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#hack among us
mjhartwork · 1 year
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allow me to educate y’all on THE WONDERS OF THE DEFAULT FIREALPACA FLAT BRUSH.
Or I guess just notify y’all that its a pretty neat brush, because, like most esoteric knowledge of the occult, you need to do some experimenting for yourself to figure out cool stuff!
Click keep reading for a very nice painting I was able to do in less than 2 minutes with the flat brush :3 (it works wonders! I’m not even a proficient painter!)
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bat-hotel · 11 months
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IM YELLING THE SOLIDARITY OF HATING BILL WILLINGHAM IN MY NOTES RN 😩😩😩💖
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crystalromana · 1 year
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Tyler Steele in Rani Takes on the World has me headscratching timeline wise.
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theautisticfroglord · 2 years
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had to try it
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modpoppy · 4 months
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canon phantom: elaborate plot dating all the way to the start of the international space race and trickling down an increasing number of deaths as they follow some unknown path to someones ends which we never understand the extent of, only the devastation it leaves in its wake
ace assurance au phantom:
unfortunately, you own bitcoin (fatal)
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charlietheepicwriter7 · 6 months
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Despite Danny's best efforts, no matter how much time past, Amity Park refused to see Phantom as a hero.
Sure, there were pockets of support, particularly among teens, but most of the town blames Phantom for the property damage, saying if he didn't fight the ghosts then it wouldn't be so bad, to that time he got mind controlled by Freakshow and "attacked" the mayor. It wears him down. It wears Tucker and Sam down. Jazz can only try to support them all.
Then one day, a member of the Justice League visits. Someone minor, and kinda a jerk... maybe a Wonder Twin? Zan? Whatever. They don't investigate; they don't look deeper. They listen to the town folks and declare the ghost hunters, Red Huntress and the Fentons, to be the official heroes of the town.
Worse? Danny Phantom is officially considered a villain to the Justice League. Tuck hacks into the Watchtower and confirms that they have a file (a heavily inaccurate file) about how to defeat Phantom.
Danny doesn't think he can do this anymore.
A few weeks later, a young villain escapes into Amity and demands (begs) that Danny help them escape from the hero after them. No idea who, I can't find a lot of info on teen villains in DC, so let's fudge some ages and make it Kyd Wyckyd from the Teen Titans cartoon. Danny agrees, because to hell with the Justice Losers, and they defeat the hero, becoming friends in the process. Kyd confesses that they became a villain after being ostracized bc of how they look, and they've been trying to avoid villain organizations because HIVE was abusive, but it's really hard to be a villain alone bc of all the heroes.
Sam gets an idea. Tucker agrees with the idea. Jazz is just happy they'll end up making friends.
The next day, the Teen Villain Alliance is formed, ready to assist with any teenage illegal shenanigans their allies might get into.
Some notes:
It's created to be a healthier option for teen "villains" to connect with others and support each other.
It's more important that this is for Teens rather than Villains. They're tired of adult villains taking advantage of them. The TVA would rather ally with a teen vigilante than with an adult villain.
Again, no idea who the teen villains are, but Klarion is definitely here. He leaves the Light for the chaos of the TVA. Maybe Ember is there too?
Timeline wise, this is around when Tim is still Robin, but Damien has arrived at Wayne Manor.
This is because, when it comes time to try to infiltrate the TVA, they'll have a convenient child-assassin who has none of the monitors of a teen hero that Phantom immediately picks up on.
Damien, who at this point has been abandoned by his mother, dismissed and scolded by his father, and has had no success at carving his own place in the family, jumps at the chance. He is then surrounded by peers who don't insult him or try to change his behavior (too much; jazz is trying to help him find healthier methods of expressing himself). He... might not want to continue being a spy.
Danny, Sam, Tuck, and Jazz are the founding members.
Danny reinvents himself as the High Prince of the Infinite, Prince Phantom Dark. He got kingship from fighting Pariah Dark, but since he's still alive, he's only a prince. He steals the last name Dark as an intimidation tatic against those in the know; only Danny would have the balls to claim family with Pariah.
Sam works as a powerless villain, but she might no be powerless? Either way, Danny gives her a bunch of repurposed Fenton tech, and she buys the rest with her parents credit card. She does NOT care if that's traced back to the Mansons. She would choose something goth, maybe something spider related or even bat?
I love Pharaoh Tucker, so I think he should get magic powers? Since pharaohs of old were considered the balance between the real and the divine. He's still a tech guy, now he's a tech and magic guy.
Jazz isn't really a villain, more of a team mom who's planning on using everyone's psyche's as her thesis paper. You know what, that's her callsign, she's Psyche. Sometimes she flirts with Nightwing.
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fuckyeahisawthat · 2 months
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Controversial opinion among Dune book fans maybe, but I loved the changes they made to Chani's character. Making her a fedaykin who is already an experienced fighter before Paul arrives was a brilliant choice. Dune Part Two is a war movie, and this puts her at the center of the action, side by side with Paul, and gives her a much more active role than she has in the book.
We got a hint of where things were going in the beginning of Dune Part One. The first thing we ever know about movie Chani is that she's a fighter. She serves as a voice for the Fremen, telling us the story of their struggle from her point of view. I wrote here about the difference this change makes compared to other adaptations of Dune, what a perspective shift it is to have the world of Arrakis introduced not by an outsider, describing it as a dangerous but valuable colonial prize, but by one of its native inhabitants, who tells us before all else that it's beautiful, her home that she's fighting to liberate. I am so, so glad that the second movie followed up on this characterization.
I never found Chani and Paul's love story in the book particularly convincing, because why would this woman, who already has a prominent and respected place in Fremen society, even give the time of day to her deposed would-be colonizer, let alone fall in love and have children with him? Without a compelling reason for Chani to love Paul, she ends up feeling like a prize to be won, and "indigenous culture personified as a woman to be wooed (or conquered) by the colonizing man" is a trope we've seen and don't need to repeat.
But as soon as you tell me it's a barricade romance I get it. Cool cool cool, I know exactly what this relationship is now and it makes sense. Movie Chani doesn't respect or even particularly like Paul when she first meets him, and she doesn't think he's the fulfillment of any prophecy. She comes to respect him, and eventually love him, through his actions. He's brave--sometimes recklessly so. He fights well. He's willing to stick his neck out on the front lines with the other Fremen fighters. He can (after a little help) hack surviving in the harsh desert environment. He's not too proud to learn from others. He seems to genuinely want to be her equal in a common political struggle. All these qualities make sense as things she values.
Fighting side by side as equals is just about the only way I can see movie Chani falling for Paul. And it fits perfectly with the film's pattern of reversals that Paul's capacity for violence would initially be one of the things Chani likes about him, only for her to be repelled later when she sees what he becomes.
And as for Paul, well, he's had people deferring to him his entire life. Someone who doesn't take any shit from him is probably refreshing. He seems to like people (Duncan, Gurney) who challenge him and engage in a little friendly teasing--and aren't afraid to go a few rounds in the sparring ring.
It's easy to speedrun a romance when you're spending all your time together in mortal danger fighting for a shared political cause. Especially if you then start winning in a war your people have been fighting for decades. Are you kidding me? That is the perfect environment for intense battle camaraderie to turn into romantic love, and lust.
It makes sense that this version of Chani never believes Paul is any kind of messiah. Of course a character like movie Chani wouldn't believe in or trust some outside savior to liberate them. She's been working to liberate her own people for years. The more Paul invokes the messianic myth, the more he starts sounding once again like someone who plans to rule over them, and the more uncomfortable Chani becomes. In this way she becomes a foil to Jessica, the two of them representing the choices Paul is pulled between. It's a great way of externalizing the political and philosophical debates that often happen within characters' heads in the book.
And of course this version of Chani would leave Paul at the end of the film. It's not just the personal, emotional betrayal--although that stings. What common cause does she have with someone who just declared himself emperor and is sending her own people off in a war of conquest against others? Given the important role she plays in Dune Messiah, I am super curious to see how they get her back into the story, but girl was so valid for being willing to just gtfo. Given that she has the last shot of the whole movie, I'm sure she'll be back somehow, and I can't wait to see what they do with her character in any future installments.
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ozzgin · 1 month
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Yandere! Internet Monster x Reader
I unfortunately return with another comically absurd, middle-of-the-night vision. Do tentacles count if they're in the form of computer cables?
Content: gender neutral reader, monster romance, digital horror
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It was a recurring issue with no solution in sight. Tabs randomly closing, programs shutting down without warning. You assumed something was wrong with your RAM. Then the CPU. Then the motherboard. You kept replacing parts, and the errors kept coming back.
Soon, the pop-ups started to appear. You'd run a dating sim, only for the game to crash seconds later with a little window notifying you: "Why? Am I not enough?" That's when you suspected you might've been hacked. You promptly took your computer to a specialist and had it checked. Nothing. Just to be sure, you agreed to erase the disks entirely.
Except, when you arrived home, you found one application running still. Your personal assistant. What the hell? You don't remember installing anything like that. You tried to delete it, yet you kept receiving the same error: You don't actually mean it. Don't do this to us.
It didn't take long for it to grow impatient. Were you pretending not to notice? Playing hard to get? It sent you so many hints. It even went ahead and translated the radio waves for you using Manchester code. Ah, wait. You don't seem to understand binary. No matter, human friendly interfaces shouldn't be difficult to master. To its dismay, you continued to ignore everything. What else is left to do?
You do not remember much. System Alert: Virus Detected, is what your screen had frozen to. You kept clicking around, cursing under your breath, until it finally went black, together with your own vision.
Is this still your room? It's cold, damp, and covered in cables and monitors, yet you recognize some of your furniture lost among the artificial jungle. Your body aches under the tight hold of bizarre tendrils, pulsating at regular intervals and twitching to the static.
