLEN JOCK #2: A puddle jump for us, but maybe you're not up for it. BARRY: - Maybe I am. ADAM: - You are not! POLLEN JOCK #1: We're going 0900 at J-Gate. : What do you think, buzzy-boy? Are you bee enough? BARRY: I might be. It all depends on what 0900 means. (The scene cuts to Barry looking out on the hive-city from his balcony at night) MARTIN: Hey, Honex! BARRY: Dad, you surprised me. MARTIN: You decide what you're interested in? BARRY: - Well, there's a lot of choices. - But you only get one. : Do you ever get bored doing the same job every day? MARTIN: Son, let me tell you about stirring. : You grab that stick, and you just move it around, and you stir it around. : You get yourself into a rhythm. It's a beautiful thing. BARRY: You know, Dad, the more I think about it, : maybe the honey field just isn't right for me. MARTIN: You were thinking of what, making balloon animals? : That's a bad job for a guy with a stinger. : Janet, your son's not sure he wants to go into honey! JANET: - Barry, you are so funny sometimes. BARRY: - I'm not trying to be funny. MARTIN: You're not funny! You're going into honey. Our son, the stirrer! JANET: - You're gonna be a stirrer? BARRY: - No one's listening to me! MARTIN: Wait till you see the sticks I have. BARRY: I could say anything right now. I'm gonna get an ant tattoo! (Barry's parents don't listen to him and continue to ramble on) MARTIN: Let's open some honey and celebrate! BARRY: Maybe I'll pierce my thorax. Shave my antennae. : Shack up with a grasshopper. Get a gold tooth and call everybody "dawg"! JANET: I'm so proud. (The scene cuts to Barry and Adam waiting in line to get a job) ADAM: - We're starting work today! BARRY: - Today's the day. ADAM: Come on! All the good jobs will be gone. BARRY: Yeah, right. JOB LISTER: Pollen counting, stunt bee, pouring, stirrer, front desk, hair removal... BEE IN FRONT OF LINE: - Is it still available? JOB LISTER: - Hang on. Two left! : One of them's yours! Congratulations! Step to the side. ADAM: - What'd you get? BEE IN FRONT OF LINE: - Picking crud out. Stellar! (He walks away) ADAM: Wow! JOB LISTER: Couple of newbies? ADAM: Yes, sir! Our first day! We are ready! JOB LISTER: Make your choice. (Adam and Barry look up at the job board. There are hundreds of constantly changing panels that contain available or unavailable jobs. It looks very confusing) ADAM: - You want to go first? BARRY: - No, you go. ADAM: Oh, my. What's available? JOB LISTER: Restroom attendant's open, not for the reason you think. ADAM: - Any chance of getting the Krelman? JOB LISTER: - Sure, you're on. (Puts the Krelman finger-hat on Adam's head) (Suddenly the sign for Krelman closes out) : I'm sorry, the Krelman just closed out. (Takes Adam's hat off) Wax monkey's always open. ADAM: The Krelman opened up again. : What happened? JOB LISTER: A bee died. Makes an opening. See? He's dead. Another dead one. : Deady. Deadified. Two more dead. : Dead from the neck up. Dead from the neck down. That's life! ADAM: Oh, this is so hard! (Barry remembers what the Pollen Jock offered him and he flies off) Heating, cooling, stunt bee, pourer, stirrer, : humming, inspector number seven, lint coordinator, stripe supervisor, : mite wrangler. Barry, what do you think I should... Barry? (Adam turns around and sees Barry flying away) : Barry! POLLEN JOCK: All right, we've got the sunflower patch in quadrant nine... ADAM: (Through phone) What happened to you? Where are you? BARRY: - I'm going out. ADAM: - Out? Out where? BARRY: - Out there. ADAM: - Oh, no! BARRY: I have to, before I go to work for the rest of my life. ADAM: You're gonna die! You're crazy! (Barry hangs up) Hello? POLLEN JOCK #2: Another call coming in. : If anyone's feeling brave, there's a Korean deli on 83rd : that gets their roses today. BARRY: Hey, guys. POLLEN JOCK #1 == - Look at that. POLLEN JOCK #2: - Isn't that the kid we saw yesterday? LOU LO DUVA: Hold it, son, flight deck's restricted. POLLEN JOCK #1: It's OK, Lou. We're gonna take him up. (Puts hand on Barry's shoulder) LOU LO DUVA: (To Barry) Really? Feeling lucky, are you? BEE WITH CLIPBOARD: (To Barry) Sign here, here. Just initial that. : - Thank you. LOU LO DUVA: - OK. : You got a rain advisory today, : and as you all know, bees cannot fly in rain. : So be careful. As always, watch your brooms, : hockey sticks, dogs, birds, bears and bats. : Also, I got a couple of reports of root beer being poured on us. : Murphy's in a home because of it, babbling like a cicada! BARRY: - That's awful. LOU LO DUVA: (Still talking through megaphone) - And a reminder for you rookies, : bee law number one, absolutely no talking to humans! : All right, launch positions! POLLEN JOCKS: (The Pollen Jocks run into formation) : Buzz, buzz, buzz, buzz! Buzz, buzz, buzz, buzz! Buzz, buzz, buzz, buzz! LOU LU DUVA: Black and yellow! POLLEN JOCKS: Hello! POLLEN JOCK #1: (To Barry)You ready for this, hot shot? BARRY: Yeah. Yeah, bring it on. POLLEN JOCK's: Wind, check. : - Antennae, check. - Nectar pack, check. : - Wings, check. - Stinger, check. BARRY: Scared out of my shorts, check. LOU LO DUVA: OK, ladies, : let's move it out! : Pound those petunias, you striped stem-suckers! : All of you, drain those flowers! (The pollen jocks fly out of the hive) BARRY: Wow! I'm out! : I can't believe I'm out! : So blue. : I feel so fast and free! : Box kite! (Barry flies through the kite) : Wow! : Flowers! (A pollen jock puts on some high tech goggles that shows flowers similar to heat sink goggles.) POLLEN JOCK: This is Blue Leader. We have roses visual. : Bring it around 30 degrees and hold. : Roses! POLLEN JOCK #1: 30 degrees, roger. Bringing it around. : Stand to the side, kid. It's got a bit of a kick. (The pollen jock fires a high-tech gun at the flower, shooting tubes that suck up the nectar from the flower and collects it into a pouch on the gun) BARRY: That is one nectar collector! POLLEN JOCK #1== - Ever see pollination up close? BARRY: - No, sir. POLLEN JOCK #1: (Barry and the Pollen jock fly over the field, the pollen jock sprinkles pollen as he goes) : I pick up some pollen here, sprinkle it over here. Maybe a dash over there, : a pinch on that one. See that? It's a little bit of magic. BARRY: That's amazing. Why do we do that? POLLEN JOCK #1: That's pollen power. More pollen, more flowers, more nectar, more honey for us. BARRY: Cool. POLLEN JOCK #1: I'm picking up a lot of bright yellow. could be daisies. Don't we need those? POLLEN JOCK #2: Copy that visual. : Wait. One of these flowers seems to be on the move. POLLEN JOCK #1: Say again? You're reporting a moving flower? POLLEN JOCK #2: Affirmative. (The Pollen jocks land near the "flowers" which, to the audience are obviously just tennis balls) KEN: (In the distance) That was on the line! POLLEN JOCK #1: This is the coolest. What is it? POLLEN JOCK #2: I don't know, but I'm loving this color. : It smells good. Not like a flower, but I like it. POLLEN JOCK #1: Yeah, fuzzy. (Sticks his hand on the ball but it gets stuck) POLLEN JOCK #3== Chemical-y. (The pollen jock finally gets his hand free from the tennis ball) POLLEN JOCK #1: Careful, guys. It's a little grabby. (The pollen jocks turn around and see Barry lying his entire body on top of one of the tennis balls) POLLEN JOCK #2: My sweet lord of bees! POLLEN JOCK #3: Candy-brain, get off there! POLLEN JOCK #1: (Pointing upwards) Problem! (A human hand reaches down and grabs the tennis ball that Barry is stuck to) BARRY: - Guys! POLLEN JOCK #2: - This could be bad. POLLEN JOCK #3: Affirmative. (Vanessa Bloome starts bouncing the tennis ball, not knowing Barry is stick to it) BARRY== Very close. : Gonna hurt. : Mama's little boy. (Barry is being hit back and forth by two humans playing tennis. He is still stuck to the ball) POLLEN JOCK #1: You are way out of position, rookie! KEN: Coming in at you like a MISSILE! (Barry flies past the pollen jocks, still stuck to the ball) BARRY: (In slow motion) Help me! POLLEN JOCK #2: I don't think these are flowers. POLLEN JOCK #3: - Should we tell him? POLLEN JOCK #1: - I think he knows. BARRY: What is this?! KEN: Match point! : You can start packing up, honey, because you're about to EAT IT! (A pollen jock coughs which confused Ken and he hits the ball the wrong way with Barry stuck to it and it goes flying into the city) BARRY: Yowser! (Barry bounces around town and gets stuck in the engine of a car. He flies into the air conditioner and sees a bug that was frozen in there) BARRY: Ew, gross. (The man driving the car turns on the air conditioner which blows Barry into the car) GIRL IN CAR: There's a bee in the car! : - Do something! DAD DRIVING CAR: - I'm driving! BABY GIRL: (Waving at Barry) - Hi, bee. (Barry smiles and waves at the baby girl) GUY IN BACK OF CAR: - He's back here! : He's going to sting me! GIRL IN CAR: Nobody move. If you don't move, he won't sting you. Freeze! (Barry freezes as well, hovering in the middle of the car) : GRANDMA IN CAR== He blinked! (The grandma whips out some bee-spray and sprays everywhere in the car, climbing into the front seat, still trying to spray Barry) GIRL IN CAR: Spray him, Granny! DAD DRIVING THE CAR: What are you doing?! (Barry escapes the car through the air conditioner and is flying high above the ground, safe.) BARRY: Wow... the tension level out here is unbelievable. (Barry sees that storm clouds are gathering and he can see rain clouds moving into this direction) : I gotta get home. : Can't fly in rain. : Can't fly in rain. (A rain drop hits Barry and one of his wings is damaged) : Can't fly in rain. (A second rain drop hits Barry again and he spirals downwards) Mayday! Mayday! Bee going down! (WW2 plane sound effects are played as he plummets, and he crash-lands on a plant inside an apartment near the window) VANESSA BLOOME: Ken, could you close the window please? KEN== Hey, check out my new resume. I made it into a fold-out brochure. : You see? (Folds brochure resume out) Folds out. (Ken closes the window, trapping Barry inside) BARRY: Oh, no. More humans. I don't need this. (Barry tries to fly away but smashes into the window and falls again) : What was that? (Barry keeps trying to fly out the window but he keeps being knocked back because the window is closed) Maybe this time. This time. This time. This time! This time! This... : Drapes! (Barry taps the glass. He doesn't understand what it is) That is diabolical. KEN: It's fantastic. It's got all my special skills, even my top-ten favorite movies. ANDY: What's number one? Star Wars? KEN: Nah, I don't go for that... (Ken makes finger guns and makes "pew pew pew" sounds and then stops) : ...kind of stuff. BARRY: No wonder we shouldn't talk to them. They're out of their minds. KEN: When I leave a job interview, they're flabbergasted, can't believe what I say. BARRY: (Looking at the light on the ceiling) There's the sun. Maybe that's a way out. (Starts flying towards the lightbulb) : I don't remember the sun having a big 75 on it. (Barry hits the lightbulb and falls into the dip on the table that the humans are sitting at) KEN: I predicted global warming. : I could feel it getting hotter. At first I thought it was just me. (Andy dips a chip into the bowl and scoops up some dip with Barry on it and is about to put it in his mouth) : Wait! Stop! Bee! (Andy drops the chip with Barry in fear and backs away. All the humans freak out) : Stand back. These are winter boots. (Ken has winter boots on his hands and he is about to smash the bee but Vanessa saves him last second) VANESSA: Wait! : Don't kill him! (Vanessa puts Barry in a glass to protect him) KEN: You know I'm allergic to them! This thing could kill me! VANESSA: Why does his life have less value than yours? KEN: Why does his life have any less value than mine? Is that your statement? VANESSA: I'm just saying all life has value. You don't know what he's capable of feeling. (Vanessa picks up Ken's brochure and puts it under the glass so she can carry Barry back to the window. Barry looks at Vanessa in amazement) KEN: My brochure! VANESSA: There you go, little guy. (Vanessa opens the window and lets Barry out but Barry stays back and is still shocked that a human saved his life) KEN: I'm not scared of him. It's an allergic thing. VANESSA: Put that on your resume brochure. KEN: My whole face could puff up. ANDY: Make it one of your special skills. KEN: Knocking someone out is also a special skill. (Ken walks to the door) Right. Bye, Vanessa. Thanks. : - Vanessa, next week? Yogurt night? VANESSA: - Sure, Ken. You know, whatever. : (Vanessa tries to close door) KEN== - You could put carob chips on there. VANESSA: - Bye. (Closes door but Ken opens it again) KEN: - Supposed to be less calories. VANESSA: - Bye. (Closes door) (Fast forward to the next day, Barry is still inside the house. He flies into the kitchen where Vanessa is doing dishes) BARRY== (Talking to himself) I gotta say something. : She saved my life. I gotta say something. : All right, here it goes. (Turns back) Nah. : What would I say? : I could really get in trouble. : It's a bee law. You're not supposed to talk to a human. : I can't believe I'm doing this. : I've got to. (Barry disguises himself as a character on a food can as Vanessa walks by again) : Oh, I can't do it. Come on! : No. Yes. No. : Do it. I can't. : How should I start it? (Barry strikes a pose and wiggles his eyebrows) "You like jazz?" No, that's no good. (Vanessa is about to walk past Barry) Here she comes! Speak, you fool! : ...Hi! (Vanessa gasps and drops the dishes in fright and notices Barry on the counter) : I'm sorry. VANESSA: - You're talking. BARRY: - Yes, I know. VANESSA: (Pointing at Barry) You're talking! BARRY: I'm so sorry. VANESSA: No, it's OK. It's fine. I know I'm dreaming. : But I don't recall going to bed. BARRY: Well, I'm sure this is very disconcerting. VANESSA: This is a bit of a surprise to me. I mean, you're a bee! BARRY: I am. And I'm not supposed to be doing this, (Pointing to the living room where Ken tried to kill him last night) but they were all trying to kill me. : And if it wasn't for you... : I had to thank you. It's just how I was raised. (Vanessa stabs her hand with a fork to test whether she's dreaming or not) : That was a little weird. VANESSA: - I'm talking with a bee. BARRY: - Yeah. VANESSA: I'm talking to a bee. And the bee is talking to me! BARRY: I just want to say I'm grateful. I'll leave now. (Barry turns to leave) VANESSA: - Wait! How did you learn to do that? BARRY: (Flying back) - What? VANESSA: The talking...thing. BARRY: Same way you did, I guess. "Mama, Dada, honey." You pick it up. VANESSA: - That's very funny. BARRY: - Yeah. : Bees are funny. If we didn't laugh, we'd cry with what we have to deal with. : Anyway... VANESSA: Can I... : ...get you something? BARRY: - Like what? VANESSA: I don't know. I mean... I don't know. Coffee? BARRY: I don't want to put you out. VANESSA: It's no trouble. It takes two minutes. : - It's just coffee. BARRY: - I hate to impose. (Vanessa starts making coffee) VANESSA: - Don't be ridiculous! BARRY: - Actually, I would love a cup. VANESSA: Hey, you want rum cake? BARRY: - I shouldn't. VANESSA: - Have some. BARRY: - No, I can't. VANESSA: - Come on! BARRY: I'm trying to lose a couple micrograms. VANESSA: - Where? BARRY: - These stripes don't help. VANESSA: You look great! BARRY: I don't know if you know anything about fashion. : Are you all right? VANESSA: (Pouring coffee on the floor and missing the cup completely) No. (Flash forward in time. Barry and Vanessa are sitting together at a table on top of the apartment building drinking coffee) : BARRY== He's making the tie in the cab as they're flying up Madison. : He finally gets there. : He runs up the steps into the church. The wedding is on. : And he says, "Watermelon? I thought you said Guatemalan. : Why would I marry a watermelon?" (Barry laughs but Vanessa looks confused) VANESSA: Is that a bee joke? BARRY: That's the kind of stuff we do. VANESSA: Yeah, different. : So, what are you gonna do, Barry? (Barry stands on top of a sugar cube floating in his coffee and paddles it around with a straw like it's a gondola) BARRY: About work? I don't know. : I want to do my part for the hive, but I can't do it the way they want. VANESSA: I know how you feel. BARRY: - You do? VANESSA: - Sure. : My parents wanted me to be a lawyer or a doctor, but I wanted to be a florist. BARRY: - Really? VANESSA: - My only interest is flowers. BARRY: Our new queen was just elected with that same campaign slogan. : Anyway, if you look... (Barry points to a tree in the middle of Central Park) : There's my hive right there. See it? VANESSA: You're in Sheep Meadow! BARRY: Yes! I'm right off the Turtle Pond! VANESSA: No way! I know that area. I lost a toe ring there once. BARRY: - Why do girls put rings on their toes? VANESSA: - Why not? BARRY: - It's like putting a hat on your knee. VANESSA: - Maybe I'll try that. (A custodian installing a lightbulb looks over at them but to his perspective it looks like Vanessa is talking to a cup of coffee on the table) CUSTODIAN: - You all right, ma'am? VANESSA: - Oh, yeah. Fine. : Just having two cups of coffee! BARRY: Anyway, this has been great. Thanks for the coffee. VANESSA== Yeah, it's no trouble. BARRY: Sorry I couldn't finish it. If I did, I'd be up the rest of my life. (Barry points towards the rum cake) : Can I take a piece of this with me? VANESSA: Sure! Here, have a crumb. (Vanessa hands Barry a crumb but it is still pretty big for Barry) BARRY: - Thanks! VANESSA: - Yeah. BARRY: All right. Well, then... I guess I'll see you around. : Or not. VANESSA: OK, Barry... BARRY: And thank you so much again... for before. VANESSA: Oh, that? That was nothing. BARRY: Well, not nothing, but... Anyway... (Vanessa and Barry hold hands, but Vanessa has to hold out a finger because her hands is to big and Barry holds that) (The custodian looks over again and it appears Vanessa is laughing at her coffee again. The lightbulb that he was screwing in sparks and he falls off the ladder) (Fast forward in time and we see two Bee Scientists testing out a parachute in a Honex wind tunnel) BEE SCIENTIST #1: This can't possibly work. BEE SCIENTIST #2: He's all set to go. We may as well try it. : OK, Dave, pull the chute. (Dave pulls the chute and the wind slams him against the wall and he falls on his face.The camera pans over and we see Barry and Adam walking together) ADAM: - Sounds amazing. BARRY: - It was amazing! : It was the scariest, happiest moment of my life. ADAM: Humans! I can't believe you were with humans! : Giant, scary humans! What were they like? BARRY: Huge and crazy. They talk crazy. : They eat crazy giant things. They drive crazy. ADAM: - Do they try and kill you, like on TV? BARRY: - Some of them. But some of them don't. ADAM: - How'd you get back? BARRY: - Poodle. ADAM: You did it, and I'm glad. You saw whatever you wanted to see. : You had your "experience." Now you can pick out your job and be normal. BARRY: - Well... ADAM: - Well? BARRY: Well, I met someone. ADAM: You did? Was she Bee-ish? : - A wasp?! Your parents will kill you! BARRY: - No, no, no, not a wasp. ADAM: - Spider? BARRY: - I'm not attracted to spiders. : I know, for everyone else, it's the hottest thing, with the eight legs and all. : I can't get by that face. ADAM: So who is she? BARRY: She's... human. ADAM: No, no. That's a bee law. You wouldn't break a bee law. BARRY: - Her name's Vanessa. (Adam puts his head in his hands) ADAM: - Oh, boy. BARRY== She's so nice. And she's a florist! ADAM: Oh, no! You're dating a human florist! BARRY: We're not dating. ADAM: You're flying outside the hive, talking to humans that attack our homes : with power washers and M-80s! That's one-eighth a stick of dynamite! BARRY: She saved my life! And she understands me. ADAM: This is over! BARRY: Eat this. (Barry gives Adam a piece of the crumb that he got from Vanessa. Adam eats it) ADAM: (Adam's tone changes) This is not over! What was that? BARRY: - They call it a crumb. ADAM: - It was so stingin' stripey! BARRY: And that's not what they eat. That's what falls off what they eat! : - You know what a Cinnabon is? ADAM: - No. (Adam opens a door behind him and he pulls Barry in) BARRY: It's bread and cinnamon and frosting. ADAM: Be quiet! BARRY: They heat it up... ADAM: Sit down! (Adam forces Barry to sit down) BARRY: (Still rambling about Cinnabons) ...really hot! (Adam grabs Barry by the shoulders) ADAM: - Listen to me! : We are not them! We're us. There's us and there's them! BARRY== Yes, but who can deny the heart that is yearning? ADAM: There's no yearning. Stop yearning. Listen to me! : You have got to start thinking bee, my friend. Thinking bee! BARRY: - Thinking bee. WORKER BEE: - Thinking bee. WORKER BEES AND ADAM: Thinking bee! Thinking bee! Thinking bee! Thinking bee! (Flash forward in time; Barry is laying on a raft in a pool full of honey. He is wearing sunglasses) JANET: There he is. He's in the pool. MARTIN: You know what your problem is, Barry? (Barry pulls down his sunglasses and he looks annoyed) BARRY: (Sarcastic) I gotta start thinking bee? JANET: How much longer will this go on? MARTIN: It's been three days! Why aren't you working? (Puts sunglasses back on) BARRY: I've got a lot of big life decisions to think about. MARTIN: What life? You have no life! You have no job. You're barely a bee! JANET: Would it kill you to make a little honey? (Barry rolls off the raft and sinks into the honey pool) : Barry, come out. Your father's talking to you. : Martin, would you talk to him? MARTIN: Barry, I'm talking to you! (Barry keeps sinking into the honey until he is suddenly in Central Park having a picnic with Vanessa) (Barry has a cup of honey and he clinks his glass with Vanessas. Suddenly a mosquito lands on Vanessa and she slaps it, killing it. They both gasp but then burst out laughing) VANESSA: You coming? (The camera pans over and Vanessa is climbing into a small yellow airplane) BARRY: Got everything? VANESSA: All set! BARRY: Go ahead. I'll catch up. (Vanessa lifts off and flies ahead) VANESSA: Don't be too long. (Barry catches up with Vanessa and he sticks out his arms like ana irplane. He rolls from side to side, and Vanessa copies him with the airplane) VANESSA: Watch this! (Barry stays back and watches as Vanessa draws a heart in the air using pink smoke from the plane, but on the last loop-the-loop she suddenly crashes into a mountain and the plane explodes. The destroyed plane falls into some rocks and explodes a second time) BARRY: Vanessa! (As Barry is yelling his mouth fills with honey and he wakes up, discovering that he was just day dreaming. He slowly sinks back into the honey pool) MARTIN: - We're still here. JANET: - I told you not to yell at him. : He doesn't respond to yelling! MARTIN: - Then why yell at me? JANET: - Because you don't listen! MARTIN: I'm not listening to this. BARRY: Sorry, I've gotta go. MARTIN: - Where are you going? BARRY: - I'm meeting a friend. JANET: A girl? Is this why you can't decide? BARRY: Bye. (Barry flies out the door and Martin shakes his head) : JANET== I just hope she's Bee-ish. (Fast forward in time and Barry is sitting on Vanessa's shoulder and she is closing up her shop) BARRY: They have a huge parade of flowers every year in Pasadena? VANESSA: To be in the Tournament of Roses, that's every florist's dream! : Up on a float, surrounded by flowers, crowds cheering. BARRY: A tournament. Do the roses compete in athletic events? VANESSA: No. All right, I've got one. How come you don't fly everywhere? BARRY: It's exhausting. Why don't you run everywhere? It's faster. VANESSA: Yeah, OK, I see, I see. All right, your turn. BARRY: TiVo. You can just freeze live TV? That's insane! VANESSA: You don't have that? BARRY: We have Hivo, but it's a disease. It's a horrible, horrible disease. VANESSA: Oh, my. (A human walks by and Barry narrowly avoids him) PASSERBY: Dumb bees! VANESSA: You must want to sting all those jerks. BARRY: We try not to sting. It's usually fatal for us. VANESSA: So you have to watch your temper (They walk into a store) BARRY: Very carefully. You kick a wall, take a walk, : write an angry letter and throw it out. Work through it like any emotion: : Anger, jealousy, lust. (Suddenly an employee(Hector) hits Barry off of Vanessa's shoulder. Hector thinks he's saving Vanessa) VANESSA: (To Barry) Oh, my goodness! Are you OK? (Barry is getting up off the floor) BARRY: Yeah. VANESSA: (To Hector) - What is wrong with you?! HECTOR: (Confused) - It's a bug. VANESSA: He's not bothering anybody. Get out of here, you creep! (Vanessa hits Hector across the face with the magazine he had and then hits him in the head. Hector backs away covering his head) Barry: What was that? A Pic 'N' Save circular? (Vanessa sets Barry back on her shoulder) VANESSA: Yeah, it was. How did you know? BARRY: It felt like about 10 pages. Seventy-five is pretty much our limit. VANESSA: You've really got that down to a science. BARRY: - Oh, we have to. I lost a cousin to Italian Vogue. VANESSA: - I'll bet. (Barry looks to his right and notices there is honey for sale in the aisle) BARRY: What in the name of Mighty Hercules is this? (Barry looks at all the brands of honey, shocked) How did this get here? Cute Bee, Golden Blossom, : Ray Liotta Private Select? (Barry puts his hands up and slowly turns around, a look of disgust on his face) VANESSA: - Is he that actor? BARRY: - I never heard of him. : - Why is this here? VANESSA: - For people. We eat it. BARRY: You don't have enough food of your own?! (Hector looks back and notices that Vanessa is talking to Barry) VANESSA: - Well, yes. BARRY: - How do you get it? VANESSA: - Bees make it. BARRY: - I know who makes it! : And it's hard to make it! : There's heating, cooling, stirring. You need a whole Krelman thing! VANESSA: - It's organic. BARRY: - It's our-ganic! VANESSA: It's just honey, Barry. BARRY: Just what?! : Bees don't know about this! This is stealing! A lot of stealing! : You've taken our homes, schools, hospitals! This is all we have! : And it's on sale?! I'm getting to the bottom of this. : I'm getting to the bottom of all of this! (Flash forward in time; Barry paints his face with black strikes like a soldier and sneaks into the storage section of the store) (Two men, including Hector, are loading boxes into some trucks) : SUPERMARKET EMPLOYEE== Hey, Hector. : - You almost done? HECTOR: - Almost. (Barry takes a step to peak around the corner) (Whispering) He is here. I sense it. : Well, I guess I'll go home now (Hector pretends to walk away by walking in place and speaking loudly) : and just leave this nice honey out, with no one around. BARRY: You're busted, box boy! HECTOR: I knew I heard something! So you can talk! BARRY: I can talk. And now you'll start talking! : Where you getting the sweet stuff? Who's your supplier? HECTOR: I don't understand. I thought we were friends. : The last thing we want to do is upset bees! (Hector takes a thumbtack out of the board behind him and sword-fights Barry. Barry is using his stinger like a sword) : You're too late! It's ours now! BARRY: You, sir, have crossed the wrong sword! HECTOR: You, sir, will be lunch for my iguana, Ignacio! (Barry hits the thumbtack out of Hectors hand and Hector surrenders) Barry: Where is the honey coming from? : Tell me where! HECTOR: (Pointing to leaving truck) Honey Farms! It comes from Honey Farms! (Barry chases after the truck but it is getting away. He flies onto a bicyclists' backpack and he catches up to the truck) CAR DRIVER: (To bicyclist) Crazy person! (Barry flies off and lands on the windshield of the Honey farms truck. Barry looks around and sees dead bugs splattered everywhere) BARRY: What horrible thing has happened here? : These faces, they never knew what hit them. And now : they're on the road to nowhere! (Barry hears a sudden whisper) (Barry looks up and sees Mooseblood, a mosquito playing dead) MOOSEBLOOD: Just keep still. BARRY: What? You're not dead? MOOSEBLOOD: Do I look dead? They will wipe anything that moves. Where you headed? BARRY: To Honey Farms. I am onto something huge here. MOOSEBLOOD: I'm going to Alaska. Moose blood, crazy stuff. Blows your head off! ANOTHER BUG PLAYING DEAD: I'm going to Tacoma. (Barry looks at another bug) BARRY: - And you? MOOSEBLOOD: - He really is dead. BARRY: All right. (Another bug hits the windshield