#fuck narrative
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A TED talk- the PR edition.
I know very little about PR.
Megan Moss Pinchon, the founder of Narrative, had every chance to pull her client, Chris Evans out of this situation. But no. She only sees him as a six-foot-tall walking dollar sign. I'll explain.
Pulling Chris out right after the pap walk. Talk about cringe.
Pulling Chris out right after the family's annual Disney trip. Mama Lisa's annoyed and murderous expression says it all.
Pulling Chris out after the trash nun's famous shower tantrum, which got her suspended on IG, and would have gotten her on a sec offenders registry. But, no. Meg swept that under the rug.
The Ghosted premiere. The trash nun's shoes up uninvited. Chris looks pissed! That's unusual for him, given his happy-go-lucky demeanor.
The laser focused comment. Meg needed to pull Chris from this, but no. She stood by, making sure he stuck to the script. When he didn't, Meg certainly gave him an earful. Instead, we get 5,000.artickes about them being "IG official", onky to have another 5,000 articles about Valentine's Day photo dumos when it's fucking clear he can't stand her, and can"t stand beinf around her.
After Scott's comment. It was clear Scott was put on the spot, and didn't know what to do. Instead, you used a People article to sweep it under the rug.
After the engagement rumors. Boom, there was a huge chance. But no, you just cleaned up using a dog shelter video and a People article about the family.
The "wedding". It's clear that fraud was committed. You had Chris claiming this the same weekend as 9/11, but wait! Was it that Friday? That Saturday? That Sunday? Nobody can keep the timeline straight. When the met? 2020? No, there was a global pandemic, and at that time, you had your client go to London to help clean up the cocaine Cinderella 's mess. He would have been nominated for an Emmy for Defending Jacob, but no. 2021? No, there were still lockdowns. 2022? Think again. They never met. The trash nun was still with Lucas while seducing old men, making internet porn, and selling foot fetish pics and foot fetish videos. You had every chance to pull him out of this. Then, later that week, you had your client in a "second wedding" in Portugal, the trash nun's home turf, only to avoid immigration laws. Where is the marriage license? Visa's with her name on it claiming that she was here? Where is the spousal visa? They don't exist. Ask anyone who has dealt with immigration, and they can tell you becoming a U.S. citizen is a process, albeit a very long one. Anyone who has married a non-U.S. citizen knows that your spouse is not leaving U.S. or foreign soil for a minimum of four months.
The Con. You had your client, Chris, wear an ill fitting ring the entire time, and admit to fraud. His panel wasn't recorded. How convenient. He spent more time talking about Dodger than he did about the trash nun. He looked very exhausted, haggard, and drugged. Since he was drugged to comply, Meg could have wound up in jail for possession with the intent to distribute, but no. Even that was cringe, and Meg was at the Con the whole time, making sure her client stuck to the script. You also had two people right next to him, one taking gifts from fans, and one watching intently. For what? In case he wanted to escape? I wouldn't blame Chris for making a run for it.
Another People article on Thanksgiving. Chris wanted to handle his return to IG and social media privately. But, no. You had to go ahead, embellish the crap out of it, and again, mention the trash nun, when it's perfectly clear that he hasn't said her name this time, and she's not on his list of followers or peopke that is following him. He is only following two accounts, and two accounts are only following him. Again, you had a chance to pull your client, but no. You chose to announce his return to IG loudly using People.
The manipulation quote in the SMA interview. The trash nub is famous for this, and Meg is, too. Again, you had a chance to pull your client from this.
The GQ article. Again, you could have protected and pull your client. But, no. He was drugged to comply, and you had Mama Lisa there making sure he stuck to the script. I'm pretty sure Mama Lisa didn't want anything to do with it.
We all know Meg loves her designer toys and clothes and accessories. Whatever makes her money, that's the tactic she takes. She cares nothing about her Chris and her other clients. I can guarantee she's done the same with her various other clients, but nothing to this extent.