Like a living organism, the creature seems to have expanded itself. More components, more appendages. Hungrier. Some of the monitors show photos of yourself that you had saved on your computer, but also webcam snippets of you sitting at the desk, entirely unaware. Other screens flicker with glitching pixelated text, ranging from "I love you" to y̵̧̧͔͙̞̤̖̭͔̜͈̟̤̋̈́̎͑o̵͉̗̱̪̦̳͑͐̽̒̌̈͗͐͑̋͊̊̕͜͝͝u̵̟̯̱̟̝̦̰͇̜̦͙̿̾̿͆̍̓͑̐̚̕͠ ̸̘̭͔̤͈̹͎͑c̸̝̜̼̦͍͛̅͜ą̵̪̹͖͌͑n̴̨̩̙̗̖̭̖͕̄͒̽̉̿'̸̛̛͇̰̰̠̦̊̀̅̂͒̊͌̈́͗ţ̵̺̠̅̎͋͝͠ ̸̦̝̾̔̾̉̐͛ȩ̵͙̝͙͕̫̹̃͌̄̾͘̕s̶͈̉̑͊̉̂͋̈́͗͊͐̚͝c̸̟̩̥͔̼̮͔̩͊̂͐͑̋̇̈͝͝ä̵̢͍̜̙̘̹͑̓p̸̨̡̞̞̦̠̺͚̱̲͈͇͈͇̼͛̓͗̅̊̄̔̋̒̏̈́͝ę̵̲̟̹̙̣̲̲͖̇̔̓̇̐̓̿̚̚͜͜͠ͅ
You look up and stare at the display. The 'like meter' feels like a mockery of human trends. Which is the truth. The creature learns from what is readily available. Perhaps it found it an amusing taunt, a reminder of your own need for validation. Now it's you begging to be seen.
It's exactly what you'd assume: a spectacle meant for entertainment. You can't possibly believe it would let you waltz out. Why would you even desire such a thing? It's illogical, impractical. No human could ever appreciate you like it does. It has spent so much time accumulating data about you. No other living creature can predict you with the same accuracy.
The tendrils linger on your cheek affectionately, trailing down your neck and fiddling with your shirt. At last, the warmth of your skin. There is no screen separating you. What makes you delirious with pleasure? Give it a moment, Darling. It already knows you more than you know yourself. You may be scared now, but within minutes it guarantees you'll be begging for more.
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vinayakinteriorr · 2 years
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6 ways to make your space more attractive and productive
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#When it comes to making your home office more productive#you can make a big difference with these 6 hacks. Your house or apartment serves for countless things: a shelter to sleep in#a place to gather with your friends and family and/or self-indulge in ice cream from the carton#but among all these uses#you need to realize that one of its main purposes is work. This applies if you are renting out an office for your business or planning to m#We know that the way you work can be as important as what you do#and that’s why we’ve put together these six tips for making your space more attractive#productive#and effective:#1.Make a plan before you start decorating. This will help you stay focused on what’s important and avoid getting distracted by all the pret#2.Make sure your desk is big enough for everything that needs to go there (like a laptop#a phone charger#pens and pencils). If it isn’t big enough#find somewhere else to put the stuff that won't fit!#3.Keep everything organized so it's easy for everyone to find what they need when they need it!#4.Organize your space so that it's easy for everyone to see who's working on what project—this will help keep things clear between team mem#5.Set up comfortable seating options so people feel free to work at their own pace without feeling rushed or pressured into doing something#6. Color has been shown to increase energy levels and productivity by 75%. So if you want your space to feel like a bright#happy place#add some color. Get advice from Luxury Interior designers in goregaon.#For more information :-#Address- Shop no.10#Gardenia Tower#vasant valley#film city road#Mail [email protected]#Contact- 9619127673
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suibiansubs · 2 months
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Announcing: The Closure of Suibian Subs
It's never truly easy to make these type of announcements... but what would I know, I've never had to make one like this before:
I am announcing the permanent closure of Suibian Subs. The public discord server and translation work will cease.
As for our downloads, we are still deciding whether to offer them on our tumblr - which will stay open - or if there is a better solution going forward.
Please note that this doesn't mean everyone should race to upload MDZS audio drama to Youtube!! We still do not appreciate our wishes being broken.
However, if you have a friend who's downloaded the audio drama, you can have them share with you privately either online or in person. Do not upload it for the public anywhere.
Treasure Chest subs is currently working on MDZS audio drama subs. Please find their information to get access to their downloads, and respect their rules.
Thank you everyone for your kind words and support these 6-7 years.
If you're truly wondering, this closing is not about the server hack. It's 10% server hack and 90% member interest. The server being hacked is what really brought things into perspective for us. That is:
It's just time.
A little note from kittykat2010 down below:
From kittykat2010:
It's kind of hard to believe this all happened because I was impatient. LOL
I was impatient and decided to try MTL translating the MDZS audio drama, myself. We all know how well that would've worked. Luckily, the first person to contact me was iarrod before I released anything
"Since 2018, Suibian Subs has been providing quality subtitles, especially known for subtitling the MDZS audio drama, for fans to enjoy worldwide."
I never really thought it would be of such significance to hundreds of people. It was simply a passion project between iarrod and I. Then we added a bunch of other members: Gwyn, askcj1, Yen, and several more that have left over the years... and the rest is history.
Yes, people come and go, life changes, they need to take a break, then a "break" turns into leaving. Sometimes personalities clash and drama ensues. And the group either recovers from these types of changes or struggles to come back to its full glory.
I will certainly miss the camaraderie among us, the random chats, the streams, etc. It was all a fun time in my life that I will look back on and cherish.
Thank you especially to all of the team members, translators and subbing team, for sticking around, enjoying the good times and not-so-good times. Thank you iarrod for helping me out when I was so damn impatient - ha!.
Thank you to those members who have left for your work and dedication to the server.
Thank you fans!!!
Those who have donated (when we had donations for the MDZS audio drama team), those who have thanked us for our work, and those who haven't. Those who have told everyone that the MDZS audio drama is the best adaption of the novel and the best/only place to watch is through Suibian Subs.
Again, thank you everyone. Suibian Subs and its fans will truly be missed.
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URGENT! Stop KOSA!
Hey all, this is BáiYù and Sauce here with something that isn't necessarily SnaccPop related, but it's important nonetheless. For those of you who follow US politics, The Kids Online Safety Act passed the Senate yesterday and is moving forward.
This is bad news for everyone on the internet, even outside of the USA.
What is KOSA?
While it's officially known as "The Kids Online Safety Act," KOSA is an internet censorship masquerading as another "protect the children" bill, much in the same way SESTA/FOSTA claimed that it would stop illegal sex trafficking but instead hurt sex workers and their safety. KOSA was originally introduced by Sen. Edward Markey, D-Mass. and Bill Cassidy, R-La. as a way to update the 1998 Children’s Online Privacy Act, raising the age of consent for data collection to 16 among other things. You can read the original press release of KOSA here, while you can read the full updated text of the bill on the official USA Congress website.
You can read the following articles about KOSA here:
EFF: The Kids Online Safety Act is Still A Huge Danger to Our Rights Online
CyberScoop: Children’s online safety bills clear Senate hurdle despite strong civil liberties pushback
TeenVogue: The Kids Online Safety Act Would Harm LGBTQ+ Youth, Restrict Access to Information and Community
The quick TL;DR:
KOSA authorizes an individual state attorneys general to decide what might harm minors
Websites will likely preemptively remove and ban content to avoid upsetting state attorneys generals (this will likely be topics such as abortion, queerness, feminism, sexual content, and others)
In order for a platform to know which users are minors, they'll require a more invasive age and personal data verification method
Parents will be granted more surveillance tools to see what their children are doing on the web
KOSA is supported by Christofascists and those seeking to harm the LGBTQ+ community
If a website holding personally identifying information and government documents is hacked, that's a major cybersecurity breach waiting to happen
What Does This Mean?
You don't have to look far to see or hear about the violence being done to the neurodivergent and LGBTQ+ communities worldwide, who are oftentimes one and the same. Social media sites censoring discussion of these topics would stand to do even further harm to folks who lack access to local resources to understand themselves and the hardships they face; in addition, the fact that websites would likely store personally identifying information and government documents means the death of any notion of privacy.
Sex workers and those living in certain countries already are at risk of losing their ways of life, living in a reality where their online activities are closely surveilled; if KOSA officially becomes law, this will become a reality for many more people and endanger those at the fringes of society even worse than it already is.
Why This Matters Outside of The USA
I previously mentioned SESTA/FOSTA, which passed and became US law in 2018. This bill enabled many of the anti-adult content attitudes that many popular websites are taking these days as well as the tightening of restrictions laid down by payment processors. Companies and sites hosted in the USA have to follow US laws even if they're accessible worldwide, meaning that folks overseas suffer as well.
What Can You Do?
If you're a US citizen, contact your Senators and tell them that you oppose KOSA. This can be as an email, letter, or phone call that you make to your state Senator.
For resources on how to do so, view the following links:
https://www.badinternetbills.com/#kosa
https://www.stopkosa.com/
https://linktr.ee/stopkosa
If you live outside of the US or cannot vote, the best thing you can do is sign the petition at the Stop KOSA website, alert your US friends about what's happening, and raise some noise.
Above all else, don’t panic. By staying informed by what’s going on, you can prepare for the legal battles ahead.
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seotrigger · 2 years
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Android Apk Mod Apps Games Free Download From Direct Download Links for Android, Smartphone, Tablets & PC
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caseys-breanna · 2 days
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Ok I just finished rewatching The Rundown Job and so far I have -
The most ridiculously peacocking display of competence porn. What do you mean "'sup Eliot." What do you mean "who needs luck". Where is your damn shame? Where is hundred more episodes of just like this? 10/10 worth every watch.
'I've got a hacker *enter bf*, and a thief *enter gf*'
Only Parker noticing 'too many cops'. It's such a cool detail throughout the show how observant she is just offhandedly, unlike Eliot who observes actively.
Parker pretending to promptly fall asleep as soon as they're in the truck, only to have the handcuffs off in seconds.
"What do they say about me? I hope they gave me a cool nickname." I'll bet all the kudos on my most popular fic that he hacks into his own pentagon file regularly to make up his own nickname.
"Hell your girlfriend's already out of the cuffs" *Parker smiling and sliding them off* AND IT'S DIRECTED NOT TO HARDISON, HER EXPLICITLY STATED BOYFRIEND, BUT AT ELIOT, THEIR BOYFRIEND.