and the drivers notice. They activate the windshield wipers) MOOSEBLOOD== Uh-oh! (The windshield wipers are slowly sliding over the dead bugs and wiping them off) BARRY: - What is that?! MOOSEBLOOD: - Oh, no! : - A wiper! Triple blade! BARRY: - Triple blade? MOOSEBLOOD: Jump on! It's your only chance, bee! (Mooseblood and Barry grab onto the wiper and they hold on as it wipes the windshield) Why does everything have to be so doggone clean?! : How much do you people need to see?! (Bangs on windshield) : Open your eyes! Stick your head out the window! RADIO IN TRUCK: From NPR News in Washington, I'm Carl Kasell. MOOSEBLOOD: But don't kill no more bugs! (Mooseblood and Barry are washed off by the wipr fluid) MOOSEBLOOD: - Bee! BARRY: - Moose blood guy!! (Barry starts screaming as he hangs onto the antenna) (Suddenly it is revealed that a water bug is also hanging on the antenna. There is a pause and then Barry and the water bug both start screaming) TRUCK DRIVER: - You hear something? GUY IN TRUCK: - Like what? TRUCK DRIVER: Like tiny screaming. GUY IN TRUCK: Turn off the radio. (The antenna starts to lower until it gets to low and sinks into the truck. The water bug flies off and Barry is forced to let go and he is blown away. He luckily lands inside a horn on top of the truck where he finds Mooseblood, who was blown into the same place) MOOSEBLOOD: Whassup, bee boy? BARRY: Hey, Blood. (Fast forward in time and we see that Barry is deep in conversation with Mooseblood. They have been sitting in this truck for a while) BARRY: ...Just a row of honey jars, as far as the eye could see. MOOSEBLOOD: Wow! BARRY: I assume wherever this truck goes is where they're getting it. : I mean, that honey's ours. MOOSEBLOOD: - Bees hang tight. BARRY: - We're all jammed in. : It's a close community. MOOSEBLOOD: Not us, man. We on our own. Every mosquito on his own. BARRY: - What if you get in trouble? MOOSEBLOOD: - You a mosquito, you in trouble. : Nobody likes us. They just smack. See a mosquito, smack, smack! BARRY: At least you're out in the world. You must meet girls. MOOSEBLOOD: Mosquito girls try to trade up, get with a moth, dragonfly. : Mosquito girl don't want no mosquito. (An ambulance passes by and it has a blood donation sign on it) You got to be kidding me! : Mooseblood's about to leave the building! So long, bee! (Mooseblood leaves and flies onto the window of the ambulance where there are other mosquito's hanging out) : - Hey, guys! OTHER MOSQUITO: - Mooseblood! MOOSEBLOOD: I knew I'd catch y'all down here. Did you bring your crazy straw? (The truck goes out of view and Barry notices that the truck he's on is pulling into a camp of some sort) TRUCK DRIVER: We throw it in jars, slap a label on it, and it's pretty much pure profit. (Barry flies out) BARRY: What is this place? BEEKEEPER 1#: A bee's got a brain the size of a pinhead. BEEKEEPER #2: They are pinheads! : Pinhead. : - Check out the new smoker. BEEKEEPER #1: - Oh, sweet. That's the one you want. : The Thomas 3000! BARRY: Smoker? BEEKEEPER #1: Ninety puffs a minute, semi-automatic. Twice the nicotine, all the tar. : A couple breaths of this knocks them right out. BEEKEEPER #2: They make the honey, and we make the money. BARRY: "They make the honey, and we make the money"? (The Beekeeper sprays hundreds of cheap miniature apartments with the smoker. The bees are fainting or passing out) Oh, my! : What's going on? Are you OK? (Barry flies into one of the apartment and helps a Bee couple get off the ground. They are coughing and its hard for them to stand) BEE IN APARTMENT: Yeah. It doesn't last too long. BARRY: Do you know you're in a fake hive with fake walls? BEE IN APPARTMENT: Our queen was moved here. We had no choice. (The apartment room is completely empty except for a photo on the wall of the "queen" who is obviously a man in women's clothes) BARRY: This is your queen? That's a man in women's clothes! : That's a drag queen! : What is this? (Barry flies out and he discovers that there are hundreds of these structures, each housing thousands of Bees) Oh, no! : There's hundreds of them! (Barry takes out his camera and takes pictures of these Bee work camps. The beekeepers look very evil in these depictions) Bee honey. : Our honey is being brazenly stolen on a massive scale! : This is worse than anything bears have done! I intend to do something. (Flash forward in time and Barry is showing these pictures to his parents) JANET: Oh, Barry, stop. MARTIN: Who told you humans are taking our honey? That's a rumor. BARRY: Do these look like rumors? (Holds up the pictures) UNCLE CARL: That's a conspiracy theory. These are obviously doctored photos. JANET: How did you get mixed up in this? ADAM: He's been talking to humans. JANET: - What? MARTIN: - Talking to humans?! ADAM: He has a human girlfriend. And they make out! JANET: Make out? Barry! BARRY: We do not. ADAM: - You wish you could. MARTIN: - Whose side are you on? BARRY: The bees! UNCLE CARL: (He has been sitting in the back of the room this entire time) I dated a cricket once in San Antonio. Those crazy legs kept me up all night. JANET: Barry, this is what you want to do with your life? BARRY: I want to do it for all our lives. Nobody works harder than bees! : Dad, I remember you coming home so overworked : your hands were still stirring. You couldn't stop. JANET: I remember that. BARRY: What right do they have to our honey? : We live on two cups a year. They put it in lip balm for no reason whatsoever! ADAM: Even if it's true, what can one bee do? BARRY: Sting them where it really hurts. MARTIN: In the face! The eye! : - That would hurt. BARRY: - No. MARTIN: Up the nose? That's a killer. BARRY: There's only one place you can sting the humans, one place where it matters. (Flash forward a bit in time and we are watching the Bee News) BEE NEWS NARRATOR: Hive at Five, the hive's only full-hour action news source. BEE PROTESTOR: No more bee beards! BEE NEWS NARRATOR: With Bob Bumble at the anchor desk. : Weather with Storm Stinger. : Sports with Buzz Larvi. : And Jeanette Chung. BOB BUMBLE: - Good evening. I'm Bob Bumble. JEANETTE CHUNG: - And I'm Jeanette Chung. BOB BUMBLE: A tri-county bee, Barry Benson, : intends to sue the human race for stealing our honey, : packaging it and profiting from it illegally! JEANETTE CHUNG: Tomorrow night on Bee Larry King, : we'll have three former queens here in our studio, discussing their new book, : Classy Ladies, out this week on Hexagon. (The scene changes to an interview on the news with Bee version of Larry King and Barry) BEE LARRY KING: Tonight we're talking to Barry Benson. : Did you ever think, "I'm a kid from the hive. I can't do this"? BARRY: Bees have never been afraid to change the world. : What about Bee Columbus? Bee Gandhi? Bejesus? BEE LARRY KING: Where I'm from, we'd never sue humans. : We were thinking of stickball or candy stores. BARRY: How old are you? BEE LARRY KING: The bee community is supporting you in this case, : which will be the trial of the bee century. BARRY: You know, they have a Larry King in the human world too. BEE LARRY KING: It's a common name. Next week... BARRY: He looks like you and has a show and suspenders and colored dots... BEE LARRY KING: Next week... BARRY: Glasses, quotes on the bottom from the guest even though you just heard 'em. BEE LARRY KING: Bear Week next week! They're scary, hairy and here, live. (Bee Larry King gets annoyed and flies away offscreen) BARRY: Always leans forward, pointy shoulders, squinty eyes, very Jewish. (Flash forward in time. We see Vanessa enter and Ken enters behind her. They are arguing) KEN: In tennis, you attack at the point of weakness! VANESSA: It was my grandmother, Ken. She's 81. KEN== Honey, her backhand's a joke! I'm not gonna take advantage of that? BARRY: (To Ken) Quiet, please. Actual work going on here. KEN: (Pointing at Barry) - Is that that same bee? VANESSA: - Yes, it is! : I'm helping him sue the human race. BARRY: - Hello. KEN: - Hello, bee. VANESSA: This is Ken. BARRY: (Recalling the "Winter Boots" incident earlier) Yeah, I remember you. Timberland, size ten and a half. Vibram sole, I believe. KEN: (To Vanessa) Why does he talk again? VANESSA: Listen, you better go 'cause we're really busy working. KEN: But it's our yogurt night! VANESSA: (Holding door open for Ken) Bye-bye. KEN: (Yelling) Why is yogurt night so difficult?! (Ken leaves and Vanessa walks over to Barry. His workplace is a mess) VANESSA: You poor thing. You two have been at this for hours! BARRY: Yes, and Adam here has been a huge help. ADAM: - Frosting... - How many sugars? ==BARRY== Just one. I try not to use the competition. : So why are you helping me? VANESSA: Bees have good qualities. : And it takes my mind off the shop. : Instead of flowers, people are giving balloon bouquets now. BARRY: Those are great, if you're three. VANESSA: And artificial flowers. BARRY: - Oh, those just get me psychotic! VANESSA: - Yeah, me too. : BARRY: Bent stingers, pointless pollination. ADAM: Bees must hate those fake things! : Nothing worse than a daffodil that's had work done. : Maybe this could make up for it a little bit. VANESSA: - This lawsuit's a pretty big deal. BARRY: - I guess. ADAM: You sure you want to go through with it? BARRY: Am I sure? When I'm done with the humans, they won't be able : to say, "Honey, I'm home," without paying a royalty! (Flash forward in time and we are watching the human news. The camera shows a crowd outside a courthouse) NEWS REPORTER: It's an incredible scene here in downtown Manhattan, : where the world anxiously waits, because for the first time in history, : we will hear for ourselves if a honeybee can actually speak. (We are no longer watching through a news camera) ADAM: What have we gotten into here, Barry? BARRY: It's pretty big, isn't it? ADAM== (Looking at the hundreds of people around the courthouse) I can't believe how many humans don't work during the day. BARRY: You think billion-dollar multinational food companies have good lawyers? SECURITY GUARD: Everybody needs to stay behind the barricade. (A limousine drives up and a fat man,Layton Montgomery, a honey industry owner gets out and walks past Barry) ADAM: - What's the matter? BARRY: - I don't know, I just got a chill. (Fast forward in time and everyone is in the court) MONTGOMERY: Well, if it isn't the bee team. (To Honey Industry lawyers) You boys work on this? MAN: All rise! The Honorable Judge Bumbleton presiding. JUDGE BUMBLETON: All right. Case number 4475, : Superior Court of New York, Barry Bee Benson v. the Honey Industry : is now in session. : Mr. Montgomery, you're representing the five food companies collectively? MONTGOMERY: A privilege. JUDGE BUMBLETON: Mr. Benson... you're representing all the bees of the world? (Everyone looks closely, they are waiting to see if a Bee can really talk) (Barry makes several buzzing sounds to sound like a Bee) BARRY: I'm kidding. Yes, Your Honor, we're ready to proceed. JUDGE BUMBLBETON: Mr. Montgomery, your opening statement, please. MONTGOMERY: Ladies and gentlemen of the jury, : my grandmother was a simple woman. : Born on a farm, she believed it was man's divine right : to benefit from the bounty of nature God put before us. : If we lived in the topsy-turvy world Mr. Benson imagines, : just think of what would it mean. : I would have to negotiate with the silkworm : for the elastic in my britches! : Talking bee! (Montgomery walks over and looks closely at Barry) : How do we know this isn't some sort of : holographic motion-picture-capture Hollywood wizardry? : They could be using laser beams! : Robotics! Ventriloquism! Cloning! For all we know, : he could be on steroids! JUDGE BUMBLETON: Mr. Benson? BARRY: Ladies and gentlemen, there's no trickery here. : I'm just an ordinary bee. Honey's pretty important to me. : It's important to all bees. We invented it! : We make it. And we protect it with our lives. : Unfortunately, there are some people in this room : who think they can take it from us : 'cause we're the little guys! I'm hoping that, after this is all over, : you'll see how, by taking our honey, you not only take everything we have : but everything we are! JANET== (To Martin) I wish he'd dress like that all the time. So nice! JUDGE BUMBLETON: Call your first witness. BARRY: So, Mr. Klauss Vanderhayden of Honey Farms, big company you have. KLAUSS VANDERHAYDEN: I suppose so. BARRY: I see you also own Honeyburton and Honron! KLAUSS: Yes, they provide beekeepers for our farms. BARRY: Beekeeper. I find that to be a very disturbing term. : I don't imagine you employ any bee-free-ers, do you? KLAUSS: (Quietly) - No. BARRY: - I couldn't hear you. KLAUSS: - No. BARRY: - No. : Because you don't free bees. You keep bees. Not only that, : it seems you thought a bear would be an appropriate image for a jar of honey. KLAUSS: They're very lovable creatures. : Yogi Bear, Fozzie Bear, Build-A-Bear. BARRY: You mean like this? (The bear from Over The Hedge barges in through the back door and it is roaring and standing on its hind legs. It is thrashing its claws and people are screaming. It is being held back by a guard who has the bear on a chain) : (Pointing to the roaring bear) Bears kill bees! : How'd you like his head crashing through your living room?! : Biting into your couch! Spitting out your throw pillows! JUDGE BUMBLETON: OK, that's enough. Take him away. (The bear stops roaring and thrashing and walks out) BARRY: So, Mr. Sting, thank you for being here. Your name intrigues me. : - Where have I heard it before? MR. STING: - I was with a band called The Police. BARRY: But you've never been a police officer, have you? STING: No, I haven't. BARRY: No, you haven't. And so here we have yet another example : of bee culture casually stolen by a human : for nothing more than a prance-about stage name. STING: Oh, please. BARRY: Have you ever been stung, Mr. Sting? : Because I'm feeling a little stung, Sting. : Or should I say... Mr. Gordon M. Sumner! MONTGOMERY: That's not his real name?! You idiots! BARRY: Mr. Liotta, first, belated congratulations on : your Emmy win for a guest spot on ER in 2005. RAY LIOTTA: Thank you. Thank you. BARRY: I see from your resume that you're devilishly handsome : with a churning inner turmoil that's ready to blow. RAY LIOTTA: I enjoy what I do. Is that a crime? BARRY: Not yet it isn't. But is this what it's come to for you? : Exploiting tiny, helpless bees so you don't : have to rehearse your part and learn your lines, sir? RAY LIOTTA: Watch it, Benson! I could blow right now! BARRY: This isn't a goodfella. This is a badfella! (Ray Liotta looses it and tries to grab Barry) RAY LIOTTA: Why doesn't someone just step on this creep, and we can all go home?! JUDGE BUMBLETON: - Order in this court! RAY LIOTTA: - You're all thinking it! (Judge Bumbleton starts banging her gavel) JUDGE BUMBLETON: Order! Order, I say! RAY LIOTTA: - Say it! MAN: - Mr. Liotta, please sit down! (We see a montage of magazines which feature the court case) (Flash forward in time and Barry is back home with Vanessa) BARRY: I think it was awfully nice of that bear to pitch in like that. VANESSA: I think the jury's on our side. BARRY: Are we doing everything right,you know, legally? VANESSA: I'm a florist. BARRY: Right. Well, here's to a great team. VANESSA: To a great team! (Ken walks in from work. He sees Barry and he looks upset when he sees Barry clinking his glass with Vanessa) KEN: Well, hello. VANESSA: - Oh, Ken! BARRY: - Hello! VANESSA: I didn't think you were coming. : No, I was just late. I tried to call, but... (Ken holds up his phone and flips it open. The phone has no charge) ...the battery... VANESSA: I didn't want all this to go to waste, so I called Barry. Luckily, he was free. KEN: Oh, that was lucky. (Ken sits down at the table across from Barry and Vanessa leaves the room) VANESSA: There's a little left. I could heat it up. KEN: (Not taking his eyes off Barry) Yeah, heat it up, sure, whatever. BARRY: So I hear you're quite a tennis player. : I'm not much for the game myself. The ball's a little grabby. KEN: That's where I usually sit. Right... (Points to where Barry is sitting) there. VANESSA: (Calling from other room) Ken, Barry was looking at your resume, : and he agreed with me that eating with chopsticks isn't really a special skill. KEN: (To Barry) You think I don't see what you're doing? BARRY: I know how hard it is to find the right job. We have that in common. KEN: Do we? BARRY: Bees have 100 percent employment, but we do jobs like taking the crud out. KEN: (Menacingly) That's just what I was thinking about doing. (Ken reaches for a fork on the table but knocks if on the floor. He goes to pick it up) VANESSA: Ken, I let Barry borrow your razor for his fuzz. I hope that was all right. (Ken quickly rises back up after hearing this but hits his head on the table and yells) BARRY: I'm going to drain the old stinger. KEN: Yeah, you do that. (Barry flies past Ken to get to the bathroom and Ken freaks out, splashing some of the wine he was using to cool his head in his eyes. He yells in anger) (Barry looks at the magazines featuring his victories in court) BARRY: Look at that. (Barry flies into the bathroom) (He puts his hand on his head but this makes hurts him and makes him even madder. He yells again) (Barry is washing his hands in the sink but then Ken walks in) KEN: You know, you know I've just about had it (Closes bathroom door behind him) with your little mind games. (Ken is menacingly rolling up a magazine) BARRY: (Backing away) - What's that? KEN: - Italian Vogue. BARRY: Mamma mia, that's a lot of pages. KEN: It's a lot of ads. BARRY: Remember what Van said, why is your life more valuable than mine? KEN: That's funny, I just can't seem to recall that! (Ken smashes everything off the sink with the magazine and Barry narrowly escapes) (Ken follows Barry around and tries to hit him with the magazine but he keeps missing) (Ken gets a spray bottle) : I think something stinks in here! BARRY: (Enjoying the spray) I love the smell of flowers. (Ken holds a lighter in front of the spray bottle) KEN: How do you like the smell of flames?! BARRY: Not as much. (Ken fires his make-shift flamethrower but misses Barry, burning the bathroom. He torches the whole room but looses his footing and falls into the bathtub. After getting hit in the head by falling objects 3 times he picks up the shower head, revealing a Water bug hiding under it) WATER BUG: Water bug! Not taking sides! (Barry gets up out of a pile of bathroom supplies and he is wearing a chapstick hat) BARRY: Ken, I'm wearing a Chapstick hat! This is pathetic! (Ken switches the shower head to lethal) KEN: I've got issues! (Ken sprays Barry with the shower head and he crash lands into the toilet) (Ken menacingly looks down into the toilet at Barry) Well, well, well, a royal flush! BARRY: - You're bluffing. KEN: - Am I? (flushes toilet) (Barry grabs a chapstick from the toilet seat and uses it to surf in the flushing toilet) BARRY: Surf's up, dude! (Barry flies out of the toilet on the chapstick and sprays Ken's face with the toilet water) : EW,Poo water! BARRY: That bowl is gnarly. KEN: (Aiming a toilet cleaner at Barry) Except for those dirty yellow rings! (Barry cowers and covers his head and Vanessa runs in and takes the toilet cleaner from Ken just before he hits Barry) VANESSA: Kenneth! What are you doing?! KEN== (Leaning towards Barry) You know, I don't even like honey! I don't eat it! VANESSA: We need to talk! (Vanessa pulls Ken out of the bathroom) : He's just a little bee! : And he happens to be the nicest bee I've met in a long time! KEN: Long time? What are you talking about?! Are there other bugs in your life? VANESSA: No, but there are other things bugging me in life. And you're one of them! KEN: Fine! Talking bees, no yogurt night... : My nerves are fried from riding on this emotional roller coaster! VANESSA: Goodbye, Ken. (Ken huffs and walks out and slams the door. But suddenly he walks back in and stares at Barry) : And for your information, I prefer sugar-free, artificial sweeteners MADE BY MAN! (Ken leaves again and Vanessa leans in towards Barry) VANESSA: I'm sorry about all that. (Ken walks back in again) KEN: I know it's got an aftertaste! I LIKE IT! (Ken leaves for the last time) VANESSA: I always felt there was some kind of barrier between Ken and me. : I couldn't overcome it. Oh, well. : Are you OK for the trial? BARRY: I believe Mr. Montgomery is about out of ideas. (Flash forward in time and Barry, Adam, and Vanessa are back in court) MONTGOMERY-- We would like to call Mr. Barry Benson Bee to the stand. ADAM: Good idea! You can really see why he's considered one of the best lawyers... (Barry stares at Adam) ...Yeah. LAWYER: Layton, you've gotta weave some magic with this jury, or it's gonna be all over. MONTGOMERY: Don't worry. The only thing I have to do to turn this jury around : is to remind them of what they don't like about bees. (To lawyer) - You got the tweezers? LAWYER: - Are you allergic? MONTGOMERY: Only to losing, son. Only to losing. : Mr. Benson Bee, I'll ask you what I think we'd all like to know. : What exactly is your relationship (Points to Vanessa) : to that woman? BARRY: We're friends. MONTGOMERY: - Good friends? BARRY: - Yes. MONTGOMERY: How good? Do you live together? ADAM: Wait a minute... : MONTGOMERY: Are you her little... : ...bedbug? (Adam's stinger starts vibrating. He is agitated) I've seen a bee documentary or two. From what I understand, : doesn't your queen give birth to all the bee children? BARRY: - Yeah, but... MONTGOMERY: (Pointing at Janet and Martin) - So those aren't your real parents! JANET: - Oh, Barry... BARRY: - Yes, they are! ADAM: Hold me back! (Vanessa tries to hold Adam back. He wants to sting Montgomery) MONTGOMERY: You're an illegitimate bee, aren't you, Benson? ADAM: He's denouncing bees! MONTGOMERY: Don't y'all date your cousins? (Montgomery leans over on the jury stand and stares at Adam) VANESSA: - Objection! (Vanessa raises her hand to object but Adam gets free. He flies straight at Montgomery) =ADAM: - I'm going to pincushion this guy! BARRY: Adam, don't! It's what he wants! (Adam stings Montgomery in the butt and he starts thrashing around) MONTGOMERY: Oh, I'm hit!! : Oh, lordy, I am hit! JUDGE BUMBLETON: (Banging gavel) Order! Order! MONTGOMERY: (Overreacting) The venom! The venom is coursing through my veins! : I have been felled by a winged beast of destruction! : You see? You can't treat them like equals! They're striped savages! : Stinging's the only thing they know! It's their way! BARRY: - Adam, stay with me. ADAM: - I can't feel my legs. MONTGOMERY: (Overreacting and throwing his body around the room) What angel of mercy will come forward to suck the poison : from my heaving buttocks? JUDGE BUMLBETON: I will have order in this court. Order! : Order, please! (Flash forward in time and we see a human news reporter) NEWS REPORTER: The case of the honeybees versus the human race : took a pointed turn against the bees : yesterday when one of their legal team stung Layton T. Montgomery. (Adam is laying in a hospital bed and Barry flies in to see him) BARRY: - Hey, buddy. ADAM: - Hey. BARRY: - Is there much pain? ADAM: - Yeah. : I... : I blew the whole case, didn't I? BARRY: It doesn't matter. What matters is you're alive. You could have died. ADAM: I'd be better off dead. Look at me. (A small plastic sword is replaced as Adam's stinger) They got it from the cafeteria downstairs, in a tuna sandwich. : Look, there's a little celery still on it. (Flicks off the celery and sighs) BARRY: What was it like to sting someone? ADAM: I can't explain it. It was all... : All adrenaline and then... and then ecstasy! BARRY: ...All right. ADAM: You think it was all a trap? BARRY: Of course. I'm sorry. I flew us right into this. : What were we thinking? Look at us. We're just a couple of bugs in this world. ADAM: What will the humans do to us if they win? BARRY: I don't know. ADAM: I hear they put the roaches in motels. That doesn't sound so bad. BARRY: Adam, they check in, but they don't check out! ADAM: Oh, my. (Coughs) Could you get a nurse to close that window? BARRY: - Why? ADAM: - The smoke. (We can see that two humans are smoking cigarettes outside) : Bees don't smoke. BARRY: Right. Bees don't smoke. : Bees don't smoke! But some bees are smoking. : That's it! That's our case! ADAM: It is? It's not over? BARRY: Get dressed. I've gotta go somewhere. : Get back to the court and stall. Stall any way you can. (Flash forward in time and Adam is making a paper boat in the courtroom) ADAM: And assuming you've done step 29 correctly, you're ready for the tub! (We see that the jury have each made their own paper boats after being taught how by Adam. They all look confused) JUDGE BUMBLETON: Mr. Flayman. ADAM: Yes? Yes, Your Honor! JUDGE BUMBLETON: Where is the rest of your team? ADAM: (Continues stalling) Well, Your Honor, it's interesting. : Bees are trained to fly haphazardly, : and as a result, we don't make very good time. : I actually heard a funny story about... MONTGOMERY: Your Honor, haven't these ridiculous bugs : taken up enough of this court's valuable time? : How much longer will we allow these absurd shenanigans to go on? : They have presented no compelling evidence to support their charges : against my clients, who run legitimate businesses. : I move for a complete dismissal of this entire case! JUDGE BUMBLETON: Mr. Flayman, I'm afraid I'm going : to have to consider Mr. Montgomery's motion. ADAM: But you can't! We have a terrific case. MONTGOMERY: Where is your proof? Where is the evidence? : Show me the smoking gun! BARRY: (Barry flies in through the door) Hold it, Your Honor! You want a smoking gun? : Here is your smoking gun. (Vanessa walks in holding a bee smoker. She sets it down on the Judge's podium) JUDGE BUMBLETON: What is that? BARRY: It's a bee smoker! MONTGOMERY: (Picks up smoker) What, this? This harmless little contraption? : This couldn't hurt a fly, let alone a bee. (Montgomery accidentally fires it at the bees in the crowd and they faint and cough) (Dozens of reporters start taking pictures of the suffering bees) BARRY: Look at what has happened : to bees who have never been asked, "Smoking or non?" : Is this what nature intended for us? : To be forcibly addicted to smoke machines : and man-made wooden slat work camps? : Living out our lives as honey slaves to the white man? (Barry points to the honey industry owners. One of them is an African American so he awkwardly separates himself from the others) LAWYER: - What are we gonna do? - He's playing the species card. BARRY: Ladies and gentlemen, please, free these bees! ADAM AND VANESSA: Free the bees! Free the bees! BEES IN CROWD: Free the bees! HUMAN JURY: Free the bees! Free the bees! JUDGE BUMBLETON: The court finds in favor of the bees! BARRY: Vanessa, we won! VANESSA: I knew you could do it! High-five! (Vanessa hits Barry hard because her hand is too big) : Sorry. BARRY: (Overjoyed) I'm OK! You know what this means? : All the honey will finally belong to the bees. : Now we won't have to work so hard all the time. MONTGOMERY: This is an unholy perversion of the balance of nature, Benson. : You'll regret this. (Montgomery leaves and Barry goes outside the courtroom. Several reporters start asking Barry questions) REPORTER 1#: Barry, how much honey is out there? BARRY: All right. One at a time. REPORTER 2#: Barry, who are you wearing? BARRY: My sweater is Ralph Lauren, and I have no pants. (Barry flies outside with the paparazzi and Adam and Vanessa stay back) ADAM: (To Vanessa) - What if Montgomery's right? Vanessa: - What do you mean? ADAM: We've been living the bee way a long time, 27 million years. (Flash forward in time and Barry is talking to a man) BUSINESS MAN: Congratulations on your victory. What will you demand as a settlement? BARRY: First, we'll demand a complete shutdown of all bee work camps. (As Barry is talking we see a montage of men putting "closed" tape over the work camps and freeing the bees in the crappy apartments) Then we want back the honey that was ours to begin with, : every last drop. (Men in suits are pushing all the honey of the aisle and into carts) We demand an end to the glorification of the bear as anything more (We see a statue of a bear-shaped honey container being pulled down by bees) than