#friend of the station | Explore Tumblr Posts and Blogs

marlynnofmany · 2 months

Text

The Good Perch

“You would think,” Captain Sunlight said drily, “That a spaceport organized enough to have a whole section for courier ships would have a more visible labeling system.”

“Yeah, really,” I agreed with a frown at the small sign marking our ship’s berth. The thing was barely ankle-height and a thin font. Not even a bright color; it hardly stood out from the pavement in its gray-and-black subtlety. With all the spacefarers parading past in a rainbow of body types and clothing styles, not to mention the equally wild spaceships everywhere, those signs were easy to miss. I asked the captain, “Have you been here before? Is this normal, or did the wrong person take charge of designing things?”

“It’s been a while,” said Captain Sunlight, crossing her scaly arms. “I don’t recall this being a problem before. But I suspect our wayward client is still wandering the walkways looking for us.”

“Normally I’d say our ship would stand out, but the visibility’s not great for that either.” Lemon-shaped spaceships with foldable solar sails were pretty uncommon. The one parked behind us would have been easy to spot from a distance if not for the larger ships looming close on either side. These berths were too close together.

Captain Sunlight pulled her phone out of a belt pouch. “Still says they’re on the way.”

“Maybe we need to scoot forward a bit?” I suggested. “Make the ship easier to see?” I stepped up to the walkway for a better look at the view from there.

This turned out to give someone else a better view of me.

“Hey, person who climbs things!” called a cheerful voice. “Come help me brace this.”

After a confused half-second, I located the speaker on top of the gray-brown ship next to ours. I realized with a start that this wasn’t the first time our ships had been parked side-by-side. “Hey, Acorn!” I called back. “Are you waiting for clients too?”

“We were,” the fellow courier called back, waving something that looked like a wrench. She herself still looked like a baboon crossed with a crocodile. “Now it’s time for errands and maintenance, and this needs fixing before we get back into space. Care to give me a hand? Everybody else is either busy or too much of a coward to get up this high.”

“Sure thing!” I said with a glance at Captain Sunlight, who was waving me on. “What’s the best way up?”

Acorn directed me to a row of handholds on the other side of the ship, which made for a nice easy climb. A pity her crewmates didn’t appreciate heights; the spaceport was a beautiful, chaotic sprawl of color from here. And the top of the ship was flat enough to feel plenty safe.

“Welcome to the good perch,” Acorn said, offering me a wrench. “It’s a very exclusive club. Can you hold this part in place so I can adjust that?”

“Absolutely,” I told her. “This end, right? Wait, got it.” I actually had no idea what this open panel was for, but I like to think I hid it well. The job was a simple one with two of us. I could see how it would have been awkward with just one, though. I wondered if she’d resorted to using her feet to hold things in place. I sure would have.

“Got it!” she said. “Now to close it all up. I knew that would be quick.”

I removed the wrench. “What’s the saying? More hands means less work?”

“Makes sense to me. Though by that logic, your friend there could get everything done by himself.”

I looked down to see that Mur had joined Captain Sunlight, in all his many-tentacled squidlike glory. “He probably could, actually. Though I don’t know how he is with heights.”

“Well, no need to share the good perch,” Acorn announced, snapping the panel shut. She spread her arms. “Look at this panorama!”

“It is a nice one! I was just thinking that. What kind of ship is that blobby green one over there? I haven’t seen it before.”

Acorn stood up for a better look. “I think it’s a Waterwill design?”

“That makes sense.” I got to my feet too, glad the ship we stood on wasn’t one of the shiny racer models. Those were much too slippery to make good sightseeing towers.

Not that Acorn seemed bothered either way. She probably would have found grippy shoes somewhere and run up the side just to prove she could. Her appreciation for climbing had been a nice change the first time I ran into her, and was no different now, given how much time I spent among alien crewmates who didn’t have tree-swinging monkeys in their family trees.

“That ship looks like it would make an excellent climbing structure,” she said, pointing at a pink model with grooves along the sides. “Pity it belongs to a security force who are likely to be uptight about such things.”