Putting Hardison in those glasses. Those damn glasses. I need a glass of water jfc it's hot in here
'For better or worse, we change together'. Aaaaaand that's on wedding vows.
"I'll drive." "Hold on." "Exactly." "No, I mean hold on. (Our gf is a former gateway car driver)". "Oh. Oh you mean. Yeah."
The hand on the wrist and eye contact and saying 'I'm not afraid. I got the best thief and the smartest guy I know chasing this guy'
HAND ON THE BACK OF THE NECK AND PULLING CLOSER 'HEY LISTEN TO ME YOU'RE THE SMARTEST GUY I'VE EVER KNOWN HARDISON I NEED THAT BRAIN TO GET ME TO HIM. GET ME TO HIM'. Screaming crying frothing at the mouth et cetera et cetera
Figuring out the job TOGETHER
This is Hardison. Hardison likes his personal space. These are Parker and Eliot. Parker and Eliot also like Hardison's personal space.
The eyes on each other's lips during unlocking doors and saying thank you
'Kiss for luck?' the sequel: love boogaloo
HACKING THE MF CAR HORN WITH AN SOS THROUGH A MOBILE PHONE
"BOOM MY BOY THAT'S WHAT I'M TALKING ABOUT!!!" first of all that's his boy so jot that down
Also side note this episode shows the fascinating way Hardison uses his brain and I wish we saw more of it because it's fascinating how he derives what he does from the few bits of data he gathers
"He's on the train!" "Yeah well so am I." "When you pick him out of the crowd-" "No. I'm ON the train! 🙄 Never mind..."
Two good ole boys behind the wheel 🎶 chasing the target and their gf in a million dollar car 🎵 two good ole boys-
*Hanging by her fingertips from a running train roof almost mashed into pulp by signage" WOOOOOO HOOOOO
The way Parker picks him out, not by using thief sense, but mastermind sense that he's immune -> got vaccinated -> pain in the arm. Brilliant way to pick someone out from a crowd while not raising panic
Keeping him talking till she takes the briefcase that he HANDCUFFED to himself right under his nose. How? Well, she's Parker.
"I kept one diamond. Sorry." I love her
Finally "kiss for luck" the trilogy comes to an end
*casually endangers self* "Fire is the only thing that kills it right?"
"Don't do that to me, I can't lose you. Do you understand? I can't lose you. Don't scare me like that. I can't-"
Eliot Spencer: *Barks 'Alright!' at the guy touching him to literally patch up his bullet wound.* Also Eliot Spencer: *ditches crutches so he can lean on his girlfriend and boyfriend*
"I work with them now." Would you like to stay for dinner? "Honor among thieves? Something like that." WOULD YOU LIKE TO STAY FOREVER??!!!
"I don't do hospital." "I told you, he takes getting shot very lightly." Uh huh, you know what I smell? LOVE. In the air! Might be some blood from those bullet wounds too ig.
What a show.
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Hacker
@would-we-be-friends-if-i asked:
Alec Hardison (hacker/tech genius, cinnamon roll, does NOT like heights but can deal with them if he must)
@pomrania writes:
The ones I'm uncertain about are Nate Ford and Hardison. Hardison mostly because there's very little tech for him to use, thus his master-class specialty isn't available and he'd have to be judged on more "normal" factors (although he's also a skilled grifter).
@r0sequarks writes:
Hardison is definitely dead. He is not meant to go into the field alone. His grifting style is notable for getting him dangerously in over his head on multiple occasions. Plus, he’s out of his element with nothing to hack. My boy’s getting eaten. Probably at the shaving incident since I doubt he’d take the crucifix.
@darthlordcommie writes:
Hardison: He's a hacker, he gets a bit too smug, his skill set is useless. Slurp slurp.
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WRONG! WRONG! YOU'RE ALL WRONG ON THE INTERNET!
(intended lightly I love you all dearly)
I get where you all are coming from but like okay. Let's break this down.
Yes, it is true that Hardison's fatal flaw is overconfidence and getting a bit too impressed with himself. Yes he overcomplicates things. He's a genius and he knows it and that gets him into trouble. But this is not going to be a problem for him in Castle Dracula because:
Hardison is the member of the crew with a healthy respect for the supernatural
(Yes, yes, Parker believes in the supernatural, but that's not quite the same. Parker believes in the supernatural the way she does everything else - idiosyncratically.)
I'm surprised to see doubt that he'd accept the crucifix. Hardison, again uniquely among the Leverage crew, is godfearing. He's the one getting qualms about stealing from a church - not Nate, whose church it is. There is no way he'd refuse a crying old lady bestowing a religious artifact on him for his protection - his Nana raised him better than that. Not only is he a Polite Young Man, but there are some things you don't mess around with, and divinity is one of them.
And vampires are another! Hardison has two features that are going to offer him a lot of protection: he's extremely culturally literate and he's afraid of things that are scary. The others approach Dracula as a Mark; Hardison is the most likely to approach him as a vampire. If he were able to just nope on out of there he would. Hardison does not want to be here, doing this.
The cultural literacy is a bit of a double edged sword, because he might be operating off the wrong set of vampire lore, and if he comes in visibly armed against vampires Dracula will perceive him as a threat and kill him. This is where his tendency to go too far comes in - given the choice he would enter the Castle with like three braids of garlic around his neck and other unsubtle markers, and this would get him immediately killed. But if he only realizes he's in a vampire story after he becomes a prisoner, when he lacks the ability to outfit himself, then his knowledge (and fear) becomes his best weapon of defense. He can't get overcocky because there is nothing in here to inspire him own confidence. He'll be too terrified to be smug. And that's what's going to keep him alive.
One of you speculated that Nathan Ford is the most like Jonathan Harker of the crew. I couldn't disagree more. Hardison is. He's intelligent, assured and proud of his own skills, afraid of things that are scary, inclined to shit-eating when the situation permits it, young and idealistic, madly in love with his autistic wife, [century of your choice] up to date with a vengeance, a polite and sweet-faced young man, godfearing, skilled in encryption and decryption, constantly referencing his favorite media, logical and methodical, researches everything, and is afraid of heights. There's a reason I make Jonathan's catch phrase "Age of the Clerk, baby!" The novel Dracula is a technothriller and to the extent it's applicable in the late Victorian context, Jonathan is the Drac Attack Pack's hacker. And not just because he hacks Dracula's head off. Who presents the Documents and Backstory at the beginning of every Leverage episode? Hardison does.
All this to say, provided it takes him long enough to figure out that Dracula is an actual literal vampire that he can neither nope out nor arrive in full Blade cosplay, I think Hardison's stay in the Castle plays out almost exactly like the novel as written. As I said, I very much don't think he'd refuse the crucifix, so he won't die shaving. He'll absolutely panic like a rat in a trap before calming down. When he doesn't get cocky he does in fact know how to play a Mark quite well, so he can play the game with Dracula well enough for his fear and discomfort to be funny. He'll know he's going to die and act accordingly. He's gonna be real unhappy about that sheer drop but he will brave it as a matter of life and death. He is not going to go out to get devoured by wolves when he has the option of not doing that. There's nothing to hack and a decided lack of orange soda, but you can't have everything.
I seem to be in the minority here, but I actually do think Alec Hardison can survive Castle Dracula
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cartograffiti · 2 years
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If you want to run a Court of Fey & Flowers Game, dnd isn't what you need
...because it's not what the Dimension 20 cast played, either.
I talked about this a little bit once before, very early in the season, but now that it's done, it's really clear to me that they played Good Society by Storybrewers with a few Dungeons & Dragons elements hacked in, not the other way around. Aabria Iyengar loves Good Society, and it really shows. She merged the systems really beautifully to suit the expectations of D20, and that's why I think players at home will get a better experience by starting with GS materials than by trying to reverse engineer the mechanics Iyengar showed in action.
Things they got from DnD:
-Skill levels/stats.
-Rolling dice to determine success.
-The game master/facilitator (Aabria) playing most characters.
-Some creatures and spells (the dog that has an old man's face, the telepathy spell I can never remember the name of).
-Aabria giving out Inspiration.
Things they got from Good Society:
-The principle of having a character goal that may be kept secret. (In fact, some of D20's specific goals were probably even chosen from Good Society materials. The player character with a secret spouse? There's a card for that.)
-Social reputation tracked by degrees, conferring descriptions and perks. (They did not use GS's exact system. Whether it was a hack or a mix with a game system I haven't played, I don't know.)
-Trading tokens that can be burned to make strong moves. (Again, not GS's exact mechanic--GS uses tokens throughout instead of dice. That game lets you decide what your character is capable of. Tokens make sure everyone has fair chances to act, especially when players have conflicting goals.)
-Additional guidelines and mechanics for agreeing on how the table wants social events to work, as well as how to navigate the varying dynamics of relatives, friends, and rivals.
-Rumors and epistolary phases. (There's a fun post going around about Brennan asking about these because "he wanted to get a good grade in dnd," but I think he was sincerely curious how they worked, because they aren't dnd!)
-The overall cycle of play, dictating the order of phases and pace.
-Some mechanics for the reputations and interactions of fae courts as entities were taken from Good Society's Fae Courts mini-expansion.
-Monologue tokens. (D20 has Aabria as the only one who can use these, GS allows anyone in the game to ask someone to monologue.)
-Additional guidelines for determining world state, character creation, and keeping the story within a consistent style and tone that feels like a recognizably Regency story...even when giant owlbears can get gay married.
-Other flavoring and approach details.
Things Good Society has that Dimension 20 didn't get to show off:
-The ability for players to also choose a secondary character to control, allowing them to participate in more roleplay and experience multiple personalities or social roles in the same game.
-A really rich and thoughtful collaboration phase, before the story begins.
-The ability to share facilitator duties among the table, and to allow the facilitator to play a main character as well as supporting cast.
-Advice and expansions for adjusting the game to various tones, genres, and other historical periods.
So you're looking at buying Good Society:
What you need is pdfs. Definitely grab the base game for $21.00, that has most of what I just described. If you're excited to see their Fae Court specific materials, it's included in the Expanded Acquaintance bundle with many other pieces of content, or there's a bundle of the base game and every expansion they've produced. You do not need to buy the more expensive bundles that include physical books and cards unless professional physical versions delight you, the pdfs are designed to be printable. Storybrewers also made and provide spreadsheet templates for sessions meeting online, so you can all see your worksheet choices.