At the end of the day, Meg is working for Chris. It's not Chris working for Meg. Chris just needs to fire her. She's done more harm than good, and all at the expense and the safety of her client.
I just want to give Chris a hug, and tell him it's going to be okay. I'm still sticking around because I believe in him.
Thanks for coming to my TED talk.
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OK THIS IS NOT A FUCKING DRILL EVERYONE FUCKING REPEAT AFTER ME. THIS IS WHAT YOU WILL DO WHEN YOU WATCH MUPPET CHRISTMAS CAROL THIS YEAR:
You will navigate to the page on disney plus (and it has to be here. Unless someone has actually uploaded the REAL movie anywhere else you cannot get it elsewhere)
BUT YOU WILL NOT HIT PLAY. You won’t do it. Because it’s NOT THE REAL VERSION OF THE FILM AND DISNEY IS FUCKING LYING TO YOU AS IT ALWAYS DOES
You will scroll down HERE. To EXTRAS instead. You MUST GO HERE. This is non -negotiable
THEN YOU WILL SCROLL DOWN TO THE BOTTOM OF THE EXTRAS AND YOU WILL THEN HIT PLAY ON THIS BAD BOY: THE FULL LENGTH VERSION
And you will watch it. And you will thank me for having been so blind and led astray by that stupid fucking mouse. You’re welcome.
#I’m so mad everyone I’m sorry I’m going to make sure EVERYONE sees the proper version of mcc this year or die trying#literally this song is so important to the narrative and the film is so fucking hollow without it#if you grew up with disney’s bullshit version and thought it was good WAIT UNTIL YOU SEE THIS SHIT#please. please watch the REAL version of this film. it means a lot to me ok#the muppet christmas carol#for the love of god please people
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Love the contrast between the Americans’ “Apollo” and the Soviets’ “Sputnik.” You got the Americans naming their rocket after a Greek god trying to communicate the grandness and importance of this rocket. And you got the Soviets naming their rocket “fellow traveler.” Like a friend you go on an adventure with together. This rocket is our little friend lol
#i think its cute#they took the mars rover approach#humanizing the space craft making it cute making us (me) project emotions onto it#the soviets also used imagery of laika in propaganda a lot#which is pretty fucked up imo#but if i grew up in the soviet union that shit wouldve definetly worked on me lmao#the narrative of a heroic little dog going to space and being honored by the whole country#as cruely wrong as it is its very appealing#the soviets knew what they were doing man they didnt reveal how laika really died until like. the 2000s#bc they knew people really cared about that dog#they liked the narrative around her
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not "i ship these characters" or "i want them to bond platonically" but a secret 3rd thing (I want them to be forced to interact by the Narrative bc they would HATE that)
#who needs romance when i can watch two narrative foils painfully tolerate each other's existence#bonus points if they are forced to Work Together To Solve A Problem#and they end up working surprisingly well together!#they make a surprisingly effective team!#they even confide some backstory with each other & bond a bit & understand each other better#and when it's all over they shake hands & amicably agree that they still cannot fucking stand each other#'this was an interesting sidequest & I'm glad we got to experience it.#but all things considered i genuinely never want to see your face again'#Enemies to Chained-Up-In-An-Abandoned-Bathroom-Together#to Enemies#two stray cats forced to share a cat carrier for a trip to the vet
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we need to talk about the fact that for many of the posters in season one, they are literally on opposite sides and/or have a dividing line between them
and now they're literally crossed over in some way for the season 2 posters
THEY'RE LITERALLY ON THEIR OWN SIDE NOW, PEOPLE!
CAN WE TALK ABOUT THIS?
#good omens#aziraphale#crowley#losing my mind again#yeah uh#can we fucking talk about the crossing of established boundaries as a narrative device?#yes i know it's obvious#but like#LOOK
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the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.
three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.
two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.
their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.
one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.
i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.
i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.
and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?
you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.
a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.
someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.