I laughed. “Isn’t that always the way of it? There’s a police station in my hometown with a roof that slopes down to meet a very climbable wall, and you have no idea how tempting it looked. Well. Maybe you know.”

She definitely understood, and we spent an enjoyable few minutes talking about which buildings and spaceships looked like the most fun to climb.

Then I spotted someone wandering from one berth marker to the next, looking both lost and a little nearsighted, and I had a suspicion that I’d found our missing client. This was a fellow human wearing the kind of drapey clothes that spoke of dignity and no little wealth. Her expression was exactly the kind I’d wear if I had to deal with those hard-to-read signs long enough to be late.

“Hey Captain!” I called down to Sunlight. “Is that her?” I pointed.

Captain Sunlight hurried forward with her phone out, matching the look of the person with an image there.

Yup. Called it.

Acorn chuckled while the pair of them exchanged greetings and complaints about the station layout. “Nice one. The wisdom of the heights strikes again. Do they need you down there now?”

“Probably,” I said. “Actually not yet, this package is a small one. Mur’s got it.” As I spoke, Mur pushed a hovercart forward with a box on it liberally covered in “fragile” stickers. It had a carrying handle on the top, which it had come with, and rubber bumpers on every corner, which Paint had added just to be safe. All precautions had been taken.

“Oh good,” Acorn said. “Then enjoy the view with me a little longer.” She bent to pull something from the toolbag’s side pocket. “Top-of-the-tree snack?”

“Are those the ones you’re named for?” I asked, remembering a conversation the last time I’d seen her. Translations being what they were, her name meant a similar nut from her homeworld. It had been an amusing conversation, since we were both named after things found in trees. She didn’t know what a robin was, but once I explained it, she claimed to have met a number of people back home with similar names.

“Yes, the salted version,” Acorn said, opening the bag. “I recall these were on the safe list for your species.”

“Safe and tasty,” I agreed. “Thank you.” I accepted a handful of alien acorns and marveled quietly at how universal salt was on snacks. Well, for some species. I don’t think Waterwills or Strongarms were that into overly salty food in general. Probably for slug-like reasons. Eggskin the medic would know. I should ask him later.

Acorn peered over the other side of the ship. “Ohh, Riverbrook’s wearing his goofy helmet. I owe him some acoustics since he played that loud music while I was working.” She crouched, peering down at a crewmate who had just emerged. With care, she selected a nut from the bag. “Think you can thwack him from here?” The grin she threw over her shoulder was full of teeth.

I joined her at the edge. “I like my odds.”

The crewmate was one of those people made of crystals instead of flesh. I forget the species name. Very interesting to look at, and unlikely to be hurt by a high velocity acorn no matter where it hit. The helmet was golden, shiny, and probably a fashion statement of some kind.

“First we throw, then we hide.”

“Got it.”

“One, two, throw!”

Ping! Ping!

“Ow, what was — Acorn, is this yours?!”

We both giggled in childlike glee, just out of sight.

“No thanks, you can have it!” Acorn called back.

“I’m going to put this in your fruit drink next mealtime.”

“Good luck with that!”

I nodded. “Ah, a prank war. A noble pursuit.”

“See, you get it.” Acorn offered me more nuts.

I took them and made myself more comfortable. “I don’t suppose you know what a rattlesnake is?”

“Nope.”

“Then let me tell you about the time I got Trrili — the big scary Mesmer on my ship — with a classic prank from Earth.”

“Oh, do tell!”