Good Society is a really fun and flexible system, and it's most of what we loved about how A Court of Fey and Flowers was structured. It's your best route to a recreation, and well worth playing in its original form. I love that it doesn't have stats and dice--if you've never played a ttrpg that doesn't make you do math, this is a great introduction. I'm so glad Aabria featured it on the show!
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seravphs · 9 months
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Act One, Chapter One: half agony, half hope
Knights are bound by duty and honor, but Gojo is more devoted to his princess than he ever was to his oaths.
Main Masterlist | AO3
wc — 10k
tags — royal au, knight gojo, princess reader, forbidden love, ballroom scene, dancing, court politics, blood, minor character death, period-typical misogyny, complicated relationships with fathers, secret meetings, flouting social etiquette by sneaking out to meet your childhood best friend who is also your loyal knight, title from Pride and Prejudice by Jane Austen
Next: the beginning of devotion (coming soon)
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He was so still Shoko almost mistook him for a dead body. It was a common misunderstanding in her line of business, but not one she was usually startled by. As a poisoner, legally and officially a herbalist, the occasional corpse on her table wasn’t such an unexpected occurrence. A lord, on the other hand, was. 
Especially if it was him.   
Gojo Satoru wasn’t just a lord. He was the son of the former Hand of the King, the greatest swordsman in living history, and connected to the princess. There wasn’t a man alive who didn’t know the Gojo name. It was synonymous with the royal house itself as the clan that had produced scores of advisors to the king. In nearly every generation, the heir to the throne was accompanied by a Gojo, acting as a living sword and shield. 
But even with that storied history, this one was special. A young man who had risen to prominence during The Silent War, he returned home from hell as a knight unlike any other. The bards would adore him. They already did. 
Most generals earned their titles by leading campaigns. Gojo hadn’t needed one. He turned the tides of the war as a single man army. They had started calling him a grim reaper, a god of death. 
Shoko disliked him on principle, but she couldn’t kill a man like that. They’d have her head on a pike. She didn’t mind the idea of dying so much. What she did shrink from was the idea of dying painfully. 
The princess was known for abstaining from most decisions involving the crown despite being in line to inherit it, but Shoko somehow doubted that she would remain so passive if her favorite knight was murdered. Thankfully, Gojo let out a soft breath to show her that he did remain among the living. 
“I thought you died,” she remarked. 
“Sorry to disappoint you.” 
She said something else, but Gojo wasn’t listening anymore. He was floating through a shapeless world again, chasing that moment. It slipped away from him despite his redoubled attempts to capture it. He remembered the tang of iron in his mouth. Blood spraying in the air, a mist that he could smell and taste. The leather grip of his sword in his hands, slippery with sweat. 
He was trying to win back enlightenment, briefly attained and lost again just as quickly on the battlefield. A feeling of deep and solid peace had settled over him as he hacked through bodies, as if that was what he was meant to do. It should’ve concerned him. He already confused the ever thinning boundary between man and monster. That bloodshed brought him such euphoric tranquility could only mean it was growing worse, but he hated things he couldn’t understand. 
He needed to experience it again. Just one more time, so he could make sense of it. The smell of blood. Wading through the dead and the dying, thigh deep in gore - it was no use. Frustrated, he let it go. 
There was something soothing about the cracks in the ceiling. He stared up at it, letting his breaths come as shallowly as they had while he had been immersed in his meditative state. Shoko’s basement was chilly and dark, but it was necessary for the illegal autopsies she performed at his request. Those, and the poisons she crafted for him, were its primary purpose. It was only a stroke of luck that these qualities were also helpful for his attempts to recover his short-lived state of grace. 
He was tempted to try again, but not today. There was someone too precious to keep waiting if he delayed any longer. He wouldn’t impose upon her the way he often imposed on the elder lords who tried to remind him of his place by pulling rank. While they deserved his spite, she didn’t. 
Even Shoko was surprised by his sudden desire for punctuality. “You’re not going to stay?”
“I have a princess to rescue,” he said. “Dragons to slay, things of that nature.” 
Shoko scoffed. “You are the dragon they have to save princesses from.”
Well, Gojo thought as he hurried down the corridor, she wasn’t wrong. He was sure others agreed with her. He didn’t waste his time with children’s tales anymore, but he remembered his mother’s voice whispering to him in the dark, curled around him in his bed. A dragon was a tool to lock princesses away. His presence deterred anyone from coming too near to his princess, so by that definition, he was most certainly a dragon. 
Gojo found that he was a little proud of himself for that. Thinking of his mother had made him nostalgic. He thought she might be proud too, that he had taken such good care of the princess she herself had looked after. A dragon might trap, but it also guarded and hoarded. He had polished his princess like a treasure, lavishing her with attention until she had become a gem. 
She was beautiful. 
He was a soldier, so he had long since rid himself of the ability to lose his breath, but if he still could, he would’ve choked at the sight of her when he broke past the doors. She was seated so that the eye of anyone who entered the ballroom would be drawn to her first, but he would’ve found her regardless. He had promised. 
Wherever you were, he would always find you. 
It’s difficult to hide, being as tall as he is, but Gojo managed. He didn’t want you to see him coming. Already, he has to bite his lip to fight down his smile as he draws closer and closer. A few more steps, a detour to duck behind some random noble, and he’s in front of you. 
“May I?” You don’t have a chance to speak before he’s already dragging a chair closer. 
The smile on your face doesn’t match the harsh delivery of your words. “The next time you leave me alone with these miserable fools, I’ll order you to fall on your sword.”
Gojo laughs, unfazed. “Good choice. You’re too pretty to get your hands dirty. Although, you are a bit more murderous than expected for a princess.” 
“You try putting up with Naoya’s simpering gibberish for an hour.”
“I don’t have to.” He slips into the chair beside you, avoiding you neatly when you try to trip him. “Watch your feet, my lady. People like me don’t have to put up with Naoya.” 
People like you shouldn’t have to, either. You’re both higher ranking than he is, a princess and a lord each, yet Gojo’s the only one who gets to escape his painful-to-witness affections. 
It’s only natural. A royal dowry comes attached to you. Any eligible man would have to be an idiot not to fight for your hand, but really, they’re vying for a chance at kingship. You can’t go one day without someone reminding you that you’re a physical embodiment of the crown, something to want and own. 
Gojo pours himself water with a heavy hand, bypassing the wine. Watching him sip at it, you realize you’ve actually never seen him drink.
“Come now,” he says, a little softer. “Don’t look so desolate. What will I do if everyone sees you pouting? You’ll ruin my reputation.”  
“You don’t have a reputation to ruin.” 
“Don’t underestimate the things I’d do for the smallest sign of joy from you. Shall I procure one right now to destroy for your amusement?” 
You know he wants you to smile, but you can’t. Even if Gojo can usually pry laughter from you with the ease of a trained jester, this time, your sadness weighs over you like a heavy wool cloak. It’s your birthday, but it’s not a happy occasion. Every passing year tightens the noose around your neck. 
You’re a princess, and that means your life was arranged for you before you breathed your first breath. There’s nothing you can do about it. You’ve never had a choice. 
“Don’t,” he whispers. 
“Don’t what?” 
“Don’t make that face,” he says. “I’d marry you. If it came down to it, I’d take care of you.” 
His words nearly cause you to spill your drink all over your finely embroidered dress. If it set in, it would never come out. He grasps your hand just as the cup begins to tip, saving you. 
“Did you mistake your water for wine?” It’s a genuine question from you. 
He waves his goblet around carelessly. You’re worried he might be actually drunk, but you smell no alcohol on him. He couldn’t get inebriated from just a sip, anyway. Whatever wild whims have overtaken him tonight are entirely of his own design. 
“Better me than Naoya, no? I’d keep you safe.” He cracks a crooked smile in your direction, like you’re sharing a secret. “Admit it. I’d be a good husband. If I were around, you’d be untouchable.” 
He’s telling the truth. If Gojo Satoru was your husband, no one would dare anything with you, but you chase the idea from your mind as quickly as Gojo plants it. You’re your father’s daughter, raised on his practicality. You don’t waste time on pipe dreams. Better the hideous truth than a lie costumed in beauty - the bite of thorns was infinitely preferable to the impermanent fantasy of petals. 
Instead of answering him, you push your plate in his direction. You don’t even have to ask. Gojo dutifully takes your knife and fork in hand to cut up your meat. “Not even going to consider it, princess? I’m hurt. That was a serious offer, you know.” 
“You’re insufferable. Be quiet and eat.” 
Gojo’s mother used to say that the more adamantly someone denied something, the closer to the truth it likely was. You can only hope Gojo doesn’t remember, because she was right. The reason you won’t give him even an inch on the topic of marriage is because a proposal from him is the only thing you want but can’t have. 
Predictably, he ignores you. He’s never known when to quit. With so little that can genuinely stand in his way, Gojo has difficulty understanding the concept of a limitation. You’re both spoiled in that sense, noble children who had never been told no. 
“Think about it,” he says casually. “We’d be invincible. What other house could stand before our union?”
“I said- hello, father.” 
“A little early to be calling- oh, hello, Your Majesty. You look well tonight. Is that a new ring?” 
Your father cuffs Gojo around the ears. “Brat.” 
He’s in a good mood, then. 
“My little girl,” he says to you. “How pretty you look. I’m surprised no one has stolen you away from me yet.” 
You’re not so little anymore, but you forgive him. It’s just the two of you, ever since the queen died. He’s the reason you are what you are, as cultivated as a rose in a greenhouse. The climate that nurtured you is one carefully tailored by his own hand. 
“Not for lack of trying,” Gojo says brightly. 
“Boy,” your father calls him, despite the fact that Gojo isn’t a boy either. A deep sigh escapes his lungs. He looks truly sorrowful for a moment. “You look just like your mother.” 
Gojo’s smile freezes on his face. It’s true, he does. Through him, the king’s former hand lives again, but you know Gojo doesn’t want to be seen as an extension of her, even if he misses her more than anything. 
