The tragic disconnection between Lucrezia Borgia and Juan Borgia::
What I find sad and compelling about Juan and Lucrezia's relationship is that every time he genuinely makes a gesture to make her happy, it inevitably ends up being misguided, resulting in her getting hurt in some way. Like the debauched play he had prepared for her as a surprise at her wedding to make her smile, not realizing that it would anger her husband and cause him to hate her and her family even more. The Paolo situation is where their dynamic changed forever. Juan, as someone who was assigned as the protector of the family by his father and is already feeling inadequate and incompetent in his position, already saw Paolo as a threat. A guy who could expose his sister, calling himself the father of her child, making demands to see her? Had Juan known what Sforza did to her, the hell she was living, and how she found solace in Paolo, most probably, he would've let Paolo live. He legitimately believed getting rid of him (and he was motivated by jealousy as he has incestuous feelings for Lucrezia)—was the right thing to do—and expected applause for his misguided notions of protecting his family's honor. He didn't realize how much he hurt Lucrezia and tried to make her understand that he did it to protect her honor and didn't mean to hurt her. When he realized that she tried to avenge Paolo and kill him, he made a speech about how their family triumphed because they weren't dysfunctional when they came to Rome, that they should always stick together, and that he's motivated by wanting safety for all of them. After he came back from Spain a changed man, he gifted his sister something that positively represented her—a stunning rare panther in a gilded cage—a genuine gesture to reconcile with her and earn her respect. However, it bites her, and they're unable to make peace. And after Cesare betrayed him at Forli, he spiraled once again, and he realized that no matter what he did, he would never earn his siblings' respect, specifically Lucrezia's. This realization hurt him and made him act on his impulsive as by lashing out at her and dangling her baby from the balcony, which also gave Cesare the motivation to do what he always wanted and justify his jealousy by murdering him.
"I had an amazing personal journey to go on with that character and hopefully I presented it with a sense and reality and hopefully you will feel a bit sorry for the guy. I don’t think he’s useless. Everyone says he’s a useless coward. He’s just placed in some shit situations. He’s not afraid of dying in that sense, he’s afraid of not being liked or loved and being left by his family. Whether they know it or not, they have been ganging up on him from the very beginning of the first season. What’s the problem with him? I think he’s lovely. I think he’s really kind and compassionate and cuddly." — DAVID OAKES
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Karasu and control
I've been thinking about this for a while, and this part of Hiori's novel (previous reblog) just brought it back to my attention.
Karasu really likes to control things. I'm not saying he's a control freak, of course, but he certainly likes to feel a safe base beneath his feet. You can see this in his play style (when he gathers all the available information and acts only after that; his choice of France) and his fear of water (if I remember correctly, the thing that scares him the most in it is the unknown). AND also from the whole Marisa (his childhood crush) story (assuming it's true lol) - he's not the type to rush into anything: neither in relationships nor hobbies. I don't think he would have chosen to join Blue Lock if he wasn't really sure in his abilities. He's really mature about things like that.
I was thinking in the context of him probably going to university (data analysis please!) in addition to his sports career, since he seems like a really rational guy when it comes to serious stuff? He gives Hiori some great advice about not wasting his time on something he doesn't like, Ego mentions that his greatest skill is his analytical ability - he never acts because-he-just-feels-it, he was the one who argued with the referee in the U-20 game about Rin's injury (so responsible!), and generally acts very logically (except for the whole Hiori and his legs theme lol). I don't think he would be able to fully relate on the sport, he certainly knows about the statistics of failures and broken careers.
He loves football, of course, but he is really right about "people who only play football can't become great players". But that's more because for Karasu, it's unrealistic to be stable (which is sometimes a deciding point in the game) when your whole life depends on it. When everything relies on you winning. Karasu really has a glimpse of Snuffy's philosophy in that, and it's great to see that in the character: Failing at one thing doesn't say anything about you. And you should always be more than one thing to have the right mental balance.
That's what makes him so strong - not that he'll never fail. Of course one day he will.
But rather the knowledge that he has done everything to be stable in case of failure; that any possible failure will not ruin his life.
Because he has made sure that his back is covered.
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“what does geralt get from that friendship…”
another post examining the weight of geralt and dandelion’s friendship… because i don’t think people recognize how painful and debilitating loneliness can become.
the witcher as a deconstruction of the genre takes fantasy tropes to their most logical ends—it asks us to consider what The Lone Swordsman feels, looks into the humanity in a Cold-Blooded Killer. and it turns out he’s not cold-blooded at all.
that despite some superhuman abilities, he laments and worries and curses himself, just like any other worker of any other profession. just as the farmer is scorched by the sun, the washerwoman’s back aches, and the scholar goes half-blind studying, a witcher deals with all of the pains and annoyances and dangers of his job in a mundanely human way.
but the farmer, the washerwoman, and the scholar have something the witcher does not have—they’ll always be seen as human and part of their society. at the end of the day after enduring all of their labor, they have their wife to caress, festivities to attend, and taverns to frequent. but for a witcher? after the killing is over, what does he have? no one and nothing. not even a thank you. he is met with fear and hatred everywhere he goes, baseless bigotry and dislike.