#writeblr#warm up#this is longer than i wanted i really considered removing that part about myself and what i went thru#but i think it really fucking bothers me that EVERY time i talk about being an artist#ppl assume i just like. had the skill and ability to drop everything and pay for grad school.#like sir i grew up poor. my house wasn't a safe space. i gave up a FREE RIDE TO LAW SCHOOL. for THIS. bc i chose it.#was it fucking hard? was i choosing the hard thing?? yes.#but we need to stop seeing artists as lazy layabouts that can ''afford'' to just ''sit around and create''#when MANY - if not MOST - of us are NOT like that. we have to work our fucking ASSES off. hard work. long and hard work#part of valuing artists is recognizing the amount we sacrifice to make our art. bc it doesn't just#like HAPPEN to us. also btw it rarely has anything to do with true talent.#speaking as someone with a chronic condition i hate when ppl are like u have it easy. like actively as i'm writing this my hands r#ACTIVELY hurting me. i haven't been posting bc my left hand was curled in a claw for the last week#this isn't fucking luck. after a certain point it's not even TALENT. it's dedication & sacrifice.#''u get to flounce around and do nothing with ur life'' is a narrative that is a direct result of capitalism#imagine if we said that about literally any other profession.#''oh so u give up 10 yrs of ur life to be a doctor? u sacrifice having a social life and u get SUPER in debt?#u need to work countless hours and it will often be thankless? well i wish i was that lucky''#we should be applying that logic to landlords ONLY#''oh ur mom and dad gave u the money to buy a house? and all u did was paint it white and rent it? huh.''
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lore accurate teen soukoku. the worsties ever
#rewatched fifteen w my bestie bc she finally reached season 3 and i forgot just how insufferable these two idiots are💀#literally calling each other slurs in one scene and then holding hands in the next#what the fuck is wrong with them /gen#anyway this accurately sums up their dynamic to me. toxic besties. gossip gals. teenage girls. whatever that dynamic is called#bungou stray dogs#bungo stray dogs#bsd#dazai osamu#osamu dazai#nakahara chuuya#chuuya nakahara#soukoku#skk#lotus draws#also my friend is literally insane bc she was like “chuuya n dazai are satosugu coded but if like stsg actually had BEEF w each other”#LIKE WHAT😭😭#THE ONLY THING THEY HAVE IN COMMON IS DOOMED BY THE NARRATIVE YAOI#sobbing you guys shouldve seen the face i fucking made at her. i was so disappointed
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“They finally made this theme more blatant-" Why does it need to be blatant. What's wrong with subtlety? Concepts can be underused but subtlety is not neglect.
Blaring all your concepts and themes is not good writing. It's so disruptive to a story's flow when the characters look off the screen to be like "See? This is the concept. The idea. The theme."
If you can feel the hand of the author becoming too heavy that's bad.
For example: I see people saying Azula's abuse in ATLA is more blatant in the live action and it's good because "it's being discussed more". It already was discussed at length. The show made it clear she was a victim at every turn, every behavior, every reaction, it came from a place of trauma. It was made clear that she was scared of ending up like Zuko because Zuko was an example of what would happen to her if she failed. When she says she's better than Zuko it wasn't just because she was raised to think hersef superior to him but because Zuko failed and failures get mutilated and exiled, failures are abandoned. In that final Agni Kai the music is morose and somber because this isnt some epic battle its a fucking tragedy, the burning out of "Ozai's brightest light" and Azula finally succumbing to her terror and trauma she was repressing now that her worst fears are realized. How can you see a fourteen year old girl chained to a sewer grate wailing and writhing and breathing fire desperately as unsympathetic? Even Katara and Zuko are horrified as to what has become of her.