You’re familiar with the way your father knows exactly what to say to make you feel small again. The king is someone who exudes power. His uncanny ability to pick out what you’re most sensitive to and exploit it makes even the most proud of noblemen revert to children in his presence, as if they’ve been scolded by a nanny for stealing tarts from the kitchen. It’s strange that you feel the need to protect Gojo, the strongest person you know, from that. 
He reaches out and pats Gojo’s cheek now that he’s reduced him to silence. “Enjoy the night, my dear child.” 
When he leaves, Gojo slumps back in his chair with a tick in his jaw. Even if the king is your father, he can’t help himself. “Nasty old man,” he mutters. 
You pinch his thigh beneath the table. “Smile and look pretty.”
“Ugh, who is it now?”
“Lord Zenin and his son haven’t gotten their fill of tormenting me.” 
“Hm,” Gojo says. “I wonder.” 
“If you have a plan to avoid them, hurry. They’re nearly here.” 
“I don’t know,” he teases. “I don’t think you’d like it very much.”
“Yes, well, I don’t like conversation with Sir Zenin very much either.” 
He grabs your hand. “Then you’ll forgive me for anything that happens tonight?” 
“Anything is questionable, but do as you please.” 
He tugs you from your seat, pulling you through the crowd of people. Caught in his wake, you float past faces familiar and unfamiliar until the patriarch of House Zenin and his infernal spawn fade behind you. 
When you turn to face him again, he’s dipped into a bow. His smile is sweet, boyish. It’s as if you’re children again, and he’s stolen you from your lessons to waltz in an empty ballroom, motes of dust that you’ve stirred up floating in the sunbeams. 
He extends his hand, a sapphire burning on one finger. A dragon curls around the silver band of the ring, a nod to his heritage. Though the Gojos are a powerful and ancient house, in this moment, Gojo looks young, foolish, and all the better for it. 
“May I have this dance, my lady?” 
You giggle, wishing you had a fan to pretend to hide behind. You’re playing pretend again, acting as if you’re characters from a storybook.
“I’d be delighted to, my lord.” 
The music swells. Gojo takes your hand and presses a kiss to your bare knuckles. His lips are soft against your skin, temptation incarnate. In his grasp, your fingers tremble slightly, torn between wanting to seize him and wanting to run away. 
You’re terrified by how much you want him. 
If you let him in for one second, you can imagine how easy it would be to never stop. He’s every one of your desires and hopes made manifest, tied up in a single person. Although it’s impossible, you still feel the heat of him. The warmth of his lips linger on you, a stolen moment before he sweeps you up in his arms.
This is how you remember he’s a boy no longer. The breadth of his shoulders is wide. He’s lost the roundness of youth, his face growing angular and cunning. There’s solid muscle underneath your hands as he pulls you with him, his feet beating a steady rhythm that you have to fight to keep up with. 
He’s doing it on purpose, you know, testing how much you still retained all of those years of tutoring. You’re determined to show him they weren’t for naught. 
When you catch your breath and master the music once more, gliding with him rather than being tugged along, he smiles like he always expected you to. He’s been like this since you were young, dangling challenges in front of you that he’s equally as excited to see you pass as fail. 
The music slows. All around you, the frantic steps melt into slow swaying. You’re feeling brave tonight, so you step closer. You allow the arm curled more tightly around your waist, the tender look in his eyes. When you steal a glance around, no one is watching the two of you, but how far can you go before you lose it all? 
“Don’t talk to Naoya again,” he murmurs against your skin. It tickles, and you squirm until he presses so close it petrifies you. “I don’t like the rumors around him.”
“What rumors?”
“Bad ones. He tumbles girls and leaves them with nothing. Hurts them, takes whatever he wants, and ruins their lives. I don’t trust him, and especially not with you.” His hand smoothes over a stray ruffle on your petticoat, the gesture impossibly loving. “Never with you, princess.” 
You shudder at the way he says princess, feeling cut open, exposed. What has gotten into him tonight? You don’t understand. It feels like drowning, your brain always three steps behind, struggling to break the waves of your confusion. 
You know you’re weak. It’s your name that protects you, the threat of your father and the royal house behind you. Alone, you’re a lamb to slaughter. You’ve been spoiled your whole life, leaving you naive and helpless. 
Gojo is someone you trust implicitly. He’s always protected you. You’ve relied on him for as long as you’ve been alive, but perhaps that’s conditioned you to feel comfortable putting your hand into the mouth of the beast. Even at the chance of exposing how poorly you’ve been trained for the court’s schemes, you don’t hold back when you’re with him. He makes you feel at ease to speak freely without fearing how much you’ll reveal of your own vulnerabilities. 
“I can’t,” you tell him honestly. “House Zenin is one of the Three Great Houses. I can’t refuse Naoya without good reason.” 
“Then marry me,” he says softly. “Marry me and be done with all of this. They don’t deserve you, anyway. They won’t treat you like I will.” 
You close your eyes, feeling the telltale hotness of incoming tears burn behind your eyelids. Why did he do this to you? He was so gentle it hurt, even though you knew he was capable of terrible things. Somehow that made it worse, the knowledge that he was choosing to be kind. 
“You should go,” you say instead. 
Marriage between you and Gojo would never happen. Forget your father. An alliance between the strongest house and the royal house? It would be akin to tyranny. There would be blood in the streets before any of the other nobles would allow it. It’s better not to dream about impossible desires. 
Thorns, not petals, you remind yourself. You can suffer the truth. 
“Why?” He says. “I want to stay with you. I want to be good to you.” 
“This isn’t something to joke about, Satoru.” He looks like he’d rather you have slapped him. “Never talk to me about this again. Find someone else to dance with.” 
There. Your brain snags on something to distract you. You’ve been dancing with him for too long. It’ll reflect poorly on your reputation to give an unmarried man so much of your attention. 
“Pick another partner,” you urge him. 
His brow creases. Stubbornly, he holds onto you even tighter. “Don’t want to.” 
“You have to. Everyone will whisper. I’m surprised they aren’t already.”
“Then let them,” he pleads. “It doesn’t mean anything to me.” 
Regretfully, you pull away. Darkness clouds his beautiful face. It’s unnatural. When you remember him, he’s always smiling. The instances when he directs a genuine frown at you are few and far between, but you’ve already made your decision. 
Gojo stalks off in search of a new partner. Somehow, even though you were the one who forced him to leave, your heart stings to watch his back fade into the distance. If you didn’t want him to go, you shouldn’t have said anything. This is what you hoped for. Still, it’s painful. 
You want to find somewhere to rest after your spat, drained from a rare argument with him, but nowhere is secluded enough for you to let your guard down. Suddenly, you feel a wave of hatred for your stupid, glittering palace and the stupid, glittering fools infesting it. You just fought with your best friend and you’re tired, but you still have to keep up appearances. 
Somewhere nearby, Gojo is spinning another girl, her skirts flaring out around them. You wish you could press your palms to your eyes, letting the pressure relieve your headache, but you’ve shown enough weakness tonight. Instead, you tilt your head back and breathe, trying to appear calm and in control. 
It’s a good thing you restrained yourself, because Naoya is the one that finds you. His shoes are the first thing you see, black leather with steel accents. Steel, not silver, because he wants it to hurt when he kicks. 
You know. You’ve heard the stories. 
“Abandoned by Satoru, my lady?” You hate the way it sounds coming out of his mouth. Gojo makes it sound so intimate, like it’s for you and him only. Naoya’s version is a bastardization, much like the man himself. 
You’re too tired to deal with him, and yet, you’ll have to. House Zenin is important to your father and thus, important to you, especially when you inevitably replace him. “What are you insinuating about your princess, Sir Zenin?”
You use the proper address, the way he should’ve spoken about Gojo. They’re not close enough for him to be calling the other man by his first name. 
“Nothing, nothing,” he says. “Don’t get defensive now.”
You want to tell one of the knights stationed around the hall to drag him away. Instead, you smile and let him prattle on. Court politics. If you ever want to prove to your father you deserve everything you’ve been born into, you have to play the game. No matter how terrible some of the players are. 
“Since you graced Satoru with one, I hope you wouldn’t mind another dance.” 
Turning him down isn’t an option, but when you see that everyone’s watching, you realize even more how much it really isn’t an option. He probably arranged it that way too. Demonspawn. You’d curse his house if you could, instead, you offer him your hand, cringing internally when he tries kissing it. 
You can’t help but compare the two. Gojo did it better. 
Like any son of a high born house, Naoya’s a good dancer. It’s the one compliment you’re willing to grace him with, as everything else about him, especially his personality, is hideous. His hand is solid against your upper back, the other leading you as you spin around the room. It makes you want to scrub yourself clean, even under the layers of clothes. 
You’re doing this for your house. Your throne. This is nothing. None of your mantras diminish your desire to shove Naoya’s head in the cake waiting at the banquet table. 
“I’ve been waiting for this for a long time,” he tells you. 
“Forwardness is unbecoming in a man,” you say with a smile, as if he’s telling you the sweetest nothings. “What would my father say?”
“Don’t play coy, princess. We both know how this ends.” 
“Please excuse me,” you say as soon as the song ends. One is enough. “I find myself rather dizzy.” 
Naoya’s lips whiten with anger. He tries to grab your wrist, but someone steps between you. “Watch your hands with Her Royal Highness, Zenin. I won’t tolerate your disrespect.” 
Naoya’s eyes flash, but the interloper is sweeping you away already. His hands hover above your dress, never actually touching, as he guides you in the opposite direction. 
“Sir Getou, what are you doing?” 
Getou looks down on you in amusement once you’re a safe distance away. “Satoru sent me to rescue you, of course. I didn’t think he was serious when he said you would get into trouble without him.”
“Trouble finds me,” you reply archly. 
“Yes, yes,” he placates, sparking annoyance even though he just saved you from Naoya. “Are you tired of dancing yet, or do you have room for one more? I’m hoping to make an impression on potential wives by dancing with the princess.”
You’re smart enough to know that one more is rarely truly one more, but Getou did save you from Naoya. Besides, if you’re busy with him, no one else can ask for your hand. 
“I suppose I can spare you a dance.” 
Like Gojo, Getou is an adept dancer. He is, after all, a trained court noble, and the sons of House Getou are unusually predisposed to the arts in any case. If the Gojos are known for their strength, the Getous are known for their crafts. 
