Bruce is actually really attractive, and I have enough reasoning to make a list
He's:
Tall (. Tall enough to hit his head on the vault doorframe)
Long-legged
Has a straight nose bridge
Has high cheekbones (more noticeable in 2nd pic below)
Has a strong jawline
Sharp eyes, but they aren't small (plus eyebags if you're into that)
Overall, he has strong, attractive facial features
Has broad, refined shoulders. You can tell he works out (or he did, when he was alive)
Even has a thick, muscly neck
He has MUSCLE. Is SCULPTED. NOICE. VERY NOICE. (nice arms. Nice shoulders. Nice neck. Nice legs. Nice butt-)
(There are actually panels where you can see some of his muscles. Other than those already shown here, he's got bricky thighs-
-and in the panels where we first get his name dropped, he's got those shoulder blades too-)
The one time we see him smile, and he actually has a scary one
Has small, kinda sharp pupils, and his eyes remind me of a cat. We only ever saw him tense or defensive, so his resting/listening face is really cute
Other than the physical appearance stuff, he also:
Takes shit without batting an eye (patience, knowing it's just how Kudo is, etc)
Kudo being all "Cut the crap Bruce and give it to me straight", after Bruce tests his blood and is rightfully Concerned because they just faced AFO
Put up with Kudo's experimenting and testing over Yoichi's transferable Factor
Did ya'll see the look on Kudo's face when he realized he had Yoichi's Factor/will? Kudo was going to start in nonsense and Bruce just dealt with that.
Also something I noticed when looking back at the images here; Bruce has bandages on his arms in the void. But not when he faced AFO in the sewers.
Were he and Kudo cutting their arms open in their experimenting over Yoichi's theory? Is this why Kudo has two gauntlets instead of his one? Why we never see his bare arms in the void? That he always keeps his arms down so there's no slip?
Is smart enough to run blood tests, plus has enough common sense to pick Shinomori as his successor
He picked a guy who avoids society, has an Ability to detect danger so he can always stay away from AFO, is also a coward so he's never going to go throw himself into danger, even without knowing instinctively he stands no chance, etc.
Meanwhile, Kudo chose Bruce, who he played Hot Potato Yoichi with; but he did also trust Bruce, and put the only pure combative Ability in OFA through Bruce.
These two made their choices based on what they valued and saw the Factor needed.
Is logical, analytical, and calm.
He tried advising Midoriya on their Abilities in One For All, especially his own.
Midoriya then tried ignoring him about using Fa Jin for the first time, but found he was right, thinking: "Dammit!! I had [Lady Nagant] right where I wanted her, but... ugh! The Third was right. My parallel Quirk processes are all screwed up!" (ch. 314).
Plus, when Midoriya fixed his processing mistakes, Bruce was analyzing the way he reached his new conclusion. Pure facts, no bias, very calm, just saying it as it was.
We never see him panic. When he's caught by surprise in the sewers by AFO, Kudo, and Yoichi's little bubble event, he immediately reacts. He doesn't falter, he just knows he has to do something right now.
Was more willing to listen than Kudo to Yoichi's beckon, and probably was just following Kudo's rejection of Midoriya
While we don't see Kudo's face, we see Bruce's eyes when Yoichi calls on his heroes. Bruce was more open and receptive, or at least more impacted.
Bruce was also the one to start talking, while Kudo just kept quiet.
He actually communicates a lot
When Yoichi called them to support Midoriya, Bruce started talking to paint a picture of why they thought the way they did, so Yoichi understood where they were coming from.
(Though he seems to beat about the bush sometimes, since Kudo spoke up to be direct on how they couldn't just put their trust in some starry-eyed teenager. Plus, when Kudo tells him to just tell him what's wrong [double Factors])
When Midoriya first used Fa Jin against Nagant, Bruce came out just to tell him he knew what he was trying, but that Midoriya wasn't ready; and Midoriya found he was right. Midoriya just didn't want to listen to him then.