The writers weren't looking us in the eye and saying "See? She's a victim too" when they wrote this, they weaved it in. They weaved it into her obsesison with symmetry, her extreme perfectionism, the way she talks about Ozai, the ways she calls herself a monster, her isolation from those with healthy home lives, all the ways she held herself together and ultimately all the cracks and seams that she shattered down when she fell apart. It did not need to be blatant to be clear.
#Finis Analyzes#Nihil Dreams#ATLA#avatar the last airbender#Azula#I’m so fucking sick of people saying stuff like this#Please learn media literacy I am begging you#The narrative is not going to hold your hand and play tour guide and point out everything#Stop acting like it has to#You can analyze it yourself I promise
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something. about. the horror of being sent on an impossible (death) quest and obligations and hospitality politics. the trauma of not having a home, and then the trauma of being in a house that becomes actively hostile to you, one that would swallow you whole and spit out your bones if you step out of line. all of this is conditional, your existence continues to be something men want gone.
it's about going back as far as I can with the perseus narrative because there's always a version of a myth that exists behind the one that survives. the missing pieces are clearly defined, but the oldest recorded version of it isn't there! and there's probably something older before that!! but it's doomed to forever be an unfilled space, clearly defined by an outline of something that was there and continues to be there in it's absence.
and love. it's also about love. even when you had nothing, you had love.
on the opposite side of the spectrum, this is Not About Ovid Or Roman-Renaissance Reception, Depictions And Discourses On The Perseus Narrative.
edit: to add to the above, while it's not about Ovid, because I'm specifically trying to peel things back to the oldest version of this story, Ovid is fine. alterations on the Perseus myth that give more attention Medusa predate Ovid by several centuries. this comic is also not about those, either! there are many versions of this story from the ancient world. there is not one singular True or Better version, they're all saying something.
Perseus, Daniel Ogden
Anthology of Classical Myth: Primary Sources in Translation, edited & translated by Stephen M Trzaskoma, R. Scott Smith, Stephen Brunet
#it's all greek to me#perseus#danae#komiks tag#long post#every other week i start to say something about how greek heroes are a good case study in diaspora and exile trauma#but man perseus makes me so sad. so does danae. she loves her son :(#perseus turning a whole island to stone is a huge mood. i would also do that if i were him#anyway (salutes) take care everyone i gotta watch yunho's new video it looks like a fucking movie im so excited#(i singled out ovid bc i remember the fucking shit perseus discourse that ran through this site. i remember#im preemptively loading a gun and pointing at it before it can touch this post#it hasn't died out either i see it on twitter all the time in the most ANNOYING ways possible i am TIRED#esp bc they're actually doing medusa a narrative disservice like congrats! you made it worse! stop telling me it's better!!!!)
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arthur is rude to that one sex worker because the guys are fucking around as they oughtn't be and he actively wants the source of their distraction to go away. that is how he operates through the entire game: deliberate, utilitarian intimidation and strategic unpleasantness to achieve a goal. it is an early game commentary on arthur meant to position him as a big dog that barks. it is not a commentary on his views about women which are clarified many times afterward. you guys realize that right
#arthur morgan#rdr2#redmeta#this is one of the most wildly misinterpreted but also most obvious scenes where writers are teaching us how arthur moves through the world#i really don't mean to seem short here#i am just exhausted of reddit mentality low literacy “ARTHUR WOULD SHOOT U IN THE FACE FOR FUN HE HATES WOMEN AND SLUTS” takes#my mistake was imagining a world where your average man online could intellectualize about narrative art#unless it is spoonfed to them on a shotty slug that says I'M STRAIGHT BUT I'D LET [MASC CHARACTER] FUCK ME
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MUFFIN!
I knew that the trash troll dumpster fire would throw yet another tantrum. Just ignore the next one. She'll tire herself out. She needs a serious time out!
Just don't cave in to her. Stay strong!
I long for the days when things went back to normal after something like this.
She's like Muffin from Bluey. Always throwing a tantrum when she's not the center of the universe or when she doesn't get what she wants. She really needs a cone and a serious time out.