I didn’t have to get back to my ship for a few minutes yet, which left plenty of time for more anecdotes and snacks on the good perch.

~~~

The ongoing backstory adventures of the main character from this book. More to come! And I am currently drafting a sequel!

154 notes · View notes

gayatticusfinch · 11 months

Text

What if the children of an android, a Nagus, a Starfleet captain, a lizard nazi and an incel Klingon were all friends on a space station called ‘Deep Space Nine’?

#a rewrite of tng/ds9 where lal lives and her and Nog go to the academy together and she gets stationed at ds9 #I wish they all could’ve been friends and nobody died #imagine the shenanigans they could’ve all gotten up to #sad!#star trek #star trek ds9 #deep space nine #lal soong #alexander rozhenko #tora ziyal #jake sisko #nog ds9 #the shit im manifesting in my mind rn y’all #fanart #digital art #this took FOREVER BRO but it looks so good #ds9

822 notes · View notes

tsubaki94 · 2 years

Photo

Hangout

2K notes · View notes

aegagrusscholarship · 3 months

Text

familiarity, the lack thereof, and the only way it could have ended.

the thing is, ultrakill is a very diegetic game. near everything, from the style meter to the bottomless arsenal to the shitass graphics themselves, are explained in some way by some in-universe fact.

so, what with violence and the implication that V1 was designed to counter earthmovers

what with 7-4 and the fact that it is a culmination of this implication

i wonder. when V1 looked up at that earthmover, did it know, with whatever passes for instinct in a machine, exactly what to do? and if it did, then, how is this conveyed to the player?

diegetic as the game is, how does it engineer a situation in which the player, themselves, knows exactly what they have to do?

the biggest factor, i think, is the fact that the earthmover's health bar appears the moment you lay eyes (or camera, or whatever) on it, and it does not leave until you have finally killed this colossus.

but this factor is much more subtle than it appears at first glance. yes, big honkin' boss healthbar on screen for the entire level, what more to it. there's a good deal more, it turns out.

first off- this is the shortest leadup by far to any bossfight in the game. you slide through a single vent, and you are greeted with benjamin right out in the open. even P-1, devoid of any other hazards as it is, gives you a long trek down the spinal staircase before you reach the flesh prison. 7-4 has none of it. you enter the level, you enter the stage, and there you have it. you know exactly what you are up against right from the outset, and it's not quite a feeling of familiarity but it tells you exactly what you have to do. which is the point of this all, isn't it?

7-4 is also... not a bossfight! it is a full level! it is a full level framed as a bossfight. the health bar frames this full complete level as a bossfight.

and on one hand, this is not new news. on the other hand, i think this is the crux of it. the thing is, most bossfights are near-to-entirely new. you do not know how the boss acts. you do not know their attack patterns. you do not know their capabilities. you are learning something new. levels, though, you have done a thousand times over and so the player knows how they need to play through this bossfight in a way that is not quite present with any other boss in the game.

the content of the level is new, of course, because that's how it goes. but you know the motions. you have done this for two acts prior, you know the motions. you know exactly what to do.

also! this level does not exist in a vacuum. what i am saying is this: the rest of violence layer shifts its storytelling and its tone and even its graphics. it is something completely new in contrast to the rest of the game. 7-4, though, returns to environments and graphics more akin to what you have experienced before, bringing you back to familiarity and again knowing what to do here in a way the rest of violence hasn't let the player experience.

one more thing about this level: it plays directly into expectations. which is something that the rest of the game actually does not tend to do.

the game, at base, is just not a typical FPS. it gives you movement like a roguelite or a platformer, it takes guns you expect to know the mechanics of and goes utterly wild with how far the archetype can be changed.

in a smaller scope, here is a comparison of the earthmover and the corpse of king minos as two separate colossal bosses foreshadowed in similar ways. and i mean, minos's bossfight isn't unprecedented in other works. but i think the thing that matters here is that you are not, in fact, the underdog as is the case with so many other bosses of its ilk. riven of many voices, destiny 2, similar bossfight similar scale. you are hiding from her you are a fireteam of many you are triumphing over a dragon larger than life. project gestalt, madness project nexus, you are pulling out every stop you can to take down something so far over your head (both literally and metaphorically). corpse of king minos- V1 looks up, stands its ground, and parries his god damn fist.