He asks Kudo for clarification after finding Kudo had two Factors in him after the sewer incident ("Just to be sure, All For One didn't touch you, right?") Kudo knew him well enough to go "stop beating around the bush and tell me", so Bruce was probably gonna start with questions, theories, and trying to understand everything in general, before saying "yeah you have two Factors. Don't know why".
Is strong-willed and loyal.
He followed Kudo, even to death, carrying on the cause he started until it ended with him.
Plus, when talking about how AFO needs a strong will to override OFA's own, we first see Bruce, Kudo, and Yoichi.
AFO couldn't steal OFA because the will was too strong for him, and that was back during Banjo's time. Since Shinomori never actually tried opposing AFO and just hid, we can assume the first Three (Yoichi, Kudo, Bruce) already had an accumulation of strong willpower that made OFA un-stealable. Those three are a strong enough foundation, and the main wills, that the other users just become bonuses.
Kudo, also saying that Midoriya needs allies with the same will and drive as him... hey Kudo, you're talking about yourself and your old allies, aren't you? That's why you look at Yoichi and Bruce when you say this.
Not only is Bruce attractive, but he's got good character. THE END.
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of ten’s companions, if the doctor couldn’t handle losing them and crossed his own timeline to trick them into traveling with future!him instead of past!him so that he’d have a little more time with them:
rose would do it. first because bless her but she has the situational awareness of a rock, and legitimately would not realize this isn’t her doctor until his facade starts to break down and he starts bleeding grief-laced love for her at every turn. but once she does realize it, she’s both deeply sympathetic and a little scared that she could make him into this. it’s a lot to be confronted with having that much power over someone, to break them so thoroughly. rose would try to get back to her doctor, but while she’s with the future version, she tries to do what she can to ease his pain. (she also tries to figure out a way to subvert her fate. she fails.)
i think martha would be harder to trick. she can smell desperation on the doctor like a bloodhound. she is so tapped into the fact that this man wants to off himself so bad and that she’s 90% of his self-restraint, so present her with a doctor who is lacking that and she’s onto him immediately. however, assuming he gets her to come with him, explains why he’s doing this, there’s like. a minute where she’s kind of. not flattered exactly, but surprised, giddy with the realization that he’d come back for a little more time with her, especially if this is early season 3 martha. which would all come crashing down around the time that he reveals that he wasn’t pushed to this by losing her to some tragedy or her death or anything- but that she chose to leave. that is the point at which martha goes ‘oh i need to get the fuck off of this tardis right now’ and ghosts the past!doctor that she was also traveling with because holy shit, man.
donna, like rose, is easily bamboozled into following the wrong doctor home, provided that he shuffles her along into his tardis too fast for her to argue. but she catches on far quicker than rose does. like, three minutes tops of watching the doctor move through the tardis in a way that’s definitely not enthusiastic piloting and looks more like guilty panic. and then she yells at him for lying to her. and she yells at him for kidnapping her. and then she stops yelling because he’s gone sort of still and quiet and his eyes are just broken. and he doesn’t explain himself, he confesses. donna is going to try to stay with him after this btw. because how do you go back to looking your best friend in the eyes when you know he’d take everything you’ve become away from you, even to save your life? and this is still the doctor, he still did that to her, but he regrets it. regrets it so much that he can’t live with it, he’s breaking time and space just to hear her say his name again. and donna doesn’t want to lose him anymore than he wanted to lose her.
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I Am All In Rewatch - Jess & Rory- Episode 2x5 (Part 1)
Yeah, you're a hot dude, but I ain't. I ain't passing up a hot meal when I'm hungry. Guy. I mean, you know, you kind of matter, but not right now. She's her own person. She's grown, you know, she's growing into the spectacular woman to be and it's just this strong, empowered one but still hell bent for leather because who mommy is and who daddy is, right? So there, so there's that opening... It'll cause her some heartache maybe, but it's necessary...And I thought, in terms of the acting he had, he displayed an appropriate amount of you know, sort of internal confusion and internal angst and um where he was that he was that guy that thought he knew everything, yet he knew he didn't, and he was angry about it and he just he just couldn't. He had no patience for conformity or society. It made me made you want to find out what happened to him and help him out, and it really made me gravitate toward him. So that's the subtlety in his performance that is so brilliant. It draws you in. You know, he doesn't overdo it, He just gives you a taste. -Scott
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Hi, hello, I’m new to your blog. I’ve made myself at home. Lovely carpet.