I did my job. I quickly learned how. I’d ride up to village enclosures or town pickets and wait. If they spat, cursed and threw stones, I rode away. If someone came out to give me a commission, I’d carry it out.
so he faces not just loneliness, but being deliberately ostracized and cast out from society. geralt can’t even find a polite word in most settlements, much less a friend.
‘(…) Tell me, where should I go? And for what? At least here some people have gathered with whom I have something to talk about. People who don’t break off their conversations when I approach. People who, though they may not like me, say it to my face, and don’t throw stones from behind a fence. (…)’
this kind of loneliness is not a mere inconvenience. it’s completely altering to your self-perception and ability to see the positive in the world.
each day is not lived, but endured.
day in, and day out—forced to the most difficult and lowest labor in order to survive, and knowing that were you to die, no one would search for your body, few would miss you, hell, they might even spit “good riddance”.
in this situation, to find a friend, is not only friendship, but a rescue.
without dandelion, geralt may have drowned—drowned in solitude, amidst a sea of strangeness.
‘(…) And I’m alone, completely alone, endlessly alone among the strange and hostile elements. Solitude amid a sea of strangeness. Don’t you dream of that?’
No, I don’t, he thought. I have it every day.
because dandelion is not only a bright soul, characteristic rippling laughter and the strum of a lute, but someone who will intently listen to geralt, someone who mutually enjoys his company.
‘(…) you almost jumped out of your pants with joy to have a companion. Until then, you only had your horse for company.’
someone who doesn’t see him as strange and at the fringes of society at all, but as an utterly normal man.
and doesn’t impose demeaning, sappy sympathy onto him, but sobering and realistic “quit your bullshit” which ridicules the very thought that he should internalize societal hatred.
Do you know what your problem is, Geralt? You think you’re different. (…) [You don’t understand that] for people who think clear-headedly you’re the most normal man under the sun, and they all wish that everybody was so normal. What of it that you have quicker reflexes than most and vertical pupils in sunlight? That you can see in the dark like a cat? That you know a few spells? Big deal.
dandelion isn’t “willing” to accept geralt for himself—he already has accepted him. and to him, it’s no difficulty, it’s nothing worth discussing, because he sees no abnormality and no strangeness in him.
while others “prefer the company of lepers to witchers,” dandelion has already offered geralt to share his room and board. not out of sympathetic pity, not out of fetishizing curiosity. because… they’re friends.
and what else does this friendship save him from?
not only from others, but from himself.
worse than enduring others’ apathy and hatred is one’s own thoughts—the darkness and negativity which builds from witnessing and experiencing such behavior.
dandelion’s ability to counter and dispel geralt’s pessimism and self-flagellating tendencies—again, not out of pity, but out of friendship—is undeniably invaluable. someone to rescue you from your darkest thoughts, when you begin to spiral.
and in this darkness, all you can do is cry. you cry, beg for someone to help you, please—
Help! Why doesn't anyone help me? Alone, weak, helpless – I can't move, can't force a sound from my constricted throat. Why does no one come to help me? I'm terrified!
to be alone, the saga reminds us, is worse than a death sentence. to be alone is to “perish; stabbed, beaten or kicked to death, defiled, like a toy passed from hand to hand.” to be alone is to suffer, and to be with someone is to save them from that suffering.
'(…) I wouldn't like anything bad to happen to you. I like you too much, owe you too much-'
'You've said that already. What do you owe me, Yennefer?'
The sorceress turned her head away, did not say anything for a while.
'You travelled with him,' she said finally. 'Thanks to you he was not alone. You were a friend to him. You were with him.'
it is true that geralt has saved dandelion countless times, helped him, gotten him out of some scrape… but to ask what did geralt get in return? are you kidding me?
did you ever consider that it is dandelion who saved geralt?
by being with him. by being by his side. by being his friend.
indeed, dandelion has rescued geralt, countless times, from the yawning jaws of endless loneliness. he’s helped him, chased away the danger of geralt’s own rumination. and he’s gotten him out of scrapes, his own insecurities and bitter helplessness.
so what does dandelion give geralt? what does geralt get from their friendship?
an amusing question. what one gets from friendship is the friendship itself. and that is more than enough.
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