and the thing is, the earthmover plays into a different expectation, but it's playing into an expectation nonetheless. you look at this thing and you climb it and you dismantle it from within, like you have done in many games prior. you know what your goal is from the moment you see that healthbar and you hook onto the conspicuously placed hookpoints that tell you- you will climb this machine; you will fight your way up to whatever its core is and you will kill it. you play through the entire level with this expectation and you get exactly this expectation. you destroy its core and it begins a countdown, and so very many games have countdowns before the collapse of whatever level you have just beaten, and you know exactly what you have to do.

i don't know. i love diegetic storytelling. i love this level.

it's just familiarity, i think. this level runs off familiarity. it gives you, the player, things and tropes and designs you are familiar with. it signals to you that you should know what to do, and it lets you do exactly what you expect to do.

if i were any more cheesy i could absolutely end this by restating something about the only way it could've ended, but uh. i am not that cheesy. this time.

aw crud now i don't know how to end this oh well goodbye then

#ultrakill #ultrakill spoilers #idk dude i just saw someone say like. 'when v1 saw the earthmover do you think it knew what to do in a way itd never experienced before'#and i was like 'hmmmm ultrakill is a game that justifies a LOT of its story decisions in gameplay'#'i sure wonder how this one mighta been conveyed to the player'#and then i experienced a category 5 autism event in one of my friends' dms. thanks pory youre a real one #for listening to my giant fucking ramble while i was walkin down from the train station LMFAO #......also fuck i hope no one has written this before i amso sorry if i am just rehashing someone elses already written thoughts fffffuck.

123 notes · View notes

cupophrogs · 1 month

Note

1. Dog day…why did you say when you saw your husbands picture “ he’s alive????” Did you think he was dead.

"The passage of time is worthless when you there's nothing you can count on, except pain. So I always assumed my past life, and everything in it, was already gone. Hope is a very fickle thing, down here."

(Based on this song)

youtube

#my neck hurts #I was originally going to turn this into a full animation - buut halfway through I'm like “fuck that actually”#relining the double frames was time consuming enough LMAO #I'm still pretty happy with how it turned out though!#Also if you're not really a fan of choral music I BEG of you to chekc out these composers:#Daniel Elder #Jake Runestad #randal stroope #and Moses Hogan #Some of my favorite composers of all fucking time #like holy shit #im such a choral nerd lmao #ask the three d's #the three d's #dogday #dogday poppy playtime #featured: kissy missy #featured: poppy #Charles poppy playtime #Drew drives a station wagon #he got his friend to paint little designs on it #phrart #art #also yes that IS a Rich puppet in Charles' lap #bro misses his hubby okay he needs to cope somehow #he's not delusional tho dw #it's just his way of keeping the memory alive since his memory is ass (me too Charles me too)

100 notes · View notes

riaki · 6 months

Text

— last train at 25 o' clock | suguru geto x reader fluff(???)/light angst @twentyfivemiceinatrenchcoat please take this bc coffee shop geto is gonna take a bit

it's 1am in the morning, the train platform's a ghost town, and the hum of the vending machine is all the noise in the world as you and suguru wait for the last ride home after a mission.

wc : 2.6k cw : brief mentions of blood ; references to hidden inventory arc , shoko typical smoking , probably some other stuff i'm forgettin not proofread!!!! also he may be ooc srry

i cooked this up last minute cus i remembered my promise of posting every weekend last week so my bad if u can tell its rushed lol post hidden inventory pre defection

suguru remembers it like it was yesterday.

the song of summer insects reaches your ear as you clamber up to the train station platform; a pandemonium of cicadas and crickets that sing odes to the full moon in the sky partially curtained by dark clouds and the dew on the grass that's begun to form.

"damn, it's hot." you muttered, wiping your forehead as your arm shot out to grab the dirty railing, white paint cracked and peeled as a splinter pricks your fingers and you flinch. suguru follows after you; a small hum is your acknowledgment.