a filthy, smelly, bad-breath stink machine. : We're all aware of what they do in the woods. (We see Winnie the Pooh sharing his honey with Piglet in the cross-hairs of a high-tech sniper rifle) BARRY: (Looking through binoculars) Wait for my signal. : Take him out. (Winnie gets hit by a tranquilizer dart and dramatically falls off the log he was standing on, his tongue hanging out. Piglet looks at Pooh in fear and the Sniper takes the honey.) SNIPER: He'll have nausea for a few hours, then he'll be fine. (Flash forward in time) BARRY: And we will no longer tolerate bee-negative nicknames... (Mr. Sting is sitting at home until he is taken out of his house by the men in suits) STING: But it's just a prance-about stage name! BARRY: ...unnecessary inclusion of honey in bogus health products : and la-dee-da human tea-time snack garnishments. (An old lady is mixing honey into her tea but suddenly men in suits smash her face down on the table and take the honey) OLD LADY: Can't breathe. (A honey truck pulls up to Barry's hive) WORKER: Bring it in, boys! : Hold it right there! Good. : Tap it. (Tons of honey is being pumped into the hive's storage) BEE WORKER 1#: (Honey overflows from the cup) Mr. Buzzwell, we just passed three cups, and there's gallons more coming! : - I think we need to shut down! =BEE WORKER #2= - Shut down? We've never shut down. : Shut down honey production! DEAN BUZZWELL: Stop making honey! (The bees all leave their stations. Two bees run into a room and they put the keys into a machine) Turn your key, sir! (Two worker bees dramatically turn their keys, which opens the button which they press, shutting down the honey-making machines. This is the first time this has ever happened) BEE: ...What do we do now? (Flash forward in time and a Bee is about to jump into a pool full of honey) Cannonball! (The bee gets stuck in the honey and we get a short montage of Bees leaving work) (We see the Pollen Jocks flying but one of them gets a call on his antenna) LOU LU DUVA: (Through "phone") We're shutting honey production! : Mission abort. POLLEN JOCK #1: Aborting pollination and nectar detail. Returning to base. (The Pollen Jocks fly back to the hive) (We get a time lapse of Central Park slowly wilting away as the bees all relax) BARRY: Adam, you wouldn't believe how much honey was out there. ADAM: Oh, yeah? BARRY: What's going on? Where is everybody? (The entire street is deserted) : - Are they out celebrating? ADAM: - They're home. : They don't know what to do. Laying out, sleeping in. : I heard your Uncle Carl was on his way to San Antonio with a cricket. BARRY: At least we got our honey back. ADAM: Sometimes I think, so what if humans liked our honey? Who wouldn't? : It's the greatest thing in the world! I was excited to be part of making it. : This was my new desk. This was my new job. I wanted to do it really well. : And now... : Now I can't. (Flash forward in time and Barry is talking to Vanessa) BARRY: I don't understand why they're not happy. : I thought their lives would be better! : They're doing nothing. It's amazing. Honey really changes people. VANESSA: You don't have any idea what's going on, do you? BARRY: - What did you want to show me? (Vanessa takes Barry to the rooftop where they first had coffee and points to her store) VANESSA: - This. (Points at her flowers. They are all grey and wilting) BARRY: What happened here? VANESSA: That is not the half of it. (Small flash forward in time and Vanessa and Barry are on the roof of her store and she points to Central Park) (We see that Central Park is no longer green and colorful, rather it is grey, brown, and dead-like. It is very depressing to look at) BARRY: Oh, no. Oh, my. : They're all wilting. VANESSA: Doesn't look very good, does it? BARRY: No. VANESSA: And whose fault do you think that is? BARRY: You know, I'm gonna guess bees. VANESSA== (Staring at Barry) Bees? BARRY: Specifically, me. : I didn't think bees not needing to make honey would affect all these things. VANESSA: It's not just flowers. Fruits, vegetables, they all need bees. BARRY: That's our whole SAT test right there. VANESSA: Take away produce, that affects the entire animal kingdom. : And then, of course... BARRY: The human species? : So if there's no more pollination, : it could all just go south here, couldn't it? VANESSA: I know this is also partly my fault. BARRY: How about a suicide pact? VANESSA: How do we do it? BARRY: - I'll sting you, you step on me. VANESSA: - That just kills you twice. BARRY: Right, right. VANESSA: Listen, Barry... sorry, but I gotta get going. (Vanessa leaves) BARRY: (To himself) I had to open my mouth and talk. : Vanessa? : Vanessa? Why are you leaving? Where are you going? (Vanessa is getting into a taxi) VANESSA: To the final Tournament of Roses parade in Pasadena. : They've moved it to this weekend because all the flowers are dying. : It's the last chance I'll ever have to see it. BARRY: Vanessa, I just wanna say I'm sorry. I never meant it to turn out like this. VANESSA: I know. Me neither. (The taxi starts to drive away) BARRY: Tournament of Roses. Roses can't do sports. : Wait a minute. Roses. Roses? : Roses! : Vanessa! (Barry flies after the Taxi) VANESSA: Roses?! : Barry? (Barry is flying outside the window of the taxi) BARRY: - Roses are flowers! VANESSA: - Yes, they are. BARRY: Flowers, bees, pollen! VANESSA: I know. That's why this is the last parade. BARRY: Maybe not. Could you ask him to slow down? VANESSA: Could you slow down? (The taxi driver screeches to a stop and Barry keeps flying forward) : Barry! (Barry flies back to the window) BARRY: OK, I made a huge mistake. This is a total disaster, all my fault. VANESSA: Yes, it kind of is. BARRY: I've ruined the planet. I wanted to help you : with the flower shop. I've made it worse. VANESSA: Actually, it's completely closed down. BARRY: I thought maybe you were remodeling. : But I have another idea, and it's greater than my previous ideas combined. VANESSA: I don't want to hear it! BARRY: All right, they have the roses, the roses have the pollen. : I know every bee, plant and flower bud in this park. : All we gotta do is get what they've got back here with what we've got. : - Bees. VANESSA: - Park. BARRY: - Pollen! VANESSA: - Flowers. BARRY: - Re-pollination! VANESSA: - Across the nation! : Tournament of Roses, Pasadena, California. : They've got nothing but flowers, floats and cotton candy. : Security will be tight. BARRY: I have an idea. (Flash forward in time. Vanessa is about to board a plane which has all the Roses on board. VANESSA: Vanessa Bloome, FTD. (Holds out badge) : Official floral business. It's real. SECURITY GUARD: Sorry, ma'am. Nice brooch. =VANESSA== Thank you. It was a gift. (Barry is revealed to be hiding inside the brooch) (Flash back in time and Barry and Vanessa are discussing their plan) BARRY: Once inside, we just pick the right float. VANESSA: How about The Princess and the Pea? : I could be the princess, and you could be the pea! BARRY: Yes, I got it. : - Where should I sit? GUARD: - What are you? BARRY: - I believe I'm the pea. GUARD: - The pea? VANESSA: It goes under the mattresses. GUARD: - Not in this fairy tale, sweetheart. - I'm getting the marshal. VANESSA: You do that! This whole parade is a fiasco! : Let's see what this baby'll do. (Vanessa drives the float through traffic) GUARD: Hey, what are you doing?! BARRY== Then all we do is blend in with traffic... : ...without arousing suspicion. : Once at the airport, there's no stopping us. (Flash forward in time and Barry and Vanessa are about to get on a plane) SECURITY GUARD: Stop! Security. : - You and your insect pack your float? VANESSA: - Yes. SECURITY GUARD: Has it been in your possession the entire time? VANESSA: - Yes. SECURITY GUARD: Would you remove your shoes? (To Barry) - Remove your stinger. BARRY: - It's part of me. SECURITY GUARD: I know. Just having some fun. Enjoy your flight. (Barry plotting with Vanessa) BARRY: Then if we're lucky, we'll have just enough pollen to do the job. (Flash forward in time and Barry and Vanessa are flying on the plane) Can you believe how lucky we are? We have just enough pollen to do the job! VANESSA: I think this is gonna work. BARRY: It's got to work. CAPTAIN SCOTT: (On intercom) Attention, passengers, this is Captain Scott. : We have a bit of bad weather in New York. : It looks like we'll experience a couple hours delay. VANESSA: Barry, these are cut flowers with no water. They'll never make it. BARRY: I gotta get up there and talk to them. VANESSA== Be careful. (Barry flies right outside the cockpit door) BARRY: Can I get help with the Sky Mall magazine? I'd like to order the talking inflatable nose and ear hair trimmer. (The flight attendant opens the door and walks out and Barry flies into the cockpit unseen) BARRY: Captain, I'm in a real situation. CAPTAIN SCOTT: - What'd you say, Hal? CO-PILOT HAL: - Nothing. (Scott notices Barry and freaks out) CAPTAIN SCOTT: Bee! BARRY: No,no,no, Don't freak out! My entire species... (Captain Scott gets out of his seat and tries to suck Barry into a handheld vacuum) HAL: (To Scott) What are you doing? (Barry lands on Hals hair but Scott sees him. He tries to suck up Barry but instead he sucks up Hals toupee) CAPTAIN SCOTT: Uh-oh. BARRY: - Wait a minute! I'm an attorney! HAL: (Hal doesn't know Barry is on his head) - Who's an attorney? CAPTAIN SCOTT: Don't move. (Scott hits Hal in the face with the vacuum in an attempt to hit Barry. Hal is knocked out and he falls on the life raft button which launches an infalatable boat into Scott, who gets knocked out and falls to the floor. They are both uncounscious.) BARRY: (To himself) Oh, Barry. BARRY: (On intercom, with a Southern accent) Good afternoon, passengers. This is your captain. : Would a Miss Vanessa Bloome in 24B please report to the cockpit? (Vanessa looks confused) (Normal accent) ...And please hurry! (Vanessa opens the door and sees the life raft and the uncounscious pilots) VANESSA: What happened here? BARRY: I tried to talk to them, but then there was a DustBuster, a toupee, a life raft exploded. : Now one's bald, one's in a boat, and they're both unconscious! VANESSA: ...Is that another bee joke? BARRY: - No! : No one's flying the plane! BUD DITCHWATER: (Through radio on plane) This is JFK control tower, Flight 356. What's your status? VANESSA: This is Vanessa Bloome. I'm a florist from New York. BUD: Where's the pilot? VANESSA: He's unconscious, and so is the copilot. BUD: Not good. Does anyone onboard have flight experience? BARRY: As a matter of fact, there is. BUD: - Who's that? BARRY: - Barry Benson. BUD: From the honey trial?! Oh, great. BARRY: Vanessa, this is nothing more than a big metal bee. : It's got giant wings, huge engines. VANESSA: I can't fly a plane. BARRY: - Why not? Isn't John Travolta a pilot? VANESSA: - Yes. BARRY: How hard could it be? (Vanessa sits down and flies for a little bit but we see lightning clouds outside the window) VANESSA: Wait, Barry! We're headed into some lightning. (An ominous lightning storm looms in front of the plane) (We are now watching the Bee News) BOB BUMBLE: This is Bob Bumble. We have some late-breaking news from JFK Airport, : where a suspenseful scene is developing. : Barry Benson, fresh from his legal victory... ADAM: That's Barry! BOB BUMBLE: ...is attempting to land a plane, loaded with people, flowers : and an incapacitated flight crew. JANET, MARTIN, UNCLE CAR AND ADAM: Flowers?! (The scene switches to the human news) REPORTER: (Talking with Bob Bumble) We have a storm in the area and two individuals at the controls : with absolutely no flight experience. BOB BUMBLE: Just a minute. There's a bee on that plane. BUD: I'm quite familiar with Mr. Benson and his no-account compadres. : They've done enough damage. REPORTER: But isn't he your only hope? BUD: Technically, a bee shouldn't be able to fly at all. : Their wings are too small... BARRY: (Through radio) Haven't we heard this a million times? : "The surface area of the wings and body mass make no sense."... BOB BUMBLE: - Get this on the air! BEE: - Got it. BEE NEWS CREW: - Stand by. BEE NEWS CREW: - We're going live! BARRY: (Through radio on TV) ...The way we work may be a mystery to you. : Making honey takes a lot of bees doing a lot of small jobs. : But let me tell you about a small job. : If you do it well, it makes a big difference. : More than we realized. To us, to everyone. : That's why I want to get bees back to working together. : That's the bee way! We're not made of Jell-O. : We get behind a fellow. : - Black and yellow! BEES: - Hello! (The scene switches and Barry is teaching Vanessa how to fly) BARRY: Left, right, down, hover. VANESSA: - Hover? BARRY: - Forget hover. VANESSA: This isn't so hard. (Pretending to honk the horn) Beep-beep! Beep-beep! (A Lightning bolt hits the plane and autopilot turns off) Barry, what happened?! BARRY: Wait, I think we were on autopilot the whole time. VANESSA: - That may have been helping me. BARRY: - And now we're not! VANESSA: So it turns out I cannot fly a plane. (The plane plummets but we see Lou Lu Duva and the Pollen Jocks, along with multiple other bees flying towards the plane) Lou Lu DUva: All of you, let's get behind this fellow! Move it out! : Move out! (The scene switches back to Vanessa and Barry in the plane) BARRY: Our only chance is if I do what I'd do, you copy me with the wings of the plane! (Barry sticks out his arms like an airplane and flys in front of Vanessa's face) VANESSA: Don't have to yell. BARRY: I'm not yelling! We're in a lot of trouble. VANESSA: It's very hard to concentrate with that panicky tone in your voice! BARRY: It's not a tone. I'm panicking! VANESSA: I can't do this! (Barry slaps Vanessa) BARRY: Vanessa, pull yourself together. You have to snap out of it! VANESSA: (Slaps Barry) You snap out of it. BARRY: (Slaps Vanessa) : You snap out of it. VANESSA: - You snap out of it! BARRY: - You snap out of it! (We see that all the Pollen Jocks are flying under the plane) VANESSA: - You snap out of it! BARRY: - You snap out of it! VANESSA: - You snap out of it! BARRY: - You snap out of it! VANESSA: - Hold it! BARRY: - Why? Come on, it's my turn. VANESSA: How is the plane flying? (The plane is now safely flying) VANESSA: I don't know. (Barry's antennae rings like a phone. Barry picks up) BARRY: Hello? LOU LU DUVA: (Through "phone") Benson, got any flowers for a happy occasion in there? (All of the Pollen Jocks are carrying the plane) BARRY: The Pollen Jocks! : They do get behind a fellow. LOU LU DUVA: - Black and yellow. POLLEN JOCKS: - Hello. LOU LU DUVA: All right, let's drop this tin can on the blacktop. BARRY: Where? I can't see anything. Can you? VANESSA: No, nothing. It's all cloudy. : Come on. You got to think bee, Barry. BARRY: - Thinking bee. - Thinking bee. (On the runway there are millions of bees laying on their backs) BEES: Thinking bee! Thinking bee! Thinking bee! BARRY: Wait a minute. I think I'm feeling something. VANESSA: - What? BARRY: - I don't know. It's strong, pulling me. : Like a 27-million-year-old instinct. : Bring the nose down. BEES: Thinking bee! Thinking bee! Thinking bee! CONTROL TOWER OPERATOR: - What in the world is on the tarmac? BUD: - Get some lights on that! (It is revealed that all the bees are organized into a giant pulsating flower formation) BEES: Thinking bee! Thinking bee! Thinking bee! BARRY: - Vanessa, aim for the flower. VANESSA: - OK. BARRY: Out the engines. We're going in on bee power. Ready, boys? LOU LU DUVA: Affirmative! BARRY: Good. Good. Easy, now. That's it. : Land on that flower! : Ready? Full reverse! : Spin it around! (The plane's nose is pointed at a flower painted on a nearby plane) - Not that flower! The other one! VANESSA: - Which one? BARRY: - That flower. (The plane is now pointed at a fat guy in a flowered shirt. He freaks out and tries to take a picture of the plane) VANESSA: - I'm aiming at the flower! BARRY: That's a fat guy in a flowered shirt. I mean the giant pulsating flower made of millions of bees! (The plane hovers over the bee-flower) : Pull forward. Nose down. Tail up. : Rotate around it. VANESSA: - This is insane, Barry! BARRY: - This's the only way I know how to fly. BUD: Am I koo-koo-kachoo, or is this plane flying in an insect-like pattern? (The plane is unrealistically hovering and spinning over the bee-flower) BARRY: Get your nose in there. Don't be afraid. Smell it. Full reverse! : Just drop it. Be a part of it. : Aim for the center! : Now drop it in! Drop it in, woman! : Come on, already. (The bees scatter and the plane safely lands) VANESSA: Barry, we did it! You taught me how to fly! BARRY: - Yes! (Vanessa is about to high-five Barry) No high-five! VANESSA: - Right. ADAM: Barry, it worked! Did you see the giant flower? BARRY: What giant flower? Where? Of course I saw the flower! That was genius! ADAM: - Thank you. BARRY: - But we're not done yet. : Listen, everyone! : This runway is covered with the last pollen : from the last flowers available anywhere on Earth. : That means this is our last chance. : We're the only ones who make honey, pollinate flowers and dress like this. : If we're gonna survive as a species, this is our moment! What do you say? : Are we going to be bees, or just Museum of Natural History keychains? BEES: We're bees! BEE WHO LIKES KEYCHAINS: Keychain! BARRY: Then follow me! Except Keychain. POLLEN JOCK #1: Hold on, Barry. Here. : You've earned this. BARRY: Yeah! : I'm a Pollen Jock! And it's a perfect fit. All I gotta do are the sleeves. (The Pollen Jocks throw Barry a nectar-collecting gun. Barry catches it) Oh, yeah. JANET: That's our Barry. (Barry and the Pollen Jocks get pollen from the flowers on the plane) (Flash forward in time and the Pollen Jocks are flying over NYC) : (Barry pollinates the flowers in Vanessa's shop and then heads to Central Park) BOY IN PARK: Mom! The bees are back! ADAM: (Putting on his Krelman hat) If anybody needs to make a call, now's the time. : I got a feeling we'll be working late tonight! (The bee honey factories are back up and running) (Meanwhile at Vanessa's shop) VANESSA: (To customer) Here's your change. Have a great afternoon! Can I help who's next? : Would you like some honey with that? It is bee-approved. Don't forget these. (There is a room in the shop where Barry does legal work for other animals. He is currently talking with a Cow) COW: Milk, cream, cheese, it's all me. And I don't see a nickel! : Sometimes I just feel like a piece of meat! BARRY: I had no idea. VANESSA: Barry, I'm sorry. Have you got a moment? BARRY: Would you excuse me? My mosquito associate will help you. MOOSEBLOOD: Sorry I'm late. COW: He's a lawyer too? MOOSEBLOOD: Ma'am, I was already a blood-sucking parasite. All I needed was a briefcase. VANESSA: Have a great afternoon! : Barry, I just got this huge tulip order, and I can't get them anywhere. BARRY: No problem, Vannie. Just leave it to me. VANESSA: You're a lifesaver, Barry. Can I help who's next? BARRY: All right, scramble, jocks! It's time to fly. VANESSA: Thank you, Barry! (Ken walks by on the sidewalk and sees the "bee-approved honey" in Vanessa's shop) KEN: That bee is living my life!! ANDY: Let it go, Kenny. KEN: - When will this nightmare end?! ANDY: - Let it all go. BARRY: - Beautiful day to fly. POLLEN JOCK: - Sure is. BARRY: Between you and me, I was dying to get out of that office. (Barry recreates the scene near the beginning of the movie where he flies through the box kite. The movie fades to black and the credits being) [--after credits; No scene can be seen but the characters can be heard talking over the credits--] You have got to start thinking bee, my friend! : - Thinking bee! - Me? BARRY: (Talking over singer) Hold it. Let's just stop for a second. Hold it. : I'm sorry. I'm sorry, everyone. Can we stop here? SINGER: Oh, BarryBARRY: I'm not making a major life decision during a production number! SINGER: All right. Take ten, everybody. Wrap it up, guys. BARRY: I had virtually no rehearsal for that. WELCOME TO NIGHTVALE.....
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chocotonez · 1 year
Text
skz sitting on your lap
a/n: ahhhh why didn’t I think of this </3 such a cute request!!
warnings/genre: fluff, gn reader but if anything implies otherwise pls let me know!! slightly suggestive in lee know’s, swearing
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chan
-likes to do it because you’re comfortable
-he gets all blushy and flustered so he just wants to be in your lap to calm down and relax
-rests his head against your shoulder like a big kangaroo baby
-likes when you play w his hair, but he’ll never explicitly say it, he just likes you nudge you with his head until you get the message
-puppycat chan whenever he gets to sit in your lap, gets all giggly and needy for your attention, he just wants u to gush over him and make him feel loved <33
-he’s actually so cute I’m sobbing
lee know
-does it more often when you’re making out or if he needs your attention
-slides smoothly into your lap like ;)), somewhat straddling you
-your lap is insanely practical for spontaneous makeout sessions, or if you’re concentrated on something other than him >:(
-please wrap your arms around his waist or neck when he’s sitting on your lap, facing you, he melts and he just gets so soft over you and he’s like “you’re so good to me”
-rests his head on your shoulder, and plays with your hair with his free hand while the other keeps him securely glued onto you
changbin
-im going to be fr I feel like he’d be insecure to sit in your lap
-“i don’t wanna crush you and like…u die or something” “I’ll die a happy person”
-but honestly he enjoys it a lot more than he expected, loves to jump on your lap while you’re sitting in the couch and makes you cradle him like a big baby LOL
-can be a touch annoying, he can get whiny if you don’t pay attention to him so he squirms around in your lap until he gets what he wants
-he just plops onto your lap, wrapping his arms around your neck like a sitting bridal style pose, and then “hey babe so about that thing I wanted…”
hyunjin
-does it just to relax
-more of a sitting bridal style type of person, and I know a bit irrelevant but he’s def a head in your lap type of guy
-likes to be in your arms while sitting on your lap, you on a couch or the bed just trying to do whatever you’re doing
-doesn’t really inherently initiate it for any particular reason, he just finds it a comfortable form of affection, and likes to look up at you and just admire all your features
-“hehe you’re so pretty” “you’ve been on my lap for forty minutes” “preeetttyyy :]”
han
-also does it when he’s overwhelmed or just wants to be in your arms
-pretty much just a big koala, face nuzzled into the crook of your neck, arms around your waist and legs tucked either behind or around you
-it’s usually very quiet and an intimate thing, maybe he’s exhausted from working too hard or he’s just had a rough day, you make him feel so safe
-might hum a little bit or ramble, but it usually leads to him falling asleep or just going into a groggy daze
-likes when you put your arms around him to bring him closer, being in that position makes him feel so secure
-ur like his personal bunch of lavender <333
felix
-does it when he’s nervous or anxious
-lowkey hides in your arms ?? like nuzzles his face into your shoulder or neck if someone’s teasing him and he’s blushing
-needs your arms around him, pretty much just a koala hug
-it’s comforting to know you’re there with him, and how secure you make him feel. likes to ramble about his day or rant in this position, because it always feels like it’s just the two of you.
-plays with your hair or once again, traces shapes on your back LMAO, but he’s less mean this time, maybe just a hexagon <3
-tends to fall asleep when he’s in your arms, leading you to have to drag him to the bed
seungmin
-p much does it to be annoying and to distract you
-jumps in your lap while giggling and poking your cheek, one arm around your neck to keep him up
-or he’ll have his back facing you, blocking the view of whatever you’re doing
-“hehe what’s this?” and you just sigh while he giggles like he’s the funniest man alive
-sometimes he stays there because he just realizes how nice it is, adjusts into a more comfortable position for both of you, but keeps asking to cuddle
-“this is cool but cuddling is better” “please let me finish my work”
-tries to play with your hair but usually just messes it up/tangles it, so he likes to make funny hairstyles while he’s at it LMAO
jeongin
-just does it because comfortable and yay!
-sits with his back facing you, your hands around his lap while he’s scrolling through his phone and smiling like :]
-has tried many times to reach behind him to show you something he saw on his phone and then dropping it on your face
-he usually only does it for short periods of time because he’d much rather be doing something else with you or cuddling while laying down
-has probably elbowed you multiple times while adjusting on your lap
-“hey babe, later can we-I’M SO SORRY” and he’s laughing but still apologizing profusely after elbowing you in your face LOL
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the-egg · 10 months
Text
So This is Love
Song Fic: So this is love - Ilene Woods, Mike Douglas
Miguel O'Hara x gn!reader
Summary: "you can fix him" except he fixes you too.
Tags: Mild cursing, trauma bonding, strangers to lovers, fluff
Words: 9.8k
Loving Miguel was the greatest choice your heart had ever made, and you swore your life on it. Normalcy was a temporary feeling for masked heroes, but, together with him, it bloomed to be everlasting. The sun to your moon. Together, you would learn to find peace.
Before being a part of the exhilarating world of Spider Society, you lived two lives. Two exhausting lives. During the day, you worked for the government as a public defense attorney. Long hours and a terrible work-life balance were your normal lifestyle. Then, two years ago, you were bitten by a radioactive spider that belonged to the same government you worked for. Since then, you’ve been the world’s one and only spider. The Spider, to be specific. You didn’t choose the name, much like how you didn’t choose to get bit, but at least you got to choose the suit! A shining white with silver webbed streaks across your chest. You preferred Spider-Moon or Moon-Spider as your name, but The Spider had already stuck. Much like how you were stuck patrolling the city at night, every night.
On this night in particular, nothing was out of the ordinary. You leaped from rooftop to rooftop, keeping a watchful eye on all the people you'd sworn to protect.
So, wouldn’t you believe your luck?
One day you were out patrolling in the late hours of the night when the full moon shined brighter than the street lights. While criminal activity was surprisingly low tonight, your senses kept you on guard. Scaling to the top of a building, you stood on the edge as you looked down below. Everyone was now just tiny ants. Tiny ants that were under your protection. There was one ant, though, that caught your eye—someone you couldn’t quite grasp whether you were supposed to protect or attack.
You peered down below, focusing on a dark alleyway that had begun to glow into a rather large hexagonal shape, a tall silhouette making its way through the light.
"Probably not a good guy," you said quietly to yourself, both hands on your hips, waiting ever so impatiently for this mystery to make an appearance.
===
"Hey, Miguel, check this out," Lyla called out from across the platform. "I found another good one for ya!"
The man in question sighed, not removing his eyes from a video of his latest anomaly capture. Despite his team's success, they still lacked in numbers. After discovering the vast concept of the multiverse, and learning from his catastrophic mistake, he needed to expand his team of spiders to keep the multiverse safe and in balance. Naturally, he couldn’t accept just anyone; he needed people he could trust not to abuse their power. People who could make the quick decision to save the lives of 100 people over the lives of one important person.
"If ‘good’ means recruiting another Spider-Plush, then I’m not interested," he replied, his tone flat. Lyla popped up next to Miguel with a smirk on her pixelated face.
"Aww, come on! Just take a peek!"
"No."