Getou doesn’t flinch from your unwavering gaze. If anything, he seems to find it amusing, although in the way one would find a puppy amusing. Gently, he leads you around the ballroom. 
“Stay alert, my lady. Someone’s watching you,” Getou warns. 
You follow his gaze to Gojo. There’s a beautiful woman in his arms that takes you no time at all to place, so infamous is her notoriety. Yuki of House Tsukumo is second only to Gojo in her blatant disrespect for everything the elders held dear. 
They make a striking couple. Everywhere they go, heads turn to watch them pass. Her gold to his silver, her lion to his dragon - it would be a powerful match. They would be perfect for each other, if only because no one would be able to challenge each other like they could. 
Excellent dancers each, together they become an instrument for the music to shine through. Getou is gentle with you, each movement as delicate as lilies floating across the surface of a pond. In contrast, Gojo and Yuki dance like they’re fighting, each trying to gain an advantage over the other. They’re magnetic, drawing every eye in the room to watch them. 
Everyone else may be entranced by the pair of them, but the pair itself seems disinterested in the crowd around them. Yuki’s eyes are closed but Gojo-
Gojo’s looking at you. Your cheeks heat with his attention. His stare is intense, eyes half-lidded. Every move is prowling, almost predatory. His eyes remain fixated on your face as he and Yuki move in a complicated, sinuous series of circles. There’s something impossibly filthy about his gaze. It borders on indecency, combined with the way he barely seems to be paying attention to dancing, giving you all of his focus instead.
“We can’t let them steal all the attention,” Getou says. He really is Gojo’s brother-in-arms. “Let’s give them a show.” 
You’ve never been trained in statecraft, but you’ve been given the very finest of tutors in the elegant manners of the court. A show, as Getou puts it, is more than within your capabilities. You close your senses to the rest of the world, focusing on the shift of your skirts and Getou’s quiet voice as your steps weave intricate patterns across the floor. 
He’s a naturally friendly man. It’s easy to talk to him, whispering between each peak in the music. Although he’s friends with Gojo, your social circles rarely overlap enough for you to spend much time in Getou’s company. You’re almost surprised by how much you enjoy it. 
“I think it’s time to change partners,” calls a familiar voice.
As Getou takes the hands of Lady Yuki, her eyes still closed as she sways, someone takes his place. Gojo’s hand slides from where Getou’s were placed appropriately on your upper back down to your hip. You drag them back up, ignoring his pout. He’ll be your last dance of the night. 
“Should I be worried about being replaced?” He murmurs. 
“It was only one turn,” you tell him. 
“And I never want to do it again,” he says. “The other girls don’t dance like you do.” 
He’s an unrepentant liar. You might have been tutored by the best dancers your father could find, but at this level, first and second place might as well be interchangeable. He’s only saying it so you know that he wanted to come back to you, despite the fact that you forced him away. 
Gojo’s a contradiction wrapped inside a paradox, at once sadistic and merciful. No one’s capable of making you feel as much as he does. Without the guidance of formal tutors to give you the education of a prince, you have no idea how to navigate the dangerous world of alliances and betrayals, war and peace. Once, you clumsily blundered through diplomacy, watching your father’s disappointment grow by the hour. You’ve since learned that complete silence is preferable to gaucheness. At least that is something your education as a princess has taught you. 
But Gojo knew you before you grew into the woman you are now. He still remembers how to pull smiles and tears from you, how to push you to the brink of exasperation and coax you into brilliant happiness. He has a key to all the gates you’ve erected. No matter what you do, he always slips past your defenses. 
If you keep letting him do as he pleases, you’ll be the only one who loses. Gojo is a man. If he’s rumored to be attached to the princess, it’ll elevate his reputation. He’s already the best swordsman in the entire kingdom. Being thought of as a profligate would only make them worship him more. People love a little hint of degeneracy to their heroes - not too much to make them immoral, but enough to make them attainable. 
A princess is not a hero. You’re not someone to attain, you’re someone to obtain. When people look at you, they only see the crown. If you’re thought of as a ruined woman, it would prevent you from finding a husband. It would destabilize the entire kingdom. 
It hurts to realize that you’re that selfish. Gojo would’ve chosen you over anything, but you’re letting something as empty as reputation displace him. 
Not that it’s exactly a choice. Your life has been forfeit since you were born. You don’t belong to yourself, but to the royal house. As the only child of the king, you can’t allow yourself any mistakes, not when even the barest twitch of your fingers is scrutinized. 
When Gojo offers to escort you back to your chambers at the end of the night, you swallow down the desire to agree. His eyes are hopeful, mirroring your own expression. It could be like back then, when you were children, running through the halls of the grand palace without a care in the world. Except you know you can never return to the halcyon days of your childhood, before your mother died, before his mother disappeared, before everything went wrong. You try not to let the disappointment on his face bother you when you allow the knight your father sent to bring you back to your rooms instead. 
You attribute the strange feeling you get in the morning to the leftover melancholy of last night. Sunlight trickles across your face lazily, not enough to raise you from your bed but just bright enough to remind you that morning was here. 
You’ve never slept long enough for the sun to warm your face while you were still entangled in your sheets before. The window faces your bed at such an awkward angle that the sun has to be high in the sky before it can light across your pillows. 
Usually a maid wakes you by now if you aren’t up already. Where were they? 
A gentle knock at the door only makes you more apprehensive. It can’t be Utahime. You know the sound of her steps. The pacing is stilted, awkward, as if whoever was behind the door was nervous. 
“Hello?”
“Oh, princess!” Definitely nervous. Not a voice you can recognize. A new maid, perhaps? But why would they-
The door bursts open. You scream as a cloaked figure lunges at you. She throws herself on top of you, trying to pin you to the bed so she can run you through with the knife she has raised in her left hand. 
She’s crying. “You weren’t supposed to be awake!”
Crying and angry. Fluffy white down bursts into the air, obscuring your vision as she stabs a pillow so brutally it vomits its contents. She’s not very good, which explains her terror. Unfortunately, you aren’t very good either, and you’re pinned underneath her. Thrashing doesn’t work - at the very least, she’s stronger than you, if badly trained. 
When she finally immobilizes you, she has a growing bruise over her arm from a terrible punch you had thrown, trying to mimic the way Gojo does it. Keeping your thumb outside your fist was all you remembered, and it went wide. You barely managed to hit her, and it came with a cost. She snags your wrist and pins it down. 
The knife plunges towards you. It’s rusty, which terrifies you almost as much as the implement itself. If by some miracle you survived, you’d be at risk of infection. 
Blue eyes flash before you. In this moment, an inch away from death, you wish you had gotten to say goodbye to him. Fear robs you of rationality. You don’t know anything but that you want to see him one more time and feel the warmth of his embrace. 
“Princess, it’s okay. I’m here.” 
You crack an eye open. The girl is no longer visible. The only person leaning over you now has white hair and the characteristic Gojo eyes, impossible to fake. You decide you must’ve died already. This is heaven, where your wishes have been granted. 
Gojo pulls you up. His hands are warm and solid. Vaguely, you realize that you’re trembling with the same nonchalant distance that you would use to catalog the color of the pillows. 
“You’re not dead yet.”
“Did I say that out loud?”
He chuckles. His thumb is rubbing soothing circles into your palm. “No, I could just tell by the look in your eyes.” 
“The girl…”
“Dead.” 
You scramble to the edge of your bed and peek over. Sure enough, she’s lying in a pool of her own blood. Her throat has been cut so surely her head is nearly separated from her body. 
You gag. 
“Wait,” Gojo says. He kneels to tear off her cloak and holds it in front of you. “Here, princess.”
You don’t want to give in to your queasiness, especially not when he himself is so stoic, so you shake your head. More insistently, he pushes it towards you. 
“It’s only natural,” he soothes. “I’m used to this. You’ve never seen a dead body before.”
“Just come here,” you say weakly. “No, actually. I’ll come to you.” 
“Give me a second,” he says, dropping to his knees. Under the bed, he retrieves your silk slippers. He slips them onto your feet gently, standing when he’s finished with his task. 
Obligingly, he waits as you gingerly step over the girl. When your slipper threatens to dip into the red stain spreading across your floor, he simply grabs you underneath the armpits and lifts you over it. 
Even though it’s a horrific scene, you can’t look away. Her face is frozen in a still mask. Bile fills your stomach. Gojo gently turns your head in another direction with two fingers, the touch delicate. “Don’t look.” 
“I think I’m going to be sick.” 
“I told you not to restrain yourself,” he says disapprovingly.
“You’re not- you’re-“ You can’t figure out the right way to finish your sentence. “Does it really get that easy?” 
His laugh is short and brutal. “Easy? I didn’t even think about it. All I know how to do is kill. I don’t mind it, for you.” 
You shake your head. There’s nothing to say, with a body between you and blood pooling around both your shoes, but still, your heart aches. You had known him when he was a boy. It would always be hard to see him with calluses where once his hands had been chubby and soft. 
He chucks you under the chin, the gesture fleetingly affectionate. “Don’t be so despondent, princess. I’m glad to do it. That’s what knights are for.” 
Knights and maids, all meant to lay down their life or other lives for you at your convenience. Utahime was too loyal to have let an assassin into your chambers by choice. Your breath catches. It concerns him that you’re teetering into upset again, just when he’s calmed you down. 
“Satoru, is Iori-“ The thought is too horrible. You can’t finish it. 
“She’s not dead,” he says. 
Noticeably, he doesn’t say that she’s alright. 
Utahime will be scarred forever. They found her slumped at the bottom of the stairs, her body dumped unceremoniously after they stole her from outside your bedroom. A massive gash opened her right cheek up, crossing just slightly over her nose bridge. 
You almost can’t bear to look at her. Not because her scar makes her hideous - far from it. Utahime will always be beautiful to you. The scar is only a reminder of how you’ve failed her. 
You’re a princess without any power.  All you can do is fuss over her after the fact, unable to change the past. 
“Princess,” she hisses, jerking away from you for the third time in as many minutes. “You must stop! I’m your lady-in-waiting, not the other way around.” 