"careful. shoko doesn't like dealing with splinters," he says from behind you, stepping up the stairs two at a time to straighten up on the train platform, hands in his pockets. “i don’t have reversed curse technique healing either.” there's the smell of a storm in the air, and the lights overhead buzz and flicker with the intermittent beat of a moth's wings. you just give a dip of your head in acknowledgement as you pry your hand away from the railing, the scent of old wood lingering on your hand as you wipe off the dust clinging to your palm on your pants.

(geez, you two have no sense for these types of things.)

suguru holds a hand out, and you take it eagerly to let him pull you up the last step, before politely letting go and slipping it back into his pocket once more. you let out an exhausted sigh and stand up, rubbing your tired eyes as you look around.

the platform is deserted save for the stray cat beneath the station bench, sniffing at a clump of weeds growing from the metal leg. there's a vending machine up against the wall to the elevator, an obnoxious painted 'out of order' sign on the lift's muddy glass doors, stained with dust, dirt, and fingerprints. there's some... creative graffiti on the wall, and a starch yellow section of caution tape flutters in the humid evening wind.

the cat scratches at the concrete floor, and its matted white fur and crystal blue eyes remind you of someone. you glance up at suguru, poking his arm to get his attention.

"look. it's satoru." you huffed, still a little loose for breath as you reach out and grab his shoulder, leaning against him for support. the dark-haired boy just laughs a little, taking his phone out to snap a picture and no doubt send it to the white-haired brat. "i see it." he leans a little closer to you; it's subtle, and you don't notice it, but the way his shoulders sag just so you have an easier time holding on speaks volumes. "don't send it to him! he's probably asleep right now. think it's past his evening sugar high?" you asked, glancing up at him with a tilt of your head.

"most likely. i think he got sent on another solo mission today." there's a tiny bitter bite to suguru's voice that underlines its usual velvetiness; like an ocean current beneath the waves that you only find once you've been dragged underwater. you don't say anything about it, though. the sleeves of his uniform crumple beneath your fingers when they curl into the fabric, a shiver running down your spine as goosebumps spring up on your skin like shroom caps after the summer rain.

suguru is observant.

"you cold? you can have my jacket." it's immediate, and his voice is as smooth as cream silk and marble as he shrugs your hand off (much to your dismay-- shown with a bite to your cheek) to unbutton his uniform jacket, slipping it off his shoulders and offering it to you. when you stand there, feeling a little daze and a lot tired, he just smiles, shoving it in your face with a low chuckle that sounds like honey pouring from a jar.

"you sure? you can hug a cursed spirit if you get cold, 'cus you're not getting it back." you sighed after a moment, reluctantly taking his jacket and tugging it over your shoulders. it's warm, and it smells like his cologne- like some natural incense that soothes your nerves and loosens your body to the marrow in your weary bones. you bury your nose in it and forget to think about the warm hue on your cheeks that you'll later chalk up to the humid air.

"i'm sure." the cat by the bench perks up, staring directly in your direction. it yawns, before bounding away, disappearing behind the vending machine with a flick of its cloud white tail. the machine is missing a few rows of drinks, but the green of a melon soda can that's far too saturated to have a name to the original fruit and the cream and red of a yakult bottle are enough to catch your eyes beneath the harsh light of the display.

"still don't understand how you get cold on a night like this, though." he makes a gesture towards 'this' with one hand, fingers flexing in a way that makes your heart flutter unreasonably.

a moment of silence passes; you can see the distant lights of some prefecture over the hill, and your mind briefly wanders to rainy afternoons, puddles reflecting the red neon of passing cars and distorted faces under plastic umbrellas sandwiched between painted concrete and a dark sky.