"This relationship isn’t gonna work if you’re not willing to compromise." Lyla crossed her arms to solidify her point, yet the smirk still remained.
Miguel’s eye twitched as he ran a hand over his mouth. When he said he wanted an AI with a smart mouth, he didn’t mean this. Nevertheless, it’s what he’s got, and she’s too important for Miguel to boss her around. He finally averted his eyes and looked at Lyla’s screen.
It wasn’t a Spider-Plush, which was a plus, but it wasn’t Peter Parker from the LEGO dimension, which was a minus.
The Spider
Earth 5863
"’The Spider’? That’s a stupid name," Miguel commented, crossing his arms.
"You know what I think is stupid?" Lyla said as she narrowed her eyes at the tall brood. The brood in question made a noise of disapproval. "The name ‘arachno-humanoid polymultiverse,’ but yeah, you know exactly what things sound stupid."
He turned his head to stare at Lyla, unsmiling and unblinking. The AI responded with a Cheshire smile. Taking a breath, Miguel turned his head to the screen.
All Canon Events Completed
Special Abilities…
The list droned on about the usual abilities that came with the title: enhanced speed, strength, hearing, agility, etc. Until the list came to one ability that wasn’t as common: shadow manipulation. No one else in the spider society had such an ability. This person could actually be useful.
"Lyla," Miguel commanded, "I need you to expand on this one. What can they do with this?" He pointed out the unusual ability on the list.
"Oh, so now you’re interested in who I have picked out? They can do, like, shadowy things." Lyla motioned with her hands as if imitating what a shadow was capable of. "Ya know, be one with the shadow? Kinda freaky how the atoms in their body can just go—poof! They can change their shape if they try really, really hard, though, but I wouldn’t rely on it."
Miguel had to hold back an eye roll at her unprofessionalism, but the information she provided always hit the mark.
Having The Spider on the team could be incredibly beneficial on stealth missions, especially since no one would expect them to be hiding in plain sight. Mission casualties could drop, and anomalies could be captured faster. For once in the ever-growing stress of Miguel’s life, he could feel the burden of maintaining the multiverse lighten on his shoulders. He just needed to recruit them and hope that you wouldn’t give him a hard time.
===
So this is love?
When you saw the 6’9”, absolutely stunning figure of someone walking through what you assumed to be a portal, you were wishing they weren’t a bad guy. The suit was mostly blue, save for the red lines outlining certain features of his body. Standing on the ledge, you observed as he looked at his surroundings, seemingly looking for something or someone.
Without even having to determine on your own whether they were a friend or foe (which, in your universe, anyone who had powers tended to be a foe), it hit you. The spider-sense. Connecting and flowing with a stranger you would come to realize wouldn’t be much of a stranger to you anymore.
They were like you. You weren’t alone anymore.
Feeling the same sensation, the stranger's head snapped up to see you.
===
When Miguel felt your presence, your connection, he quickly looked up to meet your gaze. As soon as his eyes saw you, his breath hitched. He felt his heart pound for a quick second before calming back down. Being taken aback by a new spider was never something that he did. Sure, the disappointment he felt when meeting Peter B. Parker was a notable first impression he had, but this wasn’t like that.
In the nearly pitch-black sky above him, you were glowing. The moon behind you gave you a soft white hue as the stars glimmered at your side. You controlled the night. Your confidence. Your power. You were in your element.
And he was about to pull you out of it.
"Moon-Spider would have been a better name," he thought to himself, quickly blinking so he could get back into his no-nonsense, super-serious mindset that everyone just loved so much. As quickly as he refocused, you had left your position at the top of the building, confusing Miguel only for a moment as you appeared in front of him. His eyes followed you as you materialized into the light of the streetlamp, holding his gaze.
"You’re like me!" you lilted, taking confident yet careful steps toward him. "Are you… from here?" You peered at him through your mask, taking careful note of his hands and feet in case he was ready to strike.
"I’m not,” the stranger replied, his voice sending a warm chill down your spine. 
“I figured. Well, I’m The Spider. You might have heard of me before, but I don’t think I’ve ever heard of you…” you trailed your words, hoping that this stranger would fill in and introduce himself. 
“I’m Spiderman, and I’m from a different dimension.” 
Your posture went slack as you cocked a brow at this wannabe Spider. He couldn’t see your expression, but it was the thought that counted. 
“If I wasn’t so tired right now, I would humor you, but last I checked, multiple dimensions haven’t been discovered. Besides, I haven’t heard of anyone talking about a Spiderman roaming the streets.”
The stranger sighed and pinched his brow before holding up his arm.
“You see this?” the man pointed at the watch on his wrist. “This device helps me travel throughout different dimensions. I’m from Earth 928, and this place is Earth 5863.”
“So that goober is supposedly transporting people into other dimensions?”
“Gizmo,” he corrected, “and it’s not just any people, it's Spider-people. People like us.”
Despite being skeptical about his story, you couldn’t deny that you felt the spider connection toward him. He couldn’t have been lying about that. 
“So, there’s more of you out there? More people like us?”
“Yes, I’m only one Spiderman out of the many we have back at headquarters.” 
You have to admit that it was shocking to know that multidimensional travel was possible, but to know that there were other spider people out there made your heart fill with glee. Being The Spider had taken a lot of sacrifices. Shoes that were only your size to fill. Having a friend in this could make those unbearable days bearable.
"Spiderman sounds better than The Spider. I’m jealous."
"That’s not the part you should be focusing on…"
"What? Is this whole visit to my dimension just business?"
Before he could finally get into his speech and proposition, an explosion was heard a few blocks over, followed by the sounds of several car alarms going off and the on-cue cat howling. Both heads snapped in the direction of the commotion before turning back toward one another. "Okay, now I have to go deal with my business." You pointed a thumb behind you as you started walking backward, away from him. "But I’ll be back in probably 5 to 10 minutes tops, so I’d love to hear all about this multiverse stuff when I come back!"
You didn’t wait for him to respond as you shot your webs out and swung away, leaving Miguel alone and a tad frustrated until-
"Hey," Lyla greeted as she popped up out of the fancy little gizmo, "You will never believe your timing! An anomaly has been reported here, and you’re already on the scene. Lucky you!" The sarcastic tone did nothing to bring Miguel joy, but he had a job to do nonetheless. He closed his watch and swung in your direction.
===
So this is what makes life divine?
Over a month had passed since your first interaction with Miguel and the rest of the spider society. To say you were overjoyed was an understatement. To say you were a bit overwhelmed was on point. Having this watch meant that you could finally form connections with people who understood you. They knew what it was like to live a double life. To feel like you couldn’t be friends with people knowing they only knew half of who you were.
They also knew what it was like to lose an uncle, but hey, who hadn’t here?
Despite this feeling of belonging, you felt uneven, unbalanced; it was like you were juggling three worlds. Your first life as a civilian involved dealing with caseloads on a day-to-day basis. Then, you go home in the evening to your second life: The Spider. Now, you’ve been convinced to take on a third: a member of the multidimensional spider society and one of Miguel’s best friends assets.
You were hesitant at first; your mind was muddled as he brought up this proposition while fighting your first anomaly in your dimension. Originally, you were against joining. Why would you spend your time fighting villains in other dimensions when you can already do that at home? That’s when he showed you his headquarters. Let’s just say you were more in it for the spider-people than you were for the crime-fighting, multiverse saving, and all that good heroic nobility.
This job came with a lot of sacrifice and your sleep schedule was gone to the wind, but at least you’re having fun! 
Multiple times a week, Miguel would send you off to fight anomalies, assist fellow spiders, and help him track and record dimensional disturbances. Solo missions became a rarity for you, something you only did back on Earth 5863. Now, you and Miguel would fight side by side with the occasional Jessica or Scarlet Spider.
Miguel was a bit of a brood; there was no doubt about it, but there were days when his face would drop and the hard lines around his face would soften. He was just like you—exhausted.
He’d make the perfect friend, and you were determined to make it happen!
Currently, you and Miguel are in another dimension. Another anomaly report. You’ve done this song and dance before.
Miguel would always go in head first. Let the anomaly think that there was only one spider there to stop them. You would blend in as best as you could, crawling from shadow to shadow and shooting out webs in the darkness to yank the anomaly in the direction of Miguel’s attack. As the song would come to an end, you’d make your appearance known when the villain of the week was a bit disoriented and weakened, and swiftly make a joint attack to knock them cold. The song was over. The two partners would bow and make their way to their next dance.
Today, though, you didn’t bow out.
"Hey," you called out as Miguel was about to make a portal, "let’s take a breather. It’s the last anomaly of the night, right?"
"I don’t have time for a breather," he denied, not even looking at you as he summoned a portal. "You did good today. Keep it up."
You frowned before quickly walking in front of him and placing your hand over his watch.
"You act like there are not around 100 people back at HQ who could easily take over for 5 minutes." You motioned over to the anomaly trapped and unconscious in the force field. "Besides, they’re not going anywhere anytime soon."
He didn’t say anything as he stared at you. Maybe he was death-glaring, but he was wearing a mask, so what you didn’t know couldn’t hurt you. Plus, you didn’t break eye contact. It was a battle of wits, and you weren’t one to back down.
"The answer is still no."
"I’ll quit the team right now."
"No, you won’t."
You gave him a pointed glare, your hand slowly tightening around his wrist. Let him call your bluff; see what happens. While you wouldn’t actually do it, you could tell he had a little quirk about letting Lyla boss him around.
He stayed silent as he gently took his wrist away from you and set a five-minute timer on his gizmo.
"5 minutes only," he agreed in defeat. You smiled at him. He couldn’t see the smile through the mask, but it was the effort that counted.
"Perfect! We’ll be back at HQ before you start to get homesick. Come on." You motioned with one hand as you shot a web onto the rooftop of a building with the other. He muttered something in Spanish that you couldn’t catch but reluctantly followed you onto the roof. Watching you as you sat on the edge with your legs dangling, he wondered why the hell he decided to listen to you. To let you drag him around as if you knew him like you were friends.
You knew nothing about him.
As the silence filled the air around you, he sat down next to you, giving himself a considerable amount of space. He heard you sigh as you took off your mask, allowing yourself to truly breathe after the day you'd had. He followed your motions. Despite his annoyance with your request, he wasn’t fully opposed to it. Throughout your short interactions together since you started working with him, he could tell that you shared more in common with him than he would have liked. You were constantly busy. If you weren’t patrolling the night or stopping an anomaly, you were contacting clients and reviewing dockets. Your brain was a lightbulb that was never shut off until it was so hot it could burst, so when you insisted that you both take a break, he knew you meant it. He knew you were asking if he could switch off your light and you to his.
Two heroes, unmasked, sat side by side, quietly watching the sun slowly rise in the cool air.
To him, it felt nice not having a marathon of thoughts in his head, and he was glad he wasn’t alone. At the thought of your presence next to his, he turned his head and—
His thoughts came to a halt.
Even with the sun slowly making its presence known above the horizon, he could have sworn the moon was still shining right next to him. As much as he hated to admit it, he thought you were absolutely stunning.
He cleared his throat, catching your attention as you averted your gaze from the sun.
"Did you pick the name The Spider?" he asked, his voice quiet as if any louder would break the peace. You hummed as a smile grew on your lips.
"Nope," you denied, shaking your head slowly as the exhaustion crept up on you. "I would never pick a name that had the word ‘the’ in it, but it’s not like I could get a say in it."
"We don’t get a choice in any of it. The title and the powers."
"Yup." Your eyes went downcast, unfortunately being reminded of what awaited you back in your dimension. The unbearable responsibility. The sleepless nights. Now wasn’t the time to think about stress and work, though. You looked back up at Miguel. "Why do you ask?"
He shrugged, silently shutting off the timer before it reached its end.
"I always thought Moon-Spider suited you better."
===
I’m all aglow.
It was Saturday on Earth 5863, or midday to be more specific. Despite the rest of the world already up and tackling the day, your life as the masked hero didn’t end until 4 A.M. Unfortunately, it didn’t matter how tired you were because your body refused to be dormant past 11 in the morning. You groaned, burying your head in your hands, trying to comprehend why your body wouldn’t just rest. As much as you’d like to sink in and become one with your bed all day, your social battery was empty, and so was your stomach. Your sleep was going to have to wait.
During the week, you didn’t have much time to get yourself a proper lunch, mainly just a quickly made sandwich or salad that you’d have to chow down on during a quick lunch break. This made it a struggle to really treat yourself, but you knew just the treat you’d like today.
After stretching your aching muscles, you slid out of bed and got ready for a trip through the multiverse.
===
You walked through the doors of HQ, adorning your suit without the mask and greeting every Spider as you briskly made your way to the cafeteria.
"Hey, Jess," you greeted, catching her eye as she walked in the opposite direction. "Is Miguel in his office?"
"Yup, he’s been there all night. Are you gonna go and bother him?"
"Not today, I might feed him, though. Maybe water him and give him some sunshine while I’m at it."
Jess giggled, committing to the bit, "Well, the kitchen just made a fresh batch of empanadas if you wanna give him some fertilizer."
You hummed happily with her as you carried on down the hall, desperately rubbing the sleep out of your eyes. Aside from getting a small box of empanadas, you learned that their hamburgers were now made with buns that looked like Miguel’s mask.
"It’s probably a courtesy to that nice ass," you thought to yourself. Although you would never voice that thought out loud, Miguel was handsome; he was most definitely your type, and you knew that from the moment you met him. The way he acted, though, seemed so defensive, like he couldn’t trust anyone. While you enjoyed your regular rooftop breaks with him, you couldn’t help but want more.
On the other hand, Miguel didn’t know what he needed from you; he just liked it when you were near him. Whether you guys were fighting or sitting in silence. When he was with you, he felt like he had permission to loosen up a bit. Although he would never voice that thought out loud, the last thing he needed was to feel an attachment to someone who wasn’t his…
Nevertheless, one box of empanadas and two Miguel burgers later, you were off to his office.
When you arrived, Miguel was staring off into the multitude of screens around him on his platform. You knocked on the frame of the threshold before webbing yourself up onto the platform. He turned his head in your presence.
"Morning," he greeted, his tired eyes shifting back to the screens.
"Afternoon," you corrected, emphasizing the time difference. "Long night?"
This time, Miguel turned his whole body toward you, leaning back against the desk to give you his full attention. At this angle, you could see the eyebags forming on his face.
"You have no idea."
You shrugged, your own eyes just as exhausted as his.
"Try me," you encouraged as you tossed him an empanada. "Was it Hobie again?"
"It’s always Hobie!" he exclaimed as he threw his hands up in frustration, catching the empanada in the process. "Two weeks into this, and he’s managed to get sidetracked from his missions 10 times! Instead of going after the anomaly, he went after the corporate head of some phone company. Can you believe him?"
You nodded as he continued his rant but looked around the platform for a good place to set your lunch. Eyeing a small swivel chair near Miguel, you put the food there before leaning back against the desk. The ranting man continued his complaint, but you could practically see the stress rolling off his shoulders as his posture relaxed. You never really minded being a listening ear for him, especially when he let you both have a moment to relax after the pressure of it all. It was a silent, yet mutual, agreement between you and him. To rest together. To be just a bit normal together. Even if it’s the small things like having a quick lunch or taking a somewhat silent break that always lasted more than five minutes.
"I swear if he blows a hole into the multiverse next week... I don’t even know what I’m going to do," Miguel concluded, absolutely exasperated as he pinched the bridge of his nose. He took a deep breath before looking up at you, wanting to shine the spotlight on you. "That’s my life, I guess. What’s been going on with you? You look tired."
You took a bite of your burger before responding, "More or less than usual?"
"More."
"Damn. Well, before I start, I have a question."
"Shoot."
"Are there any universes where Doc Ock is MD rather than Ph.D.?"
"There might be a few, why?" Miguel cocked his brow at you.
"Because now I have to find a new physician." Hearing your news, Miguel’s eyes went wide as he leaned in a bit closer.
"Your physician was Doc Ock?" Miguel asked as his voice raised an octave.
"Doc fucking Ock," you confirmed, putting emphasis on the added middle name. "I had a fight with her the night before my appointment and finally caught her the next day." You finished off your burger and tossed your trash dramatically into the bin next to you. Miguel had a small smile on his face, finding your suffering just as amusing as you found his.
"How did you not catch on that your doctor was Dr. Octavius? It’s in the name!"
"She went by her married name!" you defended yourself with a smile on your face before sighing. "We’re too tired for this shit."
"Now, that I can agree with." On cue, Miguel yawned.
"At least I’m not as tired as you."
"Doubt it. Have you seen yourself?"
"Have you?" You leaned forward. "It’s like you’re moving in slow motion over there."
Miguel just scoffed, not believing your accusation.
"Yeah, sure," he agreed, with sarcasm dripping from his tone.
"It doesn’t matter anyway. Just eat your burger already; it’s probably cold now."
You motioned to the food still sitting on the chair next to him. Without turning to look, he reached a hand over to grab his lunch, confident in his aim. You watched, without a single bit of energy left to move, as he missed and hit the chair. Miguel turned to look, just as unmoving as you, and watched as the chair rolled off the high platform.
Both of you peeked your heads over to watch its descent. You turned to look at Miguel.
“So are you going to catch it or…?” you trailed as you looked back down to the swiftly descending meal. Miguel blinked once, then twice. 
“Oh shit–”
It was too late. The chair and delicious food landed with a loud clatter on the ground far below.
The two of you look at the wreckage. Neither of you said anything. Neither of you even thought to web the chair as it made its descent; you were too tired to realize that you guys had the ability to stop it and simply accepted fate.
Slowly, you both turned to each other. You had to put a fist to your mouth, trying to stop the rolling laughter bubbling inside of you.
"Don’t laugh," Miguel threatened, pointing a finger at you, but seeing you try and hold it in caused a smile to bloom on his face. "It’s not funny."
"But you—" You quickly put a hand back over your mouth to stop a laugh— "I'm sorry." You laughed again before shaking your head. "You’re right, that’s not funny. It’s actually very… sad." Your lip quivered as you tried your hardest not to upset him by laughing again despite seeing the smile on his face.
Miguel turned to look back at his lunch. The top bun with his mask was resting on an exploded empanada. The urge to laugh began bubbling inside of him, but he refused to give in. He wasn’t the kind of guy to laugh at silly little things.
You followed his gaze and pointed at the bun.
"Imagine being that guy," you said, your voice breaking. He couldn’t hold it in anymore, and neither could you. Both of you started giggling quietly, gradually growing into full laughter. Miguel couldn’t tell if it was because you both were so utterly exhausted, but to him, this was the hardest he had ever laughed since he lost his daughter, and you didn’t have a clue. Neither of you could stop gasping for air, and you had to place a hand on his arm to stabilize yourself. He placed a hand on your shoulder so you two wouldn’t topple over, leaning close to you as the laughter kept rolling out.
As the humor died down and your eyes met his, the smiles on your faces continued to bloom. No matter how extraordinary the circumstances of this situation, for a moment, you two felt something you hadn’t felt in a long time: normal.
===
And now I know.
Something wasn’t right today. For once, your workload was light, and your patrol was more of a peaceful midnight walk. When it came to your third, most preferable life, you knew there had been a shift. You were sent on a mission with a different group of spiders, Miguel not being one of them. Then, when you went back to HQ, no one had seen Miguel. Some spiders had joked that he had finally taken a day off, but you knew better than that. The only time he seemed to ever take a break was when he was forced to, and not even Peter B. knew where he was!
The only information you could get out of Peter was,
"Today is not a good day for him," Peter grimaced. "It’s probably best to let him be."
"Why? What happened?" you questioned as your brows furrowed.
"It’s not my place to say, bud. Sorry!"
You weren’t going to press Peter further, already gathering that whatever had happened was a sensitive topic to discuss, but there was one thing you knew for sure. Miguel was alone. More importantly, Miguel struggled to take care of himself mentally and socially, and he struggled even more to admit that to anyone.
Despite worrying that you may be overstepping your boundaries with him, you went into his empty office and asked Lyla to track him down for you. Again, you were met with resistance.
"I dunno if I should tell you," Lyla cautioned, shrugging her shoulders at you. "He told me not to tell anyone where he was going."
"And how often do you actually listen to his requests?" you argued, noting a serious change in Lyla’s tone. "I’d like to make sure Miguel is okay. He’s my friend."
Lyla cocked a brow at you, knowing full well how "friendly" you and Miguel seem to act around one another. Taking breaks to watch the sunrise and sunset while sitting less than a foot apart. Joking around with one another whenever the moment aroused. Grabbing a meal when you stopped by his office. Yeah, these were totally activities that Miguel does when he’s "just friends" with someone. She’s seen the looks you two give each other. Whether you realized it or not, you guys didn’t like each other just as friends. Not only that, but in the six months you had been here, there had been a change in the atmosphere around HQ. Miguel was smiling more, you were happier, and missions ran more smoothly with you two as a team.
So, fuck it. Miguel can yell at Lyla later if this all goes wrong.
"Fine," Lyla groaned, despite believing that sending you to Miguel was a good move. "Good luck."
===
Miguel sat on the rooftop of an Earth that wasn’t his own. The sun was on the cusp of setting as warm orange and pink colors slowly made an appearance in the darkening sky. He refused to meddle in this world, not even going down onto the streets to interact with anyone. Instead, he sat on the rooftop alone in his thoughts as he watched the people live their normal lives down below. Doing this made him feel alone, like an outcast undeserving of the simple pleasures life had to offer. In his mind, this feeling was what he deserved; the joy of simplicity wasn’t a concept he could keep in his life. For him, he needed this reminder of how he should feel after what he had done.
The sound of a portal opening could be heard behind him. Miguel immediately tensed; no one should be here. He turned his head, already glaring at the person who dared to track him down today. Unfortunately, it was you. His glare softened. No. No. NO. You could not be here. You can’t be here. Especially today…
You stood there silently, your mask off and your hands fidgeting, as you looked at him with your kind eyes. Even without words, you could practically feel the tension radiating off of him, but you could also see the look in his eyes. He was scared. Nervous even. You had to tread carefully. He was your friend, but there was still so much you didn’t know about him.
"I don’t know what you’re going through, Miguel," you started, your voice a touch quieter, "but I’m here for you."
He turned his head away from you, unable to tell you to go away. He wanted you here with him, but—
"I don’t deserve it," Miguel finally said, his voice level matching your own. You took his voice as a reason to move closer, sitting next to him on the rooftop.
"What don’t you deserve?"
"This." He motioned between the two of you. "I don’t deserve to have this kind of peace."
"Why?" Your eyes pleaded for an answer, knowing that he had the right to not tell you anything yet silently begging for him to open up to you. He didn’t answer as he continued to look down upon the crowds of people walking on the street, a hard expression glazing over his face. He was too nervous to admit to you what he had done in fear that you would leave after knowing how selfish he once was. You reached out one more time, placing a hand on his shoulder. At the warm contact, Miguel turned to look at you again. "Please," you begged. "You can be vulnerable with me, I promise."
He searched your eyes for a sliver of regret, an instance of a fruitless promise, but he found nothing. Sighing, he placed a hand over your own, his eyes finding security in yours.
"Understand that I regret what I’ve done, and the actions I took are inexcusable."
You nodded.
"I’m here for you," you reassured, trying to quell the tension choking the air around you two. Miguel squeezed your hand before you pulled away.
He told you everything.
What he did. When he did. Why he did it.
Your heart cracked inside your chest. It yearned to reach out and hold him. To tell him that it wasn’t his fault. That he couldn’t have known the consequences of breaking canon. This tragedy had become the driving force behind all that he did within the Spider Society. He’s exhausted because he felt he didn’t deserve to rest knowing he put the lives of an entire reality six feet under, including his daughter. The daughter that wasn’t really his. The daughter, the family, that he so desperately craved but felt he could never achieve in his own time.
Instead of an embrace, you told him everything that was running through your mind. You knew that his self-deprecating mindset was not something you could fix in this conversation, but you could push him in the right direction. Encourage him to go to one of the many therapists back at HQ, help take some of the blame off his shoulders, and remind him that he deserves and will find his own happiness and normalcy in his own life. In his own reality.
Miguel listened to every word you had to say, taking it more into consideration than he would have if it were someone else. As he continued to sit close to you, listening to your sweet voice, he felt his heart swell before realizing he was in deep trouble.
He was in love with you.
===
The key to all heaven is mine.
This mission was a shitshow.
Three Green Goblins, all from different dimensions, combined forces to try and carry out their mission here in your dimension. Even with Miguel’s help, you struggled to do your song and dance, and once your position was revealed way too early, you had to call for backup.
It was barely enough.
Jess and Peter B. were an enormous help, but the anomalies were too erratic with their movements; their lack of coordination, unfortunately, proved to be a solid strategy against the spiders. Miguel told everyone to split up and try to drag the Green Goblins away from one another, so you quickly got the attention of one and tried to maneuver them away. With your abilities, you normally relied on stealth to carry you through a mission; unfortunately, you were forced to face this villain head-on. Jessica was handling the one on the left, while Miguel and Peter were farther down the street.
It hurt like hell. You had been knocked into a building one too many times for your liking, but honestly, your pride was more bruised than your body. Thankfully, your little shadow disappearing act came in handy, allowing you to web your green fucker up nicely between two tall buildings. Admiring your handiwork for a mere second, you had to act fast and trap him before assisting the others.
"Watch out!" Miguel screamed from down the block, his voice practically vibrating the space around you. Quickly, you turned around as you saw a large shadow loom over your head, far too close for your liking. It was a semi.
Son of a—
===
Miguel watched from afar as the semi-truck crashed directly where you stood with a chilling crunch. His heart dropped to the bottom of his chest, and his eyes were fixed on the crash site.
He didn’t see you leave on time.
At that moment, something crushed inside of him; the adrenaline in his body pumped faster, and the ringing in his ears grew louder. His mind had forgotten about the mission. He couldn’t, not when you were...
He needed to get to you now. His senses slowly came back to him, but the weight in his chest still hung heavy.
"Fuck!" he cried, swinging to your location as fast as he could, not hesitating to start dragging the semi with all of his strength. Jessica and Peter came to assist as soon as they captured their anomalies; they couldn’t waste a second knowing that their teammate had been hurt, or worse.
Together, they pulled the semi away to reveal nothing.
You weren’t there.
Miguel was frantic. His eyes scanned the surrounding area, looking for a trace of your white suit. Still nothing. He called your name. His vision was blurred. He couldn’t find you anywhere. He didn’t know what to do. He couldn’t even think. He called your name again.
Jess placed a hand on Miguel’s shoulder. He tensed at the contact.
"You keep searching for them. Peter and I will take care of the anomalies. Breathe, Miguel," she urged, trying to soothe the man who was losing himself in the depths of his mind. Her words meant nothing to him, not when he couldn’t even think straight. Despite his scattered mind, his eyes caught something—the white that had brought him so much comfort these past several months.
There, under the shadow of the semi, you emerged, a little roughed up but otherwise fine. You were alive.
"I’m sorry," you panted as you took off your mask. "Even in the shadows, I couldn’t find a way out from under the—"
He didn’t let you finish.
Moving quickly toward you, he took off his mask and pulled you tight against him. Arms wound around you in a tender, shaking embrace. He pressed his chest up against yours, desperate to feel your heartbeat and to give him more assurance that you were alive.
"Miguel?" you spoke, your voice soft as you were unable to do anything but hold him. "I’m sorry, did I scare you? I didn’t have time to swing out, so I had to go under." You pulled back slightly, feeling resistance from Miguel’s hold on you. Noticing the tears building up in his eyes that were looking through you, you placed a hand on his cheek. "Hey," you consoled, bringing him back to the present. "I’m okay."
Finally, he met your eyes fully, taking a couple controlled deep breaths like he had been practicing in the therapy sessions you urged him to go to. His hand came up to grasp the one on his cheek. He never wanted to go through this feeling again. He never wanted to let you go.