#bluey#muffin#chris evans#pr stunt#enough is enough#enough already#fuck racism#fuck narrative#fuck caa#fuck trolls#fuck narcissists
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reunion 🌸
#persona 3#persona 3 spoilers#minato arisato#makoto yuki#ryoji mochizuki#aigis#ryomina#lizzy does art#HELLO EVERYONE!!! march 5th is upon us again so i bring... my contribution for this year. my third year drawing for it!#i made the thumbnail for this a few weeks after last year's graduation day#i thought it would be fun to lean into the ryominaigis angle of graduation day (you could read this as minato/aigis if you like-#but i feel like most people would read it as ryoji/minato)#IN ANY CASE working on this made me very emotional over this game :') (specifically minato)#i really enjoy how p3 ends it's such a nice way of wrapping up the narrative's messages and themes#working on this. minato's kindness was at the forefront of my mind throughout the piece#and i really wanted to capture how. ultimately it was his decision to sacrifice himself- to do the great seal#while to an outsider's perspective it is. sad that minato passes. i think becoming the seal is something that minato-#actively welcomes. in the same way that death (ryoji) is a comfort to him because death was housed in him for Ten YearsTM#AND I ALSO GOT REALLY SAD OVER AIGIS TOO. i still get fucked up over how in fes's animated cutscene for 3/5 they portray-#her as human and not drawing the robot parts so i wanted to do something smilar here...#but also i am very sad on aigis's behalf because she discovers her humanity through minato and realizes what she-#wants to do and then. well. minato is like. he's ready to pass on (even if he's scared) and im like. OH MY GOD THIS TRIO GETS ME MESSED UP#this was more coherent in my head LOL BUT ough i like drawing p3 and working through my feelings about it...#anyway! happy (in quotations) march 5th. i love this game to bits. it's so fun to draw for this day every year and see how i've improved#if you've read all this thank you :) lizzy appreciates you all very much. mwah! <3
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"i have a sister now! thank you, granpa! we are going to do so much stuff together!"
(trans masc newborn shado btw. tag as ship and ill kill you)
#im so done. they deserved so much better#im getting atatched to maria now and its#its not easy. shes basicaly a pure white girl but also a completely blank canvas#yet im so. shes so.. i hc those earings are a gift from her parents they gave her jjst before she moved to the ark. she always wears them#she was a human being with her own identity but neither her granpa (the person that raised her) nor the narrative treats her as such#there had to be some fucked up shit she went through psycologicaly that not even shadow got to know#its actually painful for me to draw her not happy. its too much#also shadow is trans masc and just a few days of age thats why maria calls him “sister”#sth#sonic#sonic fanart#sonic the hedgehog#shadow the hedgehog#maria robotnik#nov.aart
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PERCEVAL THE UNHAPPY, THE MISERABLE, THE UNFORTUNATE, THE FISHER KING!
Perceval, de Troyes (trans. Burton Raffel)
ALRIGHT alright. so previously I did an illustration that explained the premise of all this, that it's inspired by the narrative choices that Bresson made in his film Lancelot du Lac etc
to dive in more into it (because this is something like derivative fiction. I'm putting concepts into a blender and seeing what comes out of it): the setting is haunted by the previously existing narratives that started cannibalizing each other until it regurgitates itself into the more well known narrative beats, and something else about the invasive rot of christianity and empire mythmaking into settings. it's an intertextual haunting, if you will! and this scene takes place during the grail quest narrative, but the temptation of Perceval plays out differently.
in both Chretien (and Wolfram's) Perceval narratives, what 'wakes' Perceval up (in more ways than one. desire and self actualization in one go!) is seeing knights, something his mother tried hard to keep him from. so instead of the temptation of lust & etc in the Morte narrative taking the form of a lady, it takes the form of a knight. the temptation to renounce one's faith to serve something else remains.