"you want a drink? on me, as thanks." you say, breaking the sound of silence and nodding towards the vending machine as you look up at suguru. it takes him a moment to respond, so you use the opportunity to admire his profile; the slope of his nose, the deep hazel of his eyes that shine a copper rust beneath the pale yellow light overhead. his hair is a little messy; it's falling out of its slicked back bun, a product of your earlier fight. there's a scrape on your ankle from tripping through the bush in an attempt to put distance between the curse when you had been engaged earlier; it still stings. there's a tightness to his jaw, you notice- and some part of you wishes you could take it for yourself.

the section of dark hair in front of his face sways as he turns to look down at you, gaze charting the corners of your face (your cheeks look soft, he notes) before he opens his mouth to speak.

one kick to the machine, a disappointed frown when nothing comes out, and two yen bills later, the pop of can tabs fills your ears as condensation seeps into your skin, a pleasant relief from the heaviness of the summer air. it's too much when the cold side of a drink is pressed to your cheek, though-- and you let out a yelp of protest, shooting a quick glare up at suguru, who just laughs it off and takes a sip of his drink.

you down a sip of your own; it's a sweet fruit tea that's your go to whenever it's hot out. sweet, citrusy, like starfruit. it tastes like a summer of youth and a warm blue spring. it's pleasant.

a distant rumble echoes from the dark horizon, and both of your gazes simultaneously snap towards it-- at last, you think. the last train is here. you adjust suguru's jacket around your shoulders, catching a whiff of something that smells like rosemary and new leather as his voice fills your ears.

it's an easy night when you pass the threshold and step into the train car, speckled white floors and blue hard seats greeting you. somewhere, there's a ticket stuffed into one of your pockets; a memento of late evenings that blend into early mornings when there's a bruise on your face and a knick on suguru's wrist that soothe themselves with the harmony of small talk and sensation of fizzling bubbles in cold metal cans as the train jostles you along. you're sitting, and he's standing, one arm on the hangers overhead as you talk about everything and nothing. he catches himself every now and then, watching with minimal interest as the sliding doors part themselves like gateways to the afterlife for ghost passengers. it's not your stop yet; far from it.

"say, suguru-- do you miss going on missions with satoru?" you asked after a moment, fingers drumming against your knees as the automated voice overhead announces the next stop, empty farm plots and tangles of wire passing by as the lights inside cozy houses dim and go off.

he doesn't answer that, so you just look out the window.

(suguru, you gettin' enough sleep? heatstroke?)

"how's the cut on your leg?" he finally murmurs after a moment, his eyelids heavy before he tears his gaze away from a tacky advertising on the wall and back to your scrunched nose.

"annoying." you just sighed, and you watched as he gave a small smile; his eyes fluttering shut, long lashes resting against his cheeks. you wondered if the wings of a butterfly would be heavy enough to weigh them down.

he moves after a second, sitting down one seat away from you in a swift motion and beckoning for you to lift your leg. you comply, not entirely sure where it's going- until he gently rolls the hem of your pant leg up, pressing the cold edge of his half-empty soda to the angry red scratch, and you wince a little before letting out one, long sigh. you melt into the chair, feeling like a senior citizen with a hunched back and one too many shrine visits under a bleached kyoto sun.

"thanks." you mumbled, leaning your head against the window as the train jostles ever so slightly to its own tracked rhythm.

he just hums in response, pulling a worn bandaid out of his pocket; the plastic top has pen smudges on it and the white wax gets caught between his pearly teeth as he tugs it off, taking time to make sure he positions the healing strip properly before flattening it down on your leg.

"shoko makes no sense when she talks about her reversed curse technique, so this'll do." he says quietly, and you let yourself fall into the pool of molasses that comes from his throat as you close your eyes, feeling the dull sensation of pain drain from your muscles and melt away like the first waves of spring and the ripple of lake water as a lone sakura petal disturbs the mirrored blue surface.

"i could learn it." you said after a moment, pressing your lips together in an attempt to snuff out the feeling of his fingers lingering on your skin, toying with the loose edge of the bandaid. he just snorts, and you crack one eye open to glare at him.