"Yeah…" he trailed, "I’m sorry I—" he sighed—"I didn’t mean to overreact like this. It’s just—"
"No," you asserted, not allowing him to downplay his emotions. "You didn’t overreact. I would have done the same thing if this had happened to you. Please don’t apologize." He hummed at your words, a small smile growing on his face. Turning his head, he kissed the inside of your palm; your heart fluttered at the contact.
"Cariño, you’re too good for me."
You smiled, your face heating up at his sudden affection. This man made your heart swoon over the simplest of things, and you made his heart go crazy. You both wanted more from each other, but you knew it was going to take time. It was going to take healing. As long as he continued to hold you with such tenderness and love that you could not compare, you knew you wouldn’t mind the wait. For now, though, you two would go back to HQ, side by side, and continue to save the multiverse.
You’ve waited this long to find someone you can be at peace with; a little more time wouldn’t hurt anybody.
===
My heart has wings.
And I can fly.
Exhausted couldn’t even begin to describe the state that you were in. The juggling act you had been doing for about a year now had started toppling over. Your work had gotten sloppy; you were constantly missing your targets on missions and somehow portaling to the wrong dimensions. The worst was when you nearly showed up late to a trial at work. Despite teetering on the edge of insanity, you still willed yourself to go to HQ, as you craved the comfort your friends could provide simply by talking to you. Even if it was during a mission.
This mission in particular was your breaking point.
It was just you and Miguel. The two of you were in a dimension you couldn’t remember the name of while fighting the next villain of the week. The sun was still shining brightly out on a Sunday afternoon, and it seemed like this earth was having a peaceful day until a comic book Prowler came crashing in.
The usual song and dance were done, and the Prowler was contained and ready for the Go-Home-Machine. There were a few minor flukes along the way, like missing a couple of webs and not having enough energy to stay inside a shadow for very long. All of which Miguel lightly scolded you for, but you found it to be more out of concern for your well-being than out of anger.
Unfortunately, you couldn’t take a nice, long break. There wasn’t a time in your life when you could relax for hours on end or do nothing for a whole weekend. There were always some tasks you had to do: grocery shopping, night patrolling, taking your car to the shop, missions, cases, house cleaning, laundry, and the list goes on and on and on. It was ruthless and never-ending.
"It’s still pretty early," Miguel noted as he picked up the unconscious Prowler. "How about we grab some lunch when we head back?" You weren’t focused on him, though.
The fight had taken place at a nature center with beautiful forestry and vast trails throughout the area. Your enhanced senses picked up on someone in the distance in the parking lot.
You.
A version of you who was getting out of the same car you drove. Eyebags were nonexistent. Your body glowed and radiated with energy and joy. It was like looking at the sun. There you were, happy, content, and normal, hanging out with friends on a Sunday afternoon in a nature center. You held no secrets about a double life. No hint of exhaustion. There is no looming worry about upcoming stress.
This version of you was living the life you dreamed of while you lived like this. Not living one life, but three.
Your eyes grew wet as your breathing slowed. All this suffering. All this exhaustion. What was it all for? You couldn’t tear your eyes away from yourself.
"Hey!" Miguel called out, noticing your lack of response. "Are you all right?" You couldn’t hear him. While you were wearing your mask, he recognized the symptoms and noticed your labored breathing. "Cariño—" he said, placing his free hand around your shoulder—"regresa a mí." He followed your gaze and saw what had shut you down. His heart sank. He knew all too well how you were feeling. "Let’s go."
Gently, he guided you back through the portal, dropping you off at his office for a quick moment while he took care of the anomaly. You sat on his new, non-swivel chair and stared at the multitude of holographic monitors showcasing all around HQ. All these different Spider-people, laughing and communicating as if they’ve gotten a good night's rest, as if they can guarantee one square meal a day. What were you doing wrong?
You bit the inside of your cheek as the envy bubbled within you.
Why did you have to get bitten?
A warm hand on your shoulder halted your thoughts. You turned your head to see Miguel standing over you, his eyes holding an empathy that could make you melt if you weren’t tipping over the edge of your mentality.
"I’m sorry," you murmured, taking a breath. "I shouldn’t have reacted like that in front of civilians. It wasn’t very professional of me." Allowing yourself to embrace his comfort, you placed your hand over his. In return, he grabbed your hand and kneeled in front of you.
"I know we joke about our terrible work-life balance, but I’d rather see you happy and healthy than make jokes about your misery." You managed a small smile.
"Being funny is my charm. The misery comes with it."
"But having you in my life is a charm I never want to lose," he argued, not wanting to feed into your humor. "I know how much seeing something like this can hurt you, so please talk to me."
You trusted Miguel with your life, so you opened a part of your heart to him. A part that buried your burdens with each passing second because you worked for others and not yourself. The part that people hide from others to give the impression that they had their whole lives life together. Because if you didn’t, then you were incapable. Then you weren’t strong enough. Then, you weren’t worthy of a title you didn’t ask for but would still die on a hill defending the name.
You were incapable of living three lives, yet didn’t you just start out with one? What happened to that one?
Avoiding his gaze, you looked down at your interconnected hands. Unable to look at him without shedding tears, you flooded him with three different worlds. Your worlds.
He rubbed small circles into the palm of your hand, mesmerized by the weight of your hand against his. He wished he could hold it forever. How he wished he could take away the pain that was destined to fall on you. The feeling of your hands intertwined was one that he wished would take root and grow—a touch that was fairly unfamiliar to him yet one that he found himself craving desperately. Without a complaint, he absorbed every word you spoke like a sponge, knowing full well how you had dropped everything to do the same to him, his heart aching at every self-deprecating comment you made.
He understood where you were coming from. The worthlessness you felt as you wondered what it was that you were doing wrong. He also knew now that it's harder to see the ocean when you’re the one drowning in it. It was going to take time, just like how he was learning to forgive himself, but he’d help you through your struggles the same way you did with him: by providing patience, care, and normalcy.
When you eventually came to the end of your stressed ramble, he watched you take a shaky breath before he placed his hand on your cheek.
"I know you’ve already told me this once, but you deserve to be happy in your own life, and you will find it. You’re not weak for wanting to take on less responsibility or for wanting to be normal." He wiped a stray tear that was falling down your cheek, noticing the buildup of tears glazing over your eyes. "You and I both know that what you’re doing isn’t manageable, but I want you to know that I am here for you. I… I want us to be as normal as we can be as Spider-people, and we can do it together, okay?
The tears bundled in the corners of your eyes flowed freely down the wet tracks on your face. Trying desperately to take a breath—a breath meant to calm you and help clear your head—got caught in your throat.
You sobbed.
You sobbed like you had just lost your uncle, like you did when the captain of the police force (one of your closest friends) died. You sobbed like you did after a month of being Moon-Spider, except now you weren’t alone.
Miguel wrapped his arms around you and pulled you down to join him on the platform, on stable ground, as he rubbed your back and let you have your long-overdue breakdown. Though your mind was scattered, your heart was set here with Miguel. No matter what, being your dimension’s masked hero was a title you would hold with pride, and you refused to hang your cape even if it killed you. Yet not all your lives revolved around the mask.
When Miguel calmed you, he reluctantly said his goodbyes as you insisted on going back to your own dimension. You weren’t going to sit here anymore and cry; with a newfound freedom, you went home.
You took on no new clients.
Finished your cases.
And quit.
===
I’ll touch every star in the sky.
So this is the miracle,
Everyone had their own nickname in the Spider Society. After a year of being members, you and Miguel were crowned the "work spouses." It started off as a joke.
"Hey, your work husband is mad again. Do you mind talking to him, please?"
"Miguel! Where did your work spouse run off to now?"
Now, it wasn’t really a joke. After everything you two had done for one another, how could someone not fall in love?
===
That I’ve been dreaming of.
"Break?" Miguel offered after the now-paralyzed anomaly was safely captured. You agreed, stretching your arms above your head to look at the sky. Despite it being around six in the morning, it had begun to lighten up. Together, you picked out the highest rooftop you could find and swung up to take your usual five(ish) minute break. Side by side, you sat, enjoying each other’s company and having idle chit-chat.
For once, this break wasn’t a desperate attempt to switch off a light bulb that’s been shining for far too long. After quitting your job over a month ago, life became much more bearable. There was still a long road ahead to unstick the pessimistic mindset you had grown comfortable with, but being able to breathe without the resistance of stress on your shoulders outweighed the costs. You were still missing something, though: peace. A type of peace that was so close to you that you could hold its hand. A type of peace that was so handsome that sometimes you found yourself blushing. You wanted that peace, and peace wanted you. It wasn’t enough to be friends with it anymore.
"Miguel?" you said softly, moving your hand to press up against his. "Can I ask you something?"
Miguel placed his hand on top of yours.
"Sure."
You took a moment before responding.
"What am I to you?"
His hand practically froze on top of yours as he turned to look at you, the gears turning in his head.
"We’re… friends."
You scoffed, but there was no malice behind it and gestured at your hand intertwined with his.
"Do you really call this ‘friends’?"
"Okay. Close friends."
"Miguel."
Nervous about the confrontation, he stood up abruptly and headed toward the unconscious anomaly, ready to head back to HQ.
"I don’t think we should mess with what we have now," he lied straight through his teeth, not wanting to look at you in fear he would fold. You stood up after him, slightly shocked at his response but not wanting this conversation to run away.
"Am I just a work spouse to you?"
"Now you know that you are more than that to me," Miguel scolded as he turned and pointed a finger at you, upset that you would think such a thing.
"Then why don’t you want to show me? Treat me the way I want to treat you? I don’t want to keep acting like this knowing that I love—"
"Fuck, I’m scared!" His voice raised slightly as he cut you off, his heart pounding at your near confession. You froze, recognizing the look in his eyes, but still pushed to ask:
"Why? What makes you so scared to be with me?"
"How every time I start feeling excited about my future, how I start feeling excited with you, it goes terribly wrong. I’m scared it's all going to crumble. No quiero perderte, amor. If something bad happens to you, I just— It would be my fault!"
His words sat in the air. This behavior was familiar. It was the same ocean, just a different person drowning.
"And if you were to get hurt…" you cautioned as you carefully chose your words, not wanting this to become an argument, "…would it be my fault?" Miguel opened his mouth, but you refused to let your words go unsaid. "If I were to feel loved and safe with you, would it be my fault or yours? You can’t control the actions of others, Miguel, but you can control yourself and how you respond to others." You sighed as you gazed at him with those worried eyes he loved so much. "Miguel I thought you were working on this," you said, referring to the therapy sessions he had taken in the past.
"I have—chingado—lo siento!" He cursed, trying to remedy the situation. "I swear I’ve been. It’s just… I love being with you, but I’m worried that if you get too close, you’ll get hurt. Having that normal life, it feels unnatural to me."
"In the year I’ve known you, I have never gotten hurt because of something you've done," you refuted, refusing to let him compare this situation to what had happened with his daughter. You walked closer to him and reached out to hold his hands. "I understand why you’re nervous, but this is different. We are different. It’s your own happiness. It’s your own life, and it hurts watching you try and punish yourself for living it. You’re not a bad person, Miguel."
Unable to form words of his own, he pulled your intertwined hands toward him and wrapped his arms around you, burying his face in the crook of your neck.
"You don’t understand how good you are to me," he sighed as he embraced your comfort. You move your arms around him, allowing yourself to sit in this temporary peace for a moment. When you felt he was calm, you spoke again.
"Do you feel ready to be in a relationship right now?"
He was hesitant to answer, but when his head was above the water, he knew denying it would be self-sabotage.
"Only if it’s with you."
Your face heated up; you were constantly at the mercy of Miguel O’Hara’s words.
"We can take things slow. It’s not like I have much experience with relationships either, you know? So, if there’s anything you ever wanna do or try, just ask. Just stay with me, and I’ll stay with you."
Miguel hummed, and you could feel a smile forming on his lips in the crook of your neck. Slowly, he moved his head to face you, leaving a mere few inches between you two.
"Can I kiss you?" With your breath now hitched, all you could do was nod before he closed the gap. It was short, sweet, and addicting. He held you tight around your waist, and in return, you moved your arms around his neck, pulling him in. When you broke apart, who could blame you when you leaned back in for another? Another? Okay, maybe just one more, but you promised it was the last.
Miguel chuckled, finding it in himself to pull away and open his eyes to you. Your pupils were dilated, and your lips were slightly swollen; you were electrifying. He had the urge to finish what he started right there on the rooftop, but you didn’t deserve some quick sex in a random dimension. He’d have to settle with just this for now. Leaning back in, he trailed his lips along your jawline, stopping to leave little pecks along the way. Pecks on your cheek, your nose, your forehead—anywhere he could reach without letting you go.
You couldn’t stop giggling, the light trail of his lips tickling your face. Your heart bloomed with a love for him that could last forever. He leaned away and gazed at you with loving eyes, taking in every little feature that made you who you are. The shape of your lips and how they fit perfectly between his. The curve of your nose as you dragged it across his jaw. The look in your eyes as you looked at him with a love that’s meant only for him.
The sun began peaking over the horizon, shining behind Miguel in blooming shades of yellow and orange. He was so beautiful; his vulnerability and care warmed your soul. He shined a light on your life and helped you learn to grow and to continue to grow together.
Your sun.
From his view, the dark shades of pink, purple, and blue colored the sky. The glittering stars only illuminated your presence in front of him. So pretty, so handsome. You were so perfectly flawed. To hold his heart so gently in fear that someone might come and hurt it. Not you, though; never you.
His moon.
To him, you provided the peace he needed to come to terms with. Someone to help ground him in the quiet hours of the night and show him that comfort was a calm feeling he should indulge in.
Fuck, you were just so—
"I..." he trailed, his throat closing in a nervous tremor. You hummed, urging him to continue as you trailed your fingers up to cup his face in your palms. "I want to be normal with you. Te amo, cariño."
You grinned, the corners of your eyes crinkling.
"I love you," you lilted, giving him another quick peck. "Let’s go be normal together."
So this is love.
{Hope you guys liked it! It's my first try at an x reader. I had two people check over my Spanish, but if there's something that's not right, please let me know!!}
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top-secret-replier · 2 months
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Yellow, black. Yellow, black. Yellow, black. Yellow, black. : Ooh, black and yellow! Let's shake it up a little. JANET BENSON: Barry! Breakfast is ready! BARRY: Coming! : Hang on a second. (Barry uses his antenna like a phone) : Hello? ADAM FLAYMAN: (Through phone) - Barry? BARRY: - Adam? ADAM: - Can you believe this is happening? BARRY: - I can't. I'll pick you up. (Barry flies down the stairs) : MARTIN BENSON: Looking sharp. JANET: Use the stairs. Your father paid good money for those. BARRY: Sorry. I'm excited. MARTIN: Here's the graduate. We're very proud of you, son. : A perfect report card, all B's. JANET: Very proud. (Rubs Barry's hair) BARRY= Ma! I got a thing going here. JANET: - You got lint on your fuzz. BARRY: -
Ow! That's me! JANET: - Wave to us! We'll be in row 118,000. - Bye! (Barry flies out the door) JANET: Barry, I told you, stop flying in the house! (Barry drives through the hive,and is waved at by Adam who is reading a newspaper) BARRY== - Hey, Adam. ADAM: - Hey, Barry. (Adam gets in Barry's car) : - Is that fuzz gel? BARRY: - A little. Special day, graduation. ADAM: Never thought I'd make it. (Barry pulls away from the house and continues driving) BARRY: Three days grade school, three days high school... ADAM: Those were awkward. BARRY: Three days college. I'm glad I took a day and hitchhiked around the hive. ADAM== You did come back different. (Barry and Adam pass by Artie, who is jogging) ARTIE: - Hi, Barry! BARRY: - Artie, growing a mustache? Looks good. ADAM: - Hear about Frankie? BARRY: - Yeah. ADAM== - You going to the funeral? BARRY: - No, I'm not going to his funeral. : Everybody knows, sting someone, you die. : Don't waste it on a squirrel. Such a hothead. ADAM: I guess he could have just gotten out of the way. (The car does a barrel roll on the loop-shaped bridge and lands on the highway) : I love this incorporating an amusement park into our regular day. BARRY: I guess that's why they say we don't need vacations. (Barry parallel parks the car and together they fly over the graduating students) Boy, quite a bit of pomp... under the circumstances. (Barry and Adam sit down and put on their hats) : - Well, Adam, today we are men. ADAM: - We are! BARRY= - Bee-men. =ADAM= - Amen! BARRY AND ADAM: Hallelujah! (Barry and Adam both have a happy spasm)
ANNOUNCER: Students, faculty, distinguished bees, : please welcome Dean Buzzwell. DEAN BUZZWELL: Welcome, New Hive Oity graduating class of... : ...9: : That concludes our ceremonies. : And begins your career at Honex Industries! ADAM: Will we pick our job today? (Adam and Barry get into a tour bus) BARRY= I heard it's just orientation. (Tour buses rise out of the ground and the students are automatically loaded into the buses) TOUR GUIDE: Heads up! Here we go. ANNOUNCER: Keep your hands and antennas inside the tram at all times. BARRY: - Wonder what it'll be like? ADAM: - A little scary. TOUR GUIDE== Welcome to Honex, a division of Honesco : and a part of the Hexagon Group. Barry: This is it! BARRY AND ADAM: Wow. BARRY: Wow. (The bus drives down a road an on either side are the Bee's massive complicated Honey-making machines) TOUR GUIDE: We know that you, as a bee, have worked your whole life : to get to the point where you can work for your whole life. : Honey begins when our valiant Pollen Jocks bring the nectar to the hive. : Our top-secret formula : is automatically color-corrected, scent-adjusted and bubble-contoured : into this soothing sweet syrup : with its distinctive golden glow you know as... EVERYONE ON BUS: Honey! (The guide has been collecting honey into a bottle and she throws it into the crowd on the bus and it is caught by a girl in the back) ADAM: - That girl was hot. BARRY: - She's my cousin! ADAM== - She is? BARRY: - Yes, we're all cousins. ADAM: - Right. You're right. TOUR GUIDE: - At Honex, we constantly strive : to improve every aspect of bee existence. : These bees are stress-testing a new helmet technology. (The bus passes by a Bee wearing a helmet who is being smashed into the ground with fly-swatters, newspapers and boots. He lifts a thumbs up but you can hear him groan) : ADAM== - What do you think he makes? BARRY: - Not enough. TOUR GUIDE: Here we have our latest advancement, the Krelman. (They pass by a turning wheel with Bees standing on pegs, who are each wearing a finger-shaped hat) Barry: - Wow, What does that do? TOUR GUIDE: - Catches that little strand of honey : that hangs after you pour it. Saves us millions. ADAM: (Intrigued) Can anyone work on the Krelman? TOUR GUIDE: Of course. Most bee jobs are small ones. But bees know that every small job, if it's done well, means a lot. : But choose carefully : because you'll stay in the job you pick for the rest of your life. (Everyone claps except for Barry) BARRY: The same job the rest of your life? I didn't know that. ADAM: What's the difference? TOUR GUIDE: You'll be happy to know that bees, as a species, haven't had one day off : in 27 million years.
BARRY: (Upset) So you'll just work us to death? : We'll sure try. (Everyone on the bus laughs except Barry. Barry and Adam are walking back home together) ADAM: Wow! That blew my mind! BARRY: "What's the difference?" How can you say that? : One job forever? That's an insane choice to have to make. ADAM: I'm relieved. Now we only have to make one decision in life. BARRY: But, Adam, how could they never have told us that? ADAM: Why would you question anything? We're bees. : We're the most perfectly functioning society on Earth. BARRY: You ever think maybe things work a little too well here? ADAM: Like what? Give me one example. (Barry and Adam stop walking and it is revealed to the audience that hundreds of cars are speeding by and narrowly missing them in perfect unison) BARRY: I don't know. But you know what I'm talking about. ANNOUNCER: Please clear the gate. Royal Nectar Force on approach. BARRY: Wait a second. Check it out. (The Pollen jocks fly in, circle around and landing in line) : - Hey, those are Pollen Jocks!
ADAM: - Wow. : I've never seen them this close. BARRY: They know what it's like outside the hive. ADAM: Yeah, but some don't come back. GIRL BEES: - Hey, Jocks! - Hi, Jocks! (The Pollen Jocks hook up their backpacks to machines that pump the nectar to trucks, which drive away) LOU LO DUVA: You guys did great! : You're monsters! You're sky freaks! I love it! (Punching the Pollen Jocks in joy) I love it! ADAM: - I wonder where they were. BARRY: - I don't know. : Their day's not planned. : Outside the hive, flying who knows where, doing who knows what. : You can't just decide to be a Pollen Jock. You have to be bred for that. ADAM== Right. (Barry and Adam are covered in some pollen that floated off of the Pollen Jocks) BARRY: Look at that. That's more pollen than you and I will see in a lifetime. ADAM: It's just a status symbol. Bees make too much of it. BARRY: Perhaps. Unless you're wearing it and the ladies see you wearing it. (Barry waves at 2 girls standing a little away from them) ADAM== Those ladies? Aren't they our cousins too? BARRY: Distant. Distant. POLLEN JOCK #1: Look at these two. POLLEN JOCK #2: - Couple of Hive Harrys. POLLEN JOCK #1: - Let's have fun with them. GIRL BEE #1: It must be dangerous being a Pollen Jock. BARRY: Yeah. Once a bear pinned me against a mushroom! : He had a paw on my throat, and with the other, he was slapping me! (Slaps Adam with his hand to represent his scenario) GIRL BEE #2: - Oh, my! BARRY: - I never thought I'd knock him out. GIRL BEE #1: (Looking at Adam) What were you doing during this? ADAM: Obviously I was trying to alert the authorities. BARRY: I can autograph that. (The pollen jocks walk up to Barry and Adam, they pretend that Barry and Adam really are pollen jocks.) POLLEN JOCK #1: A little gusty out there today, wasn't it, comrades? BARRY: Yeah. Gusty. POLLEN JOCK #1: We're hitting a sunflower patch six miles from here tomorrow. BARRY: - Six miles, huh? ADAM: - Barry! POLLEN JOCK #2: A puddle jump for us, but maybe you're not up for it. BARRY: - Maybe I am. ADAM: - You are not! POLLEN JOCK #1: We're going 0900 at J-Gate. : What do you think, buzzy-boy? Are you bee enough? BARRY: I might be. It all depends on what 0900 means. (The scene cuts to Barry looking out on the hive-city from his balcony at night) MARTIN: Hey, Honex! BARRY: Dad, you surprised me. MARTIN: You decide what you're interested in? BARRY: - Well, there's a lot of choices. - But you only get one. : Do you ever get bored doing the same job every day?
MARTIN: Son, let me tell you about stirring. : You grab that stick, and you just move it around, and you stir it around. : You get yourself into a rhythm. It's a beautiful thing. BARRY: You know, Dad, the more I think about it, : maybe the honey field just isn't right for me. MARTIN: You were thinking of what, making balloon animals? : That's a bad job for a guy with a stinger. : Janet, your son's not sure he wants to go into honey! JANET: - Barry, you are so funny sometimes. BARRY: - I'm not trying to be funny. MARTIN: You're not funny! You're going into honey. Our son, the stirrer! JANET: - You're gonna be a stirrer? BARRY: - No one's listening to me! MARTIN: Wait till you see the sticks I have. BARRY: I could say anything right now. I'm gonna get an ant tattoo! (Barry's parents don't listen to him and continue to ramble on) MARTIN: Let's open some honey and celebrate! BARRY: Maybe I'll pierce my thorax. Shave my antennae. : Shack up with a grasshopper. Get a gold tooth and call everybody "dawg"! JANET: I'm so proud. (The scene cuts to Barry and Adam waiting in line to get a job) ADAM: - We're starting work today! BARRY: - Today's the day. ADAM: Come on! All the good jobs will be gone. BARRY: Yeah, right. JOB LISTER: Pollen counting, stunt bee, pouring, stirrer, front desk, hair removal... BEE IN FRONT OF LINE: - Is it still available? JOB LISTER: - Hang on. Two left! : One of them's yours! Congratulations! Step to the side. ADAM: - What'd you get? BEE IN FRONT OF LINE: - Picking crud out. Stellar! (He walks away) ADAM: Wow! JOB LISTER: Couple of newbies? ADAM: Yes, sir! Our first day! We are ready! JOB LISTER: Make your choice. (Adam and Barry look up at the job board. There are hundreds of constantly changing panels that contain available or unavailable jobs. It looks very confusing) ADAM: - You want to go first? BARRY: - No, you go. ADAM: Oh, my. What's available? JOB LISTER: Restroom attendant's open, not for the reason you think. ADAM: - Any chance of getting the Krelman? JOB LISTER: - Sure, you're on. (Puts the Krelman finger-hat on Adam's head) (Suddenly the sign for Krelman closes out) : I'm sorry, the Krelman just closed out. (Takes Adam's hat off) Wax monkey's always open. ADAM: The Krelman opened up again. : What happened? JOB
LISTER: A bee died. Makes an opening. See? He's dead. Another dead one. : Deady. Deadified. Two more dead. : Dead from the neck up. Dead from the neck down. That's life! ADAM: Oh, this is so hard! (Barry remembers what the Pollen Jock offered him and he flies off) Heating, cooling, stunt bee, pourer, stirrer, : humming, inspector number seven, lint coordinator, stripe supervisor, : mite wrangler. Barry, what do you think I should... Barry? (Adam turns around and sees Barry flying away) : Barry! POLLEN JOCK: All right, we've got the sunflower patch in quadrant nine... ADAM: (Through phone) What happened to you? Where are you? BARRY: - I'm going out. ADAM: - Out? Out where? BARRY: - Out there. ADAM: - Oh, no! BARRY: I have to, before I go to work for the rest of my life. ADAM: You're gonna die! You're crazy! (Barry hangs up) Hello? POLLEN JOCK #2: Another call coming in. : If anyone's feeling brave, there's a Korean deli on 83rd : that gets their roses today. BARRY: Hey, guys. POLLEN JOCK #1 == - Look at that. POLLEN JOCK #2: - Isn't that the kid we saw yesterday? LOU LO DUVA: Hold it, son, flight deck's restricted. POLLEN JOCK #1: It's OK, Lou. We're gonna take him up. (Puts hand on Barry's shoulder) LOU LO DUVA: (To Barry) Really? Feeling lucky, are you? BEE WITH CLIPBOARD: (To Barry) Sign here, here. Just initial that. : - Thank you. LOU LO DUVA: - OK. : You got a rain advisory today, : and as you all know, bees cannot fly in rain. : So be careful. As always, watch your brooms, : hockey sticks, dogs, birds, bears and bats. : Also, I got a couple of reports of root beer being poured on us. : Murphy's in a home because of it, babbling like a cicada! BARRY: - That's awful. LOU LO DUVA: (Still talking through megaphone) - And a reminder for you rookies, : bee law number one, absolutely no talking to humans! : All right, launch positions! POLLEN JOCKS: (The Pollen Jocks run into formation) : Buzz, buzz, buzz, buzz! Buzz, buzz, buzz, buzz! Buzz, buzz, buzz, buzz! LOU LU
DUVA: Black and yellow! POLLEN JOCKS: Hello! POLLEN JOCK #1: (To Barry)You ready for this, hot shot? BARRY: Yeah. Yeah, bring it on. POLLEN JOCK's: Wind, check. : - Antennae, check. - Nectar pack, check. : - Wings, check. - Stinger, check. BARRY: Scared out of my shorts, check. LOU LO DUVA: OK, ladies, : let's move it out! : Pound those petunias, you striped stem-suckers! : All of you, drain those flowers! (The pollen jocks fly out of the hive) BARRY: Wow! I'm out! : I can't believe I'm out! : So blue. : I feel so fast and free! : Box kite! (Barry flies through the kite) : Wow! : Flowers! (A pollen jock puts on some high tech goggles that shows flowers similar to heat sink goggles.) POLLEN JOCK: This is Blue Leader. We have roses visual. : Bring it around 30 degrees and hold. : Roses! POLLEN JOCK #1: 30 degrees, roger. Bringing it around. : Stand to the side, kid. It's got a bit of a kick. (The pollen jock fires a high-tech gun at the flower, shooting tubes that suck up the nectar from the flower and collects it into a pouch on the gun) BARRY: That is one nectar collector! POLLEN JOCK #1== - Ever see pollination up close? BARRY: - No, sir. POLLEN JOCK #1: (Barry and the Pollen jock fly over the field, the pollen jock sprinkles pollen as he goes) : I pick up some pollen here, sprinkle it over here. Maybe a dash over there, : a pinch on that one. See that? It's a little bit of magic. BARRY: That's amazing. Why do we do that? POLLEN JOCK #1: That's pollen power. More pollen, more flowers, more nectar, more honey for us. BARRY: Cool. POLLEN JOCK #1: I'm picking up a lot of bright yellow. could be daisies. Don't we need those? POLLEN JOCK #2: Copy that visual. : Wait. One of these flowers seems to be on the move. POLLEN JOCK #1: Say again? You're reporting a moving flower? POLLEN JOCK #2: Affirmative. (The Pollen jocks land near the "flowers" which, to the audience are obviously just tennis balls) KEN: (In the distance) That was on the line! POLLEN JOCK #1: This is the coolest. What is it?