so Perceval still stabs himself, but instead of continuing on the grail quest in the shadow of Galahad, he becomes the narrative's Fisher King because his earlier state of being as a the grail quest hero is creeping back into his marrow. it was waiting for an opening, and stabbing yourself in the thigh is one hell of a parallel!!!
that wound isn't going to heal buddy, and the state of the setting will now be reflected on your body. sure hope that Arthur hasn't like. corrupted the justice of the land or anything. that sure would suck for your overall health.
all the red in this sequence is because in de Troyes' Perceval, Perceval takes the armor of the Red Knight and becomes known as the Knight in Red.
and now for the citations, which I will try to order in a way that makes sense!
Seeing Knights For The First Time
Perceval, de Troyes (trans. Burton Raffel)
The Temptation of Perceval
Le Morte Darthur, Mallory (modernized by Baines)
The Fisher King, and Perceval The Unfortunate
Perceval, de Troyes (trans. Burton Raffel)
On Perceval and Gender, etc.
Clothes Make The Man: Parzival Dressed and Undressed, Michael D. Amey
On Wounds
Wounded Masculinity: Injury and Gender in Sir Thomas Malory's Le Morte Darthur, Kenneth Hodges
The Red Knight
Perceval, de Troyes (trans. Burton Raffel)
On Arthur and the Corruption of Justice
The Failure of Justice, the Failure of Arthur, L.K. Bedwell
#long post#GOD IS IT A LONG POST#i am so so sorry for that.#knights knights knights!#komiks tag#blood cw#if it wasn't clear: i dislike galahad so much. he represents so much i cant stand and worst of all he ROBBED MY MAN#OF HIS NARRATIVE#but like. what's christianity but theft acting uwu innocent about all the shit they did tbqh#fucking. la croix jesus christ over here.#sir perceval
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DP x DC Prompt
…
There are no more heroes.
Well, okay. Rewind a bit.
Danny has been doing the hero thing for a while now. He’s had a big reveal; everyone has accepted him (including his parents), the GIW disbanded, the Anti-Ecto acts repealed, and generally, everything is going great. Some of the A-Listers are even training as junior ghost hunters to help give him a break from his rogues! (Being Ghost King makes things hectic sometimes, and he just needs the extra help. Sue him!)
The point is, literally nothing is wrong with Danny Phantom’s afterlife.
And then Valerie Gray, the Red Huntress, disappears in front of his eyes.
Danny is baffled! She’s just…gone! Valerie just popped out of existence, like she was never there. But no matter how hard he searches in the Ghost Zone, he can’t find her soul anywhere. His core isn't broken in grief. So she’s not dead. Which is good. So then, where is she?
Some of the others come forward with ideas on how to find her. A few ghosts volunteer to go out into the mortal realm, an area Danny had declared off-limits, to see if she was out there. Danny approves it. He rounds up some of the friendlier (i.e., discreet) ghosts and Amity Parkers and demolishes the outside travel ban.
So everyone spreads out, looking for their dear frenemy and teammate. But it becomes apparent very quickly that something is wrong with the rest of the world.
There are no more heroes.
Every single living superhero on the face of the Earth has just…vanished. Villains are running amok; the countries are in chaos! Some aliens are invading Earth, mythical deities are trying to take over, and society is crumbling to the ground. Everything is on the brink of collapse.
Well, Danny was still there. And so were his people. They were pretty spread out, so could they just…take up the mantles? He also knew where to find the souls of dead heroes in the Zone; surely they wouldn't mind coming out of retirement for a little bit, especially if they couldn't die again. Oh! And that skeleton army leftover from Pariah Dark's reign might be useful in repelling those invading forces.