the rest of the train ride is spent in silence; you slip in and out of a hazy sleep, and you're faintly aware of the timeline-- somehow, your drink ends up on his lips. your head ends up on his shoulder, and your ears pick up his quickened heartbeat. his warmth is nothing like the humidity that clings to your skin like a layer of smoke and vapor, accompanied by sticky dango and raucous laughter weaving between the sounds of fireworks and the crunch of dirt beneath pairs of geta. he smells like home and his soft hair tickles your face as your little breaths squeeze past your parted lips, a warmth like bumping shoulders and linking fingers seeping into your body like the steady stream of fine sand in an hourglass. a warmth like empty classrooms lit by golden hour; windows cracked open to let in a fresh breeze as the faint smell of cigarette smoke drifts up to the room from the brunette and her lighter beneath the patch of shade from a tree in the courtyard below.

(need a light?)

this is how it's been for the past month. tired mumbles and hushed murmurs exchanged between two people who are more than friends but less than lovers after each harrowing mission; shared drinks and linked pinkies, the warmth that stains cheeks rosy when fingers that look small against calloused ones brush with another hand reaching for the metal pole on the train. heavy silence as you fall asleep on his shoulder; faint tingles when his fingers graze your knuckles as he stares at the dark reflection in the windows across. even the windows know how to make him relax.

one day, it'll be just him. a white bird stained black by apollo's hand in a sea of dirty geese, silent as the others hawk and squawk for a place on the lake. one hand hooked around the hard plastic of a hanger, supporting heavy shoulders with weight that could rival atlas' burden. a boy so tired of being beaten by the waves that he succumbs to the undercurrent with the same practice as before, only the paint on the railings has chipped past repair and not even the greenery of the countryside can touch the stains on the windows to his soul; eyes that used to shine with mirth and crinkle with gentle smiles become sunken and heavy with experience more suited to those a decade older.

he'd already chosen his path when he offered his jacket to you; when he laughed at the way you'd sneezed after investigating the patch of weed that had captured the stray cat's attention from before. and he knew that you'd noticed, and he knew that you'd try, and he knew that he wouldn't let you.

he knew when he woke you up with a gentle nudge to the forehead, suppressing the fluttering feeling in the heart he didn't know he still had when you made a grumpy tired face and stood up with much effort and a stumble or two.

(damn monkeys.)

it was easy nights like these that he'd eventually miss the most. walking you back to your dorm, past the candy wrappers and empty cola cans in the halls stained with imaginary blood and passing glances. departing with a kiss goodbye when he knew you were too drowsy and delirious to be able to remember it come morning.

the swing of a jazz rhythm would get stuck in his throat when you stumbled, only catching yourself from the jolt of the train's stop by latching a hand onto his wrist like some evil little lamprey and muttering a small 'sorry'. he'd laugh it off, collect the empty bottles of drinks of debt, and tug on the sleeve of his jacket on your arms, gently helping you off the platform as your pant leg slid back down to cover the bandaid on your leg, rough fabric scratching away the ghost of his touch on your skin. he wished it would just stay for a little longer.

and when the morning came and you woke up in your bed with his scent on the fabric of your shirt, you'd do it all over again. the only part of the terrible cycle he ever took pleasure in. even when the vile taste of a cursed spirit sunk into his stomach, it would be washed away with the right pop and fizzle of sugary drink followed by an even sweeter kiss to the knot between his tired eyes.

there was nothing about your time together he wouldn't ever miss.

you'd be his past, his present, and his afterlife. even when it was his turn to get off the ghost train and step past those sliding doors that held new meaning, you were the last thought on his mind.

one day, he hopes to see you again, when the last train comes in the night so late it could be considered early morning and the platform can relive old memories of peeling paint on a past summer spring once more.

hope u guys enjoyed the catoru cameo my (riaki) stuff. don't repost and/or plagiarize !

#yes the title is a lamp song sue me #meant to practice sugu dialogue but he spoke like twice the entire time #suguru geto x reader #geto suguru x reader #geto suguru x you #suguru geto x you #geto suguru #jjk x reader #geto x reader #suguru x reader #billet-doux #think i genuinely started tweakin halfway thru #i asked mt friend for a prompt and she said train station and this amalgamation was born #jujutsu kaisen

173 notes · View notes