POLLEN JOCK #2: I don't know, but I'm loving this color. : It smells good. Not like a flower, but I like it. POLLEN JOCK #1: Yeah, fuzzy. (Sticks his hand on the ball but it gets stuck) POLLEN JOCK #3== Chemical-y. (The pollen jock finally gets his hand free from the tennis ball) POLLEN JOCK #1: Careful, guys. It's a little grabby. (The pollen jocks turn around and see Barry lying his entire body on top of one of the tennis balls) POLLEN JOCK #2: My sweet lord of bees! POLLEN JOCK #3: Candy-brain, get off there! POLLEN JOCK #1: (Pointing upwards) Problem! (A human hand reaches down and grabs the tennis ball that Barry is stuck to) BARRY: - Guys! POLLEN JOCK #2: - This could be bad. POLLEN JOCK #3: Affirmative. (Vanessa Bloome starts bouncing the tennis ball, not knowing Barry is stick to it) BARRY== Very close. : Gonna hurt. : Mama's little boy. (Barry is being hit back and forth by two humans playing tennis. He is still stuck to the ball) POLLEN JOCK #1: You are way out of position, rookie! KEN: Coming in at you like a MISSILE! (Barry flies past the pollen jocks, still stuck to the ball) BARRY: (In slow motion) Help me!
POLLEN JOCK #2: I don't think these are flowers. POLLEN JOCK #3: - Should we tell him? POLLEN JOCK #1: - I think he knows. BARRY: What is this?! KEN: Match point! : You can start packing up, honey, because you're about to EAT IT! (A pollen jock coughs which confused Ken and he hits the ball the wrong way with Barry stuck to it and it goes flying into the city) BARRY: Yowser! (Barry bounces around town and gets stuck in the engine of a car. He flies into the air conditioner and sees a bug that was frozen in there) BARRY: Ew, gross. (The man driving the car turns on the air conditioner which blows Barry into the car) GIRL IN CAR: There's a bee in the car! : - Do something! DAD DRIVING CAR: - I'm driving! BABY GIRL: (Waving at Barry) - Hi, bee. (Barry smiles and waves at the baby girl) GUY IN BACK OF CAR: - He's back here! : He's going to sting me! GIRL IN CAR: Nobody move. If you don't move, he won't sting you. Freeze! (Barry freezes as well, hovering in the middle of the car) : GRANDMA IN CAR== He blinked! (The grandma whips out some bee-spray and sprays everywhere in the car, climbing into the front seat, still trying to spray Barry) GIRL IN CAR: Spray him, Granny! DAD DRIVING THE CAR: What are you doing?! (Barry escapes the car through the air conditioner and is flying high above the ground, safe.) BARRY: Wow... the tension level out here is unbelievable. (Barry sees that storm clouds are gathering and he can see rain clouds moving into this direction) : I gotta get home. : Can't fly in rain. : Can't fly in rain. (A rain drop hits Barry and one of his wings is damaged) : Can't fly in rain. (A second rain drop hits Barry again and he spirals downwards) Mayday! Mayday! Bee going down! (WW2 plane sound effects are played as he plummets, and he crash-lands on a plant inside an apartment near the window) VANESSA BLOOME: Ken, could you close the window please?
KEN== Hey, check out my new resume. I made it into a fold-out brochure. : You see? (Folds brochure resume out) Folds out. (Ken closes the window, trapping Barry inside) BARRY: Oh, no. More humans. I don't need this. (Barry tries to fly away but smashes into the window and falls again) : What was that? (Barry keeps trying to fly out the window but he keeps being knocked back because the window is closed) Maybe this time. This time. This time. This time! This time! This... : Drapes! (Barry taps the glass. He doesn't understand what it is) That is diabolical. KEN: It's fantastic. It's got all my special skills, even my top-ten favorite movies. ANDY: What's number one? Star Wars? KEN: Nah, I don't go for that... (Ken makes finger guns and makes "pew pew pew" sounds and then stops) : ...kind of stuff. BARRY: No wonder we shouldn't talk to them. They're out of their minds. KEN: When I leave a job interview, they're flabbergasted, can't believe what I say. BARRY: (Looking at the light on the ceiling)
There's the sun. Maybe that's a way out. (Starts flying towards the lightbulb) : I don't remember the sun having a big 75 on it. (Barry hits the lightbulb and falls into the dip on the table that the humans are sitting at) KEN: I predicted global warming. : I could feel it getting hotter. At first I thought it was just me. (Andy dips a chip into the bowl and scoops up some dip with Barry on it and is about to put it in his mouth) : Wait! Stop! Bee! (Andy drops the chip with Barry in fear and backs away. All the humans freak out) : Stand back. These are winter boots. (Ken has winter boots on his hands and he is about to smash the bee but Vanessa saves him last second) VANESSA: Wait! : Don't kill him! (Vanessa puts Barry in a glass to protect him) KEN: You know I'm allergic to them! This thing could kill me! VANESSA: Why does his life have less value than yours? KEN: Why does his life have any less value than mine? Is that your statement? VANESSA: I'm just saying all life has value. You don't know what he's capable of feeling. (Vanessa picks up Ken's brochure and puts it under the glass so she can carry Barry back to the window. Barry looks at Vanessa in amazement) KEN: My brochure! VANESSA: There you go, little guy. (Vanessa opens the window and lets Barry out but Barry stays back and is still shocked that a human saved his life) KEN: I'm not scared of him. It's an allergic thing. VANESSA: Put that on your resume brochure. KEN: My whole face could puff up. ANDY: Make it one of your special skills. KEN: Knocking someone out is also a special skill. (Ken walks to the door) Right. Bye, Vanessa. Thanks. : - Vanessa, next week? Yogurt night? VANESSA: - Sure, Ken. You know, whatever. : (Vanessa tries to close door) KEN== - You could put carob chips on there. VANESSA: - Bye. (Closes door but Ken opens it again) KEN: - Supposed to be less calories. VANESSA: - Bye. (Closes door) (Fast forward to the next day, Barry is still inside the house. He flies into the kitchen where Vanessa is doing dishes)
BARRY== (Talking to himself) I gotta say something. : She saved my life. I gotta say something. : All right, here it goes. (Turns back) Nah. : What would I say? : I could really get in trouble. : It's a bee law. You're not supposed to talk to a human. : I can't believe I'm doing this. : I've got to. (Barry disguises himself as a character on a food can as Vanessa walks by again) : Oh, I can't do it. Come on! : No. Yes. No. : Do it. I can't. : How should I start it? (Barry strikes a pose and wiggles his eyebrows) "You like jazz?" No, that's no good. (Vanessa is about to walk past Barry) Here she comes! Speak, you fool! : ...Hi! (Vanessa gasps and drops the dishes in fright and notices Barry on the counter) : I'm sorry. VANESSA: - You're talking. BARRY: - Yes, I know. VANESSA: (Pointing at Barry) You're talking! BARRY: I'm so sorry. VANESSA: No, it's OK. It's fine. I know I'm dreaming. : But I don't recall going to bed. BARRY: Well, I'm sure this is very disconcerting. VANESSA: This is a bit of a surprise to me. I mean, you're a bee! BARRY: I am. And I'm not supposed to be doing this, (Pointing to the living room where Ken tried to kill him last night) but they were all trying to kill me. : And if it wasn't for you... : I had to thank you. It's just how I was raised. (Vanessa stabs her hand with a fork to test whether she's dreaming or not) : That was a little weird. VANESSA: - I'm talking with a bee. BARRY: - Yeah. VANESSA: I'm talking to a bee. And the bee is talking to me! BARRY: I just want to say I'm grateful. I'll leave now. (Barry turns to leave) VANESSA: - Wait! How did you learn to do that? BARRY: (Flying back) - What? VANESSA: The talking...thing. BARRY: Same way you did, I guess. "Mama, Dada, honey." You pick it up. VANESSA: - That's very funny. BARRY: - Yeah. : Bees are funny. If we didn't laugh, we'd cry with what we have to deal with. : Anyway... VANESSA: Can I... : ...get you something? BARRY: - Like what? VANESSA: I don't know. I mean... I don't know. Coffee? BARRY: I don't want to put you out. VANESSA: It's no trouble. It takes two minutes. : - It's just coffee. BARRY: - I hate to impose. (Vanessa starts making coffee) VANESSA: - Don't be ridiculous! BARRY: - Actually, I would love a cup. VANESSA: Hey, you want rum cake? BARRY: - I shouldn't. VANESSA: - Have some. BARRY: - No, I can't. VANESSA: - Come on! BARRY: I'm trying to lose a couple micrograms. VANESSA: - Where? BARRY: - These stripes don't help.
VANESSA: You look great! BARRY: I don't know if you know anything about fashion. : Are you all right? VANESSA: (Pouring coffee on the floor and missing the cup completely) No. (Flash forward in time. Barry and Vanessa are sitting together at a table on top of the apartment building drinking coffee) : BARRY== He's making the tie in the cab as they're flying up Madison. : He finally gets there. : He runs up the steps into the church. The wedding is on. : And he says, "Watermelon? I thought you said Guatemalan. : Why would I marry a watermelon?" (Barry laughs but Vanessa looks confused) VANESSA: Is that a bee joke? BARRY: That's the kind of stuff we do. VANESSA: Yeah, different. : So, what are you gonna do, Barry? (Barry stands on top of a sugar cube floating in his coffee and paddles it around with a straw like it's a gondola) BARRY: About work? I don't know. : I want to do my part for the hive, but I can't do it the way they want. VANESSA: I know how you feel. BARRY: - You do? VANESSA: - Sure. : My parents wanted me to be a lawyer or a doctor, but I wanted to be a florist. BARRY: - Really? VANESSA: - My only interest is flowers. BARRY: Our new queen was just elected with that same campaign slogan. : Anyway, if you look... (Barry points to a tree in the middle of Central Park) : There's my hive right there. See it? VANESSA: You're in Sheep Meadow! BARRY: Yes! I'm right off the Turtle Pond! VANESSA: No way! I know that area. I lost a toe ring there once. BARRY: - Why do girls put rings on their toes? VANESSA: - Why not? BARRY: - It's like putting a hat on your knee. VANESSA: - Maybe I'll try that. (A custodian installing a lightbulb looks over at them but to his perspective it looks like Vanessa is talking to a cup of coffee on the table) CUSTODIAN: - You all right, ma'am? VANESSA: - Oh, yeah.
Fine. : Just having two cups of coffee! BARRY: Anyway, this has been great. Thanks for the coffee. VANESSA== Yeah, it's no trouble. BARRY: Sorry I couldn't finish it. If I did, I'd be up the rest of my life. (Barry points towards the rum cake) : Can I take a piece of this with me? VANESSA: Sure! Here, have a crumb. (Vanessa hands Barry a crumb but it is still pretty big for Barry) BARRY: - Thanks! VANESSA: - Yeah. BARRY: All right. Well, then... I guess I'll see you around. : Or not. VANESSA: OK, Barry... BARRY: And thank you so much again... for before. VANESSA: Oh, that? That was nothing. BARRY: Well, not nothing, but... Anyway... (Vanessa and Barry hold hands, but Vanessa has to hold out a finger because her hands is to big and Barry holds that) (The custodian looks over again and it appears Vanessa is laughing at her coffee again. The lightbulb that he was screwing in sparks and he falls off the ladder) (Fast forward in time and we see two Bee Scientists testing out a parachute in a Honex wind tunnel) BEE SCIENTIST #1: This can't possibly work. BEE SCIENTIST #2: He's all set to go. We may as well try it. : OK, Dave, pull the chute. (Dave pulls the chute and the wind slams him against the wall and he falls on his face.The camera pans over and we see Barry and Adam walking together) ADAM: - Sounds amazing. BARRY: - It was amazing! : It was the scariest, happiest moment of my life. ADAM: Humans! I can't believe you were with humans! : Giant, scary humans! What were they like? BARRY: Huge and crazy. They talk crazy. : They eat crazy giant things. They drive crazy. ADAM: - Do they try and kill you, like on TV? BARRY: - Some of them. But some of them don't.
ADAM: - How'd you get back? BARRY: - Poodle. ADAM: You did it, and I'm glad. You saw whatever you wanted to see. : You had your "experience." Now you can pick out your job and be normal. BARRY: - Well... ADAM: - Well? BARRY: Well, I met someone. ADAM: You did? Was she Bee-ish? : - A wasp?! Your parents will kill you! BARRY: - No, no, no, not a wasp. ADAM: - Spider? BARRY: - I'm not attracted to spiders. : I know, for everyone else, it's the hottest thing, with the eight legs and all. : I can't get by that face. ADAM: So who is she? BARRY: She's... human. ADAM: No, no. That's a bee law. You wouldn't break a bee law. BARRY: - Her name's Vanessa. (Adam puts his head in his hands) ADAM: - Oh, boy. BARRY== She's so nice. And she's a florist! ADAM: Oh, no! You're dating a human florist! BARRY: We're not dating. ADAM: You're flying outside the hive, talking to humans that attack our homes : with power washers and M-80s! That's one-eighth a stick of dynamite! BARRY: She saved my life! And she understands me. ADAM: This is over! BARRY: Eat this. (Barry gives Adam a piece of the crumb that he got from Vanessa. Adam eats it)
ADAM: (Adam's tone changes) This is not over! What was that? BARRY: - They call it a crumb. ADAM: - It was so stingin' stripey! BARRY: And that's not what they eat. That's what falls off what they eat! : - You know what a Cinnabon is? ADAM: - No. (Adam opens a door behind him and he pulls Barry in) BARRY: It's bread and cinnamon and frosting. ADAM: Be quiet! BARRY: They heat it up... ADAM: Sit down! (Adam forces Barry to sit down) BARRY: (Still rambling about Cinnabons) ...really hot! (Adam grabs Barry by the shoulders) ADAM: - Listen to me! : We are not them! We're us. There's us and there's them! BARRY== Yes, but who can deny the heart that is yearning? ADAM: There's no yearning. Stop yearning. Listen to me! : You have got to start thinking bee, my friend. Thinking bee! BARRY: - Thinking bee. WORKER BEE: - Thinking bee. WORKER BEES AND ADAM: Thinking bee! Thinking bee! Thinking bee! Thinking bee! (Flash forward in time; Barry is laying on a raft in a pool full of honey. He is wearing sunglasses) JANET: There he is. He's in the pool. MARTIN: You know what your problem is, Barry? (Barry pulls down his sunglasses and he looks annoyed) BARRY: (Sarcastic) I gotta start thinking bee? JANET: How much longer will this go on? MARTIN: It's been three days! Why aren't you working? (Puts sunglasses back on)
BARRY: I've got a lot of big life decisions to think about. MARTIN: What life? You have no life! You have no job. You're barely a bee! JANET: Would it kill you to make a little honey? (Barry rolls off the raft and sinks into the honey pool) : Barry, come out. Your father's talking to you. : Martin, would you talk to him? MARTIN: Barry, I'm talking to you! (Barry keeps sinking into the honey until he is suddenly in Central Park having a picnic with Vanessa) (Barry has a cup of honey and he clinks his glass with Vanessas. Suddenly a mosquito lands on Vanessa and she slaps it, killing it. They both gasp but then burst out laughing) VANESSA: You coming? (The camera pans over and Vanessa is climbing into a small yellow airplane) BARRY: Got everything? VANESSA: All set! BARRY: Go ahead. I'll catch up. (Vanessa lifts off and flies ahead) VANESSA: Don't be too long. (Barry catches up with Vanessa and he sticks out his arms like ana irplane. He rolls from side to side, and Vanessa copies him with the airplane)
VANESSA: Watch this! (Barry stays back and watches as Vanessa draws a heart in the air using pink smoke from the plane, but on the last loop-the-loop she suddenly crashes into a mountain and the plane explodes. The destroyed plane falls into some rocks and explodes a second time) BARRY: Vanessa! (As Barry is yelling his mouth fills with honey and he wakes up, discovering that he was just day dreaming. He slowly sinks back into the honey pool) MARTIN: - We're still here. JANET: - I told you not to yell at him. : He doesn't respond to yelling! MARTIN: - Then why yell at me? JANET: - Because you don't listen! MARTIN: I'm not listening to this. BARRY: Sorry, I've gotta go. MARTIN: - Where are you going? BARRY: - I'm meeting a friend.
JANET: A girl? Is this why you can't decide? BARRY: Bye. (Barry flies out the door and Martin shakes his head) : JANET== I just hope she's Bee-ish. (Fast forward in time and Barry is sitting on Vanessa's shoulder and she is closing up her shop) BARRY: They have a huge parade of flowers every year in Pasadena? VANESSA: To be in the Tournament of Roses, that's every florist's dream! : Up on a float, surrounded by flowers, crowds cheering. BARRY: A tournament. Do the roses compete in athletic events? VANESSA: No. All right, I've got one. How come you don't fly everywhere? BARRY: It's exhausting. Why don't you run everywhere? It's faster. VANESSA: Yeah, OK, I see, I see. All right, your turn. BARRY: TiVo. You can just freeze live TV? That's insane! VANESSA: You don't have that? BARRY: We have Hivo, but it's a disease. It's a horrible, horrible disease. VANESSA: Oh, my. (A human walks by and Barry narrowly avoids him) PASSERBY: Dumb bees!
VANESSA: You must want to sting all those jerks. BARRY: We try not to sting. It's usually fatal for us. VANESSA: So you have to watch your temper (They walk into a store) BARRY: Very carefully. You kick a wall, take a walk, : write an angry letter and throw it out. Work through it like any emotion: : Anger, jealousy, lust. (Suddenly an employee(Hector) hits Barry off of Vanessa's shoulder. Hector thinks he's saving Vanessa) VANESSA: (To Barry) Oh, my goodness! Are you OK? (Barry is getting up off the floor) BARRY: Yeah. VANESSA: (To Hector) - What is wrong with you?! HECTOR: (Confused) - It's a bug. VANESSA: He's not bothering anybody. Get out of here, you creep! (Vanessa hits Hector across the face with the magazine he had and then hits him in the head. Hector backs away covering his head) Barry: What was that? A Pic 'N' Save circular? (Vanessa sets Barry back on her shoulder) VANESSA: Yeah, it was. How did you know? BARRY: It felt like about 10 pages. Seventy-five is pretty much our limit. VANESSA: You've really got that down to a science. BARRY: - Oh, we have to. I lost a cousin to Italian Vogue. VANESSA: - I'll bet. (Barry looks to his right and notices there is honey for sale in the aisle) BARRY: What in the name of Mighty Hercules is this? (Barry looks at all the brands of honey, shocked) How did this get here? Cute Bee, Golden Blossom, : Ray Liotta Private Select? (Barry puts his hands up and slowly turns around, a look of disgust on his face)
VANESSA: - Is he that actor? BARRY: - I never heard of him. : - Why is this here? VANESSA: - For people. We eat it. BARRY: You don't have enough food of your own?! (Hector looks back and notices that Vanessa is talking to Barry) VANESSA: - Well, yes. BARRY: - How do you get it? VANESSA: - Bees make it. BARRY: - I know who makes it! : And it's hard to make it! : There's heating, cooling, stirring. You need a whole Krelman thing! VANESSA: - It's organic. BARRY: - It's our-ganic! VANESSA: It's just honey, Barry. BARRY: Just what?! : Bees don't know about this! This is stealing! A lot of stealing! : You've taken our homes, schools, hospitals! This is all we have! : And it's on sale?! I'm getting to the bottom of this. : I'm getting to the bottom of all of this! (Flash forward in time; Barry paints his face with black strikes like a soldier and sneaks into the storage section of the store) (Two men, including Hector, are loading boxes into some trucks) :
SUPERMARKET EMPLOYEE== Hey, Hector. : - You almost done? HECTOR: - Almost. (Barry takes a step to peak around the corner) (Whispering) He is here. I sense it. : Well, I guess I'll go home now (Hector pretends to walk away by walking in place and speaking loudly) : and just leave this nice honey out, with no one around. BARRY: You're busted, box boy! HECTOR: I knew I heard something! So you can talk! BARRY: I can talk. And now you'll start talking! : Where you getting the sweet stuff? Who's your supplier? HECTOR: I don't understand. I thought we were friends. : The last thing we want to do is upset bees! (Hector takes a thumbtack out of the board behind him and sword-fights Barry. Barry is using his stinger like a sword) : You're too late! It's ours now! BARRY: You, sir, have crossed the wrong sword! HECTOR: You, sir, will be lunch for my iguana, Ignacio! (Barry hits the thumbtack out of Hectors hand and Hector surrenders) Barry: Where is the honey coming from? : Tell me where! HECTOR: (Pointing to leaving truck) Honey Farms! It comes from Honey Farms! (Barry chases after the truck but it is getting away. He flies onto a bicyclists' backpack and he catches up to the truck) CAR
DRIVER: (To bicyclist) Crazy person! (Barry flies off and lands on the windshield of the Honey farms truck. Barry looks around and sees dead bugs splattered everywhere) BARRY: What horrible thing has happened here? : These faces, they never knew what hit them. And now : they're on the road to nowhere! (Barry hears a sudden whisper) (Barry looks up and sees Mooseblood, a mosquito playing dead) MOOSEBLOOD: Just keep still. BARRY: What? You're not dead? MOOSEBLOOD: Do I look dead? They will wipe anything that moves. Where you headed? BARRY: To Honey Farms. I am onto something huge here. MOOSEBLOOD: I'm going to Alaska. Moose blood, crazy stuff. Blows your head off! ANOTHER BUG PLAYING DEAD: I'm going to Tacoma. (Barry looks at another bug) BARRY: - And you? MOOSEBLOOD: - He really is dead. BARRY: All right. (Another bug hits the windshield and the drivers notice. They activate the windshield wipers) MOOSEBLOOD== Uh-oh! (The windshield wipers are slowly sliding over the dead bugs and wiping them off) BARRY: - What is that?! MOOSEBLOOD: - Oh, no! : - A wiper! Triple blade! BARRY: - Triple blade? MOOSEBLOOD: Jump on! It's your only chance, bee! (Mooseblood and Barry grab onto the wiper and they hold on as it wipes the windshield) Why does everything have to be so doggone clean?! : How much do you people need to see?! (Bangs on windshield) : Open your eyes! Stick your head out the window!
RADIO IN TRUCK: From NPR News in Washington, I'm Carl Kasell. MOOSEBLOOD: But don't kill no more bugs! (Mooseblood and Barry are washed off by the wipr fluid) MOOSEBLOOD: - Bee! BARRY: - Moose blood guy!! (Barry starts screaming as he hangs onto the antenna) (Suddenly it is revealed that a water bug is also hanging on the antenna. There is a pause and then Barry and the water bug both start screaming) TRUCK DRIVER: - You hear something? GUY IN TRUCK: - Like what? TRUCK DRIVER: Like tiny screaming. GUY IN TRUCK: Turn off the radio. (The antenna starts to lower until it gets to low and sinks into the truck. The water bug flies off and Barry is forced to let go and he is blown away. He luckily lands inside a horn on top of the truck where he finds Mooseblood, who was blown into the same place) MOOSEBLOOD: Whassup, bee boy? BARRY: Hey, Blood. (Fast forward in time and we see that Barry is deep in conversation with Mooseblood. They have been sitting in this truck for a while) BARRY: ...Just a row of honey jars, as far as the eye could see. MOOSEBLOOD: Wow! BARRY: I assume wherever this truck goes is where they're getting it. : I mean, that honey's ours. MOOSEBLOOD: - Bees hang tight. BARRY: - We're all jammed in. : It's a close community. MOOSEBLOOD: Not us, man. We on our own.Every mosquito on his own. BARRY: - What if you get in trouble?
MOOSEBLOOD: - You a mosquito, you in trouble. : Nobody likes us. They just smack. See a mosquito, smack, smack! BARRY: At least you're out in the world. You must meet girls. MOOSEBLOOD: Mosquito girls try to trade up, get with a moth, dragonfly. : Mosquito girl don't want no mosquito. (An ambulance passes by and it has a blood donation sign on it) You got to be kidding me! : Mooseblood's about to leave the building! So long, bee! (Mooseblood leaves and flies onto the window of the ambulance where there are other mosquito's hanging out) : - Hey, guys! OTHER MOSQUITO: - Mooseblood! MOOSEBLOOD: I knew I'd catch y'all down here. Did you bring your crazy straw? (The truck goes out of view and Barry notices that the truck he's on is pulling into a camp of some sort) TRUCK DRIVER: We throw it in jars, slap a label on it, and it's pretty much pure profit. (Barry flies out) BARRY: What is this place? BEEKEEPER 1#: A bee's got a brain the size of a pinhead. BEEKEEPER #2: They are pinheads! : Pinhead. : - Check out the new smoker. BEEKEEPER #1: - Oh, sweet. That's the one you want. : The Thomas 3000! BARRY: Smoker? BEEKEEPER #1: Ninety puffs a minute, semi-automatic. Twice the nicotine, all the tar. : A couple breaths of this knocks them right out. BEEKEEPER #2: They make the honey, and we make the money. BARRY: "They make the honey, and we make the money"? (The Beekeeper sprays hundreds of cheap miniature apartments with the smoker. The bees are fainting or passing out) Oh, my! : What's going on? Are you OK? (Barry flies into one of the apartment and helps a Bee couple get off the ground. They are coughing and its hard for them to stand) BEE IN
APARTMENT: Yeah. It doesn't last too long. BARRY: Do you know you're in a fake hive with fake walls? BEE IN APPARTMENT: Our queen was moved here. We had no choice. (The apartment room is completely empty except for a photo on the wall of the "queen" who is obviously a man in women's clothes) BARRY: This is your queen? That's a man in women's clothes! : That's a drag queen! : What is this? (Barry flies out and he discovers that there are hundreds of these structures, each housing thousands of Bees) Oh, no! : There's hundreds of them! (Barry takes out his camera and takes pictures of these Bee work camps. The beekeepers look very evil in these depictions) Bee honey. : Our honey is being brazenly stolen on a massive scale! : This is worse than anything bears have done! I intend to do something. (Flash forward in time and Barry is showing these pictures to his parents) JANET: Oh, Barry, stop. MARTIN: Who told you humans are taking our honey? That's a rumor. BARRY: Do these look like rumors? (Holds up the pictures) UNCLE CARL: That's a conspiracy theory. These are obviously doctored photos. JANET: How did you get mixed up in this? ADAM: He's been talking to humans. JANET: - What? MARTIN: - Talking to humans?! ADAM: He has a human girlfriend. And they make out! JANET: Make out? Barry!