Can I please know more about your spider Robbie pie? Can’t seem to find the silverware.
but of course, kind anon
Spider Robbie is an au in which Robbie Robertson takes up the spider mantle after the death of the one before him. He is the third, following Ben Urich and, most notably, Peter Parker.
This au is very much canon divergence from Eyes Without a Face, where Peter makes it in time to save Robbie from his original fate but dies in the process. Peter is shot while rushing Robbie and the others out. In his panic and elation at finding Robbie physically unharmed, Peter outs himself as the Spider Man to his best friend. Robbie stays with him as he bleeds out and resolves to continue to hide Peter's identity.
Peter is buried and remains that way for... an undetermined amount of time.
Robbie is left with a mask, a jacket, and the question of just who was this other half of his friend. As he learns more of who this... Spider Man was, he gets more and more involved in the spider's cases and conflicts. Robbie gets more sure of his own abilities and makes a bit of a name for the Spider Man within his own community, though the people of Harlem are largely unaware that the appearances of a masked vigilante match the interests of one Robbie Robertson.
It is to be noted that none of these aforementioned abilities are spider-god-induced powers like Peter's. Robbie, especially at the beginning of his spidering career, leans more into Urich's role than Parker's. To me, Robbie has been passionate about the press and journalism in a way that Peter never was. For Pete, his job as a photographer and reporter was a job he took until he could get into college and study science. Robbie has a way with words and communication that Peter frankly lacks. Of course, that isn't to say that Robbie won't be kicking ass, because he will. It will just take him a bit of time to get some of those skills as he's, well, a normal guy. Not everyone can get their biology scrambled like Pete.
And just because Robbie hasn't been scrambled doesn't mean he's completely separate from all things supernatural either!
I think the marvel noir universe is at its best when there's a magical, supernatural undercurrent. This concept isn't super prevalent in the actual comics, but HoplesslyLost on ao3 has done some really cool world building with it.
I think in Robbie's case, where he would be the narrator, "magical realism" would be an interesting avenue to take it. I use this term in particular because I most closely relate it to Toni Morrison in my head, when I first learned about it through her work in high school. For Morrison, the concept was inseparable to blackness and I think for Robbie, where his blackness is so central to his character and his motivations, drawing on that could be more of a service to his character. It feels better to do that than ignore how incredibly racialized his society and story is. It will make his relationship with the spider god, Peter (who I will get to very very shortly), his community, and his own mythos as The Spider Man really interesting and complex.
So it's been established that Robbie doesn't have spider powers. And we all know that Peter did-- or should I say does. One of the spider god's abilities is to bring Peter back to life. She does this in the comics, but not in any of the runs from 2008-2010 (the runs that make up this au). When Peter dies on Ellis Island, he does not think he is coming back from that. Waking up again is a surprise.
Here's where I think the au really takes a left turn. Do I think the Spider God is purely evil and spiteful and has it out for Pete? No, not really. Will I be ramping said traits up to 11 for the au? Yeah, I guess I might. This is because I love a little bit of horror and the came back wrong trope. I will hopefully be fleshing the spider god out in the near future, but I really haven't given her the many hours of thought I have the other characters. For that I'm sorry spider god </3
Peter digs himself out of his grave, more spider than he ever has been. For much of his new, waking life he is more animalistic than not. There is clearly something wrong with him; his joints are too flexible and loose, he's got some eye-shine going on, his skin is pale and his veins are starkly dark beneath it. He's possessed. Someone is puppeteering him, someone who knows a lot-- almost everything about him, but it's clear that the someone isn't him.
And Peter--- the body, it can't be Peter. At least, that's what Robbie thinks when the figure catches his eye the first time. Because Peter is dead and buried, and he has been dead and buried for weeks.
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