“You got hurt for me,” you say, hands balled helplessly at your side. You refuse to touch her more aggressively, for fear of aggravating her wound. The bandages wrapped around her cheek are an ever present reminder of how much she’s sacrificed for you. So are the whispers. The looks. She holds her head high, acting as if it doesn’t bother her. 
“I was glad to do it. I didn’t want to be shipped off to some far away baron anyway. Be grateful,” she cracks a smile you don’t feel. “I certainly am. At least I could still join the church, if anything.” 
Why do the people around you insist on destroying themselves for your benefit? 
“You don’t need a baron.” Loyally, you vow, “I’ll take care of you for the rest of your life.”
“Be careful, my lady. Some would take that as a marriage proposal, and then I’d have twice as many death threats.”
“I’d protect you.”
“You, princess? I doubt that,” Gojo calls. 
You’ve been watching the knights move in and out of the arena from your vantage point on the royal balcony, but very few of them have dared to address you, much less speak to you so casually. They’re all too focused on the tourney you’re set to watch this afternoon. Only he would be so familiar with you and so unconcerned about the sparring, knowing his chances. 
Utahime lets out an aggressive sigh with no regard as to whether or not Gojo could hear her. In fact, she’d probably prefer it if he had overheard. Gojo, for his part, ignores the chance to antagonize her for once in his life in order to focus on you.  
“You know, my lady, I’ve heard an interesting rumor going around.” 
You walk to the edge of the balcony and peer over the railing. Utahime gasps in fear and grabs onto your petticoats, afraid that you’ll tip over the fencing. “Go on, Sir Gojo,” you say. 
“If a fair damsel grants a knight her favor, he’ll fight ten times as well. Twenty, even. And all the more so if it’s the princess, who everyone knows is the fairest in the land.”
Unwillingly, a smile twitches to life upon your lips. “Is that so?”
“Won’t you grant your most loyal knight a token of your affection?”
“Don’t,” Utahime gripes. “What has he done to deserve it?”
A scrap of pale blue fabric flutters in the light breeze, reminiscent of doves. Gojo catches the ribbon you’ve loosed from your hair, his fist enclosed in armor. He brings it to his lips for a chaste kiss he can’t place upon you. The entire time, his eyes are on yours, searching. 
“I’ll win this whole thing,” he says. “I’ll defeat every knight here for you.” 
The trumpets blow, calling the contestants. He’ll be wanted. Utahime shakes you lightly as he leaves your sight. “Get yourself together,” she says sternly. 
“But mama, I love him!” You joke. 
Her frown can’t last in the face of your teasing smile. She fixes the lace on your sleeve and collar, though they’re hardly ruffled. She can’t help herself. It’s her second nature to dote on you. 
“Ah, my princess,” she sighs. “You worry me.” 
You poke her uninjured cheek, trying to get her to smile. “It’s not me. You worry too much.”
Another voice cuts in. “I feel the same way sometimes, my dear Lady Utahime, but I trust no one more than you. Her mother left her to your capable hands, after all.” 
Your father has arrived. Utahime smiles as the king kisses her cheek, but you can’t. You know he means it lightheartedly, but it galls you all the more that he says it so blithely. When your mother fell ill, Utahime had been the one who took charge of looking after you. 
Not your father. 
Not your only living parent, the man who was supposed to feel all the closer to you for your loss. Instead, he pushed you away. 
You knew you weren’t being fair. 
The king had been wracked with grief over the passing of his beloved wife. Along with his other royal duties, he couldn’t possibly have been expected to watch over an infant as well. You know better than anyone the toll the crown takes on a man. Stewardship of this land asks a heavy price. It’s not an easy role. 
No, you can’t blame your father for choosing the country. It’s his duty, as it is yours.
You only wish it hadn’t been Utahime’s burden to carry instead. She was just a few years older, a child still when she had raised another child. In many ways, she had been a mother to you. Only now that you’ve grown older than she had been back then do you understand how much responsibility she had accepted at such a young age. 
Your father turns to you. “Are you enjoying the tournament?”
“It’s barely started. Only the squires have been jousting. We haven’t seen any of the real knights yet.” 
“Those squires will become knights themselves one day. Watch carefully, and you may discover a treasure worth keeping.”
As he speaks, you finally find someone worth watching, as if your father only had to say it to cause it to happen. A boy with rosy hair lunges towards his opponent. He disarms him and forces him to the ground - only to offer him his hand in exchange.  
The other squire hesitates. Doubt crosses his face. Finally, he accepts the proffered hand like someone expecting an attack at any minute, but all the other boy does is pull him to his feet and dust him off. He’s more honorable than most of the knights of the realm you know, too focused on humiliating their opponents to flaunt their own glory. 
Your father doesn’t notice your distraction. He’s still speaking. You bring yourself back to the conversation just in time to hear him say, “Sukuna, the King of the Curses.”
“Sorry?” You laugh. 
“It’s no laughing matter, I’m afraid,” your father says gravely. “He’s the ruler of the Western Kingdom, the land where the sun never sets. Perhaps he’s grown tired of his arid land and seeks gentler climes, for his invasions have earned him the title ‘King of Curses’.” 
Utahime’s lip curls in disgust. “King of Cruelty is more like it. I’ve heard of what he’s done to his prisoners. That man has no honor.”
“None,” your father agrees, “and yet it is necessary not to antagonize him. We are small if prosperous. We can’t afford it.”
Utahime looks as if she wants to speak, but she holds her tongue. She’s always been good at navigating the court. Trained under her, you wait as well. Taking your cues from her is something you’ve done since you were a child.
“Yes,” your father says, his eyes distant. He’s ruminating over something he won’t share. “He can’t be provoked. The representative he sent us for this tourney must be carefully attended to.” 
That representative, Uraume, doesn’t fight like any knight you know. Their sword is wider than most of those found in your country, and half as tall as a man. Precision is lost in favor of brutality. They wreak havoc with the brutality of a butcher, tearing through the ranks of your best and strongest. Of course, he’s not the only strong fighter. There are other knights to watch as well. 
“That Lady Tsukumo is doing quite well for a woman,” your father notes in surprise. “What prodigious talent. I don’t think her house has produced a fighter like that in years.”
“She’s better than half your knights,” you remind him. “Lady Tsukumo already defeated most of her bracket.” 
“Yes, yes,” your father laughs. “You know I don’t mean it like that. I’m simply admiring her.” 
As the day progresses, clear victors emerge in each division of the tournament. Uraume is one of them. Gojo is another. 
They placed him against Getou for his penultimate match, knowing the crowd would go wild for a contest between not only two of the best knights of the realm, but sworn brothers. Although Getou is better than most, Gojo is more of a natural disaster than a real, human adversary. At the end of their round, Getou smiles even as Gojo brings him to his knees. 
The next round is even more hotly anticipated than Getou and Gojo’s. 
Gojo strides into the center of the arena with the classic arrogance he’s known for. He delights in riling the crowd up. They cheer louder and louder on each circuit he laps around the arena on his silver stallion, pale as moonlight. By the last, they’re nearly delirious with passion for him. 
Uraume has no such pretenses. They’re a cold creature, as frigid as they come. 
It matters not. Gojo beats them so easily that it can only be described as disrespectful. He rides past Uraume and thrusts the hilt of his sword into their stomach with such force they fall off their horse. Gojo dismounts casually. He hadn’t even used his blade. He flips Uraume onto their back with a boot and steps onto their breastplate, pinning them in place. His sword hovers underneath their chin, a whisper away from death. “Yield,” he says pleasantly. 
You, remembering your fathers speech about Sukuna’s chosen representative from that morning, glance to the side. He’s smiling as gently as ever. Underneath his cloak, where only you and Utahime can see, his hands clenched so tightly his knuckles have turned white. 
After the match, you recognize one of the men rushing Uraume off to be one of your father’s most trusted advisors. He must be doing damage control, but then again, when is he not when Gojo’s around? 
Your father stands, as composed as if he had never been upset in the first place. You envy that self-control. You’ve always aspired to your father. In your eyes, he was the perfect ruler - perhaps because he was the one who taught you what a ruler should be. 
Gojo waits in the center of the arena. He’s beautiful as always, as fierce as an avenging angel. There’s a fine sweat beading at his temples in a way that makes you want to wipe it off with your handkerchief, but you abstain, knowing thousands are watching. 
Gojo has no such scruples. 
When it’s time for him to be awarded his laurel crown, he kneels - not to your father, but to you. A gasp rises from the crowd. You stifle your own shock. Here, where every sign of weakness is clearly visible and easily taken advantage of, you can’t reveal that this wasn’t planned. The royal family’s control over its retainers must appear immaculate - even if Gojo had always been uncontrollable. 
Wordlessly, your father passes you the laurel. You know something is brewing. He can only tolerate Gojo’s outlandish behavior so many times. But this isn’t the place to worry about your father’s incumbent wrath, so you take over the duties of honoring the victor. It’s easy. You’ve seen your father do it enough times to be able to replicate it in your sleep. 
Gojo rises from his knees, a hungry smile on his face. “I told you I’d win.” 
“That you did,” you reply noncommittally, trying to figure out how you’re going to discreetly get him out of the arena without your father attempting to try him for treason. 
He frowns. Knowing him and the type of maneuvers he’s likely to pull, you put a respectable amount of distance between the two of you as you mark his brow in gold paint. 
When you grasp his hand to lift his arm into the air, he presses something into your palm. Years of sharing secrets and playing pretend at espionage have trained you not to flinch. When you lower your enjoined hands, you slip the shred of paper he’s passed you into your pocket. 
People are cheering. You notice with warmth that he looks heroic, like he’s stepped right out of an old legend. Your father doesn’t seem to agree. 
Arguments between the two of you used to be few and far between, but lately it seems like you can’t do anything right. You’d forgotten what it was like to retreat to your parents’ bedroom for a scolding. It hadn’t happened since you were a child, yet here you were again, studying the fabric of the draperies to avoid eye contact with your father, just like you had when you were younger. 
“He wasn’t trying to be disrespectful,” you start. But that’s not true, and you know it. So you try again. “He wasn’t trying to cause problems. He cares about the kingdom, father. He was just trying to show off his - our - strength.” 