BARRY: We do not. ADAM: - You wish you could. MARTIN: - Whose side are you on? BARRY: The bees! UNCLE CARL: (He has been sitting in the back of the room this entire time) I dated a cricket once in San Antonio. Those crazy legs kept me up all night. JANET: Barry, this is what you want to do with your life? BARRY: I want to do it for all our lives. Nobody works harder than bees! : Dad, I remember you coming home so overworked : your hands were still stirring. You couldn't stop. JANET: I remember that. BARRY: What right do they have to our honey? : We live on two cups a year. They put it in lip balm for no reason whatsoever! ADAM: Even if it's true, what can one bee do? BARRY: Sting them where it really hurts. MARTIN: In the face! The eye! : - That would hurt. BARRY: - No. MARTIN: Up the nose? That's a killer. BARRY: There's only one place you can sting the humans, one place where it matters. (Flash forward a bit in time and we are watching the Bee News) BEE NEWS NARRATOR: Hive at Five, the hive's only full-hour action news source. BEE PROTESTOR: No more bee beards! BEE NEWS NARRATOR: With Bob Bumble at the anchor desk. : Weather with Storm Stinger. : Sports with Buzz Larvi. : And Jeanette Chung. BOB BUMBLE: - Good evening. I'm Bob Bumble. JEANETTE CHUNG: - And I'm Jeanette Chung. BOB
BUMBLE: A tri-county bee, Barry Benson, : intends to sue the human race for stealing our honey, : packaging it and profiting from it illegally! JEANETTE CHUNG: Tomorrow night on Bee Larry King, : we'll have three former queens here in our studio, discussing their new book, : Classy Ladies, out this week on Hexagon. (The scene changes to an interview on the news with Bee version of Larry King and Barry) BEE LARRY KING: Tonight we're talking to Barry Benson. : Did you ever think, "I'm a kid from the hive. I can't do this"? BARRY: Bees have never been afraid to change the world. : What about Bee Columbus? Bee Gandhi? Bejesus? BEE LARRY KING: Where I'm from, we'd never sue humans. : We were thinking of stickball or candy stores. BARRY: How old are you? BEE LARRY KING: The bee community is supporting you in this case, : which will be the trial of the bee century. BARRY: You know, they have a Larry King in the human world too. BEE LARRY KING: It's a common name. Next week... BARRY: He looks like you and has a show and suspenders and colored dots... BEE LARRY KING: Next week... BARRY: Glasses, quotes on the bottom from the guest even though you just heard 'em. BEE LARRY KING: Bear Week next week! They're scary, hairy and here, live. (Bee Larry King gets annoyed and flies away offscreen) BARRY: Always leans forward, pointy shoulders, squinty eyes, very Jewish. (Flash forward in time. We see Vanessa enter and Ken enters behind her. They are arguing) KEN: In tennis, you attack at the point of weakness! VANESSA: It was my grandmother, Ken. She's 81. KEN== Honey, her backhand's a joke! I'm not gonna take advantage of that? BARRY: (To Ken) Quiet, please. Actual work going on here.
KEN: (Pointing at Barry) - Is that that same bee? VANESSA: - Yes, it is! : I'm helping him sue the human race. BARRY: - Hello. KEN: - Hello, bee. VANESSA: This is Ken. BARRY: (Recalling the "Winter Boots" incident earlier) Yeah, I remember you. Timberland, size ten and a half. Vibram sole, I believe. KEN: (To Vanessa) Why does he talk again? VANESSA: Listen, you better go 'cause we're really busy working. KEN: But it's our yogurt night! VANESSA: (Holding door open for Ken) Bye-bye. KEN: (Yelling) Why is yogurt night so difficult?! (Ken leaves and Vanessa walks over to Barry. His workplace is a mess) VANESSA: You poor thing. You two have been at this for hours! BARRY: Yes, and Adam here has been a huge help. ADAM: - Frosting... - How many sugars? ==BARRY== Just one. I try not to use the competition. : So why are you helping me? VANESSA: Bees have good qualities. : And it takes my mind off the shop. : Instead of flowers, people are giving balloon bouquets now. BARRY: Those are great, if you're three. VANESSA: And artificial flowers. BARRY: - Oh, those just get me psychotic! VANESSA: - Yeah, me too. : BARRY: Bent stingers, pointless pollination. ADAM: Bees must hate those fake things! : Nothing worse than a daffodil that's had work done. : Maybe this could make up for it a little bit. VANESSA: - This lawsuit's a pretty big deal. BARRY: - I guess. ADAM: You sure you want to go through with it? BARRY: Am I sure? When I'm done with the humans, they won't be able : to say, "Honey, I'm home," without paying a royalty! (Flash forward in time and we are watching the human news. The camera shows a crowd outside a courthouse) NEWS
REPORTER: It's an incredible scene here in downtown Manhattan, : where the world anxiously waits, because for the first time in history, : we will hear for ourselves if a honeybee can actually speak. (We are no longer watching through a news camera) ADAM: What have we gotten into here, Barry? BARRY: It's pretty big, isn't it? ADAM== (Looking at the hundreds of people around the courthouse) I can't believe how many humans don't work during the day. BARRY: You think billion-dollar multinational food companies have good lawyers? SECURITY GUARD: Everybody needs to stay behind the barricade. (A limousine drives up and a fat man,Layton Montgomery, a honey industry owner gets out and walks past Barry) ADAM: - What's the matter? BARRY: - I don't know, I just got a chill. (Fast forward in time and everyone is in the court) MONTGOMERY: Well, if it isn't the bee team. (To Honey Industry lawyers) You boys work on this? MAN: All rise! The Honorable Judge Bumbleton presiding. JUDGE
BUMBLETON: All right. Case number 4475, : Superior Court of New York, Barry Bee Benson v. the Honey Industry : is now in session. : Mr. Montgomery, you're representing the five food companies collectively? MONTGOMERY: A privilege. JUDGE BUMBLETON: Mr. Benson... you're representing all the bees of the world? (Everyone looks closely, they are waiting to see if a Bee can really talk) (Barry makes several buzzing sounds to sound like a Bee) BARRY: I'm kidding. Yes, Your Honor, we're ready to proceed. JUDGE BUMBLBETON: Mr. Montgomery, your opening statement, please. MONTGOMERY: Ladies and gentlemen of the jury, : my grandmother was a simple woman. : Born on a farm, she believed it was man's divine right : to benefit from the bounty of nature God put before us. : If we lived in the topsy-turvy world Mr. Benson imagines, : just think of what would it mean. : I would have to negotiate with the silkworm : for the elastic in my britches! : Talking bee! (Montgomery walks over and looks closely at Barry) : How do we know this isn't some sort of : holographic motion-picture-capture Hollywood wizardry? : They could be using laser beams! : Robotics! Ventriloquism! Cloning! For all we know, : he could be on steroids! JUDGE BUMBLETON: Mr. Benson? BARRY: Ladies and gentlemen, there's no trickery here. : I'm just an ordinary bee. Honey's pretty important to me. : It's important to all bees. We invented it! : We make it. And we protect it with our lives. : Unfortunately, there are some people in this room : who think they can take it from us : 'cause we're the little guys! I'm hoping that, after this is all over, : you'll see how, by taking our honey, you not only take everything we have : but everything we are! JANET== (To Martin) I wish he'd dress like that all the time. So nice! JUDGE BUMBLETON: Call your first witness. BARRY: So, Mr. Klauss Vanderhayden of Honey Farms, big company you have. KLAUSS
VANDERHAYDEN: I suppose so. BARRY: I see you also own Honeyburton and Honron! KLAUSS: Yes, they provide beekeepers for our farms. BARRY: Beekeeper. I find that to be a very disturbing term. : I don't imagine you employ any bee-free-ers, do you? KLAUSS: (Quietly) - No. BARRY: - I couldn't hear you. KLAUSS: - No. BARRY: - No. : Because you don't free bees. You keep bees. Not only that, : it seems you thought a bear would be an appropriate image for a jar of honey. KLAUSS: They're very lovable creatures. : Yogi Bear, Fozzie Bear, Build-A-Bear. BARRY: You mean like this? (The bear from Over The Hedge barges in through the back door and it is roaring and standing on its hind legs. It is thrashing its claws and people are screaming. It is being held back by a guard who has the bear on a chain) : (Pointing to the roaring bear) Bears kill bees! : How'd you like his head crashing through your living room?! : Biting into your couch! Spitting out your throw pillows! JUDGE BUMBLETON: OK, that's enough. Take him away. (The bear stops roaring and thrashing and walks out) BARRY: So, Mr. Sting, thank you for being here. Your name intrigues me. : - Where have I heard it before? MR. STING: - I was with a band called The Police. BARRY: But you've never been a police officer, have you? STING: No, I haven't. BARRY: No, you haven't. And so here we have yet another example : of bee culture casually stolen by a human : for nothing more than a prance-about stage name. STING: Oh, please. BARRY: Have you ever been stung, Mr. Sting? : Because I'm feeling a little stung, Sting. : Or should I say... Mr. Gordon M. Sumner! MONTGOMERY: That's not his real name?! You idiots!
BARRY: Mr. Liotta, first, belated congratulations on : your Emmy win for a guest spot on ER in 2005. RAY LIOTTA: Thank you. Thank you. BARRY: I see from your resume that you're devilishly handsome : with a churning inner turmoil that's ready to blow. RAY LIOTTA: I enjoy what I do. Is that a crime? BARRY: Not yet it isn't. But is this what it's come to for you? : Exploiting tiny, helpless bees so you don't : have to rehearse your part and learn your lines, sir? RAY LIOTTA: Watch it, Benson! I could blow right now! BARRY: This isn't a goodfella. This is a badfella! (Ray Liotta looses it and tries to grab Barry) RAY LIOTTA: Why doesn't someone just step on this creep, and we can all go home?! JUDGE BUMBLETON: - Order in this court! RAY LIOTTA: - You're all thinking it! (Judge Bumbleton starts banging her gavel) JUDGE BUMBLETON: Order! Order, I say! RAY LIOTTA: - Say it! MAN: - Mr. Liotta, please sit down! (We see a montage of magazines which feature the court case) (Flash forward in time and Barry is back home with Vanessa) BARRY: I think it was awfully nice of that bear to pitch in like that. VANESSA: I think the jury's on our side. BARRY: Are we doing everything right,you know, legally? VANESSA: I'm a florist. BARRY: Right. Well, here's to a great team. VANESSA: To a great team! (Ken walks in from work. He sees Barry and he looks upset when he sees Barry clinking his glass with Vanessa) KEN: Well, hello. VANESSA: - Oh, Ken! BARRY: - Hello! VANESSA: I didn't think you were coming. : No, I was just late. I tried to call, but... (Ken holds up his phone and flips it open. The phone has no charge) ...the battery... VANESSA: I didn't want all this to go to waste, so I called Barry. Luckily, he was free. KEN: Oh, that was lucky. (Ken sits down at the table across from Barry and Vanessa leaves the room)
VANESSA: There's a little left. I could heat it up. KEN: (Not taking his eyes off Barry) Yeah, heat it up, sure, whatever. BARRY: So I hear you're quite a tennis player. : I'm not much for the game myself. The ball's a little grabby. KEN: That's where I usually sit. Right... (Points to where Barry is sitting) there. VANESSA: (Calling from other room) Ken, Barry was looking at your resume, : and he agreed with me that eating with chopsticks isn't really a special skill. KEN: (To Barry) You think I don't see what you're doing? BARRY: I know how hard it is to find the right job. We have that in common. KEN: Do we? BARRY: Bees have 100 percent employment, but we do jobs like taking the crud out. KEN: (Menacingly) That's just what I was thinking about doing. (Ken reaches for a fork on the table but knocks if on the floor. He goes to pick it up) VANESSA: Ken, I let Barry borrow your razor for his fuzz. I hope that was all right. (Ken quickly rises back up after hearing this but hits his head on the table and yells) BARRY: I'm going to drain the old stinger. KEN: Yeah, you do that. (Barry flies past Ken to get to the bathroom and Ken freaks out, splashing some of the wine he was using to cool his head in his eyes. He yells in anger) (Barry looks at the magazines featuring his victories in court) BARRY: Look at that. (Barry flies into the bathroom) (He puts his hand on his head but this makes hurts him and makes him even madder. He yells again) (Barry is washing his hands in the sink but then Ken walks in) KEN: You know, you know I've just about had it (Closes bathroom door behind him) with your little mind games. (Ken is menacingly rolling up a magazine) BARRY: (Backing away) - What's that? KEN: - Italian Vogue.
BARRY: Mamma mia, that's a lot of pages. KEN: It's a lot of ads. BARRY: Remember what Van said, why is your life more valuable than mine? KEN: That's funny, I just can't seem to recall that! (Ken smashes everything off the sink with the magazine and Barry narrowly escapes) (Ken follows Barry around and tries to hit him with the magazine but he keeps missing) (Ken gets a spray bottle) : I think something stinks in here! BARRY: (Enjoying the spray) I love the smell of flowers. (Ken holds a lighter in front of the spray bottle) KEN: How do you like the smell of flames?! BARRY: Not as much. (Ken fires his make-shift flamethrower but misses Barry, burning the bathroom. He torches the whole room but looses his footing and falls into the bathtub. After getting hit in the head by falling objects 3 times he picks up the shower head, revealing a Water bug hiding under it) WATER BUG: Water bug! Not taking sides! (Barry gets up out of a pile of bathroom supplies and he is wearing a chapstick hat) BARRY: Ken, I'm wearing a Chapstick hat! This is pathetic! (Ken switches the shower head to lethal) KEN: I've got issues! (Ken sprays Barry with the shower head and he crash lands into the toilet) (Ken menacingly looks down into the toilet at Barry) Well, well, well, a royal flush!
BARRY: - You're bluffing. KEN: - Am I? (flushes toilet) (Barry grabs a chapstick from the toilet seat and uses it to surf in the flushing toilet) BARRY: Surf's up, dude! (Barry flies out of the toilet on the chapstick and sprays Ken's face with the toilet water) : EW,Poo water! BARRY: That bowl is gnarly. KEN: (Aiming a toilet cleaner at Barry) Except for those dirty yellow rings! (Barry cowers and covers his head and Vanessa runs in and takes the toilet cleaner from Ken just before he hits Barry) VANESSA: Kenneth! What are you doing?! KEN== (Leaning towards Barry) You know, I don't even like honey! I don't eat it! VANESSA: We need to talk! (Vanessa pulls Ken out of the bathroom) : He's just a little bee! : And he happens to be the nicest bee I've met in a long time! KEN: Long time? What are you talking about?! Are there other bugs in your life? VANESSA: No, but there are other things bugging me in life. And you're one of them! KEN: Fine! Talking bees, no yogurt night... : My nerves are fried from riding on this emotional roller coaster! VANESSA: Goodbye, Ken. (Ken huffs and walks out and slams the door. But suddenly he walks back in and stares at Barry) : And for your information, I prefer sugar-free, artificial sweeteners MADE BY MAN! (Ken leaves again and Vanessa leans in towards Barry)
VANESSA: I'm sorry about all that. (Ken walks back in again) KEN: I know it's got an aftertaste! I LIKE IT! (Ken leaves for the last time) VANESSA: I always felt there was some kind of barrier between Ken and me. : I couldn't overcome it. Oh, well. : Are you OK for the trial? BARRY: I believe Mr. Montgomery is about out of ideas. (Flash forward in time and Barry, Adam, and Vanessa are back in court) MONTGOMERY-- We would like to call Mr. Barry Benson Bee to the stand. ADAM: Good idea! You can really see why he's considered one of the best lawyers... (Barry stares at Adam) ...Yeah. LAWYER: Layton, you've gotta weave some magic with this jury, or it's gonna be all over. MONTGOMERY: Don't worry. The only thing I have to do to turn this jury around : is to remind them of what they don't like about bees. (To lawyer) - You got the tweezers? LAWYER: - Are you allergic? MONTGOMERY: Only to losing, son. Only to losing. : Mr. Benson Bee, I'll ask you what I think we'd all like to know. : What exactly is your relationship (Points to Vanessa) : to that woman? BARRY: We're friends. MONTGOMERY: - Good friends? BARRY: - Yes.
MONTGOMERY: How good? Do you live together? ADAM: Wait a minute... : MONTGOMERY: Are you her little... : ...bedbug? (Adam's stinger starts vibrating. He is agitated) I've seen a bee documentary or two. From what I understand, : doesn't your queen give birth to all the bee children? BARRY: - Yeah, but... MONTGOMERY: (Pointing at Janet and Martin) - So those aren't your real parents! JANET: - Oh, Barry... BARRY: - Yes, they are! ADAM: Hold me back! (Vanessa tries to hold Adam back. He wants to sting Montgomery) MONTGOMERY: You're an illegitimate bee, aren't you, Benson? ADAM: He's denouncing bees! MONTGOMERY: Don't y'all date your cousins? (Montgomery leans over on the jury stand and stares at Adam) VANESSA: - Objection! (Vanessa raises her hand to object but Adam gets free. He flies straight at Montgomery) =ADAM: - I'm going to pincushion this guy! BARRY: Adam, don't! It's what he wants! (Adam stings Montgomery in the butt and he starts thrashing around) MONTGOMERY: Oh, I'm hit!! : Oh, lordy, I am hit! JUDGE
BUMBLETON: (Banging gavel) Order! Order! MONTGOMERY: (Overreacting) The venom! The venom is coursing through my veins! : I have been felled by a winged beast of destruction! : You see? You can't treat them like equals! They're striped savages! : Stinging's the only thing they know! It's their way! BARRY: - Adam, stay with me. ADAM: - I can't feel my legs. MONTGOMERY: (Overreacting and throwing his body around the room) What angel of mercy will come forward to suck the poison : from my heaving buttocks? JUDGE BUMLBETON: I will have order in this court. Order! : Order, please! (Flash forward in time and we see a human news reporter) NEWS REPORTER: The case of the honeybees versus the human race : took a pointed turn against the bees : yesterday when one of their legal team stung Layton T. Montgomery. (Adam is laying in a hospital bed and Barry flies in to see him) BARRY: - Hey, buddy. ADAM: - Hey.
BARRY: - Is there much pain? ADAM: - Yeah. : I... : I blew the whole case, didn't I? BARRY: It doesn't matter. What matters is you're alive. You could have died. ADAM: I'd be better off dead. Look at me. (A small plastic sword is replaced as Adam's stinger) They got it from the cafeteria downstairs, in a tuna sandwich. : Look, there's a little celery still on it. (Flicks off the celery and sighs) BARRY: What was it like to sting someone? ADAM: I can't explain it. It was all... : All adrenaline and then... and then ecstasy! BARRY: ...All right. ADAM: You think it was all a trap? BARRY: Of course. I'm sorry. I flew us right into this. : What were we thinking? Look at us. We're just a couple of bugs in this world. ADAM: What will the humans do to us if they win? BARRY: I don't know. ADAM: I hear they put the roaches in motels. That doesn't sound so bad. BARRY: Adam, they check in, but they don't check out! ADAM: Oh, my. (Coughs) Could you get a nurse to close that window? BARRY: - Why? ADAM: - The smoke. (We can see that two humans are smoking cigarettes outside) : Bees don't smoke.
BARRY: Right. Bees don't smoke. : Bees don't smoke! But some bees are smoking. : That's it! That's our case! ADAM: It is? It's not over? BARRY: Get dressed. I've gotta go somewhere. : Get back to the court and stall. Stall any way you can. (Flash forward in time and Adam is making a paper boat in the courtroom) ADAM: And assuming you've done step 29 correctly, you're ready for the tub! (We see that the jury have each made their own paper boats after being taught how by Adam. They all look confused) JUDGE BUMBLETON: Mr. Flayman.
ADAM: Yes? Yes, Your Honor! JUDGE BUMBLETON: Where is the rest of your team? ADAM: (Continues stalling) Well, Your Honor, it's interesting. : Bees are trained to fly haphazardly, : and as a result, we don't make very good time. : I actually heard a funny story about... MONTGOMERY: Your Honor, haven't these ridiculous bugs : taken up enough of this court's valuable time? : How much longer will we allow these absurd shenanigans to go on? : They have presented no compelling evidence to support their charges : against my clients, who run legitimate businesses. : I move for a complete dismissal of this entire case!
JUDGE BUMBLETON: Mr. Flayman, I'm afraid I'm going : to have to consider Mr. Montgomery's motion. ADAM: But you can't! We have a terrific case. MONTGOMERY: Where is your proof? Where is the evidence? : Show me the smoking gun! BARRY: (Barry flies in through the door) Hold it, Your Honor! You want a smoking gun? : Here is your smoking gun. (Vanessa walks in holding a bee smoker. She sets it down on the Judge's podium) JUDGE BUMBLETON: What is that? BARRY: It's a bee smoker!
MONTGOMERY: (Picks up smoker) What, this? This harmless little contraption? : This couldn't hurt a fly, let alone a bee. (Montgomery accidentally fires it at the bees in the crowd and they faint and cough) (Dozens of reporters start taking pictures of the suffering bees) BARRY: Look at what has happened : to bees who have never been asked, "Smoking or non?" : Is this what nature intended for us? : To be forcibly addicted to smoke machines : and man-made wooden slat work camps? : Living out our lives as honey slaves to the white man? (Barry points to the honey industry owners. One of them is an African American so he awkwardly separates himself from the others) LAWYER: - What are we gonna do? - He's playing the species card. BARRY: Ladies and gentlemen, please, free these bees! ADAM AND VANESSA: Free the bees! Free the bees! BEES IN CROWD: Free the bees! HUMAN JURY: Free the bees! Free the bees! JUDGE BUMBLETON: The court finds in favor of the bees! BARRY: Vanessa, we won! VANESSA: I knew you could do it! High-five! (Vanessa hits Barry hard because her hand is too big) : Sorry. BARRY: (Overjoyed) I'm OK! You know what this means? : All the honey will finally belong to the bees. : Now we won't have to work so hard all the time.
MONTGOMERY: This is an unholy perversion of the balance of nature, Benson. : You'll regret this. (Montgomery leaves and Barry goes outside the courtroom. Several reporters start asking Barry questions) REPORTER 1#: Barry, how much honey is out there? BARRY: All right. One at a time. REPORTER 2#: Barry, who are you wearing? BARRY: My sweater is Ralph Lauren, and I have no pants. (Barry flies outside with the paparazzi and Adam and Vanessa stay back) ADAM: (To Vanessa) - What if Montgomery's right? Vanessa: - What do you mean? ADAM: We've been living the bee way a long time, 27 million years. (Flash forward in time and Barry is talking to a man) BUSINESS MAN: Congratulations on your victory. What will you demand as a settlement?
BARRY: First, we'll demand a complete shutdown of all bee work camps. (As Barry is talking we see a montage of men putting "closed" tape over the work camps and freeing the bees in the crappy apartments) Then we want back the honey that was ours to begin with, : every last drop. (Men in suits are pushing all the honey of the aisle and into carts) We demand an end to the glorification of the bear as anything more (We see a statue of a bear-shaped honey container being pulled down by bees) than a filthy, smelly, bad-breath stink machine. : We're all aware of what they do in the woods. (We see Winnie the Pooh sharing his honey with Piglet in the cross-hairs of a high-tech sniper rifle)
BARRY: (Looking through binoculars) Wait for my signal. : Take him out. (Winnie gets hit by a tranquilizer dart and dramatically falls off the log he was standing on, his tongue hanging out. Piglet looks at Pooh in fear and the Sniper takes the honey.) SNIPER: He'll have nausea for a few hours, then he'll be fine. (Flash forward in time) BARRY: And we will no longer tolerate bee-negative nicknames... (Mr. Sting is sitting at home until he is taken out of his house by the men in suits) STING: But it's just a prance-about stage name! BARRY: ...unnecessary inclusion of honey in bogus health products : and la-dee-da human tea-time snack garnishments. (An old lady is mixing honey into her tea but suddenly men in suits smash her face down on the table and take the honey)
OLD LADY: Can't breathe. (A honey truck pulls up to Barry's hive) WORKER: Bring it in, boys! : Hold it right there! Good. : Tap it. (Tons of honey is being pumped into the hive's storage) BEE WORKER 1#: (Honey overflows from the cup) Mr. Buzzwell, we just passed three cups, and there's gallons more coming! : - I think we need to shut down! =BEE WORKER #2= - Shut down? We've never shut down. : Shut down honey production! DEAN BUZZWELL: Stop making honey! (The bees all leave their stations. Two bees run into a room and they put the keys into a machine) Turn your key, sir! (Two worker bees dramatically turn their keys, which opens the button which they press, shutting down the honey-making machines.
This is the first time this has ever happened) BEE: ...What do we do now? (Flash forward in time and a Bee is about to jump into a pool full of honey) Cannonball! (The bee gets stuck in the honey and we get a short montage of Bees leaving work) (We see the Pollen Jocks flying but one of them gets a call on his antenna) LOU LU DUVA: (Through "phone") We're shutting honey production! : Mission abort. POLLEN JOCK #1: Aborting pollination and nectar detail. Returning to base. (The Pollen Jocks fly back to the hive) (We get a time lapse of Central Park slowly wilting away as the bees all relax) BARRY: Adam, you wouldn't believe how much honey was out there. ADAM: Oh, yeah?
BARRY: What's going on? Where is everybody? (The entire street is deserted) : - Are they out celebrating? ADAM: - They're home. : They don't know what to do. Laying out, sleeping in. : I heard your Uncle Carl was on his way to San Antonio with a cricket. BARRY: At least we got our honey back. ADAM: Sometimes I think, so what if humans liked our honey? Who wouldn't? : It's the greatest thing in the world! I was excited to be part of making it. : This was my new desk. This was my new job. I wanted to do it really well. : And now... : Now I can't. (Flash forward in time and Barry is talking to Vanessa) BARRY: I don't understand why they're not happy. : I thought their lives would be better! : They're doing nothing. It's amazing. Honey really changes people.
VANESSA: You don't have any idea what's going on, do you? BARRY: - What did you want to show me? (Vanessa takes Barry to the rooftop where they first had coffee and points to her store) VANESSA: - This. (Points at her flowers. They are all grey and wilting) BARRY: What happened here? VANESSA: That is not the half of it. (Small flash forward in time and Vanessa and Barry are on the roof of her store and she points to Central Park) (We see that Central Park is no longer green and colorful, rather it is grey, brown, and dead-like. It is very depressing to look at) BARRY: Oh, no. Oh, my. : They're all wilting. VANESSA: Doesn't look very good, does it? BARRY: No. VANESSA: And whose fault do you think that is? BARRY: You know, I'm gonna guess bees. VANESSA== (Staring at Barry) Bees? BARRY: Specifically, me. : I didn't think bees not needing to make honey would affect all these things. VANESSA: It's not just flowers. Fruits, vegetables, they all need bees. BARRY: That's our whole SAT test right there.
VANESSA: Take away produce, that affects the entire animal kingdom. : And then, of course... BARRY: The human species? : So if there's no more pollination, : it could all just go south here, couldn't it? VANESSA: I know this is also partly my fault. BARRY: How about a suicide pact? VANESSA: How do we do it? BARRY: - I'll sting you, you step on me. VANESSA: - That just kills you twice. BARRY: Right, right. VANESSA: Listen, Barry... sorry, but I gotta get going. (Vanessa leaves) BARRY: (To himself) I had to open my mouth and talk. : Vanessa? : Vanessa? Why are you leaving? Where are you going? (Vanessa is getting into a taxi) VANESSA: To the final Tournament of Roses parade in Pasadena. : They've moved it to this weekend because all the flowers are dying. : It's the last chance I'll ever have to see it.