Honestly, there were more than enough hands to go around! And with the heroes gone, Danny didn't mind letting everyone out for a little break, as long as they followed his rules. They wouldn't stop the search for the other heroes, but hopefully, when they found them, the heroes wouldn't mind Danny's intervention too much. :)
In other words:
Someone fucks up, and all of Earth's living heroes are either wished out of existence or are whisked away to some far-off realm where Danny hasn't checked yet. In the attempt to figure out what's going on, Danny lets the dead run amok over the Earth as they search for clues. The skeleton army repels the invading armies, the souls of dead heroes deal with the world leaders, and his rogues and other Amity Parkers set up shop in place of famous heroes, trying to get the cities under control again.
Basically, they just do their best to keep everything from imploding until the Justice League and others are back.
(And why is it that Danny hasn't disappeared? Well, whatever caused everyone to go poof! only affected living heroes. Anyone heroes that were dead in the first place, or even just half-dead, stayed behind.)
#pondhead blurbs#danny phantom#dpxdc#reveal gone right au#ghost king au#for plot reasons#it doesn't count if the hero had died and then came back to life#lots of heroes would still be around then#but this is me pushing the halfa!jason todd narrative work with me here he deserves the fun#deadman is there too#and he's just thriving honestly. it's so nice to be around his own kind even if the world is ending#maybe ellie is whooshed away too cause she never technically died but she took up danny's moniker when he was crowned#vlad is ecstatic cause danny put him in charge of several states while they looked for clues including Wisconsin#skulker is replacing superman and just has a shitty S painted on his chest and just eats kryptonite like candy the first time he meets Lex#Kitty and Johnny take over in gotham and sam is now the new wonder woman#idk man just stupid stuff like this#the press is flabbergasted cause the fucking KING OF GHOSTS just showed up and he's 14 and just looking for some friends#Danny: hey guys sorry about the zombies and fire i'm just here to find my coworker and lil sister and maybe the other heroes#Danny: in the meantime i'll just let my army into the mortal realm to defend it while we figure out what's going on pls don't yell at us :)#the press: how do we explain this to the justice league when they come back. how do we explain that earth was saved by a 14 year old boy-#also idk which heroes are technically dead but are still kicking so if you feel like someone deserves liminal status slap it on them idc#some villains are trying for world dominance and some are just trying to find their buddies. their fight buds. where'd they go? :(#joker gets bitch slapped by a skeleton two days in and waylon becomes bffs with wulf#danny uses the watchtower as a base of operations and it's the only thing he doesn't want to give up when the heroes are back#i have no plot ideas beyond this#i just want everyone to be baffled that an army of the dead showed up while they were gone and just made sure everything stayed cool#later danny realizes he was technically the ruler of the world for a bit since his people were everywhere keeping the villains in check
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Palestinian freedom fighters breaking out of Gaza and reclaiming their occupied territories. They’ve taken over israeli tanks and have chased out the settlers that were on that land. They’ve launched rockets everywhere and the iron dome has failed to intercept. This is about to mark a momentous event in history.
From the river to the sea, Palestine will be free.
#free palestine#it feels so surreal and so shocking#there’s so much hope but so much fear#you just know they’re about to retaliate with the genocide they’ve been planning for years now#i fear for my palestinian brothers and sisters but this is so fucking huge#they tore down part of the barbed wire fence!!!! the people of Gaza are breaking out!!!!#god there’s so much more on twitter but i beg if you look do NOT look at non-palestinian sources#they’re twisting the narrative as if this isn’t retaliation for 76 years of torture#as if the israeli forces and settlers didn’t kill 4 palestinians yesterday alone#as if they haven’t killed nearly 300 palestinians this year alone#do NOT let the media trick you into thinking anything after will be a retaliation to an attack Palestine started#PALESTINE is the one retaliating#also if you’re gonna come in here with both sides or whatever sincerely block me and lmk so i can blokc you#they’ve already out out statements to leave children and the elderly alone so any middle aged fuckers are free to kill :)#which is fine since they’ve likely killed hundreds if not thousands of their friends and family and neighbors anyway#tag: important#fuck israel#gaza#tag: october 7 2023
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