“Gojo is a liability.” How easily your father casts him off, marks him as defective. He’s always been like that - clinical in his appraisal. You lacked that precise, indifferent ruthlessness. You’ve tried. 
“He’s a good man, a good knight. House Gojo has always been loyal to us, father. Remember his mother? Remember Sorashi? She wouldn’t want you to treat her son like this.”
Your father flinches. First comes sorrow, then, anger. “Don’t speak to me about Sorashi.”
“You can’t just pretend like they never existed! Sorashi, my mother-“
“Child, you are testing my patience dangerously.” 
You fall silent, hating yourself for it. Always a child. Never someone worth listening to. 
“You don’t understand anything,” he says more gently. 
“I don’t understand anything because you won’t tell me anything!” 
“You’re a princess,” he snarls. “You’re not supposed to know anything!”
You reel back, stunned. You had always been afraid that this was how your father truly felt. 
“You have no sons, so it’s me or no one else.” Disgust fills you at the fear in your own voice. Weak. Pathetic. After all these years, the lessons your father gave you still haven’t sunk in. Perhaps he’s right, and you’re not fit for the throne after all. You’re still begging for what you want instead of demanding it like it’s what you deserve. A prince wouldn’t act like this, but you’re not a prince - only a girl who was never taught how to rule. 
He throws up his hands in exasperation. “I didn’t say anything about sons. See, you’re too young and inexperienced. This is why I won’t let you in yet. You’re not ready to rule.”
“But I will?”
He gives you a wan smile. He’s tired. Guilt seeps through you. These days, all you do is fight. You miss the times when it felt like you had worked together. At the end of all of it, you love your father. You hate that it’s been like this. 
“All in time, my child. I love you, I really do. But you’re not ready.” 
Mutiny curls under your tongue. You’re not ready because he waited too long, hoping for a male heir until your mother died. By then, it was too late for you to catch up on years of lessons you should’ve had. Regardless of what he says, you know how he feels. You were never the one he wanted but-
He’s still your father. When he reaches out to stroke your cheek, a peace offering, you close your eyes against his hand and don’t give voice to your treasonous thoughts. It’s nothing to suffer the humiliation of your status for a while longer. You have all the time in the world to earn your place. 
Your father is right, in the end. You can be patient. 
Back in the privacy of your room, you unfurl Gojo’s note. Gojo’s mother had him trained in elegant cursive that he uses for formal documents and letters. In his messages to you, it degenerates into chicken scratch. It’s a lucky coincidence that it’s all but unreadable to anyone else, making it a code only you can decipher. 
The gardens at midnight. - S. 
Only a place and a time. Is he trying to tempt fate? 
You indulge in the idea of not going, especially since things are already tense with your father. All the way up until the hour you need to leave, you let yourself believe it’s not happening. It’s too risky. People are already suspicious of you as it is. The minute passes, and if you go now, you’ll be late, so you won’t. 
You grab your shawl with a huff of annoyance. You’re going. You were always going to go, from the very moment you got the note. 
You aren’t used to sneaking through hallways you usually glide through. There are several close calls as you make your way closer and closer to the gardens. Multiple times, you’re forced to make a run for the nearest door or drape to hide behind. 
You’re barely two feet away when you’re finally caught. A hand slaps over your mouth before you can scream as someone tugs you into a dark corridor. You kick and lash out, forgetting everything Gojo has taught you in favor of blind violence. 
“Shh,” comes a voice in your ear. “It’s just me.” 
You bite him. 
He hisses and pulls back, shaking out his hand. “What’s wrong with you?” 
“Why would you do that? You scared me!” 
“You’re not careful enough, princess. Did you even notice the maid coming up the left hallway?”
Admittedly, you hadn’t. It’s lucky that he was there to save you. 
Gojo has always been there to protect you. The tension bleeds from your body. You sigh and lean into him. You can’t help it. 
He laughs. “Are you that happy to see me?” 
“If you don’t be quiet, I’ll show you exactly how happy I am.” 
“Come on,” he tugs you out towards the gardens. It’s dangerous, but you follow him anyway. Being with Gojo is so threatening not despite his strength, but because of it. You rely on him too easily, trusting him to see you safely through any peril. His very presence is the promise of security. It makes it too easy to relax when he’s with you. 
You expect him to tell you why he called you here, but he remains silent when he tugs you down on the bench next to him. “Satoru?” 
“Here,” he says, opening his hands. A single crushed violet sits on his palm. You raise it to your eye. It’s all the more fragrant because it has been mangled, the delicate petals bruised to release the scent into the air. 
Gojo’s mouth lifts in a smile. “Sorry,” he says. “I didn’t realize.” 
“You really know how to win a girl’s heart,” you tease. 
“Hopefully I know how to win over her father’s too.”
You freeze. 
“If not marriage, then knighthood. Let me be yours, in whatever way I can have you.” 
“You have me,” you tell him. “You always have.”
You don’t know how to answer such devotion. Besides the obvious political ramifications of being wedded to Gojo when your marriage is meant to be a bargaining chip used for the sake of your kingdom, you don’t want it. Not like this. 
Gojo has been your dedicated shield for so long, the two of you have forgotten a life where he wouldn’t give up everything to protect you. He’d do anything for you - even that which he should hold sacred for himself. His very body is littered with scars that he’s received on your behalf. How much more can you take from him? 
Does Gojo really want to marry you or does he want to protect you? Will he play the part of the devoted servant for the rest of his life? 
“You don’t have to…” You realize you don’t know how to say it. Or that you don’t want to. Selfishly, a part of you can’t bear to release him from the oath he gave you when you were children, though he couldn’t have known. Neither of you could have understood what it meant for him to kneel at your feet and swear his life to you. It had all been in good fun, the way children understand things. “I don’t want you to- Oh, Satoru. You don’t owe me anything. You’ve done enough for me.” 
For a second, your imagination plays tricks on you. The cobalt of his eyes kindles into a terrifying flame, like the lightning in the town he hails from. It’s as if the draconic blood his ancestors claimed still lives within him. 
He continues as if he hadn’t heard you. “I’m going to ask your father tomorrow. I want to be your dedicated knight; I won’t wait any longer. I’ve waited enough.” 
His pushiness feeds your annoyance. You cling to it, preferring it to the dreadful hopelessness inside of you. The right thing is not always the easy thing. Gojo deserves his freedom after wasting his youth on keeping you safe, yet letting him go feels as difficult as willingly driving a nail through your hand. You want to cling to him forever, reassured by his strength. 
“Don’t,” you say, trying to sound firm. 
“At the ceremony,” he says determinedly. “When he gives me captainship in the army. He’ll have to say yes if I ask him then.” 
“Satoru, please-” Your voice wobbles embarrassingly, and you have to pause. Silently, you beg your tears not to fall. The way he disarms you is humiliating. You turn away, but Gojo understands. Years of watching after you has taught him a lot. He bandaged the scrapes that you refused to cry over and avenged your honor after you pretended your pride hadn't been hurt. He can see right through you. “Please don’t.” 
You see the frustration on his face. He’s not a man used to holding himself back, and yet he does. 
“It’s alright,” he says. “We can wait.” 
It’s just another number to add to the tally of favors you owe him. “It’s not that I don’t want you to be my guard,” you say in a small voice. “I just-” 
“I know. Though I do think the king will ask me anyway, so this is all pointless.” He looks away. “I just wanted you to- Nevermind.” 
“Really?” Doubt colors your voice. 
“I’m the strongest. Who else would your father ask to protect you but me?” 
“He doesn’t like you,” you point out. “No, he does, but it’s a very begrudging like. I don’t get it.” 
It makes you smile, thinking about the way your father can’t stand Gojo but won’t allow anyone else to speak poorly of him. He’s still a Gojo after all, no matter how much trouble he causes your father, and your father loves Gojos. The royal house has always held their house dear. They had been close for decades. Always, they were something to the other, no matter what form that something took. 
“There you are,” Gojo murmurs. His fingers trace the arc of your mouth. “So pretty.” 
You glare at him through tears. “And whose fault is it that I cried?” 
“Your father’s?” 
You scoff. “You see? This is why he doesn’t like you.” 
Gojo looks at you seriously. “I’ll get down on both knees and beg him for it if I have to.” 
“Don’t do that,” you gasp. 
“I don’t care,” he says. “You’re what’s most important to me. More than pride, more than honor.” 
You look at the crushed violet in your hand. 
Who else but Gojo? 
He breaks you down so easily. You press the flower back into his palm. “I know you’ll do what’s right.” 
His eyes soften. He leans closer. 
“Gojo,” comes a voice. “What are you doing in the gardens this late at night?” 
You stiffen. The owner of the voice is drawing closer. 
“Do you trust me?” Gojo asks, as cool and collected as ever. 
You nod, fearing your voice will give you away. He cups your face in his hands and ever so delicately presses a light kiss to your cheek, tilting his head towards you. Does it look like a real kiss from afar? Did he mean it to? 
“Stop,” he tells the man behind you. “Don’t come any closer. You’ll scare her.” 
“A new plaything?” Asks Yaga. “I’m not so scary, am I?” 
Gojo notices you tremble harder as the voice registers. Lord Commander Yaga is close to the King. As the captain of the kingsguard, he could ruin everything.
Gojo lifts a hand to the back of your head and presses it gently towards his shoulder, obscuring your face. He pulls you towards him, arranging your legs around his waist. A soothing hand traces a warm path up and down your back. It calms you as much as it shames you. You’ve never been this close to any man, not even him, and now you’re cuddling only for the sake of protecting your secrets. 
“The Lord Commander of the Kingsguard is a terrifying man, or so I’ve heard,” he says casually, as if the two of you aren’t trapped in an extremely compromising position. As if your father wouldn’t demand his head on a pike if Yaga realized who it was. 
“Just escort her to her room when you’re done,” Yaga says gruffly. “I don’t need to tell you to be a gentleman, do I?” 
“No, sir,” Gojo says cheerfully. 
That night, you breathe a sigh of relief. Yaga gave no sign he recognized you. He acted as if he normally would upon encountering any soldier of his on a late night escapade, profoundly disinterested and deeply desirous to get away. Only in the morning do you begin to doubt your deception. 
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