BARRY: Vanessa, I just wanna say I'm sorry. I never meant it to turn out like this. VANESSA: I know. Me neither. (The taxi starts to drive away) BARRY: Tournament of Roses. Roses can't do sports. : Wait a minute. Roses. Roses? : Roses! : Vanessa! (Barry flies after the Taxi) VANESSA: Roses?! : Barry? (Barry is flying outside the window of the taxi) BARRY: - Roses are flowers! VANESSA: - Yes, they are. BARRY: Flowers, bees, pollen! VANESSA: I know. That's why this is the last parade. BARRY: Maybe not. Could you ask him to slow down? VANESSA: Could you slow down? (The taxi driver screeches to a stop and Barry keeps flying forward) : Barry! (Barry flies back to the window) BARRY: OK, I made a huge mistake. This is a total disaster, all my fault. VANESSA: Yes, it kind of is. BARRY: I've ruined the planet.
I wanted to help you : with the flower shop. I've made it worse. VANESSA: Actually, it's completely closed down. BARRY: I thought maybe you were remodeling. : But I have another idea, and it's greater than my previous ideas combined. VANESSA: I don't want to hear it! BARRY: All right, they have the roses, the roses have the pollen. : I know every bee, plant and flower bud in this park. : All we gotta do is get what they've got back here with what we've got. : - Bees. VANESSA: - Park. BARRY: - Pollen! VANESSA: - Flowers. BARRY: - Re-pollination! VANESSA: - Across the nation! : Tournament of Roses, Pasadena, California. : They've got nothing but flowers, floats and cotton candy. : Security will be tight. BARRY: I have an idea. (Flash forward in time. Vanessa is about to board a plane which has all the Roses on board. VANESSA: Vanessa Bloome, FTD. (Holds out badge) : Official floral business. It's real. SECURITY
GUARD: Sorry, ma'am. Nice brooch. =VANESSA== Thank you. It was a gift. (Barry is revealed to be hiding inside the brooch) (Flash back in time and Barry and Vanessa are discussing their plan) BARRY: Once inside, we just pick the right float. VANESSA: How about The Princess and the Pea? : I could be the princess, and you could be the pea! BARRY: Yes, I got it. : - Where should I sit? GUARD: - What are you? BARRY: - I believe I'm the pea. GUARD: - The pea? VANESSA: It goes under the mattresses. GUARD: - Not in this fairy tale, sweetheart. - I'm getting the marshal. VANESSA: You do that! This whole parade is a fiasco! : Let's see what this baby'll do. (Vanessa drives the float through traffic) GUARD: Hey, what are you doing?! BARRY== Then all we do is blend in with traffic... : ...without arousing suspicion. : Once at the airport, there's no stopping us. (Flash forward in time and Barry and Vanessa are about to get on a plane) SECURITY GUARD: Stop! Security. : - You and your insect pack your float? VANESSA: - Yes. SECURITY GUARD: Has it been in your possession the entire time? VANESSA: - Yes. SECURITY GUARD: Would you remove your shoes? (To Barry) - Remove your stinger. BARRY: - It's part of me. SECURITY GUARD: I know. Just having some fun. Enjoy your flight. (Barry plotting with Vanessa) BARRY: Then if we're lucky, we'll have just enough pollen to do the job. (Flash forward in time and Barry and Vanessa are flying on the plane) Can you believe how lucky we are? We have just enough pollen to do the job! VANESSA: I think this is gonna work. BARRY: It's got to work.
CAPTAIN SCOTT: (On intercom) Attention, passengers, this is Captain Scott. : We have a bit of bad weather in New York. : It looks like we'll experience a couple hours delay. VANESSA: Barry, these are cut flowers with no water. They'll never make it. BARRY: I gotta get up there and talk to them. VANESSA== Be careful. (Barry flies right outside the cockpit door) BARRY: Can I get help with the Sky Mall magazine? I'd like to order the talking inflatable nose and ear hair trimmer. (The flight attendant opens the door and walks out and Barry flies into the cockpit unseen) BARRY: Captain, I'm in a real situation. CAPTAIN SCOTT: - What'd you say, Hal? CO-PILOT HAL: - Nothing. (Scott notices Barry and freaks out) CAPTAIN SCOTT: Bee! BARRY: No,no,no, Don't freak out! My entire species... (Captain Scott gets out of his seat and tries to suck Barry into a handheld vacuum)
HAL: (To Scott) What are you doing? (Barry lands on Hals hair but Scott sees him. He tries to suck up Barry but instead he sucks up Hals toupee) CAPTAIN SCOTT: Uh-oh. BARRY: - Wait a minute! I'm an attorney! HAL: (Hal doesn't know Barry is on his head) - Who's an attorney? CAPTAIN SCOTT: Don't move. (Scott hits Hal in the face with the vacuum in an attempt to hit Barry. Hal is knocked out and he falls on the life raft button which launches an infalatable boat into Scott, who gets knocked out and falls to the floor. They are both uncounscious.) BARRY: (To himself) Oh, Barry. BARRY: (On intercom, with a Southern accent) Good afternoon, passengers. This is your captain. : Would a Miss Vanessa Bloome in 24B please report to the cockpit? (Vanessa looks confused) (Normal accent) ...And please hurry! (Vanessa opens the door and sees the life raft and the uncounscious pilots) VANESSA: What happened here? BARRY: I tried to talk to them, but then there was a DustBuster, a toupee, a life raft exploded. : Now one's bald, one's in a boat, and they're both unconscious!
VANESSA: ...Is that another bee joke? BARRY: - No! : No one's flying the plane! BUD DITCHWATER: (Through radio on plane) This is JFK control tower, Flight 356. What's your status? VANESSA: This is Vanessa Bloome. I'm a florist from New York. BUD: Where's the pilot? VANESSA: He's unconscious, and so is the copilot. BUD: Not good. Does anyone onboard have flight experience? BARRY: As a matter of fact, there is. BUD: - Who's that? BARRY: - Barry Benson. BUD: From the honey trial?! Oh, great. BARRY: Vanessa, this is nothing more than a big metal bee. : It's got giant wings, huge engines. VANESSA: I can't fly a plane. BARRY: - Why not? Isn't John Travolta a pilot? VANESSA: - Yes. BARRY: How hard could it be? (Vanessa sits down and flies for a little bit but we see lightning clouds outside the window) VANESSA: Wait, Barry! We're headed into some lightning. (An ominous lightning storm looms in front of the plane) (We are now watching the Bee News) BOB BUMBLE: This is Bob Bumble. We have some late-breaking news from JFK Airport, : where a suspenseful scene is developing. : Barry Benson, fresh from his legal victory...
ADAM: That's Barry! BOB BUMBLE: ...is attempting to land a plane, loaded with people, flowers : and an incapacitated flight crew. JANET, MARTIN, UNCLE CAR AND ADAM: Flowers?! (The scene switches to the human news) REPORTER: (Talking with Bob Bumble) We have a storm in the area and two individuals at the controls : with absolutely no flight experience. BOB BUMBLE: Just a minute. There's a bee on that plane. BUD: I'm quite familiar with Mr. Benson and his no-account compadres. : They've done enough damage. REPORTER: But isn't he your only hope? BUD: Technically, a bee shouldn't be able to fly at all. : Their wings are too small... BARRY: (Through radio) Haven't we heard this a million times? : "The surface area of the wings and body mass make no sense."... BOB BUMBLE: - Get this on the air!
BEE: - Got it. BEE NEWS CREW: - Stand by. BEE NEWS CREW: - We're going live! BARRY: (Through radio on TV) ...The way we work may be a mystery to you. : Making honey takes a lot of bees doing a lot of small jobs. : But let me tell you about a small job. : If you do it well, it makes a big difference. : More than we realized. To us, to everyone. : That's why I want to get bees back to working together. : That's the bee way! We're not made of Jell-O. : We get behind a fellow. : - Black and yellow! BEES: - Hello! (The scene switches and Barry is teaching Vanessa how to fly) BARRY: Left, right, down, hover. VANESSA: - Hover? BARRY: - Forget hover. VANESSA: This isn't so hard. (Pretending to honk the horn) Beep-beep! Beep-beep! (A Lightning bolt hits the plane and autopilot turns off) Barry, what happened?! BARRY: Wait, I think we were on autopilot the whole time.
VANESSA: - That may have been helping me. BARRY: - And now we're not! VANESSA: So it turns out I cannot fly a plane. (The plane plummets but we see Lou Lu Duva and the Pollen Jocks, along with multiple other bees flying towards the plane) Lou Lu DUva: All of you, let's get behind this fellow! Move it out! : Move out! (The scene switches back to Vanessa and Barry in the plane) BARRY: Our only chance is if I do what I'd do, you copy me with the wings of the plane! (Barry sticks out his arms like an airplane and flys in front of Vanessa's face) VANESSA: Don't have to yell. BARRY: I'm not yelling! We're in a lot of trouble. VANESSA: It's very hard to concentrate with that panicky tone in your voice! BARRY: It's not a tone. I'm panicking! VANESSA: I can't do this! (Barry slaps Vanessa) BARRY: Vanessa, pull yourself together. You have to snap out of it! VANESSA: (Slaps Barry) You snap out of it. BARRY: (Slaps Vanessa) : You snap out of it.
VANESSA: - You snap out of it! BARRY: - You snap out of it! (We see that all the Pollen Jocks are flying under the plane) VANESSA: - You snap out of it! BARRY: - You snap out of it! VANESSA: - You snap out of it! BARRY: - You snap out of it! VANESSA: - Hold it! BARRY: - Why? Come on, it's my turn. VANESSA: How is the plane flying? (The plane is now safely flying) VANESSA: I don't know. (Barry's antennae rings like a phone. Barry picks up) BARRY: Hello? LOU LU DUVA: (Through "phone") Benson, got any flowers for a happy occasion in there? (All of the Pollen Jocks are carrying the plane) BARRY: The Pollen Jocks! : They do get behind a fellow. LOU LU DUVA: - Black and yellow. POLLEN JOCKS: - Hello. LOU LU DUVA: All right, let's drop this tin can on the blacktop. BARRY: Where? I can't see anything. Can you? VANESSA: No, nothing. It's all cloudy. : Come on. You got to think bee, Barry.
BARRY: - Thinking bee. - Thinking bee. (On the runway there are millions of bees laying on their backs) BEES: Thinking bee! Thinking bee! Thinking bee! BARRY: Wait a minute. I think I'm feeling something. VANESSA: - What? BARRY: - I don't know. It's strong, pulling me. : Like a 27-million-year-old instinct. : Bring the nose down. BEES: Thinking bee! Thinking bee! Thinking bee! CONTROL TOWER OPERATOR: - What in the world is on the tarmac? BUD: - Get some lights on that! (It is revealed that all the bees are organized into a giant pulsating flower formation) BEES: Thinking bee! Thinking bee! Thinking bee! BARRY: - Vanessa, aim for the flower. VANESSA: - OK. BARRY: Out the engines. We're going in on bee power. Ready, boys?
LOU LU DUVA: Affirmative! BARRY: Good. Good. Easy, now. That's it. : Land on that flower! : Ready? Full reverse! : Spin it around! (The plane's nose is pointed at a flower painted on a nearby plane) - Not that flower! The other one! VANESSA: - Which one? BARRY: - That flower. (The plane is now pointed at a fat guy in a flowered shirt. He freaks out and tries to take a picture of the plane) VANESSA: - I'm aiming at the flower! BARRY: That's a fat guy in a flowered shirt. I mean the giant pulsating flower made of millions of bees! (The plane hovers over the bee-flower) : Pull forward. Nose down. Tail up. : Rotate around it. VANESSA: - This is insane, Barry! BARRY: - This's the only way I know how to fly. BUD: Am I koo-koo-kachoo, or is this plane flying in an insect-like pattern? (The plane is unrealistically hovering and spinning over the bee-flower) BARRY: Get your nose in there. Don't be afraid. Smell it. Full reverse! : Just drop it. Be a part of it. : Aim for the center! : Now drop it in! Drop it in, woman! : Come on, already.
(The bees scatter and the plane safely lands) VANESSA: Barry, we did it! You taught me how to fly! BARRY: - Yes! (Vanessa is about to high-five Barry) No high-five! VANESSA: - Right. ADAM: Barry, it worked! Did you see the giant flower? BARRY: What giant flower? Where? Of course I saw the flower! That was genius! ADAM: - Thank you. BARRY: - But we're not done yet. : Listen, everyone! : This runway is covered with the last pollen : from the last flowers available anywhere on Earth. : That means this is our last chance. : We're the only ones who make honey, pollinate flowers and dress like this. : If we're gonna survive as a species, this is our moment! What do you say? : Are we going to be bees, or just Museum of Natural History keychains? BEES: We're bees! BEE WHO LIKES KEYCHAINS: Keychain!
BARRY: Then follow me! Except Keychain. POLLEN JOCK #1: Hold on, Barry. Here. : You've earned this. BARRY: Yeah! : I'm a Pollen Jock! And it's a perfect fit. All I gotta do are the sleeves. (The Pollen Jocks throw Barry a nectar-collecting gun. Barry catches it) Oh, yeah. JANET: That's our Barry. (Barry and the Pollen Jocks get pollen from the flowers on the plane) (Flash forward in time and the Pollen Jocks are flying over NYC) : (Barry pollinates the flowers in Vanessa's shop and then heads to Central Park) BOY IN PARK: Mom! The bees are back! ADAM: (Putting on his Krelman hat) If anybody needs to make a call, now's the time. : I got a feeling we'll be working late tonight! (The bee honey factories are back up and running) (Meanwhile at Vanessa's shop) VANESSA: (To customer) Here's your change. Have a great afternoon! Can I help who's next? : Would you like some honey with that? It is bee-approved. Don't forget these. (There is a room in the shop where Barry does legal work for other animals. He is currently talking with a Cow) COW: Milk, cream, cheese, it's all me. And I don't see a nickel! : Sometimes I just feel like a piece of meat! BARRY: I had no idea. VANESSA: Barry, I'm sorry. Have you got a moment?
BARRY: Would you excuse me? My mosquito associate will help you. MOOSE BLOOD: Sorry I'm late. COW: He's a lawyer too? MOOSE BLOOD: Ma'am, I was already a blood-sucking parasite. All I needed was a briefcase. VANESSA: Have a great afternoon! : Barry, I just got this huge tulip order, and I can't get them anywhere. BARRY: No problem, Vannie. Just leave it to me. VANESSA: You're a lifesaver, Barry. Can I help who's next? BARRY: All right, scramble, jocks! It's time to fly. VANESSA: Thank you, Barry! (Ken walks by on the sidewalk and sees the "bee-approved honey" in Vanessa's shop) KEN: That bee is living my life!! ANDY: Let it go, Kenny. KEN: - When will this nightmare end?! ANDY: - Let it all go. BARRY: - Beautiful day to fly.
POLLEN JOCK: - Sure is. BARRY: Between you and me, I was dying to get out of that office. (Barry recreates the scene near the beginning of the movie where he flies through the box kite. The movie fades to black and the credits being) [--after credits; No scene can be seen but the characters can be heard talking over the credits--] You have got to start thinking bee, my friend! : - Thinking bee! - Me? BARRY: (Talking over singer) Hold it. Let's just stop for a second. Hold it. : I'm sorry. I'm sorry, everyone. Can we stop here? SINGER: Oh, BarryBARRY: I'm not making a major life decision during a production number! SINGER: All right. Take ten, everybody. Wrap it up, guys. BARRY: I had virtually no rehearsal for that.
i hope your bloodline suffers with hell for the next 7 generations
words can not describe how much i spite you right now for sending this to me and allowing this to happen
and yes i did read a good chunk of this for funsies :D
(also everyone should reblog this to piss of any moots that come across this)
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vanillabeenflower · 4 months
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My Reimaginings for the HB/HH Rings + Hellborns
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My ideas for a redesign of the setting and its inhabitants to have it make a little more sense! I'll put all this under the cut so it won't be too long on the dashboard:
Okay! So, I've noticed QUITE a few slight discrepancies between some of the rings. I wanted to share how I would do it, based on some critiques I've seen. This is in no way anything negative, I just want to share how I would do it. With that in mind, know that I tend to be a bit blunt with my criticism but know that it's out of me thinking that it would be the obvious option, personally, and not out of any rudeness.
The Flaws
I want you to know that I in no way know anything about demonology, but I do know a bit about Dante's Divine Comedy and the emotions associated with colors. I'm going to go down the list in the show's order, one by one, and then give my versions at the end.
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First is the Pride Ring, where the main cast of both shows reside. Now, I want to point this out: why are ALL of the sinners only confined to this ring? That doesn't even make sense from a biblical retelling perspective. Didn't the entire journey through Inferno show that there were sinners on every level of Hell?
Anyway, first off, I really don't see this as the Pride Ring. I expected this to be the Wrath Ring, which is what I thought until I saw the actual Wrath Ring. There's this thing called "color psychology", which is the study of how colors influence emotions or give clues to the atmosphere of someplace. Historically, purple has always meant royalty and wealth, since it was the most expensive color to dye your clothes in. I think that would be a more fitting color for the Pride Ring. As for the design, It's cool, but doesn't say Pride. It says New York, which I think would be the opposite of Pride.
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Next is the Wrath Ring, which looks great. I have no actual criticism of the ring's design itself since it fits really well. I like the volcanic elements and the fiery sunset sky, and the fact that it's where many hell beasts/animals reside makes sense. Also, it is mainly rural and has fire-related weather (flaming tornadoes) which also makes sense. I have no fixes for this. Good work!
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The Gluttony Ring is the same way. I appreciate the fact that the sky has hexagonal shapes in it (not shown above) and that it's mainly plant life since the actual Beelzebub is an insect, and most people associate insects with being outside. There are a few things I'd change, like pushing the plant aspects a bit and having the buildings look more like various insect nests, not just beehives, maybe a few dens or plant-inspired buildings (I really like how Zootopia's world is built because it was made with the builders in mind: animals. Since they use organic structures in real life for their homes, they made some buildings have a curvature that fit their "ancestor" instincts, it even extended to their cars at one point. I highly recommend reading The Art of Zootopia to see their creative process with a bit more polished language).
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Okay, why did they make the Greed Ring green?? Everyone knows that green is the universal color of Envy, so why is it here? I get that making it green works much better than any other color, and I agree, it does look better, and it's the same color of money, but I have an alternate idea. Make the Greed Ring yellow.
This might not sound like a good choice, but here's my reasoning. I love that the Greed Ring is a polluted, overly industrial cityscape, that fits amazingly. But if you look at real-life smog-filled cities, what color are they?
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Yellow. Or at least a dirty, dark yellow-brown. So what I'm saying is that you don't even need to make it a bright yellow, making it a dark yellow-brown would really show how filthy the Greed Ring is. Also yellow is the color of gold so it also makes sense symbolically.
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I have my gripes with the Lust Ring. Why is it dark blue?? The color symbolism was right there, pink and red are the most associated colors with lust!
However, I do like the fact that it's always night in the Lust Ring, it's very symbolic of the "nightlife" aspect of the emotion. I just don't know why they chose a normal sky color over something else.
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I am a sucker for good color combinations, but I don't really think making the night sky dark blue made sense. It doesn't even have to be a drastic change, just shift the night sky's color to the warmer side a bit. If the ring does have a day and night cycle, and I'm just stupid, make the day go from hot pink to light pink from top to bottom, then have the night sky go from red/magenta to hot pink, with white stars (or just make the sky a lighter version of those two options). It would look mega pretty!!
The Envy Ring is one we haven't seen yet, but I wonder what we'll get since we already used up our green card with the Greed Ring. Someone I was talking about this with said that since the Envy Ring is ruled over by Leviathan, the ring will be ocean-themed and blue, like the ocean. I like that idea since sea blue is, in fact, a real color (and I also think that those 2 twins from the Mammon episode are from there, because of the way they acted and since they are fish-themed), and the theme fits. But the problem is. Sea green is a real color too.
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Wait, this was the Sloth Ring?? I assumed this was part of the Lust Ring because of the colors, and because I was holding onto some hope of the color psychology making sense!
But. I LOVE this ring. The more pastel color of the ring actually relaxed my eyes a bit, which I think was the intention. I love the floating islands and the waterfalls, it all gives off a very relaxing atmosphere. My only design change would be to change the sky to a color like baby blue since blue as a color is actually scientifically proven to reduce feelings of stress and anger.
My Rendition
Now that we have all that out of the way, here's my version of how I would've done things.
I would match the colors of the rings to their corresponding color. I would arrange them in the way that they are in the show, but we'd risk that cool rainbow gem order up top. But if we want to arrange them in rainbow order, they'd be inaccurate to the order of the rings in Inferno (I think??), so you can choose which order you'd like, I'm just doing this for myself. Also I realize that they aren't really based on the nine levels of Hell, but the 7 Deadly Sins, which is fine by me, I find that making more sense.
Red = Wrath (an obvious choice, since red signifies strength, danger, and actually stimulates energy in real life)
Orange = Gluttony (it just makes more sense than yellow, plus if we're assuming the bee motif, it's the actual color of refined honey)
Yellow = Greed (color of gold and matches the smoggy city it's depicted as)
Green = Envy (another obvious choice, plus since Leviathan rules over this ring, it would match the ocean aesthetic as sea green)
Baby Blue = Sloth (soft blues actually cause a relaxed response in the brain)
Purple = Pride (color of royalty, also associated with arrogance and wealth)
Pink/Hot Pink = Lust (OBVIOUS CHOICE)
The Hellborns
Now my headcanons on what the overall citizens of each ring would be. I actually have an idea for slight species dimorphism for all the imps in each ring but I'll have to design that another day. I want my rainbow imps dammit
The Wrath Ring would have the highest imp concentration, with any other demon species being the lowest here. Imps who are born here are red in color, about the same shades of red that we see in all imps in-show.
The inhabitants of the Gluttony Ring should be bug/insect demons since the ruler of the ring is literally an insect. Imps born here are shades of orange.
The Greed Ring would have those shark demons seen in Exes & Oohs, but someone I was chatting with said it would make more sense for all the aquatic demons to be in the Envy Ring, so I don't know. Imps here are born in shades of yellow.
The Envy Ring would have mainly fish/aquatic-themed demons. Imps born here are shades of green.
The Sloth Ring should make the demons there have more themes of ungulates or ruminant animals like goats, sheep, and pigs because Baphomet is not a demon species. Imps born here are shades of blue.
The Pride Ring is where demon royalty mainly resides. Imps are rarely born here and if they are, they're usually born into servitude. Imps born in this ring are purple.
The Lust Ring is where incubi and succubi live (like Verosika). Imps born here are shades of pink.
For Hellhounds, I think they should be found in all rings rather than mainly in the Gluttony Ring. Even though the reason that's where they are is because Cerberus apparently guards this ring is very clever, it doesn't make that much sense. I also think they should all be grayscale and have their eyes correspond to the color of which ring they were born in (I love achromatic color schemes with one bright color to add color to it).
Anyway, those are my thoughts! I hope you enjoyed this interpretation of mine!
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adobe-outdesign · 5 months
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omg can you review the mighty poogle 🥺
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The Poogle is one of those really abstract Neopets wherein it's just a Creature(TM). What kind of creature? Who knows. I guess they're meant to be vaguely dog-like (seeing as Poogle racing is a thing, and it does sound vaguely like "poodle"), but they really don't lean towards any one specific animal, which is always something I enjoy.
What makes Poogles appealing is undeniably how chubby they are; it makes them look extra cuddly and is part of what gives them their distinctive noses (or lack thereof) and double chins. It also comes with a bit of lore about them living primarily in cold-weather regions, kind of like how seals have blubber to keep them warm.
Beyond that, I also like their stripes; they break up the design just enough without feeling too distracting, similar to their underbellies. The shape of the stripes is also mimicked by their distinctive ears.
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I will fully admit though: Poogles got the raw end of the deal when it comes to customization. Not the absolute worst conversion job, mind you, as for the most part they look pretty dang similar—same pose, same proportions, same markings, etc.
However, what got completely messed up is their faces. Originally, Poogles had a soft, fleshy snoot that had two sets of lines to indicate that it was mostly fat and that it went back in space a bit. Removing this upper line makes their snouts look hard, and also has the side effect of making their snout and even their entire head look too wide.
Likewise, the chin got messed up. The Poogle originally had a pretty distinct double chin/fat neck that, once again, showed how chubby they were. More importantly, their chin lines weren't closed off, so their heads bled directly into their bodies. On converted Poogles, they now just look like they have one weird normal chin instead of a chin and neck. The end result is actually kind of uncanny if you stare at them for too long. It's a shame, because like I said, everything else about the conversion works, and there was no reason to change the elements they did. They're still cute, mind you, just slightly less so.
Favorite colours:
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MSP: Species-specific colors always tend to be iconic and a delight, and MSP Poogles certainly are no exception. They're basically the same thing as a regular plushie Poogle, except Evil(TM), with red eyes and a nasty set of sharp teeth (side note: canonically, all Poogles actually have sharp teeth; you just rarely see them). The unconverted version also is bipedal, unlike the regular unconverted plushie, which was quadrupedal.
Both converted and unconverted MSPs have a super fun chaotic gremlin energy to them, and both designs are good depending on which stance you prefer (I kind of like the converted quadrupedal, though granted, the loss of some stitching and extra softness is a bit of a shame.)
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Toy: This color literally just released last month, but a toy Poogle based off of the good old iDog is just delightful. Even if you don't know anything about iDogs, the design is still good, with the eyes serving to complete a multi-colored hexagon that draws attention to the head, and the rest of the body considering of just a smooth off-white and black.
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Zombie: The mindless eyes on this one are just absolutely delightful and give it a ton of personality. I also like the details, such as a few stitches here and there, a scraggly mouth, scratch lines against the usual stripes, and liver spots. As a bonus, it looks good both with PB clothing and without.
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BONUS: I don't normally mention "recolor" Neopets as much on these reviews just because they tend to be mostly by-the-numbers, but the pastle Poogle is honestly gorgeous, with subtle gradients and a low-contrast blue and pink color scheme, helped by colored lineart. It's nothing fancy, but it's definitely one of the all-time best pastels out there.
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ckret2 · 22 days
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Everyone always asks about what if Goldie had a child so I feel okay asking this but how do the shapes have kids? Like, is it like a seahorse where the “male” (The shape) carry’s the child or are we just gonna go with a 2D stork delivering the kids.
If this was explained before I missed it but like, I was thinking about shape genetics, and that led me here.
It has been asked, and so far I've decided not to come up with an answer because I don't like any of the available options. They're either too simple/humanoid for my tastes, or too complex for a fic that isn't about alien worldbuilding for my tastes, and I haven't found any middle ground solution that satisfies me; plus none of the solutions really look good from an aesthetic perspective to me.
There's only one thing I've decided; and it's that, like starfish, polygons' bodies demonstrate radial symmetry. And you know what THAT means: matching junk on each of their sides. ("why would you do that?" because it's a lil bit horrible innit)
I'm DEFINITELY avoiding the seahorse route, though. If I did THAT people would go "ohhh, so now it makes sense that Bill was given a human body with a vag—it's basically equivalent to what he had as a shape." I want no reason for people to think that his human body is in any way "basically equivalent" to his real body and no reason for people to think this body's anatomy is an accurate reflection of some part of Bill's natural biology. It's not supposed to make sense. It's supposed to read as arbitrary.
One of the reasons I stuck him in the body I did is because fans are so used to defaulting to seeing Bill as masculine that if I'd given his humansona a dick and flat pecs, nobody would have stopped ONCE to think about how that reflects on his gender. By putting him in the body I did, readers automatically and instinctively think "wait, Bill's mind doesn't match his body"—which makes it easier for me to guide them over to "you're right, but it's not because he's a guy in a girl body; it's because he's a shape in a human body."
"Guess what! Bill was the baby-carrying sex all along!" would instantly undermine that. It would make readers go "oh, so the writer stuck him with that anatomy not to call attention to the mismatch between his body and mind; it was because the writer headcanons that does match his body!" Get outta here. I'm not doing that.
So somehow lines are squeezing out little hexagons and we'll all just have to live with it.
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